Italian Prog Legends Syndone To Release New Concept Album “DirtyThirty”

Sit down, make yourself comfortable. This is the story of an artistic journey, a 30-year parable.

Listen. Immerse yourself. Eliminate all distractions; let the music speak to you, like it used to do. “DirtyThirty” is the culmination of a class struggle, of the utopian ideal of those who stubbornly cling to a model of the world that still embraces thought, wonder and the courage of art. Syndone is a vision, a nine-album journey, the desire to make a mark in the world. Syndone is a shapeshifter, a band that’s changed its skin and its musicians without ever changing its soul: swimming against the tide, defying fashion and the decline (not only musical) of an era in which you can be successful only if it pleases the powers that be.

Yet there was a time when record albums were capable of transporting us, starting with the artistry of the album covers, of breaking the rules, crossing boundaries, with a whole set of atmospheres, sounds, and thoughtful, refined, stylistic constructions. Those were the days of progressive rock; at the time it was simply called ‘pop’, because it was popular. Today there’s very little left that’s progressive: there’s no thrill of discovery, we’re no longer open to wonder and amazement, we don’t deviate from the idea of an increasingly standardized and replaceable human being.

Nik Comoglio, the musical heart and soul of this story, has never surrendered to that reality; flanked by the vocal and conceptual talents of Riccardo Ruggeri, the Turin-based keyboardist and composer has truly succeeded in making his mark. Syndone, with their erudite, impeccable rock, as violent and energetic as they are melancholic and orchestral, are a dare, a counterpoint, a raised middle finger to the devious strategy of collective narcosis slyly dropped from above in the Kali Yuga of Western civilization. They’re an antidote.

“DirtyThirty” is their crowning achievement, the (perhaps) final chapter. Enjoy it like fine wine, in small sips, and remember to stay human.

Track list:

1. DirtyThirty - the end of my love - (Comoglio/Ruggeri)  [5’06”]
2. Fight Club (Comoglio/Rubinato/Ruggeri) [3’08”]
3. The Angel (Comoglio/Rubinato/Ruggeri) - quoting the track “Il fiele e il limite” from the album “La bella è la bestia”, 2012 [4’19”]
4. Valdrada’s Screen (Comoglio/Ruggeri) - restyling the track “Spleen” from the album “Spleen”,1992  [3’46”]
5. I spit on my virtue (Comoglio/Rubinato/Ruggeri) [4’40”]
6. I only ask for a super glue (Comoglio/Ruggeri) - quoting the track “Eros & Thanatos” from the album “Odysséas”, 2014 [5’02”]
7. Mary Ann (Comoglio/Ruggeri) - restyling the track “Marianne” from the album “Spleen”,1992   [5’57”]
8. René (Comoglio/Ruggeri) - restyling the track “Magritte” from the album “Melapesante”, 2010   [4’25”]
9. God’s will (Comoglio/Ruggeri) - restyling track “Inca” from the album “Inca”, 1993  [5’30”]
10. Thousand times I cried (Comoglio/Ruggeri) - restyling the track “Proverbi” from the album “Inca”, 1993  [2’11”]
11. Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018   [4’21”]
12. So long everybody - the time has come and I must leave you - (Comoglio) - restyling the track “Penelope” for full orchestra from the album “Odysséas”, 2014   [4’46”]

Bonus track
Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018 [4’21”]

Total time running 48’03”

SYNDONE Line up:

Nik Comoglio - composition, orchestration, hammond, juno dist. moog, mellotron, keyboards
Riccardo Ruggeri – composition, vocals, lyrics
Marta Caldara – vibraphone, marimba, keyboards
Gigi Rivetti – ac. piano, el. pianos, hammond, moog, accordion
Simone Rubinato – bass, fretless bass, el. baritone guitar Ciro Iavarone - drums, percussions

Guests

Tony de Gruttola – electric guitar & ac. guitar (on “DirtyThirty”)
Andrea Carbone – electric guitar (on “Mary Ann”)
Pino Russo – classic guitar (on “René”)
Gianluca Cagnani – pipe organ (on “Valdrada’s screen”)
Kaori Tsutsui – clarinet in Bb (on “Evelyn”)
Rebecca Onyeji - backing vocals
Charlie Poma - backing vocals

String Trio (on “I spit on my virtue”) – Valerio Iaccio (violin), Roberto D’Auria (violin), Michelangiolo Mafucci (cello)

Budapest Scoring Symphonic Orchestra conducted by M° Francesco Zago

Fabrizio Argiolas - sound engineer
Valentina Fornacca – artwork cover: “folli eroi e sognatori” (oil on canvas)
Eugenia Brini - layout and booklet project

To purchase: http://store.maracash.com/product_info.php?products_id=799&osCsid=n5r7g884nhrv8lm38p12vncf6p

For more information:
www.syndone.it
www.facebook.com/syndone

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N’ Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.

Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy's Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.

Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy’s new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It’s a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).

Please listen with your ears, mind and heart open.

Produced by Joe Chiccarelli at Sunset Sound, Los Angeles, CA. October 2022

Musicians:
Bass - Kaveh Rastegar, Sean Hurley
Guitars - Joe Gore, Vernon Reid, Fred Frith, David Levita
Banjo - Joe Gore
Drums - Matt Chamberlain
Keyboards - Zac Rae
Backing Vocals and Vocal Arrangement on “The Lonely Sea” - Roger Joseph Manning
Backing Vocals - Valerie Pinkston, Mia Pfirmann, India Carney
Trumpet - James Havorka
Horns - Danny T. Levin
Strings - The Section Quartet
Song Charts - Benjamin Lee

Advice and Coordination: Eliot Goldstein for Blue Buddha Productions

To purchase: https://7dmedia.com/percy-howard-the-stars-the-well

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

Calv carries on the legacy of Moondog (aka The Viking of Sixth Avenue) with full support from the Moondog archives!

Stockton, NJ – Percussionist Julian Calv was a music major who recently graduated from Moravian University in Bethlehem, PA. He now resides in the art community of Windsor, VT. Calv can occasionally be seen on Church Street in Burlington, VT, busking much in the way Moondog, aka the Viking of Sixth Avenue, did in NYC during the 50’s and 60’s.

Calv has studied every aspect of the avant-garde musician’s creative life. In addition to composing and performing, Moondog’s life included the invention of several musical instruments, most famously the trimba (a sort of triangular drum). Calv has even built his own one-of-a-kind trimba, going to great lengths to travel to Sweden and Germany to meet with fellow Moondog aficionados, and study the design of the instrument. Moondog archivist Wolfgang Gnida states, “Julian Calv - the future of the trimba, that's what I called Julian some time ago. That may seem a bit of an exaggeration, but since the time I've been working at the Moondog archives, I’ve yet to meet a musician who has been as intensely involved with the trimba as Julian.”

Calv had this to say about his latest release, “‘Encore’ is written by Moondog and performed by Ava Bloomfield on piano and myself. The song was originally titled ‘Utsu’ and played on an instrument Moondog built having the same name. This reinterpretation of the song brings the utsu's melody to the piano keys. ‘Encore’ is one of nine songs from an upcoming album titled ‘Nonstop Motion,’ featuring the music of Moondog and Julian all wrapped up in one.”

Listen here: https://ada.lnk.to/JCEncore

In addition to covering Moondog material, Calv has now been creating his own percussion-based compositions in a style reminiscent of the late composer. His first release, “Route 4,” and follow up “Thorn and Roots” have been picked up on multiple Spotify playlists.

