Showing posts with label Jazz. Show all posts
Showing posts with label Jazz. Show all posts

3/11/2024

Alchemy Records Elevates the Vibe With “Momentarily,” the Highly Anticipated New Album From Guitarist Jon Durant

PORTLAND, OR - Alchemy Records is thrilled to announce the release of “Momentarily,” an ensemble tour de force from celebrated composer guitarist Jon Durant. The album showcases the best of Durant’s unique skill set, an amalgamation of transcultural, jazz-related styles, that gives way to euphoric, universally relatable grooves and soundscapes. A trio recording featuring Durant alongside longtime musical partners Colin Edwin (bass) and Andi Pupato (drums/ percussion), both legends in their own right, this musical jewel showcases rare mastery through individually compelling tracks and comprehensive arcs.

The responsive and fluid interaction of these three collaborators immediately draws listeners in. Created initially as a series of guitar improvisations by Durant, the composer then developed and rearranged the pieces for trio. Grounded musical elements beautifully balance freely improvised aspects, hinting at one of the key ingredients of Durant’s signature, sublime sound. The seamless flow between composition and improvisation leaves the listener in an effortless state of engagement.

Throughout “Momentarily” Durant’s explorative guitar leads the way. His expressive use of fretless guitar on all but one of the tracks “shows he is one of the precious few practitioners on the instrument that elevate it beyond its usual presence as a mere novelty.” (All About Jazz) In addition, his use of guitar synth – in this case playing a modified sample of an Armenian Duduk – adds a breathy counterpoint to his emotionally tinged guitar parts.

Percussionist Andi Pupato (Nik Bärtsch’s Ronin, Andreas Vollenwider, Fractal Sextet) shines throughout with his totally unique hybrid kit comprising both hand drums and conventional drum set. This distinctive collection of timbres emotes the open space of European jazz with considerable Middle Eastern elements that the hand drums reveal alongside Durant’s Fretless guitar. Anchoring the whole process is bassist Colin Edwin (O.R.k., Gaudi, Burnt Belief), with whom Durant has worked extensively over the past 12 years. On “Momentarily” he is playing acoustic basses (upright and fretless acoustic) providing a sonorous low end balancing out the whole picture.  His beautifully melodic playing on the opening track “In A Moment” provides especially delightful interaction with Durant and Pupato.

Among the standout tracks on the album is the epic “Rockets on Kyiv.” Originally conceived and recorded on the morning Russia bombed the glass bridge in Kyiv (where Durant, Edwin and Ukrainian singer Inna Kovtun had filmed many scenes in the video for their song “Gannochka”). When Durant steps on the distortion on this one, you can instantly feel the deep emotions he was experiencing that morning. In addition, the one track with fretted guitar (“Bitter Wind”) shows a depth of gratitude towards his Scandinavian musical influences.

Momentarily” will be available on Bandcamp beginning March 29, 2024, and all streaming services on April 16, 2024.

To purchase: https://jondurant.bandcamp.com/

Alchemy Records
188 SE Spokane St, #2 Portland, OR 97202
Contact: jd@alchemyrecords.com

About Jon Durant
Explorative · Expressive · Transcultural · Texture-driven
Guitarist, composer, and producer Jon Durant is one of the world’s most distinguished proponents of creative, transcultural jazz. With his impressive legacy of collaborative work and highly acclaimed, genre-defying albums, Durant is “one of the reigning masters of what might be called ‘infinitely manipulated atmospheric guitar effects’… [He] sets a standard to be defined by… [with] brilliance and vision.” (All Music) Combining a nuanced and emotive fretless playing style with explorative effects, Durant integrates aspects of jazz, ambient music, progressive rock, and ethnically sourced material in lush, multi-textured melodies. His signature “guitar clouds” create compelling textures and moods over which he brings directionality with enticing riffs and solos. Sought out for his uniquely American aesthetic in a predominantly European style, Durant is a go-to collaborator for multi-genre, improvised music. In partnership with renowned bassist Colin Edwin, Durant has formed the duo Burnt Belief, releasing four albums and creating “elegant, sophisticated music of multiple genres… [that] evolves toward the best of many worlds and still sounds like nobody else… a sonic paradise of the uppermost quality.” (Prog Archives) Durant is also a member of the celebrated Fractal Sextet, with guitarist / composer Stephan Thelen, pianist Fabio Anile, Colin Edwin, and drummers Yogev Gabay and Andi Pupato. Of their debut, All About Jazz commented, “Durant’s guitar is a near-perfect stylistic counter…. he is one of the precious few practitioners on the instrument that elevates it beyond its usual presence.” Durant splits his time between Boston and Portland, Oregon, and frequently travels to Europe for musical projects. As the founder and producer of Alchemy Records and with an extensive discography that includes eleven solo albums, Durant has “delivered pristine music year after year… effortless and sure.” (Art Rockin)

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

1/25/2024

Flamenco Guitar Maestro RAFAEL RIQUENI Transforms Classic Rock Staple “STAIRWAY TO HEAVEN” For His New Single And Album!

Los Angeles, CA – Prepare to be mesmerized as Maestro Rafael Riqueni, an iconic figure in flamenco guitar music, unveils a transcendent rendition of a classic rock staple with his brand new single released today, a flamenco-infused cover of Led Zeppelin's rock epic "Stairway to Heaven." The track serves as a glimpse into Riqueni's innovative approach to music, which relies more on emotive, passionate playing over technical wizardry, and has made him one of the most celebrated Spanish guitarists in history.

Riqueni’s deliberative approach to “Stairway” adds new dimension and weight to the song’s familiar melodies, allowing each note to take center stage before proceeding to the next. The transitions between the composition’s many passages are seamless and natural, and the bombastic conclusion is as explosive as you’d expect - except Riqueni accomplishes the feat without the aid of Marshall stacks! It’s a bravura performance that both rock and flamenco fans are sure to love!

Stream the single: https://orcd.co/rafaelriqueni_stairwaytoheaven

And Riqueni's brilliant reinterpretation of "Stairway” is just the beginning. Come February 16, the artist is set to release a full album of phenomenal renderings of timeless classics by the likes of Eric Clapton, Aerosmith, Whitney Houston, The Police and more! Called Versatae, the album will also feature lush renderings of Ennio Morricone’s gorgeous movie theme to “Cinema Paradiso” as well as two Spanish-flavored tracks, one written by Latin superstar Santana and the other a traditional Spanish favorite “Amapola,” which has been covered by everyone from Bing Crosby to Gaby Moreno and Natalie Cole! Music enthusiasts are also sure to enjoy Riqueni’s collaboration with soul great Ben E. King as well as his astounding version of The Beatles' "Yesterday," which are included as bonus tracks on the CD version.

