KING CRIMSON “Red 50th Anniversary Edition” 2CD / 2Blu-ray & 2LP 200-gram Audiophile Vinyl Available October 25, 2024

• 50th Anniversary editions of King Crimson’s classic 1974 album
• 4 disc boxed set with 2 x Blu-ray & 2CDs
• 2 x Blu-rays featuring completely new mixes of the album in Dolby Atmos, 5.1 DTS-HD MA Surround & Hi-Res Stereo by Steven Wilson, New Elemental Mixes in Hi-Res Stereo by David Singleton, a number of extra tracks drawn from the existing sessions reels mixed by David Singleton, all three mixes of the live album USA in Hi-Res Stereo, 5 audio restored bootleg concert recordings from the 1974 US tour making their debut on disc & the audio restored bootleg of the band’s final US show in Central Park NYC on July 1st, 1974
• 2 x CDs feature new Stereo + instrumental mixes by Steven Wilson & new Elemental Mixes & a sequence of studio recordings detailing the making of ‘Starless’ mixed by David Singleton
• Presented as two vinyl replica sleeves in a rigid slipcase with booklet including photos & new sleeve-notes by King Crimson Biographer Sid Smith

King Crimson:
Robert Fripp: Guitar and Mellotron
John Wetton: Bass and Voice
William Bruford: Percussives
With: David Cross, Mel Collins, Ian McDonald, Robin Miller, Mark Charig

DGM & Panegyric proudly present the 50th anniversary edition of the King Crimson classic album “Red”. A 2 Blu-ray + 2 CD edition features completely new Dolby Atmos, 5.1 DTS-HD Master Audio Surround & Stereo mixes by Steven Wilson taking the music to new levels of clarity & power. “Red” was one of the earliest mixes undertaken by Steven Wilson in 2009 & King Crimson was the first of a number of classic bands & artists to be mixed by Steven so it’s entirely appropriate that he return, some 15 years later, to take the album into the Dolby Atmos era.

“What I hear on ‘Red’ is the best representation of 72-74 era line-up in the studio. In effect this is a power trio record and their sound is just huge.” – Steven Wilson

Also featured are a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

As King Crimson biographer Sid Smith puts it in his new notes for the album: “David Singleton’s elemental mixes pull the veil aside on the original sessions and act as a kind of alternative account, a ‘Red’ that could have been, revealing the different passes and takes that the band undertook as well as those Collins, Charig and McDonald as they engaged with the material”.

Multiple new to disc tracks & studio takes – representing all material to survive from the recording sessions have also been mixed &/or mastered for inclusion, making this the most comprehensive overview of the album to be released.

“Red” was recorded immediately after King Crimson’s final US tour of 1974 & the anniversary edition reflects that by including all three Hi-Res Stereo mixes of the live album “USA” in its full concert versions. Also included are a quintet of audio restored bootlegs being issued on disc for the first time, alongside a bootleg of the band’s final US concert in New York in 1974 which Robert Fripp claimed was: “the first gig since the 1969 Crimson where the bottom of my spine registered ‘out of this world’ to the same degree.”

In the decades since its release, “Red” has gone from being an album that was, upon release, under-promoted – as the band had already split up, to being one of the most lauded albums of its era & (after “In The Court of the Crimson King”), King Crimson’s biggest selling album. Writing in The Mojo Collection in 2000, John Bungey assessed “Red” as, “That rarest of records, the sound of a line-up quitting while ahead”.

By the time King Crimson entered the studio in July 74, the band had spent the best part of two years on the road, recorded two albums along the way (“Larks’ Tongues In Aspic” & “Starless & Bible Black”) & shed two band members en route; percussionist Jamie Muir having quit early 1973, and violin/mellotron player David Cross at the end of the US tour just a week prior to the recording of “Red”.

Crimson had built a reputation as one of the tightest, most powerful bands on the rock circuit. Recording as a trio in Olympic studios in London, with one improv piece (Providence) drawn from that final US tour & with contributions from former members & friends on saxophones, violin, and oboe, the group produced the last Crimson studio album of the 70s & one of the decade’s masterpieces – “Red”.

“Red” emerged as a distillation of everything Crimson had been working towards live & in the studio between 72 and 74. In the half century since its release it has built an enviable, enduring reputation among fans & professional musicians alike – with bands from each succeeding decade citing it as an important influence.

“Red - The 50th Anniversary Edition”

Disc 1 CD 2024 mixes and Additional Material
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Additional Material
2024 Instrumental Mixes
6 Fallen Angel
7 One More Red Nightmare
8 Starless - Edit
Produced and Mixed by Steven Wilson
* 9 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton

Disc 2 CD Elemental Mixes and Session Material
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
The Making of Starless
6 Starless - Mellotron
7 Starless - Three Saxophones
8 Starless - Basic Take
9 Starless - Sax Solos
10 Starless - Cornet and Guitar Solos
11 Starless - Cornet takes
Produced and Mixed by David Singleton

Disc 3 Blu-Ray
USA
I * 1 June 28th, 1974, Casino Arena, NJ
DTS-HD MA 24/192 Stereo, 2013 Mix
Mixed by Robert Fripp, David Singleton and Tony Arnold
* 2 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, 2005 Mix
Mixed by Ronan Chris Murphy
24/96 Stereo, 30th Anniversary Mix
* 3 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, Original album mix
A Crimson Production, Remastered by Simon Heyworth and Robert Fripp, 2001
II USA Tour Concerts
24/48 Stereo
1 April 17th, 1974, Muthers, Nashville, TN
2 April 20th, 1974, Hollywood Sportatorium, Miami, FL
3 May 1st, 1974, Felt Forum, New York, NY
4 June 4th, 1974, Municipal Auditorium, San Antonio, Texas, TX
5 June 19th, 1974, Shrine Auditorium, Los Angeles, California, CA
The Final US Concert
24/48 Stereo
* 6 July 1st, 1974, Central Park, New York, NY

Disc 4 Blu-Ray
I Red
2024 mixes and Additional Material

Dolby Atmos/DTS-HD MA 5.1 Surround/24/96 Stereo
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Produced and Mixed by Steven Wilson
II Elemental Mixes and Session Recordings, 24/192 DTS-HD MA Stereo
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
Three More Red Nightmares
1 One More Red Nightmare - Early Guide Vox Section
2 One More Red Nightmare - Saxophone Overdub Section
3 One More Red Nightmare - Bass and Drums
The Making of Starless
1 Starless - Mellotron
2 Starless - Three Saxophones
3 Starless - Basic Take
4 Starless - Sax Solos
5 Starless - Percussion
6 Starless - Cornet and Guitar Solos
* 7 Starless - Cornet takes ~
Produced and Mixed by David Singleton except 7 ~ Produced and Mixed by Alex R Mundy sourced
at 24/48
* 1 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton
2 Think Again - Fragment
Mastered by Alex R Mundy from a John Wetton 1/4" file tape
III 2024 Instrumental Mixes, 24/96 Stereo
1 Fallen Angel
2 One More Red Nightmare
3 Starless (edit)
Produced and Mixed by Steven Wilson
IV * Original Masters, 24/96 Stereo
30th Anniversary Master
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
* Indicates material previously available on disc
All other material newly mixed/new to disc

“Red” 2024 Steven Wilson Mixes & 2024 David Singleton Elemental Mixes
2 x 200gm vinyl
• 50th Anniversary editions of King Crimson’s classic 1974 album
• 2LP set pressed on 200-gram audiophile vinyl
• LP1 features all new 2024 stereo mixes by Steven Wilson
• LP2 features all new 2024 elemental mixes by David Singleton
• Cut by Jason Mitchell at Loud Mastering

