Showing posts with label Solo Album. Show all posts
Showing posts with label Solo Album. Show all posts

5/09/2022

Bass Virtuoso Clint Bahr Releases New Solo Album “PUZZLEBOX” Feat. Members of King Crimson, YES, Van Der Graaf Generator, Sun Ra and Others!

Bass virtuoso Clint Bahr just released a new solo album “PUZZLEBOX” on Moonjune Records. The album features members of King Crimson, YES, Van Der Graaf Generator, Sun Ra and others!

Clint Bahr’s new band, also named PUZZLEBOX, is a multidimensional “Tabula Rasa” in both compositional and improvisational formats. PUZZLEBOX is a genre-defying global collaboration of artists, a cross-pollination of diverse instruments and talents.

Delightfully blurring both stylistic and structural approaches, the tight-knit unit Bahr has assembled proves as unpredictable as they are adept, articulate and gifted. “PUZZLEBOX” recalls prog in its heyday when albums as uninhibited and off script as King Crimson’s “Lizard” and Captain Beefheart’s “Trout Mask Replica” were celebrated, and the Canterbury renaissance was in full swing. It harkens back to the same “reaching beyond” mentality which defined his seminal NYC-based power trio, TriPod. Brilliantly arranged and produced, Clint Bahr has delivered a multi-faceted, timeless epic ... at such a time as this.

Says Bahr, “I decided to do a ‘solo’ album with friends from the UK and USA. They include former members of King Crimson, Anthony Braxton, Television, Van der Graaf Generator, Sun Ra, Flash, TriPod, Gloria Gaynor, YES, Andromeda, etc. The album is a 50/50 compilation of composed and improvisational pieces. More so, PUZZLEBOX is a recording & touring band with interchanging players from around the world with a core bass and drums section.”


Clint Bahr - Composer/Lyricist
(Vocals, 12/8/4 String Basses, Chapman Stick, Acoustic Guitar, Mandolin, Piano, Harmonium, Mellotron, Theremin, Percussion, etc.)
Formerly of TriPod, Andromeda, Flash, 40 Familys, Menage a Trois, as well as the bass player for Eartha Kitt. He has toured nationally and internationally. Progressive Edge Magazine listed him in their “TOP BASS PLAYER of 2002” list. He has recorded for Columbia Records, MoonJune Records, and various independent labels, and was a recipient of the 2021 NYC Artists Corps Grant.

PUZZLEBOX” Track List
1. Tabula Rasa 1
2. New Design
3. Plate (Improv)
4. Shelter
5. As Tympani Melt In The Greek Heat (Improv)
6. Fall From Grace
7. Belt & Braces
8. Triangles, Circles & Squares (Improv)
9. Oslo
10. Kicking The Wasp’s Nest
11. Lifeguard In The Rain
12. Tabula Rasa 2

Featuring:
Clint Bahr - basses & vocals (TriPod)
Peter Banks - guitar (Yes)
Colin Carter - vocals (Flash)
Marilyn Crispell - piano (Anthony Braxton)
David Cross- violins (King Crimson)
Stephanie Feyne - dialogue (The Dotes)
Billy Ficca - drums (Television)
Dick Griffin - trombone (Sun Ra)
Mike Hough - drums (Flash)
David Jackson - woodwinds (Van der Graaf Generator)
Dan Parkington - sitar & violin (Andromeda)
Jeff Schiller - woodwinds (The Roots)

To purchase:
BANDCAMP: https://clint-bahr-moonjune.bandcamp.com/album/puzzlebox?fbclid
AND also from Website: https://www.puzzlebox.band/

For more information:
https://www.puzzlebox.band/
https://www.facebook.com/ClintBahrPuzzlebox

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

5/06/2022

Ian Danter, Drummer For World’s Longest Running KISS Tribute Band Dressed To Kill, To Release 3rd Solo Album “Rule Of Three” June 3, 2022

Acclaimed hard rock songwriter, multi-instrumentalist and UK broadcaster Ian Danter is finally set to bring out his follow up album to 2015’s “Second Time Around” with a brand new collection of original rock songs entitled “Rule Of Three”.

Recording initially began in July 2019 at the famed Monnow Valley studios in Monmouth, South Wales, with Ian once again playing almost all of the instruments and singing lead vocals as with his first 2 albums.

The 2020 pandemic suspended operations for a time but by mid 2021, all recording was finally completed at studios in Blackpool & Llanelli

“Rule Of Three” contains several co-writes with Ian’s long time friend and former Shotgun Wedding bandmate Gray Ettrick and a number of special guests play guitar solos throughout the album.

They include Wayward Sons’ Sam Wood and Chris Buck from Buck & Evans/Cardinal Black, as well as Ettrick himself and Ian’s guitar cohorts from his theatre rock project “Leather and Lace” in Jon Sudbury and Glenn Quinn. Quinn also contributes a co-write to the album (along with Ian) with the epic “Generation Z”.

Ian’s long time best friend Keith Laurent also supplies a fun tune in “I’ve Got A Problem” that dates back to the band he and Ian formed as teenagers back in Birmingham during the mid 1980’s.

Songs like “One Over The Eight” and “Route Of All Evil” combine Ettrick’s punchy riffs with Ian’s inventive melodies and lyrics, whilst Ian himself wrote other standout tracks such as “Pick A Side” and the swirling, exquisite ballad “Landscapes”.

Watch Ian Danter’s lyric video for “Landscapes”: https://youtu.be/uUyq25qUmqY

Ian took the “Rule Of Three” title for this 3rd solo release and devised a fun cover artwork with designer Shaun Davies, based on the Hollywood Squares (US) or Celebrity Squares (UK) quiz show, with Ian in caricature surrounded by famous musicians who all had a ‘rule of three’ of their own with regard to famous band lineups.

Ian, a well known football commentator on talkSPORT radio - and a regular Planet Rock presenter too - said of the album, “The inspiration for it came from revisiting some collaborations that Gray and I had when writing songs in the 90’s. He always has a stash of great riff ideas that he’s adding to this day and listening to some of his recent ideas fired my imagination to compose new songs and dust down one or two old tracks that never got released”.

Ian spent over 5 years as ‘Peter Criss’ in the worlds longest running KISS tribute band Dressed To Kill, touring the UK and Europe from 2005-10 during his main spell - plus the occasional sporadic return in future years as a ‘dep’ drummer

To further engage with his past, Ian began the recording process for “Rule Of Three” in a famous studio where he cut his teeth some years before. “It was a real thrill to return to Monnow Valley to record my drum parts at a legendary place I’d not worked in for a quarter of a century.

“Similarly to then complete the album and mix it with the wonderful Tim Hamill at Sonic One in Llanelli - a studio I’d never worked in previously - was hugely rewarding for me in getting the sounds and the vibe I could hear in my head.

“‘Rule Of Three’ feels different to my first 2 albums for the collaborative effort alone in terms of songwriting and construction, but sonically I think Tim has captured a rawer, more aggressive sound to the instruments and as a consequence this album feels really direct and unambiguous in its approach.

“Lyrically, I’ve once again tried not to stray into the clichéd rock stereotypes of girls and sex, but one or two songs are meant to have that sense of fun and joie de vivre like ‘One Over The Eight’ or ‘I Was There’ whilst still being lyrically stimulating”

“Rule Of Three” is set for release on CD-digipak and online on June 3rd 2022.

To pre-order: https://www.cherryred.co.uk/product/ian-danter-rule-of-three/

For more information:
www.iandanter.co.uk
www.facebook.com/ian.danter
Twitter @talkdants

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

2/11/2022

Guitarist/Composer Alex Anthony Faide To Release Long Awaited Solo Album “Particles of the Infinite” Featuring King Crimson’s Pat Mastelotto On 7d Media March 18, 2022

AAF plays my guitar parts better than I do.”  - Robert Fripp

Originally from Buenos Aires, Argentina, Guitarist/Composer Alex Anthony Faide has a decades-long international reputation for being the secret weapon in rock recordings, arrangements, and stage productions in Europe and Latin America. Now based in Seattle, WA, Faide will release his long-awaited solo record – “Particles of the Infinite” – a display of guitar pyrotechnics in nine parts, in March 2022 on Trey Gunn’s label 7d Media. Inspired by and developed from concepts found in songs such as King Crimson’s “Fracture” and “Lark’s Tongues in Aspic,” Faide takes the work beyond the stratosphere into the mirror dimension to find something completely his own. In the words of his mentor Robert Fripp, “AAF plays my guitar parts better than I do.”  