Listen to “Route 4” here: https://ada.lnk.to/Route4

Listen to “Thorn and Roots” here: https://ada.lnk.to/ThornandRoots

Order the limited edition (only 250 printed) 7”-single and limited bundles here: https://bit.ly/JulianCalv

Tracklist:
Side A – “Route 4”
Side B – “Thorn and Roots”

This bundle Includes:
One (1) 7” Vinyl Single
One (1) Julian Calv Sticker
Two (2) Maraca Key Chains

For more information: http://www.instagram.com/julian.trimba/

www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Bruford “One Of A Kind” 12” Vinyl Edition Available November 24, 2023

Definitive vinyl re-release re-issued on Bruford’s own Winterfold Records and overseen personally by drum legend Bill Bruford

• Bill Bruford is the original drummer in YES and was a long-term member of King Crimson.

• The band Bruford recorded this album in 1979 and it went on to achieve critical acclaim and commercial success.

Bruford “One Of A Kind” 12” vinyl reissue will be available November 24, 2023!

The line-up on this album is: Bill Bruford – drums, percussion, Allan Holdsworth – electric guitar, Dave Stewart – keyboards, Jeff Berlin – bass

This 12” vinyl re-issue has been mastered from the original 1979 mix, taken from the original 1979 analogue tapes, and comes housed in a replica sleeve.

Mastered from the original tapes recorded and mixed by Stephen W Tayler in 1979

This definitive vinyl re-release is re-issued on Bruford’s own Winterfold Records and was overseen personally by Bill Bruford.

“It's music that breathes... played by empathetic, truly virtuosic musicians. But is it rock, jazz, prog or fusion? Who knows, but it's some of the greatest British instrumental music of all time”. Sounds of Surprise

“… despite a landscape of constantly-shifting meters and tempi, the magic of One of a Kind is that it remains compelling and accessible”. All about Jazz

“This collection of ten tracks stands as a maelstrom of chops, arranging skills and inspired ensemble playing... the dynamics between drums, keys and fretless bass provide a high profile, capable structure for Holdsworth's top-flight soloing ability”. Exposé Online

Photo by Pascal Devillers

TRACK LISTING

Side 1
1 Hell’s Bells
2 One Of A Kind – Part One
3 One Of A Kind – Part Two
4 Travels With Myself – And Someone Else
5 Fainting In Coils
Side 2
1 Five G
2 The Abingdon Chasp
3 Forever Until Sunday
4 The Sahara Of Snow – Part One
5 The Sahara Of Snow – Part Two

To pre-order: https://burningshed.com/store/billbruford/bruford_one-of-a-kind_vinyl

Bill Bruford official website: https://billbruford.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

King Crimson “Larks' Tongues In Aspic” The Complete Recording Sessions - Dolby Atmos 2023 Mixes Blu-ray/2CD Now Available!

• 50th anniversary edition of King Crimson’s classic 1973 album
• Blu-Ray I features all-new 2023 mixes in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and Hi-Res Stereo by Steven Wilson
• Blu-Ray I also features the new Elemental Mixes by David Singleton
• Blu-Ray II contains the complete recordings of every session recorded for the album. All of this material has been newly mixed from the original performances and is presented on disc for the first time in Hi-Res 24/96 stereo.
• Additionally, Blu-Ray II includes Hi-Res stereo mixes of the original stereo masters & David
Singleton’s audio documentary of the album recording “Keep That One, Nick” previously included on the 2012 boxed set. These are the sole inclusions to have been issued previously.
• CD1 includes the 2023 stereo mix and instrumentals of the album.
• CD2 includes the elemental mixes and selected master reels.
• Presented as a 2x gatefold sleeve edition containing the individual discs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packaged in a rigid slipcase

“This band is more King Crimson than it’s ever been. All the original ideals and aspirations are there – love, respect and compatible ideas. It’s a magic band!” – Robert Fripp, July, 1972

Bill Bruford ~ David Cross ~ Robert Fripp ~ Jamie Muir ~ John Wetton

When, in July 1972, Melody Maker revealed that Bill Bruford & John Wetton were joining King Crimson – from Yes & Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene & David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three-night stint at the Zoom Club, Frankfurt & TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilized by any major UK rock group on a headlining tour. The developing material for “Larks’ Tongues in Aspic” was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm.

Recorded from mid-January to the beginning of February & released in late March of 1973, “Larks’ Tongues in Aspic” became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus.

Almost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos and, in the process, prepared new stereo & 5.1 mixes. The new stereo & 5.1 mixes – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – are quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material.

The Atmos mixes allow a fresh glimpse of the vast scope of the individual material & performances as recorded for the album. The key to understanding this album, which Atmos illustrates most obviously, but is also present in all of Steven’s new mixes, David’s Elemental mixes & Alex & David’s mixes of the sessions material, is that this music was always this big, complex, interwoven series of soundscapes & while it was, in 1973, released in stereo on vinyl, CD & 8 Track cartridge, it’s only in recent years with, first the 2012 stereo & Surround mixes & now the Atmos/Elemental/Complete Sessions mixes that the available mix options & domestic consumption audio options have grown sufficiently to both contain & present the material to its fullest possible extent.

While Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature: extended mixes of “Larks’ 1” and “Talking Drum” along with “Easy Money” & “Larks’ 2”.

This material is all presented on Blu-Ray I of the set. Blu-Ray II presents every single session recording from the original studio dates, all newly mixed from the multitrack tapes and presented in date of recording order, in Hi-Res 24/96 stereo – a vast collection of previously unheard studio material from the seminal recording.
Also included on this disc are the original album mix (30th anniversary master) & the audio documentary “Keep that one, Nick” – as compiled by David Singleton for the 2012 boxed set. These two inclusions are the only previously released titles on this set.

It’s no coincidence that many of the pieces from the album became staples of performance for the most recent King Crimson line-ups (2014 – 2021). The material first performed to unsuspecting concert attendees in 1972, first recorded & released in 1973 & beloved of King Crimson fans ever since, has aged remarkably well. That material is now presented in its most complete edition to date, with all of the material on the CDs & almost all of the material on the Blu-Rays (see track-listing below), previously unreleased. In 2023, it still has the capacity to astound the ears.

Track List:

Blu-ray I - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased:
Larks’ Tongues in Aspic - 2023 mixes. Dolby Atmos, DTS HD-MA 5.1 Surround, LPCM 24.96 Stereo
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

Elemental Mixes (24/96 Stereo)
1. Larks' Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks' Tongues in Aspic, Part Two

Instrumental Mixes (24/96 Stereo)
1. Book of Saturday
2. Exiles
3. Easy Money

Blu-ray II - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased except*

Original Masters (24/96 Stereo) *

30th Anniversary Master
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

The Session Reels
1. “Keep That One, Nick” *
Complete Recording Sessions (24/96 Stereo)

January 16th, 1973
Larks’ I - Takes 1 to 10
Larks’ I - Takes 12 to 18 & 20 to 22
Larks’ II - Take 1
Book Of Saturday - Take 1
Book Of Saturday - Take 1 Overdubs & 2nd Main Vocal Take

January 17th, 1973
Larks’ I - Edit 2 Takes 1 to 11
Larks’ I - Edit 2 Take 12 & Overdubs
Larks’ I - 4/4 Section Remake Takes 1 to 4
Larks’ I - 4/4 Section Remake Takes 5 to 9 & 11 to 17
Larks’ I - 2nd Edit Takes 1 to 6
Larks’ I - 2nd Edit Take 1 with Overdubs