Whilst mixing the album for Dolby Atmos, Steven Wilson also prepared new stereo & 5.1 mixes. Those new stereo mixes are what appears as LP1 of this 2LP set. LP2 consists of a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

To pre-order:
2CD/2Blu-ray - https://burningshed.com/kingcrimson/king-crimson_red_2cd_2blu-ray
2LP - https://burningshed.com/kingcrimson/king-crimson_red_double-vinyl

For more information:
http://www.dgmlive.com

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Rick Derringer Produced Colour Radio Guitarist Jim Eannelli To Release New Solo Album “Just Deserts”

Album due out in both digital and physical formats September 27, 2024

Producer and multi-instrumentalist Jim Eannelli has been in every sort of band from hard rock to synth pop; he worked with Rick Derringer on the Colour Radio record, played guitar, performed and recorded with both former BoDean Sam Llanas and the Shivvers, the ‘80s power-pop band that finally gained international recognition in recent years. He is a legendary supporting player in his hometown, Milwaukee, and he steps onto center stage for his first album, “Just Deserts.”

Dipping into a trove of original songs written over the years, Eannelli’s “Just Deserts” encapsulates his experiences in life as well as music. The songs are deeply rooted in his years as a member of diverse bands. Just Deserts opens with a ferocious depiction of war’s casualties, “29 Women,” delivered by a rockabilly rhythm with punk attitude and a knife-slashing guitar solo. Eannelli segues easily into “Where I’ve Been,” a ballad of heartbreak and loss. His musical sources are wide, from the sullen blues of “Train from Chicago” to the Beatlesque pop of “Waitin’” and the soaring Americana rock of “Christine.” As a producer, Eannelli reaches for the soul of each song, catching the bright spark of their creation. And as a lyricist, he records the tragedy, confusion and despair of rootless lives, as well as moments of epiphany and spiritual yearning.

“Just Deserts” will be released on Happy Growl Records September 27 via web streaming and download services. CD’s will be for sale at local record shops and through Ebay.com

For more information please visit: facebook.com/JimEannelli

Contact: Gary Tanin, Daystorm Music, PH: 414-321-9956(US), GaryTanin@gmail.com

For press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Progressive Rock Band Mile Marker Zero to Release Third Full Length Album “Coming of Age” on October 4, 2024

“Coming of Age” is the third full length album from Progressive Rock Band Mile Marker Zero. Following up on their previous album “The Fifth Row”, Mile Marker Zero has shifted from a concept album focused on technology about the exponential growth of AI, to a more human reflection on growing up and the nostalgic experiences of childhood.

“Coming of Age” is eight tracks of new music which is the band’s most mature material to date. To go with the theme of nostalgia, the full album was only released in physical form (CD) on July 6, 2024. The band played a hugely successful album release show and made the album available only via live shows, their website and Bandcamp.

Throughout 2024, Mile Marker Zero released three singles to all streaming platforms: “Best Is Yet To Come”, “Towns to Grow Up In” and an edited version of “Bizarre”. The songs were well received, helping the band reach nearly 30,000 monthly listeners on Spotify at the time of release. The album will now be released via all streaming platforms on October 4, 2024.

Mile Marker Zero, has garnered a dedicated fan base and achieved remarkable milestones since the band’s formation. With their dynamic sound and captivating storytelling, they’ve made a lasting impact on the music scene. Their last studio album, The Fifth Row, has resonated with listeners worldwide through strategic projects. Mile Marker Zero’s song “The Architect” was featured in the acclaimed “NASCAR Heat 4” video game, introducing their music to a wide audience of racing enthusiasts. Furthermore, the band broke new ground as the first unsigned artist to be featured in the popular Harmonix/MTV Games video game series, Rock Band, which enjoyed massive success on the Xbox platform. Through their unwavering commitment to musical excellence and their ability to connect deeply with listeners, Mile Marker Zero continues to push boundaries and carve their own path in rock.

With “Coming of Age” they are widening that path and reaching ever-growing audiences. The band features Dave Alley (Vocals), John Tuohy (Guitars), Mark Focarile (Keyboards), Jaco Lindito (Bass) and Doug Alley (Drums). Mile Marker Zero is from New Haven, Connecticut, USA , and has shared the stage with diverse artists such as Porcupine Tree, Riverside, Periphery, Underoath, Spocks Beard, Adrenaline Mob and many others. They have also performed at RosFest and Progstock Festivals.

Says Mark, “Our hope is that these songs strike a personal chord with listeners, bringing their own life experiences to the surface. We want this music to take them back to moments that mattered and in the end shaped who they've become. We're incredibly excited to let this music out into the wild, and look forward to everyone experiencing it.”

“Mile Marker Zero’s dynamic mix of a modern Steven Wilson/Riverside gloss built upon classic Rush and Yes influences has the necessary bite to engage, and enough creative decisions to earn your attention.” - Progressive Subway

“Cool prog flourishes throughout the record...but grounded in the great melodic rock style.” - Nathan on Shuffle

“These five Americans know how to write expansive, exciting and at the same time outrageously catchy songs” - Powemetal.de

To support their new release, the band will focus on playing shows regionally through the rest of this year and doing festivals and broader touring next year.

Says Mark, “Our hope is that listeners hear these songs and they resonate within their own life experiences. We hope the sounds and imagery connect them to a time and place in their lives which made a lasting impact. Looking back can help propel you forward with an inspired view to find better days ahead.”

To purchase:
mmzofficial.bandcamp.com
www.milemarkerzero.com
https://justforkicks.de/shop/progressive/18073/coming-of-age (Europe)
iTunes, Amazon Music

For more information:
www.milemarkerzero.com
facebook.com/milemarkerzero
Instagram, tiktok @mmzofficial
youtube.com/mmzofficial

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Prog Artist Leon Alvarado Announces New Video For “The Changing Tide”

Acclaimed musician Leon Alvarado is thrilled to announce the upcoming release of the official video for the title track of his critically praised album, “The Changing Tide.” Set to premiere on Friday, September 20th, the video showcases mesmerizing visual sequences created by video artist Nuutti Kataja, marking an exciting collaboration between the two artists.

Reflecting on the new project, Alvarado shares, “In my previous video, we explored some really immersive imagery, where viewers felt as though they were stepping into a surrealistic painting. For this new video, I wanted to push the boundaries even further by blending a more realistic feel within a fantastical setting. Nuutti and I worked closely on gathering reference material and discussing different approaches to bring the scenes to life. When we ran some initial tests, I knew we were onto something special. The final sequences are stunning and flow seamlessly with the music. Nuutti did an outstanding job translating our vision into a visual masterpiece.”

Alvarado also commented on the use of modern technology in the creative process: “There’s a lot of debate around artificial intelligence, but I believe that when used properly, it can enable incredible visuals that might otherwise be prohibitively expensive to achieve. In the right hands, it can be a powerful tool for creativity.”

Musically, the video highlights Alvarado takes on drums, keyboards, and bass, while Edoardo Scordo, guitarist from Brit Floyd, lends his skill on guitar and slide guitar. The track was mixed and produced by Alvarado, with final mastering by renowned engineer Maor Appelbaum.

Fans of Alvarado and new listeners alike can look forward to the innovative blend of music and visuals in this highly anticipated video release.