Faide spent 2017-19 touring, songwriting, and arranging, with Mexican hard rock heroes Molotov on their MTV Unplugged Show “El Desconecte” and as a sideman for Molotov front man Tito Fuentes’ acclaimed solo record “El Ocaso.” He is currently working on a new project with legendary German producer/songwriter Uwe Fahrenkrog-Petersen, founder and main composer for the band Nena.  

Faide is the co-founder of cherished 3rd wave surf rock band, Los Twang! Marvels, in addition to Los Gauchos Alemanes/Electric Gauchos. He has also worked with artists including Markus Reuter, Namgar, Willie Campins, Crystal Beth, TROOT, Kathy Moore, Tiny Orchestral Moments, Los Primitivos, and Lutz Petersen, among countless others.

Says Alex, “It is difficult to determine the true origin of this work, though it stands undeniably as a tribute to my guitar instructor, life mentor, and friend, Robert Fripp. Ideas and compositions started taking shape in April 2016 in response to a challenge set forth by long-time collaborator and life brother Steve Ball (League of Crafty Guitarists, Electric Gauchos, Prometheus) to come up with my own version of King Crimson’s ‘Fracture’ and ‘Lark’s Tongues in Aspic.’ Mr. Fripp’s writing and guitar work in these monumental pieces strike me as expertly unique blends of influences in contemporary electric guitar repertoire, which inspired me to dive deeply into my own voice and personal practice to accept the challenge issued.

“What sparked my interest the most was the notion of a fierce, heavy rock attitude and sound, executed with pristine precision in a contemporary classical music tradition on an electrified instrument. I am mesmerized by the section of “Fracture” known as “Perpetuum Mobile” and with the guitarist’s capacity to execute intricate parts in an effortless fashion with a triangular plectrum. The challenge to evoke such intricacy seems to me both impossibly fragile and risky.

“Once the embryonic emergence of ‘Particles of the Infinite Parts I through III’ began to take shape, it became clear this was going to be a full-length record and require a full nine parts to complete the body of work I set out to explore. ‘Particles of the Infinite’ sums up 30 years of personal development and research on the guitar, derived and gleaned from direct guitar instruction as part of Guitar Craft, and the live practice of experiencing life as an international touring musician in myriad genres and settings. I traveled almost monthly between Argentina, Mexico, and the US from 2017-2019, developing this work between shows and collaborations, in hotel rooms and airbnb’s, with recordings intermittently in Seattle when the moment allowed.”

The 9 frameworks that make up “Particles of the Infinite” are presented in triptych (Pt. I-III / Pt. IV-VI / Pt. VII – IX) each containing particular techniques (alternate and cross-picking, stamina, release and flow for the left hand, exploration of diminished /symmetric scale relationships, rhythmic displacement & vector harmonization) - and interpretations of various themes, motifs and passages. There are many convergences imprinted in the music, playing style and overall tone.

Says Alex, “Obviously part of the material stands as a tribute to Fripp, however I am always pushing towards my own musical horizon and following the demands of the Muse. I hear it as ‘gold panning’ in musical form. One could arguably call this record “just a fancy collection of chops”…and I would happily agree with that. But I regard these techniques and interpretations as a cross-pollinating and ever-evolving body of work that points to a larger idea in the ever-expanding continuum of the electric guitar. Above all, these techniques are simply a means to an end, the end being the ability to let music speak freely and continually in real time.

“It’s interesting to experience the evolving arc throughout the whole record start to finish, personally it represents a sort of a surprising navigation chart helping me (and hopefully the listener as well) to find a center of gravity amidst the storm. May the Higher Powers grant Us the Patience to endure and the Strength to persevere. As they say: Ad Astra per Aspera.”

photo by Karen Moskowitz

Particles of the Infinite” Track list:
Pt. I (04:06)
Pt. II (04:31)
Pt. III (05:50)
Pt. IV (04:37)
Pt. V (11:05)
Pt. VI (03:18)
Pt. VII (03:38)
Pt. VIII (06:28)
Pt. IX (06:11)

All tracks composed and performed by Alex Anthony Faide on electric guitar and bass.

Guest drummers:
Matt Chamberlain (Pt. I & VI)
Pat Mastelotto (Pt. II)
Alessandro Inolti (Pt.III, IV, V, VII & VIII)

Recorded at SoundVision Studios (Seattle)
Mixed by Jonathan Plum / London Bridge Studios (Seattle)
Mastered by Brian Lucey / Magic Garden Mastering (LA)

Release Date March 18, 2022

To purchase: https://alexanthonyfaide.bandcamp.com/album/particles-of-the-infinite

For more information:
Official website: www.alexanthonyfaide.com
Facebook: https://www.facebook.com/alex.a.faide
Instagram: https://www.instagram.com/instrofreak/
YouTube: https://www.youtube.com/c/AlexAnthonyFaide

7DMedia: www.7dmedia.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

1/04/2022

Italian Bassist ALBERTO RIGONI To Release New Album “Songs for Souls” in Memory of His Father, Feat. Jordan Rudess, Jennifer Batten, Mark Zonder and Others!

Italian bass master and composer ALBERTO RIGONI (solo, BAD As, Natural Born Machine, Bassists Alliance Project, Vivaldi Metal Project etc.) on January 15, 2022 will release his new album, entitled “Songs for Souls”, in memory of his Father who recently passed away. The album features Jordan Rudess (Dream Theater), Jennifer Batten (Michael Jackson, Jeff Beck), Mark Zonder (Fates Warning) and many others!

Says Alberto, “Considering the hard times, I was going to give up with music but suddenly my father (famous professor, writer and journalist) passed away on October 15 2021... So, I decided to make an album in his memory. It’s fully instrumental, 10 tracks spanning from prog rock to ambient/cinematic) and it features some incredible special guests such as Jordan Rudess, Jennifer Batten, Mark Zonder and many more. So far... the best album I’ve ever released.. at least I hope so.”

Watch the video for “L’Origin du Monde” with Jordan Rudess and Mark Zonder: 

Format: Digital and Digipack CD (6 pages)

Tracklist

1. The Miracle
2. L’Origin du Monde (ft. Jordan Rudess and Mark Zonder)
3. Youth (ft. Jennifer Batten and M. Zonder)
4. Talking with My Demons (ft. Alessandro Bertoni and M. Zonder)
5. Suddenly (ft. A. Bertoni and M. Zonder)
6. The Battle (ft. Tommaso Ermolli and M. Zonder)
7. Silence
8. Keep on Fighting (ft. Edoardo Taddei, M. Zonder)
9. Peaceful Acceptance (ft. T. Ermolli)
10. Souls Never Die (ft. Marco Sfogli, Fabrizio Leo, A. Bertoni, M. Zonder)

To purchase Alberto Rigoni's “Songs for Souls”:
http://albertorigoni.bandcamp.com (Digital and Digipack CD)
Japan: http://diskunion.net/portal/ct/list/0/72209610 (Digipack CD)
Rest of the world (digipack):
https://burningshed.com/alberto-rigoni_songs-for-souls_cd
https://www.prideandjoy.de/shop/de/home/230-alberto-rigoni-songs-for-souls-cd.html

Two songs are streamable and downloadable now.

Born in 1981, Alberto Rigoni is an Italian bass player and composer, internationally known for his career as a solo artist and as a member of the metal band BAD As, The Italians, Natural Born Machines Lady & THE BASS, co-producer of the Vivaldi Metal Project and member of progressive rock band TwinSpirits (no more active).

Between 2008 and 2020 Alberto has released worldwide 9 solo albums (Something Different, Rebirth, Three Wise Monkeys, Overloaded, BASSORAMA, Duality, EvoRevolution, Prog Injection, Odd Times), spanning from progressive rock metal to fusion. His albums also featured legendary musicians such as Kevin Moore (ex Dream Theater), Gavin Harrison (Porcupine Tree, King Crimson), Marco Minnemann (the Aristocrats), Göran Edman (ex Yngwie Malmsteen), Michael Manring and many others.