January 18th, 1973
Larks’ I - Bill Drum Check
Larks’ I - Jamie Drum Check
Larks’ II - Takes 1 & 2

January 19th, 1973
Larks’ I - 7/8 Section Remake Takes 1 to 5
Larks’ I - 4/4 Section Remake Takes 1 to 9

January 20th, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 10 to 20

January 21st, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 21 to 26

January 23rd, 1973
Easy Money - Takes 1 to 9
Easy Money - Takes 10 & 11
Jamie Various Atmosphere Takes
Jamie More Atmosphere Takes

January 24th, 1973
Easy Money - Remake Takes 1 to 6
Easy Money - Remake Takes 7 to 9
Intermezzo Takes 1 to 6
Intermezzo Takes 7 to 16
Intermezzo Takes 19 to 25

January 25th, 1973
The Talking Drum - Takes 1 to 3
The Talking Drum - Take 3 (Complete)
Larks’ I - 2nd Edit Takes 1 to 5
Larks’ I - Final Edit Remake Non Takes

January 26th, 1973
Exiles - Takes 1 to 3
Exiles - Takes 5 & 6
Exiles - Master Reel Take 4 Backing
Exiles - Master Reel Take 4 Overdubs 1
Exiles - Master Reel Take 4 Overdubs 2
Exiles - Master Reel Take 4 Vocal Overdubs

January 30th, 1973
The Talking Drum - Remake Takes 1 to 6
Larks’ I - Master Bass Drums Percussion 4/4 section
Larks’ I - Master Bass Drums Percussion 7/8 section
Larks’ I - Master Guitar 4/4 Section Pass 1
Larks’ I - Master Guitar 4/4 Section Pass 2
Larks’ I - Master Guitar 4/4 Section Pass 3
Larks’ I - Master Guitar and Violin 7/8 Section
Larks’ I - Master Intermezzo Part 1
Larks’ I - Master Intermezzo Part 1 Overdubs
Larks’ I - Master Intermezzo Part 2
Larks’ I - Master Introduction David & Jamie
Larks’ I - Master Introduction Overdubs
Larks’ I - Master Last Section Newspaper Readings
Larks’ I - Master Lead Guitar Overdubs
Larks’ I - Master Opening Bass, Drums, Guitar, Percussion
Larks’ I - Master Opening Violin and Guitar
Larks’ I - Master Last Section Violin And Guitar

January 31st, 1973
Easy Money - Master Ambient Overdubs to the End
Easy Money - Master Backing Track to the End
Easy Money - Master Intro Backing Track
Easy Money - Master Intro Jamie Overdubs
Easy Money - Master Intro Vocal Overdubs
Easy Money - Master Vocal Overdubs to the End
The Talking Drum - Master Reel Backing Track
The Talking Drum - Master Reel Overdubs
Larks’ II - Master Reel Backing Track
Larks’ II - Master Reel Overdubs
Larks’ II - Master Reel Violin Solos

February 1st, 1973
Book Of Saturday - Takes 1 to 3 & 5 to 10
Book Of Saturday - Master Reel Bass Pass 1, Guitar, Violin
Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

CDs: All material newly mixed/released

CD 1 Larks’ Tongues in Aspic (2023 Mix and Instrumentals)
1. Larks’ Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks’ Tongues in Aspic, Part Two
7. Book of Saturday
8. Exiles
9. Easy Money

CD 2 Larks’ Tongues in Aspic (Elemental Mixes and Selected Master Reels)
1. Larks’ Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks’ Tongues in Aspic, Part Two
5. Exiles - Master Reel Take 4 Backing
6. Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
7. Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

To purchase:
Blu-ray/2CD: https://burningshed.com/king-crimson_larks-tongues-in-aspic_2cd_2blu-ray
DBL Vinyl: https://burningshed.com/king-crimson_larks-tongues-in-aspic_double-vinyl

For further information please contact: info@panegyric.net

www.dgmlive.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” Documentary By Toby Amies Coming To Select US Theaters Opening November 3rd!

OPENING IN OVER 70+ US THEATERS NOVEMBER 3RD

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” documentary By Toby Amies is coming to select US theaters opening November 3rd!

Just as King Crimson has been, for more than half a century, an atypical rock band, this film is a refreshingly atypical music documentary. A film about the sacrifices we need to make to bring things of beauty and meaning into the world. But with jokes.

Toby Amies’s film “In The Court of the Crimson King – King Crimson at 50” provides a unique insight into the working process of a complex touring band, interspersed with contributions from previous band members to provide a contextual backdrop to the band’s past, as the most recent (2014-2021) line-up tours the world just before and during its 50th anniversary.

As King Crimson producer and band manager, David Singleton observed of the film: “All of life is here, not just music, and certainly not just rock. It has rightly been described as going beyond King Crimson into a ‘universal, inspirational study of what it is to work or dream to work as an artist.’”

While director Toby Amies writes of the experience: “In the Court of the Crimson King is not a film that wants to tell the audience what to think, rather it presents several different points of view about the creative process and what it means to be in this most unusual band; leaving the audience with a sense of both how complicated it all is, but also just how incredibly rewarding the King Crimson experience is both for the musicians and its fans.”

Robert Fripp announced that King Crimson had “moved from sound to silence” on social media after their final date in Japan in December 2021, making this release all the more poignant as a unique record of the band’s longest lasting line-up with tantalizing glimpses of the band’s history.

Watch the promotional video: https://www.youtube.com/watch?v=Kg3osMG5yK4

photo by Tony Levin

Here’s what the press has said about “In The Court Of The Crimson King – King Crimson At 50”:

“The film is angular and abrasive, exacting and playful, extremely funny and achingly melancholy.” - THE OBSERVER

“This unflinching portrait of the prog rock band is like an episode of The Office but with huge drum kits, grizzled roadies and rapturous fans” - THE GUARDIAN

“By turns comical and melancholy, it may be the most revealing film about working life in a band since Spinal Tap.” - THE DAILY TELEGRAPH

“A fascinating look at both a venerable institution, the dynamics of working as a multi-limbed unit that’s ruled by a single iron fist, and what it takes to play this type of music.” - ROLLING STONE

“Doc about a Prog-Rock Perfectionist Is Nearly Perfect Itself. About as good as Rock documentaries get.” – VARIETY

“Revelatory” - UNCUT

“A compelling insight into the tetchy men of prog rock. Their dedication to music is a joy, the persistence of Toby Amies ranks alongside Nick Broomfield. Even if you go in knowing next to nothing about King Crimson, you will leave feeling like lifelong enthusiasts.” - BBC RADIO SCOTLAND / RADIO TIMES, Siobhan Synnot

“The film ponders mortality, why music matters, and the sacrifices that bringing difficult art to the stage entails.” - THE TIMES

“In The Court of the Crimson King : King Crimson at 50 goes straight into the pantheon of those documentaries which enable us to appreciate the painful truth of what being in bands is actually like...there is no higher echelon.” - MOJO

