Mandalaband Debut and “The Eye of Wendor: Prophecies” Featuring Justin Hayward & 10cc Members Remastered Vinyl and CD Box Set Available November 30, 2023

The Mandalaband’s debut album and second release “The Eye of Wendor: Prophecies” will be released on remastered vinyl and CD box set on November 30, 2023!

Mandalaband (Expanded Edition)

Mandalaband began life in the early 1970’s, gaining cult status as one of the most forward-thinking prog outfits of the time. The brainchild of David Rohl, who formed a lineup featuring future Sad Café members Vic Emerson (keyboards), Ashley Mulford (guitars), John Stimpson (bass guitar and backing vocals), Tony Cresswell (drums) and vocalist Dave Durant.

Mandalaband received critical acclaim with legendary BBC radio presenter John Peel playing the entire album on his show before promptly re-broadcasting the whole thing immediately after. Unfortunately, at the time, this didn’t translate to sales and Mandalaband fell into obscurity. However, with the advent of the internet, their legend grew, exciting a new generation of prog fans.

We are now pleased to make these recordings available again and offer a chance to dig into some of the most interesting progressive music of the ‘70s. As well as presenting the original album remastered, David gained access to the original 24-track analogue master tapes, having them restored and digitized at Abbey Road Studios before reinforcing the sound and instrumentation before remixing the entire album. Nearly fifty years on, a veil of sonic mist has been lifted from these unique recordings.

Format: 2LP 180g gatefold edition featuring the original album and David Rohl. 2024 remix of entire album, both remastered at AIR Mastering, with rare bonus track. Includes newly written liner notes.

The Eye of Wendor: Prophecies (Expanded Edition)

The second Mandalaband album – “The Eye of Wendor: Prophecies” – took two full years to create. Recorded at Strawberry Studios with the help of Barclay James Harvest plus a plethora of musician friends and colleagues with whom David had worked with over the years including Eric Stewart (10cc), Maddy Prior (Steeleye Span), Justin Hayward (Moody Blues), Graham Gouldman, Lol Creme & Kevin Godley (10cc) and Paul Young (Sad Café / Mike and the Mechanics).

The narrative is based on a Tolkienesque fantasy of a magical gemstone, set in prehistory, the music and lyrics tell the tale through different vocalists playing the roles of the leading characters in the story. The Mandalaband founder carefully created this classic symphonic rock album on a budget of just £8,000.

As well as presenting the original album remastered, David gained access to the original 24-track analogue master tapes, having them restored and digitized at Abbey Road Studios before reinforcing the sound and instrumentation before remixing the entire album.

Listening to David’s newly remixed version is a stunning sonic journey, with elements of prog, electronica, soft rock and instrumental soundscapes, the influence of these recordings on prog-music that followed is clear.

Format: 2LP 180g gatefold edition featuring the original album and David Rohl 2024 remix of the entire album, newly remastered at AIR Mastering. Comes with the original 6-panel booklet telling the full “The Eye of Wendor: Prophecies” story with beautiful illustration and newly written liner notes.

4CD Edition:
Both albums will be released as a 4CD edition housed in a clamshell box, featuring 2024 David Rohl remixes of the band’s first two albums, along with the original versions, with rarities from the archives, all newly remastered at AIR Mastering. Comes with a 24-page booklet with liner notes previously unseen photographs.

TRACKLISTING:
Disc 1: Mandalaband – 2024 Remaster
1. Om Mani Padme Hum (In four movements) 2. Determination 3. Song For a King 4. Roof of the World 5. Looking In
Disc 2: The Eye of Wendor: Prophecies – 2024 Remaster
1. The Eye Of Wendor 2a. Florian's Song 2b. Ride To The City
3. Almar's Tower 4. Like The Wind 5a. The Tempest 5b. Dawn Of A New Day 6. Departure from Carthilias 7. Elsethea 8. Witch of Waldow Wood 9. Siledandre 10. Aenord’s Lament 10a. Funeral of the King 10b. Coronation of Damien
Disc 3: Mandalaband – 2024 David Rohl Version
1. Om Mani Padme Hum (In four movements) 2. Determination 3. Song For a King 4. Roof of the World 5. Looking In 6. Om Mani Padme Hum (Camel Studios Demo) 7. Looking In (CBS Studios Chrysalis Live Audition) 8. Roof of the World (Indigo Sound Demo)
Disc 4: The Eye of Wendor: Prophecies – 2024 David Rohl Version
1. The Eye Of Wendor 2a. Florian's Song 2b. Ride To The City
3. Almar's Tower 4. Like The Wind 5a. The Tempest 5b. Dawn Of A New Day 6. Departure from Carthilias 7. Elsethea 8. Witch of Waldow Wood 9. Siledandre 10. Aenord’s Lament 10a. Funeral of the King 10b. Coronation of Damien 11. Dawn Of A New Day (Single Mix) 12. The Eye Of Wendor (Indigo Sound Demo) 13. Witch Of Waldow Wood (Indigo Sound Demo) 14. Silesandre (Indigo Sound Demo) 15. The Tempest / Dawn Of A New Day (Australian Single Version) 16. Florian's Song / Ride To The City (Australian Single Version)

To purchase: https://burningshed.com/store/mandalaband

Images available on request

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Friday Harbor-Based Rock Band Desolation Sound Releases Second Album “Silver Rain”

Living on an island in the Pacific Northwest sets a mood and a mindset. The music DESOLATION SOUND makes together has a unique sound that the band likes to call “Salish Rock”.

“I’m fascinated with that beautiful place where the Salish Sea meets the shore of our island. It’s a mysterious, shifting boundary and I often draw deeper meaning from my experiences there” says Daniel, the band’s primary lyricist.

Hot on the heels of the band’s debut release “Salish Rock,” DESOLATION SOUND has released their second album “Silver Rain.” The music touches on the recurring theme of remaining true to oneself while living in the fog of confusion and falsehood that is so prevalent in our world today. We think this album is hopeful, while recognizing the underlying unease we all feel. The message of this record is that purity can still exist in an environment of filth, love can exist in an environment filled with fear and hatred. That even in this insane world one can still find truth and beauty among the chaos.

DESOLATION SOUND is made up of Friday Harbor locals: Scott Sluis - Drums and Vocals, Darvis Taylor - Bass and Vocals, Tom Henry - Lead Guitar and Daniel Day - Lead Vocals and Rhythm Guitar.

The band is produced by Adam Kasper and assisted by Jon Auer.

“Silver Rain” was Mixed by Matt Bayles, Mastered by Ed Brooks, and produced by Desolation Sound.

To purchase: https://robojackrecords.bandcamp.com/album/silver-rain

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158(US) glassonyonpr@gmail.com

Indie Rockers RED HOT SHAME Defy Convention with Their New Album YOU CAN’T MAKE ME

Eureka, CA – RED HOT SHAME is a Northern California-based indie rock group fronted by singer-songwriter Xeff Scolari and his fluctuating lineup of musical cohorts. For their sensational new album YOU CAN’T MAKE ME, Xeff Scolari recorded with frequent collaborators Steven Pitsenbarger (vocals, percussion), Ryan Wilson (guitar), Spencer Kennedy (bass, drums, keys, vocals), and Mark Bennet (harmonica), a lineup that brings an energy and excitement to RED HOT SHAME that Xeff could not accomplish alone. Adding to their ever expanding catalog of imaginative visual media, RED HOT SHAME also released music videos for their new tracks “Stone” and “Vampire Empire” ahead of the album’s December 1, 2023, release date.

