Showing posts with label The Rolling Stones. Show all posts
Showing posts with label The Rolling Stones. Show all posts

6/23/2020

Various Artists Review-Rolling Stone: Life And Death Of Brian Jones Soundtrack

Release Date: June 12, 2020
Label: MVD


The story of Brian Jones, famous for originating the band The Rolling Stones, is a compelling real-life account. I had the opportunity to view the DVD and listen to the red vinyl LP of Rolling Stone: Life And Death Of Brian Jones Soundtrack. It is a Dudeski/Chip Baker production directed by Danny Garcia. I watched the Rolling Stone: Life And Death Of Brian Jones DVD first to learn about the story of his life and untimely death. The DVD would tie in well with the soundtrack and make more sense to me.

I, like many others, assumed that Jones died because of drugs and alcohol. This revealing movie shows evidence that contradicts those basic beliefs. Yes, he did his share of mind-altering substances however when he was found dead at the bottom of his pool it is believed, based on evidence and a 600-page document unearthed by Scott Jones, that he was murdered. Jones had been arguing with a man named Frank Thorogood all day and each time the arguments became more heated and the last altercation being a physical struggle in the pool with the larger and stronger Thorogood that ended Jones’s life. The truth about his death was covered up by law enforcement and was under a 75-year rule established by that very institution.

Jones was a brilliant multi-instrumentalist and referred to as genius in the film. I would not dispute that statement with what I know and have listened to the Stones most of my life. What I found so interesting and shocking was how Jones was treated by his mother, band members, and friends. I understand that he was temperamental and had issues but that does not explain the way he was treated and at times very unfairly. He was a very sick man that never got the help he needed but I know it was not desired by the flamboyant musician. He was the leader of the Stones and eventually, the songwriting went to Jagger and Richards and that was the beginning of the end for Jones.

The beginning of the film starts with footage of Brian in his youth and his rise to fame with the Stones. One scene shows the band at a party getting in a cake fight, which I thought was very light-hearted. Too bad things did not stay that way for the band and Jones. By the time Jones was 19 he had three illegitimate children and at the time of his death, he left behind six children. Interesting how if this story was about a woman how she would have been looked upon as a whore but because it was a man he got labeled as a lost rock star a lower class of society by the establishment. And actually, the establishment of that period was doing everything they could do to split up the group including planting drugs and arresting them.

The bonuses of the DVD include nearly an hour of Deleted Scenes, Behind The Scenes, and Muddy Waters: The Scott Jones Files. All of which reveal more stories about Brian Jones, The Rolling Stones, and his mysterious death and cover-up. Rolling Stone: Life And Death Of Brian Jones is a fascinating film and it brings forth so many stories and facts about the famed artist and how he died that I certainly never knew. I am now well-informed thanks to this eye-opening DVD.

Now on to the music...Rolling Stone: Life And Death Of Brian Jones Soundtrack is a special Red Vinyl LP. If you remember the early Stones music when Brian was involved there were strong blues influences and many classic blues covers. Jones loved Elmore James and Alex Korner etc. This soundtrack will satisfy all Stones fans and blues lovers.

Side one opens with “1969,” echoing that fateful year for Jones. The music is very much retro sounding like it was recorded then. “Ain't Nothing Here to Change My Mind” is a real ear catcher and the first thing that you notice is that the lead singer sounds like Jagger. How appropriate for this record to have vocals like that. Dick Taylor & The Red Squirls (the first bass guitar player for the Stones who left to form The Pretty Things as their lead guitar), who is interviewed on the DVD, has his contributions on the LP as well with “Edith” an instrumental, which certainly did remind me of Dick’s band The Pretty Things. And another instrumental on side two titled “14a Chestnut St,” which is real rockin’ blues boogie. “Dusted” is a slow-burning simmering hot blues track with cuts like a knife slide guitar (a nod goes to Brian for his memorable slide playing). “Riding The Dog” is classic blues with a fine six-string workout towards the end of the track. Then the “The Path of the Meeting” closes out the first side with an atmospheric instrumental perfectly suited for a soundtrack.

After side one I was quite pleased with what I heard, all of it was very good and I expected it would continue on side two, which it did. After the kick start of side two “14a Chestnut St” then “Tighten It Rough” keeps the momentum going and then “Brian” follows which features some nice acoustic guitar picking and some killer slide work. Next up is “(I’ll Never Be) Satisfied” which immediately brings to mind one the most famous Stones hits “Satisfaction.” All the tracks are purposeful and fitting and that is a fact.

