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Showing posts with label Prog Rock. Show all posts
Showing posts with label Prog Rock. Show all posts

8/19/2026

Signal Meridian Reimagines Strawbs Classic on Debut Single “Heartbreaker” on Blue Élan Records feat. Members of Grace Potter, David Bowie, Moody Blues, The Killers

Signal Meridian - "Heartbreaker" Cover

Reinterpreting Overlooked Song Catalogs

Listen to “Heartbreaker”/Pre-order Signals in Autumn: https://signalmeridian.lnk.to/heartbreaker

Watch the lyric video: https://www.youtube.com/watch?v=RNtvicrV0cw

Today, August 19, 2026, Signal Meridian releases their debut single “Heartbreaker” from their upcoming album Signals in Autumn on Blue Élan Records. “Heartbreaker” reimagines the Strawbs track of the same name from their 1977 release Burning for You.

Signal Meridian sounds like a forgotten progressive-rock group of the ‘70s. It’s not. It’s happening right now.  It’s a collective of top-flight session musicians and vocalists enlisted by Blue Élan Records co-founder Kirk Pasich to reimagine and reinvent the song catalogs of underappreciated artists from the progressive rock genre and beyond.

Signals in Autumn, the first of a planned four initial chapters (all featuring different groups), is inspired by the music of Strawbs, a U.K. band that has reinvented itself four times, and produced such alumni and collaborators as Yes’ Rick Wakeman, Fairport Convention’s Sandy Denny and Blue Weaver, a keyboardist who went on to play with the Bee Gees and Average White Band. Formed in 1963 by Dave Cousins and Tony Hooper as the bluegrass duo Strawberry Hill Boys, the band transformed into British folk-rockers among contemporaries such as Fairport Convention, Steeleye Span, Fotheringay, Pentangle and Richard and Linda Thompson. A progressive art-rock phase ensued with keyboardist Wakeman before Strawbs launched into a more hard-rocking, commercially successful phase in 1972 with the addition of singer/songwriter/guitarist Dave Lambert to the writing team of Cousins and Chas Cronk.

“From bluegrass to folk to prog to rock, Strawbs kept reinventing themselves,” said Pasich. “I wanted to reintroduce great songwriters in a contemporary way, with world-class players and singers. Also, to remind people that prog is not just in 7/4 time with 43-minute-long tracks and technical proficiency.”

While at UCLA in the mid-1970s, Pasich became a fan of not only Strawbs, but progressive acts like Kansas, Triumvirat, and Camel, and has long wanted to redeem the often critically ignored, maligned genre. The 10 Strawbs tracks on Signals in Autumn come from six studio albums released in six years. All those albums, including stints on the A&M, Oyster, and Arista labels, are represented on Signals in Autumn, none of them cracking the Top 100 on the U.S. charts -- Bursting at the Seams (1973), All Our Own Work (1973), Hero and Heroine (1974), Nomadness (1975), Burning for You (1977), and Deadlines (1978).

With Pasich at the helm, the idea was not a tribute or covers album, but a chance to “reveal new versions just as rich and rewarding as pop recordings that revisit early songs, with fresh ears and artistic freedom.”

Signal Meridian Photo Credit Taylor Irving

Kirk tapped keyboardist Sasha Smith as co-producer “to help shape every aspect of the recording process.” Smith is an L.A.-based musician who has worked with a wide range of artists, including Cat Power, Ariana Grande, Ann Wilson, Sia, and the Wallflowers, and released a solo instrumental album, New Leaves, on Blue Élan. They were joined by a veritable all-star team, including guitarists Val McCallum (Jackson Browne, Lucinda Williams, Sheryl Crow and his own Jackshit combo with Elvis Costello drummer Pete Thomas) and Nashville-to-LA native Adam Gimenez (Paris Jackson, 3OH!3, Savannah Pope).  The group is rounded out by bassist Kurtis Keber and female drummer Jordan West, who double as Grace Potter’s rhythm section, along with longtime Billy Idol keyboardist Paul Trudeau (whose own solo album, Lost Diamond Boy, was released on Blue Élan last year). The four lead vocalists include Blue Élan’s Bernie Barlow (eight years with the Moody Blues, plus Sarah McLachlan and Melissa Etheridge), Vanessa Bryan (Lady Gaga, Gwen Stefani, The Killers, Idina Menzel), Holly Palmer (David Bowie, Gnarls Barkley, Dr. Dre, Allee Willis), and Jordan West (who also has a solo album on Blue Élan on tap).

Signals in Autumn offers the perfect showcase for those powerful female voices, with Bryan belting out “Heartbreaker,” the first focus track, featuring some jagged guitar riffs from McCallum and Gimenez, a track from ‘77’s Burning for You, while Bryan’s and Barlow’s pipes make “The Last Resort,” the second single, one of the album’s highlights. The eclectic styles represented, from Bryan’s slow-burning ballad “Carry Me Home,” Palmer’s take on “Don’t Try to Change Me,” and the Stonesy-Chuck Berry R&B number, “Little Sleepy,” given a raucous treatment by Barlow, to the epic three-part art-rock set piece, “Autumn,” with lead vocals by Jordan West, show how eclectic the band’s primary songwriters – Dave Cousins, Chas Cronk, and Dave Lambert – really were.

The album was recorded in five days at Dave’s Room Recording Studio, engineered and mixed by Steve Olmon, and mastered by Stephen Marsh of Marsh MasteringSignals in Autumn is the first of a four-part series that will reimagine overlooked songs of the past, not necessarily just in the progressive genre, either.

“Progressive rock provides the starting point because it contains a remarkable body of songwriting that I believe deserves continued exploration,” Pasich pointed out. “But the philosophy itself isn’t limited to progressive rock. Great songs exist everywhere. What will connect future Signal Meridian projects won’t be style or instrumentation. It will be craftmanship, emotional honesty and the belief that exceptional songwriting continues revealing new possibilities over time.”

Pasich is planning for an eventual Signal Meridian tour and looking to brand the semi-permanent collective in the mode of the rotating cast of characters in the Alan Parsons Project.

“The core musicians will largely stay the same from album to album, though we may use an occasional guest vocalist,” he noted. “But this stuff isn’t easy to play live.”

Signals in Autumn will release on October 23, 2026.

Track Listing:
1. Cut Like a Diamond
2. Carry Me Home
3. Little Sleepy
4. Don't Try to Change Me
5. Lay Down
6. Heartbreaker
7. I Don't Want to Talk About It
8. The Last Resort
9. Autumn [Suite]
10. Who Knows Where the Time Goes

CD Bonus Tracks:
11. Cut Like a Diamond (Radio Edit)
12. Heartbreaker (Radio Edit)
13. Autumn Heroine's Theme
14. Autumn Deep Summer's Sleep
15. Autumn The Winter Long

Listen to “Heartbreaker”/Pre-order Signals in Autumn: https://signalmeridian.lnk.to/heartbreaker

Watch the lyric video: https://www.youtube.com/watch?v=RNtvicrV0cw

For more information: https://blueelan.com/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

8/07/2026

OZRIC TENTACLES RETURN WITH THEIR NEW SINGLE ‘SPACE PLATFORM’

Ozric Tentacles Logo
Ozric Tentacles Photo

Photo by Simon J Evens

THE FIRST SINGLE FROM THE NEW STUDIO ALBUM HARMONIC MIND

SET FOR RELEASE ON KSCOPE ON 18th SEPTEMBER

Following the recent announcement of their new album Harmonic Mind, Ozric Tentacles today share the album's first single, 'Space Platform'. From chief Ozric Ed Wynne himself - “Hey everyone, hope you're doing well n stuff. Here's the first taster for the upcoming Harmonic Mind. Space Platform is a bit like a launch pad to the new Ozric world. Twisting and turning through the lines and spaces of the Harmonical mind landscape. Hang onto the turf lest you float away.”

