Showing posts with label Pop. Show all posts
Showing posts with label Pop. Show all posts


Pop-Rock Duo The Mangoes To Release New EP “Pale Blue Dot” On July 19, 2021

Pop-Rock Duo The Mangoes will be releasing their new EP “Pale Blue Dot” on July 19, 2021. The Mangoes was formed by Tim Morse and Bret Bingham in 2014. Conceived as a songwriting collective, their first album “The Mangoes” was well received as a pop-rock, tongue-in-cheek concept album. After a break where Bret and Tim both released solo albums, they have reformed and are about to release a new EP entitled “Pale Blue Dot.”

Says Bret, “In general, the concept of the CD was inspired by the existential musings of Carl Sagan and his observation that ‘The Earth is a very small stage in a vast cosmic arena.’ The extension of this is to look outward, beyond our myopic viewpoints, and realize that each of us is a very small part of something much larger.” Tim continues, “I see the album as a song cycle with ‘Pale Blue Dot’ as the starting and ending point, it is the fulcrum of this music. All of the other songs are vignettes about people and events that take place on the ‘Pale Blue Dot.’”  

At the beginning of the pandemic Tim got in touch with Bret about making some music together - not necessarily reviving The Mangoes. For example, they had recently done a cover of the Pink Floyd song “Dogs” (that appeared on Tim Morse’s last album “The Archaeology Project”) and it was just credited to Morse/Bingham. However, Bret sent Tim around ten song ideas and the majority of them seemed to be Mango-y songs, so the duo leaned into that direction. There are a variety of genres on this project, there’s a blues-y gospel feel to “Hypnotized” and a The Band/Dylan vibe of “When the Sky Fell Down.” It isn’t Progressive Rock, but has an Art-Rock flavor like the Alan Parsons Project, The Moody Blues and even a bit of Pink Floyd.

Says Bret, “I had a rough outline for most of the songs. Tim helped me with the initial selection of songs to work on and then was a sounding board, helping to fill in the gaps wherever it was needed. Tim chose the Beatles’ song ‘Free as a Bird’ as a cover. I was very pleased with how the themes of the song and overall feel fit in with the rest of the songs.”   

Tim and Bret had recorded The Mangoes eponymous debut album remotely, so they continued this process. It involves a lot of file sharing and emails. But this worked well during the pandemic.  

Says Tim, “Bret and I have a very easy working relationship. We were in a band together before we started The Mangoes and we’ve been friends for years so there is a lot of shorthand between us. Also, there’s an openness about making suggestions regarding the music and arrangements, etc. I wish all recording projects were as smooth!”

Watch The Mangoes’ new video for the song “Pale Blue Dot”: 

The Mangoes

Bret Bingham is a singer, songwriter and guitarist. His music has appeared on multiple television and cable shows including Access Hollywood, Fox’s Brimstone, E True Hollywood Story and MTV’s Made. Bret’s latest solo album is “The Well Curve” and was released in 2017.

Tim Morse is a singer, songwriter and multi-instrumentalist. He was a member of the Jerry Jennings Band and Parallels (Yes tribute). He has released three albums of original music that were well received in the Progressive Rock community.  Tim’s most recent album is a retrospective entitled “The Archaeology Project.” He is an author and his books “Yesstories” and “Classic Rock Stories” were published by the St. Martin's Press.

Here’s what the press has said about The Mangoes:

Beatles-esque pop tinged with Prog-rock elements.” -  Anil Parasad, Innerviews

Like Klaatu at times, but also very much like The Beatles.” - Music Street Journal

The Mangoes bring the spirit of 20th century pop-rock alive and well into the 21st century.” - Robert Silverstein,

Refreshing, I would say!” - Music in Belgium

An interesting band with perhaps the most unique sound today.” -

An absolute delight!” - Simon Barrett, blogtalkradio

The nineteen songs are concise pop gems.” -

The Mangoes are actually what happens when you mix progressive rock with the pop sensibilities of The Beatles!” – Exclusive Magazine

In closing Bret has this to impart, “The lesson of the Pale Blue Dot is to preserve and cherish what we’ve got. I think that is a fine message.” Says Tim, “Sagan’s speech talks about how fragile and unique our planet is and how we should be better caretakers of it - I think that is reflected in the songs as well.”

The Mangoes hope to release a new video soon!

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Press Inquiries: Glass Onyon PR, PH: 828-350-8158,


The Poppermost, One-Man “Beat Group” Feat. Joe Kane From Scotland Delivers Beatlesque Power-Poppin’ Folk-Rockin’ Roll On Debut Album “Hits To Spare”

Released August 27, 2021 on Think Like A Key Music

With the genuine desire to create a continuation of the FABS early vibe, The Poppermost is the one-man mission of Glasgow multi-instrumentalist Joe Kane - whose attention to detail is impeccable; the structure and arrangements, the playing, the sentimentality is all there along with the in-jokes, creating songs that satisfy your innermost Fab Four desires.

The Poppermost finds Joe in his garage studio playing everything himself. Utilising an array of instruments, microphones and recording techniques, all glued together by bargain basement analogue junk that builds up to the very first Poppermost album, “Hits To Spare.”

Short, sweet and exactly as they used to make ‘em, “Hits To Spare” does exactly what it says on the sleeve. Kicking off with an enthusiastic “1-2-3-4,” the opening track “Egg And Chips,” with its solid back beat-driven Cavern Club stomp and ascending “ah-ah-ah’s” sets the scene for what follows. In just over half an hour, “Hits To Spare” packs in a multitude of double-tracked vocals, three-part harmonies and major sixth endings that’ll leave you giddy and dizzy, dizzy, dizzy Miss Lizzy.

Within these carefully considered grooves there are rockers galore like “Goodnight Georgia Peach” and “Laziest Fella In The Realm.” Then there is the chugging, chiming “Ticket To Ride” inspired “Park And Ride” alongside the romantic balladry of “Get It Down.” Whether it’s the Lennon-like “you wanted the werld and I gave you the werld” here, a woody McCartney bass-line there, a multitude of 12-string chiming George middle eight’s, with everything held in place by a perfect Ringo compressed backbeat, there’s a song for every occasion.

“Ultimately, this album was about making a very fresh, quick and positive pop record, utilising the recording aesthetics and sound of my favourite music,” says Kane, who is currently putting together a live version of the band that’ll be ready to get people twisting and shouting as soon as possible.

Based out of Glasgow, Scotland, Joe Kane stays a busy man and has a busy track record, having recorded under various aliases such as Dr. Cosmos’ Tape Lab (You Are The Cosmos) and Radiophonic Tuckshop (Last Night From Glasgow) while working with countless artists including the late, great Neil Innes (The Rutles), Joey Molland (Badfinger), Alan White (Plastic Ono Band), BMX Bandits and Ette. He can also be heard kick starting the recent Ex Norwegian & Friends tribute album to Liverpool singer-songwriter Jimmy Campbell, Sing Jimmy Campbell with a fantastic take of his classic Rockin’ Horse track “Yes It Is.”