Xeff Scolari recorded, mixed, and mastered YOU CAN’T MAKE ME at his own Shameful Studio collaboratively with the whole group. They tried some new things on this record to make it more representative of how the band sounds live; on some previous releases the material was developed largely in the studio, but on this new album they were able to begin recording with the songs already fleshed out and developed across months of performances. With less layering and more live in-the-room recording, YOU CAN’T MAKE ME better captures the wild ride feel of a RED HOT SHAME live show.

YOU CAN’T MAKE ME features striking album art by Jeff Jordan, known for his work with The Mars Volta. Reminiscent of Gulliver, the band’s signature giant chick is unsuccessfully tied down by likenesses of the band. Look closely and you’ll see many of the band’s friends and fans represented amongst the captivated onlookers. In fact, the album’s title YOU CAN’T MAKE ME comes from a playful joke between Xeff and his friend Linda (she’s the fairy godmother on the cover), who would taunt each other with the phrase.

Over the years, RED HOT SHAME has included a range of talented multi-instrumentalists who add layers of sonic textures to the group’s releases, at times including horns, vintage mellotron, or even accordion. The group began in 2017 when it was just Xeff Scolari with a few guest tracks by some close friends like Steven Pitsenbarger and James Terris on the debut release Curiosity. In 2021, RED HOT SHAME released the follow up album Sounds Like, which also featured Chad Johnson. Their last album My Satellite (2022) also included Rick Fugate (drums) and James Terris (keys), starting with a literal bang on the opening track “Liftoff” and from there soaring into musical outer space.

A resident of Eureka, CA, lead vocalist and songwriter Xeff Scolari has played in several other local bands including Colorblind, Acoustic Gypsies, Sugardaddy, and Chowderhead, the last of which was on the Magnetic Oblivion Records label. Throughout 2020 he created and launched Shelter N Play, an online virtual open mic with musicians signing up to perform 15-minute sets from all over the country, a hugely valuable resource to the musical community throughout the pandemic. These also helped Xeff to further hone his own vocal and songwriting chops, and it was actually through the Shelter N Play open mics that Xeff met bassist Spencer Kennedy and guitarist Ryan Wilson, a fortuitous meeting indeed.

Xeff Scolari has been singing together with Steven Pitsenbarger for so long that it feels like instinct, a vocal blending that is rich with decades of collaboration and friendship. Steven Pitsenbarger was a member of the San Francisco bands RhythmChaos, and Machine Shop, and has been making music together with Xeff since the late 80s. The only core member of the band that doesn’t live near the rest, Steven collaborated on many of the songs via email, sending tracks back and forth to Xeff. Together they also have another band known as Vanity Project.

Guitarist Ryan Wilson’s inventive stylings bring the RED HOT SHAME sound to life. They call his pedalboard “the spaceship” because of all the crazy sounds he wields with it. He also performs with bassist and multi-instrumentalist Spencer Kennedy in another group called Stable Vices, who were regulars at Xeff’s Shelter N Play open mics. Mark Bennet and Xeff are old friends who met on the open mic circuit. They’ve performed together for years, and Mark is featured on multiple RED HOT SHAME tracks.

Keep an eye out for a new music video for their song “Sophie” along with a four-song RED HOT SHAME EP in early 2024 tentatively titled “Scratched Tracks” and featuring one song from each of their four albums that was left off. The new RED HOT SHAME album YOU CAN’T MAKE ME is available December 1, 2023!

For more information about RED HOT SHAME please visit: www.redhotshame.com

To order or stream YOU CAN’T MAKE ME please visit: https://lnk.to/YouCantMakeMe

For Press and Interview inquiries please contact Billy James of Glass Onyon PR at (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective at jerome@independentdistro.com

Italian Prog Legends Syndone To Release New Concept Album “DirtyThirty”

Sit down, make yourself comfortable. This is the story of an artistic journey, a 30-year parable.

Listen. Immerse yourself. Eliminate all distractions; let the music speak to you, like it used to do. “DirtyThirty” is the culmination of a class struggle, of the utopian ideal of those who stubbornly cling to a model of the world that still embraces thought, wonder and the courage of art. Syndone is a vision, a nine-album journey, the desire to make a mark in the world. Syndone is a shapeshifter, a band that’s changed its skin and its musicians without ever changing its soul: swimming against the tide, defying fashion and the decline (not only musical) of an era in which you can be successful only if it pleases the powers that be.

Yet there was a time when record albums were capable of transporting us, starting with the artistry of the album covers, of breaking the rules, crossing boundaries, with a whole set of atmospheres, sounds, and thoughtful, refined, stylistic constructions. Those were the days of progressive rock; at the time it was simply called ‘pop’, because it was popular. Today there’s very little left that’s progressive: there’s no thrill of discovery, we’re no longer open to wonder and amazement, we don’t deviate from the idea of an increasingly standardized and replaceable human being.

Nik Comoglio, the musical heart and soul of this story, has never surrendered to that reality; flanked by the vocal and conceptual talents of Riccardo Ruggeri, the Turin-based keyboardist and composer has truly succeeded in making his mark. Syndone, with their erudite, impeccable rock, as violent and energetic as they are melancholic and orchestral, are a dare, a counterpoint, a raised middle finger to the devious strategy of collective narcosis slyly dropped from above in the Kali Yuga of Western civilization. They’re an antidote.

“DirtyThirty” is their crowning achievement, the (perhaps) final chapter. Enjoy it like fine wine, in small sips, and remember to stay human.

Track list:

1. DirtyThirty - the end of my love - (Comoglio/Ruggeri)  [5’06”]
2. Fight Club (Comoglio/Rubinato/Ruggeri) [3’08”]
3. The Angel (Comoglio/Rubinato/Ruggeri) - quoting the track “Il fiele e il limite” from the album “La bella è la bestia”, 2012 [4’19”]
4. Valdrada’s Screen (Comoglio/Ruggeri) - restyling the track “Spleen” from the album “Spleen”,1992  [3’46”]
5. I spit on my virtue (Comoglio/Rubinato/Ruggeri) [4’40”]
6. I only ask for a super glue (Comoglio/Ruggeri) - quoting the track “Eros & Thanatos” from the album “Odysséas”, 2014 [5’02”]
7. Mary Ann (Comoglio/Ruggeri) - restyling the track “Marianne” from the album “Spleen”,1992   [5’57”]
8. René (Comoglio/Ruggeri) - restyling the track “Magritte” from the album “Melapesante”, 2010   [4’25”]
9. God’s will (Comoglio/Ruggeri) - restyling track “Inca” from the album “Inca”, 1993  [5’30”]
10. Thousand times I cried (Comoglio/Ruggeri) - restyling the track “Proverbi” from the album “Inca”, 1993  [2’11”]
11. Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018   [4’21”]
12. So long everybody - the time has come and I must leave you - (Comoglio) - restyling the track “Penelope” for full orchestra from the album “Odysséas”, 2014   [4’46”]

Bonus track
Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018 [4’21”]

Total time running 48’03”

SYNDONE Line up:

Nik Comoglio - composition, orchestration, hammond, juno dist. moog, mellotron, keyboards
Riccardo Ruggeri – composition, vocals, lyrics
Marta Caldara – vibraphone, marimba, keyboards
Gigi Rivetti – ac. piano, el. pianos, hammond, moog, accordion
Simone Rubinato – bass, fretless bass, el. baritone guitar Ciro Iavarone - drums, percussions

