Showing posts with label New Album. Show all posts
Showing posts with label New Album. Show all posts

2/07/2025

Trey Gunn’s 7d Media Releases Experimental Guitarist, Composer, and Producer Andre LaFosse Releases “Entry Level: An Introduction to Andre LaFosse” Spanning More Than Twenty Years of His Career

When I dreamed up a new collection of experimental guitarists for 7d, Andre was my instant first pick.” - Trey Gunn

7D Media is proud to announce that experimental guitarist, composer, and producer Andre LaFosse is joining our musical family with “Entry Level: An Introduction to Andre LaFosse.” Spanning more than twenty years of his career, this 14 track album brings together remastered classics, remixed favorites, and even offers a sneak peek into the future with an exclusive new track.

Throughout the collection, LaFosse’s distinctive “turntablist guitar” technique takes center stage, showcasing his skill in looping, multitracking, and creative sound manipulation. The title track, “Entry Level,” debuts as an electrifying preview of his upcoming album, “Then Again,” scheduled for release later this year on Trey Gunn's experimental music label, 7D Media.

Highlights include the energetic “Hard Sci-Fi” (2012), the genre-defying “Interference” (2003), and a re-amped version of “Balancing Act” (2012), along with updated renditions of “Disambiguation,” “IMNSHO,” and “Seismic.”

This compilation serves as the perfect starting point for new listeners while also offering longtime fans a rich archive of LaFosse’s evolving artistry - from early experiments like “Signify” (1999) to more recent explorations such as “Each Planet a Complete Society” (2022). Aligning seamlessly with 7D Media’s mission to spotlight groundbreaking artists, “Entry Level” stands as a testament to LaFosse’s enduring creativity and his significant contributions to the experimental guitar music landscape.

I first encountered Andre’s musical vision through his release ‘Normalized’ and within two bars I was floored. Finally! Someone had taken guitar-looping into wild new territory. While everyone else was crafting these big, swirling, watery pieces à la Robert Fripp (I'd been wrestling with that myself), Andre completely threw out the rulebook.

His ‘Normalized’ sound was seriously funky stuff – think more Carlos Alomar (Bowie), Adrian Belew, and Fela Kuti's guitar players. More James Brown swagger than Brian Eno dreamscape.

And his looping technique? Totally ‘wrong’ by convention, and brilliantly so! He was corrupting those guitar loops like a mad scientist: chopping them up, stretching them out, breaking them into tiny blips before expanding them back again. No more of those long, drippy sustaining guitar layers – this was musical fragmentation and reassembly, all while keeping the groove alive.

When I dreamed up a new collection of experimental guitarists for 7d, Andre was my instant first pick. Could we get him involved? Would he make new recordings for us? Yes and yes! Even better – we got his whole back catalog, including (Yes!) ‘Normalized.’” - Trey Gunn

Andre’s Music Available at: https://7dmedia.com/entry-level
Visit Andre Online at: https://andrelafosse.com/

For more information: https://7dmedia.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

1/20/2025

Americana-Fusion Ensemble JACK O’ THE CLOCK to Release New Album PORTRAITS on February 13, 2025!

“Jack O’ the Clock just seem to go from strength to strength, one of the most original and compelling groups I know playing some amazing compositions that seem to tread effortlessly between Van Dyke Parks and folk music from an as yet unidentified culture, while making all the things you’ve always thought of as difficult sound as effortless and natural as breathing.” - FRED FRITH

PORTRAITS is “accessible, smart music” (Pascal Bouquillard, Clair et Obscur) by Jack O’ The Clock, “perhaps the foremost modern dark Americana outfit” (Mike Borella, Avant Music News). It is a re-imagining of an album founding members Emily Packard and Damon Waitkus recorded back in the summer of 2003. The album features the original rhythm and violin tracks, bringing new lyrics, vocals, and an array of other overdubs by present band members Kate McLoughlin and Victor Reynolds.

PORTRAITS presents a collection of bite-sized, slice-of-life, mostly first-person portraits of individuals ranging from childhood to old age, bound up in the quietly desperate particulars of their lives. Each voice forges a unique alloy of characteristics, from resistance to resignation, earnestness to irony, but with a consistent undercurrent of humor.

Musically, you might think of these as front porch songs: hooky, energetic, sunny-side-up, reflective, fun, a little casual. Pure play and pleasure. It’s a side of Jack O’ the Clock that has always been present but has never been so concentrated in a single album, and because of the strange decade-spanning way this album came together, could never quite happen again.

“Fronted by the lithe, troubadour vocals of Damon Waitkus and accompanied by lush vocal harmonies, old-timey strings, fingerpicked guitar and shape shifting rhythms, Jack O’ The Clock weave folksy Americana with a fusion 70s rock vibe — think Crosby, Stills & Nash and Pearls Before Swine supported by Weather Report’s rhythm section. Through his balladesque lyrics, Waitkus inhabits a range of characters, exploring the inner monologues and waking dreams of resentful armed white men, dissociated self-impersonators and nocturnal bureaucrats.” -EMILY POTHAST, THE WIRE

“…Through 10 years of recordings, Jack O’ The Clock is now established as a category unto themselves. The music often takes the form of complex, contrapuntal pieces with beautiful interplay between the hammer dulcimer, bassoon, violin, and guitar. The intertwined themes build and meander…On top of this are Waitkus’s poignant vocals, adding to the melancholic atmosphere.

“Listening to Jack O’ The Clock invokes a twisted view of America post World War II – or perhaps projects that view to the rural blight of today. Lyrically, the group does not make a statement in particular. They offer no positions, polemics, nor solutions. Instead, their songs explore dark slices of life, unusual and disturbing happenings involving people both ordinary and strange” - MIKE BORELLA, AVANT MUSIC NEWS

PORTRAITS is available as a 24-bit digital download, limited-run signed CD-R, and streaming on all major platforms.

Jack O’ the Clock:
Damon Waitkus: vocals, guitars, hammer dulcimer, bass, flute, keyboards, etc.
Emily Packard: violin, viola
Kate McLoughlin: bassoon, vocals
Victor Reynolds: vocals, bass, guitars, keyboards, etc.

with:
Brad Mehlenbacher: drums
Roger Vaughan: bass

Portraits Tracklist:

1. Josephine’s Fresh Cuts
2. I’m OK, You’re a Shithead
3. No. 4 Mountain
4. Another Sunny Day/Star of Monster
5. Year of the Gypsy Moths
6. In the Gold Coin Saloon
7. My Life’s Not Wasted
8. Lazy Tom Bog
9. The Gardener
10. Nature Abhors a Vacuum
11. Puer 1
12. Twomile Island
13. Isolation Booth
14. Stone Cold Steve Cactus In Mojave
15. Windigo Knocking
16. It’s Hard To Find Booze On Sunday
17. Puer 2

To purchase: https://jackotheclock.bandcamp.com/album/portraits

For more information:
Website: https://jackotheclock.com/
Bandcamp: https://jackotheclock.bandcamp.com/
Facebook: https://www.facebook.com/JackOTheClock/
Instagram: @jackotheclockmusic
Youtube: @jackotheclockmusic

Press inquiries: Glass Onyon PR, PH: 828-350-8158

1/17/2025

Manfred Mann’s Earth Band Vocal Legend Chris Thompson To Release Last Ever Live Album “The Final Round”

“The Final Round”, the last ever live album by legendary Manfred Mann’s Earth Band vocalist Chris Thompson, was recorded in Germany during The Final Round Tour 2022. It was recorded with Chris’s band of 21 years featuring Mads Eriksen, Frank Hovland, Gunnar Bjelland and Zsolt Meszaros, with special guest Marc Rohles.

It is a 2-hour long CD set featuring all the hits of course. Delving back into the early Manfred Mann’s Earth Band classics like “Messin” and “Buddha”, plus some new originals from Chris and of course “You’re The Voice”. It is a great representation of the songs Chris has been playing over the years with the band, producing some great live versions. Anybody who has been a fan of Chris over the last years will not be disappointed with the quality of these CDs or the track listing.