This latest project, The Poppermost, exists to remind us of a time when the world shook to the giddy monophonic thunk of Merseybeat, to a time of Dansettes and desert boots, when R&B didn’t mean Rhianna and Beyonce and an MP3 was Harold Wilson and a couple of his Westminster mates out on the razz down Carnaby Street.

Watch the video trailer: 

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For all upcoming release announcements, album pre-orders and to find out first about live dates, connect with The Poppermost online at:

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US),


Bay Area Singer-Songwriter ROBERT STONER Releases His Personal and Nuanced Debut Album YEAR OF PAIN

San Francisco, CAROBERT STONER is a singer-songwriter from Berkeley, CA. He has written and performed music for many years, and now with the help of producer Ben Bernstein is set to release his debut album YEAR OF PAIN on July 9, 2021. ROBERT STONER, who also goes by Bob, wrote and recorded YEAR OF PAIN over the last year. This impressively strong debut showcases his personal and nuanced grappling with issues ranging from the specific challenges of children growing up and keeping a marriage fresh, to the trials and tribulations of our modern times.

The brother of a professional violinist in New York City, ROBERT STONER comes from a very musical family (one of his cousins even won the Tchaikovsky Competition in the Soviet Union at the height of the Cold War, to great national acclaim). Despite the fact YEAR OF PAIN is his debut release, Bob Stoner is a prolific songwriter who has been writing songs his whole life, and he is already hard at work on his next release. “My songs seem to come in a pretty constant stream,” says Bob. “Songwriting to me is an ongoing process of listening, discovery, fleshing out of ideas, honing and sharpening, and trying to maintain or enhance the original creative energy through the production phase.”

Maintaining a day job as an economist means the songwriting process has not always been straightforward for Bob, but the left and right sides of his brain have fully coalesced on YEAR OF PAIN, resulting in a musical experience that is both provocative and enjoyable for the listener. He worked with Ben Bernstein at Ben Bernstein Music to produce the album, and Ben also contributed lead and electric guitar to the songs. YEAR OF PAIN also features vocal and instrumental contributions from singer-songwriter Maya Elise, and drums and percussion from Mike Stevens. Adding to the personal nature of the album is the artwork painted by Bob’s daughter Lily Stoner, who also contributed vocals on the release.

The songs on YEAR OF PAIN run the gamut from personal reflections on kids moving on in life (“Just a Riverboat”) or relationship difficulties (“Wait Until the Morning”) to commentary on the present state of ethics in the political realm (“The Principle”) and the difficulties that have become ingrained in our modern era (“Year of Pain”). The song that leads off the album (“Just a Riverboat”) and the song that ends it (the title track “Year of Pain”) each hold special significance for Bob. “Just a Riverboat” reflects on the time his daughter Lily went off to college back East by way of a trip to New Orleans with friends. It was an exciting moment and an important milestone in her (and Bob’s!) life, and the New Orleans imagery provided the perfect backdrop for the song. “Year of Pain” is a song that sums up the difficult times we live in, with political dysfunction, gun deaths, and growing intolerance leading the list.

ROBERT STONER has many influences in his songwriting, but his sound is uniquely his own. This comes from his eclectic taste in music (which includes everything from classical to showtunes to folk and blues), as well as a relatively long period of time spent amalgamating these influences before his debut album. People have said his songs have echoes of Leonard Cohen, Van Morrison, and Bob Dylan – “I don’t know about that, but I will take the compliment!” says Bob. YEAR OF PAIN showcases Bob Stoner’s writing in the singer-songwriter genre, but he also composes fully instrumental music for the piano and has plans to release an album of that music as well.

To purchase or stream the album YEAR OF PAIN please visit:

For more information about ROBERT STONER please visit:

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective:


Singer/Songwriter Tamara L. Wilson To Release New EP “Let It Go” on June 18, 2021

Featuring Blind Guitar Legend Joey Stuckey

Spreading love and positive vibes is Tamara L. Wilson's mission for her music; and it's a breath of fresh air. Her party started when she was only a girl, singing along with her 'Papa' and her Dad, in their down-home sing-alongs playing their guitars and singing gospel and country music. Tamara's journey has always led her back to the melodies of her heart and soul.

Growing up in South Carolina, she started out singing locally and then worked the Marriott circuit for a while as a performing artist.  Her songwriting really began to unfold while attending a community college in Mesa, AZ where she studied recording and piano. As soon as her hands hit the keys, she was awakened to her natural and God given talent of crafting a soulful song using her heartfelt vocals. Tamara's true heart's desire is to make others feel better and have a little fun while discovering her music.

Tamara’s recent single “Freedom Flame” and the track “Your Own Kind Of Beautiful” became critically acclaimed favorites and her most popular cuts to date. Tamara’s new EP “Let it Go” is due out June 18, 2021!

Says Tamara, “‘Let It Go’ is the overall theme of the EP. So MUCH has been going on for all of us; between the pandemic and the racial disharmony upfront and center, it feels like we all need to ‘let go’ of some stress! There’s never been a better time to find more peace and harmony than right now! After about 3 months home alone, just working on music most every day, I took off for a healthcare appointment, but instead of going back home, I just kept driving! I drove all the way down to the gulf coast! Wow! Beautiful! Clear as a drink of water with white sand and blue green ocean! ‘Let It Go’ is a theme for my life! LOL!”

Track List

It’s Your Life (Believe)
Little More Love Remix
Let It Go
Have It All

Says Tamara, “Let me give a big shout out and thanks to Joey Stuckey! I like to call him and his friends that he also got to play on ‘It’s Your Life (Believe)’ and ‘Little More Love Remix’ the ‘cosmic musicians’! Joey has over 35 awards...plays several instruments...writes, sings...and wait for it, he’s blind! Wow! His friend Tom Rule gifted me with the piano track for ‘It’s Your Life’...just gave it to me!  And listen to that man play! He’s been in music 30+ years, done many albums himself, and teaches University level music and computers! Another friend of Joey’s, Miguel Castro played drums...he’s a recording artist of many years and has been the Director of Percussion at the University level for 20+ years! Outstanding!”

The musicians on the tracks “Let It Go” and “Have It All” are Freddy Tripp who plays keys, trumpet, trombone, and programming and is in the Country Music Hall of Fame, and also has a Best Album. Coleman Murphy, the guitarist that so skillfully weaves in and out the lyrics, has years of being a studio musician, and recorded the karaoke versions of over 4000 songs. Tim Loftin joined in for the bass on “Let It Go” all the way from Canada, also a seasoned professional musician.

Says Tamara, “I feel so blessed to be working with musicians of this caliber. I can’t even read music! It was a little daunting, and humbling. But I knew, I was working with them because I was supposed to be! Yeah... ‘Tamara and the Cosmic Musicians’...I AM Blessed!”