Ozric Tentacles - Space Platform Thumbnail

WATCH THE VISUALISER FOR ‘SPACE PLATFORM’: https://youtu.be/ejA6lRnQ4KY

STREAM/DOWNLOAD THE NEW SINGLE ‘SPACE PLATFORM’: https://orcd.co/space_platform

Harmonic Mind, the band's 17th studio album, is another welcome chapter in the ever-evolving Ozric’s story. Named after the geometric structure and harmonic nature of existence, the album weaves together soaring guitar melodies, intricate rhythms, lush synth textures and deep, hypnotic grooves into the kind of free-flowing psychedelic odyssey that has become their trademark.

Recorded at the band's home studios as it gradually took shape across Scotland, Devon and finally Glastonbury, Harmonic Mind also captures something a little different. Featuring the full touring line-up - including drummer Pat Garvey, bassist Corey Wallace, percussionist Paul Hankin and multi-instrumentalist Saskia Maxwell - the album has a natural energy that reflects the chemistry of the band's live performances, with each player bringing their own voice to the music.

Ozric Tentacles - Harmonic Mind Vinyl & CD Mockups

HARMONIC MIND WILL BE RELEASED EVERYWHERE ON CLASSIC BLACK VINYL LP, TRANSPARENT BLUE VINYL LP, CD AND DIGITALLY. PRE-ORDER HERE: https://ozrictentacles.lnk.to/Harmonic_Mind

Ozric Tentacles - Harmonic Mind Purple Vinyl

A LIMITED PURPLE VINYL LP EDITION IS ALSO AVAILABLE THROUGH OFFICIAL KSCOPE AND OZRIC TENTACLES STORES.

From the driving pulse of "Guardstones" to the cosmic momentum of "Space Platform", Harmonic Mind is packed with the flowing musicianship and exploratory spirit that fans have come to expect and adore. "Malachite" pays tribute to one of Ed Wynne's favourite minerals, while also giving centre stage to his custom sandalwood acoustic from Kif Wood Guitars, complete with a beautiful malachite inlay around the sound hole. It's one of many moments that highlights the warmth and detail running throughout the album, alongside the fluid interplay between Ed Wynne's guitar and Silas Neptune's ever-shifting synth landscapes.

Produced by Ed Wynne and Silas Neptune, with mastering handled by Silas for the first time, the album feels both fresh and reassuringly familiar. Even the return of the beloved Erp on the cover art offers a knowing nod to longtime listeners. There's no radical change of direction here, just Ozric Tentacles doing what they do best.

Ozric Tentacles - Harmonic Mind Cover

Ozric Tentacles – Harmonic Mind
1. Guardstones [06:40]
2. Space Platform [05:57]
3. Harmonic Mind [09:12]
4. Malachite [07:52]
5. Tillamook [09:11]
6. Sumipad [04:54]

Since emerging from the UK's festival scene in the early '80s, Ozric Tentacles have remained one of psychedelic music's true originals. More than four decades on, they're still pushing forward, still exploring new sonic possibilities, and still making music with the same spirit of curiosity and freedom that first set them apart. 2026 sees Ozric Tentacles continue their extensive touring schedule with a large run of Autumn/Winter shows and a number of co-headline shows alongside The Orb.

OZRIC TENTACLES TOUR DATES
2026
22nd August – Down the Hill Festival, Aarschot, Belgium
31st August – Honey Fest, Honeystreet, Devizes, England
4th September – Existence Festival, Tetbury, England
17th September – Foxlowe Arts Centre, Leek, England
18th September – Equinox Festival, Coningsby, England
16th October – Gazarte Ground Stage, Athens, Greece
17th October – WE, Thessaloniki, Greece
11th November – Buttermarket, Shrewsbury, England
12th November – Boilershop, Newcastle, England (with The Orb)
13th November – Lemon Tree, Aberdeen, Scotland
14th November – Queen Margaret Union, Glasgow, Scotland (with The Orb)
15th November – Platform, Morecambe, England
18th November – Social, Hull, England
19th November – O2 Academy, Leeds, England (with The Orb)
20th November – O2 Academy, Liverpool, England (with The Orb)
21st November – Bodega, Nottingham, England
22nd November – Club 85, Hitchin, England
25th November – Con Club, Lewes, England
26th November – O2 Academy, Bournemouth, England (with The Orb)
27th November – O2 Academy, Bristol, England (with The Orb)
28th November – O2 Academy 2, Oxford, England
2nd December – The Church, Ipswich, England
3rd December – Hare & Hounds, Birmingham, England
4th December – O2 Ritz, Manchester, England (with The Orb)
5th December – O2 Kentish Town Forum, London, England
2027
25th February – De Helling, Utrecht, The Netherlands
26th February – De Pul, Uden, The Netherlands
27th February – Poppodium Boerderij, Zoetermeer, The Netherlands
19th March – Shiiine Weekender, Skegness, England
2nd–9th April – Cruise to the Edge, Miami, USA

BUY TICKETS: https://ozrics.com/live-shows/

Harmonic Mind will be released on 18th September on Kscope, pre-order here: https://ozrictentacles.lnk.to/Harmonic_Mind

Ozric Tentacles
Facebook: https://www.facebook.com/OfficialOzricTentacles
Instagram: https://www.instagram.com/ozrictentaclesofficial
Spotify: https://open.spotify.com/artist/0Iv00ucAIqr5KVS7bXGFa9?si=WU3Uy1BMQJav4zGk16oJyw
Apple: https://music.apple.com/gb/artist/ozric-tentacles/464266722
YouTube: https://www.youtube.com/@OzricTentaclesOfficial

Kscope Logo

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

8/04/2026

ART IN AMERICA TO RELEASE NEW ALBUM DREAMS OF THE DISAPPEARED

Art in America - Dreams of the Disappeared Cover

Follow-up to 2025 comeback album, Rise

Features original members, siblings Chris Flynn, Shishonee Flynn and Dan Flynn

All new material

Out September 24, 2026 on Iconoclassic Records

Art in America returns with Dreams of the Disappeared – the next chapter in one of progressive rock’s most remarkable stories.

Some bands become legends because of the albums they released. Others achieve near-mythical status because of the music that was almost lost. Art in America belongs firmly in the latter category.

When the Detroit, Michigan-based group released their self-titled debut in 1983, progressive rock gained something genuinely new. Combining Chris Flynn’s ambitious songwriting with the pioneering use of Shishonee Flynn’s concert harp as a lead instrument, the band created a sound unlike anything else. Produced by legendary Yes and Emerson Lake and Palmer collaborator Eddy Offord, with arrangements by Steve Morse and keyboards by T. Lavitz (both of Dixie Dregs), and cover art by Ioannis, the Art in America album and its eponymous single and music video became cult favorites. Collaborations with Genesis producer David Hentschel and King Crimson bass player Tony Levin followed before Art in America disappeared from view as musical fashions shifted.

