KING CRIMSON “Red 50th Anniversary Edition” 2CD / 2Blu-ray & 2LP 200-gram Audiophile Vinyl Available October 25, 2024

• 50th Anniversary editions of King Crimson’s classic 1974 album
• 4 disc boxed set with 2 x Blu-ray & 2CDs
• 2 x Blu-rays featuring completely new mixes of the album in Dolby Atmos, 5.1 DTS-HD MA Surround & Hi-Res Stereo by Steven Wilson, New Elemental Mixes in Hi-Res Stereo by David Singleton, a number of extra tracks drawn from the existing sessions reels mixed by David Singleton, all three mixes of the live album USA in Hi-Res Stereo, 5 audio restored bootleg concert recordings from the 1974 US tour making their debut on disc & the audio restored bootleg of the band’s final US show in Central Park NYC on July 1st, 1974
• 2 x CDs feature new Stereo + instrumental mixes by Steven Wilson & new Elemental Mixes & a sequence of studio recordings detailing the making of ‘Starless’ mixed by David Singleton
• Presented as two vinyl replica sleeves in a rigid slipcase with booklet including photos & new sleeve-notes by King Crimson Biographer Sid Smith

King Crimson:
Robert Fripp: Guitar and Mellotron
John Wetton: Bass and Voice
William Bruford: Percussives
With: David Cross, Mel Collins, Ian McDonald, Robin Miller, Mark Charig

DGM & Panegyric proudly present the 50th anniversary edition of the King Crimson classic album “Red”. A 2 Blu-ray + 2 CD edition features completely new Dolby Atmos, 5.1 DTS-HD Master Audio Surround & Stereo mixes by Steven Wilson taking the music to new levels of clarity & power. “Red” was one of the earliest mixes undertaken by Steven Wilson in 2009 & King Crimson was the first of a number of classic bands & artists to be mixed by Steven so it’s entirely appropriate that he return, some 15 years later, to take the album into the Dolby Atmos era.

“What I hear on ‘Red’ is the best representation of 72-74 era line-up in the studio. In effect this is a power trio record and their sound is just huge.” – Steven Wilson

Also featured are a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

As King Crimson biographer Sid Smith puts it in his new notes for the album: “David Singleton’s elemental mixes pull the veil aside on the original sessions and act as a kind of alternative account, a ‘Red’ that could have been, revealing the different passes and takes that the band undertook as well as those Collins, Charig and McDonald as they engaged with the material”.

Multiple new to disc tracks & studio takes – representing all material to survive from the recording sessions have also been mixed &/or mastered for inclusion, making this the most comprehensive overview of the album to be released.

“Red” was recorded immediately after King Crimson’s final US tour of 1974 & the anniversary edition reflects that by including all three Hi-Res Stereo mixes of the live album “USA” in its full concert versions. Also included are a quintet of audio restored bootlegs being issued on disc for the first time, alongside a bootleg of the band’s final US concert in New York in 1974 which Robert Fripp claimed was: “the first gig since the 1969 Crimson where the bottom of my spine registered ‘out of this world’ to the same degree.”

In the decades since its release, “Red” has gone from being an album that was, upon release, under-promoted – as the band had already split up, to being one of the most lauded albums of its era & (after “In The Court of the Crimson King”), King Crimson’s biggest selling album. Writing in The Mojo Collection in 2000, John Bungey assessed “Red” as, “That rarest of records, the sound of a line-up quitting while ahead”.

By the time King Crimson entered the studio in July 74, the band had spent the best part of two years on the road, recorded two albums along the way (“Larks’ Tongues In Aspic” & “Starless & Bible Black”) & shed two band members en route; percussionist Jamie Muir having quit early 1973, and violin/mellotron player David Cross at the end of the US tour just a week prior to the recording of “Red”.

Crimson had built a reputation as one of the tightest, most powerful bands on the rock circuit. Recording as a trio in Olympic studios in London, with one improv piece (Providence) drawn from that final US tour & with contributions from former members & friends on saxophones, violin, and oboe, the group produced the last Crimson studio album of the 70s & one of the decade’s masterpieces – “Red”.

“Red” emerged as a distillation of everything Crimson had been working towards live & in the studio between 72 and 74. In the half century since its release it has built an enviable, enduring reputation among fans & professional musicians alike – with bands from each succeeding decade citing it as an important influence.

“Red - The 50th Anniversary Edition”

Disc 1 CD 2024 mixes and Additional Material
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Additional Material
2024 Instrumental Mixes
6 Fallen Angel
7 One More Red Nightmare
8 Starless - Edit
Produced and Mixed by Steven Wilson
* 9 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton

Disc 2 CD Elemental Mixes and Session Material
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
The Making of Starless
6 Starless - Mellotron
7 Starless - Three Saxophones
8 Starless - Basic Take
9 Starless - Sax Solos
10 Starless - Cornet and Guitar Solos
11 Starless - Cornet takes
Produced and Mixed by David Singleton

Disc 3 Blu-Ray
USA
I * 1 June 28th, 1974, Casino Arena, NJ
DTS-HD MA 24/192 Stereo, 2013 Mix
Mixed by Robert Fripp, David Singleton and Tony Arnold
* 2 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, 2005 Mix
Mixed by Ronan Chris Murphy
24/96 Stereo, 30th Anniversary Mix
* 3 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, Original album mix
A Crimson Production, Remastered by Simon Heyworth and Robert Fripp, 2001
II USA Tour Concerts
24/48 Stereo
1 April 17th, 1974, Muthers, Nashville, TN
2 April 20th, 1974, Hollywood Sportatorium, Miami, FL
3 May 1st, 1974, Felt Forum, New York, NY
4 June 4th, 1974, Municipal Auditorium, San Antonio, Texas, TX
5 June 19th, 1974, Shrine Auditorium, Los Angeles, California, CA
The Final US Concert
24/48 Stereo
* 6 July 1st, 1974, Central Park, New York, NY

Disc 4 Blu-Ray
I Red
2024 mixes and Additional Material

Dolby Atmos/DTS-HD MA 5.1 Surround/24/96 Stereo
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Produced and Mixed by Steven Wilson
II Elemental Mixes and Session Recordings, 24/192 DTS-HD MA Stereo
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
Three More Red Nightmares
1 One More Red Nightmare - Early Guide Vox Section
2 One More Red Nightmare - Saxophone Overdub Section
3 One More Red Nightmare - Bass and Drums
The Making of Starless
1 Starless - Mellotron
2 Starless - Three Saxophones
3 Starless - Basic Take
4 Starless - Sax Solos
5 Starless - Percussion
6 Starless - Cornet and Guitar Solos
* 7 Starless - Cornet takes ~
Produced and Mixed by David Singleton except 7 ~ Produced and Mixed by Alex R Mundy sourced
at 24/48
* 1 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton
2 Think Again - Fragment
Mastered by Alex R Mundy from a John Wetton 1/4" file tape
III 2024 Instrumental Mixes, 24/96 Stereo
1 Fallen Angel
2 One More Red Nightmare
3 Starless (edit)
Produced and Mixed by Steven Wilson
IV * Original Masters, 24/96 Stereo
30th Anniversary Master
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
* Indicates material previously available on disc
All other material newly mixed/new to disc

“Red” 2024 Steven Wilson Mixes & 2024 David Singleton Elemental Mixes
2 x 200gm vinyl
• 50th Anniversary editions of King Crimson’s classic 1974 album
• 2LP set pressed on 200-gram audiophile vinyl
• LP1 features all new 2024 stereo mixes by Steven Wilson
• LP2 features all new 2024 elemental mixes by David Singleton
• Cut by Jason Mitchell at Loud Mastering