Some people are born talented, blessed with vocals that are beautiful and melodious. It does not take them time to realize their true talent and thus, in the yesteryear, such a gem was born” - MySoundMusic

In closing Tamara has this to impart, “If you listen to the lyrics of my songs, you will hear my message loud and clear! My goal is for my music to uplift, encourage, bring confidence and harmony to the listener. I hope my songs help someone, somewhere feel a little bit better! Peace!”

To purchase Tamara L. Wilson’s “Let It Go” EP:

Check out her music:
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Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US),


Jann Klose’s Latest Single “Love You The Most” Breaks Top 40 Radio in the US!

It’s a great time to be Jann Klose! The award-winning indie pop artist’s melodic single “Love You The Most” with Alicia Madison is currently gaining momentum on US Top 40 radio, jumping from #118 to #69 after just 4 weeks of radio play. Meanwhile, the music videos for this romantic ballad’s English and Spanish versions have collectively accrued more than 4 million streams on YouTube and Spotify. In South Africa, where Jann spent most of his time growing up, his audience has grown to include 27 million listeners on pop radio.

Watch the video for “Love You The Most”:

(Spanish Version)

(English Version)

Jann’s passion for all things music is a light that never goes out, and this pandemic was no exception. The New York-based artist spent a lot of his time during quarantine not only writing music, but also talking about writing music with his friends and colleagues over Zoom. Out of the necessity to maintain a sense of community in these uncertain times was born Making Sound with Jann Klose; a podcast, where Jann gets Rock Hall inductees and chart-topping artists to crack on their creative process, finding inspiration, industry secrets, pr strategies, and, generally, all things music. The podcast regularly makes it to Apple’s Top Podcasts in the Music Interview category.

Making Sound with Jann Klose podcast:

With live events finally becoming a possibility, Jann Klose is already set to perform in Youngstown, OH (MAY 29) subsequently taking on the beloved Tarrytown Music Hall (JUNE 13) and then bringing it home for his final show at the Bitter End on Bleeker Street in New York City (JUNE 18). With more performance opportunities constantly coming in, Jann is set to return to international touring in the Summer of 2021.

For more information: and

Management: Big Management, Maria Taraszova, PH: 1-424-522-6364 (US),

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US),


Classic Rock Icons BADFINGER Release Full-Length Album Of Collabs Featuring Veteran Stars Of Rock, Blues & Pop!

Includes performances by Matthew Sweet, Todd Rundgren, Rick Wakeman, The Legendary Pink Dots, Jethro Tull's Ian Anderson, Rick Springfield, Sonny Landreth and more!

Los Angeles, CA - You’ve grooved to Matthew Sweet’s “Baby Blue,” played air piano along with Rick Wakeman on “Come And Get It,” and swooned hearing Rick Springfield’s voice on “Love Is Gonna Come At Last” - but now the wait is finally over as the full-length collaboration between Joey Molland’s Badfinger and a stellar line-up of special guest superstars is finally released! No Matter What - Revisiting The Hits gathers an immense amount of talent on one album - in addition to the aforementioned, guests include Jethro Tull frontman Ian Anderson, blues legend Sonny Landreth, eclectic art rockers The Legendary Pink Dots and many more - who offer their unique twists on some of Badfinger’s biggest, most era-defining hits from the Paul McCartney-penned “Come And Get It” to “Day After Day,” to the monster ballad “Without You.” The latter was originally released by Badfinger in 1970 but became a global phenomenon when Harry Nilsson recorded a version in 1971, and then it conquered the airwaves again in 1994 courtesy of Mariah Carey’s bombastic version, and now Rock Hall Of Fame nominee and producer/songwriter/guitarist extraordinaire Todd Rundgren offers a passionate rendering of the song that is by itself worth the price of admission to this great collection.

No Matter What - Revisiting The Hits will be available on both digipak CD and in superb-looking tri-color (red, white & blue) vinyl!

Order the album:

1. No Matter What feat. Mark Stein (Vanilla Fudge)
2. Come And Get It feat. Rick Wakeman
3. I Don’t Mind feat. Carl Giammarese (The Buckinghams)
4. Day After Day feat. Ian Anderson (Jethro Tull), Terry Reid & Manchester String Quartet
5. Love Is Gonna Come At Last feat. Rick Springfield
6. Baby Blue feat. Matthew Sweet
7. Midnight Caller feat. The Legendary Pink Dots
8. Suitcase feat. Sonny Landreth
9. Sweet Tuesday Morning feat. Albert Lee
10. Without You feat. Todd Rundgren

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158

11041 Santa Monica Blvd #703
Los Angeles CA 90025
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Anthony W Rogers’ babyflow Releases Debut Album “Oblivious”

A nod to “The Who Sell Out”

Independent label Wildflow Records and Anthony Rogers announces the release of the wild debut album from babyflow. entitled “Oblivious.” The album is available on the full range of digital and stream services and is available again on limited edition vinyl, in keeping with all releases thus far on Wildflow. “Oblivious” marks the first time Rogers has released an album under another name, evidently, like everything else these days, a side effect of the Covid experience.

Rogers remarks “This is a wild one. We intended an even more collaborative album which got shut down 2 songs in March. After that, it wasn’t until August that we had the Lillers come back in separately to finish the vocals. Since there were a number of tracks with vocals other than mine, it was entirely appropriate to put this under another name. Blake significantly stepped up writing wise and the others-especially the Liller brothers left a big imprint on the final product. Then of course the craziness of the commercials and format. Made sense to me.”

Marketed as “an indie solution for the Covid/Trump hangover,” “Oblivious” is the fourth full length release (#3 on Wildflow) by Appalachian indie artist Anthony W Rogers. In addition to Rogers, babyflow features the usual contributions from Rogers’ children Blake (Audrey) and Joe Rogers as well as heavy contributions from brothers Aaron and Sean Liller, and musical contributions from local musicians/friends Pierce Miller and Bryson Bush. To complete the family circle, the iconic full on unforgettable sun cover art was painted by artist Lisa Rayden-Rogers, wife of Anthony/mother of Blake and Joe.

Most mischievous of all is that “Oblivious” features seven songs/six commercials weaving in and out of the album imitating the construct of the great classic late 60’s record, “The Who Sell Out.” But babyflow’s commercials all reference modern 2020 fictious products /places (Covid Beach, Invisible Mask, No Test Health Insurance). “The idea came from a discussion with my son, Joe about what funny products you could come up with.” Anthony says, “We landed on Invisible Mask and we were off to the races. I put the other planned tracks away and we finished it up like this. Fun to weave these in.”