Versatae will be available on both CD and digital first with the vinyl version due a couple of weeks later. Order your copies today!

Order the CD/vinyl: https://cleorecs.com/store/?s=rafael+riqueni&post_type=product
Pre-save/pre-order the digital: https://orcd.co/rafaelriqueni_versatae


Track List:
1. Tears In Heaven
2. Europa (Earth’s Cry Heaven’s Smile)
3. Cinema Paradiso
4. Just The Two Of Us
5. What A Wonderful World
6. Dream On
7. Moon River
8. Stairway to Heaven
9. I Will Always Love You
10. Every Breath You Take
11. Amapola
12. Cogiendo Rosas
BONUS TRACKS [CD ONLY]
13. Spanish Harlem with Ben E. King
14. Yesterday
15. Spanish Harlem (Instrumental Version)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, INC.
Facebook | Instagram | Twitter | YouTube | Spotify | Cleopatra Records Store
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

1/16/2024

Progressive Jam-Fusion Supergroup PAKT Featuring Brand X Bass Legend Percy Jones Heading To West Coast USA Tour To Promote New Album “No Steps Left to Trace”

PAKT, a true super group of master musicians merging & colliding new music in the realms of progressive rock, electric jazz, experimental, ambient, psychedelic and beyond, is an experience as much as a musical project. An IMAX film for the ears, PAKT takes its listeners on an improvised sonic voyage with no preconceived destination, minimal pre-planning and little use for forms and conventions. Rare is the musician who can thrive in such a spontaneous environment but Percy Jones (fretless bass guitar), Alex Skolnick (guitar), Kenny Grohowski (drums) and Tim Motzer (guitar and electronics) are all up to the task. Armed with enough tastefully used effects to stock a small music store, Motzer and Skolnick create sounds so atmospheric and ethereal that one might not guess their source is a guitar. Meanwhile, Grohowski and Jones approach their instruments in textural manners that seamlessly intertwine with each other and the quartet as a whole. The music runs the gamut from highly sensitive to intense, with all four musicians’ listening skills so strong that their collective playing is as cohesive as it is unpredictable. Welsh bassist Jones (now a New York resident) is known for his tenure in the legendary jazz fusion group Brand X (whose classic lineup included drummer Phil Collins, yes that one) and extensive studio work (especially with Brian Eno). Skolnick is a diverse improviser whose jazz and world playing and instrumental associations (including bass virtuosos Stuart Hamm and Michael Manring) forms a Jeckyll & Hyde dynamic with his high profile as lead guitarist of the metal band Testament. Grohowski's many recent associations include John Zorn, a reincarnated version of Brand X and masked avant-metal outfit, Imperial Triumphant. Motzer has a long background in free improvisation, including the bands Bandit65 (with fellow guitarist Kurt Rosenwinkel) and Orion Tango, plus many other recorded collaborations for his 1k Recordings label.

Before this album, all of PAKT’s releases had been taken from live performances. This studio session took place during the band’s East Coast tour in December, 2021. Primed from several successful shows in Upstate New York (including musician Daryll Hall’s thriving venue in Pawling, NY, Daryl’s House), the band took the day off in the Catskills Mountains, where they tracked live at NRS Studios. NRS is located in the home of musician/recording engineer Scott Petito, whose studio has hosted such luminaries John Scofield, Chick Corea and James Taylor. The PAKT musicians set up in a circle, all in the same room and performed, just as they would at a live concert. This began in the late morning and continued past dusk. By day’s end, they had accumulated a bunch of material—quite a nice document of where the band was musically back in 2021.

Tim Motzer, who produced this recording as well as providing artwork, says the following: “One of the things we all realized is that this band isn't going backward...it may be fueled by what we've done in the past, but really it’s a forward-evolving band composing in-the-moment, finding new language, and discovering our music as we go along. It's in that feeling that the title, ‘No Steps Left To Trace’, came to me because our music is a continuum, and more like a journey or an experience. We are, in a sense, tunneling or boring through the musical abstract toward and through to the ‘other side’.” Skolnick adds “From the moment we did our first performance together, it was clear that this project had a special chemistry that doesn’t happen all that often. The fact that we found this chemistry in our favorite Brooklyn venue, called Shape Shifter Lab, is fitting. It being the height of the 2020 Pandemic, that first show was streamed, with no audience present. Our first studio album ‘No Steps Left to Trace’, is a return to us just playing to each other, only this time, we have a number of live shows and touring under our belt, recorded in a high-quality studio. It’s a great document of PAKT in 2021.”

Live, of course, they have an audience that takes the ride with them. It is a real shared experience in that regard. Motzer curated five such journeys for the Live CD, one from Buffalo, three from NYC (Nublu), and one from Philadelphia. Adding the live album to the double release shows the growth and evolving chemistry in PAKT from the 2021 studio recording to the newer live recordings in 2023. It's a nice contrast with a lot of great interplay and listening happening from all the players. It also makes the album an excellent introduction to the band’s music for anyone new to it, as well as a fine addition to their discography.

PAKT
with
PERCY JONES - bass
ALEX SKOLNICK - guitar
KENNY GROHOWSKI - drums
TIM MOTZER - guitars, electronics

PAKT recalls the fearless attitude and daring approach that originally defined progressive music: where the magic of the moment always triumphed over preconception. Templates be damned ... this music blazes its own path! This is truly exquisite fare, serving as a reminder to aficionados of what initially drew them to this most creative, visionary of genres.”

WEST COAST TOUR DATES
Feb 01 - Seattle, WA (Funhouse)
Feb 02 - Portland, OR (Alberta Abbey)
Feb 03 - Eugene, OR (WOW Hall)
Feb 04 - Redding, CA (The Dip)
Feb 06 - TBA
Feb 08 - Mill Valley, CA (Sweetwater Music Hall)
Feb 09 - Fresno, CA (Fulton 55)
Feb 10 - Los Angeles, CA (Baked Potato, 2 shows)
Feb 11 - Los Angeles, CA (Baked Potato, 2 shows)
Feb 12 - Costa Mesa, CA (Wayfarer)
Feb 13 - Phoenix, AZ (The Rhythm Room)

To purchase PAKT “No Steps Left to Trace” (2CD, 2LP, 24bit Download):
https://pakt-moonjune.bandcamp.com/album/no-steps-left-to-trace

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

12/06/2023

Guitar Legend Scott Henderson To Release New Album “Karnevel!”, Announces Forthcoming European Tour

Scott Henderson will be releasing his highly anticipated new album “Karnevel!” on February 2, 2024! Scott’s previous album “People Mover” was voted best fusion album of 2019 by Jazz Times magazine, and he won both Best Guitarist and Best Electric/Jazz-Rock/Contemporary Group in JazzTimes Readers Poll.