Now, more than forty years later, Art in America continues their story with a new studio album: Dreams of the Disappeared. Their fourth album and their second new release over consecutive years, Dreams of the Disappeared pushes further into the rich musical territory the band first began exploring decades ago.

For songwriter Chris Flynn, the album’s title reflects both its musical structure and its deeper philosophical themes. “These songs morph together as dreams often do. They contain a continuing thread or theme, again a definition of dreams. And in a larger sense, we prepare for the infinite, our disappearance, by defining the finite, our Dreams of the Disappeared.”

That dream-like continuity flows throughout the album, where melodies evolve organically and individual songs feel like chapters within a larger musical narrative. The band’s distinctive identity remains intact, led by the unmistakable sound of Shishonee Flynn’s harp — still one of the most original instruments in progressive rock. As she explains, “Our new album Dreams of the Disappeared features several unique instruments from around the world including a Japanese koto, an African balangi, and an Indian tamboura. Most striking is my ebony and bronze Lyon & Healy pedal harp.”

“What has always set Art in America apart from other rock bands is our unusual instrumentation in conjunction with my brother Chris’s songwriting. Art in America was the first rock band to integrate harp into our unique prog/art rock sound. We continue to explore different tonal landscapes with these beautiful, unusual instruments.” This remains central to the band’s compositional language, weaving alongside guitars, keyboards and intricate rhythms to create music that feels simultaneously familiar and unlike anything else in progressive rock.

Art in America - Dreams of the Disappeared Product Shot

Dreams of the Disappeared also continues the band’s tradition of treating every aspect of an album as part of a complete artistic statement. The cover artwork, based on the ancient Greek comedy/tragedy masks, was painted by drummer Dan Flynn, whose art illustrates the lyrics throughout the 20-page CD booklet.

Dreams of the Disappeared represents the continuation of a creative journey interrupted by circumstance rather than inspiration. Its themes of memory, transformation and renewal resonate all the more powerfully because they are lived experience.

Some dreams disappear. Others simply wait to be heard.

Dreams of the Disappeared will be released September 24, 2026.

Art in America Photo

Dreams of the Disappeared (CD and Digital, Iconoclassic Records ICON 1098)
1. Others
2. Requiem
3. Road Thrill
4. Game
5. Shepherd
6. Three Links
7. Walking the Dog
8. Pink Dominoes
9. Falling Forward
10. Battle of Because
11. Sorry to Say
12. Postscript

To pre-order:
Label store: https://iconoclassicrecords.com/album/dreams-of-the-disappeared/
Independent retail: https://recordstoreday.com/upc/990481103843

For more information:
https://www.artinamericamusic.com
https://www.facebook.com/ArtinAmerica.music
https://www.youtube.com/@ArtinAmericaOfficial-f8b8r

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

7/31/2026

RETURN TO THE RED PLANET - THE EPIC RETURN TO MARS FROM RICK WAKEMAN - FIRST SINGLE ‘THE JEZERO CRATER’ OUT TODAY

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Cover

ALBUM RELEASE DATE: 16th OCTOBER (MADFISH MUSIC)

A new progressive rock suite inspired by both past and the latest discoveries on The Red Planet. Featuring Lee Pomeroy, Dave Colquhoun, Adam Falkner & Mollie Marriott.

"This isn't just another Rick Wakeman album. It's a bloody good one!"
Simon Heyworth - Producer of Tubular Bells

Following his acclaimed 2020 album The Red Planet, Rick Wakeman makes a triumphant and inevitable return to Mars with Return To The Red Planet, a sweeping new progressive work that fuses science, imagination and musical virtuosity into one of the most ambitious recordings of his career. Today, Wakeman has shared the album’s first single, ‘The Jezero Crater’, a spectacular synth-led ode to one of Mars’ most fascinating landscapes.

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Thumbnail

WATCH THE TRAILER FOR RETURN TO THE RED PLANET: https://youtu.be/zkO2P-VnBEA?si=K7TH90lTaUv6pGC1

Rick Wakeman – The Jezero Crater Cover

STREAM/DOWNLOAD THE NEW SINGLE ‘THE JEZERO CRATER’: https://orcd.co/the_jezero_crater

WATCH THE TEASER: https://www.youtube.com/watch?v=Vx0qe5B3wsc

Return To The Red Planet tracklist:
The Jezero Crater – 06:56
Bowie’s Vision – 05:45
Noctis Labyrinthus – 05:28
Noachis Terra (Land of Noah) – 06:23
Witch Hazel Hill – 04:02
St Paul’s Bay – 06:53
Martian Dust Devils – 04:53
Medusae Fossae – 04:26
The Epochs of Mars – 07:45

“Once I started looking at the new data and photographs, I realised there was an entirely new album waiting to be written. There was simply too much more to say about Mars - musically and spiritually - not to return.”Rick Wakeman

At a time when space exploration has moved back to the forefront of human endeavour - with missions to the Moon, Mars and beyond once again capturing the world’s imagination - Return To The Red Planet feels both timely and visionary, rekindling the cosmic spirit that helped define progressive rock’s golden age.

Where its predecessor opened the story, this album explores the planet’s ancient lakes, vast canyon systems, shifting dust storms and geological epochs, drawing directly on the remarkable images and research that have transformed our understanding of Mars in recent years, Wakeman immersing himself in planetary research, data, and mission reports before a single note was written.

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Mockups

RETURN TO THE RED PLANET WILL BE RELEASED EVERYWHERE ON THE FOLLOWING FORMATS:

- Crystal Clear Gatefold Vinyl LP
- Classic Black Gatefold Vinyl LP
- Digipack CD With 20-page booklet
- CD/Blu-ray edition - includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The 'Return To The Red Planet' Documentary + 20-page printed booklet
- Digital

PRE-ORDER RETURN TO THE RED PLANET

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Popup Mockups

RETURN TO THE RED PLANET WILL ALSO BE RELEASED ON THE FOLLOWING FORMATS, EXCLUSIVELY THROUGH THE OFFICIAL RICK WAKEMAN STORE:

- CD/Blu-ray edition - Includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The 'Return To The Red Planet' Documentary + 20-page printed booklet. Features an immersive 3D pop-up of Wakeman’s spacecraft landed on Mars

- Gatefold 2LP edition - pressed on Transparent Orange Vinyl and features an immersive 3D pop-up Of Wakeman’s spacecraft landed on Mars

PRE-ORDER VIA RICK WAKEMAN’S OFFICIAL STORE

Recorded between August 2025 and January 2026, the project also marks a welcome return to full band recording, with all musicians working together at Decoy Studios - a creative approach Wakeman considers essential to capturing the spontaneity and energy of progressive rock at its best.

The album is performed by Wakeman’s English Rock Ensemble, featuring bassist Lee Pomeroy, guitarist Dave Colquhoun, drummer Adam Falkner and vocalist Mollie Marriott, daughter of legendary Steve Marriott. The album was mastered by renowned engineer Simon Heyworth.

Among the album’s centrepieces is Bowie’s Vision, a deeply personal homage to Wakeman’s friend David Bowie, whose fascination with Mars helped shape popular culture’s image of the planet. The connection is more than thematic: Wakeman performed the iconic piano on Bowie’s Life on Mars?, making this tribute both musical and autobiographical - a reflection on a shared history, a lasting friendship and one of rock’s most celebrated recordings.