Following that wake-up call, fans and historians are sent a reminder of the fact that Brian was the originator and first leader of the Stones with “Brian Jones (The Real True Leader of The Rolling Stones),” which is a peppy pop-rock tune, suitable for cutting a rug. The one track that seemed out of place but was a good one was “Glitter Girl.” It sounded like a band from the 80’s straight out of England, complete with the accent. I am sure it was dedicated to Anita Pallenberg, one of Brian’s more famous glamorous movie star girlfriends (that ended up with Keith Richards). The album closes out most appropriately with a short instrumental soundtrack outro that was just perfect.

So, this music lover and Stones fans got a double shot of Rolling Stones and Brian Jones's history and music. I have a different view of some of the members of the band now and what Jones was like and how he died. It was a sad tragic end and Jones is a member of the “27’ club that includes luminaries like Hendrix and Joplin. Most impressive was the soundtrack music, I did not hear one throwaway track and it is the kind of music I will want to hear often. Watching the DVD first made a big difference in how I heard and interpreted each track and I would recommend doing it that way.

Keith “MuzikMan” Hannaleck-TFOV Founder
June 21, 2020

Track List:
Side A:
01. 1969 by The Proper Ornaments
02. Ain't Nothing Here to Change My Mind by Greg ‘Stackhouse’ Prevost
03. 3Edith Groove by Dick Taylor & The Red Squirls
04. Dusted by Ray 'Sonic' Hanson’s Whores of Babylon
05. Riding the Dog by Deadbeat Poets
06. The Path of the Meeting by J.M. Baule

Side B:   
07. 14a Chestnut St. by Dick Taylor & The Red Squirls
08. Tighten It Rough by Steve Hooker
09. Brian by John Perry
10 .(I’ll Never Be) Satisfied by Alabama 3
11. Brian Jones (The Real True Leader of The Rolling Stones) by The Bermondsey Joyriders
12. Glitter Girl by The Primadonna Reeds
13. Muddy Waters by John Roome



11/04/2018

Rock LP Review: The Rolling Stones Beggars Banquet 50th Anniversary Deluxe LP Set (Ltd. Edition)

Release Date: November 16, 2018
Label: ABKCO

The limited-edition vinyl release of The Rolling Stones Beggars Banquet 50th Anniversary Deluxe LP set features a gatefold jacket, 180-gram stereo vinyl, a bonus vinyl 12" "Sympathy For the Devil" single in mono (backed with an etching of the original release's "toilet" cover), and a replica of the Japanese bonus flexi disc featuring a 1968 phone interview with Mick Jagger is also included. This edition is wrapped in the "RSVP" cover art.  How is that for music fans, especially Stones enthusiast? It is quite a beautiful package to enjoy.

The thing bands like the Stones and Zeppelin did with the blues is what made them so popular. Taking rudimentary blues songs and turning them into delicious morsels of rock, literally owning the song within their own framework and interpretation. This is something that is still going on to this day but not at that level. For the Stones, how could they possibly top the apex of their career Their Satanic Majesties Request? I do not think it was a matter of toping the first release, it was more important for the band to come up with something different than their last release to keep it fresh. And more importantly, feature their creativity and hold on to their prospective audience. Well, they always managed to do that and Beggars Banquet was no exception. On the copy of the Japanese flexi disc Jagger responds to the question from the interviewer if the album is going sound similar to the last release. He retorts “It is different than the last album, it’s supposed to sound different.”  It is a bit difficult to make out what Jagger is saying at times because the telephone lines were not as advanced and clear as they are today. With that said, it is a nice addition to the set just the same.

Beggars Banquet was a superb album, one of the many classics the Stones would record during their career. This (for me anyway) has to be in the top five of their greatest achievements. The additional things that make this set so special will surely make all music fans appreciative. The record labels have become very innovative with the packaging of vinyl releases such as this. If there is not enough room to fill one side of vinyl, what is the option? Some cool etchings that’s what! It really is a bonus to see that kind of space utilized smartly particularly in this case where the original releases toilet cover is featured. I personally appreciate any kind of art related to the music and if it comes in one package that is just the icing on the cake.