Chris says, “It has been a great pleasure for me to play with these guys over the last 21 years. The best band in the land, enjoy! I shall miss it!”

Track list:

WAITER THERE’S A YAWN IN MY EAR
DEMOLITION MAN
YOU ANGEL YOU
ANGELS AT MY GATE
MESSIN’
FOR YOU
FATHER OF DAY
MARTHA’S MADMAN
WOE IS ME
CHICAGO INSTITUTE
WHOLE LOT TO GIVE
BUDDHA
DON’T KILL IT CAROL
BLINDED BY THE LIGHT
(DRUM SOLO INTO) FOR YOU REPRISE
THE MIGHTY QUINN

Encores

YOU’RE THE VOICE
DAVY’S ON THE ROAD AGAIN

To purchase: https://cherryred.co/TheFinalRound

“The Final Round” is available digitally through Cherry Red Digital, but Chris has some physical copies of the CD, which he is giving away, all signed, for free, or with a donation to a Kids Cancer Station in Karlsruhe which he is supporting. He has already raised over 5000 Euros. All the details of how to get a free copy of the CD, and / or donate are on Chris’s Web Site. You can also see details of the charity Chris is raising money for. christhompson-central.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

1/16/2025

Held By Trees To Release Second Album “Hinterland” Featuring Talk Talk/Hollis veterans Robbie McIntosh, Laurence Pendrous, Andy Panayi With Simone Marie Butler (Primal Scream, Jesus & Mary Chain), Matt Simms (Wire), Jen Macro (My Bloody Valentine) and Others!

“Hinterland” is the second LP by Held By Trees, taking in elements of jazz, post-rock, and ambient music and will be released on CD/Vinyl (and digital download only on Bandcamp) on Friday 4th April, 2025 on Tweed Jacket Music Ltd and Lasgo Records Distribution. The follow-up to 2022’s critically acclaimed debut, ‘Solace’, this new eight-piece album is a sonic journey through ambiguous spaces, within and without.

Once again, Held By Trees – helmed by composer/producer David Joseph - brings together living DNA from its chief influence, the latter work of Mark Hollis with Talk Talk, and as a solo artist. This includes this time his son Charlie Hollis who plays piano on four of the tracks. Returning Talk Talk/Hollis veterans are Robbie McIntosh on guitar, Laurence Pendrous on piano, Andy Panayi on flute, clarinet and saxophone (who are each member of the live HBT band), plus Martin Ditcham on drums/percussion and Simon Edwards on double bass.

Other notable contributors to the album include: Rob Coombes (Supergrass) on Hammond Organ, Stephen Gilchrist (Stephen Evens, Graham Coxon) on drums, Simone Marie Butler (Primal Scream, Jesus & Mary Chain) on synths and sound effects, Matt Simms (Wire, It Hugs Back) on guitar, Norman Westberg (Swans) on guitar, Robert Poss (Band of Susans, Phil Niblock) on guitar, Simon Scott (Slowdive) with field recordings, Mark Simnett (Bark Psychosis) on drums and percussion, Jen Macro (My Bloody Valentine, Hurtling, Graham Coxon) on guitar, Chris Pedley (The Baker Brothers) on bass.

David Joseph said, “‘Hinterland’ is a meandering celebration of the vague, the between places, the forgotten, nameless margins – not just in the landscape around us physically, but also internally – somewhere in the middle of faith and doubt, joy and melancholy, departure and arrival.”

“The thrill of Held By Trees is bringing such a variety of musicians together and sculpting something surprising and unique from the ideas they submit. This album is an odyssey of guitar, with some of the most innovative guitarists of the last 50 years of alternative, left-field music taking part. ‘Hinterland’ is full of soundscapes using guitars like paintbrushes, painting a variety of rich, delicate, floating and abrasive textures that evoke the liminal spaces around us and within us.”

In a departure from previous releases, the artwork this time is supplied by Brighton-based abstract mixed-media artist, Gareth Hayward. David said, “Gareth’s artwork is the perfect visual pairing for the music. It asks us what we see within it, without dictating what or where it is. There is plenty of intentional ambiguity, which is central to the album’s musical theme. I adore Gareth’s use of negative-space and his visceral approach to capturing landscapes full of mood and mystery.”


David Joseph

For more information: www.heldbytrees.co.uk

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com (North America, Europe)

1/07/2025

NorCal Guitarist and Singer-Songwriter PIET DALMOLEN Proudly Unveils His Long-Awaited Debut Solo LP TIME STANDS STILL

Arcata, CA – From the coastal cliffs of Northern California’s Emerald Triangle, guitarist/singer/songwriter PIET DALMOLEN proudly unveils TIME STANDS STILL, his long-awaited debut solo LP releasing January 17, 2025. Boasting eight eclectic compositions, this talisman resonates through an ambitious amalgam of sublime psychedelic rock, soulful jazzy blues, and indie-Americana. Bobbing and weaving amidst the foundational chemistry of bass, drums, and various keyboards, Piet’s superb guitar and understated vocals coalesce to create a dense, potent vessel of joy and vulnerability.

A veteran studio engineer and session guitarist for two decades, Dalmolen toured nationally in the mid-aughts with jam upstarts Nucleus, and subsequently gigged with numerous Northern California bands. These days he’s in DIY-mode across multiple roles for this intensely personal passion project. Ably assisted by Matt Engel on keyboards, Tommy Fitzmaurice on drums, and Ian Taylor on bass, TIME STANDS STILL was tracked across several sessions in 2023 at Odyssey Studios, a rustic barn situated on a prairie overlooking the Pacific Ocean. Here Piet Dalmolen was able to keep his focus solely on creativity and bandleading, and once the basic tracks were laid down, he overdubbed additional guitar and vocals at his own Universal Balance Studios in Arcata, CA, throughout 2024.

Taking in stride some big personal life changes after the disruption of the pandemic, and as an enthusiastic new surfer, PIET DALMOLEN took a much-needed vacation to Maui in the summer of 2023. It was an influential trip for Piet that resulted in most of the music heard on TIME STANDS STILL. This intentional collection reveals a reluctant poet reawakened, mining inspiration from life’s trials and tribulations, and discovering knowledge of self amid the glorious environs of sacred Hawaiian Islands. Piet was staying in Lahaina when the dry hurricane winds swept the now infamous fires down from the mountain into town, and he fled on foot with guitar on his back, eventually hitchhiking to the airport.

PIET DALMOLEN had spent the previous 15 years gigging with other bands and playing covers, and while grateful to be playing regularly, it was a long dry spell from creating his own music. Feeling inspired to dive back in and with a wealth of new material, he picked his local dream team of musicians and watched it all fall into place. “I love my band for their talent, aesthetic, and easy-going personalities,” says Piet. “The older I get the more I appreciate having the right people that I can rely on and have fun with, and thankfully they believe in my musical vision.”

TIME STANDS STILL was written, produced, mixed, and mastered all by PIET DALMOLEN. On this solo opening salvo, PIET DALMOLEN monologues abstract musings, illustrated with ruminations on love, loss, fatherhood, mortality, and new beginnings. Sturdy songcraft couched in a bare-bones analog aesthetic, the gritty grooves get drizzled with earthy textures and tasty guitar tones, whispering sweet melodies that make the eyes well up and chest weigh heavy. Music manifested in the wake of seismic change, waves of grief and personal evolution, TIME STANDS STILL traverses a wide swath of emotional and sonic topography: Floydian dreamscapes, prog-scented improv, sizzling surf-rock, while touching a plethora of points between.

The track “Being” serves as a lyrical centerpiece. Piet wrote the first chorus on his hotel balcony anticipating the arrival of the Maui storm, and the second chorus on the plane ride home. “The pretty guitar coda is something that just came out of me the morning of the fires,” says Piet, “before we had any idea what was to come. And the wave sounds are my own field recording from the trip, not stock. It feels poetic to have them timelessly etched into a record that means so much to me.”

There will be a TIME STANDS STILL record release event featuring the full band at the Arcata Playhouse on January 18, followed by Bay Area shows at Mac’s 19 Broadway in Fairfax on February 15, and at The Back Room in Berkeley on February 16.