The music was initially composed as keyboard “templates” at Nursery Studios, before being expanded collaboratively by the band at Decoy Studios and engineered by Toby Wood. Final overdubs and mixing with producer/engineer Erik Jordan bring the vision into sharp focus - from sweeping symphonic passages to intricate rhythmic sequences and haunting choral textures.

Praise for The Red Planet (2020):
“An astonishing return to form…Wakeman at his most imaginative”Prog Magazine
“A richly detailed symphonic rock journey”Classic Rock  

Wakeman needs little introduction. A central figure during his many years with Yes, he is also one of the most successful solo artists in progressive rock history, with a catalogue of over one hundred albums and global sales in the tens of millions. His career as a session musician includes landmark recordings with David Bowie, Elton John, Cat Stevens and many more, establishing him as one of the most distinctive keyboard voices of his generation.

Rick Wakeman Mars Return Mission Logo

RETURN TO THE RED PLANET WILL BE RELEASED ON MADFISH ON 16th OCTOBER, PRE-ORDER HERE: https://rickwakemanmadfish.lnk.to/Return_To_The_Red_Planet

For more information:
https://www.rickwakemansmusicemporium.com/
www.rwcc.com
www.instagram.com/rickwakemanmusic
https://www.facebook.com/RickWakemanMusic
https://twitter.com/GrumpyOldRick
For more high-res images please see: https://www.madfishmusic.com/media/rickwakeman/

Madfish Logo

www.madfishmusic.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

7/27/2026

NEW CRACK THE SKY ALBUM 'BLESSED' TO RECEIVE PHYSICAL RELEASE WORLDWIDE AUGUST 21, 2026

Crack The Sky - Blessed Cover

20TH STUDIO ALBUM BY THE PROGRESSIVE ROCK BAND

"KISS THE DOG" MUSIC VIDEO PREMIERES AUGUST 3

CRACK THE SKY PLAYED THIS YEAR'S CRUISE TO THE EDGE

UPCOMING APPEARANCE AT PROGSTOCK 2026

"There are some of us out here who live in fear and pain. Others, in peace and calm. Those others are the truly blessed." – John Palumbo

Crack The Sky's 20th studio album, Blessed, carries their unmistakable sound: intelligent lyrics, inventive arrangements, dueling lead guitars, stop-start rhythms, melodies that linger long after the album ends, and a sense of humor that never undercuts emotional impact. Blessed has thus far only been available on streaming services and as a limited-edition CD-R. Blessed is now receiving a full worldwide retail release on CD from Iconoclassic Records on August 21, 2026.

The band celebrates its 50th anniversary with four of its five original members intact: songwriter and frontman John Palumbo – whose unmistakable creative vision has made Crack The Sky one of rock's most enduring treasures – guitarist Rick Witkowski, and the locked rhythm section of Joe Macre (bass) and Joey D'Amico (drums). Guitarist Bobby Hird's Crack The Sky tenure spans 40+ years, and debuting keyboardist Bill Hubauer (of the Neal Morse Band) adds another dimension with his virtuosic solos. "I don't think that this record could be titled any better than simply Blessed," asserts Hird. "We really got to dig in and being in the same room, recording live, and bouncing ideas off each other was just wonderful. Just a great experience and we feel that the end product speaks for itself." Blessed plays as the work of artists who continue to challenge themselves creatively while never losing sight of their history. "To be able to release a new and relevant album 50 years from our original debut is nothing less than ‘Blessed,'" believes Witkowski, who also produced the album.  

2026 is a particularly busy year for Crack The Sky. Headline dates are bookended with an acclaimed performance on Cruise To The Edge in March and upcoming appearance at ProgStock 2026 in October. John Palumbo's socially conscious solo album (and Iconoclassic Records debut), R U SCIENCE? was released this May; Crack The Sky's Bobby Hird and Joe Macre perform throughout the record. Simultaneously, Palumbo published his book, Swimming the Cleveland Ocean, a work of absurdist fiction. CRACK THE SKY: 50th Anniversary Documentary (A Film by Duane Tudahl) was successfully funded through Kickstarter and is in production.

Crack The Sky Photo

Emerging from the industrial town of Weirton, West Virginia, in the early 1970s, Crack The Sky burst onto the progressive rock scene with a unique blend of power-pop hooks, hard-rock guitar riffs, and quirky lyrics. Their debut album, released in 1975, was hailed by Rolling Stone as the "debut album of the year," cementing their status as a rising star in the genre.

Led by the songwriting prowess of John Palumbo and the guitar virtuosity of Rick Witkowski and Bobby Hird, Crack The Sky quickly established themselves as innovators within the progressive rock landscape. Their music drew inspiration from a diverse range of influences, including the Beatles, Yes, King Crimson, Genesis, and James Brown, resulting in a sound that was both familiar and groundbreaking.

Crack The Sky's first three albums charted on the Billboard 200, and they toured extensively with prominent acts like Frank Zappa, ELO, Rush, Kansas, and Supertramp. Their live performances were renowned for their energy and precision, earning them a reputation as one of the most dynamic and exciting bands on the circuit.

Despite challenges and setbacks over the decades, Crack The Sky has remained a consistent force. Their enduring appeal lies in their ability to combine technical proficiency with catchy melodies and thought-provoking lyrics. Today, they continue experimenting with new sounds and styles, proving their creative spirit remains as vibrant as ever.

Crack The Sky - Blessed CD

BLESSED (Iconoclassic Records ICON 1097)
Imagination
Kiss The Dog
Blessed
Stare
Mojo Man
Brain Police
I Can't Walk On Water
How Can You Sleep?
Little Men With Big Guitars
The Dance
Artificial Man
It's All In My Head 
Air Strike

Crack The Sky is:
John Palumbo - Lead Vocals and Guitar
Rick Witkowski - Lead Guitar, Acoustic Guitar and Backing Vocals
Bobby Hird - Lead Guitar, Acoustic, Slide, Dobro and Backing Vocals
Joe D'Amico - Drums
Joe Macre - Basses
Bill Hubauer - Piano, Keyboards and Backing Vocals

Pre-order "Blessed":

Amazon preorder: https://www.amazon.com/Blessed-Crack-Sky/dp/B0GX7N4379
Label preorder:  https://iconoclassicrecords.com/album/blessed/
Independent retail preorder: https://recordstoreday.com/UPC/990481103478

For more information:

YouTube: https://www.youtube.com/cracktheskychannel
X: https://x.com/CrackTheSky1975
Instagram: https://www.instagram.com/cracktheskyofficial/
Website: https://crackthesky.com/

Iconoclassic Records:
Facebook: https://www.facebook.com/iconoclassicrecords
Instagram: https://www.instagram.com/iconoclassicrecords
X: https://x.com/iconoclassicCDs
YouTube: https://www.youtube.com/@iconoclassicrecords
Website: https://iconoclassicrecords.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158glassonyonpr@gmail.com

7/23/2026

OZRIC TENTACLES RETURN WITH THEIR NEW STUDIO ALBUM HARMONIC MIND

Ozric Tentacles Logo
Ozric Tentacles Photo

Photo by Simon J Evens

SET FOR RELEASE ON KSCOPE ON 18th SEPTEMBER

For over forty years, Ozric Tentacles have carved out a universe entirely their own. From their roots on the UK's free festival circuit to becoming one of the defining names in experimental rock, the Ozrics have spent more than four decades charting a wonderfully offbeat course through prog, space rock, electronica and beyond, creating an instantly recognisable musical world that has inspired generations of musicians and listeners alike. Today, the band have shared news of their new album Harmonic Mind, set for release on Kscope on 18th September.