You can view the video over at: https://www.youtube.com/@leonalvarado

THE CHANGING TIDE Video Release date: September 20, 2024

Credits:
Leon Alvarado: Drums, Keyboards Bass & Effects
Edoardo Scordo: Guitars and slide Guitar
Produced and mixed by Leon Alvarado
Mastered by Maor Appelbaum
A.I. Video sequences by Nuutti Kataja.
Editing by Nuutti Kataja and Leon Alvarado
Titles by Synergy Design
Record on: Melodic Revolution Records

About Leon Alvarado:
Leon Alvarado is a progressive rock artist known for his innovative fusion of electronic and rock music. Over the course of more than two decades, Alvarado has consistently demonstrated his ingenuity as a musician, constantly expanding the horizons of his artistic vision with each successive project. His repertoire boasts collaborations with esteemed figures in the Prog rock scene, earning him widespread acclaim and nurturing a devoted fanbase worldwide. Beyond his own musical creations, Leon frequently collaborates with bands and promoters, channeling his artistic skills into crafting fascinating album covers and promotional tour materials.

For more information:
https://leonalvarado.bandcamp.com
or follow Leon Alvarado on https://www.instagram.com/leonalvarado80/

For press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Mothers of Invention Keyboard & Synthesizer Legend Don Preston Embarks on First European Solo Tour September 2024

Pianist & Synthesizer legend Don Preston will be touring Europe starting in September (tour dates below). Don Preston leads a life filled with music, innovation, and experimentation in acoustic and electronic music. “Groundbreaking” is a phrase that is clearly overused. With Don it rings true. One of the first performers to drag a pile of oscillators and filters onstage, he brought his classical training to the Avant Garde. In the early 60s Frank Zappa would come to see Don’s “electronic music with films of bacterial life” shows in Los Angeles. Don was soon in Zappa’s radical new group The Mothers Of Invention, touring and playing on classics like “We're Only In It For The Money” and “Roxy & Elsewhere” from 1966 to 1973.

Don has played with everyone from Elvin Jones, Gil Evans, and Nat King Cole to The Residents, Jack Bruce and Robbie Krieger.  His keyboard solos on Zappa albums, as well as countless soundtracks like Coppola’s “Apocalypse Now,” are considered ground-breaking moments in synthesizer music history.

Still very active in his 90’s, Don was there for the dawn of electronic musical performance, and today grafts new technologies into his experimental palette with software synths & iPhone apps, blending jazz, rock, comedy, magic and ambient synths into a captivating performance.

DON PRESTON SOLO EUROPEAN TOUR
9/24 Porgy & Bess Vienna
9/25 Prague Czech
9/26 Prague Czech
9/27 Broumod Under
9/29 NordHausen, Germany
9/30 Bb (Jazz Club) Berlin, Germany
10/2 Weert, Netherland
10/3 Russelsheim, Germany
10/5 Brussels, Belgium
10/6 Stuttgart, Germany

“The guy that really impressed me was Don Preston, I didn’t know what that stuff was when I heard it on Frank Zappa's records. I said, ‘Man!’” - GEORGE DUKE

“Preston not only brought his skewed piano sensibility into the creative jazz context, he lugged along a little of his zany synthesizer as well…touching on all these associations (Carla and Paul Bley, John Carter, Zappa and Cole Porter), showing what he can do twisting a standard around and delving a bit into his own compositional bag as well. Preston resides on the edge of tonality, toying with it.” – DOWNBEAT

“Revisiting choice moments of weirdness and glory, as well as dig into original works and unlikely standards, is not to be missed. The range of program is somewhat camouflaged by the seamless interplay of Preston and cohorts. They possess a cohesion born of fluidity that is reminiscent of Paul Bley’s 60’s trios, but they have their own crisp edge. It is a high common denominator for such a diverse program.” – JAZZTIMES

“Best known as the first synth wielding Mother of Invention - Frank Zappa’s keyboardist aide de camp, to others he is an avowed New Music experimentalist, whose work in theatre, and with assorted sonic daredevils is the stuff of underground acclaim.......in the jazz orbit Preston’s credits have included Gil Evans, Carla Bley, Buell Niedlinger, Michael Mantler, John Carter, and Bobby Bradford” – DOWNBEAT

“Preston demonstrated anew that he is one of the most consistently exciting keyboardists anywhere, he plays with an intensity and a rhythmic vitality that approached the demonic, at climactic moments smashing the keys with a forearm and elbow, as if the piano were just not instrument enough for him.” - LA JAZZ SCENE

DON PRESTON DISCOGRAPHY
http://en.wikipedia.org/wiki/Don_Preston#Discography

DON PRESTON ON FACEBOOK
https://www.facebook.com/don.preston.54540

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Peppos-Jones Band Review and Interview: Life Notes

Genre: Rock-Pop

Release Date: August 29, 2024

Website

I first heard music from Peppos and Jones in 2019. Louis Jones was also in that band. The title was 50/80, 50 Years in 80 Minutes. Additionally, I had a blast interviewing these old high school friends.

The album Life Notes was released a few weeks ago. It opens with a rousing “Don't Waste The Dawn.” Because it was several years back, I did not recall the sound as much as I would have liked, but I know the lead vocals are different. And I don’t mean that in a negative way. It is a great way to kick off the recording. 

“Decisions” is the longest track, clocking in at 6:18 minutes. It starts with a newscast discussing a shake-up in Portland. The tune is well-thought-out, with a saxophone adding unique depth and a guitar wailing away. The male and female vocals are understated, serving the purpose of their message. It's a song about brotherhood and understanding, reminiscent of a '60s protest song. The focus here is to take the advice and make a firm “Decision” to do so.

 

“Music In Heaven” starts with a soft acoustic guitar. I started thinking about how this music reminded me of something. The band America came to mind rather quickly because of the gentle but effective vocal style and rhythmic guitar playing in this track. As always, this was my take on what I heard; everyone can listen to it and be engaged differently. Music triggers things in a listener, whether an emotion is connected to a memory, a person, an event, or anything in life. The female vocals are a nice touch, and the partnership works well.

 

“350 Degrees” begins with excitement and rocking sounds and quickly changes to a more mellow sound, with acoustic and electric guitar still a factor but tastefully. The track is about the circle of life and how quickly it completes that circle, with the hope that goals will be reached.

 

“A.I.” is present-day, which makes no sense to these folks. The guitar is rocking out on this track (Courtesy of Barry Scott). There are many opinions about artificial intelligence, and you hear a powerful take on this subject set to some incredible musicianship. It's a straight-ahead rocker that might not make sense to some due to its content. I like the line, “Man or machine, you just never know.” And that is so true.

 

“This Isn't A Love Song” tells you what they are singing about right up front. Just some random thought I decided to put to ink,” the singer explains. He talks about a lovely woman who moves and sways and how breathtaking it is. Some nice guitar lines populate the track with some honest vocals that are just right to emphasize the lyrics. It’s a real toe-tapper. It's like the smooth sailing sounds of a Jimmy Buffet number.

 

“Back To The Bullet” certainly is a change in direction for track titles! It starts with a strumming acoustic and electric slide, giving it a blues-country feel. It's about a convicted person for murder singing that they are innocent and to be hanged and on the run to get back to his family. He sings, asking, “What is free?” and the sound of a prison cell door closing ends it.

 

“The Musician” had a record collection when he was three years old, and he saw The Beatles on Sullivan. After that night, he and thousands of other kids knew what they wanted to be. The only thing I remember about watching that is getting mad at all the girls screaming because I could not hear them playing! It is a touching song about sweet memories and how music made the singer whole. That combination of rhythmic acoustic guitar and tasteful electric is added to give the song a rich, layered sound. The vocals are soft and thoughtful, as they are on many of these tracks.