TIME STANDS STILL is available January 17, 2025. Visit the PIET DALMOLEN website for more information: www.pietdalmolen.com

To order or stream TIME STANDS STILL on digital services please visit: https://lnk.to/PDTimeStandsStill

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective at
jerome@independentdistro.com

11/21/2024

From the Heinous to the Sublime, Paul Adams and Elizabeth Geyer Release the Album “A Journey of Dreams”

Worldwide release November 15, 2024

Chicago - Living thousands of miles apart, United States based, award-winning multi-instrumentalist, Paul Adams, and Australia based, award-winning pianist, flugelhorn instrumentalist and vocalist, Elizabeth Geyer, have been creating music together from opposite ends of the globe since their debut collaboration, “Imaginings.” Across the oceans and continents, something definitely worked synergistically and continues to work. Their album won the award, “Contemporary Instrumental Album of the Year” at the Zone Music Reporter Awards in 2015. Following, “Imaginings,” came “Deeper Imaginings” and “Sanctuary,” the New Age Music Guide's “Album of the Year” of 2022.

Continuing to unfold the timeless, spiritual sanctuary that has become a trademark of their music, came the (December 2023) single from this new album, “A Journey of Dreams.” The full album release of “A Journey of Dreams” met with delays after the success of the single but is finally released on 11/15/24. It involves Adams’ creative musical talent and his collection of exotic world instruments as well as the electric sitar he made in the days when he was a luthier. Their successful journeys have amassed over 138 million streams on Pandora as well as regular programming on SiriusXM Radio.

Blended with Elizabeth Geyer’s sensitive piano, flugelhorn and instrumental vocalizations, “A Journey of Dreams,” continues the beautiful and exotic flow of their previous releases. Adams said, “We wanted to focus on beauty, especially as the world seems to be in such deep chaos.” When referring to Geyer’s solo album projects, Bruce Lundvall of Blue Note Records called Elizabeth “A brilliant musician and songwriter.” For “A Journey Of Dreams,” Elizabeth says her intention was to create a place of safety and home. “Imagine a place where you once came from, where you will go back to, and a place you sometimes visit in dreams.”

With its exotic artistic nature and chill ethnic impressions, Adams describes the album as offering a bit of artistic and spiritual pragmatism. “It's all right here on ‘circus Earth’ – from the heinous to the sublime. We felt a need to create something that might focus on the deep beauty we are all capable of. We feel as if God, nature, or whatever you wish to call it, is challenging us. ‘She’s’ wondering if we have the interpersonal maturity and cultural skills to work together in this rapidly changing, growing, yet shrinking world.”

Paul Adams: Keys, Dobro, Sitar, Ethnic Flutes, Chinese Hulusi and Oud
Elizabeth Geyer: Piano, FlugelHorn, Vocalizations.

Full length video of A JOURNEY OF DREAMS: https://www.youtube.com/watch?v=-BxL-b36zWk

Music Link To All purchase/streaming Sites: https://pauladams.hearnow.com/
LinkTree: https://linktr.ee/pauladams

Official artist website – Paul Adams: www.pauladams.org
Official artist website – Elizabeth Geyer: www.elizabethgeyer.com

Paul Adams -Twitter: https://twitter.com/ppaul3
Paul Adams – Facebook: https://www.facebook.com/paul.adams.754/
Paul Adams – Instagram: https://www.instagram.com/ppaul3/?hl=en

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/19/2024

Badfinger’s Long-Lost Album “Head First” Set For Release in 2024, Fully Mixed and Mastered and On Vinyl For the First Time

HEAD FIRST: 50th ANNIVERSARY SPECIAL EDITION

In an exhilarating announcement for music aficionados and rock historians, the iconic British band Badfinger is proud to unveil the forthcoming release of their long-lost album “Head First” scheduled for 2024 - exactly 50 years after its original recording. This historic release features Peter Ham’s final studio recordings and marks a significant milestone in the band’s legacy, bringing forth an album that has been shrouded in mystery for decades.

“Head First” will be released on vinyl on December 13, 2024 on Y&T Music (CD TBA).

With hits such as “Come and Get It,” “No Matter What,” “Day After Day,” and “Baby Blue,” Badfinger has long been recognized as a formidable force in the power pop and classic rock genres of the 1970s

A Historic Recording…

Originally laid down in 1974 at The Beatles’ renowned Apple Recording Studio on Savile Row, London, “Head First” encapsulates a transformative era in Badfinger’s storied career. The sessions for “Head First” took place during a tumultuous period for the band, marked by personal struggles and external challenges, which ultimately led to the album being shelved. For years, only a rough mix survived, with the master tapes thought to be lost. However, the recent rediscovery of the original multi-tracks has allowed for a meticulous mixing and mastering process, breathing new life into this long-hidden masterpiece. The release promises to provide fans with an authentic glimpse into the creative spirit of Badfinger during one of their most artistically rich periods.

A Landmark Release for Fans and Collectors…

The official release of “Head First” is not just an addition to Badfinger’s discography; it represents a rediscovery of a pivotal moment in rock history. The album features tracks that showcase the band’s raw energy and emotive songwriting, resonating with both long-time fans and a new generation of listeners. The newly mastered sound highlights the band’s musicianship in an unprecedented way, revitalizing their enduring legacy.

Bob Jackson, the sole surviving member of the lineup, expressed his excitement: “On behalf of my bandmates - Pete, Tommy, and Mike - I am thrilled to say, ‘We did it, guys!’ This marks the culmination of a 50-year journey and it’s an honor to complete the vision we had all those years ago. The last piece of the puzzle is finally in place.”

The Songs:
Lay Me Down
Hey Mr Manager
Turn Around
Back Again
Rock 'N' Roll Contract
Keep Believing
Moonshine
Rockin' Machine
Passed Fast
Savile Row (2024)

For more information regarding the upcoming release of “Head First”, please contact:

Mark Strothmann - Representing Agent for Pete Ham & Tom Evans of Badfinger
Phone Number: 1-414-688-0806
Email Address: Withoutyoumusicofficial@gmail.com
https://badfingeruk.com/
https://badfingerlibrary.com/

Badfinger’s music continues to captivate audiences around the world, and the release of “Head First” is set to be one of the most anticipated musical events of 2024.

Press Inquiries: Glass Onyon PR, glassonyonpr@gmail.com

11/12/2024

Prog Duo The Vegetarians To Release New Album “Space Age Pagliacci”

The Vegetarians are a Swedish-American duo consisting of Hans Annellsson, composer & musician from Sweden, and composer & songwriter John Tabacco from Long Island, NY. Their eagerly anticipated new album, “Space Age Pagliacci”, is a semi-concept album about spacetime. Stylistically, the music is a mix of Prog Rock & Classic Rock, with some hints of Circus Music.

Says Hans, “There is a concept in the lyrics. They are all related to space and time in some way.” John elaborates, “A.I. is becoming a force to reckon with. This CD explores the existential threat A.I. proposes to humans. We also explore the hidden force behind "fear", that being of an extraterrestrial influence. Truth is also an issue here. How can we trust anything? There is also some self-deprecating awareness of the absurdity of being alive in this dimension. The cover of the CD has a picture of the first A.I. robot (“Sophia” - an actual citizen now of Saudi Arabia) sitting - as a person (of unspecified gender in a protective space suit) serenades her. Not the warmest of relations. And that might be part of the A.I. / Human problem.”

Working together with several different singers such as John Tabacco, Robin Schell, John Crowe, Marc Mollan, John Marshall Gibbs and Napoleon Murphy Brock, the project started around 2000 as a vehicle for recording some prog covers of YES, Frank Zappa, King Crimson, Genesis, ELP, Adrian Belew, Peter Hammill etc. The prog covers can be found on the albums “Remustered & Remixed Salad” and “The Calling”.

Billy Sherwood said this about the song “The Calling”: “A good rocking version, well done boys.”

Adrian Belew had this to say about The Vegetarians version of his song “Dream Life,”: “Beautiful, I was really moved to hear your version, maybe I'm not forgotten after all.”