Guests

Tony de Gruttola – electric guitar & ac. guitar (on “DirtyThirty”)
Andrea Carbone – electric guitar (on “Mary Ann”)
Pino Russo – classic guitar (on “René”)
Gianluca Cagnani – pipe organ (on “Valdrada’s screen”)
Kaori Tsutsui – clarinet in Bb (on “Evelyn”)
Rebecca Onyeji - backing vocals
Charlie Poma - backing vocals

String Trio (on “I spit on my virtue”) – Valerio Iaccio (violin), Roberto D’Auria (violin), Michelangiolo Mafucci (cello)

Budapest Scoring Symphonic Orchestra conducted by M° Francesco Zago

Fabrizio Argiolas - sound engineer
Valentina Fornacca – artwork cover: “folli eroi e sognatori” (oil on canvas)
Eugenia Brini - layout and booklet project

To purchase: http://store.maracash.com/product_info.php?products_id=799&osCsid=n5r7g884nhrv8lm38p12vncf6p

For more information:
www.syndone.it
www.facebook.com/syndone

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N’ Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.

Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy's Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.

Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy’s new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It’s a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).

Please listen with your ears, mind and heart open.

Produced by Joe Chiccarelli at Sunset Sound, Los Angeles, CA. October 2022

Musicians:
Bass - Kaveh Rastegar, Sean Hurley
Guitars - Joe Gore, Vernon Reid, Fred Frith, David Levita
Banjo - Joe Gore
Drums - Matt Chamberlain
Keyboards - Zac Rae
Backing Vocals and Vocal Arrangement on “The Lonely Sea” - Roger Joseph Manning
Backing Vocals - Valerie Pinkston, Mia Pfirmann, India Carney
Trumpet - James Havorka
Horns - Danny T. Levin
Strings - The Section Quartet
Song Charts - Benjamin Lee

Advice and Coordination: Eliot Goldstein for Blue Buddha Productions

To purchase: https://7dmedia.com/percy-howard-the-stars-the-well

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

UK Solo Artist TIM ARNOLD Releases New Single “Send More Light”, A Universal Prayer For Light In Dark Times

UK Solo Artist Tim Arnold’s new album “Super Connected” was released this year to unanimous praise with 4-star reviews in Mojo, The Times, Clash and a sold-out launch at The Roundhouse.

Writing from the Buddhist monastery in Thailand where he’s been a member of the community for 20 years, Tim discusses his new single: “Light consists of seven colors. We’re releasing seven versions of ‘Send More Light’ – a new version every Friday before Christmas, with the final release on Winter Solstice. This is an art project aimed at promoting peace, unity and light. We’re donating 50% of all sales to the Peace Pledge Union (https://www.ppu.org.uk/). ‘Send More Light’ is a universal prayer for peace and a call for world leaders to imagine a war-free future. Join us in spreading this message. There’s not one life that passes by.”

“Send More Light” V0.1 was released on Friday 10th November. Artwork for all seven single releases is designed by Brighton based artist Kate Alderton.

“Send More Light” is available on all digital platforms

To order: https://ditto.fm/send-more-light-radio-version

For further information, interviews and a link to the private video for “Send More Light”, please contact Tim directly via his website at info@timarnold.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

Calv carries on the legacy of Moondog (aka The Viking of Sixth Avenue) with full support from the Moondog archives!

Stockton, NJ – Percussionist Julian Calv was a music major who recently graduated from Moravian University in Bethlehem, PA. He now resides in the art community of Windsor, VT. Calv can occasionally be seen on Church Street in Burlington, VT, busking much in the way Moondog, aka the Viking of Sixth Avenue, did in NYC during the 50’s and 60’s.

Calv has studied every aspect of the avant-garde musician’s creative life. In addition to composing and performing, Moondog’s life included the invention of several musical instruments, most famously the trimba (a sort of triangular drum). Calv has even built his own one-of-a-kind trimba, going to great lengths to travel to Sweden and Germany to meet with fellow Moondog aficionados, and study the design of the instrument. Moondog archivist Wolfgang Gnida states, “Julian Calv - the future of the trimba, that's what I called Julian some time ago. That may seem a bit of an exaggeration, but since the time I've been working at the Moondog archives, I’ve yet to meet a musician who has been as intensely involved with the trimba as Julian.”

Calv had this to say about his latest release, “‘Encore’ is written by Moondog and performed by Ava Bloomfield on piano and myself. The song was originally titled ‘Utsu’ and played on an instrument Moondog built having the same name. This reinterpretation of the song brings the utsu's melody to the piano keys. ‘Encore’ is one of nine songs from an upcoming album titled ‘Nonstop Motion,’ featuring the music of Moondog and Julian all wrapped up in one.”

Listen here: https://ada.lnk.to/JCEncore

In addition to covering Moondog material, Calv has now been creating his own percussion-based compositions in a style reminiscent of the late composer. His first release, “Route 4,” and follow up “Thorn and Roots” have been picked up on multiple Spotify playlists.

Listen to “Route 4” here: https://ada.lnk.to/Route4

Listen to “Thorn and Roots” here: https://ada.lnk.to/ThornandRoots

Order the limited edition (only 250 printed) 7”-single and limited bundles here: https://bit.ly/JulianCalv

Tracklist:
Side A – “Route 4”
Side B – “Thorn and Roots”

This bundle Includes:
One (1) 7” Vinyl Single
One (1) Julian Calv Sticker
Two (2) Maraca Key Chains

For more information: http://www.instagram.com/julian.trimba/

www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Ex-King Crimson Violinist David Cross Announces the Release of New Studio Album “Ice Blue, Silver Sky” OUT NOW!

David Cross was a member of King Crimson during the 1970s and continues to have a loyal fanbase. He’s best known for playing violin on the albums “Larks’ Tongues in Aspic” and “Starless and Bible Black”.

The musicians featured on his new album “Ice Blue, Silver Sky” include Jinian Wilde, Mick Paul, Steve Roberts and a special guest appearance on two tracks by David Jackson of Van Der Graaf Generator.

This new studio album features new tracks along with new recordings of the two classic King Crimson tracks “Exiles” and “Starless”. The album title refers to a lyric in Starless and King Crimson lyricist Richard Palmer-James contributes to the lyrics on this album.

David Cross said of the album, “There is a narrative to this album which emerges from a patchwork of natural soundbites, lyrics and scripted text. The music is the tale…”

TRACKLIST:
1 Nurse Insane
2 Calamity
3 Nowhere
4 Exiles
5 Karma Gain
6 Over Your Shoulder
7 Starless

OUT NOW and available from:
Amazon CD: https://geni.us/DCBcd
Apple Music: https://geni.us/DCBam
Spotify: https://geni.us/DCBsp
Also available directly from Cherry Red: https://www.cherryred.co.uk/artist/david-cross/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Prog Ensemble Cymbalic Encounters Featuring Drummer Mark Murdock Celebrates 10th Anniversary With New Album “Electricus”

“Electricus” represents Cymbalic Encounters’ 10th anniversary after releasing the initial collaboration with Brand X’s Percy Jones and John Goodsall on Mark Murdock’s “Cymbalic Encounters” and “Exploration of the Southern Constellation.”