Whilst mixing the album for Dolby Atmos, Steven Wilson also prepared new stereo & 5.1 mixes. Those new stereo mixes are what appears as LP1 of this 2LP set. LP2 consists of a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

To pre-order:
2CD/2Blu-ray - https://burningshed.com/kingcrimson/king-crimson_red_2cd_2blu-ray
2LP - https://burningshed.com/kingcrimson/king-crimson_red_double-vinyl

For more information:
http://www.dgmlive.com

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

King Crimson “Sheltering Skies (Live in Fréjus, August 27th 1982)” First Release on Vinyl & Standalone CD of the Complete Concert Available September 6, 2024

• First release on vinyl of a 1980s King Crimson concert
• First standalone CD release of the complete concert
• The complete concert from Fréjus, France taken from the original multi-track tapes by Robert Fripp & Brad Davis.
• Additional performance of ‘The Sheltering Sky’ at Cap d’Agde also included
• Vinyl cut by Jason Mitchell at Loud Mastering
• Pressed on 200-gram vinyl & presented in a gatefold sleeve.
• CD mastered by Alex R. Mundy at DGM

Featuring:
Robert Fripp: Guitar
Adrian Belew: Guitar, Lead Vocal
Tony Levin: Stick, Bass Guitar and Support Vocal
Bill Bruford: Drums and Percussion

There’s a palpable sense of energy and enthusiasm from the audience captured on the tapes at this concert as King Crimson (sharing a European tour with then label band mates Roxy Music) take to the stage in Fréjus, France, in late Summer, 1982. With two albums’ worth of material to draw upon (Discipline, Oct 1981 & Beat, June 1982) & extensive touring that had already seen the band play concerts in the UK, Europe, USA & Japan, the live shows - as often with King Crimson – had a dynamism & punch that simply couldn’t be replicated in a recording studio. Add a pair of classic KC instrumentals, (Red & Larks’ Tongues in Aspic Part Two), to that mix & all the ingredients were there for a very special performance.

Recorded initially for a video release, the audio from the concert has, inexplicably, never been issued as a standalone release. Nor has a live album from the 1980s line-up previously appeared on vinyl. “Sheltering Skies” presents the complete King Crimson performance across 2LPs pressed on 200-gram vinyl or a single CD, both completed with the addition of the recording of ‘The Sheltering Sky’ from the previous night’s concert at Cap d’Agde. The 1980s King Crimson was, in terms of concert performances/album releases, still less than a year old when this album was recorded. The collective decades of experience of the individual musicians is funneled through the enthusiasm & freshness of the line-up & the newness of the material to produce a special concert recording.

While King Crimson material from this period is always in demand, with the forthcoming US tour by Beat (King Crimson’s Adrian Belew & Tony Levin, joined by guitarist Steve Vai & Tool drummer Danny Carey), performing the material from that period, there is increased interest in hearing this material as it was originally performed.

For more information: www.dgmlive.com

TRACKLISTING:

Sheltering Skies (Live in Fréjus, August 27th, 1982)

Side A:
1 Thela Hun Ginjeet
2 Matte Kudasai
3 Indiscipline

Side B:
1 Red
2 Heartbeat
3 The Sheltering Sky

Side C:
1 Elephant Talk
2 Neal and Jack and Me
3 Waiting Man

Side D:
1 Larks’ Tongues In Aspic: Part II
2 The Sheltering Sky (Cap d’Agde)

1CD - Running order as above

To pre-order:
2LP: https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_double-vinyl

CD: https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_cd

2LP & CD Bundle" https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_cd-vinyl-bundle

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

KING CRIMSON Members JAKKO M. JAKSZYK & MEL COLLINS Share Stunning New Studio Recording Of The CRIMSON Classic “I TALK TO THE WIND!”

Los Angeles, CA – The music world has been buzzing ever since it was announced that an extraordinary collection of musicians would be recreating in its entirety King Crimson’s 1969 prog rock classic In The Court Of The Crimson King, including such luminaries as Todd Rundgren, Megadeth’s Chris Poland, Deep Purple's Ian Paice, Rainbow's Joe Lynn Turner, Dream Theater's James LaBrie, Cactus's Carmine Appice and others! Among this elite group are two artists who are perhaps closest to the King’s inner circle, vocalist/guitarist Jakko M. Jakszyk and saxophonist/flautist Mel Collins, who together with Jakko’s son Django Jakszyk, have teamed up for a powerful new rendering of In The Court Of The Crimson King’s most haunting track, the enchanting “I Talk To The Wind.”

Jakszyk and Collins are, in fact, long-time collaborators, having performed and recorded together numerous times in the hugely popular King Crimson offshoot 21st Century Schizoid Band as well as on Jakszyk’s solo albums. Their undeniable artistic chemistry shines through on this sumptuous track with Collins’s brilliant flute playing providing the perfect complement to Jakszyk’s otherworldly voice and guitar work with Django’s bass guitar rounding out the low end. It’s a thoroughly enchanting interplay between two artists who continue to keep the King Crimson legacy alive and well!

Stream/download the single: https://orcd.co/italktothewind

Set for release on April 19, Reimagining In The Court Of The Crimson King unites an astounding mix of musical virtuosos and creative collaborators that’s as eclectic and far-reaching as King Crimson’s own noble cortege. Guests include all of those mentioned above plus Marty Friedman, Steve Hillage, Alan Davey, Paul Rudolph, and Nik Turner! This is not just a tribute; it's a celebration and reinvention of a musical masterpiece, bringing together the past, present, and future of rock music. Don't miss this unparalleled musical journey!

Order the CD/Vinyl: https://cleorecs.com/store/?s=reimagining+the+court&post_type=product
Pre-order/pre-save the digital: https://orcd.co/reimaginingthecourtofthecrimsonking

Also be sure to check out 21st Century Schizoid Band’s incredible live album Live In Japan, available as a CD/DVD package or on Vinyl!

Order the CD/DVD or Vinyl: https://cleorecs.com/store/?s=schizoid+band+live+in+japan&post_type=product

Reimagining In The Court Of The Crimson King Track List:
1. 21st Century Schizoid Man feat. Todd Rundgren, Arthur Brown, Mel Collins, Chris Poland & Ian Paice
2. I Talk To The Wind feat. Mel Collins, Django Jakszyk & Jakko M Jakszyk
3. Epitaph feat. Alan Davey, Paul Rudolph, Nik Turner, Adam Hamilton & Danny Faulkner
4. Moonchild feat. Joe Lynn Turner, Marty Friedman, Jah Wobble & Chester Thompson
5. The Court Of The Crimson King feat. James LaBrie, Carmine Appice & Steve Hillage
BONUS TRACKS [CD ONLY]
6. 21st Century Schizoid Man feat. Arthur Brown, Brian Auger, Chris Poland & Ian Paice
7. 21st Century Schizoid Man (Instrumental Version)

21st Century Schizoid Band - Live In Japan Track List:
1. Schizoid Intro
2. A Man, A City
3. Catfood
4. Let There Be Light
5. Progress
6. The Court Of The Crimson King
7. Formentera Lady
8. Ladies Of The Road
9. I Talk To The Wind
10. Epitaph
11. Birdman
12. 21st Century Schizoid Man

Press inquiries:

Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, INC.
Facebook | Instagram | Twitter | YouTube | Spotify | Cleopatra Records Store
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

TODD RUNDGREN’s Explosive Take On KING CRIMSON’s “21ST CENTURY SCHIZOID MAN” Previews The Forthcoming Star-Studded KING CRIMSON Tribute Album!