 

“Expanding Shadows” starts with an old-fashioned organ playing to give it that Halloween sound and perfect lyrics. The track is much different than all the previous tracks. It's dark but light-hearted, a step away from the other tracks' message. However, that is the point; it sounds like the band is having fun with all the different types of music and scary lyrics. It is my favorite track on the album.

 

“Where Would I Be” returns to a softer approach to people, love, and emotion. The track could be about a significant person—whatever the listener wants to interpret it, as is always the case with any song. The lead guitar and piano playing on this track add a layer of emotion. The lyrics and vocals are heartfelt and moving, resonating with the listener personally.

 

Now it's time to close the recording with the title track, “Life Notes.” After all, this entire album is about a lifetime of memories, events, and the feelings that surrounded that. This one is thoughtful and about the meaning of life, and the message is clear: it's about whatever we hold dear. And that, to me, resonates. The music is well played, and the lyrics are expressive, with that ever-present strumming acoustic, but, this time, an electric slide for some more flavor and emphasis is added.

 

Life Notes is a versatile album that will resonate with music listeners who like to reflect upon their lives and those who could use a little push to do so. The album's soft approach and the moments they decided to cut loose and rock keep the listener engaged. The exemplary musicianship, thoughtful lyrics, and vocals that place enough emphasis on the words when needed make for an absorbing listening experience from start to finish.

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder

September 13, 2024

Tracks:

01. Don't Waste The Dawn 04:12

02. Decisions 06:18

03. Music In Heaven 04:11

04. 350 Degrees 03:13

05. A.I. 04:32

06. This Isn't A Love Song 03:53

07. Back To The Bullet 03:20

08. The Musician 05:15

09. Expanding Shadows 02:30

10. Where Would I Be 03:58

11. Life Notes 02:51

AMERICA “Live at the Palladium Deluxe Limited Edition Triple Vinyl LP Released October 25, 2024

Includes a reproduction tour programme!

First 250 copies in PURPLE 180gms vinyl. Contains the full show.

Deluxe Limited Edition of 1000 units.

America, the band that is, will have been together for half a century next year. Dewey Bunnell, Dan Peek, and Gerry Beckley were sons of US Air Force personnel stationed in London, where they began performing live. Their signature song, “A Horse With No Name, in many ways sums up what the band are all about; close vocal harmonies, acoustic guitars, and – if I may misquote Pete Atkin – a journey through “mythical America” and a vaguely rural ethos. “A Horse With No Name was their first international hit, and was taken from their debut album, a self-titled record which came out on Warner Brothers in 1971. Since then, there have been over thirty more records, but the one that I want to talk about today is a very special live album, recorded on stage at one of London’s most iconic venues.

The Palladium became a major rock music venue in the years to come, and last year, this message was plastered across the internet: “The Multi-platinum and Grammy Award-winning band America will be giving an exclusive performance at the London Palladium on Friday 19th October 2018. With huge hits including ‘A Horse With No Name’, ‘Tin Man’ and ‘Ventura Highway’, forty plus years later Gerry Beckley and Dewey Bunnell are still making music, touring the world and thrilling audiences with their timeless sound. The combination of Beckley’s melodic pop rock and Bunnell’s slinky Latin-leaning rhythms has proven that America’s sound can transcend borders with their uplifting music and positive message.”

...and this release serves as an invaluable document of an extraordinarily transcendent evening of peerless music.

To pre-order:
https://www.musicglue.com/america-palladium/products/live-at-the-palladium-triple-vinyl-lp

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

NEW ‘SPECIAL EDITION’ OF GONG’S ‘UNENDING ASCENDING’ SET FOR RELEASE ON KSCOPE SEPTEMBER 20, 2024

INCLUDES 6 BONUS TRACKS RECORDED LIVE FROM EDINBURGH IN 2024

Progressive, psychedelic rock pioneers Gong have announced a new special edition of their highly praised 2023 release Unending Ascending today. The new release, a CD package with an 8-page booklet, includes 6 previously unreleased bonus tracks recorded live from the band’s superb 2024 show at Edinburgh’s Summerhall as part of the ‘Gong + Ozric Tentacles UK Tour’.

The release coincides with Gong’s extensive late-2024 North American & European tour which will see them play shows across the USA, Netherlands, Germany, Denmark, Sweden and Poland, amongst others. “It’s been a long time coming but, following the release of Unending Ascending, Gong are delighted to be playing in the US. No minds left unblown or else” says Kavus Torabi.

“Cosmic rock of the highest order” - PROG

“If Unending Ascending is your first time encountering Gong, this is a spectacular introduction” - LOUDER THAN WAR

PRE-ORDER GONG UNENDING ASCENDING SPECIAL EDITION CD DIGIPAK WITH 8-PAGE BOOKLET: https://gong.lnk.to/UA_special_edition

GONG UPCOMING SHOWS
15/08 Woodstock Forever ’24, Eisfeld - DE
16/08 The Forum, Tunbridge Wells - UK
17/08 A New Day Festival, Hernhill - UK
24/09 Chapel at Muhlenberg College, Allentown PA - USA
25/09 The Southern Music Hall, Charlottesville VA - USA
26/09 King's Raleigh, Raleigh NC – USA
27/09 The Grey Eagle, Asheville NC – USA
28/09 Mockingbird Theater, Franklin TN – USA
30/09 The Pyramid Scheme, Grand Rapids MI – USA
01/10 Reggie’s, Chicago IL – USA
02/10 Shank Hall, Milwaukee WI – USA
03/10 Token Lounge, Detroit, Westland MI – USA
04/10 Ludlow Garage, Cincinnati OH – USA
05/10 Irving Theater, Indianapolis IN – USA
06/10 Beachland Ballroom, Cleveland OH – USA
09/10 75 Stutson Street Auditorium Stage, Rochester NY – USA
10/10 Homer Arts Center, Homer NY – USA
14/10 Space Ballroom, Hamden CT - USA
15/10 The Iron Horse, Northampton MA – USA
17/10 The Strand Theater, Hudson Falls NY – USA
19/10 Orion Studios, Baltimore MD – USA
20/10 Progstock Festival @ Williams Center, Rutherford NJ – USA
07/11 O13, Tilburg - NL
08/11 Boerderij, Zoetermeer - NL
10/11 MS Stubnitz, Hamburg - DE
11/11 Hotel Cecil, Copenhagen - DK
12/11 Babel, Malmö - SE
13/11 Musikens Hus, Goteborg - SE
15/11 Debaser, Stockholm - SE
16/11 Rockland, Sala - SE
18/11 Validi Karkia Club, Pori - FI
19/11 Louhisali, Espoo - FI
21/11 Hybrydy, Warsaw - PL
22/11 Kuźnia, Bydgoszcz - PL
23/11 CK Zamek, Poznan - PL
24/11 Rialto, Katowice - PL
26/11 Kofferfabrik, Fürth - DE
27/11 KuBa, Jena - DE
28/11 Akropolis, Prague - CZ
29/11 Kino Ebensee, Ebensee - AT
30/11 Porgy & Bess, Vienna - AT
03/12 Backstage, Munich - DE
04/12 Das Rind, Rüsselsheim - DE
05/12 Jubez, Karlsruhe - DE
06/12 Cafe de la Danse, Paris - FR
07/12 Le Grillen, Colmar - FR
09/12 Harmonie, Bonn - DE

TICKETS: https://www.gongband.com/shows/

The universe of Gong began in 1969 when visionary Daevid Allen was inspired by a profound psychedelic vision. A founder member of Soft Machine, Allen incorporated his spiritual and metaphysical leanings into an evolving collective. More a mythology than a band in the conventional sense, Gong established itself as one of the most unique, innovative, and experimental rock groups of the seventies, through an exploratory mix of rock, jazz and psychedelia with elements of mysticism and surrealism, unafraid to deliver its messages directly, obliquely or whimsically.