“Electricus” features eight songs under the theme of “Experiments in Static Electricity” with three vocal songs and five instrumental songs, in the Cymbalic Encounters tradition.

Track list:
1. Within the Lightbulb’s Glow
2. Electricus
3. Circuits and Codes
4. Electro-Static Particles
5. The Flying Boy Experiment
6. Experiments in Static Electricity
7. Rubber Sole
8. The Hindenburg (The Future of Human Missions)

Musical Contributions:
Mark Murdock/drums, synthesizers & synth fretless bass
Tim Pepper/vocal on 1, 3, & 6
Joe Berger/lead guitar on 2, 3, 4, 7 & 8
Charles Lambiase/fretless bass on 8
Dave Juteau/guitar on 1, 3 & 4
Preston Murdock/lead guitar on 3 (first solo)
David Rambeau/guitar on 6

All songs composed by Mark Murdock
Mixed and Mastered by Joe Berger at R&B Studios, Okachimachi
Copyright 2023

To purchase: https://cymbalicencounters.bandcamp.com/album/electricus

“Electricus” Promotion Video: https://www.youtube.com/watch?v=T1yqJ57yhIA

*Additional Cymbalic Encounters release can be found on Bandcamp and all digital formats.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

XTC “The Big Express” The Surround Sound Series CD/Blu-ray Now Available!

• Classic 1984 XTC album on CD/Blu-ray newly mixed (2023) by Steven Wilson in Stereo, 5.1 Surround & (for the first time with an XTC album), Dolby Atmos Spatial Audio mixes as part of The Surround Sound Series.
• CD features the complete album newly mixed in stereo + three additional tracks.
• Blu-Ray includes the newly mixed material as featured on CD in Hi-Res Stereo, 5.1 Surround and Dolby Atmos + 2023 stereo out-takes & instrumental mixes in Hi-Res stereo.
• Blu-Ray also includes the original album + additional tracks in Hi-Res stereo
• The complete album & more also appear in demo form (16/48 stereo reflecting the source material).
• Packaged in a 2-disc digipak sleeve with 16-page booklet in a cardboard slip case.

“‘The Big Express’ is the closest we ever came to recording a ‘concept’ album. It’s full of Swindon and deep seams of life there, that run through myself, Colin, and Dave, (Terry too of course). It’s populated by members of our families, our hopes and dreams. The things we wished for, or feared, a stew of memories.” - Andy Partridge – excerpted from the book “Popartery”, 2023

XTC’s seventh album, “The Big Express” was virtually ignored on release, much as its immediate predecessor “Mummer” had been. If “Mummer” was XTC’s quiet album, this was its polar opposite: bright, brash, noisy - even cluttered on occasion if the song demanded it - as it became a concept album of sorts, a partly autobiographical reflection on growing up in an industrial town, Swindon, with its history of engineering and railway accomplishments.

Perhaps in keeping with that tradition of technical innovation, the album also made extensive use of (at the time) new technology with Linn-Drum programming (alongside drummer Peter Phipps), E-mu Emulator and other synths claiming space among the more traditional guitars, bass and drums mix under-pinning the vocals. This technology was juxtaposed with technology of a slightly earlier pop/rock era as phasing, backwards tapes and the inclusion of a mellotron hinted at a psychedelic influence that would move more center-stage with the band’s next project – “The Dukes of Stratosphear”.

With XTC no longer touring, the sound radically different to any previous XTC album, in a musical climate where the upper end of the charts reflected national radio, producing the most mainstream result for years: Lionel Richie, Sade, Spandau Ballet, Howard Jones, Tina Turner, Queen – Frank Sinatra’s final solo studio album… the space for a metallic, post-punk concept album about growing up amidst the ghosts of Swindon’s industrial heritage proved non-existent.

Of course, the songs were as good as on any other XTC album - a very high standard indeed – but they went largely unheard. Given that position, it would be easy to conclude that the timing was wrong for the album. But the best musicians follow the music and allow the times to catch up with that; precisely what happened when XTC released its next album “Skylarking” in 1986. Just as “Mummer’s” reputation (and sales) has increased over the years, “The Big Express” is now regarded as a ‘neglected classic’ of its era.

Now remixed by Steven Wilson in stereo, 5.1 Surround Sound & Dolby Atmos, the full impact and power of the album can be appreciated. Already given studio quality previews to an invited audience in London and LA at L-Acoustics studios, the reaction was one of collective awe at the amount of newly apparent detail & clarity in the Atmos mixes. As ever with XTC, the full package on the Blu-ray disc includes every recorded song from the era, ranging from demos through to the aforementioned Spatial Audio mixes.

Coal for the Soul.

CD (2023 Mixes)
1. Wake Up
2. All You Pretty Girls
3. Shake You Donkey Up
4. Seagulls Screaming Kiss Her Kiss Her
5. This World Over
6. The Everyday Story Of Smalltown
7. I Bought Myself A Liarbird
8. Reign Of Blows
9. You’re The Wish You Are I Had
10. I Remember The Sun
11. Train Running Low On Soul Coal
Additional tracks
12. Red Brick Dream
13. Washaway
14. Blue Overall

Blu-ray
• Album and additional tracks of 2023 Mix in Dolby
Atmos, Hi-Res Stereo and DTS-HD MA Surround
Sound & instrumental mixes in Hi-Res Stereo all
mixed by Steven WIlson
• Plus album and additional tracks of original mix in
Hi-Res stereo, with additional out-takes.
Additional out-takes:
15. Broomstick Rhythm (guide vocal)
16. The Troubles (Big Express Version – Backing
Track)
• Album and additional tracks in demo form in 16/48
Hi-Res stereo with additional demos of songs
written for The Big Express
Additional demos:
15. Now we all Dead (It Doesn't Matter)
16. Work
17. Gangway, Electric Guitar is Coming Through
18. Broomstick Rhythm
19. Shiny Cage
20. A Patriotic Romance

To purchase: https://burningshed.com/xtc_the-big-express_cd_blu-ray

For more information please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Joe Satriani Bass Sideman and Mermen Co-founder Allen Whitman Releases New Ambient Soundtrack “Monogatari no Fūkei”

ALLEN WHITMAN, former bassist with legendary virtuoso guitarist JOE SATRIANI and co-founder of the San Francisco-based influential instrumental surf-rock trio THE MERMEN has announced the digital-only release (through label SQUEAKEY STUDIOS) of a new soundtrack/ambient album “MONOGATARI NO FŪKEI.”

The album incorporates acoustic guitar-driven sonic environments with samples and synth that forwards a pace matching its title: “Landscape Of Stories”. The movement, using field recordings made on a recent visit to Japan, is compelling, occasionally contemplative and often propulsive.

ALLEN WHITMAN, a stalwart of the San Francisco music scene, also credits live performance and musical collaboration with, among many others, the likes of HELIOS CREED, TINY TIM, THE SANDALS, THE INK SPOTS, NELS CLINE, MIKE KENEALLY, CARMINE APPICE, DOROTHY MOSKOWITZ, DJ QUEST, SAMMY HAGAR, TONY MACALPINE, DWEEZIL ZAPPA, STEVE LUKATHER, STEVE VAI, STEVE MORSE and JOHN PETRUCCI.

WHITMAN has also worked extensively in live music for theater, particularly with California-based Theatre of Yugen for live performance in a modern Noh style in San Francisco, New York City, Tokyo and Austin.