The sound on vinyl is amazing, of course, what else would I say right? Everything sounds great on vinyl and for all those years I thought CDs were the bomb and they could never come up with a cleaner sound, wrong! We have come full circle, even with all the streaming services available and device options to listen to music, you simply cannot challenge the “complete” musical experience that vinyl can offer. This is one great example of how to celebrate an iconic album and I am sure we will see many more to come.

Stereo or Mono is always good, I do prefer stereo. Listening to “Sympathy For The Devil” in mono is different of course, but that being my favorite track, it sounded just as wonderful hearing it again after listening to the original stereo version. Having one track on an LP side harkens back to the days of 78 wax.

“Street Fighting Man” was another incredible track that stands up well today. The Stones created music that is timeless just like their UK friends The Beatles. Their music was so different that there really could not be a rivalry for the same audience. Some love the Stones and vice-a-versa and there is no argument. Myself, I love both bands and appreciate all their contributions to modern music.

“Stray Cat Blues” is a great track that gets back to their earlier blues roots but is more polished and defined then what you would hear on their first few releases. They certainly had their own sound and Jagger’s vocals were unique. The maturity of the band comes flowing through with ease on this album.

Besides having such a wonderful package to hold in your hands and spin on your turntable, you get a limited-edition release with all the trimmings. I think Beggars Banquet has stood the test of time and so will vinyl during this second resurgence. Like Yogi Berra quipped “Its déjà vu all over again.”  But isn’t it sweet to do again with all the extras? I think so.

Keith “MuzikMan” Hannaleck
November 2, 2018

Founder of:

Review Provided By MuzikMan’s Reviews & News

Tracks: 
01. Sympathy For The Devil
02. No Expectations
03. Dear Doctor
04. Parachute Woman
05. Jig - Saw Puzzle
06. Street Fighting Man
07. Prodigal Son
08. Stray Cat Blues
09. Factory Girl
10. Salt of the Earth

11/03/2018

Rock LP Review: The Rolling Stones Beggars Banquet 50th Anniversary Deluxe LP Set (Ltd. Edition)

Release Date: November 16, 2018
Label: ABKCO

The limited-edition vinyl release of The Rolling Stones Beggars Banquet 50th Anniversary Deluxe LP set features a gatefold jacket, 180-gram stereo vinyl, a bonus vinyl 12" "Sympathy For the Devil" single in mono (backed with an etching of the original release's "toilet" cover), and a replica of the Japanese bonus flexi disc featuring a 1968 phone interview with Mick Jagger is also included. This edition is wrapped in the "RSVP" cover art.  How is that for music fans, especially Stones enthusiast? It is quite a beautiful package to enjoy.

The thing bands like the Stones and Zeppelin did with the blues is what made them so popular. Taking rudimentary blues songs and turning them into delicious morsels of rock, literally owning the song within their own framework and interpretation. This is something that is still going on to this day but not at that level. For the Stones, how could they possibly top the apex of their career Their Satanic Majesties Request? I do not think it was a matter of toping the first release, it was more important for the band to come up with something different than their last release to keep it fresh. And more importantly, feature their creativity and hold on to their prospective audience. Well, they always managed to do that and Beggars Banquet was no exception. On the copy of the Japanese flexi disc Jagger responds to the question from the interviewer if the album is going sound similar to the last release. He retorts “It is different than the last album, it’s supposed to sound different.”  It is a bit difficult to make out what Jagger is saying at times because the telephone lines were not as advanced and clear as they are today. With that said, it is a nice addition to the set just the same.

Beggars Banquet was a superb album, one of the many classics the Stones would record during their career. This (for me anyway) has to be in the top five of their greatest achievements. The additional things that make this set so special will surely make all music fans appreciative. The record labels have become very innovative with the packaging of vinyl releases such as this. If there is not enough room to fill one side of vinyl, what is the option? Some cool etchings that’s what! It really is a bonus to see that kind of space utilized smartly particularly in this case where the original releases toilet cover is featured. I personally appreciate any kind of art related to the music and if it comes in one package that is just the icing on the cake.

The sound on vinyl is amazing, of course, what else would I say right? Everything sounds great on vinyl and for all those years I thought CDs were the bomb and they could never come up with a cleaner sound, wrong! We have come full circle, even with all the streaming services available and device options to listen to music, you simply cannot challenge the “complete” musical experience that vinyl can offer. This is one great example of how to celebrate an iconic album and I am sure we will see many more to come.