Album features performances by King Crimson alumni Mel Collins and Jakko M. Jakszyk as well as thrash guitar god Chris Poland, Deep Purple's Ian Paice, Rainbow's Joe Lynn Turner, Dream Theater's James LaBrie, Cactus's Carmine Appice and more!

Los Angeles, CA – It’s one of the most groundbreaking debut albums of all-time, a monster of innovative musical composition and thought-provoking lyrics whose appeal and creative influence has not only endured though generations but has expanded since its initial release in 1969. In The Court Of The Crimson King is a magnum opus like no other in rock history and now an all-star gathering of rock music royalty have come together to recreate the masterpiece in its entirety!

It begins with a spectacular version of the lead off track, a mind-blowing, sonic soul-crushing blast called “21st Century Schizoid Man,” which features vocals by Rock Hall Of Fame inductee Todd Rundgren as well as theatrical legend Arthur “God Of Hellfire” Brown alongside former King Crimson saxophonist Mel Collins, guitarist Chris Poland and drummer Ian Paice. Together this extraordinarily talented quartet breathe vicious new life into the song. Rundgren’s vocal performance is nothing short of deliriously demented as he takes on the twisted psyche of King Crimson’s shattered mirror image of modern man. The single is released today on all music platforms to herald the imminent arrival of the full tribute album.

Stream/download the single: https://orcd.co/21stcenturyschizoidman

Drummer Paice recalls “I had the great privilege of seeing Crimson live in London just after the first album was released, a really inventive, wonderful band. We in Deep Purple thought they were really great!”

Set for release on April 19, Reimagining The Court Of The Crimson King unites an astounding mix of musical virtuosos and creative collaborators that’s as eclectic and far-reaching as King Crimson’s own noble cortege. Guests include all of those mentioned above plus current King Crimson vocalist/guitarist Jakko Jakszyk, Joe Lynn Turner, James LaBrie, Marty Friedman, and Carmine Appice. Adding to this stellar lineup are rock and prog giants such as Steve Hillage, known for his work with Gong, and Jah Wobble, the post-punk bass maestro and PIL & Eno collaborator; and the Hawkwind alumni trifecta of Alan Davey, Paul Rudolph, and Nik Turner, infusing the project with a cosmic touch!

This album is not just a tribute; it's a celebration and reinvention of a musical masterpiece, bringing together the past, present, and future of rock music. Don't miss this unparalleled musical journey.

Order the CD/Vinyl: https://cleorecs.com/store/?s=reimagining+the+court&post_type=product
Pre-order/pre-save the digital: https://orcd.co/reimaginingthecourtofthecrimsonking

Track List:
1. 21st Century Schizoid Man feat. Todd Rundgren, Arthur Brown, Mel Collins, Chris Poland & Ian Paice
2. I Talk To The Wind feat. Mel Collins, Django Jakszyk & Jakko M Jakszyk
3. Epitaph feat. Alan Davey, Paul Rudolph, Nik Turner, Adam Hamilton & Danny Faulkner
4. Moonchild feat. Joe Lynn Turner, Marty Friedman, Jah Wobble & Chester Thompson
5. The Court Of The Crimson King feat. James LaBrie, Carmine Appice & Steve Hillage
BONUS TRACKS [CD ONLY]
6. 21st Century Schizoid Man feat. Arthur Brown, Brian Auger, Chris Poland & Ian Paice
7. 21st Century Schizoid Man (Instrumental Version)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, INC.
Facebook | Instagram | Twitter | YouTube | Spotify | Cleopatra Records Store
1831 Pontius Ave
Los Angeles CA 90025
www.CleopatraRecords.com

King Crimson “Larks' Tongues In Aspic” The Complete Recording Sessions - Dolby Atmos 2023 Mixes Blu-ray/2CD Now Available!

• 50th anniversary edition of King Crimson’s classic 1973 album
• Blu-Ray I features all-new 2023 mixes in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and Hi-Res Stereo by Steven Wilson
• Blu-Ray I also features the new Elemental Mixes by David Singleton
• Blu-Ray II contains the complete recordings of every session recorded for the album. All of this material has been newly mixed from the original performances and is presented on disc for the first time in Hi-Res 24/96 stereo.
• Additionally, Blu-Ray II includes Hi-Res stereo mixes of the original stereo masters & David
Singleton’s audio documentary of the album recording “Keep That One, Nick” previously included on the 2012 boxed set. These are the sole inclusions to have been issued previously.
• CD1 includes the 2023 stereo mix and instrumentals of the album.
• CD2 includes the elemental mixes and selected master reels.
• Presented as a 2x gatefold sleeve edition containing the individual discs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packaged in a rigid slipcase

“This band is more King Crimson than it’s ever been. All the original ideals and aspirations are there – love, respect and compatible ideas. It’s a magic band!” – Robert Fripp, July, 1972

Bill Bruford ~ David Cross ~ Robert Fripp ~ Jamie Muir ~ John Wetton

When, in July 1972, Melody Maker revealed that Bill Bruford & John Wetton were joining King Crimson – from Yes & Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene & David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three-night stint at the Zoom Club, Frankfurt & TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilized by any major UK rock group on a headlining tour. The developing material for “Larks’ Tongues in Aspic” was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm.

Recorded from mid-January to the beginning of February & released in late March of 1973, “Larks’ Tongues in Aspic” became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus.

Almost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos and, in the process, prepared new stereo & 5.1 mixes. The new stereo & 5.1 mixes – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – are quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material.

The Atmos mixes allow a fresh glimpse of the vast scope of the individual material & performances as recorded for the album. The key to understanding this album, which Atmos illustrates most obviously, but is also present in all of Steven’s new mixes, David’s Elemental mixes & Alex & David’s mixes of the sessions material, is that this music was always this big, complex, interwoven series of soundscapes & while it was, in 1973, released in stereo on vinyl, CD & 8 Track cartridge, it’s only in recent years with, first the 2012 stereo & Surround mixes & now the Atmos/Elemental/Complete Sessions mixes that the available mix options & domestic consumption audio options have grown sufficiently to both contain & present the material to its fullest possible extent.

While Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature: extended mixes of “Larks’ 1” and “Talking Drum” along with “Easy Money” & “Larks’ 2”.

This material is all presented on Blu-Ray I of the set. Blu-Ray II presents every single session recording from the original studio dates, all newly mixed from the multitrack tapes and presented in date of recording order, in Hi-Res 24/96 stereo – a vast collection of previously unheard studio material from the seminal recording.
Also included on this disc are the original album mix (30th anniversary master) & the audio documentary “Keep that one, Nick” – as compiled by David Singleton for the 2012 boxed set. These two inclusions are the only previously released titles on this set.

It’s no coincidence that many of the pieces from the album became staples of performance for the most recent King Crimson line-ups (2014 – 2021). The material first performed to unsuspecting concert attendees in 1972, first recorded & released in 1973 & beloved of King Crimson fans ever since, has aged remarkably well. That material is now presented in its most complete edition to date, with all of the material on the CDs & almost all of the material on the Blu-Rays (see track-listing below), previously unreleased. In 2023, it still has the capacity to astound the ears.