To purchase: https://squeakeystudios.bandcamp.com/album/monogatari-no-f-kei

Additional online resources:
https://www.instagram.com/squeaksmore/
https://audius.co/squeakeystudios
https://soundcloud.com/squeakey-studios

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Bruford “One Of A Kind” 12” Vinyl Edition Available November 24, 2023

Definitive vinyl re-release re-issued on Bruford’s own Winterfold Records and overseen personally by drum legend Bill Bruford

• Bill Bruford is the original drummer in YES and was a long-term member of King Crimson.

• The band Bruford recorded this album in 1979 and it went on to achieve critical acclaim and commercial success.

Bruford “One Of A Kind” 12” vinyl reissue will be available November 24, 2023!

The line-up on this album is: Bill Bruford – drums, percussion, Allan Holdsworth – electric guitar, Dave Stewart – keyboards, Jeff Berlin – bass

This 12” vinyl re-issue has been mastered from the original 1979 mix, taken from the original 1979 analogue tapes, and comes housed in a replica sleeve.

Mastered from the original tapes recorded and mixed by Stephen W Tayler in 1979

This definitive vinyl re-release is re-issued on Bruford’s own Winterfold Records and was overseen personally by Bill Bruford.

“It's music that breathes... played by empathetic, truly virtuosic musicians. But is it rock, jazz, prog or fusion? Who knows, but it's some of the greatest British instrumental music of all time”. Sounds of Surprise

“… despite a landscape of constantly-shifting meters and tempi, the magic of One of a Kind is that it remains compelling and accessible”. All about Jazz

“This collection of ten tracks stands as a maelstrom of chops, arranging skills and inspired ensemble playing... the dynamics between drums, keys and fretless bass provide a high profile, capable structure for Holdsworth's top-flight soloing ability”. Exposé Online

Photo by Pascal Devillers

TRACK LISTING

Side 1
1 Hell’s Bells
2 One Of A Kind – Part One
3 One Of A Kind – Part Two
4 Travels With Myself – And Someone Else
5 Fainting In Coils
Side 2
1 Five G
2 The Abingdon Chasp
3 Forever Until Sunday
4 The Sahara Of Snow – Part One
5 The Sahara Of Snow – Part Two

To pre-order: https://burningshed.com/store/billbruford/bruford_one-of-a-kind_vinyl

Bill Bruford official website: https://billbruford.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

King Crimson “Larks' Tongues In Aspic” The Complete Recording Sessions - Dolby Atmos 2023 Mixes Blu-ray/2CD Now Available!

• 50th anniversary edition of King Crimson’s classic 1973 album
• Blu-Ray I features all-new 2023 mixes in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and Hi-Res Stereo by Steven Wilson
• Blu-Ray I also features the new Elemental Mixes by David Singleton
• Blu-Ray II contains the complete recordings of every session recorded for the album. All of this material has been newly mixed from the original performances and is presented on disc for the first time in Hi-Res 24/96 stereo.
• Additionally, Blu-Ray II includes Hi-Res stereo mixes of the original stereo masters & David
Singleton’s audio documentary of the album recording “Keep That One, Nick” previously included on the 2012 boxed set. These are the sole inclusions to have been issued previously.
• CD1 includes the 2023 stereo mix and instrumentals of the album.
• CD2 includes the elemental mixes and selected master reels.
• Presented as a 2x gatefold sleeve edition containing the individual discs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packaged in a rigid slipcase

“This band is more King Crimson than it’s ever been. All the original ideals and aspirations are there – love, respect and compatible ideas. It’s a magic band!” – Robert Fripp, July, 1972

Bill Bruford ~ David Cross ~ Robert Fripp ~ Jamie Muir ~ John Wetton

When, in July 1972, Melody Maker revealed that Bill Bruford & John Wetton were joining King Crimson – from Yes & Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene & David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three-night stint at the Zoom Club, Frankfurt & TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilized by any major UK rock group on a headlining tour. The developing material for “Larks’ Tongues in Aspic” was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm.

Recorded from mid-January to the beginning of February & released in late March of 1973, “Larks’ Tongues in Aspic” became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus.

Almost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos and, in the process, prepared new stereo & 5.1 mixes. The new stereo & 5.1 mixes – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – are quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material.

The Atmos mixes allow a fresh glimpse of the vast scope of the individual material & performances as recorded for the album. The key to understanding this album, which Atmos illustrates most obviously, but is also present in all of Steven’s new mixes, David’s Elemental mixes & Alex & David’s mixes of the sessions material, is that this music was always this big, complex, interwoven series of soundscapes & while it was, in 1973, released in stereo on vinyl, CD & 8 Track cartridge, it’s only in recent years with, first the 2012 stereo & Surround mixes & now the Atmos/Elemental/Complete Sessions mixes that the available mix options & domestic consumption audio options have grown sufficiently to both contain & present the material to its fullest possible extent.

While Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature: extended mixes of “Larks’ 1” and “Talking Drum” along with “Easy Money” & “Larks’ 2”.

This material is all presented on Blu-Ray I of the set. Blu-Ray II presents every single session recording from the original studio dates, all newly mixed from the multitrack tapes and presented in date of recording order, in Hi-Res 24/96 stereo – a vast collection of previously unheard studio material from the seminal recording.
Also included on this disc are the original album mix (30th anniversary master) & the audio documentary “Keep that one, Nick” – as compiled by David Singleton for the 2012 boxed set. These two inclusions are the only previously released titles on this set.

It’s no coincidence that many of the pieces from the album became staples of performance for the most recent King Crimson line-ups (2014 – 2021). The material first performed to unsuspecting concert attendees in 1972, first recorded & released in 1973 & beloved of King Crimson fans ever since, has aged remarkably well. That material is now presented in its most complete edition to date, with all of the material on the CDs & almost all of the material on the Blu-Rays (see track-listing below), previously unreleased. In 2023, it still has the capacity to astound the ears.

Track List:

Blu-ray I - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased:
Larks’ Tongues in Aspic - 2023 mixes. Dolby Atmos, DTS HD-MA 5.1 Surround, LPCM 24.96 Stereo
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

Elemental Mixes (24/96 Stereo)
1. Larks' Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks' Tongues in Aspic, Part Two

Instrumental Mixes (24/96 Stereo)
1. Book of Saturday
2. Exiles
3. Easy Money

Blu-ray II - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased except*

Original Masters (24/96 Stereo) *

30th Anniversary Master
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

The Session Reels
1. “Keep That One, Nick” *
Complete Recording Sessions (24/96 Stereo)

January 16th, 1973
Larks’ I - Takes 1 to 10
Larks’ I - Takes 12 to 18 & 20 to 22
Larks’ II - Take 1
Book Of Saturday - Take 1
Book Of Saturday - Take 1 Overdubs & 2nd Main Vocal Take

January 17th, 1973
Larks’ I - Edit 2 Takes 1 to 11
Larks’ I - Edit 2 Take 12 & Overdubs
Larks’ I - 4/4 Section Remake Takes 1 to 4
Larks’ I - 4/4 Section Remake Takes 5 to 9 & 11 to 17
Larks’ I - 2nd Edit Takes 1 to 6
Larks’ I - 2nd Edit Take 1 with Overdubs

January 18th, 1973
Larks’ I - Bill Drum Check
Larks’ I - Jamie Drum Check
Larks’ II - Takes 1 & 2