“Karnevel!” features a diverse set of beautiful compositions, and demonstrates Scott's striking ability to combine elements of jazz, rock, funk and blues in an authentic, seamless and musical way. After 35 years as a bandleader, Scott is a musician who's playing and composing continues to grow.

The album was recorded live in the studio with Romain Labaye on bass and Archibald Ligonnière on drums, the same musicians on “People Mover.” After the live session, Scott spent quite a bit of time layering additional guitar tracks. “I’m happy I was able to come up with quite a few sounds I’ve never used before” said Scott in a recent interview. “The variety and pacing are very important aspects of a record to me, and this one covers a lot of territory, from heavy rock moments to very harmonic jazz, and there’s a solo guitar piece which is something I haven’t done on an album before”.

Scott replied about the album concept, “It comes from being a fan of the LA Fair and carnivals in general, not so much as a kid, but from being a dad. Disneyland is fun, but the fair is way more quirky, ridiculous, and always hilarious. It’s a crazy atmosphere filled with variety, like my music.”


Born in 1954, Scott Henderson emerged in the 1980s with his legendary band Tribal Tech and has since become one of the top guitar players/composers in jazz fusion. Scott has toured and recorded with Chick Corea, Weather Report’s Joe Zawinul, Jean-Luc Ponty, and many others. As a bandleader, Scott has toured in over 70 countries and released over 20 albums. Throughout his career, he’s won numerous Best Guitarist awards in Guitar Player and Guitar World magazines, and been on the cover of many international guitar magazines.

Few players have joined the spirit of jazz and rock as successfully as Scott Henderson, who consistently cranks out masterpieces of harmonic sophistication, overdriven energy, and tonal beauty. He is fully steeped in both jazz and rock tradition, and he’s woven them together to create one of the most powerful voices in fusion guitar.” - Guitar Player Magazine

Track List:

1. Step Right Up
2. Karnevel!
3. Haunted Ballroom
4. Covid Vaccination
5. Puerto Madero
6. Sea Around Us
7. Sky Coaster
8. Greene Mansion
9. Bilge Rat
10. Acacia
11. Carnies’ Time

To purchase: https://www.amazon.com/Karnevel-Scott-Henderson/dp/B0CHN3FM3P/

Karnevel!” will be available at major retailers like Amazon, and in digital form at iTunes and other streaming platforms.

For more information:
www.scotthenderson.net
https://www.facebook.com/scotthendersonmusic
https://www.instagram.com/scotthendersontrio/
https://open.spotify.com/artist/7iqVI0BpCxVVHyVyGSfAmn

Tour dates:

FEBRUARY
Friday 16 - Jaworki, Poland - Muzyczna Owczarnia
Saturday 17 - Jaworki, Poland - Muzyczna Owczarnia
Monday 19 - Poznan, Poland - Blue Note
Tuesday 20 - Prague, Czech Republic - Jazz Dock
Wednesday 21 - Bamberg, Germany - Jazzclub
Thursday 22 - Passau, Germany - Café Museum
Friday 23 - Vienna, Austria - Porgy & Bess
Saturday 24 - Velden, Austria - Bluesiana
Sunday 25 - Bologna, Italy - Bravo Caffé
Monday 26 - Verona, Italy - Il Giardino
Tuesday 27 - Milano, Italy - Zio Live
Wednesday 28 - Chur, Switzerland - Streaminghall.ch
Thursday 29 - Geneva, Switzerland - eMa

MARCH
Saturday 2 - Paris, France - Le Triton
Monday 4 - London, UK - Ronnie Scott´s
Tuesday 5 - Folkstone, UK - The Chambers
Wednesday 6 - Tilburg, Netherlands - Paradox
Thursday 7 - Bergheim, Germany  - Medio Rhein Erft
Friday 8 - Hoofddorp, Netherlands - Poppodium C.
Saturday 9 - Hasbergen, Germany - Gaste Garage
Sunday 10 - Hamburg, Germany - Kent Club
Monday 11 - Kolding, Denmark - Godset
Tuesday 12 - Malmö, Sweden - Babel
Wednesday 13 - Karlskrona, Sweden - Sparresalen
Thursday 14 - Göteborg, Sweden - Pustervik
Friday 15 - Oslo, Norway - Cosmopolite
Saturday 16 - Sala, Sweden - Rockland
Sunday 17 - Stockholm, Sweden - Fasching
Tuesday 19 - Tampere, Finland - G Live Lab
Wednesday 20 - Äänekoski, Finland - Painotalo
Thursday 21 - Espoo, Finland - Sellosali
Friday 22 - Võru, Estonia - Võru Kultuurimaja Kannel
Saturday 23   Vilnius, Lithuania - Club Vakaris
Wednesday 27 - Gran Canaria, Spain - Teatro Perz
Thursday 28 - Tenerife, Spain - Teatro Leal
Friday 29 - Madrid, Spain - Sala Galileo Galilei
Saturday 30 - Athens, Greece - Athina Live

APRIL
Tuesday 2 - Beijing, China - Blue Note
Wednesday 3 - Hangzhou, China - Meeting Jazz
Thursday 4 - Shanghai, China - Shanghai JZ Club
Friday 5 - Shanghai, China - Shanghai JZ Club
Saturday 6 - XiAn, China - Meeting Jazz
Sunday 7 - Chongqing, China - Meeting Jazz
Monday 8 - Guangzhou, China - Guangzhou JZ
Tuesday 9 - Shenzhen, China - Meeting Jazz
Friday 12 - Bangalore, India - Windmills
Saturday 13 - Bangalore, India - Windmills

Press Inquiries: Glass Onyon PR, PH: 1 (828) 350-8158, glassonyonpr@gmail.com

11/20/2023

Italian Prog Legends Syndone To Release New Concept Album “DirtyThirty”

Sit down, make yourself comfortable. This is the story of an artistic journey, a 30-year parable.

Listen. Immerse yourself. Eliminate all distractions; let the music speak to you, like it used to do. “DirtyThirty” is the culmination of a class struggle, of the utopian ideal of those who stubbornly cling to a model of the world that still embraces thought, wonder and the courage of art. Syndone is a vision, a nine-album journey, the desire to make a mark in the world. Syndone is a shapeshifter, a band that’s changed its skin and its musicians without ever changing its soul: swimming against the tide, defying fashion and the decline (not only musical) of an era in which you can be successful only if it pleases the powers that be.