Track List:

Blu-ray I - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased:
Larks’ Tongues in Aspic - 2023 mixes. Dolby Atmos, DTS HD-MA 5.1 Surround, LPCM 24.96 Stereo
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

Elemental Mixes (24/96 Stereo)
1. Larks' Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks' Tongues in Aspic, Part Two

Instrumental Mixes (24/96 Stereo)
1. Book of Saturday
2. Exiles
3. Easy Money

Blu-ray II - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased except*

Original Masters (24/96 Stereo) *

30th Anniversary Master
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

The Session Reels
1. “Keep That One, Nick” *
Complete Recording Sessions (24/96 Stereo)

January 16th, 1973
Larks’ I - Takes 1 to 10
Larks’ I - Takes 12 to 18 & 20 to 22
Larks’ II - Take 1
Book Of Saturday - Take 1
Book Of Saturday - Take 1 Overdubs & 2nd Main Vocal Take

January 17th, 1973
Larks’ I - Edit 2 Takes 1 to 11
Larks’ I - Edit 2 Take 12 & Overdubs
Larks’ I - 4/4 Section Remake Takes 1 to 4
Larks’ I - 4/4 Section Remake Takes 5 to 9 & 11 to 17
Larks’ I - 2nd Edit Takes 1 to 6
Larks’ I - 2nd Edit Take 1 with Overdubs

January 18th, 1973
Larks’ I - Bill Drum Check
Larks’ I - Jamie Drum Check
Larks’ II - Takes 1 & 2

January 19th, 1973
Larks’ I - 7/8 Section Remake Takes 1 to 5
Larks’ I - 4/4 Section Remake Takes 1 to 9

January 20th, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 10 to 20

January 21st, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 21 to 26

January 23rd, 1973
Easy Money - Takes 1 to 9
Easy Money - Takes 10 & 11
Jamie Various Atmosphere Takes
Jamie More Atmosphere Takes

January 24th, 1973
Easy Money - Remake Takes 1 to 6
Easy Money - Remake Takes 7 to 9
Intermezzo Takes 1 to 6
Intermezzo Takes 7 to 16
Intermezzo Takes 19 to 25

January 25th, 1973
The Talking Drum - Takes 1 to 3
The Talking Drum - Take 3 (Complete)
Larks’ I - 2nd Edit Takes 1 to 5
Larks’ I - Final Edit Remake Non Takes

January 26th, 1973
Exiles - Takes 1 to 3
Exiles - Takes 5 & 6
Exiles - Master Reel Take 4 Backing
Exiles - Master Reel Take 4 Overdubs 1
Exiles - Master Reel Take 4 Overdubs 2
Exiles - Master Reel Take 4 Vocal Overdubs

January 30th, 1973
The Talking Drum - Remake Takes 1 to 6
Larks’ I - Master Bass Drums Percussion 4/4 section
Larks’ I - Master Bass Drums Percussion 7/8 section
Larks’ I - Master Guitar 4/4 Section Pass 1
Larks’ I - Master Guitar 4/4 Section Pass 2
Larks’ I - Master Guitar 4/4 Section Pass 3
Larks’ I - Master Guitar and Violin 7/8 Section
Larks’ I - Master Intermezzo Part 1
Larks’ I - Master Intermezzo Part 1 Overdubs
Larks’ I - Master Intermezzo Part 2
Larks’ I - Master Introduction David & Jamie
Larks’ I - Master Introduction Overdubs
Larks’ I - Master Last Section Newspaper Readings
Larks’ I - Master Lead Guitar Overdubs
Larks’ I - Master Opening Bass, Drums, Guitar, Percussion
Larks’ I - Master Opening Violin and Guitar
Larks’ I - Master Last Section Violin And Guitar

January 31st, 1973
Easy Money - Master Ambient Overdubs to the End
Easy Money - Master Backing Track to the End
Easy Money - Master Intro Backing Track
Easy Money - Master Intro Jamie Overdubs
Easy Money - Master Intro Vocal Overdubs
Easy Money - Master Vocal Overdubs to the End
The Talking Drum - Master Reel Backing Track
The Talking Drum - Master Reel Overdubs
Larks’ II - Master Reel Backing Track
Larks’ II - Master Reel Overdubs
Larks’ II - Master Reel Violin Solos

February 1st, 1973
Book Of Saturday - Takes 1 to 3 & 5 to 10
Book Of Saturday - Master Reel Bass Pass 1, Guitar, Violin
Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

CDs: All material newly mixed/released

CD 1 Larks’ Tongues in Aspic (2023 Mix and Instrumentals)
1. Larks’ Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks’ Tongues in Aspic, Part Two
7. Book of Saturday
8. Exiles
9. Easy Money

CD 2 Larks’ Tongues in Aspic (Elemental Mixes and Selected Master Reels)
1. Larks’ Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks’ Tongues in Aspic, Part Two
5. Exiles - Master Reel Take 4 Backing
6. Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
7. Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

To purchase:
Blu-ray/2CD: https://burningshed.com/king-crimson_larks-tongues-in-aspic_2cd_2blu-ray
DBL Vinyl: https://burningshed.com/king-crimson_larks-tongues-in-aspic_double-vinyl

For further information please contact: info@panegyric.net

www.dgmlive.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” Documentary By Toby Amies Coming To Select US Theaters Opening November 3rd!

OPENING IN OVER 70+ US THEATERS NOVEMBER 3RD

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” documentary By Toby Amies is coming to select US theaters opening November 3rd!

Just as King Crimson has been, for more than half a century, an atypical rock band, this film is a refreshingly atypical music documentary. A film about the sacrifices we need to make to bring things of beauty and meaning into the world. But with jokes.

Toby Amies’s film “In The Court of the Crimson King – King Crimson at 50” provides a unique insight into the working process of a complex touring band, interspersed with contributions from previous band members to provide a contextual backdrop to the band’s past, as the most recent (2014-2021) line-up tours the world just before and during its 50th anniversary.

As King Crimson producer and band manager, David Singleton observed of the film: “All of life is here, not just music, and certainly not just rock. It has rightly been described as going beyond King Crimson into a ‘universal, inspirational study of what it is to work or dream to work as an artist.’”

While director Toby Amies writes of the experience: “In the Court of the Crimson King is not a film that wants to tell the audience what to think, rather it presents several different points of view about the creative process and what it means to be in this most unusual band; leaving the audience with a sense of both how complicated it all is, but also just how incredibly rewarding the King Crimson experience is both for the musicians and its fans.”

Robert Fripp announced that King Crimson had “moved from sound to silence” on social media after their final date in Japan in December 2021, making this release all the more poignant as a unique record of the band’s longest lasting line-up with tantalizing glimpses of the band’s history.

Watch the promotional video: https://www.youtube.com/watch?v=Kg3osMG5yK4

photo by Tony Levin

Here’s what the press has said about “In The Court Of The Crimson King – King Crimson At 50”:

“The film is angular and abrasive, exacting and playful, extremely funny and achingly melancholy.” - THE OBSERVER

“This unflinching portrait of the prog rock band is like an episode of The Office but with huge drum kits, grizzled roadies and rapturous fans” - THE GUARDIAN

“By turns comical and melancholy, it may be the most revealing film about working life in a band since Spinal Tap.” - THE DAILY TELEGRAPH

“A fascinating look at both a venerable institution, the dynamics of working as a multi-limbed unit that’s ruled by a single iron fist, and what it takes to play this type of music.” - ROLLING STONE

“Doc about a Prog-Rock Perfectionist Is Nearly Perfect Itself. About as good as Rock documentaries get.” – VARIETY

“Revelatory” - UNCUT

“A compelling insight into the tetchy men of prog rock. Their dedication to music is a joy, the persistence of Toby Amies ranks alongside Nick Broomfield. Even if you go in knowing next to nothing about King Crimson, you will leave feeling like lifelong enthusiasts.” - BBC RADIO SCOTLAND / RADIO TIMES, Siobhan Synnot

“The film ponders mortality, why music matters, and the sacrifices that bringing difficult art to the stage entails.” - THE TIMES

“In The Court of the Crimson King : King Crimson at 50 goes straight into the pantheon of those documentaries which enable us to appreciate the painful truth of what being in bands is actually like...there is no higher echelon.” - MOJO