In support of the new album The Vegetarians hope to play The Zappanale Festival in Bad Doberman, Germany, again.

In closing the duo has this message to relay, “The message is learn to know thyself ‘Temet Nosce.’ And whatever you do – don’t let anyone get the best of you. You matter just as much as the next being.”

Tracks:
1. AI’s Failed Dream (7:16)
2. The Run Around (3:14)
3. Strangle Rocket Fair (7:38)
4. Android Forty 2 (4:00)
5. Not A Lot Has Changed (3:08)
6. Dark Reptilian Clown (2:28)
7. There’s Nothing To Do Now (3:33)
8. Where Do You Go? (5:21)
9. Advice (3:24)
10. Parallel-O-Gram (4:55)
11. Silly Song (2:57)
12. I’ve Got A Secret To Tell You (4:03)
13. Doubt And Fear (5:13)
14. Another Universe – Please (3:45)
15.The Saucers Are Here (4:49)

All songs written by Annellsson & Tabacco
except track 3, 6 & 10 by Annellson, Tabacco & Pomes

Liner Notes:
Produced by Hans Annellsson & John Tabacco
Performed by Hans & John with the help of Gustaf Hielm (Meshugga) - Bass
Bobby Halvorson (Brother, Sister) - Harmony Vox, Jonathan Mehler – Guitar
& Anthony Pomes (The Blast) - Guitar.

Cover by Catherine Tabacco & Farben Fosfeen Artwerks
Mix, mastering & layout by Janne Brovall, Brovall production

Hans Annellsson: Composer & musician from Sweden. On the Annellssongs label Hans has released both music in Swedish, with The Vegetarians in English, and some instrumental music. The instrumental music is available on the albums “A Pirate In Ambient Waters” & “Scenes & Takes”. A new instrumental album “Goodly Odd” will be released later this year. To support himself Hans works as a music teacher at Malmö International School. Being a massive Frank Zappa fan Hans got permission from Frank, before he went on his last tour, to release a Swedish version of “Penis Dimension.” That version can be found on an album called “Från A Till Ö” by Hans and Mats Öberg. Hans also recently produced Mats Öberg’s album “Frankful,” solo piano renditions of the music of Frank Zappa.

John Tabacco: American composer, singer songwriter, engineer, multi-instrumentalist, and graphic artist. He is co-founder of SA3 (a proprietary analog to digital conversion technology for sound and video) and has engineered /mixed and mastered music for the past 30 years.

To purchase:
Bandcamp: https://thevegetarians.bandcamp.com/album/space-age-pagliacci
Spotify: https://open.spotify.com/album/7b7khQqC4ekEn9Xi2AFuOz?si=pMfaLLANTCK5ousP2f1PpA

For more information about The Vegetarians:
Homepage: www.annellssongs.com
Facebook: https://bit.ly/3iOXuw7
https://www.johntabacco.net/

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

11/06/2024

Joe Satriani Bass Sideman & Mermen Co-founder Allen Whitman Releases 4th Ambient Soundtrack “The Eternal City”

ALLEN WHITMAN, former bassist with legendary virtuoso guitarist JOE SATRIANI and co-founder of the influential San Francisco-based instrumental surf-rock trio THE MERMEN, announces the digital-only release (through label SQUEAKEY STUDIOS) of his 4th soundtrack/ambient travel log album “THE ETERNAL CITY.”

The album, his 4th in a series, continues the artist’s predilection for incorporating acoustic guitar-driven sonic environments with samples and synths - and this time out forwarding the in-your-face pace of that Grande Dame of cities, Rome. The sounds, making use of field recordings made on his recent sojourn in Italy, are compelling, occasionally contemplative, and often propulsive.

ALLEN WHITMAN, a stalwart of the San Francisco music scene, credits past live performance and musical collaboration with, among many others, HELIOS CREED, TINY TIM, THE SANDALS, THE INK SPOTS, NELS CLINE, MIKE KENEALLY, CARMINE APPICE, DJ QUEST, SAMMY HAGAR, TONY MACALPINE, DWEEZIL ZAPPA, STEVE LUKATHER, STEVE VAI, STEVE MORSE and JOHN PETRUCCI.

Additionally, WHITMAN’s band, FIVE DAY MIRACLE TENT CRUSADE, explores deep ambient and dense vocal-heavy refusenik-pop reminiscent of Godley and Creme, John Cale and Holgar Czukay, recently collaborating with chanteuse DOROTHY MOSKOWITZ of THE UNITED STATES OF AMERICA.

WHITMAN has worked extensively in live music for theater, particularly with California-based Theatre of Yugen for live performance in a modern Noh style in San Francisco, New York City, Tokyo and Austin.

To purchase: https://squeakeystudios.bandcamp.com/album/the-eternal-city-an-ambient-travel-log-album

Previous ambient travel log albums:
https://squeakeystudios.bandcamp.com/album/m-hitotsu-no-f-kei-album
https://squeakeystudios.bandcamp.com/album/monogatari-no-f-kei-album
https://squeakeystudios.bandcamp.com/album/the-summer-solstice-sessions-album

Additional online resources:
https://www.instagram.com/squeaksmore/
https://audius.co/squeakeystudios
https://soundcloud.com/squeakey-studios

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/04/2024

Guitar Legend Bill Nelson’s Unreleased Guitar Instrumental Album “Studio Cadet” Available For Pre-order

Available December 6, 2024!

Guitar legend Bill Nelson’s “Studio Cadet” is an album of guitar instrumentals issued on the Sonoluxe label in a limited-edition CD and simultaneous digital download.

Studio Cadet” is one of several previously unreleased albums tucked away in my archives. Recorded in 2015, it contains 14 guitar-based instrumental tracks. The atmosphere is relaxed and sometimes dreamy. A gleaming guitar melodic soundscape. - Bill Nelson - 2024

Burning Shed are now taking pre-orders for Bill Nelson's “Studio Cadet.” The release date is due to be December 6th, which is ideal timing for a Christmas present to (or from) your loved ones!

CD in a triple-fold digi-sleeve with a four-page booklet insert.

Track list:
01) A Splendid View
02) Phantom Island
03) Crystal Springs
04) Barely There
05) The Ecstatic Transfiguration Of The Great Northern Twang Magus
06) An Interval
07) Dance Of The Anti-Gravity Enthusiasts
08) Deep Sky
09) Space Age Dreamer
10) Slow Smoulder
11) Sunglasses After Dark
12) My Giddy Levitation
13) I Saw You In A Sailplane
14) Night Boats Pass Beneath The Stars

Studio Cadet” pre-order from Burning Shed: https://burningshed.com/store/billnelson/bill-nelson_studio-cadet_cd

For further information and to hear audio samples visit the album's page in the Discography at Dreamsville:
https://www.billnelson.com/studio-cadet?utm_campaign=f290e473-89db-47cb-9ef8-56d8c8332afe&utm_source=so&utm_medium=lp

Secure your copy by pre-ordering from Burning Shed.

Also available:

Powertron”:
https://www.billnelson.com/powertron
https://burningshed.com/store/billnelson/bill-nelson_powertron_cd

Starlight Stories”:
https://www.billnelson.com/starlight-stories
https://burningshed.com/store/billnelson/bill-nelson_starlight-stories_cd

All The Fun Of The Fair”:
https://www.billnelson.com/fun-of-the-fair
https://burningshed.com/store/billnelson/bill-nelson_all-the-fun-of-the-fair_cd

Available as both physical CD (from Burning Shed) or as a digital download (from Bandcamp).

For more information: www.billnelson.com

Press Inquiries: Glass Onyon PR, glassonyonpr@gmail.com

10/30/2024

3Below “Live in Mérida” Featuring Michael Manring (Jaco Pastorius), Trey Gunn (King Crimson), Alonso Arreola Releases November 8, 2024

3Below features three extended range instruments played by Michael Manring (Jaco Pastorius alumni, creator of the Hyperbass), Trey Gunn (Warr Guitarist with King Crimson), Alonso Arreola (Mexican bassist, writer and poet).