Ozric Tentacles - Harmonic Mind Trailer Thumbnail

Harmonic Mind, the band's 17th studio album, is another welcome chapter in that ever-evolving story. Named after the geometric structure and harmonic nature of existence, the album sees the Ozrics once again weaving together soaring guitar melodies, intricate rhythms, lush synth textures and deep, hypnotic grooves into the kind of free-flowing psychedelic odyssey that has become their trademark.

Recorded at the band's home studios as it gradually took shape across Scotland, Devon and finally Glastonbury, Harmonic Mind also captures something a little different. Featuring the full touring line-up - including drummer Pat Garvey, bassist Corey Wallace, percussionist Paul Hankin and multi-instrumentalist Saskia Maxwell - the album has a natural energy that reflects the chemistry of the band's live performances, with each player bringing their own voice to the music.

Ozric Tentacles - Harmonic Mind Vinyl & CD Mockups

HARMONIC MIND WILL BE RELEASED EVERYWHERE ON CLASSIC BLACK VINYL LP, TRANSPARENT BLUE VINYL LP, CD AND DIGITALLY. PRE-ORDER HERE: https://ozrictentacles.lnk.to/Harmonic_Mind

Ozric Tentacles - Harmonic Mind Purple Vinyl

A LIMITED TRANSPARENT PURPLE VINYL LP EDITION IS ALSO AVAILABLE THROUGH OFFICIAL KSCOPE AND OZRIC TENTACLES STORES.

From the driving pulse of "Guardstones" to the cosmic momentum of "Space Platform", Harmonic Mind is packed with the flowing musicianship and exploratory spirit that fans have come to expect and adore. "Malachite" pays tribute to one of Ed Wynne's favourite minerals, while also giving centre stage to his custom sandalwood acoustic from Kif Wood Guitars, complete with a beautiful malachite inlay around the sound hole. It's one of many moments that highlights the warmth and detail running throughout the album, alongside the fluid interplay between Ed Wynne's guitar and Silas Neptune's ever-shifting synth landscapes.

Produced by Ed Wynne and Silas Neptune, with mastering handled by Silas for the first time, the album feels both fresh and reassuringly familiar. Even the return of the beloved Erp on the cover art offers a knowing nod to longtime listeners. There's no radical change of direction here, just Ozric Tentacles doing what they do best.

Ozric Tentacles - Harmonic Mind Cover

Ozric Tentacles – Harmonic Mind
1. Guardstones [06:40]
2. Space Platform [05:57]
3. Harmonic Mind [09:12]
4. Malachite [07:52]
5. Tillamook [09:11]
6. Sumipad [04:54]

Since emerging from the UK's festival scene in the early '80s, Ozric Tentacles have remained one of psychedelic music's true originals. More than four decades on, they're still pushing forward, still exploring new sonic possibilities, and still making music with the same spirit of curiosity and freedom that first set them apart. 2026 sees Ozric Tentacles continue their extensive touring schedule with a large run of Autumn/Winter shows and a number of co-headline shows alongside The Orb.

OZRIC TENTACLES TOUR DATES
2026
23rd July – SubArt Open Air, Kranj, Slovenia
24th July – Open Air Kotač, Pula, Croatia
25th July – Regenerator, Zabok, Croatia
22nd August – Down the Hill Festival, Aarschot, Belgium
31st August – Honey Fest, Honeystreet, Devizes, England
4th September – Existence Festival, Tetbury, England
17th September – Foxlowe Arts Centre, Leek, England
18th September – Equinox Festival, Coningsby, England
16th October – Gazarte Ground Stage, Athens, Greece
17th October – WE, Thessaloniki, Greece
11th November – Buttermarket, Shrewsbury, England
12th November – Boilershop, Newcastle, England (with The Orb)
13th November – Lemon Tree, Aberdeen, Scotland
14th November – Queen Margaret Union, Glasgow, Scotland (with The Orb)
15th November – Platform, Morecambe, England
18th November – Social, Hull, England
19th November – O2 Academy, Leeds, England (with The Orb)
20th November – O2 Academy, Liverpool, England (with The Orb)
21st November – Bodega, Nottingham, England
22nd November – Club 85, Hitchin, England
25th November – Con Club, Lewes, England
26th November – O2 Academy, Bournemouth, England (with The Orb)
27th November – O2 Academy, Bristol, England (with The Orb)
28th November – O2 Academy 2, Oxford, England
2nd December – The Church, Ipswich, England
3rd December – Hare & Hounds, Birmingham, England
4th December – O2 Ritz, Manchester, England (with The Orb)
5th December – O2 Kentish Town Forum, London, England
2027
25th February – De Helling, Utrecht, The Netherlands
26th February – De Pul, Uden, The Netherlands
27th February – Poppodium Boerderij, Zoetermeer, The Netherlands
19th March – Shiiine Weekender, Skegness, England
2nd–9th April – Cruise to the Edge, Miami, USA

BUY TICKETS: https://ozrics.com/live-shows/

Harmonic Mind will be released on 18th September on Kscope, pre-order here: https://ozrictentacles.lnk.to/Harmonic_Mind

Ozric Tentacles
Facebook: https://www.facebook.com/OfficialOzricTentacles
Instagram: https://www.instagram.com/ozrictentaclesofficial
Spotify: https://open.spotify.com/artist/0Iv00ucAIqr5KVS7bXGFa9?si=WU3Uy1BMQJav4zGk16oJyw
Apple: https://music.apple.com/gb/artist/ozric-tentacles/464266722
YouTube: https://www.youtube.com/@OzricTentaclesOfficial

Kscope Logo

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

7/20/2026

Prog Multi-Instrumentalist Tim Morse To Release New Album “The Fourth Crossing” September 7, 2026

Tim Morse - The Fourth Crossing Cover

Prog multi-instrumentalist Tim Morse will be releasing his new album “The Fourth Crossing” on September 7, 2026! “The Fourth Crossing” is primarily instrumental electronic music, in the tradition of such artists as Synergy, Vangelis, Tangerine Dream and Brian Eno. Most of the music on The Fourth Crossing came out of improvisation and often was directly inspired by the sounds used on the recording, with the emphasis being on emotion expressed through ambience, melody, harmony and sonic textures. The compositions are primarily keyboard driven, with percussion and occasional guitars making an appearance.

“The Fourth Crossing” mirrors Tim’s first recording experience. When he was 16 years old, he had saved up enough money to buy a Mini-Moog synthesizer. Completely entranced by this extraordinary instrument, he squirreled himself away recording music with the Moog, a couple of guitars and a piano using a reel-to-reel tape recorder. Says Tim, “I have fond memories of that era and The Fourth Crossing is the updated version of the music I created all those years ago.”

The Fourth Crossing isn’t a concept album per se. Instead, it is a collection of musical vignettes - each one exploring a different emotional journey. While the title of the album has a specific meaning to him, Tim would rather not share it with the audience and instead let them create their own meaning from it.