Alberto has been featured on the cover of magazines such as Bass Magazine (Japan), Bass Musician Magazine (USA), Bajos Y Bajistas (Spain), Basistas (Poland), TOP BASS (Poland). Moreover, in March 2015 the prestigious Bass Guitar Magazine (UK) released Alberto’s CD anthology called “Into THE BASS.”

Alberto has also recorded for several international artists such as Italian pop singer Alexia and he is also playing bass for Canadian rock singer and songwriter Kim Bingham (ex-Nelly Furtado) and The Italians, sharing stages with artists such as Alan Parson, Suzanne Vega, Jørn Lande, Paul Gilbert, Vinnie Moore and others.

In 2016 founded a new metal band called BADASS (now called BAD As) which released three albums (More Pain More Gain, Midnight Curse and Crucified Society.

On December 15th 2017, Rigoni together with bassist Jeff Hughell (Six Feet Under) released a new studio project called Bassists Alliance. The first album “Crush” featured top notch bassists such as Michael Manring, Adam Nitti, Steve di Giorgio, Colin Edwin, Mark Mitchell, Scott Reeder, Dmitry Lisenko, Brandino BassMaster, Ryan Martini, Leonid Maksimov, Tony Grey.

In 2019 founded a new AOR band called “Natural Born Machine” featuring famous Pink Cream 69 singer David Readman. Their debut album “Human” was released on February 19th 2021 by Pride and Joy Music.

Currently he is also collaborating with famous producer Hiro Furuya (Elton John, Eric Clapton, etc) and many others as session bassist.

His tenth album “For The Love of Bass” feat. all star bassists such as Nathan East, Lee Sklar, Michael Manring, Doug Wimbish and many others was released on April 2nd 2021 and it’s available worldwide.

For more information:
http://www.albertorigoni.net
http://www.facebook.com/albertorigonimusic
http://albertorigoni.bandcamp.com
http://www.youtube.com/albertorigoni
http://www.twitter.com/albertorigoni
http://www.vivaldimetalproject.com
http://www.badas.rocks
http://www.theitaliansband.com
http://bassistsallianceproject.bandcamp.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

12/07/2021

Uriah Heep and Trapeze Ex-Lead Singer Peter Goalby Announces the First Release of His Long-Lost Solo Album ‘Easy with the Heartaches’ – Out Now!

Peter Goalby was the lead singer of Uriah Heep during the band’s classic Abominog era and also wrote their 1980s hit “Blood Red Roses.” He sang on the band’s albums Head First and Equator plus he’s also known for his time in Trapeze. Peter Goalby is now retired from the music industry.

After leaving the band, Peter Goalby recorded a number of solo songs, however, they were left unreleased until now. There has been constant speculation from fans on when they might hear the songs, given it was business reasons that precluded the release of the album at the time, but the way has now been cleared for the music to finally be heard.

The new artwork has been overseen and approved by Peter Goalby and its release has come about thanks to fans persistently pushing to hear these legendary lost recordings.

Peter Goalby said: “Finally, my best songs will be heard. Thirty years on. Never say never. I am so thrilled with my album release. I know I have a lot of friends out there who have wanted this day to arrive for many years. Thank you for sticking with me for all this time. I hope you love 'Easy With The Heartaches' as much as I do. Thank you.”

All the tracks were written by Goalby, except for three tracks co-written with Robin George. The vocal led style will appeal to Uriah Heep and Trapeze fans who have never stopped loving his voice.

To purchase:
Amazon CD: https://geni.us/EasyCD
Apple Music: https://geni.us/PGapplemusic
Spotify: https://geni.us/PGspotify

The album is also available from Cherry Red and all those orders come with a free hand-signed postcard: https://www.cherryred.co.uk/product/peter-goalby-easy-with-the-heartaches/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

12/06/2021

Blues Guitarist Brandon Teskey To Release Second Solo Album “Screaming Into The Void” November 25, 2021

Brandon Teskey is a blues guitarist, known most notably as the guitar player and songwriter of the blues rock band, Until the Sun. His music includes and often fuses elements of Blues, Fusion, Alternative Rock, Psychedelia, and Jazz.

Brandon’s forthcoming second solo album titled “Screaming Into The Void’ is an eclectic array of blues, rock, fusion, jazz, psychedelic, and alternative music that spans throughout an album with surprising twists and turns. Discontent with tired formulas, or being confined to a single genre, Brandon Teskey finds creative freedom in an album that breaks all the rules and lets the truth of the music speak for itself. Though the album features two songs with Brandon singing, and two songs with Alyssa Swartz (Until the Sun) singing, the mostly instrumental guitar driven album delves into a variety of styles exploring the expanse of musicianship and virtuosity the players have to offer.

Says Brandon, “I strove to create true musical artwork that spoke for itself. It encompassed many of my favorite musical genres, while still staying true to my blues rock roots.”

The album was recorded at Mind’s Eye Studio in Glendale Arizona. It was produced by Brandon Teskey and engineered by Larry Elyea. There are twelve tracks on the album. Most of the songs are original, however, it does feature a few covers including, “Side Tracked” by Freddy King, “Equinox” by John Coltrane, and “Autumn Leaves” by Joseph Kosma and Jacques Prevert.

Brandon assembled a world class group of musicians to play on the project. The personnel includes: Brandon Teskey, on Guitar and Vocals, Chris Tex (Until the Sun), on Drums, Jon Nadel (Marbin) on Bass, Will Kyriazis on Keyboard, Danny Markovitch (Marbin) on Saxophone and Alyssa Swartz on Vocals.


Brandon Teskey was born and raised in Southern California. At age 11 he began playing guitar and was exposed to Blues music shortly thereafter and became consumed with the playing of Eric Clapton, Stevie Ray Vaughan, Buddy Guy, B.B. King, Albert King, Robert Johnson, Albert Collins, and T-Bone Walker, as well as Rock artists like Led Zeppelin, Jimi Hendrix, Pink Floyd, and Eric Johnson. Along with his obsession with guitar playing also came the obsession of songwriting and almost as soon as he had picked up the instrument, he began coming up with chord progressions and penning lyrics.

By the time Brandon was 15 years old, he had joined an established blues band with some members forty years his senior and by the time he was 16, he had played the prominent San Juan Capistrano venue, The Coach House, where he had seen many of his idols play as a kid. Brandon further developed his playing, becoming intrigued with the technical and harmonic sophistication of players like Scott Henderson, Robben Ford, and John Scofield and began studying the works of Jazz musicians like Charlie Parker, Wes Montgomery, Django Reinhardt, and Joe Pass.

Brandon moved to Arizona to attend Arizona State University in the summer of 2003, studying Music and Philosophy. While attending ASU, he met Bruce Jensen where they formed their first Rock band, playing gigs all across the Phoenix valley. In 2011 Brandon and Bruce formed bluesy hard rock band ‘Corium’. The band released an EP and opened for many national performers across Arizona.

In 2017, Brandon released “The Chime”, a solo rock instrumental album which combined influences of Rock, Delta Blues, Electronic Rock, and Jazz. The same year Brandon, along with other bandmates, formed ‘Until the Sun’, which allowed Brandon to return to his Blues-Rock roots and opened new doors of creativity in his song writing and playing. In 2019 Until the Sun released their debut album, “Blackheart”, followed by their 2021 album, “Drowning in Blue”. Throughout 2021 Until the Sun played numerous shows and went on some small tours, despite the Covid lockdown.

In June of 2021, Brandon began recording his second solo album, “Screaming Into The Void”. Throughout the recording process, he pushed himself to the limits of his playing ability and the boundaries of his creativity to make true musical art. The mostly instrumental album defies the genre boundaries and includes rock, blues, fusion, psychedelic and jazz songs. Says Brandon, “I pushed myself beyond the limits of my playing and writing ability.”

To purchase:
http://itunes.apple.com/album/id1590500629?ls=1&app=itunes
http://itunes.apple.com/album/id/1590500629

For more information: https://www.facebook.com/people/Brandon-Teskey/100050206731848/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

10/20/2021

Former PUBLIC IMAGE LTD Bassist JAH WOBBLE Revisits Old Stomping Ground On New Studio Album METAL BOX - REBUILT IN DUB!