COMING TO SELECT THEATERS INCLUDING LA & NY
New York City - November 3rd @ Alamo Drafthouse
Los Angeles - November 3rd @ Alamo Drafthouse  
San Francisco, CA - November 3rd @ Roxie Theatre
San Francisco, CA - November 3rd @ The Castro Theater
Larkspur, CA - November 3rd @ The Lark Theater
Vancouver, WA - November 3rd @ The Kiggins Theatre
Hartford, CT - November 3rd @ Cinestudio
San Francisco, CA - November 8th @ 4 Star Theater
Ann Arbor, MI - November 8th @ Michigan Theater
Bellingham, WA - November 8th @ Pickford Film Center
Santa Ana, CA - November 8th @ Frida Cinema
Seattle, WA - November 8th @ Grand Illusion
Camas, WA - November 8th @ Liberty Theatre
New York City - November 8th @ Rosendale Theater
Des Moines, IA - November 8th @ Fleur Cinema
Austin, TX - November 8th @ Moviehouse & Eatery NW Austin
Austin, TX - November 8th @ Moviehouse & Eatery SW Austin
Columbia, SC - November 8th @ BTM Dutch Square Cinema 14
Richmond, VA - November 8th @ BTM Movieland at Boulevard Sq
Irvine, CA - November 8th @ Irvine Spectrum 20 IMAX & RPX
Knoxville, TN - November 8th @ Pinnacle Stm 18 IMAX & RPX
Atlanta, GA - November 8th @ Regal Atlantic Station
Chicago, IL - November 8th @ Regal City North
Cleveland, OH - November 8th @ Regal Crocker Park
Albany, NY - November 8th @ Regal Crossgates
Syracuse, NY - November 8th @ Regal Destiny
Los Angeles, CA - November 8th @ Regal Edwards Long Beach
San Diego, CA - November 8th @ Regal Edwards Mira Mesa
San Francisco, CA - November 8th @ Regal Hacienda Crossings
Portland, OR - November 8th @ Regal Lloyd Center
Nashville, TN - November 8th @ Regal Opry Mills
Las Vegas, NV - November 8th @ Regal Red Rock
Los Angeles, CA - November 8th @ Regal Sherman Oaks Galleria
Miami, FL - November 8th @ Regal South Beach
Charlotte, NC - November 8th @ Regal Stonecrest
Seattle, WA - November 8th @ Regal Thornton Place
Philadelphia, PA - November 8th @ Regal UA King of Prussia
New York, NY - November 8th @ Regal Union Square
Albuquerque, NM - November 8th @ Regal Winrock
Lowell, MA - November 8th @ Lowell
Foxboro, MA - November 8th @ Patriot Place
Providence, RI - November 8th @ Providence Place
Warwick, RI - November 8th @ Warwick
Farmingdale, NY - November 8th @ Farmingdale
Holtsville, NY - November 8th @ Island 16
Holtsville, NY - November 8th @ Broadway
Springdale, OH - November 8th @ Springdale
Cambridge, MA - November 8th @ The Prattle Theatre
Beverly, MA - November 8th @ Cabot Performing Arts Centre
Inglewood, CA - November 8th @ Cinepolis
Del Mar, CA - November 8th @ Cinepolis
San Mateo, CA - November 8th @ Cinepolis
Dallas, TX - November 8th @ Cinepolis
Austin, TX - November 8th @ Cinepolis
Austin, TX - November 8th @ Cinepolis
Coconut Grove, FL - November 8th @ Cinepolis
Gaithersburg, MD - November 8th @ Cinepolis
Sedona, AZ - November 8th @ Mary D Fisher Theatre
Minneapolis, MN - November 8th @ Riverview Theatre
Cleveland, OH - November 8th @ Cedar Lee Theatre
Bantam, CT - November 9th @ Bantam Cinema & Arts Center
Chico, CA - November 9th @ Pageant Theater
Eugene, OR - November 10th @ Art House
Dallas, TX - November 12th @ The Texas Theatre
Portland, OR - November 12th @ Cinema 21
Los Angeles, CA - November 13th @ Orpheum Theater
Somerville, MA - November 13th @ Somerville Theatre
Maitland, FL - December 18th @ Enzian Theater
Sacramento, CA - November 22nd @ Crest Cinema
Pittsburgh, PA - November 28th @ Harris Theatre

Synopsis:
What began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. But with jokes.

Directed by:
TOBY AMIES

Featuring:
ADRIAN BELEW
SISTER DANA BENEDICTA
BILL BRUFORD
MEL COLLINS
ROBERT FRIPP
MICHAEL GILES
TREY GUNN
GAVIN HARRISON
JAKKO JAKSZYK
TONY LEVIN
JAMIE MUIR
IAN McDONALD
BILL RIEFLIN
PETER SINFIELD
JEREMY STACEY

Produced by:
TOBY AMIES
NICK FREAND JONES
DAVID SINGLETON

Executive Producers:
KAT MANSOOR
DAVID SINGLETON

Running Time: 86 minutes

**SCREENERS AVAILABLE UPON REQUEST FOR INTERVIEWS AND REVIEWS **

To request a link please contact: crimsonking@mprm.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Guitar Virtuoso Daniel Reyes Llinás To Release New Album “Códices”

Co-produced by King Crimson's Trey Gunn

“Códices” by guitar virtuoso Daniel Reyes Llinás, is a collection of études for acoustic guitar and improvised pieces on the 12-string guitar. Inspired by the spirit of modern Latin American guitar composers, Llinás pays homage through extensive use of shifting resonance, dissonance, rhythmic exuberance, and deliberate silence. The contrast between the written and improvised works serves as a conceptual gesture in the ongoing search for a sonic vocabulary.

The album was recorded in Santa Fé, NM by Grammy awarded engineer Marc Whitmore (Jon Batiste, T-Bone Burnett) and co-produced by Trey Gunn (King Crimson, Tu-Ner).

“The pieces are quietly virtuosic with a scope that ranges across continents and eras.  The music pays homage to the pantheon of Latin American composers who have written for guitar while also incorporating harmonies from contemporary jazz and such American and European composers as Feldman, Debussy and Stravinsky.  Extended techniques appear as well with harplike harmonic arpeggios evoking windchimes, wide melodic leaps as if from birdsong, and driving ostinati that groove hard.  One hears free-flowing ballads that turn questioning or flamenco fanfares that expand into ecstatic looping pull offs. A brilliant record that opens new vistas for both the listener and the classical guitarist.” -Elliott Sharp

Watch the promotional video: https://youtu.be/c-K7RwOmVP0

Release date November 3, 2023

To purchase: https://7dmedia.com/daniel-reyes-llinas-c-o-dices

Daniel Reyes Llinás; Acoustic guitar & 12-string guitar.
Composer. Guitarist. Producer
www.llinasmusic.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Multi-Instrumentalist/Songwriter Marlon Cherry To Release New Album “Fever Dreaming In Lo-Fi” Featuring Terre Roche of The Roches

“Fever Dreaming In Lo-Fi” is the fifth solo release by NYC based multi-instrumentalist/songwriter, Marlon Cherry. This collection of music is an eclectic mix of styles, ranging from Rock, Dream Pop, Jazz, Experimental, World Beat, and even a splash of A Cappella R & B. Marlon handles all of the instruments and vocals on the bulk of the pieces, with some wonderful guest contributions from Terre Roche (The Roches), Susan Hwang, Paul Brantley, Christina Schneider, and poet/actress, Sophie Malleret. The project was co-produced by Marlon and Zach Phillips (Fievel Is Glauque), who also engineered the recording.

Marlon has worked and continues to work with a wide range of artists including Stew & The Negro Problem (Tony Award winners for Passing Strange), Stew’s current side project, Baba Bibi, Syd Straw, actress/songwriter, Eszter Balint, Chris Cochrane (Marc Ribot, Zeena Parkins), and Terre Roche (solo and as part of the trio, Afro-Jersey with Sidiki Conde), among others.