Watch the videos for:
My Guitar Is A Spaceship - https://youtu.be/RrJRaWzXvW8
Tiny Galaxies - https://youtu.be/jqoFLJlxpWw
All Clocks Reset - https://youtu.be/PVjU7LX0YiQ

The current incarnation, who were put together by Daevid for his swansong album with Gong, I See You, honour his intention that Gong do not die with him, urging the band to “carry it on into new unknown heights and depths far beyond anything I could ever imagine myself”.

Photo credit – Layla Burrows

For promo photos and further media please head to: https://kscopemusic.com/media/gong/

The current lineup of Kavus Torabi, Dave Sturt, Fabio Golfetti, Ian East and Cheb Nettles is the most stable in Gong's illustrious history, having written, recorded and toured together for eight years since Allen's passing. A dynamic, powerful and explosive live band, their music draws from the credo of the original Gong while remaining committed to pushing the composition, performances and message into new realms, paying no mind to nostalgia.

The Unending Ascending Special Edition will be released on Kscope on 27th September on digipak CD with an 8-page booklet. Pre-order: https://gong.lnk.to/UA_special_edition

GONG ONLINE:
https://www.gongband.com
https://gongband.bandcamp.com
https://www.facebook.com/officialgong
https://twitter.com/gong_band
https://open.spotify.com/artist/47yvARr7dCOKqvjDVwfbf3
https://music.apple.com/us/artist/gong/6663678
https://kscopemusic.com/artists/gong
https://linktr.ee/gongband

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Be-Bop Deluxe Legend Bill Nelson “Quit Dreaming & Get On the Beam” 3CD/1Blu-ray Deluxe Box Set Available December 6, 2024

• DELUXE 3CD + 1 BLU-RAY LIMITED EDITION BOX SET OF THE CLASSIC 1981 ALBUM BY BILL NELSON.

• FEATURING AN ADDITIONAL 53 BONUS TRACKS DRAWN FROM NEW 5.1 SURROUND SOUND & STEREO MIXES OF THE QUIT DREAMING SESSIONS FROM THE ORIGINAL MULTI-TRACK MASTER TAPES BY STEPHEN W TAYLER & RARE SINGLES & RADIO SESSIONS.

• INCLUDES A LAVISHLY ILLUSTRATED BOOK WITH MANY PREVIOUSLY UNSEEN PHOTOGRAPHS & NEW ESSAY, PLUS POSTCARDS AND A REPLICA POSTER.

• DO YOU DREAM IN COLOUR - PROMOTIONAL VIDEO

The album was originally recorded in 1979 with sessions taking place for an intended follow up album by Bill’s recently formed group RED NOISE. However, EMI Records, Bill’s then record label, declined to release the recordings and the material remained unreleased. Four recordings appeared as the ‘Do You Dream in Colour’ EP on his Cocteau label in 1980. The following year Bill licensed the original stereo mixes of the album to Mercury Records who issued the album in the Spring of 1981. A ground-breaking record, “Quit Dreaming & Get On the Beam” reached a peak of number seven on the UK charts and is to date Bill’s most commercially successful album.

This limited and expanded edition boxed set features a newly remastered version of the original album mix, but also features an additional 53 tracks drawn from new stereo & 5.1 Surround Sound mixes by Stephen W Tayler of all the surviving recording sessions from 1979, along with a previously unreleased radio session from March 1981, a BBC JOHN PEEL session from June 1981 and a collection of rare single tracks from the era. Also included is the rare promotional film of ‘Do You Dream in Colour?'

The box set has an illustrated 68-page book and an essay and also includes postcards and a poster, making this release the definitive statement on one of Bill Nelson’s great works.

TRACK LISTING

DISC ONE

QUIT DREAMING & GET ON THE BEAM THE ORIGINAL STEREO MIX

1 Banal
2 Living in My Limousine
3 Vertical Games
4 Disposable
5 False Alarms
6 Decline and Fall
7 White Sound
8 Life Runs Out Like Sand
9 A Kind of Loving
10 Do You Dream in Colour
11 U.H.F.
12 Youth of Nation on Fire
13 Quit Dreaming and Get on the Beam

DISC TWO

SINGLES & RADIO SESSIONS 1980 - 1981

1 Ideal Homes (original single mix)
2 Instantly Yours (original single mix)
3 Atom Man Loves Radium Girl
4 Dada Guitare
5 Banal (extended mix)
6 Turn to Fiction
7 Hers is a Lush Situation
8 Mr. Magnetism Himself
9 Youth of Nation on Fire (extended mix)
10 Be My Dynamo
11 Rooms With Brittle Views
12 All My Wives Were Iron
13 Living in My Limousine (remix)
14 Birds of Tin
15 Love in the Abstract
16 Konny Buys a Kodak (radio session 1981)
17 After Life (radio session 1981)
18 Boom Year Ahead (radio session 1981)
19 Art of Vision (radio session 1981)
20 Rooms With Brittle Views (radio session 1981)
21 Stay Young (radio session 1981)
22 Sleep Cycle (radio session 1981)
Jazz (radio session 1981

DISC THREE

QUIT DREAMING & GET ON THE BEAM SESSIONS - NEW STEREO MIXES BY STEPHEN W TAYLER

1 Banal
2 Living in My Limousine
3 Vertical Games
4 Disposable
5 False Alarms
6 Decline and Fall
7 White Sound
8 Life Runs Out Like Sand
9 A Kind of Loving
10 Do You Dream in Colour
11 U.H.F.
12 Youth of Nation on Fire
13 Quit Dreaming and Get on the Beam

Bonus tracks

14 The World and His Wife
15 Dancing Music

DISC FOUR

QUIT DREAMING & GET ON THE BEAM SESSIONS – HIGH RESOLUTION 5.1 SURROUND SOUND & NEW STEREO MIXES BY STEPHEN W TAYLER - BLU-RAY

1 Banal
2 Living in My Limousine
3 Vertical Games
4 Disposable
5 False Alarms
6 Decline and Fall
7 White Sound
8 Life Runs Out Like Sand
9 A Kind of Loving Do You Dream in Colour
10 U.H.F.
11 Youth of Nation on Fire
12 Quit Dreaming and Get on the Beam

Bonus tracks

13 The World and His Wife
14 Dancing Music
15 Do You Dream in Colour video

For more information: https://www.cherryred.co.uk/bill-nelson-quit-dreaming-get-on-the-beam-3cd-1blu-ray-deluxe-box-set

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

XTC “Skylarking” CD/Blu-ray (2024 Dolby Atmos edition) & 200-gram LP (2016 Steven Wilson mix) Released on September 27, 2024

For many music fans, “Skylarking” is the classic XTC album, the one that is always most in demand.