Their latest release, “Live in Mérida”, was recorded on November 5, 2023 at the Palacio del La Música de Mérida in the Yucatan in Mexico. During this performance, they were joined by special guest Emmanuel Pina on the oud.

3Below began in a small but significant way when Arreola and Gunn, along with Gunn’s daughter Harper, traveled across Mali and The Dogon in West Africa in 2012. They took their baritone ukuleles with them hoping to touch base with local musicians. Mali is known for its deep musical traditions and by the third day they had found their way in: go into each small village and ask for lessons from the local master drummer or ngoni player (African string instrument). This led to a string of lessons and playing sessions with a variety of musicians from Bamako, Séguo, Mopti, Djenne and throughout the Dogon where they ended up participating in a late-night festival and jam session with the king and queen of Begnemato.

These experiences and the musical languages they learned in Mali set the groundwork for 3Below. This exploded further with bringing in bass legend Michael Manring. Manring is most known for his jaw-dropping solo performances, but he is also a brilliant ensemble player.

3Below first began with live shows in Mexico about one year after their return from Mali. Combining roots from Latin America, Asia, Africa and Europe, the first part of a 3Below live show is acoustic-based with Arreola and Gunn on ukulele and acoustic bass. The second half of the show is full-on electric, with the addition of solo pieces by Gunn and Manring.

Time Out Magazine calls them “Musicians with enormous talent and giant careers.”

“3Below was the triumph of the Alterna Jazz Season.” - The Chronicle on their Centro Cultural Roberto Cantoral, Mexico City performance.

Credits
Alonso Arreola: Percussive Electroacoustic & Electric Basses
Trey Gunn: Warr Guitar, Baritone Ukulele
Michael Manring: Fretless Basses, Caxixi Shaker
Emmanuel Pina: Oud

Live Sound: Nelson Sánchez
Mixed by Trey Gunn at 7d Studios

Track List:
1. Relamparia (Arreola)
2. Mamadou's Mercedes (Arreola)
3. Versos (Arreola)
4. Hard Winds (Gunn)
5. Forest Floor (Gunn, Arreola)
6. Big Fungus (Manring)
7. Lake of Ice (Gunn)
8. Lake of Fire (Gunn)
9. The World Is Everything That Is The Case (Manring)
10. Monkey Businessman (Manring)
11. Culpa (Arreola)
12. Area (arr. Arreola, Pina)

Alonso Arreola - Percussive Electroacoustic & Electric Basses
Joined as time went by on a Saturday afternoon. It was Day of the Dead in Mexico City, November the 2nd. The year: 1974. There were clouds in the sky. When he could believe in something, he chose the movement that animates music and words. With seven albums to his name and as many in collaboration or as a producer, he has created and staged numerous stage projects in more than fifteen countries. He has also written thousands of articles, interviews, reviews, chronicles, poems or stories in magazines and newspapers about music, cinema or gastronomy from four continents, as well as a book about letters from his paternal grandfather (Juan José Arreola). He has done stage shows with authors such as Michel Houellebecq and Agustín Fernández Mallo. He is the author of “Relamparia,” a collection of poems, voices and entertainment published by Attica. For twenty years he has had a bass laboratory with dozens of disciples (LabA), and for twenty-five years he has had a musical column in the cultural supplement of the newspaper La Jornada. He launched the Curandera guitar alongside the Spanish artist Alejandro Sanz and the luthier Antonio Álvarez Bernal. He aspires to be a son of art and become a lightning rod. His favorite animal is the water buffalo.

Trey Gunn - Warr Guitar, Baritone Ukulele
A native Texan who resides in New Mexico, Gunn is known for the unusual 10-string touch guitar that he plays. From the blistering live recordings at the Royal Albert Hall in London with David Sylvian and Robert Fripp (“Damage”, Virgin Records) to ten years recording and touring with King Crimson – a group many contend as the most aggressively, adventurous rock band of all time – Gunn is associated with a constant stream of cutting edges projects.

In addition to the powerful performances and recordings of his groups Tu-Ner, TU, KTU, 3Below, The Security Projectand the multi-mediators Quodia, Gunn has toured and/or recorded with John Paul Jones, Brian Eno, Maynard J. Keenan’s “Puscifer”, Vernon Reid, Azam Ali, David Hykes of the Harmonic Choir and Steven Wilson of Porcupine Tree.

When not on the road, Gunn continues his work scoring for tv/film, runs his own media label (7d Media) and coaches musicians in the creative process.

Michael Manring - Fretless Basses, Caxixi Shaker
Hailed by many as the world’s leading solo bassist, Michael Manring has been pushing back the boundaries of what’s possible on the bass guitar for decades. A student of bass legend Jaco Pastorius, Michael has honed his skills on hundreds of recordings and thousands of live shows around the world, working with a diverse collection of artists including the late guitar genius Michael Hedges, New Age keyboardist Suzanne Ciani, Avant-improv guitar innovator Henry Kaiser, celebrated folk troubadour John Gorka, experimental post-metal rockers Tim Alexander (Primus) and Alex Skolnick (Testament) and electro-pop pioneer Thomas Dolby. He has earned three gold records, Grammy and Bammie nominations, a Berklee School of Music Distinguished Alumni Award, two Just Plain Folks Awards and numerous Bass Player Magazine Readers’ Poll awards including 1994 Bassist of the Year. His YouTube videos have garnered millions of views displaying the expressive skills that have led The San Jose Mercury News to call him “...a virtuoso electric bassist who’s almost single-handedly re-defined the outer limits of the instrument” and The Philadelphia Inquirer to refer to him as simply “...the hottest bassist today.”

Emmanuel Pina - Oud
Biologist, Ph.D. in Biomedical Sciences and multi-instrumentalist musician. Throughout his scientific career, he has been involved in several research projects with international publications in fields such as virology, breast cancer and the development of drugs for the treatment of lymphoma, diabetes, and parasitic diseases. As a self-taught musician, he started playing drums and guitar. Currently specializes in the study and performance of ancient string instruments such as the oud, tar, setar and baglama, as well as modern instruments such as the electric bass and the Chapman Stick. He has been part of various bands and shared the stage with several musicians, including Human, Luz de Riada, Alfonso André, Markus Reuter, and Alonso Arreola in projects such as Rosetta and LabAcústica, which eventually led to his inclusion in 3Below.

To purchase: https://3belowband.com/live/

For more information: https://3belowband.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

10/29/2024

Prog Multi-Instrumentalist Tim Morse To Release New Album “Soundtracks”

Prog multi-instrumentalist Tim Morse will be releasing his eagerly awaited new album “Soundtracks” on November 12, 2024! The title of the album comes from each song being its own musical vignette or individual mini-soundtrack. Tim decided to play all of the instruments on “Soundtracks” by himself - for the first time creating a true solo album. In addition to singing all of the vocal parts, he played: keyboards, acoustic and electric guitars, ebow guitar, mandolin, banjo, other stringed things, bass guitars, drums and hand percussion

Says Tim, “‘Soundtracks’ isn’t a concept album, although I’m sure you could find a theme or concept if you wished. The main thing that was important for me was to follow my muse and record music that truly moved me. Even when writing the lyrics, the words I chose were more for the emotion they evoked rather than their meaning. I decided with this project that I’d write everything from scratch, giving myself a couple of months to create the music needed for the album. There were no rules about the music itself, so Soundtracks is a diverse, eclectic mix of styles and genres. On this album you’ll find a Beatles homage (‘Blueberry Way’), instrumental electronic music (‘Cityscape’), a ballad (‘Lullaby’), and so much more. It was a blast to roll out of bed and think, ‘I feel like recording bass this morning...’ and not depend on anyone else to complete the project. It brought out a fun aspect of experimentation, especially with instruments I’d never played in the past. Lastly, I gave myself the challenge of recording/mixing/mastering the album within six months to keep the project fresh and immediate for me. Overall, I’m very pleased with ‘Soundtracks’ and feel it’s one of the best things I've ever done.”