Previous solo releases by Marlon are “Life After Théâtre” (1986), “Pete” (1990), “Elsewhere” (2001), and “Ancient Sound, Modern Dance” (2006).

“Fever Dreaming In Lo-Fi” is available for streaming/download at Spotify, Amazon, iTunes, Bandcamp, Hear Now, and other sites and is available in cd format via CD Baby.

Contact: marlon.cherry@yahoo.com

For more information:
facebook.com/marloncherry
marlon.cherry@instagram.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Legendary Miles Davis’s Saxophonist Sam Morrison “Whatever : Anthology 1” Now Available on Blue Buddha Productions

Soprano & Tenor Saxophonist, Alto & Bass Flute Player, Composer, and Synthesist

Sam Morrison is a multifaceted musician known for his mastery of the soprano and tenor saxophones, as well as his artistry on the alto and bass flutes. With a career that spans several decades, he has left an indelible mark on the world of jazz, collaborating with legendary artists and contributing to iconic recordings.

One of the standout moments in Sam’s career was his membership in the esteemed Miles Davis Band. His performance alongside Miles Davis at the 1975 Newport Jazz Festival, held that year at Avery Fisher Hall, garnered rave reviews from The New York Times. A portion of that historic concert's recording has recently been released in the Miles Davis bootleg series, “Volume 4: 1955-1975 Newport Jazz Festival.” Collectors and enthusiasts can also find bootleg recordings of concert and club performances featuring Sam Morrison with the Miles Davis Band, testifying to the lasting impact of his contributions.

Sam Morrison’s musical journey extends beyond his time with Miles Davis. He has collaborated with an array of jazz, rock, and blues luminaries, including Gil Evans, Al Foster, Buster Williams, Woody Shaw, Billy Hart, T-Bone Walker, Michael Shrieve, Michael Brecker, Masabumi Kikuchi, and Ryo Kawasaki. His presence has graced stages at major jazz festivals across Europe, such as Vienne, Nice, Paris, and Stockholm.

As a member of  “The Children on the Corner,” the Electric Miles reunion band featuring bass legend Michael Henderson and jazz tabla pioneer Badal Roy, Sam continues to explore new dimensions in jazz fusion. His musical education began at Columbia University in New York City, where he immersed himself in the vibrant jazz scene, frequenting legendary clubs like Slugs and the Village Vanguard. He also experienced the groundbreaking rock acts of the era at Fillmore East, further expanding his musical horizons.

Currently, Sam Morrison is actively working on a new trio album featuring Michael Shrieve, the original Santana drummer from Woodstock, and Patrick Gleeson, an electronic music and synth pioneer known for his collaborations with Herbie Hancock. Additionally, his forthcoming solo album is eagerly anticipated, with remixing by the legendary bassist, producer, and remixer Bill Laswell.

Sam Morrison’s contributions to the world of music continue to evolve and inspire. Blue Buddha is proud to have him as part of our roster of exceptional talent, and audiences can look forward to experiencing his innovative and genre-defying artistry in the years to come.

To purchase: https://bluebuddha.bandcamp.com/album/whatever-anthology-1

Blue Buddha Productions Contact: eliot.bluebuddhaproductions@gmail.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Guitar Virtuosos Daniel Reyes Llinás, Harvey Valdes, Elliott Sharp Release New Collaborative Album “String Schemas”

Guitar virtuosos Daniel Reyes Llinás, Harvey Valdes, Elliott Sharp are releasing their collaborative album “String Schemas” on October 6, 2023 on 7D Media.

“In April 2022, I was about to perform in Brooklyn for the first time since the pandemic. Offering a solo set didn't excite me much, so I invited my avant-garde jazz-wizard friend, Harvey Valdes, who had just released his superb recording of Bach’s lute works on the electric guitar. To complete the trifecta, I reached out to downtown legend, experimental guitarist, composer, and multi-instrumentalist Elliott Sharp, whom I have been a fan of for many years and recently reconnected with. Harvey and Elliott generously joined me, delivering incredible solo sets. Later, Elliott proposed closing the evening with improvisations. The vibe was so great that we decided to repeat the experience a few months later. ‘String Schemas’ serves as the documentation of those memorable moments.” - Daniel Reyes Llinás

Daniel Reyes Llinás, a Colombian composer, guitarist, and producer, derives inspiration from rhythmic and melodic angularity. He weaves atonal architectures with vibrant lyricism into his music. As a leader, Daniel has released two albums: “Molino,” a captivating collage of world and new music, and “En Remolinos,” a bold exploration that blurs the boundaries between improvisation and composition. His contributions can be heard on Parias Ensemble's experimental “St. Mark’s sessions” and on the eclectic collaborative EP “re:SET vol:1”. Daniel has scored films, theater productions, and dance choreographies. Most recently, his solo guitar debut, “Códices,” comprising a series of modern guitar études and improvisations co-produced by Trey Gunn, is scheduled for release on 7DMedia on November 3rd, 2023.

Harvey Valdes, a guitarist of searching, sophisticated musicality, can traverse styles from avant-jazz and Middle Eastern music to improvised film scores and the compositions of Bach. Harvey has an intrepid curiosity about the guitar’s sonic and expressive range; he is also a trained player of the Arabic oud. To date, he has released four albums as a soloist/leader: “Novare”, his interpretation of Bach Lute Suites on electric guitar, “Solitude Intones Its Echo”, a set of concise, engaging solo improvisations; “PointCounterPoint”, a bristling, Mahavishnu-meets-math-rock trio album, and “Roundabout”, his solo debut featuring lyrically inventive takes on jazz standards.

Elliott Sharp is a composer, multi-instrumentalist, producer, author, and visual artist who leads the projects Orchestra Carbon, SysOrk, and Terraplane and whose compositional strategies encompass fractal geometry, chaos theory, algorithmic approaches, genetic metaphors, and new techniques for graphic notation. He has been awarded the Berlin Prize, a Guggenheim Fellowship, and fellowships from the Foundation for Contemporary Art and the Center for Transformative Media. Sharp is the subject of the documentary “Doing The Don’t” and has been featured on NPR’s All Things Considered. His composition “Storm of the Eye”, for violinist Hilary Hahn, appeared on her Grammy-winning album “In 27 Pieces.”

Elliott (left ) Daniel (center) Harvey (right)

To purchase Daniel Reyes Llinás, Harvey Valdes, Elliott Sharp “String Schemas”:
7d Media: https://7dmedia.com/daniel-reyes-llinas-string-schemas
Bandcamp: https://llinas.bandcamp.com/album/string-schemas

For more information:
https://7dmedia.com/daniel-reyes-llinas-string-schemas
www.llinasmusic.com
harveyvaldes.net
http://www.elliottsharp.com/

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

MAGMA 50th Anniversary Vinyl Box Set of “Mekanïk Destruktïw Kommandöh” Release Delayed Until October 27

The release of MAGMA's birthday present in celebration of their iconic third album, which arrives as a lavish box set limited to 2,000 copies, is being delayed due to a manufacturing issue. This has been solved by upgrading the paper quality of the included artbook to an even higher standard. "Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh" will hit stores three weeks later than originally announced on October 27, 2023.

Those customers, who ordered a box set directly from MAGMA's shop or the SPKR and Prophecy label shops can currently expect their copy close to the original release date around October 6, 2023. In case there are no further unexpected delays, MAGMA will also be able to offer boxes at their next live events. Please see below for all currently confirmed dates.

On "Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh", the French avant-garde pioneers and inventors of zeuhl follow the trail of their classic third full-length from the remastered original recording through decades of various incarnations on 7 vinyl LPs!