COMING TO SELECT THEATERS INCLUDING LA & NY
New York City - November 3rd @ Alamo Drafthouse
Los Angeles - November 3rd @ Alamo Drafthouse  
San Francisco, CA - November 3rd @ Roxie Theatre
San Francisco, CA - November 3rd @ The Castro Theater
Larkspur, CA - November 3rd @ The Lark Theater
Vancouver, WA - November 3rd @ The Kiggins Theatre
Hartford, CT - November 3rd @ Cinestudio
San Francisco, CA - November 8th @ 4 Star Theater
Ann Arbor, MI - November 8th @ Michigan Theater
Bellingham, WA - November 8th @ Pickford Film Center
Santa Ana, CA - November 8th @ Frida Cinema
Seattle, WA - November 8th @ Grand Illusion
Camas, WA - November 8th @ Liberty Theatre
New York City - November 8th @ Rosendale Theater
Des Moines, IA - November 8th @ Fleur Cinema
Austin, TX - November 8th @ Moviehouse & Eatery NW Austin
Austin, TX - November 8th @ Moviehouse & Eatery SW Austin
Columbia, SC - November 8th @ BTM Dutch Square Cinema 14
Richmond, VA - November 8th @ BTM Movieland at Boulevard Sq
Irvine, CA - November 8th @ Irvine Spectrum 20 IMAX & RPX
Knoxville, TN - November 8th @ Pinnacle Stm 18 IMAX & RPX
Atlanta, GA - November 8th @ Regal Atlantic Station
Chicago, IL - November 8th @ Regal City North
Cleveland, OH - November 8th @ Regal Crocker Park
Albany, NY - November 8th @ Regal Crossgates
Syracuse, NY - November 8th @ Regal Destiny
Los Angeles, CA - November 8th @ Regal Edwards Long Beach
San Diego, CA - November 8th @ Regal Edwards Mira Mesa
San Francisco, CA - November 8th @ Regal Hacienda Crossings
Portland, OR - November 8th @ Regal Lloyd Center
Nashville, TN - November 8th @ Regal Opry Mills
Las Vegas, NV - November 8th @ Regal Red Rock
Los Angeles, CA - November 8th @ Regal Sherman Oaks Galleria
Miami, FL - November 8th @ Regal South Beach
Charlotte, NC - November 8th @ Regal Stonecrest
Seattle, WA - November 8th @ Regal Thornton Place
Philadelphia, PA - November 8th @ Regal UA King of Prussia
New York, NY - November 8th @ Regal Union Square
Albuquerque, NM - November 8th @ Regal Winrock
Lowell, MA - November 8th @ Lowell
Foxboro, MA - November 8th @ Patriot Place
Providence, RI - November 8th @ Providence Place
Warwick, RI - November 8th @ Warwick
Farmingdale, NY - November 8th @ Farmingdale
Holtsville, NY - November 8th @ Island 16
Holtsville, NY - November 8th @ Broadway
Springdale, OH - November 8th @ Springdale
Cambridge, MA - November 8th @ The Prattle Theatre
Beverly, MA - November 8th @ Cabot Performing Arts Centre
Inglewood, CA - November 8th @ Cinepolis
Del Mar, CA - November 8th @ Cinepolis
San Mateo, CA - November 8th @ Cinepolis
Dallas, TX - November 8th @ Cinepolis
Austin, TX - November 8th @ Cinepolis
Austin, TX - November 8th @ Cinepolis
Coconut Grove, FL - November 8th @ Cinepolis
Gaithersburg, MD - November 8th @ Cinepolis
Sedona, AZ - November 8th @ Mary D Fisher Theatre
Minneapolis, MN - November 8th @ Riverview Theatre
Cleveland, OH - November 8th @ Cedar Lee Theatre
Bantam, CT - November 9th @ Bantam Cinema & Arts Center
Chico, CA - November 9th @ Pageant Theater
Eugene, OR - November 10th @ Art House
Dallas, TX - November 12th @ The Texas Theatre
Portland, OR - November 12th @ Cinema 21
Los Angeles, CA - November 13th @ Orpheum Theater
Somerville, MA - November 13th @ Somerville Theatre
Maitland, FL - December 18th @ Enzian Theater
Sacramento, CA - November 22nd @ Crest Cinema
Pittsburgh, PA - November 28th @ Harris Theatre

Synopsis:
What began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. But with jokes.

Directed by:
TOBY AMIES

Featuring:
ADRIAN BELEW
SISTER DANA BENEDICTA
BILL BRUFORD
MEL COLLINS
ROBERT FRIPP
MICHAEL GILES
TREY GUNN
GAVIN HARRISON
JAKKO JAKSZYK
TONY LEVIN
JAMIE MUIR
IAN McDONALD
BILL RIEFLIN
PETER SINFIELD
JEREMY STACEY

Produced by:
TOBY AMIES
NICK FREAND JONES
DAVID SINGLETON

Executive Producers:
KAT MANSOOR
DAVID SINGLETON

Running Time: 86 minutes

**SCREENERS AVAILABLE UPON REQUEST FOR INTERVIEWS AND REVIEWS **

To request a link please contact: crimsonking@mprm.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” Documentary By Toby Amies Blu-Ray/DVD Set Available November 18th

Also available as Limited Edition 8 disc boxed set from 2nd December

Described by Variety magazine as “really about as good as rock documentaries get,” the long-awaited, official King Crimson documentary by Toby Amies will be released in physical form on Nov 18th as a 2 Disc Blu-Ray/DVD set. An 8 Disc boxed set containing 2 Blu-Rays, 2 DVDs and 4 CDs will follow on December 2nd.

The 8 Disc boxed set includes the full King Crimson film, an early edited version of the film, a live concert from the 50th anniversary tour and a unique camera-only performance, plus a plethora of additional footage. 8 discs packaged in 4 miniature gatefold sleeves, with a 48-page booklet housed in a rigid outer case. Booklet includes notes from film director Toby Amies, David Singleton and Robert Fripp. Also includes the music from the original soundtrack and more, over 4 CDs, many tracks previously unreleased and/or new to CD.

The 2 Disc Blu-Ray/DVD set includes the full documentary film, an early edited version of the film, the final performance of the classic “Starless” from the band’s final ever concert in Tokyo, Japan in December 2021 and four trailers/shorts.

King Crimson has been described as popular but never populist. Just as King Crimson has been, for more than half a century, an atypical rock band, this film is a refreshingly atypical music documentary.

Toby Amies’ film about one of rock music’s most enduring, but simultaneously elusive, bands, “In The Court of the Crimson King – King Crimson at 50” provides a unique insight into the working process of a complex touring band, interspersed with contributions from previous band members to provide a contextual backdrop to the band’s past, as the most recent (2014-2021) line-up tours the world just before and during its 50th anniversary.

As King Crimson producer and band manager, David Singleton observed of the film: “All of life is here, not just music, and certainly not just rock. It has rightly been described as going beyond King Crimson into a ‘universal, inspirational study of what it is to work or dream to work as an artist.’”

While director Toby Amies writes of the experience: “In the Court of the Crimson King is not a film that wants to tell the audience what to think, rather it presents several different points of view about the creative process and what it means to be in this most unusual band; leaving the audience with a sense of both how complicated it all is, but also just how incredibly rewarding the King Crimson experience is both for the musicians and its fans.”

Robert Fripp announced that King Crimson had “moved from sound to silence” on social media after their final date in Japan in December 2021, making this release all the more poignant as a unique record of the band’s longest lasting line-up with tantalizing glimpses of the band’s history.  