January 19th, 1973
Larks’ I - 7/8 Section Remake Takes 1 to 5
Larks’ I - 4/4 Section Remake Takes 1 to 9

January 20th, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 10 to 20

January 21st, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 21 to 26

January 23rd, 1973
Easy Money - Takes 1 to 9
Easy Money - Takes 10 & 11
Jamie Various Atmosphere Takes
Jamie More Atmosphere Takes

January 24th, 1973
Easy Money - Remake Takes 1 to 6
Easy Money - Remake Takes 7 to 9
Intermezzo Takes 1 to 6
Intermezzo Takes 7 to 16
Intermezzo Takes 19 to 25

January 25th, 1973
The Talking Drum - Takes 1 to 3
The Talking Drum - Take 3 (Complete)
Larks’ I - 2nd Edit Takes 1 to 5
Larks’ I - Final Edit Remake Non Takes

January 26th, 1973
Exiles - Takes 1 to 3
Exiles - Takes 5 & 6
Exiles - Master Reel Take 4 Backing
Exiles - Master Reel Take 4 Overdubs 1
Exiles - Master Reel Take 4 Overdubs 2
Exiles - Master Reel Take 4 Vocal Overdubs

January 30th, 1973
The Talking Drum - Remake Takes 1 to 6
Larks’ I - Master Bass Drums Percussion 4/4 section
Larks’ I - Master Bass Drums Percussion 7/8 section
Larks’ I - Master Guitar 4/4 Section Pass 1
Larks’ I - Master Guitar 4/4 Section Pass 2
Larks’ I - Master Guitar 4/4 Section Pass 3
Larks’ I - Master Guitar and Violin 7/8 Section
Larks’ I - Master Intermezzo Part 1
Larks’ I - Master Intermezzo Part 1 Overdubs
Larks’ I - Master Intermezzo Part 2
Larks’ I - Master Introduction David & Jamie
Larks’ I - Master Introduction Overdubs
Larks’ I - Master Last Section Newspaper Readings
Larks’ I - Master Lead Guitar Overdubs
Larks’ I - Master Opening Bass, Drums, Guitar, Percussion
Larks’ I - Master Opening Violin and Guitar
Larks’ I - Master Last Section Violin And Guitar

January 31st, 1973
Easy Money - Master Ambient Overdubs to the End
Easy Money - Master Backing Track to the End
Easy Money - Master Intro Backing Track
Easy Money - Master Intro Jamie Overdubs
Easy Money - Master Intro Vocal Overdubs
Easy Money - Master Vocal Overdubs to the End
The Talking Drum - Master Reel Backing Track
The Talking Drum - Master Reel Overdubs
Larks’ II - Master Reel Backing Track
Larks’ II - Master Reel Overdubs
Larks’ II - Master Reel Violin Solos

February 1st, 1973
Book Of Saturday - Takes 1 to 3 & 5 to 10
Book Of Saturday - Master Reel Bass Pass 1, Guitar, Violin
Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

CDs: All material newly mixed/released

CD 1 Larks’ Tongues in Aspic (2023 Mix and Instrumentals)
1. Larks’ Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks’ Tongues in Aspic, Part Two
7. Book of Saturday
8. Exiles
9. Easy Money

CD 2 Larks’ Tongues in Aspic (Elemental Mixes and Selected Master Reels)
1. Larks’ Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks’ Tongues in Aspic, Part Two
5. Exiles - Master Reel Take 4 Backing
6. Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
7. Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

To purchase:
Blu-ray/2CD: https://burningshed.com/king-crimson_larks-tongues-in-aspic_2cd_2blu-ray
DBL Vinyl: https://burningshed.com/king-crimson_larks-tongues-in-aspic_double-vinyl

For further information please contact: info@panegyric.net

www.dgmlive.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” Documentary By Toby Amies Coming To Select US Theaters Opening November 3rd!

OPENING IN OVER 70+ US THEATERS NOVEMBER 3RD

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” documentary By Toby Amies is coming to select US theaters opening November 3rd!

Just as King Crimson has been, for more than half a century, an atypical rock band, this film is a refreshingly atypical music documentary. A film about the sacrifices we need to make to bring things of beauty and meaning into the world. But with jokes.

Toby Amies’s film “In The Court of the Crimson King – King Crimson at 50” provides a unique insight into the working process of a complex touring band, interspersed with contributions from previous band members to provide a contextual backdrop to the band’s past, as the most recent (2014-2021) line-up tours the world just before and during its 50th anniversary.

As King Crimson producer and band manager, David Singleton observed of the film: “All of life is here, not just music, and certainly not just rock. It has rightly been described as going beyond King Crimson into a ‘universal, inspirational study of what it is to work or dream to work as an artist.’”

While director Toby Amies writes of the experience: “In the Court of the Crimson King is not a film that wants to tell the audience what to think, rather it presents several different points of view about the creative process and what it means to be in this most unusual band; leaving the audience with a sense of both how complicated it all is, but also just how incredibly rewarding the King Crimson experience is both for the musicians and its fans.”

Robert Fripp announced that King Crimson had “moved from sound to silence” on social media after their final date in Japan in December 2021, making this release all the more poignant as a unique record of the band’s longest lasting line-up with tantalizing glimpses of the band’s history.

Watch the promotional video: https://www.youtube.com/watch?v=Kg3osMG5yK4

photo by Tony Levin

Here’s what the press has said about “In The Court Of The Crimson King – King Crimson At 50”:

“The film is angular and abrasive, exacting and playful, extremely funny and achingly melancholy.” - THE OBSERVER

“This unflinching portrait of the prog rock band is like an episode of The Office but with huge drum kits, grizzled roadies and rapturous fans” - THE GUARDIAN

“By turns comical and melancholy, it may be the most revealing film about working life in a band since Spinal Tap.” - THE DAILY TELEGRAPH

“A fascinating look at both a venerable institution, the dynamics of working as a multi-limbed unit that’s ruled by a single iron fist, and what it takes to play this type of music.” - ROLLING STONE

“Doc about a Prog-Rock Perfectionist Is Nearly Perfect Itself. About as good as Rock documentaries get.” – VARIETY

“Revelatory” - UNCUT

“A compelling insight into the tetchy men of prog rock. Their dedication to music is a joy, the persistence of Toby Amies ranks alongside Nick Broomfield. Even if you go in knowing next to nothing about King Crimson, you will leave feeling like lifelong enthusiasts.” - BBC RADIO SCOTLAND / RADIO TIMES, Siobhan Synnot

“The film ponders mortality, why music matters, and the sacrifices that bringing difficult art to the stage entails.” - THE TIMES

“In The Court of the Crimson King : King Crimson at 50 goes straight into the pantheon of those documentaries which enable us to appreciate the painful truth of what being in bands is actually like...there is no higher echelon.” - MOJO