Please see below for cover art, tracklist, and full details of "Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh".

Please note that due to the singular nature of this release neither promotional copies nor sound will be provided by the label.

Release date: October 27, 2023
Style: Avant-garde rock
Label: Prophecy Productions

MAGMA comment: “With this box set, we want to take you all right into the heart of the composition of our most emblematic work, which allows you to follow its evolution throughout the 50 years of its existence”, mastermind Christan Vander explains. “When we performed ‘Mekanïk Destruktïw Kommandöh’ for the first time, we did not imagine even in our wildest dreams that people would still want us to play this album more than 50 years later. This anniversary deserves to be celebrated, and this edition is a gift for us as well!”

Iconic French avant-garde rockers MAGMA have joined forces with Prophecy Productions to create a lavish boxed set under exclusive license from Seventh Records to celebrate the 50th anniversary entitled “Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh” of their legendary milestone release and third studio album “Mekanïk Destruktïw Kommandöh” (1973).

Apart from a number of special collectors’ items, this box set limited to 2,000 copies contains seven vinyl LPs ranging from the original album to live recordings and other rare materials related to “Mekanïk Destruktïw Kommandöh” (henceforth abbreviated as “MDK” in this text), of which several were previously unreleased and/or appear on vinyl for the first time.

The albums are numbered in chronological order:

LP 1 “1972 – Paris ORTF”
This is definitely one of the first recorded live versions of “MDK”; and it might even be the first – if anybody could exactly remember this after 50 years. At that time, the masterpiece was still a work in progress.

LP 2 “1973 – Choeurs de la Storchhaus”
This studio recording can be regarded as a demo and it features the choir that played “MDK” live at the SIGMA festival in November 1972. It was first released on CD in 1989 and now appears for the first time on vinyl.

LP 3 “Mekanïk Destruktïw Kommandöh” (original version)
Despite more than 30 published studio and live recordings, many consider this album to represent MAGMA’s ultimate masterpiece. At the time, Christian Vander had taken the artistic destiny of the French band fully into his hands. The most striking development was the massive impact of the vocalists and choir. This classic was carefully remastered for this edition.

LP 4 (Side 1) “1994 – Les voix de Magma”
This previously unreleased track was recorded live with the addition of a 60-piece choir.

LP 4 (Side 2) “1995 – Babyaga la sorcière”
This surprising adaptation of “MDK” was recorded at the Espace Lumière in Epinay-sur-Seine, France on October 15, 1995 during the second concert celebrating MAGMA’s 25th birthday. It features an impressive choir of children and an instrumental ensemble of teenagers. It was released on CD in 1996, but never before on vinyl.

LP 5 “2000 – Paris Trianon Theater”
This version was recorded in Paris at the Theatre du Trianon during MAGMA’s 30th anniversary celebration and was previously only released on CD as part of a box set in 2001.

LP 6 “2005 – Paris Le Triton”
During May 2005, MAGMA booked the club Le Triton in Paris, changed their programme each week, and brought illustrious past members back to the stage to perform with them. On this recording from May 21, Christian Vander was reunited with legendary bass player Jannick Top. Previously only appearing on DVD, this is the first audio only release of this remarkable event.

LP 7 “2021 – Opéra de Rennes”
This previously unreleased version captures the new MAGMA line-up, which is more vibrant than ever!

For connoisseurs of avant-garde rock, MAGMA needs no introduction. The visionary French band that was founded in Paris by self-educated drummer and percussionist Christian Vander are towering giants within and beyond their genre.

Although MAGMA have been variously filed under avant-garde rock, progressive rock, jazz rock, and other equally fitting terms, the band has also created a sub-genre of their own, which is dubbed zeuhl or zeuhl rock. This term has also been adapted by other bands inspired by the style particularly in France and Japan but also elsewhere.

Christian Vander has created his own lyrical cosmos for MAGMA, in which humanity has destroyed earth and fled to a planet called Kobaïa that has remained at the center of his musical works. With his disturbing vision of humanity’s ecological and spiritual development, Vander was far ahead of his times and quite prophetic.

Most MAGMA lyrics are sung in the fictional language Kobaïan, which was invented by Vander and mainly uses phonetic traits of Germanic and Slavonic languages to enhance the musical expression of the band.

With “Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh”, MAGMA celebrate their classic album's 50th anniversary by giving themselves and their dedicated following a beautiful present in the shape of a lavish limited box set that follows the massive trail of their iconic third full-length from the original through decades of various incarnations. Zeuhl forever!

Remastering for this edition: Marcus Linon at Greasy Records Studio, Paris, France
Layouts Gerald Nimal at UZ Grafik

For more information:
magmamusic.org
www.facebook.com/zeuhlwortzmekanik
www.instagram.com/magma.officiel

To pre-order:
http://lnk.spkr.media/magma-50

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Guitar Legend Juan Carlos Quintero Releases New Album “Desserts”

As with all good meals, the sweets are the most memorable!

It’s no wonder that guitar legend Juan Carlos Quintero’s critically acclaimed chart-topping 2022 release, “Table For Five,” segues so effortlessly to the sequel – the new album, “Desserts”…

Quintero’s new album expands the music menu producing tasty treats while skillfully blending authentic grooves – originating from South American & Caribbean regions – culminating in a thread of meaningful performances honoring the beauty and breadth of Latin-Jazz traditions! Enticing gems include “The Gift,” “All or Nothing At All,” “How Insensitive,” “Tangerine,” “A Night in Tunisia,” “Along Came Betty” & crowd favorite, Van Morrison’s “Moondance”!

Says Juan, “For me, the experience producing this music brought me closer to my parents in so many ways…It’s been 10 years since we lost dad and I think of him daily…looking back, I can remember him playing the piano and working out the hit melodies of the time…little did I know then I would be doing the same years later…the message is check out your parents, remember them and preserve their melodies…”

The album features music from the early 1960s and focuses on traditional Latin rhythms to serve as the foundation for all the arrangements performed. As with the last album, the music features Quintero’s electric jazz guitar along with the backing by his extraordinary band: Eddie Resto (upright bass), Aaron Serfaty (drums), Joey DeLeon (Percussion), Joe Rotondi (piano). The album was recorded and mixed by Talley Sherwood and mastered by Peter Doell.

This seasoned Quintet never disappoints as it navigates an array of well-crafted classics re-imagined with newly fine-tuned arrangements! Led by JCQ’s signature guitar voice, the music transcends protocols merging stylish overtures in company with traditions of romance, charm & melody.

This party is seated and sticking around for more! Now serving desserts… A seamless follow up that converts to a staggered double-album experience prompted by “Table For Five” – It’s the final course topping off a delicious five-star feast! Bon appétit!

Here’s what the press has said about Juan Carlos Quintero:

“A comfortable middle ground between authentic Latin roots, and contemporary, polished tones” – Jazz Times

“By virtue of imagination as well as style, Quintero clearly out classes many of his modern Latin guitar-strumming contemporaries… Quintero sets high standards with cross-cultural sound… One of the best” – Los Angeles Times

“By tracing his heritage back to Colombia, Quintero has forged ahead with personality and style.” – JAZZIZ Magazine

“JCQ’s brand of world beat, Latin flavored pop/jazz provides a highly rhythmic, passionate guitar voice that captures the energy and excitement of his live performances” – Latin Style Magazine

To Purchase: https://lnk.to/juancarlosquintero_desserts

For more information: www.juancarlosquintero.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Digital Marketing/Distribution: A-Train Entertainment/Bob Williard/bob@a-train.com

Radio Promotions: New World ‘n’ Jazz/Neal Sapper/neal@newworldnjazz.com

Management: Amy Worthington - Innerknot Management email: amydgm@aol.com

Music Legends Soft Machine Release New Album “Other Doors” and Announce Forthcoming Tour Dates

Five years after the release of their last studio album, legendary UK musical institution, Soft Machine, return with a brand new album, “Other Doors.” Boasting new material and two numbers drawn from their extensive historical repertoire, “Other Doors” finds the band in their usual fiery form.