Says Tim, “I had decided that my next CD would be an instrumental, electronic music album and at the beginning of the year I started working on ideas. Most of the initial composition came from improvisation, and in many cases the sounds I was working with inspired a piece of music. In fact, I’d say on The Fourth Crossing that the timbre chosen is nearly as important as the music performed on these pieces. I also found inspiration came from different sources/places. On one song entitled ‘Space Station Lounge’ I used the Brian Eno technique of creating music for a particular environment - in this case, Sci-Fi 50’s space station. I’m very pleased with the hypnotic and spacey atmosphere it conjures and look forward to creating a video for the composition.”

“I recorded most of the music in my home studio, and for the first time I wrote and played everything on my own. I spent a wonderful afternoon in Los Angeles at the Vintage Synthesizer Museum playing old analog synthesizers and recording important parts of the album. It was only in postproduction that I brought in another person (Craig Long of Paradise Studios) to help with the final mixing and mastering.”

The prerelease publicity for the new album recently caught the attention of Doug Helvering (of The Daily Doug podcast, with over 500,000 subscribers).  After he viewed The Fourth Crossing's video trailer, he reached out on social media to enthusiastically comment that he 'enjoyed your track!'  Check out The Fourth Crossing trailer here: https://www.youtube.com/watch?v=eBaY9G1tXjc

Track list:
1. Submerged
2. Vibration
3. Assembly Line
4. Dreamcatcher
5. Hieroglyphics
6. Eternal
7. Confusion in Aisle 14
8. Structure
9. The Fourth Crossing
10. Zephyr
11. Space Station Lounge
12. The Celestial Cathedral

Tim Morse Photo

Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions.

Tim’s first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and was recognized as keeping in the tradition of seventies prog-rock yet recorded and performed with a modern edge.

His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was appreciated for its pop sensibility and quirky humor. His more recent solo releases “III”, “The Archaeology Project” and "Soundtracks" were also warmly embraced by critics and fans alike.

Tim’s cover version of the classic Yes song “Awaken” has received the ultimate compliments from members of Yes – Rick Wakeman enthused, “Best YES cover I’ve heard …well done to everybody” and Jon Anderson said, “Great job with ‘Awaken’… the fact you sat around and decided to perform it is a treat…. not an easy work!” Composer/musician Adam Holzman was so impressed by this performance of it that he offered to do his own remix of the song (both versions can be found on Tim’s Youtube channel).

Watch Tim Morse/Parallels 'Awaken' cover version: https://www.youtube.com/watch?v=ay1N95FqXWM

Tim is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin’s Press and was featured on the Howard Stern show and VH1. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.

Here’s what the press has said about Tim Morse’s previous albums:

(Transformation, 20th Anniversary Edition)

"For those with an appetite for classic progressive rock in the vein of Yes, Genesis, ELP and Rush and missed out on Transformation first time around, there is much to appreciate on this highly recommended remastered reissue." – Geoff Feakes, DPRP

“One of the best of 2025.” – Preston Frazier, Slang of Ages

“As the title implies, it's focused on capturing and delivering positive energy and perspectives to the listener. It's compelling stuff fans of classic art rock are guaranteed to dig.” – Anil Prasad, Innerviews

"Transformation (and its accompanying extras) is a must-have for any fan of classic or modern prog, and can serve as a wonderful bridge between the two. There's something for everyone on this album.” – Progwereld

“Sounds fresh and plugged in...reminiscent of early Yes and King Crimson.” – Jazzweekly.com

“Impressive in its symphonic heaviness and wondrous scope.” – DMME.NET

“Transformation, the debut album by progressive rock multiinstrumentalist Tim Morse, has returned with renewed clarity, expanded depth, and a generous helping of bonus material. Remastered in 2025 to mark its 20th anniversary, Transformation 20th Anniversary Edition is both a time capsule and a fresh statement of purpose from an artist whose devotion to craft has never wavered.” – ProgressiveRockCentral.com

(Soundtracks)

“A kaleidoscopic recording that seamlessly shifts from anthemic rock to buoyant Beatles-esque pop to sweeping and swirling kinetic instrumentals to ethereal soundscapes. Soundtracks features literate, observational songwriting that explores the complexity of modern society and relationships, and offers a hopeful view that the positive elements of this species will eventually triumph.” – Anil Prasad, Innerviews

“I find I want to listen more and more. Soundtracks is a very engaging album and Tim Morse is a writer and player with lots to say. Buy this right now!” – John Wilcox, Progsheet

“A pleasant album that offers a lot for fans of progressive rock that’s on the mellow and melodic side.” – Jon Davis, Expose

“Taken as a whole, Soundtracks is a pure joy. I can't wait to play it again.” – Michale Popke, Sea of Tranquility

“This album could appeal to fans of Barclay James Harvest, Strawbs, Anthony Phillips, Ken Baird or even Tim Bowness (sans the breathy vocals). I also hear vague but reminiscent snippets here and there from The Beatles which is fine by me.” – Greg Cummins, DPRP

“When the piano-encrusted “Deidra” and “Lullaby” arrive at the scene with a six-string lace in tow to wind things down in the most tender manner, the glacially romantic, yet robustly dynamic, “Vortex” is left hanging in the ether to finally suck the spectator in Tim Morse’s universe. It’s the place to be.” – Dmitry M. Epstein, DME

“It’s high quality and works well. It would probably be a highlight of many artists’ catalog.” – Gary Hill, Music Street Journal

Prog Magazine chose the first single from Soundtracks, "Blueberry Way" as one of its tracks of the week.

(The Archaeology Project)

“A well rounded retrospective and a fitting showcase for his musical inspirations and talents.” – Geoff Feakes, DPRP

“A great way to discover Tim Morse!” – Music in Belgium

“This release is an ideal place to start your exploration of his material.” – Anil Prasad, Innerviews

“A magnificent fourteen song retrospective of Morse’s music from 2005-2020.” – Exclusive Magazine

“Classy...that speaks to both the quality and the consistency of Morse’s music. I can’t think of a better introduction to his music than this CD.” – Gary Hill, Music Street Journal

(Tim Morse III)

“There’s no doubt fans of symphonic prog will find much to enjoy. Recommended.” – Jerry Lucky, The Progressive Rock Files

“Musically, ‘III’ is enjoyable – occupying the lighter end of the Yes style spectrum.” – PROG Magazine

“Recommended for fans of melodic rock with some progressive touches.” – Jon Davis, Expose

(Faithscience)

“Tim Morse deserves to make it into the mainstream, as he surely one of the greats of the genre.” – John Bollenberg, iO Pages

“A smartly arranged, melodic-symphonic opus.” – John Collinge, Progression Magazine

“Probably the biggest surprise of the year…and highly recommended to fans of classic prog.” – Kinesis

(Transformation, original 2005 release)

“Sounds great...unbelievably proficient." – Bill Bruford

"Deftly bridges classic and modern prog." – Sea of Tranquility

"Transformation is a work truly realized, an impressive work of creativity that grows on one even more after repeated listening.” – Andres Valle (Mellotron)

“An interesting and expansive collection of symphonic prog songs…it not only rewards repeated listening, it demands it.” – DPRP

Tim will be creating videos and doing PR to support the release of The Fourth Crossing. He is also working on a new album that he aims to release in 2027. Tim is also planning a one-off concert with special guests for the summer of 2027.