Stereo or Mono is always good, I do prefer stereo. Listening to “Sympathy For The Devil” in mono is different of course, but that being my favorite track, it sounded just as wonderful hearing it again after listening to the original stereo version. Having one track on an LP side harkens back to the days of 78 wax.

“Street Fighting Man” was another incredible track that stands up well today. The Stones created music that is timeless just like their UK friends The Beatles. Their music was so different that there really could not be a rivalry for the same audience. Some love the Stones and vice-a-versa and there is no argument. Myself, I love both bands and appreciate all their contributions to modern music.

“Stray Cat Blues” is a great track that gets back to their earlier blues roots but is more polished and defined then what you would hear on their first few releases. They certainly had their own sound and Jagger’s vocals were unique. The maturity of the band comes flowing through with ease on this album.

Besides having such a wonderful package to hold in your hands and spin on your turntable, you get a limited-edition release with all the trimmings. I think Beggars Banquet has stood the test of time and so will vinyl during this second resurgence. Like Yogi Berra quipped “Its déjà vu all over again.”  But isn’t it sweet to do again with all the extras? I think so.

Keith “MuzikMan” Hannaleck
November 2, 2018

Founder of:

Review Provided By MuzikMan’s Reviews & News

Tracks: 
01. Sympathy For The Devil
02. No Expectations
03. Dear Doctor
04. Parachute Woman
05. Jig - Saw Puzzle
06. Street Fighting Man
07. Prodigal Son
08. Stray Cat Blues
09. Factory Girl
10. Salt of the Earth

10/08/2015

Warme New Single Council House Opera - Review



‘Council House Opera’ is the latest single from Bradford 5 piece Warme. Taking influence from classic guitar music such as The Kinks, The Beatles and The Rolling Stones, Warme craft bespoke, gritty rock stepped in personal experience and close friendship.



‘Council House Opera’ is a dynamic track borrowing equally from 60s rock and roll and the 90s Brit pop movement with Oasis and The Stone Roses as obvious contributors to the Warme sound. The video was shot in their hometown of Bradford, a Northern stronghold with not much music scene but Warme have taken the lack of surrounding influences and built a fantastic repertoire from nothing.

Warme are set to release the single on October 23rdwith a string of live dates in the New Year.

Check them out below:



https://soundcloud.com/warmeukofficial

8/13/2015

The Violence Of Ice By Rhett May

Primarily influenced by the classic song writing of John Lennon, the Beatles and the Rolling Stones, Rhett May is a rock writer who has moulded his own sound over several decades in the industry. His self-produced rock is simple, raw and home-made – without over-the-top production but with plenty to say about May’s take on the modern world.



Having spent a large part of his childhood in Calcutta, India, his guitar led songs are infused with the sounds of the Indian streets, giving his music a different flavour to the majority of current, cookie cutter rock music. By blending classic sensibilities with a twist of Indian culture, he has created a string of upcoming singles, the first of which will be ‘The Violence of Ice’ – out October 2nd.

With a musical career which spans back to the seventies when his band Lucifer supported legendary rock band Queen, Rhett May is a voice of experience in a rock world which has become increasingly shallow. He’s toured the world, seen the music industry from the inside, and watched the dark side of the business consume those around him.

Out 2nd October


7/01/2015

Classic Rock Review: The Rolling Stones-Sticky Fingers Deluxe

Release Date: June 2, 2015
Label: UME

It is hard to think of rock music without The Rolling Stones.  Formed in 1962 and one of the leaders of the British Invasion, they are one of the biggest acts of the last fifty years, and do not appear to be stopping any time soon.  Considered to be one of their best albums, Sticky Fingers is their ninth British and eleventh American studio album and one of their “golden era” albums of the late sixties and early seventies.  Though now a four-piece, The Rolling Stones consisted of Mick Jagger (vocals), Keith Richards (rhythm guitar, backing vocals), Mick Taylor (lead guitar), Bill Wyman (bass), and Charlie Watts (drums) back then.  This two disc deluxe edition is a must have album for rock fans.  With a remaster of the original and another album featuring alternative and live versions, Sticky Fingers does not disappoint.  

There might not be a better opener in rock music history than “Brown Sugar.” It is a song that once you hear it you cannot forget it.  The music is fun, playful, and upbeat that takes on a new dimension when the lyrics are considered, dealing with sex, race, slavery, and drugs.  There is a sweet horn section and the guitar riff will be forever recognizable.  Following up “Brown Sugar” is “Sway,” a great, sultry blues rock jam, with a superb outro on guitar.  “Wild Horses” is a low-key country rock ballad and a real emotional piece.   It is the kind of song where you just need to lean back and let the music wash over you and take you in. 