Los Angeles, CA - Public Image Ltd.’s second album, the 1979 masterpiece Metal Box (later re-released as Second Edition), was a lightning rod to the music world in more ways than one. The first pressing of the album was sold in an unadorned, round metal tin (hence, the album title) containing three 45 RPM 12” vinyl. The packaging signaled the intention - this was a band whose artistic aesthetic would not be forced to conform to the traditional commodification of commercialized music. As a result, the album became a hugely influential, landmark release in post-punk surpassing even the band’s incredible debut album. Now, one of the key co-creators of that album, and co-founder of PiL alongside former Sex Pistol John Lydon, has returned to Metal Box, completely reinventing 8 of the album’s songs with sophisticated dub interpretations and mind-blowing production! Wobble is, of course, no stranger to dub rhythms, having drawn influence from both reggae and world music throughout his spectacular 40+ year career. But Metal Box - Rebuilt In Dub seems to have truly caused Wobble to dig deep and bring out his absolute creative best. Speaking of the album, he declares “It’s as mesmerizing as the original, but with a deeper broader scope. I put my heart and soul into this.”

Check out the first single “Poptones” from the album, available now on all streaming platforms: https://orcd.co/jah_wobble_poptones

Metal Box - Rebuilt In Dub also includes two bonus tracks - fresh versions of PiL tracks from their debut album. Pick up your copy on all formats including CD with a deluxe digipak and a gorgeous 2LP gatefold vinyl set in your choice of either BLUE or SILVER vinyl!

Pre-order the CD/vinyl: https://cleorecs.com/store/?s=Jah+Wobble+-+Metal+Box+Rebuilt+in+Dub&post_type=product

Pre-order/pre-save the digital: https://orcd.co/jah_wobble_metal_box_rebuilt_in_dub

photo by John Hurst

Track List:
1. Albatross
2. Memories
3. Swan Lake
4. Poptones
5. Careering
6. Graveyard
7. The Suit
8. Socialist
9. Public Image
10. Fodderstompf

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

9/29/2021

Multi-instrumentalist and Composer Rachel Flowers to Release Third Solo Album “Bigger on the Inside” October 1, 2021

California multi-instrumentalist and composer Rachel Flowers will be releasing her eagerly awaited new solo album on October 1, 2021. Rachel demonstrates with her latest effort that she truly is, as the title suggests, “Bigger on the Inside.” As a composer, Rachel seamlessly weaves together elements of progressive rock, jazz, classical, and pop music with cinematic orchestrations, soaring melodies, and virtuosic playing. Top this off with Rachel's 3 1/2 octave vocal range and her uncanny ability to explore universal themes ranging from love, joy, and hope to depression, bullying, and fear of an uncertain future with sensitivity and optimism, and you have an album that is destined to stand the test of time.

Says Rachel, “I was inspired by composers and bands like Ambrosia, Frank Zappa, and Keith Emerson while writing the songs on ‘Bigger on the Inside.’ Some songs were inspired by or even heard in dreams. Others were improvised during the recording process. Sometimes just hearing a new piano sound can lead to inspiration. Some of my lyrics just come from my imagination and others come from real experience.”

Rachel Flowers is recognized worldwide as a multi-instrumentalist and composer whose music spans multiple genres.

She first gained recognition for her talent as a young child and has been admired and mentored by those at the top of their field including Greg Lake, Keith Emerson, Dweezil Zappa, Conductor Terje Mikkelson, and a series of jazz greats, most notably Herbie Hancock. As a teenager she won numerous awards as a pianist and flutist, and has matured to perform and record on the global stage.

The award winning documentary “Hearing Is Believing” was produced about her unusual life and talents.

Among Rachel’s recording credits are her solo albums “Listen” (2016) and “Going Somewhere” (2018), “Music From the Soundtrack: Hearing is Believing” (2017), collaborations with Michael Sadler of Saga and fusion band Stratospheerius, and appearances on the albums of Telergy and Marcelo Paganini. Rachel is prominently featured on “Keith Emerson - Beyond the Stars,” and the much awaited CD and DVD set, “Fanfare For The Uncommon Man: The Official Keith Emerson Tribute Concert.”

Rachel continues to defy expectations, refusing to be pigeonholed by genre or by instrument. Her classical piano training started when she was only 4 years old. At 9 she discovered jazz and was immediately transfixed by the music of John Coltrane, Miles Davis, Herbie Hancock, and Ella Fitzgerald. As varied as her musical background had already been, hearing Emerson, Lake & Palmer proved to be a turning point. Rachel was captivated by keyboardist Keith Emerson's innovative integration of classical and jazz elements in a rock setting, and he became a musical role model.

While her favorite instruments continue to be piano and organ, she is also classically trained on the flute and plays the guitar, bass, saxophone, and Chapman Stick.

Says Rachel, “I’ve always wanted to create music that had those big sounds that I love. I was excited to incorporate more of the organ on this album, using my Nord C2D and Electro 4D as well as pipe organ sound libraries to get that iconic tone I was looking for. There is also a lot of electric guitar on this album. I was inspired by Steve Vai, John Mayer, Steven Wilson, and of course Adrian Belew, who was a direct inspiration for the opening track.”

In support of Rachel’s new album release she will be performing at ProgStock on October 1 - 3, 2021 (https://www.progstock.com/2021/). On November 6, 2021 Rachel opens for Asia featuring John Payne at the Union County Performing Arts Center in Rahway, New Jersey, and she is slated to perform at Synthplex, the “All Things Synthesizer” electronic music festival & gear expo, on October 27 - 30, 2022 at the Los Angeles Burbank Airport Convention Center.

Rachel’s future plans include completion of a jazz album, and a jazz/hip-hop fusion album, both started during the pandemic. There are no release dates as yet. Plans to record with a live orchestra are currently in discussion.

In closing Rachel has this to impart to her listeners, “The message I would like my listeners to come away with is that there will be darkness, but you can fly, you can love, you can be loved, and the darkness is only temporary.”

To Purchase:
Bandcamp https://rachelflowers.bandcamp.com/album/bigger-on-the-inside
Apple Music https://music.apple.com/us/album/bigger-on-the-inside/1584874386
Amazon https://www.amazon.com/gp/product/B09FPJ2P86

For more information:
Website http://rachelflowersmusic.com
SoundCloud https://soundcloud.com/rachelflowers-1
YouTube https://www.youtube.com/RachelFlowersMusic
Facebook https://www.facebook.com/RachelFlowersMusic
Twitter https://twitter.com/RFlowersMusic
Instagram https://www.instagram.com/rachelflowersmusic
Spotify https://open.spotify.com/artist/4grHJyvpWRMC9cSDzohYaf

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/21/2021

Jimmy Carter, Co-Founding Member of The Blind Boys of Alabama, To Release Debut Solo Album “Blind Faith” Sept 20, 2021

Jimmy Carter, the last original member of The Blind Boys of Alabama will be releasing his, the long awaited first solo album titled “Blind Faith” on Sept 20, 2021. The album was produced and co-written by songwriter, guitarist Ron Pullman. Jimmy’s hope is to bring to the world through the music on “Blind Faith” a Gospel message and a source of peace.

This is my first solo album and I am excited to be able to sing some original music that’s in harmony with traditional Gospel, while using a range of different musical genres that embrace the Gospel sound with an up-lifting message.” – Jimmy Carter

Jimmy Carter is the eldest member of The Blind Boys of Alabama, five-time Grammy winners, Grammy Lifetime Achievement Award winners, Gospel Hall of Fame, and the National Heritage Fellowship from the Endowment for the Arts to name a few. He sang with the original group, including his good friend Clarence Fountain back in the late 1930’s when they were at the Alabama Institute for the Negro Deaf and Blind, (now the Alabama Institute for the Deaf and Blind) but was too young to go touring with them at the beginning. After singing with the Dixieland Blind Boys and the Five Blind Boys of Mississippi, he eventually officially joined The Blind Boys of Alabama and has been singing with them ever since.

Jimmy dedicated the song “I Am With You Still”, the first single off of “Blind Faith”, in memory of his good friend, co-founder of The Blind Boys of Alabama, Clarence Fountain.

The music track of “I Am With You Still” was engineered by legendary engineer/producer Alan Parsons at his studio Parsonics in Santa Barbara, CA. Jimmy returned to his roots and the school where he and Clarence attended to have the student choir from AIDB perform on “I Am With You Still”.