CD/Blu-ray
• “Skylarking” is the second of XTC’s albums to be mixed in Dolby Atmos by Steven Wilson, following last year’s highly acclaimed mix for “The Big Express.”
• The album has been mixed for Dolby Atmos Immersive Audio from the original multi-track studio master tapes by Steven Wilson & is fully approved by XTC.
• CD: features the 2016 album mix & bonus album track mixes by Steven Wilson.
• Blu-ray: includes
Full album & additional tracks mixed in Dolby Atmos + instrumental versions
Full album in DTS-HD MA 5.1 Surround Sound (2016 mix)
Full album, additional tracks & instrumentals in 24/96 stereo (2016 mix).
Full album - original mix (corrected polarity edition) in 24/96 stereo.
• Presented in replica mini-vinyl style packaging with booklet including photos & album lyrics
• All 2024 & 2016 material mixed & produced by Steven Wilson.
• Original album Produced & engineered by Todd Rundgren

200-gram vinyl
• First time the 2016 Steven Wilson mix of Skylarking will be released on 200-gram vinyl
• Presented in a gatefold sleeve with lyrics appearing in the inner gatefold
• Cut by Jason Mitchell at Loud Mastering

XTC:
Andy Partridge
Colin Moulding
Dave Gregory
With: Prairie Prince: Drums

“Skylarking,” XTC’s most commercially successful album was, for many years, also its most mythical with tales of “lost” multi-track tapes (sadly true of other XTC albums but not this one), a song originally dropped from the album only to be replaced when it inadvertently became a hit single in the USA, a perfect match, on paper, between the ideal Britpop band a decade before the term was invented & an Anglophile super-producer that turned rather imperfect in personality terms but still resulted in a classic album.

Still, a masterpiece remains a masterpiece however traumatic its origins & this is one of those few albums that sounded great at the time & sounds just as great, if not better, now.

When Steven Wilson remixed the album in 2016 – for new stereo & 5.1 Surround Sound editions, the release was successful again with both original & a new generation of fans.

CD/Blu-ray
Offered the opportunity to expand upon his 2016 work, Steven has now remixed the album for Dolby Atmos.  This new edition features the complete album in Dolby Atmos, along with four additional tracks & instrumental versions in that format.

The Blu-ray also includes the 2016 mixes in DTS-HD MA 5.1 Surround, 24/96 Hi-Res Stereo plus instrumental versions – all mixed by Steven Wilson and also includes the original, Todd Rundgren produced, album mix in 24/96 Hi-Res stereo (corrected polarity edition). The 2016 stereo mixes appear on the accompanying CD.

200-gram vinyl
Frequently requested as a vinyl release in recent years & with the new CD/Blu-ray release this Autumn in Dolby Atmos (remixed again by Steven Wilson), the timing is ideal to make the 2016 mix available on 200-gram vinyl, the first of Steven’s XTC mixes to be issued on vinyl.

CD/Blu-ray:
1. Summer's Cauldron
2. Grass
3. The Meeting Place
4. That's Really Super, Supergirl
5. Ballet for a Rainy Day
6. 1000 Umbrellas
7. Season Cycle
8. Earn Enough for Us
9. Big Day
10. Another Satellite
11. Mermaid Smiled
12. The Man Who Sailed Around His Soul
13. Dear God
14. Dying
15. Sacrificial Bonfire

+ Additional Tracks
16. Extrovert
17. Let’s Make a Den
18. Little Lighthouse
19. The Troubles

To pre-order:
CD/Blu-ray - https://burningshed.com/store/ape/xtc_skylarking-dolby-atmos_cd_blu-ray

LP - https://burningshed.com/store/ape/xtc_skylarking-2016-steven-wilson-mix_vinyl

CD/Blu-ray & Vinyl bundle - https://burningshed.com/store/ape/xtc_skylarking_cd_blu-ray-vinyl-bundle

For photos, music, interview requests or further information please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Rick Wakeman & Gordon Giltrap “From Brush & Stone” Limited Edition 180GM Clear Vinyl Available For Pre-order

CLEAR VINYL Signed by both Rick Wakeman and Gordon Giltrap - Limited to 250 Copies

“From Brush & Stone” is a studio album by guitarist Gordon Giltrap and keyboardist Rick Wakeman. The album is the first opportunity to record together for Gordon Giltrap and Rick Wakeman. Both are longtime friends who have been on separate musical paths for forty years.

“Having known Gordon for more years than we both care to remember and having great admiration for both his musical and technical ability plus his unique style of composing, it was a no-brainer for us to produce this album together. Logically, I played exactly what I felt was needed on Gordon’s compositions and he played exactly what he felt was needed on mine - another no-brainer. It’s one of those albums where every time you listen to it you discover something new in the music. Each track evokes a different emotion for the listener which indeed it did for Gordon and myself when we recorded the tracks. An album I think we can be rightly proud of.” – Rick Wakeman

“In 1963 at age 15 I was forced to leave school by my well-meaning father, suggesting that I learn a trade thus abandoning any hope I had of going to art college. Since becoming a writer of tunes I think subconsciously I have been using music as my creative canvas. I have always found that paintings have been a great source of inspiration culminating in 1976 with the William Blake inspired Visionary album and then in 1981 with Peacock Party followed by the Pre-Raphaelite inspired Brotherhood Suite. When the opportunity came along to make an album with my old friend and towering keyboard genius Rick Wakeman I put forward my Brotherhood Suite as a concept and starting point. Rick responded very positively and came back with his idea of classical sculpture as an inspiration. This he did superbly. I was given the luxury of time to work on his compositions, about 6 months in fact, and I hope I did justice to his creations. It was and continues to be an honour to have worked with one of the great Godfathers of progressive rock.” - Gordon Giltrap

Tracklist:
Side One 1. The Savannah Bird 2. Caesar Augustus 3. The Kiss 4. Hermes
Side Two 1. The Thinker 2. David 3. The Discus Thrower 4. The Last of England Spring
Side Three 1. The Death of Chatterton 2. The Light of the World 3. World 4. By Angle Tarn 5. Maddie Goes West
Side Four (Previously Unreleased) 1. A Dublin Day 2. Down The River 3. Isabella's Wedding

Personnel:
Gordon Giltrap - guitars
Rick Wakeman - keyboards
Production
Produced by Erik Jordan, Gordon Giltrap and Rick Wakeman.
Guitar recording sessions engineered by Paul White at Malvern Studios.
Keyboard recording sessions engineered by Erik Jordan at Pavilion Studios.
Mixed by Erik Jordan at Jordan Audio Studios.
Artwork by Jan Leytham-Gain.
Additional photography by Lee Wilkinson.
Special thanks to Malcolm 'Mad Malc' Welch.

To pre-order:
https://www.rickwakemansmusicemporium.com/products/rick-wakeman-and-gordon-giltrap-from-brush-and-stone-vinyl

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Concert Review: Roger McGuinn In Concert At The Colonial Theater

            Roger McGuinn In Concert At The Colonial Theater

                          Pittsfield, MA - September 7, 2024

Last night at the Colonial Theater in Pittsfield, Massachusetts, the atmosphere was electric as a packed house prepared to immerse themselves in memories. Not just their memories but those of the music legend Roger McGuinn. The stage was set with a simple arrangement of guitars, a banjo, and a stool, creating an intimate setting for a night to remember with music and stories from an artist who has made music for over six decades.

 

When I arrived, a lady with CDs was at the merch table. It happened to be Camilla, Roger's wife, a long-time roadie, and collaborator. She was lovely and very knowledgeable about Roger's career and music. Every CD for sale was autographed, so I had to get one, and I always like to support an artist besides writing a review.