With an opening guitar riff that sinks into your bones, “Can’t You Hear Me Knocking” is one beautiful rock song.  The music is lively and thrills like lightning during a summer storm.  It also has a fabulous instrumental part.  It starts around the end of the two-minute mark with Bobby Key’s saxophone solo, before some smooth guitar work takes over.  “You Gotta Move” is a short blues song that is heavy on the slide guitar.  “Bitch” really turns up the heat.  It is one jumping rock tune, with tons of punkish attitude and a great use of horns that gives the song some extra flavor.

Taking things in the other direction, “I Got the Blues” is a toned down, anguished blues rock song.  The low-key music is continued in the somber, acoustic song “Sister Morphine.”  The country rock song “Dead Flowers” has a little more pep in its step than the previous two, though the lyrics carrying some darker undertones. Capping off the album is the wonderful ballad, “Moonlight Mile.” It is a great song that is a dark and emotional journey reflecting on the loneliness of the open road.

The disc features an additional ten songs with five being alternative versions of songs from Sticky Fingers and the other five from a live performance.  The alternative version of “Brown Sugar” features Eric Clapton and there is an acoustic version of “Wild Horses” that is just as good as the original.  The condensed version of “Can’t You Hear Me Knocking” does not have much on the original.  The saxophone is sorely missed.  The extended version of “Bitch” is pretty rocking with instrumental parts.  The live performance songs include the single “Honky Tonk Women,” while the rest come from earlier Stones’ albums, Beggars Banquet (“Stray Cat Blues”) and Let It Bleed (“Live with Me,” “Love in Vain,” and “Midnight Rambler”).  The live versions sound clean and clear, and add a nice value to this deluxe edition.  “Live with Me” is a sweet, rocking song and the blues rock epic “Midnight Rambler.”

The Rolling Stones’ Sticky Fingers is just an exceptional album.  This is a quintessential rock album that is a must have for fans of The Rolling Stones and rock music, in general.  I will go so far as to say that is definitely one of those albums that you should listen to before you die.  

5/5 Stars

Key Tracks: Brown Sugar, Can’t You Hear Me Knocking, Bitch, Moonlight Mile

Tracks:
Disc One
01.Brown Sugar
02.Sway
03.Wild Horses
04.Can’t You Hear Me Knocking
05.You Gotta Move
06.Bitch
07.I Got the Blues
08.Sister Morphine
09.Dead Flowers
10.Moonlight Mile

Disc 2
01.Brown Sugar (Alternate Version with Eric Clapton) 
02.Wild Horses (Acoustic Version)
03.Can’t You Hear Me Knocking (Alternate Version)
04.Bitch (Extended Version)
05.Dead Flowers (Alternate Version)
06.Live with Me (Live At The Roundhouse, 1971)
07.Stray Cat Blues (Live At The Roundhouse, 1971)
08.Love in Vain (Live At The Roundhouse, 1971)
09.Midnight Rambler (Live At The Roundhouse, 1971)
10.Honky Tonk Women (Live The Roundhouse, 1971
)
 
Brian McKinnon - Write A Music Review Sr. Staff
July 1, 2015
Review Provided By Write A Music Review



2/26/2015

Las Vegas Guitarist Jimmy McIntosh Releases New Album Featuring Rolling Stones' Ronnie Wood!


Featuring guest appearances by guitar legends Ronnie Wood, John Scofield and Mike Stern!

Las Vegas, NV - As a follow up to 2006's  'Orleans to London', guitarist Jimmy McIntosh once again finds himself in illustrious company on his new album 'Jimmy McIntosh and...' This collection of funk, rock, jazz and blues originals showcases McIntosh's considerable six-string prowess and features the Michigan native exchanging incendiary licks with his personal guitar heroes John Scofield , Mike Stern and the Rolling Stones' Ronnie Wood. The solid backbeats are supported by Toss Panos (drummer of choice for guitarists Robben Ford and Mike Landau), bassists Dan Lutz, John Humphrey and Keith Hubacher and New Orleans keyboardist Ivan Neville (of The Neville Brothers, Keith Richards' X-Pensive Winos and Dumpstaphunk). This stellar outing was definitely a labor of love for McIntosh.