The first single “Blueberry Way” features a stunning A.I. video created by Doug Reid (Augwolf). Says Tim, “When I wrote the music to the song ‘Blueberry Way’ I noted that the harmonic structure had a mid-sixties British pop feel and leaned into it. The original lyrics were more of a parody, and I felt they didn’t really fit and so I wrote an idealized version of childhood with the refrain ‘Blueberry Way’ being a magical, loving, idyllic place. It’s been great to see that the people who've heard it respond enthusiastically to the song and its message.”

Watch the video: https://www.youtube.com/watch?v=Cuyualo8q7g

Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim’s first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and was recognized as keeping in the tradition of seventies prog-rock yet recorded and performed with a modern edge.

His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was appreciated for its pop sensibility and quirky humor. His more recent solo releases “III” and “The Archaeology Project” were also warmly embraced by critics and fans alike.

Tim’s cover version of the classic Yes song “Awaken” has received the ultimate compliments from members of Yes – Rick Wakeman enthused, “Best YES cover I’ve heard …well done to everybody” and Jon Anderson said, “Great job with ‘Awaken’…the fact you sat around and decided to perform it is a treat…. not an easy work!” Composer/musician Adam Holzman was so impressed by this performance of it that he offered to do his own remix of the song (both versions can be found on Tim’s Youtube channel).

Watch Tim Morse/Parallels 'Awaken' cover version: https://www.youtube.com/watch?v=ay1N95FqXWM

Here’s what the press has said about Tim Morse’s previous albums:

(The Archaeology Project)

Tim Morse has a new compilation out titled ‘The Archaeology Project’ that covers a diverse range of his work, including expansive art rock, intelligent melodic pop, ambient explorations, and elegant acoustic guitar instrumentals...This release is an ideal place to start your exploration of his material.” - Anil Prasad, Innerviews

A well rounded retrospective and a fitting showcase for his musical inspirations and talents.” -Geoff Feakes, DPRP

A great way to discover Tim Morse!” -Music in Belgium

A magnificent fourteen song retrospective of Morse’s music from 2005-2020.” -Exclusive Magazine

Classy...that speaks to both the quality and the consistency of Morse’s music. I can’t think of a better introduction to his music than this CD.” -Gary Hill, Music Street Journal

(Tim Morse III)

There’s no doubt fans of symphonic prog will find much to enjoy. Recommended.” - Jerry Lucky, The Progressive Rock Files

Musically, ‘III’ is enjoyable – occupying the lighter end of the Yes style spectrum.” - PROG Magazine

Recommended for fans of melodic rock with some progressive touches.” - Jon Davis, Expose

(Faithscience)

Tim Morse deserves to make it into the mainstream, as he surely one of the greats of the genre.” - John Bollenberg, iO Pages

A smartly arranged, melodic-symphonic opus.” - John Collinge, Progression Magazine

Probably the biggest surprise of the year…and highly recommended to fans of classic prog.” - Kinesis

(Transformation)

Transformation is a work truly realized, an impressive work of creativity that grows on one even more after repeated listening.” – Andres Valle (Mellotron)

An interesting and expansive collection of symphonic prog songs…it not only rewards repeated listening, it demands it.” – DPRP

Tim is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin’s Press and was featured on the Howard Stern show and VH1. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.

Tim will be doing videos and PR to support the release of “Soundtracks.” He’s also working on a duets project that should be released in the New Year. As for live performance, that is completely up to what happens with interest/demand for shows.

In closing Tim has this to impart, “I’m always grateful when anyone takes the time to listen to my music. In this modern age of endless distractions, it is a lovely thing when someone will truly listen to music.”

Release date: November 12, 2024

Soundtracks” is available for preorder on Bandcamp: https://timmorse.bandcamp.com/album/soundtracks
14 track album

For more information:
Tim Morse website: https://timmorse.com/
Facebook: https://www.facebook.com/timmorsemusic
YouTube channel: https://www.youtube.com/c/TimMorseProgRock

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/24/2024

Rick Derringer Produced Colour Radio Guitarist Jim Eannelli To Release New Solo Album “Just Deserts”

Album due out in both digital and physical formats September 27, 2024

Producer and multi-instrumentalist Jim Eannelli has been in every sort of band from hard rock to synth pop; he worked with Rick Derringer on the Colour Radio record, played guitar, performed and recorded with both former BoDean Sam Llanas and the Shivvers, the ‘80s power-pop band that finally gained international recognition in recent years. He is a legendary supporting player in his hometown, Milwaukee, and he steps onto center stage for his first album, “Just Deserts.”

Dipping into a trove of original songs written over the years, Eannelli’s “Just Deserts” encapsulates his experiences in life as well as music. The songs are deeply rooted in his years as a member of diverse bands. Just Deserts opens with a ferocious depiction of war’s casualties, “29 Women,” delivered by a rockabilly rhythm with punk attitude and a knife-slashing guitar solo. Eannelli segues easily into “Where I’ve Been,” a ballad of heartbreak and loss. His musical sources are wide, from the sullen blues of “Train from Chicago” to the Beatlesque pop of “Waitin’” and the soaring Americana rock of “Christine.” As a producer, Eannelli reaches for the soul of each song, catching the bright spark of their creation. And as a lyricist, he records the tragedy, confusion and despair of rootless lives, as well as moments of epiphany and spiritual yearning.

“Just Deserts” will be released on Happy Growl Records September 27 via web streaming and download services. CD’s will be for sale at local record shops and through Ebay.com

For more information please visit: facebook.com/JimEannelli

Contact: Gary Tanin, Daystorm Music, PH: 414-321-9956(US), GaryTanin@gmail.com

For press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

9/23/2024

Progressive Rock Band Mile Marker Zero to Release Third Full Length Album “Coming of Age” on October 4, 2024

“Coming of Age” is the third full length album from Progressive Rock Band Mile Marker Zero. Following up on their previous album “The Fifth Row”, Mile Marker Zero has shifted from a concept album focused on technology about the exponential growth of AI, to a more human reflection on growing up and the nostalgic experiences of childhood.

“Coming of Age” is eight tracks of new music which is the band’s most mature material to date. To go with the theme of nostalgia, the full album was only released in physical form (CD) on July 6, 2024. The band played a hugely successful album release show and made the album available only via live shows, their website and Bandcamp.

Throughout 2024, Mile Marker Zero released three singles to all streaming platforms: “Best Is Yet To Come”, “Towns to Grow Up In” and an edited version of “Bizarre”. The songs were well received, helping the band reach nearly 30,000 monthly listeners on Spotify at the time of release. The album will now be released via all streaming platforms on October 4, 2024.

Mile Marker Zero, has garnered a dedicated fan base and achieved remarkable milestones since the band’s formation. With their dynamic sound and captivating storytelling, they’ve made a lasting impact on the music scene. Their last studio album, The Fifth Row, has resonated with listeners worldwide through strategic projects. Mile Marker Zero’s song “The Architect” was featured in the acclaimed “NASCAR Heat 4” video game, introducing their music to a wide audience of racing enthusiasts. Furthermore, the band broke new ground as the first unsigned artist to be featured in the popular Harmonix/MTV Games video game series, Rock Band, which enjoyed massive success on the Xbox platform. Through their unwavering commitment to musical excellence and their ability to connect deeply with listeners, Mile Marker Zero continues to push boundaries and carve their own path in rock.

With “Coming of Age” they are widening that path and reaching ever-growing audiences. The band features Dave Alley (Vocals), John Tuohy (Guitars), Mark Focarile (Keyboards), Jaco Lindito (Bass) and Doug Alley (Drums). Mile Marker Zero is from New Haven, Connecticut, USA , and has shared the stage with diverse artists such as Porcupine Tree, Riverside, Periphery, Underoath, Spocks Beard, Adrenaline Mob and many others. They have also performed at RosFest and Progstock Festivals.

Says Mark, “Our hope is that these songs strike a personal chord with listeners, bringing their own life experiences to the surface. We want this music to take them back to moments that mattered and in the end shaped who they've become. We're incredibly excited to let this music out into the wild, and look forward to everyone experiencing it.”