Here’s what the press has said about “In The Court Of The Crimson King – King Crimson At 50”:

“The film is angular and abrasive, exacting and playful, extremely funny and achingly melancholy.” - THE OBSERVER

“This unflinching portrait of the prog rock band is like an episode of The Office but with huge drum kits, grizzled roadies and rapturous fans” - THE GUARDIAN

“By turns comical and melancholy, it may be the most revealing film about working life in a band since Spinal Tap.” - THE DAILY TELEGRAPH

“A fascinating look at both a venerable institution, the dynamics of working as a multi-limbed unit that’s ruled by a single iron fist, and what it takes to play this type of music.” - ROLLING STONE

“Doc about a Prog-Rock Perfectionist Is Nearly Perfect Itself. About as good as Rock documentaries get.” – VARIETY

“Revelatory” - UNCUT

“A compelling insight into the tetchy men of prog rock. Their dedication to music is a joy, the persistence of Toby Amies ranks alongside Nick Broomfield. Even if you go in knowing next to nothing about King Crimson, you will leave feeling like lifelong enthusiasts.” - BBC RADIO SCOTLAND / RADIO TIMES, Siobhan Synnot

“The film ponders mortality, why music matters, and the sacrifices that bringing difficult art to the stage entails.” - THE TIMES

“In The Court of the Crimson King : King Crimson at 50 goes straight into the pantheon of those documentaries which enable us to appreciate the painful truth of what being in bands is actually like...there is no higher echelon.” - MOJO

To pre-order:
https://shop.schizoidshop.com/king-crimson---film-expanded-set---in-the-court-of-the-crimson-king---king-crimson-at-50-p1954.aspx
https://shop.schizoidshop.com/king-crimson---film-blu-ray--dvd---in-the-court-of-the-crimson-king---king-crimson-at-50-p1955.aspx

For more information:
https://www.dgmlive.com/news/kc-doco-soundtrack-preorder

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

An Evening Of Conversation with Robert Fripp and David Singleton North American Fall Tour 2022

Robert Fripp is a founding member of King Crimson, contributor and collaborator with Brian Eno, David Bowie, Daryl Hall, David Sylvian, Peter Gabriel, Posh Poppers Toyah Willcox and Simon Darlow, and a lot of other totally excellent people. Originating director of the Guitar Craft and Guitar Circle program. Since Covid and lockdown he has been kicking received opinion via social media with Toyah & Robert’s Sunday Lunch.

David Singleton established DGM with Robert Fripp in 1993 and has reluctantly managed King Crimson since 2018. David is King Crimson’s producer and author of The Vicar Chronicles.

An endless stream of people ask Fripp burning questions, many of which are actually not even quite smoldering. In most cases they would be better answered by David Singleton. This is an opportunity to ask both Fripp and Singleton the questions that get them out of bed in the morning.

Where does Music come from? What does it take to survive the music business? When does the impossible become possible? Can Music change the world? Why did Fripp put on a tutu and dance to Swan Lake at the end of his garden?  Who is The Vicar?

Tour Dates:
September 16 - Toronto, ON - Royal (tickets)
September 17 - Montreal, QC - Club Soda (tickets)
September 18 - Quebec City, QC - Imperial Bell (tickets)
September 19 - Syracuse, NY - Carrier Theater (tickets)
September 21 - Ridgefield, CT - Ridgefield Playhouse (tickets)
September 22 - Boston, MA - City Winery (tickets)
September 23 - New York, NY - City Winery (tickets)
September 24 - Albany, NY - Swyer Room (tickets)
September 27 - Red Bank, NJ - The Vogel (tickets)
September 28 - Philadelphia, PA - City Winery (tickets)
September 30 - Washington, DC - City Winery (tickets)
October 1 - Annapolis, MD - Ram’s Head Live (tickets)
October 2 - Oakmont, PA - Oaks Theater (tickets)
October 5 - Cleveland, OH - Music Box Supper Club (tickets)
October 8 - Milwaukee - Wilson Theater-Marcus Center (tickets)
October 9 - Chicago, IL - City Winery (tickets)

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Robert Fripp “Exposures” 32-Disc Box Set To Be Released May 27, 2022

25 CDs, 3 DVDs (audio only), 4 Blu-Ray discs (audio only) Packaged in a 12” boxed set with 48-page booklet including extensive notes by Sid Smith and Al Okada plus press releases, photos and memorabilia.

The long-awaited 32-disc boxed set of Robert Fripp in the studio and in concert 1977 - 1983 will be released on 27th May 2022. The set will feature many previously unreleased tracks, outtakes and rarities as well as numbers tracks becoming on CD for the first time.

The largest in the series, “Exposures” is the ninth boxset release collecting King Crimson / Robert Fripp material from 1969 to 2008.

Featuring 32 discs (25xCD/4xDVD audio/4xBlu-Ray audio) presented in a 12” box with a 48-page booklet containing extensive notes by Sid Smith and Al Okada plus memorabilia such as tickets, posters, press releases, and more.

One of the most comprehensive boxed sets devoted to a single period of an artist’s career, “Exposures” features the complete collection of Robert Fripp’s studio and live solo material from 1977-1983, covering the period from the first “Exposure” sessions to the end of The League of Gentlemen and final Frippertronics concerts.

Steven Wilson mixes of “Exposure” in (in two versions), “Under Heavy Manners,” The League of Gentlemen studio recordings and numerous unreleased tracks from the albums’ sessions appear in Dolby Atmos, DTS-HD 5.1 Surround and 24/96 hi-res stereo audio on Blu-Ray discs 1 and 4.

David Singleton mixes of “God Save the Queen,” “Let the Power Fall” and the “Washington Square Church” Frippertronics album appear in DTS-HD Surround (Quad/4.1) and in hi- res stereo ranging from 24/48 (WSC), 24/96 GSTQ) to 24/192 (LTPF) on Blu-Ray discs 1 and 4.

In addition, all editions and versions of “Exposure” (including previously unreleased), original masters of all of the albums from the period and a wealth of additional material, much of it previously unreleased appear on Blu-Ray in hi-res stereo audio on those discs.

Two further Blu-Ray discs present the complete DGM archive of Frippertronics loops, masters and concert performances - over 68 hours of music in 24/48 hi-res stereo.

Three DVDs feature the main albums in 5.1, quad and hi-res stereo. Twenty-five CDs present material including the earliest existing master loops, all of the albums in new Steven Wilson and David Singleton mixes, plus original mixes newly mastered and a number of studio and live discs featuring previously unreleased and/or music new to disc.

You can pre-order “Exposures” boxed set via Inner Knot (US): https://shop.schizoidshop.com/robert-fripp---exposures-boxed-set-p1917.aspx

For more information: https://dgmlive.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Bill Bruford 'Making A Song and Dance: A Complete Career Collection' 6CD Box Set Available For Pre-order

Released April 29, 2022 - Includes tracks from YES, King Crimson, Bruford, Bill Bruford’s Earthworks, Guest Sessions and Collaborations

Over the past 50 years Bill Bruford has been one of the most original and innovative drummers across multiple genres. Making A Song and Dance: A Complete Career Collection is a 6CD Box Set that charts some of the many highlights of Bruford’s incredible career and is released on April 29th through BMG.

From early steps with progressive legends YES and a quarter of a century in King Crimson, to ground-breaking jazz fusion leading his own Bruford and Earthworks projects, Bill Bruford has always wanted to explore his chosen discipline to the full - and then push the boundaries further. This desire to challenge convention has created some breath-taking moments and made Bruford the drummer-of-choice for collaborations with leading musicians around the world.

“My interest was with the broader discourse on drums and drumming, rather than any notions of success or fame,” says Bruford. “The latter I could do little about but, in the 1960s, the former was wide open and meaningful contribution seemed everywhere possible. The context in which the first track in the set was conceived bears almost no relationship to the context in which the last was, four decades later.”