Yet there was a time when record albums were capable of transporting us, starting with the artistry of the album covers, of breaking the rules, crossing boundaries, with a whole set of atmospheres, sounds, and thoughtful, refined, stylistic constructions. Those were the days of progressive rock; at the time it was simply called ‘pop’, because it was popular. Today there’s very little left that’s progressive: there’s no thrill of discovery, we’re no longer open to wonder and amazement, we don’t deviate from the idea of an increasingly standardized and replaceable human being.

Nik Comoglio, the musical heart and soul of this story, has never surrendered to that reality; flanked by the vocal and conceptual talents of Riccardo Ruggeri, the Turin-based keyboardist and composer has truly succeeded in making his mark. Syndone, with their erudite, impeccable rock, as violent and energetic as they are melancholic and orchestral, are a dare, a counterpoint, a raised middle finger to the devious strategy of collective narcosis slyly dropped from above in the Kali Yuga of Western civilization. They’re an antidote.

“DirtyThirty” is their crowning achievement, the (perhaps) final chapter. Enjoy it like fine wine, in small sips, and remember to stay human.

Track list:

1. DirtyThirty - the end of my love - (Comoglio/Ruggeri)  [5’06”]
2. Fight Club (Comoglio/Rubinato/Ruggeri) [3’08”]
3. The Angel (Comoglio/Rubinato/Ruggeri) - quoting the track “Il fiele e il limite” from the album “La bella è la bestia”, 2012 [4’19”]
4. Valdrada’s Screen (Comoglio/Ruggeri) - restyling the track “Spleen” from the album “Spleen”,1992  [3’46”]
5. I spit on my virtue (Comoglio/Rubinato/Ruggeri) [4’40”]
6. I only ask for a super glue (Comoglio/Ruggeri) - quoting the track “Eros & Thanatos” from the album “Odysséas”, 2014 [5’02”]
7. Mary Ann (Comoglio/Ruggeri) - restyling the track “Marianne” from the album “Spleen”,1992   [5’57”]
8. René (Comoglio/Ruggeri) - restyling the track “Magritte” from the album “Melapesante”, 2010   [4’25”]
9. God’s will (Comoglio/Ruggeri) - restyling track “Inca” from the album “Inca”, 1993  [5’30”]
10. Thousand times I cried (Comoglio/Ruggeri) - restyling the track “Proverbi” from the album “Inca”, 1993  [2’11”]
11. Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018   [4’21”]
12. So long everybody - the time has come and I must leave you - (Comoglio) - restyling the track “Penelope” for full orchestra from the album “Odysséas”, 2014   [4’46”]

Bonus track
Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018 [4’21”]

Total time running 48’03”

SYNDONE Line up:

Nik Comoglio - composition, orchestration, hammond, juno dist. moog, mellotron, keyboards
Riccardo Ruggeri – composition, vocals, lyrics
Marta Caldara – vibraphone, marimba, keyboards
Gigi Rivetti – ac. piano, el. pianos, hammond, moog, accordion
Simone Rubinato – bass, fretless bass, el. baritone guitar Ciro Iavarone - drums, percussions

Guests

Tony de Gruttola – electric guitar & ac. guitar (on “DirtyThirty”)
Andrea Carbone – electric guitar (on “Mary Ann”)
Pino Russo – classic guitar (on “René”)
Gianluca Cagnani – pipe organ (on “Valdrada’s screen”)
Kaori Tsutsui – clarinet in Bb (on “Evelyn”)
Rebecca Onyeji - backing vocals
Charlie Poma - backing vocals

String Trio (on “I spit on my virtue”) – Valerio Iaccio (violin), Roberto D’Auria (violin), Michelangiolo Mafucci (cello)

Budapest Scoring Symphonic Orchestra conducted by M° Francesco Zago

Fabrizio Argiolas - sound engineer
Valentina Fornacca – artwork cover: “folli eroi e sognatori” (oil on canvas)
Eugenia Brini - layout and booklet project

To purchase: http://store.maracash.com/product_info.php?products_id=799&osCsid=n5r7g884nhrv8lm38p12vncf6p

For more information:
www.syndone.it
www.facebook.com/syndone

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/17/2023

Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N’ Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.

Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy's Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.

Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy’s new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It’s a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).

Please listen with your ears, mind and heart open.

Produced by Joe Chiccarelli at Sunset Sound, Los Angeles, CA. October 2022


Musicians:
Bass - Kaveh Rastegar, Sean Hurley
Guitars - Joe Gore, Vernon Reid, Fred Frith, David Levita
Banjo - Joe Gore
Drums - Matt Chamberlain
Keyboards - Zac Rae
Backing Vocals and Vocal Arrangement on “The Lonely Sea” - Roger Joseph Manning
Backing Vocals - Valerie Pinkston, Mia Pfirmann, India Carney
Trumpet - James Havorka
Horns - Danny T. Levin
Strings - The Section Quartet
Song Charts - Benjamin Lee

Advice and Coordination: Eliot Goldstein for Blue Buddha Productions

To purchase: https://7dmedia.com/percy-howard-the-stars-the-well

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

11/14/2023

Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

Calv carries on the legacy of Moondog (aka The Viking of Sixth Avenue) with full support from the Moondog archives!

Stockton, NJ – Percussionist Julian Calv was a music major who recently graduated from Moravian University in Bethlehem, PA. He now resides in the art community of Windsor, VT. Calv can occasionally be seen on Church Street in Burlington, VT, busking much in the way Moondog, aka the Viking of Sixth Avenue, did in NYC during the 50’s and 60’s.

Calv has studied every aspect of the avant-garde musician’s creative life. In addition to composing and performing, Moondog’s life included the invention of several musical instruments, most famously the trimba (a sort of triangular drum). Calv has even built his own one-of-a-kind trimba, going to great lengths to travel to Sweden and Germany to meet with fellow Moondog aficionados, and study the design of the instrument. Moondog archivist Wolfgang Gnida states, “Julian Calv - the future of the trimba, that's what I called Julian some time ago. That may seem a bit of an exaggeration, but since the time I've been working at the Moondog archives, I’ve yet to meet a musician who has been as intensely involved with the trimba as Julian.”

Calv had this to say about his latest release, “‘Encore’ is written by Moondog and performed by Ava Bloomfield on piano and myself. The song was originally titled ‘Utsu’ and played on an instrument Moondog built having the same name. This reinterpretation of the song brings the utsu's melody to the piano keys. ‘Encore’ is one of nine songs from an upcoming album titled ‘Nonstop Motion,’ featuring the music of Moondog and Julian all wrapped up in one.”

Listen here: https://ada.lnk.to/JCEncore

In addition to covering Moondog material, Calv has now been creating his own percussion-based compositions in a style reminiscent of the late composer. His first release, “Route 4,” and follow up “Thorn and Roots” have been picked up on multiple Spotify playlists.