For 'Jimmy McIntosh and...', McIntosh recruited Scofield and Stern from his home base, Las Vegas. Says Jimmy, “I got to know John and Mike about 12 years ago when there was a Blue Note jazz club in Las Vegas and became good friends with both of them. The Vegas Blue Note was short-lived, but I was there almost every night for the duration of their gigs. I've jammed with Mike several times and asked him, 'If I make another record, will you play on it?' And Mike said 'sure'! Toss Panos, John Humphrey and I went into Toss's North Hollywood studio with Mike when he was in Los Angeles playing with his band at Catalina's. Mike's playing on this album is just brilliant. Then John happened to come through town with Phil Lesh & Friends just a few months ago. I had mentioned to him that I was doing this album and he said, 'Hey, if you still have room on your CD, I'd love to play on it.' So that came to fruition as well. It was a dream come true for me to create this CD with three major heroes of mine and who have also become very good friends over the years.”

McIntosh's friendship with Ronnie Wood goes back to his solo debut, 'Orleans to London'. Jimmy recalls, “I first met Ronnie backstage at a Stones show in Las Vegas. Ronnie and Keith Richards were hanging out with Bobby Womack in the 'Tuning Room' were they Jam to warm up before the show. Art Neville did me a huge favor and called Jane Rose for me to meet Keith and Ronnie. It was a wedding gift as I got married a week before (This was April 1999). Anyway a few years later I recorded my first CD 'Orleans To London' and Art Neville, Ivan Neville, Cyril Neville and Mean Willie Green (Neville Bros drummer) played on it. As I was near the end of the project in October 2004 I got in touch with Ronnie Wood through his stepson (Jamie Wood) who was his manager at the time and told him about my project. Three weeks later my wife and I flew to London and went to Ronnie's house in Richmond were he played on 5 tracks (first takes). Ronnie said, 'I told Jeff Beck about your project and he might come by to play' - I was in shock! About 2 hours later Jeff showed up and ended up playing on 3 tracks. Ronnie said as Jeff was recording, 'You can't believe how lucky you are, he won't play on anything!' I'm not sure what Ronnie told him about the Neville's being on the record but it was amazing having both those guys on the record. Jeff is credited as 'Hot Rod' on 'Orleans To London' because his manager wouldn't let me use his name.

“Ronnie and I hit it off fantastically and stayed in touch so when I started a second record I was hoping he would play on it. I covered a tune from Ronnie's latest album called 'I Gotta See'. Ronnie plays a great solo and outro slide solo on the song. Ronnie and I also played two improvised Jams that open and close the album like bookends. The Jams are just the two of us live in the studio without the band. The Rolling Stones have been my favorite band since I was a kid so getting to work and play with Ronnie is literally a dream come true. Ronnie is truly a great artist. It's amazing that all of the iconic records Ronnie has played on were mostly first takes on his part. He is really underrated as a musician. I wrote six originals for 'Jimmy McIntosh and...' Ronnie wrote one of the Jams 'Fast Blues' and we share credit on the opener 'Slow Blues'. I covered a few tunes... 'I Gotta See' by Ronnie Wood, 'Demon' by Keith Richards, '32 20 Blues' by Robert Johnson and 'Sophisticated Lady' by Duke Ellington. Duke Ellington was a friend of my family when I was a little kid and greatly encouraged my interest in music. When I played French Horn in the Junior High School band I told my mom I was going to change something in the music. She asked Mr Ellington if I should do that and he said, 'I think you have a musician there!'

“The record was recorded at Toss Panos studio in North Hollywood. Toss is a great drummer I first heard with Michael Landau. John Humphrey (Scott Henderson Trio) is on bass on most of the record. Keith Hubacher is on bass on two tracks and Ivan Neville plays organ and Piano. Albert Wing who played with Frank Zappa among others plays Tenor Sax on 'I Gotta See' and 'Demon', a Keith Richards cover. Ronnie and Ivan are on both of my records which I'm very proud of. It connects the two projects.”