“There was a big premium put on the notion of difference. I wanted to sound different to contemporaries like Carl Palmer (ELP), Brian ‘Blinky’ Davison (Nice) or John Bonham (Led Zeppelin). I figured if I hadn’t heard it before, the other guys in the band probably hadn’t either. Thinking up interesting things to do on a drum kit was my reason to exist. I also thought that was what they were paying me to do. I didn’t care much what the critic, commentator or musicologist thought, and that was to remain my lodestone, my modus operandi for many years.”

For this anthology Bruford has selected tracks from across his whole career, comprising works from some 23 different artists and bands over a 40-year period. “I’ve deliberately avoided forcing them into industry categories such as ‘progressive rock’, ‘fusion’ or ‘jazz’,” Bruford adds, “on the grounds that most of the music I’ve been associated with fits very poorly into such straight-jackets - round holes and square pegs come to mind.”

The 6CD Box Set Making A Song and Dance: A Complete Career Collection includes tracks from YES, King Crimson, Bruford, Bill Bruford’s Earthworks, his work with iconic global guitarists Al Di Meola, Steve Howe and Kazumi Watanabe and collaborations with keyboardists Patrick Moraz and Michiel Borstlap and many others. The package also includes a detailed biography, written by Bruford, featuring rare and unseen photos. The outer box artwork, gatefold CDs and booklet have been designed by Bruford’s long-time artist and graphic designer Dave McKean.

Making A Song and Dance: A Complete Career Collection Track Listing:

THE COLLABORATOR
disc One
1. Yes - I’ve Seen all Good People
2. Yes - Heart of the Sunrise
3. Yes - And You & I
4. King Crimson – The Great Deceiver
5. King Crimson - Fracture
6. King Crimson - One More Red Nightmare  
7. King Crimson - Starless
8. U.K. – Nevermore

disc Two
1. King Crimson - Frame by Frame  
2. King Crimson - Neal and Jack and Me
3. King Crimson - Heartbeat
4. King Crimson - Waiting Man
5. Anderson, Bruford, Wakeman, Howe - Brother of Mine (Radio Edit)
6. King Crimson – Sex Sleep Eat Drink Dream
7. King Crimson – Larks’ Tongues in Aspic: Pt 2
8. King Crimson – Three of a Perfect Pair
9. King Crimson - Man with an Open Heart
10. King Crimson - Elephant Talk
11. King Crimson - Indiscipline
12. King Crimson - Big Funk  
13. PianoCircus feat. Bill Bruford & Colin Riley – The Still Small Voice

THE COMPOSING LEADER
disc THREE
1. Bruford - Seems Like a Lifetime Ago: Pt 1
2. Bruford - Seems Like a Lifetime Ago: Pt 2
3. Bruford - One of a Kind: Pt 1
4. Bruford - One of a Kind: Pt 2
5. Bruford - Palewell Park
6. Bruford - Joe Frazier
7. Bill Bruford’s Earthworks - It Needn’t End in Tears
8. Bill Bruford’s Earthworks - My Heart Declares a Holiday
9. Bill Bruford’s Earthworks - Downtown
10. Bill Bruford’s Earthworks - Pilgrims’ Way
11. Bill Bruford’s Earthworks - Temple of the Winds
12. Bill Bruford’s Earthworks - Candles Still Flicker in Romania’s Dark
13. Bill Bruford’s Earthworks - Nerve
14. Bruford, Towner, Gomez – Thistledown

disc FOUR
1. Bill Bruford’s Earthworks - Beelzebub
2. Bruford-Levin - Original Sin
3. Bill Bruford’s Earthworks - Revel Without a Pause
4. Bill Bruford’s Earthworks - Triplicity
5. Bill Bruford’s Earthworks - The Sound of Surprise
6. Earthworks Underground Orchestra - Speaking in Wooden Tongues
7. Bill Bruford’s Earthworks - Modern Folk
8. Bill Bruford’s Earthworks - White Knuckle Wedding
9. Earthworks Underground Orchestra - Footloose and Fancy Free
10. Earthworks Underground Orchestra - Thud

THE SPECIAL GUEST
disc FIVE
1. Roy Harper - Grown Ups are Just Silly Children
2. Roy Harper - Hallucinating Light
3. Chris Squire - Lucky Seven (Single Edit)
4. Chris Squire – Silently Falling
5. Al Di Meola - Calliope
6. David Torn – Voodoo Chile
7. Kazumi Watanabe - Andre
8. Kazumi Watanabe - Small Wonder
9. Steve Howe - The Inner Battle
10. Buddy Rich Big Band - Lingo
11. Pete Lockett’s Network of Sparks feat. Bill Bruford - Prism
12. PianoCircus feat. Bill Bruford & Colin Riley – Achilles Feel

THE IMPROVISER
disc SIX
1. Moraz-Bruford - Galatea
2. Moraz-Bruford – Symmetry
3. PianoCircus feat. Bill Bruford & Colin Riley – Stalling Between Two Fools
4. King Crimson - No Warning
5. Moraz-Bruford - Flags
6. Moraz-Bruford -Split Seconds
7. David Torn – Previous Man
8. David Torn - Three Minutes of Pure Entertainment
9. Bruford-Borstlap - 16 Kingdoms of the 5 Barbarians
10. Bruford-Borstlap - Stand on Zanzibar
11. Earthworks - With Friends Like These…
12. Bruford-Borstlap - Low Tide, Camber Sands
13. Bruford-Borstlap – Kinship

Making A Song and Dance: A Complete Career Collection will be released as a 6CD Box Set on April 29th through BMG. Pre-order it here: https://billbruford.lnk.to/MASDPR

photo by Dave McKean

About Bill Bruford

Bill Bruford was a founder member (1968 – 1972) of progressive pioneers YES performing on, and composing for, their genre-defining trilogy The YES Album, Fragile and Close To The Edge. He would renew this association as a member of Anderson Bruford Wakeman Howe (ABWH) in 1989 and for the YES Union album and tour of 1991 and 1992. He was inducted into the Rock and Roll Hall of Fame as a member of YES in 2017.

Known for his ringing metal snare drum, crisp cymbal work and knack for complex time signatures, Bruford sought new challenges and King Crimson’s ever-shifting musical horizons gave Bruford the opportunity to explore and experiment across the following 25 years. Bruford completed his hat-trick of prog giants by joining Genesis for their first tour with Phil Collins as frontman.

Alongside his work with King Crimson, Bruford was touring with National Health, was a member of another prog-rock supergroup UK and leading his own jazz fusion band Bruford.

In 1986 he formed Bill Bruford’s Earthworks to further explore his love of jazz, a project that would last until Bruford retired from music in 2009. Along the way Bruford founded two record imprints Winterfold Records and Summerfold Records. He was ever in demand for collaborations with the likes of Patrick Moraz and Michiel Borstlap whilst also appearing on works by Roy Harper, Al Di Meola, David Torn, Kazumi Watanabe and many, many more. Through all this he continued as an active clinician with workshops and clinics all over the world, supported by Tama Drums and Paiste cymbals.

Bill Bruford’s achievements were recognised by his appearance in Rolling Stone magazine’s Top 20 ‘Greatest Drummers of All Time’ list. Following retirement from public performance in 2009, Bill authored an autobiography (2009) and was awarded a PhD in musicology from the University of Surrey in 2016. His most recent volume Uncharted: Creativity and the Expert Drummer (2018) is published by the University of Michigan Press.