Listen to “Route 4” here: https://ada.lnk.to/Route4

Listen to “Thorn and Roots” here: https://ada.lnk.to/ThornandRoots

Order the limited edition (only 250 printed) 7”-single and limited bundles here: https://bit.ly/JulianCalv

Tracklist:
Side A – “Route 4”
Side B – “Thorn and Roots”

This bundle Includes:
One (1) 7” Vinyl Single
One (1) Julian Calv Sticker
Two (2) Maraca Key Chains

For more information: http://www.instagram.com/julian.trimba/


www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/07/2023

Bruford “One Of A Kind” 12” Vinyl Edition Available November 24, 2023

Definitive vinyl re-release re-issued on Bruford’s own Winterfold Records and overseen personally by drum legend Bill Bruford

• Bill Bruford is the original drummer in YES and was a long-term member of King Crimson.

• The band Bruford recorded this album in 1979 and it went on to achieve critical acclaim and commercial success.

Bruford “One Of A Kind” 12” vinyl reissue will be available November 24, 2023!

The line-up on this album is: Bill Bruford – drums, percussion, Allan Holdsworth – electric guitar, Dave Stewart – keyboards, Jeff Berlin – bass

This 12” vinyl re-issue has been mastered from the original 1979 mix, taken from the original 1979 analogue tapes, and comes housed in a replica sleeve.

Mastered from the original tapes recorded and mixed by Stephen W Tayler in 1979

This definitive vinyl re-release is re-issued on Bruford’s own Winterfold Records and was overseen personally by Bill Bruford.

It's music that breathes... played by empathetic, truly virtuosic musicians. But is it rock, jazz, prog or fusion? Who knows, but it's some of the greatest British instrumental music of all time”. Sounds of Surprise

“… despite a landscape of constantly-shifting meters and tempi, the magic of One of a Kind is that it remains compelling and accessible”. All about Jazz

“This collection of ten tracks stands as a maelstrom of chops, arranging skills and inspired ensemble playing... the dynamics between drums, keys and fretless bass provide a high profile, capable structure for Holdsworth's top-flight soloing ability”. Exposé Online

Photo by Pascal Devillers

TRACK LISTING

Side 1
1 Hell’s Bells
2 One Of A Kind – Part One
3 One Of A Kind – Part Two
4 Travels With Myself – And Someone Else
5 Fainting In Coils
Side 2
1 Five G
2 The Abingdon Chasp
3 Forever Until Sunday
4 The Sahara Of Snow – Part One
5 The Sahara Of Snow – Part Two

To pre-order: https://burningshed.com/store/billbruford/bruford_one-of-a-kind_vinyl

Bill Bruford official website: https://billbruford.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/06/2023

King Crimson “Larks' Tongues In Aspic” The Complete Recording Sessions - Dolby Atmos 2023 Mixes Blu-ray/2CD Now Available!

• 50th anniversary edition of King Crimson’s classic 1973 album
• Blu-Ray I features all-new 2023 mixes in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and Hi-Res Stereo by Steven Wilson
• Blu-Ray I also features the new Elemental Mixes by David Singleton
• Blu-Ray II contains the complete recordings of every session recorded for the album. All of this material has been newly mixed from the original performances and is presented on disc for the first time in Hi-Res 24/96 stereo.
• Additionally, Blu-Ray II includes Hi-Res stereo mixes of the original stereo masters & David
Singleton’s audio documentary of the album recording “Keep That One, Nick” previously included on the 2012 boxed set. These are the sole inclusions to have been issued previously.
• CD1 includes the 2023 stereo mix and instrumentals of the album.
• CD2 includes the elemental mixes and selected master reels.
• Presented as a 2x gatefold sleeve edition containing the individual discs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packaged in a rigid slipcase

This band is more King Crimson than it’s ever been. All the original ideals and aspirations are there – love, respect and compatible ideas. It’s a magic band!” – Robert Fripp, July, 1972

Bill Bruford ~ David Cross ~ Robert Fripp ~ Jamie Muir ~ John Wetton

When, in July 1972, Melody Maker revealed that Bill Bruford & John Wetton were joining King Crimson – from Yes & Family respectively, it was front page news. Also joining were Jamie Muir – a key figure in London’s jazz scene & David Cross – from the band Waves. Fripp’s claims about the band’s ‘magic’ were to be put to the test that autumn when, following a three-night stint at the Zoom Club, Frankfurt & TV appearance on Bremen’s Beat Club, the band undertook an extensive UK tour, which ran from the end of October through to mid-December. With the exception of the encore “21st Century Schizoid Man”, the material was all new, with a heavier emphasis on improvisation than had ever been utilized by any major UK rock group on a headlining tour. The developing material for “Larks’ Tongues in Aspic” was premiered to a succession of audiences who, for the most part, had bought tickets expecting to hear something else entirely (encore notwithstanding) but who responded to the challenging set with enthusiasm.

Recorded from mid-January to the beginning of February & released in late March of 1973, “Larks’ Tongues in Aspic” became one of the most acclaimed of King Crimson’s albums as well as establishing its reputation as a key album from one of rock music’s most significant years. After a handful of further UK concerts, Jamie Muir left the band with the remaining quartet working with ever greater success until Summer 1974 when Fripp placed the band on indefinite hiatus.

Almost half a century after its release, Steven Wilson undertook the job of mixing the album for Dolby Atmos and, in the process, prepared new stereo & 5.1 mixes. The new stereo & 5.1 mixes – no doubt informed by the more adventurous mix techniques allowed by the Atmos process – are quite different in approach, more expansive than the earlier mixes as released in 2012, while still retaining and enhancing the core power of the original material.

The Atmos mixes allow a fresh glimpse of the vast scope of the individual material & performances as recorded for the album. The key to understanding this album, which Atmos illustrates most obviously, but is also present in all of Steven’s new mixes, David’s Elemental mixes & Alex & David’s mixes of the sessions material, is that this music was always this big, complex, interwoven series of soundscapes & while it was, in 1973, released in stereo on vinyl, CD & 8 Track cartridge, it’s only in recent years with, first the 2012 stereo & Surround mixes & now the Atmos/Elemental/Complete Sessions mixes that the available mix options & domestic consumption audio options have grown sufficiently to both contain & present the material to its fullest possible extent.

While Steven was working on this aspect of the material Alex R. Mundy and David Singleton at DGM were mixing every single take of the original studio sessions. These unreleased early takes are presented not as traditionally blended pieces, but with maximum separation, mimicking the experience of sitting in the studio with the individual elements being performed around you. The “Elemental mixes” apply this same approach to the main album takes. An excitingly fresh view on the familiar, with the focus often falling in unusual places, some originally hidden, some unused. Four of the album’s core tracks feature: extended mixes of “Larks’ 1” and “Talking Drum” along with “Easy Money” & “Larks’ 2”.