 

Roger's stage was set up with his guitars, banjo, and a stool, creating an intimate setting. He shared personal stories about his life and the influential people who shaped it, creating a patchwork quilt of musical history. This personal touch made the evening even more enjoyable, especially for those familiar with his music and career. 

 

For those wondering what to expect, this performance is a unique blend of music (folk, rock, country, blues) and storytelling reminiscent of VH-1 storytellers and MTV Unplugged. It's an experience that will leave you captivated and wanting more.

 

Roger's music history is full and rich with anecdotes and a lifetime that extends to the present day. As someone who appreciates music and history, I found it fascinating. He would play excerpts of all the big hits, like "Mr. Tambourine Man," "Turn! Turn! Turn! (To Everything There Is A Season)," and "Mr. Spaceman."

 

What entertained me, and judging by the positive audience reactions, was the deep dive into the birth of songs, where and who they came from, and how they developed. Most are unaware of all the intimate details of a musical career unless there is a biography on the artist to consume.

 

He mentioned the Folk Den Project, a digital archive of folk music that he started in 1995 (he has been uploading one track a month since). This project is a testament to his dedication to preserving and sharing folk music, a literal goldmine including over 300 tracks.

 

Roger McGuinn is a musical treasure; you should experience his show.

 

Keith “MuzikMan” Hannaleck

September 8, 2024

Soft Machine’s THEO TRAVIS “AELOUS” One Hour Duduk Meditation CD/Blu-ray Featuring Production and Soundscapes by Steven Wilson Available September 6th, 2024

• Theo Travis is widely known due to his work with his own bands and (among others) Soft Machine, Steven Wilson, Robert Fripp, Gong, Porcupine Tree and many more
• Theo’s previous releases of duduk music on YouTube have become something of a sensation. The piece “Ancient Soul, Modern Times” (which is included on the Blu-ray) has amassed over 1 million listens
• Steven Wilson is one of the world’s most sought-after producers, mix engineers and remixers of multi-channel Surround Sound and Dolby Atmos audio
• Both artists enjoy a significant fan-base

When Theo Travis began experimenting with long-form improvised instrumentals for duduk - a woodwind instrument from Armenia sometimes described as ‘the saddest sounding instrument in the world’ - he could hardly have imagined a world in which such a one-hour piece would clock up in excess of a million plays on YouTube. Yet that is precisely what happened, with the multi-functional music finding fans purely in its own terms as well as for an array of uses from meditation to yoga, to relaxation and more. Something about the sound, the performances, the context, found, built and maintained a much wider audience than most, far more mainstream music. All of this was achieved without hype, marketing or a dedicated record label supporting the release.

Extending the idea, earlier this year Theo worked with producer Steven Wilson, (who has previously mixed and mastered many of Theo’s solo recordings and in whose band Theo has played) to produce a new duduk improvisation in multi-channel audio as well as stereo, with soundscapes assembled by Steven Wilson from Theo’s alto flute playing. The result is a stunning and utterly unique piece of work which helps to define new possibilities for so-called “immersive audio”, without losing focus on the pure sound and inherent musicality of the duduk improvisations which have struck such a chord with a wide and growing audience online.

The new piece “Aeolus” (again, one hour long) appears in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and 24/96 high resolution stereo on the Blu-ray and in standard 16/44 audio on the accompanying CD.

Watch the promotional trailer: https://www.youtube.com/watch?v=Z0ceR1EkiO4

TRACKLISTING:

CD:
Aeolus (60mins)

Blu-ray:
Aeolus (60 mins)
Dolby Atmos, DTS-HD MA Surround (5.1) & 24/96 LPCM stereo

Aeolus (4 min edit)
24/96 LPCM stereo.

Ancient Soul, Modern Times (60 mins)
24/96 LPCM stereo.

AEOLUS: Composed by Theo Travis and Steven Wilson
Theo Travis – Duduk and Alto flute
Steven Wilson – Production & Soundscapes

Ancient Soul, Modern Times: Composed by Theo Travis
Theo Travis – Duduk & Soundscapes

To pre-order: https://burningshed.com/theo-travis_aeolus_cd_blu-ray?filter_name=aeolus&filter_sub_category=true

For more information: https://www.theotravis.com/

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

DELUXE HARDBACK BOOK EDITION OF PORCUPINE TREE'S ICONIC 2007 ALBUM FEAR OF A BLANK PLANET ANNOUNCED

SET FOR RELEASE ON 25th OCTOBER 2024 ON THE TRANSMISSION LABEL

PRE-ORDER THE NEW 2024 6-DISC EDITION OF PORCUPINE TREE’S FEAR OF A BLANK PLANET

London label Transmission have announced a new edition of Porcupine Tree’s Grammy-nominated 2007 album Fear Of A Blank Planet. With a 112-page hardback book, five CDs, and a Blu-ray disc, the new edition includes remasters of Fear Of A Blank Planet and the Nil Recurring mini album, approximately 55 minutes of previously unreleased demos, an early live performance of a still work-in-progress version of the album, as well as BBC and instore session recordings - the most complete collection of the album and related material to date.

The set consists of:

112-Page Hardback Book: The centrepiece of this collection is a 112-page book, with an in-depth examination of the process of creating the album by Stephen Humphries with interviews, alongside rare photographs from photographers Lasse Hoile & Carl Glover.

Disc 1 (CD): 2024 remaster of Fear Of A Blank Planet.

Disc 2 (CD): 2024 remaster of Nil Recurring EP.

Disc 3 (CD): Approx 55 minutes of previously unreleased demos by both band and Steven Wilson, offering a rare insight into the creative process for the album, including 2 tracks not recorded for the final album.

Disc 4 (CD): A live recording of a work-in-progress version of the album made at The Garage, Saarbrucken on 23rd September 2006, while the band were still refining and developing the material.  This has been mixed from the multitrack tapes for the first time for this edition.

Disc 5 (CD): A 5 track BBC radio session (Maida Vale Studios, 13th April 2007) plus an 8-song acoustic / unplugged in-store performance from Park Avenue, Orlando (4th October 2007).

Disc 6 (Blu-ray): Includes remastered stereo and 5.1 surround sound mixes of Fear Of A Blank Planet and Nil Recurring, as well as a new 2024 documentary - 'The Making of Fear Of A Blank Planet'. Also features 3 music videos, 3 songs performed live on film at The Palladium, Koln (4th December 2007) and 2 live visual films (‘Sleep Together’ and ‘Anesthetize’).

WATCH THE TRAILER FOR FEAR OF A BLANK PLANET 2024

"An aggressively modern merger of Rush’s arena art rock, U.K. prog classicism —especially Pink Floyd and King Crimson — and the post-grunge vengeance of Tool" - Rolling Stone

Originally released in 2007, Fear Of A Blank Planet is Porcupine Tree's ninth studio album and both band and fans alike consider it to be a high point in their catalogue. Their biggest selling album at the time, it was the band’s first album to break into the Billboard Top 100 in the USA as well as charting significantly across Europe, earning them a Grammy nomination in the process. The album includes guest appearances from Robert Fripp (King Crimson) & Rush guitarist Alex Lifeson and featured in Rolling Stone Magazine’s Greatest Prog Albums Of All Time as well as being named Classic Rock’s Album of the Year in 2007.

A concept album inspired by the Bret Easton Ellis novel Lunar Park, Fear Of A Blank Planet’s lyrics address how the adolescent protagonist battles his terminal boredom and attention-deficit disorders with a regimen of prescription drugs, TV, computer gaming, mindless violence, empty sex, and self-harm.