In closing, Tim has this to impart: “I hope that fans of electronic music will check out my new album The Fourth Crossing as I’m very proud of it! Also, I’m always grateful when anyone takes the time to listen to my music. In this modern age of endless distractions, it is a lovely thing when someone will truly listen to music.”

Release date: September 7, 2026
Label: Cymbalick Music

Pre-order “The Fourth Crossing”: https://timmorse.bandcamp.com/album/the-fourth-crossing

For more information:
Tim Morse website: https://timmorse.com/
Facebook: https://www.facebook.com/timmorsemusic
YouTube channel: https://www.youtube.com/c/TimMorseProgRock

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

7/17/2026

Pete Roth Trio feat. Bill Bruford Release New Single “Full Circle” From Upcoming CD/DVD “Group Chat”

Pete Roth Trio feat. Bill Bruford - Group Chat Cover

Single releases today, Friday July 17, 2026

Listen to “Full Circle”: https://cherryred.co/FullCircle

The Pete Roth Trio release their new single “Full Circle” today, July 17, 2026! This is the first single from their upcoming live CD/DVD album Group Chat. This song is one of the first the Trio produced when they first started two or three years ago, and it’s the first track on the album. Unusually for Bill, it’s in a very common 4/4 groove! “Full Circle” also appears on the accompanying live DVD.

The Pete Roth Trio return with Group Chat, a striking new CD/DVD release that captures the spontaneity, interplay and fearless musical conversation at the heart of this exceptional band. Led by guitarist Pete Roth, alongside bassist Mike Pratt and legendary drummer Bill Bruford, Group Chat is Roth's third major album and a release of particular significance, marking Bruford's eagerly awaited return to headline performance after a 13-year hiatus, as well as his first appearance on new material in 19 years.

Produced by Pete Roth and Bill Bruford for Winterfold Records, Group Chat presents a trio that thrives on intimacy, risk and connection. Rooted in jazz but never constrained by it, the music moves fluidly through funk, contemporary classical influences and spontaneous improvisation, with nothing treated as untouchable. Original compositions such as Full Circle, Dancing With Grace and Original Sin sit alongside collaborative pieces including Part Of The Charm and Looking Forward To Looking Back, while the trio's inspired Improvisation on the Largo from Dvořák's Symphony No. 9 underlines the breadth of their musical imagination. The result is a record that feels adventurous, immediate and alive - music made in the moment by three musicians listening as deeply as they play.

The release is presented as a two-disc digipak CD/DVD edition, complete with a booklet containing extensive notes and group photographs. Alongside the nine-track audio album, the package includes a bonus 35-minute DVD offering further insight into the trio's world, with performances, an introduction, and a special spoken segment from Pete Roth.

The music press reaction’s have been emphatic. "The Pete Roth Trio is a band of equals, clearly loving the opportunity to improvise and have musical conversations," wrote Biff Bam Pop!, while Innerviews praised the music as "rich with nuance, invention, and telepathic rapport." Dr. Jazz Talks described the album as "a feast of rhythm and melody," and Make Weird Music summed up its appeal succinctly: "I wish more jazz was this much fun." Another review captured the trio's balancing act perfectly, calling it "loose enough that it could fall apart and tight enough that it grooves."

Pete Roth brings to Group Chat a background that spans blues, rock and jazz, shaped first in Germany and then refined through his studies and career in the UK. Mike Pratt, a highly regarded bassist, composer and producer with deep roots in jazz fusion and groove-based music, brings both harmonic imagination and rhythmic authority to the trio. For Bruford, whose career has encompassed groundbreaking work with Yes, King Crimson, Earthworks and a host of major jazz collaborators, Group Chat reflects a continuing commitment to the innovative, the unusual and the unlikely. Together, the three musicians create an experience that reshapes expectations of the guitar trio format, making space for melody, texture, groove and surprise in equal measure.

Group Chat is a vivid document of three distinctive musical voices in open conversation - intimate, exploratory, witty and deeply alive.

INTERVIEW REQUESTS, PHOTOS, VIDEO STREAM ETC AVAILABLE ON REQUEST

TRACK LISTING

DISC ONE: CD AUDIO
1. Full Circle
2. Part Of The Charm
3. Group Chat
4. Improvisation on the Largo from Dvořák’s Symphony #9
5. Looking Forward To Looking Back
6. Summertime
7. Dancing With Grace
8. Original Sin
9. Hard Case, Soft Centre

DISC TWO: BONUS DVD
1. Introduction
2. Full Circle
3. Part Of The Charm
4. Group Chat
5. Improvisation on the Largo from Dvořák’s Symphony #9
6. A Word From Pete
7. Hard Case, Soft Centre

Produced by Pete Roth and Bill Bruford for Winterfold Records
BBWF006CDVD
www.winterfoldrecords.com

Listen to “Full Circle”: https://cherryred.co/FullCircle

Pre-order “Group Chat”: https://www.cherryred.co.uk/pete-roth-trio-featuring-bill-bruford-group-chat-cd-dvd-edition

Information about the Pete Roth Trio: www.peterothtrio.com

Facebook: https://www.facebook.com/PeteRothTrio

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

7/16/2026

RICK WAKEMAN & THE ENGLISH ROCK ENSEMBLE - RETURN TO THE RED PLANET, THE EPIC RETURN TO MARS FROM RICK WAKEMAN

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Cover

RELEASE DATE: 16th OCTOBER (MADFISH MUSIC)

A new progressive rock suite inspired by both past and the latest discoveries on The Red Planet. Featuring Lee Pomeroy, Dave Colquhoun, Adam Falkner & Mollie Marriott.

"This isn't just another Rick Wakeman album. It's a bloody good one!"
Simon Heyworth - Producer of Tubular Bells

Following his acclaimed 2020 album The Red Planet, Rick Wakeman makes a triumphant and inevitable return to Mars with Return To The Red Planet, a sweeping new progressive work that fuses science, imagination and musical virtuosity into one of the most ambitious recordings of his career. Return To The Red Planet will be released on the Madfish label on 16th October.

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Thumbnail

WATCH THE TRAILER FOR RETURN TO THE RED PLANET: https://youtu.be/zkO2P-VnBEA?si=K7TH90lTaUv6pGC1

Return To The Red Planet tracklist:
The Jezero Crater – 06:56
Bowie’s Vision – 05:45
Noctis Labyrinthus – 05:28
Noachis Terra (Land of Noah) – 06:23
Witch Hazel Hill – 04:02
St Paul’s Bay – 06:53
Martian Dust Devils – 04:53
Medusae Fossae – 04:26
The Epochs of Mars – 07:45

“Once I started looking at the new data and photographs, I realised there was an entirely new album waiting to be written. There was simply too much more to say about Mars - musically and spiritually - not to return.”Rick Wakeman

At a time when space exploration has moved back to the forefront of human endeavour - with missions to the Moon, Mars and beyond once again capturing the world’s imagination - Return To The Red Planet feels both timely and visionary, rekindling the cosmic spirit that helped define progressive rock’s golden age.

Where its predecessor opened the story, this album explores the planet’s ancient lakes, vast canyon systems, shifting dust storms and geological epochs, drawing directly on the remarkable images and research that have transformed our understanding of Mars in recent years, Wakeman immersing himself in planetary research, data, and mission reports before a single note was written.