This material is all presented on Blu-Ray I of the set. Blu-Ray II presents every single session recording from the original studio dates, all newly mixed from the multitrack tapes and presented in date of recording order, in Hi-Res 24/96 stereo – a vast collection of previously unheard studio material from the seminal recording.
Also included on this disc are the original album mix (30th anniversary master) & the audio documentary “Keep that one, Nick” – as compiled by David Singleton for the 2012 boxed set. These two inclusions are the only previously released titles on this set.

It’s no coincidence that many of the pieces from the album became staples of performance for the most recent King Crimson line-ups (2014 – 2021). The material first performed to unsuspecting concert attendees in 1972, first recorded & released in 1973 & beloved of King Crimson fans ever since, has aged remarkably well. That material is now presented in its most complete edition to date, with all of the material on the CDs & almost all of the material on the Blu-Rays (see track-listing below), previously unreleased. In 2023, it still has the capacity to astound the ears.

Track List:

Blu-ray I - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased:
Larks’ Tongues in Aspic - 2023 mixes. Dolby Atmos, DTS HD-MA 5.1 Surround, LPCM 24.96 Stereo
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

Elemental Mixes (24/96 Stereo)
1. Larks' Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks' Tongues in Aspic, Part Two

Instrumental Mixes (24/96 Stereo)
1. Book of Saturday
2. Exiles
3. Easy Money

Blu-ray II - NTSC, All Zones (ABC), playable on all BD players & drives Dolby Atmos, DTS-HD MA 5.1 & LPCM Stereo 24/96, all previously unreleased except*

Original Masters (24/96 Stereo) *

30th Anniversary Master
1. Larks' Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks' Tongues in Aspic, Part Two

The Session Reels
1. “Keep That One, Nick” *
Complete Recording Sessions (24/96 Stereo)

January 16th, 1973
Larks’ I - Takes 1 to 10
Larks’ I - Takes 12 to 18 & 20 to 22
Larks’ II - Take 1
Book Of Saturday - Take 1
Book Of Saturday - Take 1 Overdubs & 2nd Main Vocal Take

January 17th, 1973
Larks’ I - Edit 2 Takes 1 to 11
Larks’ I - Edit 2 Take 12 & Overdubs
Larks’ I - 4/4 Section Remake Takes 1 to 4
Larks’ I - 4/4 Section Remake Takes 5 to 9 & 11 to 17
Larks’ I - 2nd Edit Takes 1 to 6
Larks’ I - 2nd Edit Take 1 with Overdubs

January 18th, 1973
Larks’ I - Bill Drum Check
Larks’ I - Jamie Drum Check
Larks’ II - Takes 1 & 2

January 19th, 1973
Larks’ I - 7/8 Section Remake Takes 1 to 5
Larks’ I - 4/4 Section Remake Takes 1 to 9

January 20th, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 10 to 20

January 21st, 1973
Larks’ I - 4/4 Section 2nd Remake Takes 21 to 26

January 23rd, 1973
Easy Money - Takes 1 to 9
Easy Money - Takes 10 & 11
Jamie Various Atmosphere Takes
Jamie More Atmosphere Takes

January 24th, 1973
Easy Money - Remake Takes 1 to 6
Easy Money - Remake Takes 7 to 9
Intermezzo Takes 1 to 6
Intermezzo Takes 7 to 16
Intermezzo Takes 19 to 25

January 25th, 1973
The Talking Drum - Takes 1 to 3
The Talking Drum - Take 3 (Complete)
Larks’ I - 2nd Edit Takes 1 to 5
Larks’ I - Final Edit Remake Non Takes

January 26th, 1973
Exiles - Takes 1 to 3
Exiles - Takes 5 & 6
Exiles - Master Reel Take 4 Backing
Exiles - Master Reel Take 4 Overdubs 1
Exiles - Master Reel Take 4 Overdubs 2
Exiles - Master Reel Take 4 Vocal Overdubs

January 30th, 1973
The Talking Drum - Remake Takes 1 to 6
Larks’ I - Master Bass Drums Percussion 4/4 section
Larks’ I - Master Bass Drums Percussion 7/8 section
Larks’ I - Master Guitar 4/4 Section Pass 1
Larks’ I - Master Guitar 4/4 Section Pass 2
Larks’ I - Master Guitar 4/4 Section Pass 3
Larks’ I - Master Guitar and Violin 7/8 Section
Larks’ I - Master Intermezzo Part 1
Larks’ I - Master Intermezzo Part 1 Overdubs
Larks’ I - Master Intermezzo Part 2
Larks’ I - Master Introduction David & Jamie
Larks’ I - Master Introduction Overdubs
Larks’ I - Master Last Section Newspaper Readings
Larks’ I - Master Lead Guitar Overdubs
Larks’ I - Master Opening Bass, Drums, Guitar, Percussion
Larks’ I - Master Opening Violin and Guitar
Larks’ I - Master Last Section Violin And Guitar

January 31st, 1973
Easy Money - Master Ambient Overdubs to the End
Easy Money - Master Backing Track to the End
Easy Money - Master Intro Backing Track
Easy Money - Master Intro Jamie Overdubs
Easy Money - Master Intro Vocal Overdubs
Easy Money - Master Vocal Overdubs to the End
The Talking Drum - Master Reel Backing Track
The Talking Drum - Master Reel Overdubs
Larks’ II - Master Reel Backing Track
Larks’ II - Master Reel Overdubs
Larks’ II - Master Reel Violin Solos

February 1st, 1973
Book Of Saturday - Takes 1 to 3 & 5 to 10
Book Of Saturday - Master Reel Bass Pass 1, Guitar, Violin
Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

CDs: All material newly mixed/released

CD 1 Larks’ Tongues in Aspic (2023 Mix and Instrumentals)
1. Larks’ Tongues in Aspic, Part One
2. Book of Saturday
3. Exiles
4. Easy Money
5. The Talking Drum
6. Larks’ Tongues in Aspic, Part Two
7. Book of Saturday
8. Exiles
9. Easy Money

CD 2 Larks’ Tongues in Aspic (Elemental Mixes and Selected Master Reels)
1. Larks’ Tongues in Aspic, Part One
2. Easy Money
3. The Talking Drum
4. Larks’ Tongues in Aspic, Part Two
5. Exiles - Master Reel Take 4 Backing
6. Book Of Saturday - Master Reel Guide Vocals, Guitar, Violin Overdubs
7. Book Of Saturday - Master Reel Bass Pass 2, Vocals with Vocal Overdubs

To purchase:
Blu-ray/2CD: https://burningshed.com/king-crimson_larks-tongues-in-aspic_2cd_2blu-ray
DBL Vinyl: https://burningshed.com/king-crimson_larks-tongues-in-aspic_double-vinyl

For further information please contact: info@panegyric.net


www.dgmlive.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

11/03/2023

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” Documentary By Toby Amies Coming To Select US Theaters Opening November 3rd!