Mile Marker Zero’s dynamic mix of a modern Steven Wilson/Riverside gloss built upon classic Rush and Yes influences has the necessary bite to engage, and enough creative decisions to earn your attention.” - Progressive Subway

Cool prog flourishes throughout the record...but grounded in the great melodic rock style.” - Nathan on Shuffle

These five Americans know how to write expansive, exciting and at the same time outrageously catchy songs” - Powemetal.de

To support their new release, the band will focus on playing shows regionally through the rest of this year and doing festivals and broader touring next year.

Says Mark, “Our hope is that listeners hear these songs and they resonate within their own life experiences. We hope the sounds and imagery connect them to a time and place in their lives which made a lasting impact. Looking back can help propel you forward with an inspired view to find better days ahead.”

To purchase:
mmzofficial.bandcamp.com
www.milemarkerzero.com
https://justforkicks.de/shop/progressive/18073/coming-of-age (Europe)
iTunes, Amazon Music

For more information:
www.milemarkerzero.com
facebook.com/milemarkerzero
Instagram, tiktok @mmzofficial
youtube.com/mmzofficial

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/17/2024

AMERICA “Live at the Palladium Deluxe Limited Edition Triple Vinyl LP Released October 25, 2024

Includes a reproduction tour programme!

First 250 copies in PURPLE 180gms vinyl. Contains the full show.

Deluxe Limited Edition of 1000 units.

America, the band that is, will have been together for half a century next year. Dewey Bunnell, Dan Peek, and Gerry Beckley were sons of US Air Force personnel stationed in London, where they began performing live. Their signature song, “A Horse With No Name, in many ways sums up what the band are all about; close vocal harmonies, acoustic guitars, and – if I may misquote Pete Atkin – a journey through “mythical America” and a vaguely rural ethos. “A Horse With No Name was their first international hit, and was taken from their debut album, a self-titled record which came out on Warner Brothers in 1971. Since then, there have been over thirty more records, but the one that I want to talk about today is a very special live album, recorded on stage at one of London’s most iconic venues.

The Palladium became a major rock music venue in the years to come, and last year, this message was plastered across the internet: “The Multi-platinum and Grammy Award-winning band America will be giving an exclusive performance at the London Palladium on Friday 19th October 2018. With huge hits including ‘A Horse With No Name’, ‘Tin Man’ and ‘Ventura Highway’, forty plus years later Gerry Beckley and Dewey Bunnell are still making music, touring the world and thrilling audiences with their timeless sound. The combination of Beckley’s melodic pop rock and Bunnell’s slinky Latin-leaning rhythms has proven that America’s sound can transcend borders with their uplifting music and positive message.”

...and this release serves as an invaluable document of an extraordinarily transcendent evening of peerless music.

To pre-order:
https://www.musicglue.com/america-palladium/products/live-at-the-palladium-triple-vinyl-lp

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/09/2024

Rick Wakeman & Gordon Giltrap “From Brush & Stone” Limited Edition 180GM Clear Vinyl Available For Pre-order

CLEAR VINYL Signed by both Rick Wakeman and Gordon Giltrap - Limited to 250 Copies

“From Brush & Stone” is a studio album by guitarist Gordon Giltrap and keyboardist Rick Wakeman. The album is the first opportunity to record together for Gordon Giltrap and Rick Wakeman. Both are longtime friends who have been on separate musical paths for forty years.

“Having known Gordon for more years than we both care to remember and having great admiration for both his musical and technical ability plus his unique style of composing, it was a no-brainer for us to produce this album together. Logically, I played exactly what I felt was needed on Gordon’s compositions and he played exactly what he felt was needed on mine - another no-brainer. It’s one of those albums where every time you listen to it you discover something new in the music. Each track evokes a different emotion for the listener which indeed it did for Gordon and myself when we recorded the tracks. An album I think we can be rightly proud of.” – Rick Wakeman

“In 1963 at age 15 I was forced to leave school by my well-meaning father, suggesting that I learn a trade thus abandoning any hope I had of going to art college. Since becoming a writer of tunes I think subconsciously I have been using music as my creative canvas. I have always found that paintings have been a great source of inspiration culminating in 1976 with the William Blake inspired Visionary album and then in 1981 with Peacock Party followed by the Pre-Raphaelite inspired Brotherhood Suite. When the opportunity came along to make an album with my old friend and towering keyboard genius Rick Wakeman I put forward my Brotherhood Suite as a concept and starting point. Rick responded very positively and came back with his idea of classical sculpture as an inspiration. This he did superbly. I was given the luxury of time to work on his compositions, about 6 months in fact, and I hope I did justice to his creations. It was and continues to be an honour to have worked with one of the great Godfathers of progressive rock.” - Gordon Giltrap

Tracklist:
Side One 1. The Savannah Bird 2. Caesar Augustus 3. The Kiss 4. Hermes
Side Two 1. The Thinker 2. David 3. The Discus Thrower 4. The Last of England Spring
Side Three 1. The Death of Chatterton 2. The Light of the World 3. World 4. By Angle Tarn 5. Maddie Goes West
Side Four (Previously Unreleased) 1. A Dublin Day 2. Down The River 3. Isabella's Wedding

Personnel:
Gordon Giltrap - guitars
Rick Wakeman - keyboards
Production
Produced by Erik Jordan, Gordon Giltrap and Rick Wakeman.
Guitar recording sessions engineered by Paul White at Malvern Studios.
Keyboard recording sessions engineered by Erik Jordan at Pavilion Studios.
Mixed by Erik Jordan at Jordan Audio Studios.
Artwork by Jan Leytham-Gain.
Additional photography by Lee Wilkinson.
Special thanks to Malcolm 'Mad Malc' Welch.

To pre-order:
https://www.rickwakemansmusicemporium.com/products/rick-wakeman-and-gordon-giltrap-from-brush-and-stone-vinyl

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/05/2024

Soft Machine’s THEO TRAVIS “AELOUS” One Hour Duduk Meditation CD/Blu-ray Featuring Production and Soundscapes by Steven Wilson Available September 6th, 2024

Theo Travis is widely known due to his work with his own bands and (among others) Soft Machine, Steven Wilson, Robert Fripp, Gong, Porcupine Tree and many more
Theo’s previous releases of duduk music on YouTube have become something of a sensation. The piece “Ancient Soul, Modern Times” (which is included on the Blu-ray) has amassed over 1 million listens
Steven Wilson is one of the world’s most sought-after producers, mix engineers and remixers of multi-channel Surround Sound and Dolby Atmos audio
Both artists enjoy a significant fan-base

When Theo Travis began experimenting with long-form improvised instrumentals for duduk - a woodwind instrument from Armenia sometimes described as ‘the saddest sounding instrument in the world’ - he could hardly have imagined a world in which such a one-hour piece would clock up in excess of a million plays on YouTube. Yet that is precisely what happened, with the multi-functional music finding fans purely in its own terms as well as for an array of uses from meditation to yoga, to relaxation and more. Something about the sound, the performances, the context, found, built and maintained a much wider audience than most, far more mainstream music. All of this was achieved without hype, marketing or a dedicated record label supporting the release.

Extending the idea, earlier this year Theo worked with producer Steven Wilson, (who has previously mixed and mastered many of Theo’s solo recordings and in whose band Theo has played) to produce a new duduk improvisation in multi-channel audio as well as stereo, with soundscapes assembled by Steven Wilson from Theo’s alto flute playing. The result is a stunning and utterly unique piece of work which helps to define new possibilities for so-called “immersive audio”, without losing focus on the pure sound and inherent musicality of the duduk improvisations which have struck such a chord with a wide and growing audience online.

The new piece “Aeolus” (again, one hour long) appears in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and 24/96 high resolution stereo on the Blu-ray and in standard 16/44 audio on the accompanying CD.

Watch the promotional trailer: https://www.youtube.com/watch?v=Z0ceR1EkiO4

TRACKLISTING:

CD:
Aeolus (60mins)

Blu-ray:
Aeolus (60 mins)
Dolby Atmos, DTS-HD MA Surround (5.1) & 24/96 LPCM stereo

Aeolus (4 min edit)
24/96 LPCM stereo.