The album itself is a journey from the dark caustic opener “Daddy Got Played” (a finger wagging at the collapse moral and ethical standards of the Southern Christian contingent) to the light-the hopeful optimistic promise of closer “Rain Cloud”, a ballad written for and first performed at the inaugural Mineral County (WV) Music Festival in summer 2019. The record also features the first recorded solo composition from Blake Rogers, a high school junior, in the form of the instrumental second side opener “William Burns” - a mature and subtly placid reminder honoring the victim of the last known lynching in the local Western Maryland region in 1907. The album liner notes remark of this track, “it is our duty to never forget.” “Blake also was the principal/genesis writer on ‘Substitute For Science,’ ‘3 for $12.99’ and ‘Karen for Hire.’” says Anthony.

Anthony recorded solo two of the album tracks, “Wrong” and “Wish Away.” “Wrong” is a poppy playlist ready remake/update of a track originally intended to be included on the 2015 solo album of the same name. He says, “Originally the first version of wrong referred to the existence of time. Now with the new version, I’ve come to agree with Chris Dedrick/Free Design… the wrong is outside us.”  “Wish Away” concerns the personal desperation felt across the country from the early days of the pandemic. “Ok, so we know we can’t go back to how it was before” says Rogers, “so let’s dream and find the better way.” Other standout tracks include “Greaser” (a Brown Sugar-ish/Black Crowes style tribute to individualism) and “Listen (concerning BLM and the breakdown of civil discourse from an unrecognizable uninformed segment of society).

To many, the unique and most exciting part of the project will be the commercials-a humorous yet serious commentary of the state of America circa 2021. “Covid Beach” - a Dick Dale/Jan and Dean panache to a mask less paradise; “Substitute for Science” and “3 for $12.99” - with the “bleach tab “phenomena”; “Invisible Mask” - the dangers of being smart in dumdum culture; “NTHI” - a no test health insurance and “Karen for Hire,” a Sparks (Mael brothers) influenced tribute to the homemakers from hell club, who like to “fix things.” “I have no doubt that if these are heard they would be extremely useful and attractive form of comic relief for college stations across the country. The originals on sell out were used as bumpers everywhere. I think ours are just as funny.”

Anthony W Rogers is a veteran of both the local and DC music scenes, and has (many lifetimes ago in a different world) played to thousands over the years in his DC area bands Ten Below and The Now. Rogers has released three solo albums prior to “Oblivious”: 1993’s “Indentifiction”; “Wrong” in 2015; and “One Day (a Journal)” in 2018. “I’m always happy and satisfied to fly a bit below the radar. I know what we’re doing is good. Every record is just me dropping my pebble into the lake. I think my younger cohorts this time out are decidedly less apathetic as me so I hope for their sake more people hear this one.” “Oblivious” was recorded, produced and mixed at Anthony’s own Lakes Edge studio. The latest project was also the first to be mastered by DC area legend and multi-Grammy winner Greg Lukens at his Virginia facility.

Babyflow’s “Oblivion” album, following in the vein of the last two Wildflow releases - will be available on limited edition vinyl and is available currently for digital download worldwide and streaming services on the Wildflow imprint. Previous releases “Wrong” and “One Day” have previously garnered much critical praise from reviewers in the US and across Europe and are also available digitally and vinyl. Rogers first CD release in 1994, “Identifiction” remains currently out of print.

1. Daddy Got Played
2. Substitute for Science
3. Wrong
4. Covid Beach
5. Greaser
6. 3 for $12.99
7. William Blake
8. Invisible Mask
9. Wish Away
10. NTHI
11. Listen
12. Karen for Hire
13. Rain Cloud

2021 Wildflow Records


To purchase digitally:
Stream on YouTube:
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Press inquiries: Glass Onyon PR, PH: 1-828-350-8158,


SANDY MCKNIGHT & FERNANDO PERDOMO Release Second EP "San Fernando Blitz"

After last January's release of their successful first collaboration, Albany-area artist Sandy McKnight and Los Angeles' ubiquitous multi-instrumentalist/producer Fernando Perdomo are about to hit the road running with this year's model,"San Fernando Blitz".

Their last set, "San Fernando Beat", met with wide acclaim, with critics and fans alike. Named 'best EP of 2020' by PowerPop News, the songs "Any Time of Day" and "Fake" were breakout hits, getting national and international airplay.

The new EP by the team features 6 power pop killers, with the first single scheduled to be the dancy-hooky "Living on the Westside", due out January 4.

McKnight has been an in-demand bassist since the 70s, and has worked with many notables as a musician and producer. His large catalog of self-penned songs can be heard regularly on TV and in films.

Perdomo has become one of the top session players and producers on the west coast. He's been called the 'Todd Rundgren of L.A.', and was featured with Jacob Dylan in the recent documentary 'Echo in the Canyon', now playing on Netflix.

This new set highlights Perdomo on guitar, drums and keys. McKnight plays bass and sings leads and harmonies on all 6 tracks. Recording took place at Reseda Ranch Studio in L.A., and Systems Two in NYC.

The early buzz from those who've heard the preview tracks has been enthusiastic, and the boys are hopeful they might have the best EP of 2021 as well.

The EP will be available for download after January 11 on Bandcamp, and streaming on Spotify, YouTube, and Soundcloud

To purchase:

For more information:

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US),


Christopher Cross Releases Limited Edition Box Set

In a career spanning four decades, Christopher Cross has sold over 10 million albums and been awarded five Grammys, an Oscar, a Golden Globe and five Top 10 singles.

This year Christopher Cross celebrates the 40th Anniversary of his musical journey with a spectacular box set, Christopher Cross: The Complete Works. The set contains 13 CDs – 12 previously-released albums plus a bonus CD of 15 rare tracks. All the tracks have been digitally remastered by Bernie Grundman.

Each set includes a special gift: a pink vinyl LP with one cut from each of Christopher’s albums. Each track was chosen by Christopher and digitally remastered for vinyl.

Christopher Cross: The Complete Works is elegantly bound into a stunning collector’s edition, a work of art beautifully designed by Gary Dorsey of Pixel Peach Studios. This special release is limited to 1000 copies and each box set is personally autographed by Christopher.

Says Cross, “I am very excited to release this set which embodies the work of a lot of wonderfully talented people and represents my legacy of which I am profoundly proud.”

To view the box set, please go to: 

To download photos, art, etc.: (Password for photo folder is 3383.)

Follow Christopher on Facebook, Instagram, and Twitter.

For more information, contact:

21st Century Artists, Toby Ludwig
Phone: 212.254.5500

AGI, Justin Hirshman

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US),


Pop-R&B Review: Sam Wilder-Homebound

Release Date: October 16, 2020

Label: Spin Move Records


Sam Wilder’s recent release Homebound will raise some eyebrows in the music industry and capture many listeners. Like the saying goes “No risk, no reward.” Wilder stepped out and took a big chance to change his life’s path forever.

He decided to choose the title because he left his home in the Netherlands to go to Los Angeles to find his path in music. Like everyone else, he is missing his family during these lock down times.

As things turned out when he got to LA, he was immediately on the fast track to success taking his many talents to the studio to create radio-ready music for the masses.