COMING TO SELECT THEATERS INCLUDING LA & NY
New York City - November 3rd @ Alamo Drafthouse
Los Angeles - November 3rd @ Alamo Drafthouse  
San Francisco, CA - November 3rd @ Roxie Theatre
San Francisco, CA - November 3rd @ The Castro Theater
Larkspur, CA - November 3rd @ The Lark Theater
Vancouver, WA - November 3rd @ The Kiggins Theatre
Hartford, CT - November 3rd @ Cinestudio
San Francisco, CA - November 8th @ 4 Star Theater
Ann Arbor, MI - November 8th @ Michigan Theater
Bellingham, WA - November 8th @ Pickford Film Center
Santa Ana, CA - November 8th @ Frida Cinema
Seattle, WA - November 8th @ Grand Illusion
Camas, WA - November 8th @ Liberty Theatre
New York City - November 8th @ Rosendale Theater
Des Moines, IA - November 8th @ Fleur Cinema
Austin, TX - November 8th @ Moviehouse & Eatery NW Austin
Austin, TX - November 8th @ Moviehouse & Eatery SW Austin
Columbia, SC - November 8th @ BTM Dutch Square Cinema 14
Richmond, VA - November 8th @ BTM Movieland at Boulevard Sq
Irvine, CA - November 8th @ Irvine Spectrum 20 IMAX & RPX
Knoxville, TN - November 8th @ Pinnacle Stm 18 IMAX & RPX
Atlanta, GA - November 8th @ Regal Atlantic Station
Chicago, IL - November 8th @ Regal City North
Cleveland, OH - November 8th @ Regal Crocker Park
Albany, NY - November 8th @ Regal Crossgates
Syracuse, NY - November 8th @ Regal Destiny
Los Angeles, CA - November 8th @ Regal Edwards Long Beach
San Diego, CA - November 8th @ Regal Edwards Mira Mesa
San Francisco, CA - November 8th @ Regal Hacienda Crossings
Portland, OR - November 8th @ Regal Lloyd Center
Nashville, TN - November 8th @ Regal Opry Mills
Las Vegas, NV - November 8th @ Regal Red Rock
Los Angeles, CA - November 8th @ Regal Sherman Oaks Galleria
Miami, FL - November 8th @ Regal South Beach
Charlotte, NC - November 8th @ Regal Stonecrest
Seattle, WA - November 8th @ Regal Thornton Place
Philadelphia, PA - November 8th @ Regal UA King of Prussia
New York, NY - November 8th @ Regal Union Square
Albuquerque, NM - November 8th @ Regal Winrock
Lowell, MA - November 8th @ Lowell
Foxboro, MA - November 8th @ Patriot Place
Providence, RI - November 8th @ Providence Place
Warwick, RI - November 8th @ Warwick
Farmingdale, NY - November 8th @ Farmingdale
Holtsville, NY - November 8th @ Island 16
Holtsville, NY - November 8th @ Broadway
Springdale, OH - November 8th @ Springdale
Cambridge, MA - November 8th @ The Prattle Theatre
Beverly, MA - November 8th @ Cabot Performing Arts Centre
Inglewood, CA - November 8th @ Cinepolis
Del Mar, CA - November 8th @ Cinepolis
San Mateo, CA - November 8th @ Cinepolis
Dallas, TX - November 8th @ Cinepolis
Austin, TX - November 8th @ Cinepolis
Austin, TX - November 8th @ Cinepolis
Coconut Grove, FL - November 8th @ Cinepolis
Gaithersburg, MD - November 8th @ Cinepolis
Sedona, AZ - November 8th @ Mary D Fisher Theatre
Minneapolis, MN - November 8th @ Riverview Theatre
Cleveland, OH - November 8th @ Cedar Lee Theatre
Bantam, CT - November 9th @ Bantam Cinema & Arts Center
Chico, CA - November 9th @ Pageant Theater
Eugene, OR - November 10th @ Art House
Dallas, TX - November 12th @ The Texas Theatre
Portland, OR - November 12th @ Cinema 21
Los Angeles, CA - November 13th @ Orpheum Theater
Somerville, MA - November 13th @ Somerville Theatre
Maitland, FL - December 18th @ Enzian Theater
Sacramento, CA - November 22nd @ Crest Cinema
Pittsburgh, PA - November 28th @ Harris Theatre

Synopsis:
What began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. But with jokes.

Directed by:
TOBY AMIES

Featuring:
ADRIAN BELEW
SISTER DANA BENEDICTA
BILL BRUFORD
MEL COLLINS
ROBERT FRIPP
MICHAEL GILES
TREY GUNN
GAVIN HARRISON
JAKKO JAKSZYK
TONY LEVIN
JAMIE MUIR
IAN McDONALD
BILL RIEFLIN
PETER SINFIELD
JEREMY STACEY

Produced by:
TOBY AMIES
NICK FREAND JONES
DAVID SINGLETON

Executive Producers:
KAT MANSOOR
DAVID SINGLETON

Running Time: 86 minutes

**SCREENERS AVAILABLE UPON REQUEST FOR INTERVIEWS AND REVIEWS **

To request a link please contact: crimsonking@mprm.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Guitar Virtuoso Daniel Reyes Llinás To Release New Album “Códices”

Co-produced by King Crimson's Trey Gunn

“Códices” by guitar virtuoso Daniel Reyes Llinás, is a collection of études for acoustic guitar and improvised pieces on the 12-string guitar. Inspired by the spirit of modern Latin American guitar composers, Llinás pays homage through extensive use of shifting resonance, dissonance, rhythmic exuberance, and deliberate silence. The contrast between the written and improvised works serves as a conceptual gesture in the ongoing search for a sonic vocabulary.

The album was recorded in Santa Fé, NM by Grammy awarded engineer Marc Whitmore (Jon Batiste, T-Bone Burnett) and co-produced by Trey Gunn (King Crimson, Tu-Ner).

“The pieces are quietly virtuosic with a scope that ranges across continents and eras.  The music pays homage to the pantheon of Latin American composers who have written for guitar while also incorporating harmonies from contemporary jazz and such American and European composers as Feldman, Debussy and Stravinsky.  Extended techniques appear as well with harplike harmonic arpeggios evoking windchimes, wide melodic leaps as if from birdsong, and driving ostinati that groove hard.  One hears free-flowing ballads that turn questioning or flamenco fanfares that expand into ecstatic looping pull offs. A brilliant record that opens new vistas for both the listener and the classical guitarist.” -Elliott Sharp

Watch the promotional video: https://youtu.be/c-K7RwOmVP0

Release date November 3, 2023

To purchase: https://7dmedia.com/daniel-reyes-llinas-c-o-dices

Daniel Reyes Llinás; Acoustic guitar & 12-string guitar.
Composer. Guitarist. Producer
www.llinasmusic.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Rock Supergroup DarWin Returns With First Single Release “Inside This Zoo” From Upcoming Two Album Sonic Odyssey Feat. Simon Phillips, Greg Howe, Mohini Dey & Others!

DarWin has been busy in the studio recording not just one but two major albums since 2021. The first big drop, “Inside This Zoo,” is now here!

DarWin’s debut album “Origin of Species” grabbed attention with its mix of virtuoso guitars and symphonic rock. Prog Rock Magazine called it “a rock tour de force.”

Follow up “DarWin 2: A Frozen War” was hailed as “An entertaining Progressive Rock masterpiece!” by Classic Rock

Now DarWin returns with a first single, “Inside This Zoo,” releasing November 3rd. The first full album, tentatively named “DarWin 4,” is now targeted for release in early 2024.

“Inside This Zoo” is another powerhouse melodic epic from co-producers DarWin and the legendary Simon Phillips, with co-writer and vocalist Matt Bissonette.

Mumbai-born bass sensation Mohini Dey has joined Team DarWin and brings her iconic low-end wizardry to the groove on the two albums.

Greg Howe takes his trademark shredding to the next level, sporting his new Lyra guitar with a soaring new tone that promises to melt faces globally.