OPENING IN OVER 70+ US THEATERS NOVEMBER 3RD

King Crimson’s “In The Court Of The Crimson King – King Crimson At 50” documentary By Toby Amies is coming to select US theaters opening November 3rd!

Just as King Crimson has been, for more than half a century, an atypical rock band, this film is a refreshingly atypical music documentary. A film about the sacrifices we need to make to bring things of beauty and meaning into the world. But with jokes.

Toby Amies’s film “In The Court of the Crimson King – King Crimson at 50” provides a unique insight into the working process of a complex touring band, interspersed with contributions from previous band members to provide a contextual backdrop to the band’s past, as the most recent (2014-2021) line-up tours the world just before and during its 50th anniversary.

As King Crimson producer and band manager, David Singleton observed of the film: “All of life is here, not just music, and certainly not just rock. It has rightly been described as going beyond King Crimson into a ‘universal, inspirational study of what it is to work or dream to work as an artist.’”

While director Toby Amies writes of the experience: “In the Court of the Crimson King is not a film that wants to tell the audience what to think, rather it presents several different points of view about the creative process and what it means to be in this most unusual band; leaving the audience with a sense of both how complicated it all is, but also just how incredibly rewarding the King Crimson experience is both for the musicians and its fans.”

Robert Fripp announced that King Crimson had “moved from sound to silence” on social media after their final date in Japan in December 2021, making this release all the more poignant as a unique record of the band’s longest lasting line-up with tantalizing glimpses of the band’s history.

Watch the promotional video: https://www.youtube.com/watch?v=Kg3osMG5yK4


photo by Tony Levin

Here’s what the press has said about “In The Court Of The Crimson King – King Crimson At 50”:

The film is angular and abrasive, exacting and playful, extremely funny and achingly melancholy.” - THE OBSERVER

This unflinching portrait of the prog rock band is like an episode of The Office but with huge drum kits, grizzled roadies and rapturous fans” - THE GUARDIAN

By turns comical and melancholy, it may be the most revealing film about working life in a band since Spinal Tap.” - THE DAILY TELEGRAPH

A fascinating look at both a venerable institution, the dynamics of working as a multi-limbed unit that’s ruled by a single iron fist, and what it takes to play this type of music.” - ROLLING STONE

Doc about a Prog-Rock Perfectionist Is Nearly Perfect Itself. About as good as Rock documentaries get.” – VARIETY

Revelatory” - UNCUT

A compelling insight into the tetchy men of prog rock. Their dedication to music is a joy, the persistence of Toby Amies ranks alongside Nick Broomfield. Even if you go in knowing next to nothing about King Crimson, you will leave feeling like lifelong enthusiasts.” - BBC RADIO SCOTLAND / RADIO TIMES, Siobhan Synnot

The film ponders mortality, why music matters, and the sacrifices that bringing difficult art to the stage entails.” - THE TIMES

In The Court of the Crimson King : King Crimson at 50 goes straight into the pantheon of those documentaries which enable us to appreciate the painful truth of what being in bands is actually like...there is no higher echelon.” - MOJO

COMING TO SELECT THEATERS INCLUDING LA & NY
New York City - November 3rd @ Alamo Drafthouse
Los Angeles - November 3rd @ Alamo Drafthouse  
San Francisco, CA - November 3rd @ Roxie Theatre
San Francisco, CA - November 3rd @ The Castro Theater
Larkspur, CA - November 3rd @ The Lark Theater
Vancouver, WA - November 3rd @ The Kiggins Theatre
Hartford, CT - November 3rd @ Cinestudio
San Francisco, CA - November 8th @ 4 Star Theater
Ann Arbor, MI - November 8th @ Michigan Theater
Bellingham, WA - November 8th @ Pickford Film Center
Santa Ana, CA - November 8th @ Frida Cinema
Seattle, WA - November 8th @ Grand Illusion
Camas, WA - November 8th @ Liberty Theatre
New York City - November 8th @ Rosendale Theater
Des Moines, IA - November 8th @ Fleur Cinema
Austin, TX - November 8th @ Moviehouse & Eatery NW Austin
Austin, TX - November 8th @ Moviehouse & Eatery SW Austin
Columbia, SC - November 8th @ BTM Dutch Square Cinema 14
Richmond, VA - November 8th @ BTM Movieland at Boulevard Sq
Irvine, CA - November 8th @ Irvine Spectrum 20 IMAX & RPX
Knoxville, TN - November 8th @ Pinnacle Stm 18 IMAX & RPX
Atlanta, GA - November 8th @ Regal Atlantic Station
Chicago, IL - November 8th @ Regal City North
Cleveland, OH - November 8th @ Regal Crocker Park
Albany, NY - November 8th @ Regal Crossgates
Syracuse, NY - November 8th @ Regal Destiny
Los Angeles, CA - November 8th @ Regal Edwards Long Beach
San Diego, CA - November 8th @ Regal Edwards Mira Mesa
San Francisco, CA - November 8th @ Regal Hacienda Crossings
Portland, OR - November 8th @ Regal Lloyd Center
Nashville, TN - November 8th @ Regal Opry Mills
Las Vegas, NV - November 8th @ Regal Red Rock
Los Angeles, CA - November 8th @ Regal Sherman Oaks Galleria
Miami, FL - November 8th @ Regal South Beach
Charlotte, NC - November 8th @ Regal Stonecrest
Seattle, WA - November 8th @ Regal Thornton Place
Philadelphia, PA - November 8th @ Regal UA King of Prussia
New York, NY - November 8th @ Regal Union Square
Albuquerque, NM - November 8th @ Regal Winrock
Lowell, MA - November 8th @ Lowell
Foxboro, MA - November 8th @ Patriot Place
Providence, RI - November 8th @ Providence Place
Warwick, RI - November 8th @ Warwick
Farmingdale, NY - November 8th @ Farmingdale
Holtsville, NY - November 8th @ Island 16
Holtsville, NY - November 8th @ Broadway
Springdale, OH - November 8th @ Springdale
Cambridge, MA - November 8th @ The Prattle Theatre
Beverly, MA - November 8th @ Cabot Performing Arts Centre
Inglewood, CA - November 8th @ Cinepolis
Del Mar, CA - November 8th @ Cinepolis
San Mateo, CA - November 8th @ Cinepolis
Dallas, TX - November 8th @ Cinepolis
Austin, TX - November 8th @ Cinepolis
Austin, TX - November 8th @ Cinepolis
Coconut Grove, FL - November 8th @ Cinepolis
Gaithersburg, MD - November 8th @ Cinepolis
Sedona, AZ - November 8th @ Mary D Fisher Theatre
Minneapolis, MN - November 8th @ Riverview Theatre
Cleveland, OH - November 8th @ Cedar Lee Theatre
Bantam, CT - November 9th @ Bantam Cinema & Arts Center
Chico, CA - November 9th @ Pageant Theater
Eugene, OR - November 10th @ Art House
Dallas, TX - November 12th @ The Texas Theatre
Portland, OR - November 12th @ Cinema 21
Los Angeles, CA - November 13th @ Orpheum Theater
Somerville, MA - November 13th @ Somerville Theatre
Maitland, FL - December 18th @ Enzian Theater
Sacramento, CA - November 22nd @ Crest Cinema
Pittsburgh, PA - November 28th @ Harris Theatre