Sam’s natural talents become evident in the eight tracks offered on the EP. “Overtime,” is a great tune featuring glossy pop and beats to keep you in a steady groove. And it is good, no, actually better than some of the crap out there they decided to call music. “Penelope” and “Bring It Home (feat. Livy Lee)” also shines the light on this progressing talent.

Everything about Homebound says “Play me” and for good reason. The music is keeping right in step with what you will hear on any platform in 2020. The catchy hooks and Sam’s high vocalizations move each song right to the heart of any listener. The combination of Pop and R & B brings out all the talent this young man has to offer in all eight tracks. The only difference is that he is not on the same playlist as pop divas like Katy Perry etc. Perhaps that can all change if his music makes it to the right people in the industry. He is good enough to break it big.

I enjoy listening to artists like Sam Wilder and bringing attention to all the talent on display on Homebound. It is interesting how eight tracks are considered an EP and back in the day of The Beatles for instance, when they were pumping out 4 or 5 albums a year, it would be an entire album. Now today a full album is at least 12 tracks or more.

Regardless of these facts, Sam Wilder has made his musical statement on Homebound and it will be heard. The talent of this young man is obvious and the potential is limitless. One listen to this album proves that. The purpose and intent is clear, Sam is here to stay and he has an amazing future in front of him.

Keith “MuzikMan” Founder
December 13, 2020

Track List:

1. Fiending    
2. What's Wrong With Me        
3. Set You Off        
4. Overtime
5. Sunlight        
6. Without        
7. Penelope    
8. Bring It Home (feat. Livy Lee) [Explicit]


Sixties Music Legends The Cyrkle to Release New Recordings of Their Greatest Hits!

Opened for The Beatles at Shea Stadium and Candlestick Park!

Studio City, CA – Lightyear Entertainment announces a new agreement with The Cyrkle to release new 2020 recordings of their huge pop hits of the 1960’s.

The Cyrkle opened for The Beatles at Shea Stadium and Candlestick Park in 1966, and were managed by Brian Epstein and Nat Weiss. They were originally called The Rhondells, but John Lennon suggested that they change their name to The Cyrkle, and they took his advice.

Their biggest hit, Red Rubber Ball, was written by Paul Simon and Bruce Woodley, and rose to #2 on the Billboard Hot 100. Lightyear will release the 2020 recording of Red Rubber Ball on October 2, 2020.

The band’s other huge hit was Turn Down Day, written by Jerry Keller and David Blume, which rose to #16 on the Hot 100. This has also been newly recorded and will be released through Lightyear in November.

The Cyrkle were offered another Paul Simon song but regretfully turned it down back in the day. But they have finally recorded The 59th Street Bridge Song (Feelin’ Groovy) now, for the first time, and Lightyear will release it in January, 2021.

The recordings feature original members Don Dannemann and Mike Losekamp, joined by Pat McLoughlin, Mike Shoaf, Don White and Scott Langley.

Lightyear has quietly amassed a collection of big hit re-recordings by the original artists during the past few years, all released through the company’s longstanding distribution deal with Caroline/Universal Music Group. They include Jay Siegel’s Tokens (The Lion Sleeps Tonight), The Searchers (Needles and Pins), Irene Cara (Flashdance…What a Feeling), Rick Derringer (Rock & Roll Hootchie Koo), The McCoys (Hang On Sloopy), Jay & the Techniques (Apple, Peaches Pumpkin Pie), Herman’s Hermits (I’m Into Something Good), the Shadows of Knight (Gloria), the Rip Chords (Hey Little Cobra), Frank Stallone (Far From Over), and the Beau Brummels (Laugh Laugh).

All of these Legacy Artist deals were facilitated by Rick Levy, veteran manager, music director, band leader, guitarist, and author, who currently tours (when Covid allows) with The Box Tops. Levy was Lightyear CEO Arnie Holland’s college roommate at the University of Pennsylvania.

Press inquiries: Glass Onyon PR, PH: 828-350-8158,

Lightyear Entertainment, a distributor of independent films and music, was founded in 1987.


Bedroom Pop Rising Star SLEEPSK8 Release Debut Full-Length Album!

Los Angeles, CA - San Gabriel, CA artist Sleepsk8 has just dropped his first ever full-length album, a warm and memorable slice of guitar-focused bedroom pop filled with melodic hooks and exquisite vocals drenched in luscious reverb. Dubbed A Paralyzing Fear Of Trying, the album is the culmination of 3 years’ worth of work that began on Soundcloud (under his previous moniker TM36) and has resulted in his tracks already amassing one million streams! Now, the singer/songwriter is set to take the next step in his career, partnering with the much venerated indie giant Cleopatra Records, who has released A Paralyzing Fear Of Trying worldwide to all digital platforms.

"My taste in music has always been chaotically juxtaposed and I think it's reflected in the album. Some songs are melodic and sweet while others are distorted and dramatic. Cleopatra has been great because they're really all about the music. They don't want to confine me to a specific sound, so I get to share my unfiltered range with this project." - Sleepsk8

Stream the album here:

For more information:

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158

11041 Santa Monica Blvd #703
Los Angeles CA 90025
Facebook @Cleopatrarecords
Instagram @cleopatrarecords
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Soundcloud @cleopatra-recs
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Spotify  @cleopatra_recs
Linkedin @cleopatra-records


Johnny Schaefer, Singer and Songwriter of Eclectic Music, Releases New Uplifting, Inspiring, Emotionally-Charged Pop Ballad With a Timeless Message

Backup singer for Josh Groban, Melissa Manchester, Sarah Brightman, Sarah Vaughan, Pete Townshend, Billy Idol, Diahann Carroll, and others.

Johnny Schaefer is a Los Angeles-based singer and songwriter of eclectic music. He has a BA in Music (Composition and Voice) from California State University, Fullerton. He has sung backup for Josh Groban, Melissa Manchester, Sarah Brightman, Sarah Vaughan, Pete Townshend, Billy Idol, Diahann Carroll, and others. He is a winner in Melissa Manchester's “Fanchester Video Cover Contest” for his mashup of Melissa’s “Midnight Blue and Lights of Dawn.” He has collaborated with Producer Stephan Oberhoff (Heartbeat Brazil), Bram Stoker Award-winning author and lyricist Elizabeth Massie, best-selling author Marianne Williamson, Carol Robbins-jazz harpist, Christoph Bull, Paul the Trombonist, Chad Ellis, and composer Lynn Kowal. He has been a cantor at Blessed Sacrament Church in Hollywood, CA since 1981.

Johnny’s new single “Unflown” is an uplifting, inspiring, emotionally-charged pop ballad with a timeless message about finding our own inner strength to rise above our circumstances using the analogy of someone discovering they have wings and being afraid to use them.

Says Johnny, “‘Unflown’ is a musical pep-talk I wrote to myself and those around me as we all grapple with the new paradigm brought on by COVID-19. None of us is the same as we were before the pandemic, but many around me are finding new ways to soar.”