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Mockups

RETURN TO THE RED PLANET WILL BE RELEASED EVERYWHERE ON THE FOLLOWING FORMATS:

- Crystal Clear Gatefold Vinyl LP
- Classic Black Gatefold Vinyl LP
- Digipack CD With 20-page booklet
- CD/Blu-ray edition - includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The 'Return To The Red Planet' Documentary + 20-page printed booklet
- Digital

PRE-ORDER RETURN TO THE RED PLANET

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Popup Mockups

RETURN TO THE RED PLANET WILL ALSO BE RELEASED ON THE FOLLOWING FORMATS, EXCLUSIVELY THROUGH THE OFFICIAL RICK WAKEMAN STORE:

- CD/Blu-ray edition - Includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The 'Return To The Red Planet' Documentary + 20-page printed booklet. Features an immersive 3D pop-up of Wakeman’s spacecraft landed on Mars

- Gatefold 2LP edition - pressed on Transparent Orange Vinyl and features an immersive 3D pop-up Of Wakeman’s spacecraft landed on Mars

PRE-ORDER VIA RICK WAKEMAN’S OFFICIAL STORE

Recorded between August 2025 and January 2026, the project also marks a welcome return to full band recording, with all musicians working together at Decoy Studios - a creative approach Wakeman considers essential to capturing the spontaneity and energy of progressive rock at its best.

The album is performed by Wakeman’s English Rock Ensemble, featuring bassist Lee Pomeroy, guitarist Dave Colquhoun, drummer Adam Falkner and vocalist Mollie Marriott, daughter of legendary Steve Marriott. The album was mastered by renowned engineer Simon Heyworth.

Among the album’s centrepieces is Bowie’s Vision, a deeply personal homage to Wakeman’s friend David Bowie, whose fascination with Mars helped shape popular culture’s image of the planet. The connection is more than thematic: Wakeman performed the iconic piano on Bowie’s Life on Mars?, making this tribute both musical and autobiographical - a reflection on a shared history, a lasting friendship and one of rock’s most celebrated recordings.

The music was initially composed as keyboard “templates” at Nursery Studios, before being expanded collaboratively by the band at Decoy Studios and engineered by Toby Wood. Final overdubs and mixing with producer/engineer Erik Jordan bring the vision into sharp focus - from sweeping symphonic passages to intricate rhythmic sequences and haunting choral textures.

Praise for The Red Planet (2020):
“An astonishing return to form…Wakeman at his most imaginative”Prog Magazine
“A richly detailed symphonic rock journey”Classic Rock  

Wakeman needs little introduction. A central figure during his many years with Yes, he is also one of the most successful solo artists in progressive rock history, with a catalogue of over one hundred albums and global sales in the tens of millions. His career as a session musician includes landmark recordings with David Bowie, Elton John, Cat Stevens and many more, establishing him as one of the most distinctive keyboard voices of his generation.

Rick Wakeman Mars Return Mission Logo

RETURN TO THE RED PLANET WILL BE RELEASED ON MADFISH ON 16th OCTOBER, PRE-ORDER HERE: https://rickwakemanmadfish.lnk.to/Return_To_The_Red_Planet

For more information:
https://www.rickwakemansmusicemporium.com/
www.rwcc.com
www.instagram.com/rickwakemanmusic
https://www.facebook.com/RickWakemanMusic
https://twitter.com/GrumpyOldRick
For more high-res images please see: https://www.madfishmusic.com/media/rickwakeman/

Madfish Logo

www.madfishmusic.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Held By Trees To Release New Single ‘Not Home Yet’ from ‘The Call of Home’ featuring Simone Marie

Held By Trees - 'Not Home Yet' Thumbnail

New video ‘Not Home Yet’ premieres tomorrow on the official Held By Trees YouTube channel: https://www.youtube.com/@HeldByTrees

Held By Trees are set to release a new single ‘Not Home Yet’ on 17 July, ahead of new album ‘The Call of Home’ on 2 October 2026. Featuring Simone Marie formerly of Primal Scream, and currently with The Twilight Sad, the song is accompanied by a striking fanbase-created video.

David Joseph says of the song, “We enter the narrative of the new album with this song about feeling lost and claustrophobic in an urban environment, and longing for the safety of home. This is from the heavier section of the album before things get more peaceful and joyful, but it all works as journey.

I’m delighted to have Simone Marie working with us again, this time singing lead vocals for the first time, I think - which is a real honour. The video for the song was made out of clips sent in from followers of Held By Trees in cities all over the world”.

Simone Marie added, “I thoroughly love and enjoy the process of working with David and Held By Trees. He sent me demos of the new stuff and I felt a connection with it. I heard ideas and melodies  for what he sent me and he gave me confidence and space to find my own way to the parts I contributed. I’m really excited for the whole album to be out in the wild.”

‘The Call of Home’ is the follow-up to the critically acclaimed ‘Hinterland’ and finds the band exploring very different territory, with the album featuring nine tracks with vocals bookended with two more familiar instrumental takes, including for the first time on vinyl, Lay Your Troubles Down with Martin Smith. The album will be released by Tweed Jacket Music / Low Port Music on vinyl, CD and digital formats – but will be initially absent from streaming platforms as each track is released as singles. The striking original artwork, so important to Held By Trees, has been originated by @BlankEmbrace.

‘The Call of Home’ sees a broadening of personnel, with new musical collaborators with backgrounds as diverse as Radiohead and Primal Scream, to Wet Wet Wet and Delirious [Clive Deamer, Simone Marie, Graeme Duffin, and Martin Smith/Stu Garrard respectively]. With David Joseph once again are the core band of Robbie McIntosh, Laurence Pendrous, and Andy Panayi with their shared history with Mark Hollis and Talk Talk, among many others. Still at his side are James Grant and Grant Howard, continuing a friendship and musical partnership spanning over two decades now in various forms. David’s key musical mentors Martin Smith, Jason Upton and Eric Bibb take the vocal mic alongside Simone Marie and Marc James and, in a departure, David even sings a few himself.

David Joseph said, “I’ve made an album of songs with some of our friends singing. It’s a love letter to the music of the 80s and 90s, when I was a youngster falling in love with music through my parent’s records and cassettes, and what I heard on the radio and on Top of the Pops. It’s on the theme of coming home; to reunion, redemption and the warming of the heart through sounds and stories.

This album is a labour of love on many levels, a branching out of what this project is and can be. Over nine songs, bookended with two instrumentals, I hope all who listen find their way home to an embrace that this music can offer the soul.”

Held By Trees is a journey in itself and ‘The Call of Home’ offers new sonic vistas to explore, whilst retaining the heart and hearth of what makes this band special.

Held By Trees - The Call of Home Cover

David Joseph Photo

Held By Trees LIVE

London – Chats Palace, Hackney
13th November 2026
Tickets: https://www.ticketsource.com/rondotheatre/held-by-trees/e-zpbqxm

Bath – Rondo Theatre
23rd January 2027
Tickets: https://www.ticketsource.com/rondotheatre/held-by-trees/e-zpbqxm

Chelmsford – Chelmsford Social Club
19th February 2027
Tickets: https://wegottickets.com/f/22318

Worcester – Huntingdon Hall
2nd April 2027
Tickets: www.worcestertheatres.co.uk

For more information: www.heldbytrees.co.uk

New video ‘Not Home Yet’ premieres tomorrow on the official Held By Trees YouTube channel: https://www.youtube.com/@HeldByTrees

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com (North America, Europe)