Watch the video for the track “I Am With You Still”:

The Blind Boys of Alabama have the rare distinction of being recognized around the world as both living legends and modern-day innovators of Traditional Gospel, Americana and Roots Gospel music. They are not just gospel singers borrowing from old traditions; the group helped to define those traditions in the 20th century and almost single-handedly created a new gospel sound for the 21st. Since the original members first sang together as kids in the late 1930’s (including Jimmy Carter, who leads the group today), the band has persevered through seven decades to become one of the most recognized and decorated Traditional Gospel, Gospel Roots and Americana music groups in the world. Rolling Stone Magazine has called The Blind Boys of Alabama “Gospel Titians” and The New Yorker simply said “legendary”. Few would disagree!

Over the past 20 years, Jimmy and The Blind Boys of Alabama have worked with the likes of Ben Harper, Charlie Musselwhite, Prince, Robert Randolph, Mavis Staples, Taj Mahal, Ruthie Foster, Bon Iver, Paul Thorn, Peter Gabriel and Ron Pullman. The list goes on. Everybody, it seems, wants to perform and record with Jimmy and the Blind Boys.


Jimmy Carter & Ron Pullman

Ron Pullman wrote all the tracks except tracks 7 and 9, which were written by Joey Williams the band leader of the Jimmy Carter Band. Ron produced the entire record and is the music director for the band and the up-coming tour. Jimmy and Ron talked a lot together and came up with a plan and direction for this album. Says Jimmy, “I am blessed to have worked on my record with Ron Pullman. He is an amazing writer, producer, performer and a great friend.”

Jay Dudt (5 Grammy) engineered most of the record and is a good friend of Ron’s. The album was recorded mostly at Audible Images, Pittsburgh and Sound of Birmingham, Birmingham, AL.

Jimmy Carter Band with Alan Parsons - L to R Steven Ray Ladson, Alan Parsons, Joey Williams, Austin Moore, Ron Pullman, Mathew Hopkins, Peter Levin not Present.

In support of the “Blind Faith” album release, Jimmy wants to do live TV shows and some touring dates. And if the people like this album Jimmy and Ron want to do a second record.

To purchase:
https://music.apple.com/us/album/blind-faith/1583939239?ls=1&app=itunes
https://www.amazon.com/Blind-Faith-Jimmy-Carter/dp/B09F6T74TT/

RonPullmanMusic.com
MVD Entertainment

For more information: http://www.blindboys.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/10/2021

Italian Guitarist/Songwriter Marco Mattei To Release Debut Solo Album “Out of Control” Feat. Tony Levin, Jerry Marotta, Pat Mastelotto, and Chad Wackerman!

Italian guitarist/songwriter Marco Mattei unveils his first solo album, an original mix of prog-rock, dream-pop, folk and world music entitled “Out of Control” on 7D Media/Third Star Records on November 19, 2021.

Featuring Tony Levin (King Crimson, Peter Gabriel), Fabio Trentini (Le Orme, Markus Reuter), Jerry Marotta (Peter Gabriel, Hall & Oates), Pat Mastelotto (King Crimson, XTC), Chad Wackerman (Frank Zappa, Allan Holdsworth), Clive Deamer (Portishead, Radiohead, Robert Plant)

“Out of Control” is a multi-facet collection of intense, emotional songs. Marco creates a multi-layered, original sound utilizing a wide range of electric and acoustic guitars together with guitar loops, bouzouki and resonator guitars, supported by lifelong friends and globally acclaimed musicians. The musical texture is further enriched with a variety of acoustic/ethnic instruments such as Irish whistle, flute, fiddle, mandolin, pedal steel guitar, sitar and tambura played by a collection of musicians from all parts of the world.

The lyrics of this concept album revolve around things we cannot control such as the place and time we are born, the color of our skin or the people we meet during our life.

Says Marco, “Yes, this is a concept album about things we cannot control. The key insight is the realization that many aspects of what we perceive to be defining our identity are not under our control. And the main message is that this realization should lead to a change of perspective: as we put ourselves in other people’s shoes, we allow ourselves to become more open and empathic. The other aspect of it is that we cannot control the hand we are dealt with, but we can surely decide how to play it. Beside my passion for music, spreading this message of empathy and inclusion is one of the things that motivates me.”

Marco Mattei was born and raised in Civitavecchia, Italy. Very passionate about music from an early age, as a teenager he studied jazz guitar with Max Rosati while developing a deep interest in the creative vision and complexity of prog rock music. He joined DeBlaise, a new prog local band, contributing to the songwriting of their EP “By Common Consent” and to many years of live music. He also co-founded “The Snowdogs” a Rush tribute band.

As he earned his master’s degree in Electronics and MBA, he also developed an interest in sound engineering and design and attended advanced audio engineering and music production programs. Marco lived in six different countries in three different continents, exploring cultural differences, picking up musical influences and learning the value of diversity. He currently lives in the USA and continues to explore different musical styles as a composer, musician and producer, collaborating with artists from all around the world.

In closing Marco has this to impart, “Listen to the album multiple times and you will keep finding new dimensions to it. Pay attention to the lyrics and consider the perspective that, as we realize that many aspects of what we perceive to be defining our own identity are not under our control, we should tend to be more tolerant, empathic, and inclusive.”

“Out of Control” will appeal to listeners of Peter Gabriel, King Crimson, Pink Floyd, Radiohead and Paul Simon.


Track list
1. WOULD I BE ME
2. PICTURE IN A FRAME
3. MORE INTENSE
4. I'LL BE BORN
5. LULLABY FOR YOU
6. ANYMORE
7. TOMORROW
8. VOID
9. ON YOUR SIDE
10. AFTER TOMORROW
11. HIDDEN GEMS
12. GONE

Released November 19, 2021

Electric and Acoustic Guitars, Guitar Loops, Resonator, Bouzouki, Electric Bass, Bowed Electric Bass, Vocals, Shaker, Electronic and Acoustic Percussion, Samples and Programming: Marco Mattei
Vocals: Dave Bond (1,3,9), Matthew Brown (2), Felix Brandt (4,5), Barak Seguin (6), Richard Farrell (8)
Drums and Percussion: Jerry Marotta (1,9,11), Pat Mastelotto (2), Chad Wackerman (8), Clive Deamer (3), Matt Crain (6), Gianni Pierannunzio (7), Salvatore Mennella (12), Matilde Mattei (Shaker on 7)
Bass: Tony Levin (1,2,9), Fabio Trentini (8), Gabriele Bibbi Ferrari (12)
Duilio Galioto: Synths, Moog, Wurlitzer, Piano, Mellotron (3,8,9)
Paolo Gianfrate: Keyboards (6)
Dave Bond: Mandolin (1)
Marco Planells: Sitar (1)
Paul Johnson: Flute and Whistle (4)
Diederik van den Brandt: Pedal Steel (5)
Rob Wakefield : Violin (5)
Max Rosati: Lead Electric Guitar (8)
Mauro Munzi: Reverse Piano (9)

All tracks written by Marco Mattei, except for “Gone” by Andy Timmons.

Recorded in many corners of the world including Italy, the Netherlands, England, Ireland, Portugal, South Africa, India and the United States.

Mixed by Marco Mattei, except for:
Would I be me, mixed by Jeff Jacobs and Marco Mattei
More Intense, mixed by Chris Brown and Marco Mattei

Mastered by Marco Mattei except for Void, mastered by Christian Wright at Abbey Road Studios

Produced by Marco Mattei

Third Star Records
A Division of 7D Media
Seattle, WA

To pre-order: https://marcomattei.art/music/out-of-control/

For more information: www.marcomattei.art

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

7/26/2021

Blues-Rock Guitarist Chantel McGregor Releases “The Shed Sessions Volume 1 & 2”

Critically acclaimed Blues-rock guitarist Chantel McGregor is releasing 2 new albums titled “The Shed Sessions Volume 1 & 2.” The first volume (acoustic) has been available for a few weeks and the second volume (electric) will be released August 2nd and is now available for pre-order.

March 2020, the world changed and the everyday things that we normally did became a dream, the world went into lockdown, the pause button on life was hit, and we stayed at home.