For more information about Bill Bruford:
https://billbruford.com/
Facebook @Bill Bruford

For more information about the box set Making A Song and Dance: A Complete Career Collection: info.uk@bmg.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Robert Fripp “Washington Square Church” CD/DVD To Be Released April 29, 2022

Frippertronics from Washington Square Church on CD/DVD (audio only)

A new set of Frippertronics from 1981 will be released in CD/DVD and 2LP format in April 2022. These live Frippertronics performances have been taken from recordings in New York City between July and August 1981 and have been mixed and produced by David Singleton from audio painstakingly restored by Alex R Mundy.

This is the Frippertronics album that should have come out in 1982. The forty years that have passed have done nothing to diminish the power of the music. The material appears on both discs with the DVD offering the audio in hi-res stereo and DTS Surround Sound, the nature of the loops lending themselves ideally to this method of production

TRACKLISTING:
1. WASHINGTON SQUARE I
2. WASHINGTON SQUARE II
3. WASHINGTON SQUARE III
4. WASHINGTON SQUARE IV
5. WASHINGTON SQUARE V
6. WASHINGTON SQUARE VI
7. WASHINGTON SQUARE VII
8. WASHINGTON SQUARE VIII
9. WASHINGTON SQUARE IX
10. WASHINGTON SQUARE X
11. WASHINGTON SQUARE XI  

After completing the first round of concerts with a revived King Crimson starting in May 1981, Fripp headed over to the USA where he began a week-long residency at Washington Square United Methodist Church on 135 W Fourth Street in New York. Built in 1860, the church had historically been home to many congregations but in more recent years had become the venue for groups such as the Black Panthers, Gay Men’s Health Crisis and numerous arts organisations.

The series of Frippertronic concerts were held in aid of a Soho-based theatre group and they find the guitarist using his technique of slowly building the music from the ground up, step by step. It’s an approach which demonstrates how the addition or subtraction of a single note can change the entire mood of a piece as we move in the space of a few bars from an atmosphere of pensive anticipation to one of yearning hope.

In an interview with the Melody Maker published just weeks before these concerts, Fripp was asked why he continued to perform Frippertronic concerts. “It gives me a way of working with intimate contact with members of an audience...It's almost an excuse to put me in a situation where one has the audience, performer and music, and in a certain kind of way something remarkable can happen. And that has happened to me, and it's not possible in a group...Frippertronics is the most enjoyable means of playing I've ever found.”

The Washington Square Church performances represent some of the finest recorded examples of the Frippertronics series. Unlike other such recordings where the loops are on tape in the DGM archive but the solos require painstaking matching of existing audience recordings and bootlegs to those loops to complete the picture, the solos for these shows were actually recorded but not labelled as to which solos matched which loops. The matched pairs only became possible when DGM audio engineer Alex R. Mundy realised that the loops had been picked up, at microscopic audio levels, by the guitar pick-ups playing the solos, allowing for identification. David Singleton was then able to mix and produce the resulting audio.

The music played more than rewards such efforts as, culled from the shows, (more complete versions appear on the “Exposures” boxed set), Fripp appears to explore every sonic avenue available to him as a guitar player – mesmerising loops, overlaid with beautiful solos, fast running ‘Frame by Frame’ style lines against a looped background, powerful “Scary Monsters” type guitar noises and more besides.

The set is regarded as the finest example of Frippertronics in performance.  

The DVD features the material in 24/48 hi-res stereo and DTS-HD Surround Sound (Quad 4.1).

The 2LP edition is on 200 gram vinyl and has been cut by Jason Mitchel at LOUD Mastering.

Released on April 29th 2022 you can pre-order CD/DVD from Inner Knot (USA) and Burning Shed (UK / EU)

For more information: https://dgmlive.com/news/new-frippertronics-album-concert-from-1981?fbclid=IwAR1p2QYbdwadCilZZVlXug_7eHxA4LKXC5EIncLhok17XsZrqCLv21F-QJ0

To pre-order: https://shop.schizoidshop.com/robert-fripp---washington-square-church-cddvd-p1920.aspx

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Now Shipping: King Crimson Print Collection by Tony Levin

Bass Legend and Photographer Tony Levin’s King Crimson Print Collection with Limited-Edition, Custom-Crafted Clamshell Box is Now Shipping

● Eight stunning, limited-edition prints spanning Tony Levin’s work with King Crimson since the early 1980s.
● Every print is numbered, and hand-titled and signed by the artist, Tony Levin.
● Prints are made by contemporary photogravure printmaker, Jon Lybrook
● Every Certificate of Authenticity is signed by artist Tony Levin and printmaker Jon Lybrook. The signed certificates contain full documentation about the print and edition, as well as the print number assigned.
● For single or multiple-print gifts, ribbon-tied, print portfolios are also available.
● FREE INTERNATIONAL AND US SHIPPING on the FULL 8-Print Collection, now thru March 31, 2022 Only!
● Orders are now shipping from TonyLevinPrints.com

“Tony Levin is not a bassist. He just happens to play the bass”. – Robert Fripp

Tony Levin (King Crimson, Peter Gabriel) has been photographing his touring experiences since the early 1980s. Tens of thousands of photos later, he’s compiled eight of his favorite photographic moments from forty years of touring with King Crimson. These prints include:

1. Adrian Belew, Backstage 1981
2. Bill Bruford, Bristol 1981
3. King Crimson, Faro, Portugal 1982
4. King Crimson, Royal Albert Hall 2019
5. King Crimson, Asbury Park 1982
6. On the Shinkansen 1981
7. Perkins Palace Marquee 1981
8. Robert Fripp, Krakow 2018

This full collection with special clamshell box is a must-have for any serious King Crimson collector though prints can be purchased individually as well. Tony’s iconic photography prints offer a unique perspective from the stage for over 40 years as a core member of this legendary band.  

All prints of these photographs are hand-titled and signed by Tony Levin. These are limited runs of 500 photogravure prints total. No more will be made after that. The first public orders of the Special Edition Box are assigned print numbers 11-50. Single print orders start at #101.

Each print is handmade on a traditional intaglio press using archive-grade materials that will last for generations. They are printed with oil-based etching ink on 22.25" x 15.5” (56.5 x 40cm) Hahnemuhle Copperplate Brite White, 300 g/sm alpha cellulose paper with torn, deckled edges. These same ink and paper formulas used in Tony Levin’s print collection have been used by printmakers in Europe for hundreds of years.

The 24” x 17” x 1.5”,  traditional, black, fabric-covered, limited-edition, lipped, clamshell-style, print collection box is foil stamped with Tony Levin’s signature.  Tony Levin’s King Crimson Print Collection Box is custom-crafted for optimal storing and preservation of prints. Cotton gloves are included for clean and elegant handling of both the box and prints. Signed and stamped certificates of authenticity are issued with every print.

Jon Lybrook is a Fine Art Printmaker based in Colorado. Jon has worked with photographers and artists for nearly two decades through his company, Intaglio Editions LLC.  He has studied the craft and worked with traditional printmakers from around the world including Henrik Boegh, Dan Welden, Sue Oehme, Ron Pokrasso, Sandy Tilcock, and esteemed Royal Photographic Society member and photogravure expert Peter Moseley. Jon has worked as both a professional printmaker and consultant

“Jon Lybrook is a true master. His prints exude an expertise, that only very few fine art printers in the world control on the same level.” – Professor Henrik Bøegh – Grafisk Eksperimentarium – Copenhagen, Denmark

Order now at: https://TonyLevinPrints.com

Check out the review of Tony’s King Crimson Print Collection with Special Edition Box: https://www.youtube.com/watch?v=-_DTTULflY0

Watch the Make Weird Music interview with Tony about his history with photography and art: https://www.youtube.com/watch?v=i-Bs0mu_gfA

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com