Ancient Soul, Modern Times (60 mins)
24/96 LPCM stereo.

AEOLUS: Composed by Theo Travis and Steven Wilson
Theo Travis – Duduk and Alto flute
Steven Wilson – Production & Soundscapes

Ancient Soul, Modern Times: Composed by Theo Travis
Theo Travis – Duduk & Soundscapes

To pre-order: https://burningshed.com/theo-travis_aeolus_cd_blu-ray?filter_name=aeolus&filter_sub_category=true

For more information: https://www.theotravis.com/

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


9/02/2024

King Crimson “Sheltering Skies (Live in Fréjus, August 27th 1982)” First Release on Vinyl & Standalone CD of the Complete Concert Available September 6, 2024

First release on vinyl of a 1980s King Crimson concert
First standalone CD release of the complete concert
The complete concert from Fréjus, France taken from the original multi-track tapes by Robert Fripp & Brad Davis.
Additional performance of ‘The Sheltering Sky’ at Cap d’Agde also included
Vinyl cut by Jason Mitchell at Loud Mastering
Pressed on 200-gram vinyl & presented in a gatefold sleeve.
CD mastered by Alex R. Mundy at DGM

Featuring:
Robert Fripp: Guitar
Adrian Belew: Guitar, Lead Vocal
Tony Levin: Stick, Bass Guitar and Support Vocal
Bill Bruford: Drums and Percussion

There’s a palpable sense of energy and enthusiasm from the audience captured on the tapes at this concert as King Crimson (sharing a European tour with then label band mates Roxy Music) take to the stage in Fréjus, France, in late Summer, 1982. With two albums’ worth of material to draw upon (Discipline, Oct 1981 & Beat, June 1982) & extensive touring that had already seen the band play concerts in the UK, Europe, USA & Japan, the live shows - as often with King Crimson – had a dynamism & punch that simply couldn’t be replicated in a recording studio. Add a pair of classic KC instrumentals, (Red & Larks’ Tongues in Aspic Part Two), to that mix & all the ingredients were there for a very special performance.

Recorded initially for a video release, the audio from the concert has, inexplicably, never been issued as a standalone release. Nor has a live album from the 1980s line-up previously appeared on vinyl. “Sheltering Skies” presents the complete King Crimson performance across 2LPs pressed on 200-gram vinyl or a single CD, both completed with the addition of the recording of ‘The Sheltering Sky’ from the previous night’s concert at Cap d’Agde. The 1980s King Crimson was, in terms of concert performances/album releases, still less than a year old when this album was recorded. The collective decades of experience of the individual musicians is funneled through the enthusiasm & freshness of the line-up & the newness of the material to produce a special concert recording.

While King Crimson material from this period is always in demand, with the forthcoming US tour by Beat (King Crimson’s Adrian Belew & Tony Levin, joined by guitarist Steve Vai & Tool drummer Danny Carey), performing the material from that period, there is increased interest in hearing this material as it was originally performed.

For more information: www.dgmlive.com

TRACKLISTING:

Sheltering Skies (Live in Fréjus, August 27th, 1982)

Side A:
1 Thela Hun Ginjeet
2 Matte Kudasai
3 Indiscipline

Side B:
1 Red
2 Heartbeat
3 The Sheltering Sky

Side C:
1 Elephant Talk
2 Neal and Jack and Me
3 Waiting Man

Side D:
1 Larks’ Tongues In Aspic: Part II
2 The Sheltering Sky (Cap d’Agde)

1CD - Running order as above

To pre-order:
2LP: https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_double-vinyl

CD: https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_cd

2LP & CD Bundle" https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_cd-vinyl-bundle

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

8/26/2024

PROG ARTIST TIM BOWNESS’ NEW SINGLE ‘LOST/NOT LOST’ OUT TODAY

photo by Leon Barker

TAKEN FROM THE HIGHLY ANTICIPATED NEW ALBUM POWDER DRY (13th September)

his voice is a tender marvel…a career peak” - 8/10 – CLASSIC ROCK

a raw-edged revelation, a declaration of new and neoteric directions. Dynamite” - 4.5/5 – PROG MAGAZINE

an exceptionally unified and hugely accessible body of work…a new beginning for the talented multi-instrumentalist.” - RECORD COLLECTOR

The new single from British singer, songwriter, producer and prog pioneer Tim Bowness is out today. The track, titled ‘Lost/Not Lost’, is one of the standout tracks from Tim’s new album Powder Dry, set for release on 13th September on Kscope. Speaking about the single, he said “Both musically and lyrically, Lost / Not Lost is the most direct song on Powder Dry. It’s a straight-ahead Electro-Pop piece with an optimistic lyric embracing escape and a spirit of abandon. It provides a sharp contrast to some of the bleak sentiments and troubled tales found elsewhere on the album. Like the rest of the music, it came together in a very natural and instinctive way. Clearly, I was in a rare good mood that day!”

Mixed by Bowness’s partner in no-man, Steven Wilson, the new single is accompanied by a pulsating and vivid new video produced by Blacktide Productions.

WATCH THE NEW VIDEO FOR LOST/NOT LOST BY BLACKTIDE PRODUCTIONS: https://youtu.be/m9WiOQi00mk

STREAM/DOWNLOAD ‘LOST/NOT LOST’: https://orcd.co/lost_not_lost_listen

Featuring 16 pieces over its restless 40-minute duration, Tim Bowness’s eighth studio album Powder Dry represents a new beginning on a new label.

A collection of acute contrasts, the album is a vibrantly accessible and wildly experimental genre-blurring assault, embracing Industrial Rock, Electro Pop, singer-songwriter directness, haunted carnival soundscapes and more.

Entirely produced, performed and written by Bowness (a first), Powder Dry was mixed (in stereo and Surround Sound) by Bowness’s partner in no-man (and The Album Years podcast), Steven Wilson, who also acted as Bowness’s sounding board during the mixing process.

This is the best and most creative of all of Tim's albums.” - Steven Wilson

Powder Dry tracklist:
Rock Hudson
Lost / Not Lost
When Summer Comes
Idiots At Large
A Stand-Up For The Dying
Old Crawler
Heartbreak Notes
Ghost Of A Kiss
Summer Turned
You Can Always Disappear
Powder Dry
Films Of Our Youth
This Way Now
I Was There
The Film Of Your Youth
Built To Last

PRE-ORDER POWDER DRY LP/CD: https://TimBownessKscope.lnk.to/Powder_Dry

- Limited edition pink vinyl LP – exclusively available on the official Tim Bowness/Kscope store
- Limited edition yellow vinyl LP – available through indie retailers (w/ signed art print available from Rough Trade UK ONLY)
- Limited edition – 2-disc CD & DVD - includes DVD with 24-bit 48khz PCM stereo and 5.1 Dolby Digital mixes by Steven Wilson
- CD / LP / Digital
- Exclusive signed postcard included in all pre-orders from the Tim Bowness & Kscope store

TIM BOWNESS UPCOMING SHOWS:

SEP 13, 2024
Powder Dry release show
To celebrate the release of his new album Powder Dry, Tim Bowness will be performing at The Camden Club in London on 13th September with his band Butterfly Mind.

DEC 1, 2024
The Fiddler's Elbow, Camden, London NW5 3HS
Prog The Forest. Tim Bowness and Butterfly Mind will headline this year's Prog The Forest.

TICKETS ON SALE HERE https://burningshed.com/tim-bowness_the-camden-club_e-ticket

DOWNLOAD ALL IMAGES: https://kscopemusic.com/media/tim-bowness/

FOR MORE INFORMATION:
WEBSITE - https://timbowness.co.uk/
FACEBOOK - https://www.facebook.com/timbowness/
INSTAGRAM - https://www.instagram.com/timbownessmusic/
X - https://twitter.com/TimBowness
SPOTIFY - https://open.spotify.com/artist/1NuU5hoKx7uwK0FvOlDMMp
APPLE MUSIC - https://music.apple.com/us/artist/tim-bowness/15231295
YOUTUBE - https://www.youtube.com/@timbowness

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com