So, I was sat there one night in my shed thinking to myself ‘what can I do to make lockdown seem a little bit brighter?’ After a while it came to me,  ‘why not do a live stream so that I could stay in touch and connect with my lovely fans, they could connect with each other, and we all have a little bit of fun and music during a pretty gloomy time?’

At the time, I didn’t know that it would become a weekly thing, but the first session was so much fun that I thought I’ll do another one the following week, and then the week after that, and it became a weekly gig, ‘The Shed Sessions’!

5pm every Saturday was the hour every week where I could perform my music, have a bit of banter and catch up with friends on the live stream. An hour of music and humour to remind everyone that one day things will be fun again and live music will still be there!

A lot of people asked if I would record an album of the sessions, so I started thinking about what to record. There were so many songs to choose from!

At the start of lockdown, I was living in the North of England, so the sessions were just acoustic guitar and vocals, but when the government said you could move around more freely, I moved to the South of England and started collaborating with Jamie Brooks on keyboards, which meant that I could feature my electric guitar and a bit more improvisation. Because lockdown was still restricting studios being open, both albums were recorded at home, using a wardrobe as a vocal booth and then sent off to Wayne Proctor to mix and master.

The two albums are incredibly different, so it seemed appropriate to do two albums, one acoustic and one electric; ‘Volumes One and Two.’”

Chantel McGregor - July 2021

Chantel McGregor has been performing live gigs since the age of 12, schooled at a music college and achieved a First Class Honours Degree in Popular Music. Along with her current band members, Colin Sutton on bass and Thom Gardner on drums, they form an awesome power trio playing an eclectic mix of blues based tunes, composed by Chantel, ranging from traditional blues numbers complimented perfectly by the purity of her singing voice, to a much more raunchy blues rock style. And boy, can that girl play guitar! With several complicated solos she proved that she can shred with the best of them as her and her guitar became one.

To purchase: www.chantelmcgregor.com/store

For more information: https://www.chantelmcgregor.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

7/21/2021

PFM/Aqua Fragile Vocal Legend Bernardo Lanzetti Releases Solo Album “Horizontal Rain”

Featuring Tony Levin, David Cross, David Jackson, Derek Sherinian, Tony Franklin, Jonathan Mover and others!

Conceived and recorded over a few years with outstanding musicians and special guests, Bernardo Lanzettiʼs new work is presented as a collection of musical episodes that sail from Progressive Rock to Vanguard, making port of call at Modern Opera, Art Rock, Rock & Soul and Classix 2 B.

Eight songs in English, two lyrics written by friend Peter Jack Marmot, wordsmith and coach manager between London and Marbella, plus an Italian text for the song “Ero un num Ero”, built on an elementary and random numerical progression as if to point out that the so-called “inspiration”, at times, can only be a fairy tale to deceive the unwary listener.

Without exaggerating or forcibly imposing his vocal range exceeding three octaves, the vocalist makes available the complete range of his voice, including the one processed by his Glovox device and those written for a choir that, in “Different”, move on articulated bars, always different in their division and imperceptibly delusional succession.

In the album, passion, detached nostalgia, fury and irony unfold track after track with a mix of sounds that are as unpredictable as they are effective: David Jackson’s baritone sax replacing the double bass in “Lanzhaiku” or Tony Levin’s unmistakable stick in “Heck Jack”. The pressing guitars of Marco Colombo in “Genial” where not even Andalusia is neglected or those of Andrea Cervetto, excitingly painful in the desperate appeal of “Walk Away”, which finds Tony Franklinʼs precise fretless bass and, in contrast, the hectic synth of Derek Sherinian and the poignant violin of David Cross. Alternating solid and frantic episodes, Jonathan Moverʼs drumming stands out on four strong selected tracks.

With more than 120 songs already published to his credit, Bernardo also celebrates his being an author/composer with this new album where almost everything, including the artwork, is due to his talent and attitude. Including the above mentioned special guests, in all 19 musicians and a choir of 7 from Italy, UK, USA and Spain, numerous sound engineers and the careful and patient work of the producer Dario Mazzoli, make this work precious and unique.

Watch the video forHeck Jack”: 

(*) Alesia Baltach, Cello on 7// Marco Brioschi, Trumpet on 2// Andrea Cervetto, Gtrs, Bass, Keys, Arranger for 2 and 4// Kim Chandler, Backing Vocals on 1 and 2// Marco Colombo, Gtrs on 5 and 8 // David Cross, Violin on 1// Tony Franklin,  Bass on 1// Pier Gonella, Gtrs on 6// Franco Grandoni, Choir conductor ** on 9 // David Jackson, all Saxophones and Flutes on 3//Bernardo Lanzetti: Lead and Backing Vocals, acoustic Gtr, Harmonica, pre production and programming // Tony Levin, Stick on 2// Dario Mazzoli, Bass on 5// Sara Wilma Milani: backing vocals on 3// Carlo Napolitano: Trombone on 2// Jonathan Mover, Drums on 1, 2, 5 and 8// Alex Polipo, Drums on 4// Giancarlo Porro, sax and horn section arrangements on 2// Derek Sherinian, Keys on 1// Pier Vigolini, Keys on 6. (**) Chorus on “Different”: Luisa Baiocco, Federica Bastianelli, Silvia Metelli, Michelle Rainone, Gabriele Santoni, Teo Tiburzi, Gabriele Serano.

Track List:
01-Walk Away
02-Heck Jack
03-Lanzhaiku
04-Time Is King
05-Genial!
06-Conventional
07-Ero un num Ero
08-Horizontal Rain
09-Different

All music and lyrics by B.Lanzetti except 02 and 05, lyrics by P.J.Marmot.

To purchase:
SPOTIFY: https://open.spotify.com/album/0CX7kn753qMkUt7oZDiYxI
iTunes Italy: https://music.apple.com/it/album/1565842423?app=itunes
iTunes USA: https://music.apple.com/com/album/1565842423?app=itunes
iTunes UK: https://music.apple.com/uk/album/1565842423?app=itunes
AMAZON CD & DIGITAL STREAMING & MP3: https://www.amazon.com/gp/product/B09437RKHK/ref=dm_ws_sp_ps_dp

For more information:
http://bernardolanzetti.blogspot.com/
https://www.facebook.com/BernardoLanzetti

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

PFM/Aqua Fragile Vocal Legend Bernardo Lanzetti Releases Solo Album “Horizontal Rain”

Featuring Tony Levin, David Cross, David Jackson, Derek Sherinian, Tony Franklin, Jonathan Mover and others!

Conceived and recorded over a few years with outstanding musicians and special guests, Bernardo Lanzettiʼs new work is presented as a collection of musical episodes that sail from Progressive Rock to Vanguard, making port of call at Modern Opera, Art Rock, Rock & Soul and Classix 2 B.

Eight songs in English, two lyrics written by friend Peter Jack Marmot, wordsmith and coach manager between London and Marbella, plus an Italian text for the song “Ero un num Ero”, built on an elementary and random numerical progression as if to point out that the so-called “inspiration”, at times, can only be a fairy tale to deceive the unwary listener.

Without exaggerating or forcibly imposing his vocal range exceeding three octaves, the vocalist makes available the complete range of his voice, including the one processed by his Glovox device and those written for a choir that, in “Different”, move on articulated bars, always different in their division and imperceptibly delusional succession.

In the album, passion, detached nostalgia, fury and irony unfold track after track with a mix of sounds that are as unpredictable as they are effective: David Jackson’s baritone sax replacing the double bass in “Lanzhaiku” or Tony Levin’s unmistakable stick in “Heck Jack”. The pressing guitars of Marco Colombo in “Genial” where not even Andalusia is neglected or those of Andrea Cervetto, excitingly painful in the desperate appeal of “Walk Away”, which finds Tony Franklinʼs precise fretless bass and, in contrast, the hectic synth of Derek Sherinian and the poignant violin of David Cross. Alternating solid and frantic episodes, Jonathan Moverʼs drumming stands out on four strong selected tracks.

With more than 120 songs already published to his credit, Bernardo also celebrates his being an author/composer with this new album where almost everything, including the artwork, is due to his talent and attitude. Including the above mentioned special guests, in all 19 musicians and a choir of 7 from Italy, UK, USA and Spain, numerous sound engineers and the careful and patient work of the producer Dario Mazzoli, make this work precious and unique.