Born on October 14, 1958 in Sao Paolo, Brazil, Jimmy McIntosh grew up in the small town of Temperance, Michigan. After graduating from high school in 1976, Jimmy attended the Berklee College of Music for two years. Over the years McIntosh has played with R&B singer Doris Troy, Billy Preston, Little Anthony & The Imperials, and backed up Buddy Hackett and Ben Vereen, Since 1990, McIntosh has played regularly in the popular Lon Bronson All-Stars Band, a powerhouse horn band. The Lon Bronson band had a longstanding weekly residency at the Riviera, where they entertained crowds 'til the wee hours and featured such special guests sitting in as former Doobie Brothers guitarist and producer Jeff “Skunk” Baxter, guitarist Joe Walsh, Members of TOP, comedian (and sometime trumpeter) Drew Carey, bassist-magician-comedian Penn Jillette and former “Tonight Show” guitarist, bandleader and Jay Leno sidekick Kevin Eubanks. In 1999, following his longstanding engagement with the “Legends” show, McIntosh moved to the Rio Hotel to perform in a show with pop stars Sheena Easton and David Cassidy, then worked for the following two years in Cassidy's touring band. He has subsequently played with pianist-composer David Foster, Donna Summer, Kenny Logins, Gloria Gaynor and played in musical theater productions of “Mamma Mia” and “Jersey Boys.”

And now, after several years, Jimmy's long awaited sophomore album is now available! In closing Jimmy has this to impart, “My new album 'Jimmy McIntosh and...' is a real labor of love and hope people enjoy it!”

To purchase:
https://itunes.apple.com/us/album/jimmy-mcintosh-and.../id921784705
http://www.amazon.com/Jimmy-McIntosh-feat-Ronnie-Scofield/dp/B00NV7QOM2
http://www.cdbaby.com/cd/jimmymcintosh2

For more information:
www.jimmymcintosh.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

1/19/2015

Stoned - A Psych Tribute To The Rolling Stones - 14 Shining Stars Of The Neo-Psych Scene Reinterpret Classics From The Rolling Stones!


Includes performances by Clinic, The Vacant Lots, Celestial Bums, Allah-Las, Pure X, The Tulips, Tashaki Miyaki, and more!

Los Angeles, CA - EVERYBODY MUST GET STONED!…Dylan declared in ‘66 just a year or so after The Rolling Stones got their initial hit of major commercial success with arguably the most addictive song of all-time “(I Can't Get No) Satisfaction.” It was their first international #1 single, and a high they would chase (and catch!) for the next 4 decades as they would go on to create one of the most mind-blowingly potent canons in modern music. But if you think you've plumbed the depths of the Jagger/Richards pharmacy, just wait until you hear what the newest psych rock junkies do to these well-known tonics. From The Vacant Lots’ stimulating take on “She Smiled Sweetly” to Clinic’s hallucinogenic version of “I Know It's Only Rock & Roll (But I Like It),” these young bands take Stones classics to places they’ve never been before. The full album entitled Stoned - A Psych Tribute To The Rolling Stones featuring 14 tracks will be available everywhere starting January 20 from Cleopatra Records.

The Allah-Las, like many of the bands featured here, dug deep into the Stones vast catalog for their cover of the 1963 gem “Stoned.” Meanwhile, Barcelona quartet Celestial Bums declared, “We are very honored that we got the chance to do that since for us The Rolling Stones is probably the best rock band in history. We chose ‘Child Of The Moon’ for being quite an unknown song that at same time has an amazing essence of their psych period.” L.A.-based trio Tashaki Miyaki shares, “Covering a song by such a legendary band was a bit daunting. We delved a little deeper into the Stones catalog to find something less heard that would compliment our band's sound. ‘Take It or Leave It’ seemed like the right vibe.” Of course, more well-known songs such as “Sympathy For The Devil,” “Gimme Shelter,” and “(I Can’t Get No) Satisfaction” also got the psych remake treatment with astounding results. Available on both CD and vinyl, Stoned - A Psych Tribute To The Rolling Stones has the cure for the musical boredom that ails you!

1. Lorelle Meets The Obsolete - What A Shame
2. The KVB - Sympathy For The Devil
3. Shiny Darkly - Under My Thumb
4. Yeti Lane - Sway
5. Clinic - It’s Only Rock & Roll (But I Like It)
6. Sons Of Hippies - Gimme Shelter
7. The Vacant Lots - She Smiled Sweetly
8. Celestial Bums - Child Of The Moon
9. Tashaki Miyaki - Take It Or Leave It
10. Allah-Las - Stoned
11. Pink Velvet - (I Can’t Get No) Satisfaction [CD ONLY]
12. Pure X - Beast Of Burden [CD ONLY]
13. Cheval Sombre - As Tears Go By
14. The Tulips - Wild Horses

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com