Featuring John Etheridge (guitars), Theo Travis (saxes, flutes, Fender Rhodes piano, electronics), Fred Thelonious Baker (Fretless bass), John Marshall (drums), Other Doors also features two guest appearances from long-serving bassist Roy Babbington, who retired from the band in 2021.

“Other Doors” was recorded at Temple Music Studios, a facility owned by the late Jon Hiseman during July and August 2022. It’s a location of which the band is particularly fond, explains John Etheridge. “Working at Jon Hiseman’s studio was special, especially with Ru Lemer who is a brilliant engineer. He’s fantastically quick and that’s very good as we record mainly live in the studio. It’s come out really well and I think it sounds great.”

That ability to work quickly on takes as an ensemble has resulted in a fresh-sounding series of top-flight performances whose typically knotty and sometimes complex themes frequently give way to explosively discursive improvisations. As Theo Travis observes, “The interesting thing about recording free improvisations is you're not playing to a plan or a grid or a blueprint, so you don’t know what's coming, and you don't know what's coming until it's gone. At which moment you're thinking about the next thing.”

The album is brimming with that fast-moving creativity. It’s been a kind of tradition with the group to include new arrangements of older Soft Machine numbers from the band’s illustrious back catalogue. These have included numbers as varied as “Chloe and the Pirates,” “Kings and Queens,” “Out-Bloody-Rageous,” etc.

Along with exciting new compositions, on “Other Doors” they’ve revisited the very first album, originally released in 1968, to include Kevin Ayers’ “Joy Of A Toy.” Fred Baker, makes his studio debut with Soft Machine. A well-known figure on the Canterbury Scene not only is he the perfect choice for the group but he’s also a long-term fan of the repertoire.

The album also contains “Penny Hitch,” a track originally heard on 1973’s Soft Machine “Seven.” This features the first of two appearances of Roy Babbington who provides the bass lines underpinning Karl Jenkins’ composition while Fred plays the sinuous lead melody on his fretless bass. The pair also worked together as a duo on “Now! Is The Time,” a number originally based on a theme Babbington brought into the sessions, with Fred and Roy both adding and expanding the scope of the piece.

If the album ushers in a new member in the shape of Fred Baker, it also acts as a fond farewell to drummer John Marshall, who joined Soft Machine midway through the recording of 1972’s “Fifth.” At the age of 81 Marshall has decided to retire making “Other Doors” his final studio album with the group, and the final album of his glorious career. Indeed, Marshall is in whip-cracking form throughout the album bringing his trademark musicality and decisive presence. With “Other Doors,” he brings his distinguished career to a rousing conclusion.

Intense, celebratory, and consistently impressive. “Other Doors” is the sound of a group determined to press forwards with an integrity and sense of purpose that’s quintessentially and definitively Soft Machine.

Photo by Wolfgang Gonaus

JOHN ETHERIDGE - guitars
THEO TRAVIS - tenor & soprano sax, flutes, Fender Rhodes, electronics
FREDDY BAKER - fretless bass guitar
JOHN MARSHALL - drums
special guest
ROY BABBINGTON - bass guitar (tunes 2 and 9)

The updated tour dates are (with Asaf Sirkis permanently substituting John Marshall who has retired):

After the first world tour date in Toledo at the MoonJune Festival

Sep 29 - Toledo, Spain (Circulo de Arte)

North American Tour
Oct 04 - Sellersville, PA, USA (Sellersville Theater)
Oct 05 - Baltimore, MD, USA (Keystone Korner)
Oct 06 - New York, NY, USA (Iridium)
Oct 07 - New York, NY, USA (Iridium)
Oct 08 - Woodstock, NY, USA (Colony)
Oct 10 - Rochester, NY, USA (Lovin’ Cup)
Oct 11 - Syracuse, NY, USA (Average Joe)
Oct 12 - Albany, NY, USA (Linda WAMC)
Oct 13 - Quebec City, QC, Canada (Salle d’Youville)
Oct 14 - Quebec City, QC, Canada (Salle d’Youville)
Oct 16 - Ottawa, ON, Canada (Rainbow)
Oct 17 - Toronto, ON, Canada (Garrison)
Oct 18 - Waterloo, ON, Canada (Jazz Room)
Oct 19 - Detroit, MI, USA (Joy's Manor)
Oct 22 - Milwaukee, WI, USA (Shank Hall)
Oct 24 - Chicago, IL, USA (Reggie’s)
Oct 25 - Cincinnati, OH, USA (Ludlow Garage)
Oct 26 - Indianapolis, IN, USA (Irving Theater)

Europe:
Nov 05 - Hull, UK (Wrecking Ball)
Nov 06 - Kinross, UK (Green Hotel)
Nov 10 - Royal Tunbridge Wells, UK (Forum)
Nov 11 - Lewes, UK (Conservative Club)
Nov 14 - Milton Keynes, UK (The Stables)
Nov 17 - Luton, UK (The Bear)
Nov 19 - Exeter, UK (Phoenix Art)
Nov 23 - Katowice, Poland (Rialto Theater)
Nov 24 - Warsaw, Poland (Hybrydy Klub)
Nov 25 - Bydgoszcz, Poland (Kuźnia Klub)
Nov 26 - Poznań, Poland (Culture Ctr)
Nov 30 - Esch-sur-Alzette, Luxembourg (Rockhal)
Dec 02 - Tilburg, Netherlands (Paradox)
Dec 03 - Zoetermeer, Netherlands (Boerderij)
Feb 07 - Guildford, UK (Boileroom)
Feb 08 - London, UK (Signature Brew)
Feb 09 - Canterbury, UK (Gulbenkian Theatre)
Feb 11 - Market Harbough, UK (Jazz Club)
Feb 18 - Farsley, UK (Old Woollen)
Feb 19 - Manchester, UK (Band On The Wall)
Feb 20 - Wolverhampton, UK (Robin 2)
Feb 21 - Brighton, UK (The Chalk)
Feb 22 - Cardiff, UK(Stepping Stones)
Feb 24 - Cheltenham, UK (DEYA Brewery)

More gigs to be announced, in the UK, Europe, Japan, South America as well another tour in the USA in the Summer of 2024.

To purchase Soft Machine “Other Doors”: https://softmachine-moonjune.bandcamp.com/merch/soft-machine-other-doors

Press inquiries: Glass Onyon PR, Billy James, PH: 828-350-8158, glassonyonpr@gmail.com

MAGMA Announce Lavish 50th Anniversary Vinyl Box Set of “Mekanïk Destruktïw Kommandöh”

MAGMA is making the world of progressive music a massive birthday present in celebration of their iconic third album in the shape of a lavish box set, which is limited to 2,000 copies. Entitled “Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh”, the French avant-garde pioneers and inventors of zeuhl follow the trail of their classic full-length from the remastered original recording through decades of various incarnations on 7 vinyl LPs!