Don't let fears mean flights Unflown
Have you forgotten that you're free

Quincy Jones affiliate Stephan Oberhoff produced the sumptuous track in his Pasadena, CA Creation Station. Oberhoff has worked extensively with artists such as Brenda Russel, Melissa Manchester, Jason Gould, Roslyn Kind, and many others. He also has his own band, Heartbeat Brazil.

“Unflown” begins intimately in the first-person, then opens up musically and narratively as the narrator shares what he is learning for himself. The beautifully crafted video utilizes double exposure imagery to depict what’s going on inside Johnny as he muses about having wings and what that would mean for him, and ponders what happens when we let our metaphorical wings “fold and waste away.” A man’s regret-filled tear becomes a detached feather hitting the water. In other sequences, two babies are depicted. The first looks over his shoulder at the sun and we flash to an image of him walking into that same sun years later as a graduate, “navigating his pathway,” The second lifts her arms an infant playing with a hat, then it’s seen lifting her arms in joy as her new husband and their happy guests raise theirs.

The video is created by Schaefer’s husband Paco Silva along with his business partner Daniel Henri-Smith. Together they form Siren Arts Productions.

Says Johnny, “Every step of the process was from writing the song, to recording it, to creating the video was a passionate endeavor to communicate as clearly as possible what I was thinking and feeling. We all took our time with it and I think it comes through.”

Watch the video:

“Unflown” is available on most download and streaming platforms beginning August 27, 2020, which is also the official video release date on YouTube.

Along with promoting his new single, Johnny has been creating new music. “I've been writing a lot of music and have several tracks in various stages of production. I plan to release a series of singles with accompanying videos. I am very eclectic. I let each song tell me what world it wants to live in. If I have a box of crayons, I like to use a LOT of the colors. Music is the same for me. I have been honing my craft, so this is my first release in a while. But there will be more. I hope to build an audience and begin touring when that's a thing again and it’s safe. My husband and I are also producing and filming a documentary film involving a well-known individual, but that's all I want to say about it right now. It’s very cool, though.”

For more information:
Website/Home Page

Google Play
iTunesApple Music
MixCloud (Put it Together podcast interview)
Venmo 21

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158,


Clarence Clemons’ Guitarist/Vocalist Billy Livesay & The Livesays To Release New Album “The Rhythm of Love and Dysfunction”

Billy Livesay, best known for his work with E Street Band legend Clarence Clemons as his Guitarist & Vocalist, is releasing a new album with his group The Livesays, independently. The majority of The Livesays' new album “The Rhythm of Love and Dysfunction” was recorded in 2018 and was set to be released early in 2019. Tragically, on November 2nd, 2018, the band experienced unimaginable sorrow when their drummer, Eddie Zyne, passed away from a heart attack. Eddie, who began his illustrious career as the drummer in Hall and Oates, was an original co-founding member and integral part of The Livesays.

Eddie had been so excited about the upcoming release of The Livesays’ fourth album, particularly the new songs which showcased his solid metronome-like drumming style. Losing Eddie was not only a tremendous setback, it caused the band members to cancel all of their upcoming shows and contemplate calling it quits. Instead, the band persevered and, in turn, decided to dedicate this album to their fallen musical brother Eddie Zyne.

Finding a replacement for Eddie would prove to be no easy task as he left tremendous shoes to fill. In the Spring of 2019, along came Howard Goldberg, formerly of the indie funk band “Rudy.” Says Billy Livesay, “Howard knew us from playing around South Florida through the years. He was a tremendous fan of Eddie’s, knew of his passing, and asked if he could audition for us. Much to our surprise and delight, he turned out to be a great fit. He brought a revived energy to our band. We were back up and running in a few months."

The songs were recorded in Billy Livesay's home studio in Pembroke Pines, FL, mixed by Grammy nominated engineer Steve Gordon and mastered by Grammy winning engineer Mike Fuller at Fullersound in Ft Lauderdale. The original plan was to have the song “The Rhythm of Love” be the title cut, and the album was to include songs written and recorded over a two year period after the release of The Livesays' 2016 release “Hold On…Life Is Calling.”

Circumstances changed after losing Eddie. Turmoil set in due to ongoing political unrest, the upcoming election, protests, the Covid-19 pandemic, unemployment, isolation, and having to quarantine. The general feelings of uncertainty and uneasiness, and the ever-changing dysfunctional social and political climate, inspired some fresh new songs and a reevaluation as to which songs to release. Armed with twenty songs, the band narrowed it down to thirteen that reflected a congruent theme, which gave birth to the adjusted title “The Rhythm of Love and Dysfunction.”

Billy explains the meaning and inspiration behind the songs…
“When I Dream” - Everyone has some sort of aspiration; being successful playing music has always been mine. Even when the odds seem stacked against me, I have never given up on my dream. 'It may be a leap of faith but it's a leap I’m going to take, when I dream'. I’d be remiss if I did not mention that I wrote this song while mourning the loss of my bandmate Eddie Zyne who I know would be disappointed if his passing had led to the demise of the band and the end of my dream.

“Another Mile” and “Better Than You” - Many couples are quick to dissolve their relationships after disagreements. I view relationships as a constant work in progress. It’s hard for people to admit when they're wrong. Admittedly, it took me awhile, but I have learned to take the blame when I realize that I am wrong. I wrote the song "Another Mile" for my wife. It was my way of apologizing after an argument over something petty. My wife, Vicki, is also the inspiration behind the song “Better Than You.” She has stood by me and supported me throughout my career. Her mother once said that our “love affair was hanging on by a wing and a prayer.” To this day, I’m glad my wife “took that dare.”

“Can I Have (What You Have)?” -
This song was inspired by a newspaper article I read about a man convicted of armed robbery. In his own defense and to lessen his sentence, he blamed his own reprehensible behavior on having been raised by a father who beat him and a mother who was a drug addict. With pen in hand as I began crafting the lyrics, I happened to look out the window and noticed the sky had turned gray. I wrote down the line “looked out my window storm clouds coming, I don't know how long they will last.” I tasked myself with writing this particular song without a rhyming pattern, which is something that I don’t normally do.
We ended up recording this song at Power Station Studios, in Pompano Beach, FL and released a video of the recording session filmed and edited by Miami-based award winning film maker David Liz. Watch the video here:

“Book Of Rules” - One evening, while at a restaurant eating dinner, I witnessed a group of people acting asinine and causing a ruckus. The line “a jester holding court is something that I ain't” popped into my head and I wrote it down on a napkin. I went home and wrote a “Book of Rules,” a dark rocker with verses that are vignettes about how people seem to have their own codes by which they live.