Photo by Carl Glover

Following the release of Fear Of A Blank Planet in 2007, Porcupine Tree solidified their reputation as one of the rock’s most celebrated bands with their 2009 release The Incident garnering critical acclaim and earning the band another Grammy nomination. After a significant hiatus while members moved on to other projects, 2022’s highly anticipated return with Closure/Continuation demonstrated the band's unwavering commitment to pushing the boundaries of their sound.

FEAR OF A BLANK PLANET DELUXE TRACKLISTING

DISC 1
1. Fear Of A Blank Planet (2024 Remaster) [07:28]
2. My Ashes (2024 Remaster) [05:09]
3. Anesthetize (2024 Remaster) [17:52]
4. Sentimental (2024 Remaster) [05:26]
5. Way Out Of Here (2024 Remaster) [07:37]
6. Sleep Together (2024 Remaster) [07:28]

DISC 2
1. Nil Recurring (2024 Remaster) [06:15]
2. Normal (2024 Remaster) [07:08]
3. Cheating The Polygraph (2024 Remaster) [07:10]
4. What Happens Now? (2024 Remaster) [08:24]
5. Fear Of A Blank Planet (Tour Live intro) [02:02]

DISC 3
1. Fear Of A Blank Planet (Demo) [07:01]
2. My Ashes (Demo) [05:09]
3. Anesthetize (Demo) [16:49]
4. Sentimental (Demo) [05:03]
5. Cheating The Polygraph (Demo) [07:07]
6. Sleep Together (Demo) [07:26]
7. Always Recurring (Demo) [03:49]
8. Hey Sleeper (Demo) [03:36]

DISC 4
1. Fear Of A Blank Planet (Live at Garage, Saarbrucken, 23 September 2006) [09:05]
2. My Ashes (Live at Garage, Saarbrucken, 23 September 2006) [05:44]
3. Anesthetize (Live at Garage, Saarbrucken, 23 September 2006) [17:12]
4. Sentimental (Live at Garage, Saarbrucken, 23 September 2006) [05:07]
5. Cheating The Polygraph (Live at Garage, Saarbrucken, 23 September 2006) [06:58]
6. Sleep Together (Live at Garage, Saarbrucken, 23 September 2006) [08:11]

DISC 5
1. Blackest Eyes (BBC Session, Maida Vale, 13 April 2007) [04:27]
2. Fear Of A Blank Planet (BBC Session, Maida Vale, 13 April 2007) [07:29]
3. Sleep Together (BBC Session, Maida Vale, 13 April 2007) [07:20]
4. The Pills I'm Taking (BBC Session, Maida Vale, 13 April 2007) [05:58]
5. Halo (BBC Session, Maida Vale, 13 April 2007) [05:42]
6. The Sky Moves Sideways (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:02]
7. Even Less (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [03:27]
8. Stars Die (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:34]
9. Waiting (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [03:52]
10. Normal (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:52]
11. Drown With Me (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:09]
12. Lazarus (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:06]
13. Trains (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:28]

DISC 6
1. Fear Of A Blank Planet (5.1) [07:28]
2. My Ashes (5.1) [05:09]
3. Anesthetize (5.1) [17:52]
4. Sentimental (5.1) [05:26]
5. Way Out Of Here (5.1) [07:37]
6. Sleep Together (5.1) [07:28]
7. Nil Recurring (5.1) [06:15]
8. Normal (5.1) [07:08]
9. Cheating The Polygraph (5.1) [07:10]
10. What Happens Now? (5.1) [08:24]
11. Fear Of A Blank Planet (Video) [04:19]
12. Way Out Of Here (Video) [04:17]
13. Normal (Video) [03:52]
14. Sleep Together (Live Visual Film) [07:32]
15. Anesthetize (Live Visual Film) [17:14]
16. Fear Of A Blank Planet (Video - Live at Palladium, Koln, 4 December 2007) [08:37]
17. Anesthetize (Video - Live at Palladium, Koln, 4 December 2007) [17:14]
18. Sleep Together (Video - Live at Palladium, Koln, 4 December 2007) [08:03]
19. The Making Of Fear Of A Blank Planet (Documentary Film) [48:23]

The new edition of Fear Of A Blank Planet will be released on Transmission on 25th October 2024. Pre-order here: https://porcupinetree.lnk.to/FOABP_DeluxeFA

Porcupine Tree / Facebook / Instagram / X / Spotify / Apple Music / Youtube

Transmission / Website / Instagram / X

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

King Crimson “Sheltering Skies (Live in Fréjus, August 27th 1982)” First Release on Vinyl & Standalone CD of the Complete Concert Available September 6, 2024

• First release on vinyl of a 1980s King Crimson concert
• First standalone CD release of the complete concert
• The complete concert from Fréjus, France taken from the original multi-track tapes by Robert Fripp & Brad Davis.
• Additional performance of ‘The Sheltering Sky’ at Cap d’Agde also included
• Vinyl cut by Jason Mitchell at Loud Mastering
• Pressed on 200-gram vinyl & presented in a gatefold sleeve.
• CD mastered by Alex R. Mundy at DGM

Featuring:
Robert Fripp: Guitar
Adrian Belew: Guitar, Lead Vocal
Tony Levin: Stick, Bass Guitar and Support Vocal
Bill Bruford: Drums and Percussion

There’s a palpable sense of energy and enthusiasm from the audience captured on the tapes at this concert as King Crimson (sharing a European tour with then label band mates Roxy Music) take to the stage in Fréjus, France, in late Summer, 1982. With two albums’ worth of material to draw upon (Discipline, Oct 1981 & Beat, June 1982) & extensive touring that had already seen the band play concerts in the UK, Europe, USA & Japan, the live shows - as often with King Crimson – had a dynamism & punch that simply couldn’t be replicated in a recording studio. Add a pair of classic KC instrumentals, (Red & Larks’ Tongues in Aspic Part Two), to that mix & all the ingredients were there for a very special performance.

Recorded initially for a video release, the audio from the concert has, inexplicably, never been issued as a standalone release. Nor has a live album from the 1980s line-up previously appeared on vinyl. “Sheltering Skies” presents the complete King Crimson performance across 2LPs pressed on 200-gram vinyl or a single CD, both completed with the addition of the recording of ‘The Sheltering Sky’ from the previous night’s concert at Cap d’Agde. The 1980s King Crimson was, in terms of concert performances/album releases, still less than a year old when this album was recorded. The collective decades of experience of the individual musicians is funneled through the enthusiasm & freshness of the line-up & the newness of the material to produce a special concert recording.

While King Crimson material from this period is always in demand, with the forthcoming US tour by Beat (King Crimson’s Adrian Belew & Tony Levin, joined by guitarist Steve Vai & Tool drummer Danny Carey), performing the material from that period, there is increased interest in hearing this material as it was originally performed.

For more information: www.dgmlive.com

TRACKLISTING:

Sheltering Skies (Live in Fréjus, August 27th, 1982)

Side A:
1 Thela Hun Ginjeet
2 Matte Kudasai
3 Indiscipline

Side B:
1 Red
2 Heartbeat
3 The Sheltering Sky

Side C:
1 Elephant Talk
2 Neal and Jack and Me
3 Waiting Man

Side D:
1 Larks’ Tongues In Aspic: Part II
2 The Sheltering Sky (Cap d’Agde)

1CD - Running order as above

To pre-order:
2LP: https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_double-vinyl

CD: https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_cd

2LP & CD Bundle" https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_cd-vinyl-bundle

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com