Watch the video forHeck Jack”: 

(*) Alesia Baltach, Cello on 7// Marco Brioschi, Trumpet on 2// Andrea Cervetto, Gtrs, Bass, Keys, Arranger for 2 and 4// Kim Chandler, Backing Vocals on 1 and 2// Marco Colombo, Gtrs on 5 and 8 // David Cross, Violin on 1// Tony Franklin,  Bass on 1// Pier Gonella, Gtrs on 6// Franco Grandoni, Choir conductor ** on 9 // David Jackson, all Saxophones and Flutes on 3//Bernardo Lanzetti: Lead and Backing Vocals, acoustic Gtr, Harmonica, pre production and programming // Tony Levin, Stick on 2// Dario Mazzoli, Bass on 5// Sara Wilma Milani: backing vocals on 3// Carlo Napolitano: Trombone on 2// Jonathan Mover, Drums on 1, 2, 5 and 8// Alex Polipo, Drums on 4// Giancarlo Porro, sax and horn section arrangements on 2// Derek Sherinian, Keys on 1// Pier Vigolini, Keys on 6. (**) Chorus on “Different”: Luisa Baiocco, Federica Bastianelli, Silvia Metelli, Michelle Rainone, Gabriele Santoni, Teo Tiburzi, Gabriele Serano.

Track List:
01-Walk Away
02-Heck Jack
03-Lanzhaiku
04-Time Is King
05-Genial!
06-Conventional
07-Ero un num Ero
08-Horizontal Rain
09-Different

All music and lyrics by B.Lanzetti except 02 and 05, lyrics by P.J.Marmot.

To purchase:
SPOTIFY: https://open.spotify.com/album/0CX7kn753qMkUt7oZDiYxI
iTunes Italy: https://music.apple.com/it/album/1565842423?app=itunes
iTunes USA: https://music.apple.com/com/album/1565842423?app=itunes
iTunes UK: https://music.apple.com/uk/album/1565842423?app=itunes
AMAZON CD & DIGITAL STREAMING & MP3: https://www.amazon.com/gp/product/B09437RKHK/ref=dm_ws_sp_ps_dp

For more information:
http://bernardolanzetti.blogspot.com/
https://www.facebook.com/BernardoLanzetti

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

7/20/2021

YES Keyboard Legend Tony Kaye To Release Solo Album “End Of Innocence” - Out September 10, 2021!


20th July 2021: Keyboard legend Tony Kaye announces the release of his debut solo album “End Of Innocence,” on 10th September 2021 on Spirit Of Unicorn Music (distributed via Cherry Red Records) to mark the 20th anniversary of 9/11.   

Having retired from music in 1996, Kaye was moved, by the events of 11th September 2001, to commit his thoughts and feelings to a heartfelt personal musical interpretation.

“End Of Innocence” is a requiem for those who lost their lives and all those touched by the horrific events of 9/11. Primarily orchestral, “End Of Innocence” is a powerful and emotional suite that is both beautiful and sinister, reflecting the dark forces at work that day. It guides the listener through the day and touches on the response, to reach a hope that peace and calm may prevail.

As did many millions, Kaye watched the horrors of 9/11 unfold on his TV screen. “The next day I unpacked my keyboards for the first time in a long time,” Kaye recalls. “I didn’t know what I was going to do. It was one of those things that happened, inspiration on a musical level.”

The suite begins the night before 9/11 but, as Kaye’s wife Dani Torchia sings an innocent lullaby, menacing storms are gathering. The beautiful “9/11 Overture” was the first piece Kaye composed, the following day. “I had no recording equipment, just an 8-track cassette recorder and some of those recordings became what you hear now.”

Kaye continues to create vivid images of New York City life and a vibrancy around The World Trade Centre (285 Fulton Street) before the terror begins and captures the fears of those on the planes, “Flight 11” depicting the conversations stewardesses had with the tower. The track includes a powerful drum solo by Kaye’s friend Jay Schellen (CIRCA, YES) reflecting the struggles onboard.

Following the collapse of the towers, Dani Torchia sings her lament “Sweetest Dreams” and the album looks at the “Aftermath” and the “Heroes” before focusing on the response. “I wanted it, musically, to be about that day,” Kaye says, “but I felt compelled to extend it to deal with the repercussions of what happened. Musically, it was quite challenging to do the battle scene and then the 'Hope And Triumph,' a patriotic anthem and the consequences of war. 'Ground Zero' is the hope for the future, the rebuilding.”

The artwork for the album has been created by Roger Dean, known for his work with YES and ASIA, powerful imagery reflecting the journey the music takes.

End Of Innocence” Track Listing:
1. Twinkle Twinkle Little Star/Twilight Time
2. 911 Overture
3. NYC Blues
4. Battle Cry
5. 285 Fulton Street
6. Let’s Roll
7. Tug of War
8. Flight 11
9. Towers Fall
10. Sweetest Dreams
11. Aftermath
12. Heroes
13. The Battle
14. Hope and Triumph
15. Homecoming
16. Ground Zero

Produced by Tony Kaye

All tracks composed by Tony Kaye except “Sweetest Dreams” by Dani Torchia.

Tony Kaye, Spirit of Unicorn Music and Cherry Red Records are donating 10% of all profits from “End of Innocence” to https://www.garysinisefoundation.org/ The charity supports veterans, defenders and first responders in times of hardship.

About Tony Kaye
Tony Kaye is best known as the original keyboard player with prog legends YES, his Hammond organ giving their groundbreaking “The YES Album” it’s most distinctive sound within the YES catalogue. Following his departure from YES in 1971 Kaye was involved with a number of other bands including David Bowie, Badger, Flash and Badfinger before returning to YES for their greatest commercial success “90125” in 1983. Kaye remained with YES for several albums and tours before retiring from the music business in 1996.  

Following the re-awakening of his musical inspiration in 2001, Kaye accepted an invitation from current YES bassist Billy Sherwood to work on projects which led to the formation of CIRCA, in 2007, and has yielded four albums to date.

Tony Kaye – “End of Innocence”
Released on 10th September  through Spirit of Unicorn Music Formats: Standard CD Jewel case

Pre-order here: https://www.cherryred.co.uk/product/tony-kaye-end-of-innocence/
www.yesworld.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

YES Keyboard Legend Tony Kaye To Release Solo Album “End Of Innocence” - Out September 10, 2021!


20th July 2021: Keyboard legend Tony Kaye announces the release of his debut solo album “End Of Innocence,” on 10th September 2021 on Spirit Of Unicorn Music (distributed via Cherry Red Records) to mark the 20th anniversary of 9/11.   

Having retired from music in 1996, Kaye was moved, by the events of 11th September 2001, to commit his thoughts and feelings to a heartfelt personal musical interpretation.

“End Of Innocence” is a requiem for those who lost their lives and all those touched by the horrific events of 9/11. Primarily orchestral, “End Of Innocence” is a powerful and emotional suite that is both beautiful and sinister, reflecting the dark forces at work that day. It guides the listener through the day and touches on the response, to reach a hope that peace and calm may prevail.

As did many millions, Kaye watched the horrors of 9/11 unfold on his TV screen. “The next day I unpacked my keyboards for the first time in a long time,” Kaye recalls. “I didn’t know what I was going to do. It was one of those things that happened, inspiration on a musical level.”

The suite begins the night before 9/11 but, as Kaye’s wife Dani Torchia sings an innocent lullaby, menacing storms are gathering. The beautiful “9/11 Overture” was the first piece Kaye composed, the following day. “I had no recording equipment, just an 8-track cassette recorder and some of those recordings became what you hear now.”

Kaye continues to create vivid images of New York City life and a vibrancy around The World Trade Centre (285 Fulton Street) before the terror begins and captures the fears of those on the planes, “Flight 11” depicting the conversations stewardesses had with the tower. The track includes a powerful drum solo by Kaye’s friend Jay Schellen (CIRCA, YES) reflecting the struggles onboard.

Following the collapse of the towers, Dani Torchia sings her lament “Sweetest Dreams” and the album looks at the “Aftermath” and the “Heroes” before focusing on the response. “I wanted it, musically, to be about that day,” Kaye says, “but I felt compelled to extend it to deal with the repercussions of what happened. Musically, it was quite challenging to do the battle scene and then the 'Hope And Triumph,' a patriotic anthem and the consequences of war. 'Ground Zero' is the hope for the future, the rebuilding.”