“That's The Trouble With Love” actually started out as two separate songs. I was working on a song about a guy who experienced love at first sight after offering an umbrella to a girl in the rain, and another song intended to be called “Whole Lot of Trouble,” both of which included lyrics sent to me by a Nashville artist named David Graham with whom I have co-written multiple songs in the past. The concepts were similar in nature in both songs and blended together nicely into one acoustic song which sounds a bit Santana-esque.

“Better Than He Ever Was” is autobiographical in nature, but more so, it's a shout out to my musical peers who, like a fine wine, have improved with age. Too often in the entertainment industry, we are cast aside as we grow older, when in many cases, our maturity lends itself to a better, more polished performance.

“Let It Flow” is a song about addiction, inspired by a close friend’s father who was a train-riding hobo who was always down on his luck as a result of his alcoholism.

“The Rhythm Of Love” is a bluesy dance song about the magic and emotional power of love that sometimes takes control of our senses.

“There’s Something Coming Now” - My drummer and I co-wrote the lyrics to this song, inspired by the current dysfunction of our government, the upcoming election, the country-wide protesting, and overall sense of turmoil we are all feeling during the pandemic. With so much misinformation circulating, we’re all left wondering what’s coming next.

“How Can I Be?” was inspired by a close friend who went through a painful breakup with a domineering woman who cheated on him. It’s a song about love-gone-bad in a dysfunctional relationship that left a man questioning his own self-worth and trying to rediscover himself.

Billy explains why there are two cover songs on this album:
“Woodstock” - When the virus hit and I found myself quarantined, I was reflecting on how I was feeling about the current political state of the country. When the “Black Lives Matter” protests began, it reminded me of the vibe of the 60's movement and the public demand for civil rights and equality. This feeling prompted me to start noodling around with Joni Mitchell’s classic tune “Woodstock.” During a rehearsal, my bandmates and I put our own creative spin on the song. In celebration of the life and legacy of Ms. Mitchell, and because its subject matter fit in nicely with our other songs, we decided to record our version for our album.

“The Heart Of The Matter” - I have been told countless times over the years that my voice was reminiscent of Don Henley. By chance, shortly after Eddie’s passing, while The Livesays were on hiatus, I was asked to fill in for a few months with a touring Eagles tribute band called “The Long Run,” assuming the role of Don Henley. After I finished my stint with the tribute band, we had added Howard to our lineup and began playing out again. The guys in my band decided that we should cover “The Heart Of The Matter,” and it instantly became a fan favorite. It fit the theme of the songs we were compiling for our album, so we decided to record it. Since it has been thirty years since the original release of this monumental song, we opted to stay true to its original composition instead of putting our own spin on it.

Here's what the press has said about The Livesays:

“There is some exceptional music here. The sound of this really channels a lot of old school classic rock textures, but at times brings some modern elements to it. I really like this album a lot. There are no bad songs here at all.” - G. W. Hill Music Street Journal

“The kind of commercial classic rock that doesn’t make hipsters feel self conscious for liking this stuff, the voice, the tunes and the moves all merge into a swell stew of the rock we grew up with and still think is out there. Not only do you get some eloquent melodies on this disc, but you also get some thought- provoking material that will no doubt make an impact on you as a listener.” - Chuck Dauphin, Music News Nashville

“As singer/songwriter, lead guitarist and frontman for The Livesays, Billy Livesay, takes the pop-rock music art form to new heights with The Livesays 2016 Springsteen influenced release “Hold On … Life Is Calling.”  - Robert Silverstein -

“Hold On… Life Is Calling” delivers 13 chewy hunks of pop rock bliss. Without a doubt Billy Livesay has a terrific voice, impassioned and dramatic, and when it coincides with a suitably vast tune, the results are mesmerizing.” —

“Billy Livesay's soulful voice and deeply heartfelt lyrics make “Hold On …Life Is Calling” a must-have in any self-respecting classic rockers music collection” - Exclusive Magazine 

“Melodic rock fans should eat this one up. It’s an enjoyable album from a group of veteran musicians who have been around the block a time or two.” -

The Livesays will release “The Heart of the Matter” as a video single on their YouTube channel and their Facebook page with a link in the caption to direct viewers to purchase a digital download of the song with a “name your price” option. Proceeds from the sale of the single will benefit the MusiCares Foundation, a charity that has provided more than $60 million in health, financial, and rehabilitation resources to fellow musicians in times of need. More info on the foundation:
The video link is here:

(launch 2pm, 8/05/20)

MP3 download will be available here:

A pre-sale of the CD (signed hard copies and digital downloads) will begin on Monday, Aug. 10th, 2020. The official release date of the CD has been set for Sept 20th, 2020. As soon as it is safe for music halls and concert venues to reopen, The Livesays plan to tour in support of the release of “The Rhythm of Love and Dysfunction.” The band anxiously awaits getting back in front of live audiences where they shine.

In closing, Billy has this message to impart: “During these times of turmoil, isolation, quarantining, anxiety and uncertainty, what has pulled us through is love and music. While we all have our own problems, dysfunctions, shortcomings, and varying opinions, we are all human beings who basically have the same needs and desires. Hopefully the issues we have been facing lately will lead people to take less for granted, apologize quicker, listen more and talk less, smell more roses, and just be better, kinder people. Love may sometimes be ‘a whole lot of trouble,’ but love is definitely worth traveling ‘another mile.’

The Livesays’ lineup:
Billy Livesay - Guitar / lead vocals
Jorge Laplume - Bass / vocals
Howard Goldberg - Drums
Victor "Cuqui" Berrios - Organ / vocals
Tim Murphy- Piano / vocals

For more information:
Website: The Livesays
Website: Billy Livesay
To purchase The Livesays’ Music:
The Rhythm of Love and Dysfunction:
Previously released albums:
Rose Colored Glasses
Faith, Hope & Love
Hold On... Life is Calling

Press inquiries: 
Glass Onyon PR, Billy James, PH: 828-350-8158,


Music Legend David Essex Releases New CD "Unplayed Hits"

Featuring songs rarely played live or played on the radio

Legendary singer, songwriter, and actor David Essex is releasing a new album of songs rarely played live or played on the radio titled “Unplayed Hits.” The album is available exclusively from his web shop. There are 100 signed copies available as well.

Since the 1970s, David Essex has attained 19 Top 40 singles in the UK (including two number ones) and 16 Top 40 albums. Internationally, Essex had the most success with his 1973 single “Rock On.” It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in March 1974. It was nominated for a Grammy and reached No. 1 in Cashbox and No. 3 on the Billboard Hot 100. He has also had an extensive career as an actor.

Essex's pop idol looks gave him a strong female fan base and his British tours created scenes of hysteria reminiscent of Beatlemania. According to The Guinness Book of British Hit Singles, he was voted the number one British male vocalist in 1974, and was a teen idol for more than a decade.