MAGMA comment: “With this box set, we want to take you all right into the heart of the composition of our most emblematic work, which allows you to follow its evolution throughout the 50 years of its existence”, mastermind Christan Vander explains. “When we performed ‘Mekanïk Destruktïw Kommandöh’ for the first time, we did not imagine even in our wildest dreams that people would still want us to play this album more than 50 years later. This anniversary deserves to be celebrated, and this edition is a gift for us as well!”

Iconic French avant-garde rockers MAGMA have joined forces with Prophecy Productions to create a lavish boxed set under exclusive license from Seventh Records to celebrate the 50th anniversary entitled “Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh” of their legendary milestone release and third studio album “Mekanïk Destruktïw Kommandöh” (1973).

Apart from a number of special collectors’ items, this box set limited to 2,000 copies contains seven vinyl LPs ranging from the original album to live recordings and other rare materials related to “Mekanïk Destruktïw Kommandöh” (henceforth abbreviated as “MDK” in this text), of which several were previously unreleased and/or appear on vinyl for the first time.

The albums are numbered in chronological order:

LP 1 “1972 – Paris ORTF”
This is definitely one of the first recorded live versions of “MDK”; and it might even be the first – if anybody could exactly remember this after 50 years. At that time, the masterpiece was still a work in progress.

LP 2 “1973 – Choeurs de la Storchhaus”
This studio recording can be regarded as a demo and it features the choir that played “MDK” live at the SIGMA festival in November 1972. It was first released on CD in 1989 and now appears for the first time on vinyl.

LP 3 “Mekanïk Destruktïw Kommandöh” (original version)
Despite more than 30 published studio and live recordings, many consider this album to represent MAGMA’s ultimate masterpiece. At the time, Christian Vander had taken the artistic destiny of the French band fully into his hands. The most striking development was the massive impact of the vocalists and choir. This classic was carefully remastered for this edition.

LP 4 (Side 1) “1994 – Les voix de Magma”
This previously unreleased track was recorded live with the addition of a 60-piece choir.

LP 4 (Side 2) “1995 – Babyaga la sorcière”
This surprising adaptation of “MDK” was recorded at the Espace Lumière in Epinay-sur-Seine, France on October 15, 1995 during the second concert celebrating MAGMA’s 25th birthday. It features an impressive choir of children and an instrumental ensemble of teenagers. It was released on CD in 1996, but never before on vinyl.

LP 5 “2000 – Paris Trianon Theater”
This version was recorded in Paris at the Theatre du Trianon during MAGMA’s 30th anniversary celebration and was previously only released on CD as part of a box set in 2001.

LP 6 “2005 – Paris Le Triton”
During May 2005, MAGMA booked the club Le Triton in Paris, changed their programme each week, and brought illustrious past members back to the stage to perform with them. On this recording from May 21, Christian Vander was reunited with legendary bass player Jannick Top. Previously only appearing on DVD, this is the first audio only release of this remarkable event.

LP 7 “2021 – Opéra de Rennes”
This previously unreleased version captures the new MAGMA line-up, which is more vibrant than ever!

For connoisseurs of avant-garde rock, MAGMA needs no introduction. The visionary French band that was founded in Paris by self-educated drummer and percussionist Christian Vander are towering giants within and beyond their genre.

Although MAGMA have been variously filed under avant-garde rock, progressive rock, jazz rock, and other equally fitting terms, the band has also created a sub-genre of their own, which is dubbed zeuhl or zeuhl rock. This term has also been adapted by other bands inspired by the style particularly in France and Japan but also elsewhere.

Christian Vander has created his own lyrical cosmos for MAGMA, in which humanity has destroyed earth and fled to a planet called Kobaïa that has remained at the center of his musical works. With his disturbing vision of humanity’s ecological and spiritual development, Vander was far ahead of his times and quite prophetic.

Most MAGMA lyrics are sung in the fictional language Kobaïan, which was invented by Vander and mainly uses phonetic traits of Germanic and Slavonic languages to enhance the musical expression of the band.

With “Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh”, MAGMA celebrate their classic album's 50th anniversary by giving themselves and their dedicated following a beautiful present in the shape of a lavish limited box set that follows the massive trail of their iconic third full-length from the original through decades of various incarnations. Zeuhl forever!

Release date: October 6, 2023
Label: Prophecy Productions

Remastering for this edition: Marcus Linon at Greasy Records Studio, Paris, France
Layouts Gerald Nimal at UZ Grafik

For more information:
magmamusic.org
www.facebook.com/zeuhlwortzmekanik
www.instagram.com/magma.officiel

To pre-order:
http://lnk.spkr.media/magma-50

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Drummer Bob Holz to Release New Album “Holz-Stathis: Collaborative” Featuring John McLaughlin, Jean-Luc Ponty, Darryl Jones and Randy Brecker

Jazz Fusion drummer and composer Bob Holz will release his sixth album for MVD Audio on September 8, 2023. The record is titled “Holz-Stathis: Collaborative.” Joining Bob Holz on the album are John McLaughlin, Jean Luc Ponty, Darryl Jones, Randy Brecker, Elliott Yamin, Alex Acuna, Airto Moreira, Brandon Fields, Ralphe Armstrong, Billy Steinway, Dean Brown, Ric Fierabracci, Jamie Glaser, Ada Rovatti, Karen Briggs, Diana Moreira Purim, Ben Shepherd and Frank Stepanek.

The album features twelve new original tunes penned by Holz, Steinway and Brown. Rob Stathis is the Executive Producer. The album is recorded and mixed by multiplatinum sound engineer Dennis Moody.

Two vocalists are featured on “Holz-Stathis:Collaborative.” Elliott Yamin who placed third on American Idol sings a hip hop meets jazz tune penned by Dean Brown and Holz. Diana Moreira Purim sings a Brazilian jazz fusion tune titled “Island Sun Love,” written by Steinway and Holz.

Bob has released a new video featuring Darryl Jones bassist in the Rolling Stones and vocalist Elliott Yamin. It was shot at Sunset Sound Recorders in Hollywood, CA and is a cover tune of “Make Me Smile” by Chicago.

Watch the video: https://youtu.be/46zVFDa3Vtc

As a drummer, Bob Holz has made a significant mark in the jazz world and here he expands his love of latin jazz fusion rhythms by teaming up with Brazilian percussionist Airto Moreira, Alex Acuna(Weather Report) and Joey Heredia. This album exemplifies Holz's reputation as one of the top players in jazz and fusion. In the past Bob Holz has played and recorded with Larry Coryell, Mike Stern, Stanley Clarke and Randy Brecker. Bob Holz endorses Paiste cymbals, Canopus Drums and Ahead Drumstics.

To pre-order: https://a.co/d/b3AJfUj

For more information:
http://www.bobholzband.com
https://www.facebook.com/drummerbobholz?mibextid=ZbWKwL
https://canopusdrums.com/en/endorsers/bob-holz/
https://m.soundcloud.com/bob-holz
https://www.allaboutjazz.com/musicians/bob-holz/
https://www.paiste.com/en/musicians/bob-holz
https://open.spotify.com/artist/37ZObdUrl25FFZyXHRHv70
https://youtube.com/@BobHolz
https://www.linkedin.com/in/robertholz
https://www.instagram.com/p/CpnmxMPOBOP/?igshid=NTc4MTIwNjQ2YQ==
https://en.m.wikipedia.org/wiki/Bob_Holz
https://twitter.com/BobHolz?t=FsLR8B6R4MBawk0E8F6Ftw&s=09

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com