The artwork for the album has been created by Roger Dean, known for his work with YES and ASIA, powerful imagery reflecting the journey the music takes.

End Of Innocence” Track Listing:
1. Twinkle Twinkle Little Star/Twilight Time
2. 911 Overture
3. NYC Blues
4. Battle Cry
5. 285 Fulton Street
6. Let’s Roll
7. Tug of War
8. Flight 11
9. Towers Fall
10. Sweetest Dreams
11. Aftermath
12. Heroes
13. The Battle
14. Hope and Triumph
15. Homecoming
16. Ground Zero

Produced by Tony Kaye

All tracks composed by Tony Kaye except “Sweetest Dreams” by Dani Torchia.

Tony Kaye, Spirit of Unicorn Music and Cherry Red Records are donating 10% of all profits from “End of Innocence” to https://www.garysinisefoundation.org/ The charity supports veterans, defenders and first responders in times of hardship.

About Tony Kaye
Tony Kaye is best known as the original keyboard player with prog legends YES, his Hammond organ giving their groundbreaking “The YES Album” it’s most distinctive sound within the YES catalogue. Following his departure from YES in 1971 Kaye was involved with a number of other bands including David Bowie, Badger, Flash and Badfinger before returning to YES for their greatest commercial success “90125” in 1983. Kaye remained with YES for several albums and tours before retiring from the music business in 1996.  

Following the re-awakening of his musical inspiration in 2001, Kaye accepted an invitation from current YES bassist Billy Sherwood to work on projects which led to the formation of CIRCA, in 2007, and has yielded four albums to date.

Tony Kaye – “End of Innocence”
Released on 10th September  through Spirit of Unicorn Music Formats: Standard CD Jewel case

Pre-order here: https://www.cherryred.co.uk/product/tony-kaye-end-of-innocence/
www.yesworld.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

6/28/2021

Bay Area Singer-Songwriter ROBERT STONER Releases His Personal and Nuanced Debut Album YEAR OF PAIN

San Francisco, CAROBERT STONER is a singer-songwriter from Berkeley, CA. He has written and performed music for many years, and now with the help of producer Ben Bernstein is set to release his debut album YEAR OF PAIN on July 9, 2021. ROBERT STONER, who also goes by Bob, wrote and recorded YEAR OF PAIN over the last year. This impressively strong debut showcases his personal and nuanced grappling with issues ranging from the specific challenges of children growing up and keeping a marriage fresh, to the trials and tribulations of our modern times.

The brother of a professional violinist in New York City, ROBERT STONER comes from a very musical family (one of his cousins even won the Tchaikovsky Competition in the Soviet Union at the height of the Cold War, to great national acclaim). Despite the fact YEAR OF PAIN is his debut release, Bob Stoner is a prolific songwriter who has been writing songs his whole life, and he is already hard at work on his next release. “My songs seem to come in a pretty constant stream,” says Bob. “Songwriting to me is an ongoing process of listening, discovery, fleshing out of ideas, honing and sharpening, and trying to maintain or enhance the original creative energy through the production phase.”

Maintaining a day job as an economist means the songwriting process has not always been straightforward for Bob, but the left and right sides of his brain have fully coalesced on YEAR OF PAIN, resulting in a musical experience that is both provocative and enjoyable for the listener. He worked with Ben Bernstein at Ben Bernstein Music to produce the album, and Ben also contributed lead and electric guitar to the songs. YEAR OF PAIN also features vocal and instrumental contributions from singer-songwriter Maya Elise, and drums and percussion from Mike Stevens. Adding to the personal nature of the album is the artwork painted by Bob’s daughter Lily Stoner, who also contributed vocals on the release.

The songs on YEAR OF PAIN run the gamut from personal reflections on kids moving on in life (“Just a Riverboat”) or relationship difficulties (“Wait Until the Morning”) to commentary on the present state of ethics in the political realm (“The Principle”) and the difficulties that have become ingrained in our modern era (“Year of Pain”). The song that leads off the album (“Just a Riverboat”) and the song that ends it (the title track “Year of Pain”) each hold special significance for Bob. “Just a Riverboat” reflects on the time his daughter Lily went off to college back East by way of a trip to New Orleans with friends. It was an exciting moment and an important milestone in her (and Bob’s!) life, and the New Orleans imagery provided the perfect backdrop for the song. “Year of Pain” is a song that sums up the difficult times we live in, with political dysfunction, gun deaths, and growing intolerance leading the list.

ROBERT STONER has many influences in his songwriting, but his sound is uniquely his own. This comes from his eclectic taste in music (which includes everything from classical to showtunes to folk and blues), as well as a relatively long period of time spent amalgamating these influences before his debut album. People have said his songs have echoes of Leonard Cohen, Van Morrison, and Bob Dylan – “I don’t know about that, but I will take the compliment!” says Bob. YEAR OF PAIN showcases Bob Stoner’s writing in the singer-songwriter genre, but he also composes fully instrumental music for the piano and has plans to release an album of that music as well.

To purchase or stream the album YEAR OF PAIN please visit: https://smarturl.it/YearOfPain

For more information about ROBERT STONER please visit: https://robertstoner.bandcamp.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

6/08/2021

Americana Rock Legend Walter Egan Releases New Album “Fascination” Inspired By Shared History with Legendary Super-Groupie Pamela Des Barres

Featuring the Single “Miss Pamela”!

West Coast, Country and Americana Rock music crossover legend Walter Egan has released his new album “Fascination” which features thirteen West Coast Rock/Americana influenced tracks all inspired by Walter Egan’s shared history with legendary Super-Groupie Pamela Des Barres. The first single from the album “Miss Pamela” was released in February.

Watch the video for “Miss Pamela” here: 

Watch the video for “I’m With The Girl” here: 

With a mostly undocumented illustrious back story in the music business, Walter Egan wrote “Hearts On Fire” for Gram Parsons and Emmylou Harris and achieved chart success with his solo albums “Fundamental Roll” and “Not Shy” which were both produced by his good friend Lindsay Buckingham and with Stevie Nicks singing, particularly on his hit single “Magnet And Steel”.

Walter had further hit singles with “Full Moon Fire”, “Only The Lucky” and “Hot Summer Nights” which Eminem sampled on his “We Made You” release.

Given his impeccable musical pedigree, Walter naturally fell in with the LA Country-Rock scene playing with Don Henley, Glen Frey, Linda Ronstadt, Chris Darrow, David Lindley, Jules Shear, and Jackson Browne and within two years, through a hot night at the Troubadour, he secured a record deal from United Artists records in England. This soon manifested into a six-album deal with Columbia Records US & Worldwide.

Egan and his band have toured extensively sharing the bill with many legendary bands including AC/DC, Fleetwood Mac, Procol Harum, The Beach Boys, Foreigner, Heart, Kansas, Dave Mason, and Tom Petty And The Heartbreakers.

Walter has played and recorded with Sageworth, Jackson Browne, Kelsea Ballerini, Randy California’s Spirit, Wanda Jackson, Chris Darrow, The Flying Burrito Brothers and The Malibooz.

To purchase Walter Egan’s “Fascination”: https://music.apple.com/gb/album/fascination/1548451431

WALTER EGAN BACK CATALOGUE RELEASES - All available NOW

The first two expanded back catalogue redux album releases, including unreleased material, are: “Mad Dog,” and “The Meaning Of Live.”

“Mad Dog (Redux Remaster)” - The lost album from 1985/6 with Lindsey Buckingham, Christine McVie, Randy California, Jackson Browne, and Chris Darrow. It includes the Stevie Nicks penned “Sisters of the Moon.” It was originally released on CD in 2002. This version is remastered with 4 previously unreleased bonus tracks.
https://music.apple.com/gb/album/mad-dog-redux-remaster/1547600728

“The Meaning of Live (Redux Remaster)” - Recorded 1978 on the “Not Shy” Tour at the El Mocambo in Toronto - full concert - 80 mins. Originally released on CD 2004.
https://music.apple.com/gb/album/meaning-of-live-redux-remaster/1519835020

For more information: http://www.walteregan.com/

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com