“As the 2020 tour had to be postponed till September 2021, I have put together a new CD in the meantime, 'Unplayed Hits' featuring songs rarely played live or played on the radio. Also, there is a brand new web shop that I hope you like, where you can download or buy the CD plus many other things.” - David Essex

“Unplayed Hits” - Tracklist:

Let It Flow
Time Is Catching Up
Walk Of Life
Carrying The Water Home
Cool Out Tonight
Alice Stay Young & Free
You Crazy Fool
Coming Home
Heart Turns To Stone
What Did I Do
Forever And A Day
Oh Suburbia
Africa You Shine
Fallen Angels Riding
Never Meant To Hurt You
She's Emotional
A Shoulder To Cry On
Stage Struck

To purchase:

For more information:

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US),


Award-Winning Pop Singer-Songwriter Jann Klose Returns with New Single "Pilot Light"

Award-winning artist Jann Klose’s new single and music video “Pilot Light” has passed 1,000,000 views on YouTube. The video was shot during lockdown after the passing of Jann’s manager Gary Salzman from Covid-19 related illness. Jann asked his current NYC band members to tape themselves at home playing along to the track. A music video was quickly produced, edited and released early May and has since gone viral on YouTube.

Watch the video: 

In a time when people are in search of comfort and hope, Jann Klose has created a pop rock song with a catchy melody, driving acoustic guitar and edgy, substantive sound. Produced by David Schoenwetter at his NYC home studio the song is moving, emotive and highlights Jann’s powerful vocal range.

Says Jann: “The song was written during a breakup but when we lost Gary and the song was scheduled to come out within days of his passing, I felt that the approach had to completely change. My NY team at Big Management and I decided to dedicate the song to Gary’s memory. Since everyone was on lockdown we scrapped an earlier version of the video and reshot it with self tapes from home.”

Most recently, Jann had two songs placed on movie soundtracks, including his hit duet “Love You the Most” with Alicia Madison in the movie “Married Young” (Amazon) and “Let Me Be Brave” in the film “One Little Finger” alongside contributions by Quincy Jones, Siedah Garrett and Julian Lennon. The music video for “Love You the Most” has since passed 1.5 million views and streams on YouTube and Spotify alone and was included in the coveted New Music Friday Spotify curated playlist.

Watch the video:

Jann comes off of a packed couple of years. In 2018 he released his 6th studio album, IN TANDEM (Gallo/Sheer/SONY) to rave reviews. Singles “Pour the Champagne” and “Take Me 2 Forever” charted in the Top 20 on several FM stations and Spotify curated lists, passing over a million streams. The album, recorded in Jann’s childhood home of Johannesburg, South Africa featured collaborations with Annie Haslam of Renaissance fame, SA star artist Karen Zoid, Peter Gabriel, Tim Buckley lyricist Larry Beckett and many more.

Watch the video: 


JANN KLOSE is an award-winning* pop singer-songwriter, who has released six albums and two EPs. Klose was raised in Kenya, South Africa, Germany and the United States. Jann is an ambassador for Desmond Tutu's TutuDesk campaign and Brick by Brick Uganda. He is the singing voice of Tim Buckley in the movie "Greetings from Tim Buckley" (Universal). His songs have been heard on the Grammy® nominated "Healthy Food For Thought" compilation, charted in the Billboard Top 10 compilation "Action Moves People United" as well as MTV Cribs and movies "Dead Broke" (Warner Bros) featuring Paul Sorvino. He has performed as an actor and singer in touring companies of Broadway musicals, including "Jesus Christ Superstar," "Jekyll and Hyde," and "The Who's Tommy" as well as made for TV movies, voice overs and commercials.

Jann tours year round in North America, Europe, Africa and Asia and has opened for and collaborated with a wide range of artists including Pat Benatar, John Oates of Hall and Oates, Suzanne Vega, The Yardbirds and founder Jim McCarty, Rosanne Cash, Paula Cole, Brett Dennen, Shekhinah, Amanda Black, Carrie Newcomer, Ann Hampton Callaway and sister Liz Callaway, The Byrds’ Roger McGuinn, Gary Lucas, Jeffrey Gaines, Elliott Murphy, Rusted Root, Pete Seeger and Les Paul.

*Recipient of 4 Independent Music Awards, Grammy® nomination “Healthy Food For Thought” compilation.

For more information:

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US),


Legendary Alice Cooper Group Drummer Neal Smith To Release New Album of Retro Pop Songs "POP 85/95"

Legendary Alice Cooper Group drummer Neal Smith will be releasing a new album on June 1st, 2020. Neal's new Retro Pop album is titled “POP 85/95” signifying the music style and time period in which Neal wrote these songs between 1985 and 1995.The songs and album concept are totally sexy and politically incorrect. Neal's “POP 85/95” songs represent all aspects of relationships, falling in and out of love in a simpler bygone era before Coronavirus, politically correctness and the new world disorder.

With the onslaught of glam hair bands and heavily homogenized rock of the 1980's, Neal Smith, Hall of Fame Drummer and founding member of the original Alice Cooper Group, was looking for a new direction for his songwriting. Inspired by another drummer, songwriter, singer Phil Collins, Neal turned from writing hard rock to a slicker, more pop rock songwriting style. In the late 1980's he took four of his new songs into the studio and recorded them. One of the songs “Secret Eyes” helped land a recording deal with newly formed record company called Grudge Records. Along with Dennis Dunaway (Alice Cooper fame), Joe Bouchard (Blue Oyster Cult fame), Charlie Hune (Ted Nugent fame) and lead guitarist Jay Jesse Johnson (also known as “Triple J”), a new band called “Deadringer” was formed and signed by Grudge Records. Deadringer recorded an album in 1989 called “Electrocution Of The Heart” featuring the single “Secret Eyes.” The album and Deadringer were all short lived after Grudge Records quick demise. After Deadringer and well into the 1990's, Neal continued writing songs with Jay Jesse Johnson (“Triple J”) in this pop rock style.

Decades later, well into the New Millennium, Neal was searching through his archives of music and found those songs that he composed and recorded with 'Triple J” between the years of 1985 and 1995. Inspired by “Triple J's” amazing lead guitar work, Neal polished the songs and brought them back to life with the help of two of his best friends, Peter Catucci (bass guitar of Killsmith) and Rick Tedesco (guitarist/engineer). Now, much to the excitement of his fans worldwide, Neal Smith's “POP 85/95” is available digitally and on CD!

Hall of Fame Drummer/songwriter/singer Neal Smith on “POP 85/95” CD:
(founding member of the Alice Cooper Group)

In the 80’s and 90’s Rap, Hip Hop, Pop and even Rock music was being recorded with synthesized programmed drums. I understood that this was a new wave of recording percussion. But what I did not like was many of the synthesized drum tracks were being programmed by engineers and musicians who were not even drummers. Disappointed and inspired by that fact, I began a new phase of songwriting by programming synthesized drums on my recordings. The last eight songs on my new CD “POP 85/95” is a collection of songs I wrote from that era featuring synth drums I programmed myself.

To purchase:

For more information:

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US),

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