Dream Theater’s Derek Sherinian also returns with the group on keys and adds his signature symphonic edge.

As with previous DarWin releases, Simon Phillips drives the production, leveraging all the wisdom of the history of rock music in the process.

The accompanying video drops on YouTube and shows the band having an awesome time playing together. The friendship and joy of the music is clearly shining through.

“‘Inside This Zoo’ is an ideal first release from these upcoming two albums. It’s remarkably fresh but rock fans will know where to bang their heads. The song sounds best when played loud - really loud. There’s a lot happening musically in the song for our diehard prog fans. Lyrically, ‘Inside This Zoo’ just about sums things up these days perfectly! We love our fans, all our fellow humans on Earth, and we hope this song gets everyone excited for all of the upcoming releases now being prepared! Let’s do this together! - DarWin

DarWin‘s previous releases have racked up millions of streams around the world with fans across 5 continents.

“Inside This Zoo” releases on platforms everywhere on Nov. 3, 2023

“DarWin 4” album: Early 2024

Pre-save link: https://darwin.streamlink.to/InsideThisZoo

For more information:
Website: https://darwin.is
Facebook: https://www.facebook.com/DarWinOoS
Instagram: https://instagram.com/oosdarwin
YouTube video: https://youtu.be/DPVC3-E0IU8

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Mott The Hoople “All The Young Dudes” 50th Anniversary Edition Boxset With Newly Remastered Audio Out December 8th on Madfish Music

Legendary Rock act Mott the Hoople celebrate the 50th anniversary of their landmark album “All The Young Dudes” with a limited edition deluxe box set, featuring newly remastered audio, due to be released on Madfish on December 8th.  The remastered album will also be made available as a limited edition double orange vinyl LP.

Originally released in the UK on the 8th of September 1972, the title track (penned by David Bowie) became their highest-charting hit single, the record also included the definitive cover of Lou Reed’s “Sweet Jane” alongside the inventive and suggestive “Momma’s Little Jewel”, the Stones-styled “Jerkin Crocus” and Mick Ralphs’ heartfelt “Ready For Love”.

Mott the Hoople’s 5th studio album remains a special and vital record. Cited as an inspiration from artists that span the world of Rock ranging from Queen, The Clash and Kiss to Primal Scream, Mötley Crüe and Def Leppard’s whose frontman Joe Elliott still to this day remains a devoted fan.

“Mott the Hoople was the greatest rock’n’roll band ever” – Joe Elliott (Def Leppard)

“Raw, fun, angry, glorious and jagged… Mott was everything” – Brian May (Queen)

“If it hadn’t been for Mott, there would be no us” Mick Jones (The Clash)

The band oozes attitude and unpredictability and have recorded a peerless legacy of songs that combine homage, honesty and killer hooks. Mott the Hoople occupy a unique place in the annals of international Rock music.

Ian Hunter, the band’s lead singer has been cited as one of the most inventive writers of the early Seventies, linked to the Ziggy Stardust story, Mott’s rendition of “All The Young Dues” remains the definitive version of Bowie’s masterpiece. It’s a record that proved to be inspirational and still excites and resonates decades later.

“All The Young Dudes” will be released on December 8th 2023 on Madfish as a high quality, limited edition 5-disc deluxe box set that includes rare tracks and previously unreleased song versions.

WATCH TRAILER HERE: (https://youtu.be/1cTLB9FSAa8)

See below for the full contents of “All The Young Dudes” boxset:
• 2LP in Gatefold Sleeve – LP1 Remastered Album / LP2 Rare Mixes and Sessions Tracks
• 2CDs: CD 1 Remastered Album / CD2 Rare Mixes and Sessions Tracks
• 12” Single with rare ‘Unlocked Cars’ version of “All The Young Dudes” + “One Of The Boys” (rare UK B-Side)
• 72-Page Hardback Book with liner notes by Mott the Hoople and Ian Hunter biographer Campbell Devine
• 2 Posters, 3 Art Prints, ‘Sea Divers’ Fan Club Card and an Individually Numbered Certificate

Pre-order the boxset: (https://MOTT.lnk.to/All_The_Young_dudes_box )

Alongside the release will be an orange 2LP edition of the album, which has been newly remastered, available from this link: (https://MOTT.lnk.to/All_The_Young_dudes_box )

MOTT THE HOOPLE

Credit: Madfish Music

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

District 97 Launch Brand New Single & Video To Mark The Release Of Their New Album 'Stay For The Ending'

Spirit of Unicorn Music are delighted to announce a brand new single and video from DISTRICT 97, to mark the launch of their new album Stay For The Ending which is now available worldwide.

The new single is the album’s title track, Stay For The Ending and combines dual themes rooted in both the real world and in metaphor. The song’s narrative addresses the ever-shifting, omnipresent threat of Covid-19 in its many variants and forms. The track also speaks to personal relationships, deceit and the breaking of trust. The band describe the song as being about “ghosts and flames, smoke and deception.”

The track was written by band keyboard player ANDREW LAWRENCE and vocalist LESLIE HUNT (AMERICAN IDOL FEMALE VOCALIST FINAL 2007). Andrew comments, “In writing this song, I tried to fit within the existing D97 canon whilst also adding my own twist. I kept the form of the song pretty simple so that we could focus more of our energy on getting these very difficult unison lines as tight as possible.”

Lead singer Leslie goes on to say, “When I heard the demo of Andrew’s new song, I could not wait to sing that chorus melody and perform it with the band. It’s so powerful and catchy - and I knew it would be insanely fun to wail on! It’s probably one of the hardest things I’ve ever had to sing in my life - but it also caused me to expand my range and now it feels easy and awesome to perform.”

Lawrence continues, “It’s been a pleasure hearing this song evolve, and I’ve loved the personality that all of the other band members have added to it.”

Watch the video for Stay For The Ending: https://youtu.be/AHOMo2ayc9k?si=zoSdeZaBTx5W2KPo

Watch the video for “X-Faded,” the prior single filmed on District 97’s September European tour: https://youtu.be/qTvT-FwiHYc?si=pavyEsvQtCcUS8Bx

Featuring 10 brand new tracks, the album Stay For The Ending has been recorded, mixed and mastered by NOAM WALLENBERG (ALAN PARSONS, MAC MILLER). Reflecting on the new album, Hunt says, “This record represents us at our most collaborative and dynamic. We tried some new things and chased different aesthetics than we have in the past and I think the result is our best sounding album to date with some of our strongest compositions.”

Friend of the band, BILL BRUFORD (KING CRIMSON, YES, GONG, BRUFORD) agrees. In response to hearing the new album, he said, “Quality, expertise and passion - Stay For The Ending is a massive piece, of which District 97 should feel justly proud.”

The album can be ordered here:
https://www.cherryred.co.uk/product/district-97-stay-for-the-ending-cd/

DISTRICT 97 ARE:
Vocals : Leslie Hunt
Keyboards: Andrew Lawrence
Guitars, Vocals : Jim Tashjian
Bass Guitar : Tim Seisser
Drums & Percussion : Jonathan Schang

TRACK LISTING
Stay For The Ending
Mirror
Many New Things
Crossover
Divided We Fall
Life Cycle
X
X-Faded
Deck Is Stacked
The Watcher

FOR FURTHER INFORMATION, PLEASE CONTACT:
Sarah Ewing at TASK Agency: sarah@taskagency.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com