Synopsis:
What began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. But with jokes.

Directed by:
TOBY AMIES

Featuring:
ADRIAN BELEW
SISTER DANA BENEDICTA
BILL BRUFORD
MEL COLLINS
ROBERT FRIPP
MICHAEL GILES
TREY GUNN
GAVIN HARRISON
JAKKO JAKSZYK
TONY LEVIN
JAMIE MUIR
IAN McDONALD
BILL RIEFLIN
PETER SINFIELD
JEREMY STACEY

Produced by:
TOBY AMIES
NICK FREAND JONES
DAVID SINGLETON

Executive Producers:
KAT MANSOOR
DAVID SINGLETON

Running Time: 86 minutes

**SCREENERS AVAILABLE UPON REQUEST FOR INTERVIEWS AND REVIEWS **

To request a link please contact: crimsonking@mprm.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/02/2023

Guitar Virtuoso Daniel Reyes Llinás To Release New Album “Códices”

Co-produced by King Crimson's Trey Gunn

“Códices” by guitar virtuoso Daniel Reyes Llinás, is a collection of études for acoustic guitar and improvised pieces on the 12-string guitar. Inspired by the spirit of modern Latin American guitar composers, Llinás pays homage through extensive use of shifting resonance, dissonance, rhythmic exuberance, and deliberate silence. The contrast between the written and improvised works serves as a conceptual gesture in the ongoing search for a sonic vocabulary.

The album was recorded in Santa Fé, NM by Grammy awarded engineer Marc Whitmore (Jon Batiste, T-Bone Burnett) and co-produced by Trey Gunn (King Crimson, Tu-Ner).

The pieces are quietly virtuosic with a scope that ranges across continents and eras.  The music pays homage to the pantheon of Latin American composers who have written for guitar while also incorporating harmonies from contemporary jazz and such American and European composers as Feldman, Debussy and Stravinsky.  Extended techniques appear as well with harplike harmonic arpeggios evoking windchimes, wide melodic leaps as if from birdsong, and driving ostinati that groove hard.  One hears free-flowing ballads that turn questioning or flamenco fanfares that expand into ecstatic looping pull offs. A brilliant record that opens new vistas for both the listener and the classical guitarist.” -Elliott Sharp

Watch the promotional video: https://youtu.be/c-K7RwOmVP0

Release date November 3, 2023

To purchase: https://7dmedia.com/daniel-reyes-llinas-c-o-dices

Daniel Reyes Llinás; Acoustic guitar & 12-string guitar.
Composer. Guitarist. Producer
www.llinasmusic.com

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

10/16/2023

Multi-Instrumentalist/Songwriter Marlon Cherry To Release New Album “Fever Dreaming In Lo-Fi” Featuring Terre Roche of The Roches

“Fever Dreaming In Lo-Fi” is the fifth solo release by NYC based multi-instrumentalist/songwriter, Marlon Cherry. This collection of music is an eclectic mix of styles, ranging from Rock, Dream Pop, Jazz, Experimental, World Beat, and even a splash of A Cappella R & B. Marlon handles all of the instruments and vocals on the bulk of the pieces, with some wonderful guest contributions from Terre Roche (The Roches), Susan Hwang, Paul Brantley, Christina Schneider, and poet/actress, Sophie Malleret. The project was co-produced by Marlon and Zach Phillips (Fievel Is Glauque), who also engineered the recording.

Marlon has worked and continues to work with a wide range of artists including Stew & The Negro Problem (Tony Award winners for Passing Strange), Stew’s current side project, Baba Bibi, Syd Straw, actress/songwriter, Eszter Balint, Chris Cochrane (Marc Ribot, Zeena Parkins), and Terre Roche (solo and as part of the trio, Afro-Jersey with Sidiki Conde), among others.

Previous solo releases by Marlon are “Life After Théâtre” (1986), “Pete” (1990), “Elsewhere” (2001), and “Ancient Sound, Modern Dance” (2006).

“Fever Dreaming In Lo-Fi” is available for streaming/download at Spotify, Amazon, iTunes, Bandcamp, Hear Now, and other sites and is available in cd format via CD Baby.

Contact: marlon.cherry@yahoo.com

For more information:
facebook.com/marloncherry
marlon.cherry@instagram.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

10/13/2023

Legendary Miles Davis’s Saxophonist Sam Morrison “Whatever : Anthology 1” Now Available on Blue Buddha Productions

Soprano & Tenor Saxophonist, Alto & Bass Flute Player, Composer, and Synthesist

Sam Morrison is a multifaceted musician known for his mastery of the soprano and tenor saxophones, as well as his artistry on the alto and bass flutes. With a career that spans several decades, he has left an indelible mark on the world of jazz, collaborating with legendary artists and contributing to iconic recordings.

One of the standout moments in Sam’s career was his membership in the esteemed Miles Davis Band. His performance alongside Miles Davis at the 1975 Newport Jazz Festival, held that year at Avery Fisher Hall, garnered rave reviews from The New York Times. A portion of that historic concert's recording has recently been released in the Miles Davis bootleg series, “Volume 4: 1955-1975 Newport Jazz Festival.” Collectors and enthusiasts can also find bootleg recordings of concert and club performances featuring Sam Morrison with the Miles Davis Band, testifying to the lasting impact of his contributions.

Sam Morrison’s musical journey extends beyond his time with Miles Davis. He has collaborated with an array of jazz, rock, and blues luminaries, including Gil Evans, Al Foster, Buster Williams, Woody Shaw, Billy Hart, T-Bone Walker, Michael Shrieve, Michael Brecker, Masabumi Kikuchi, and Ryo Kawasaki. His presence has graced stages at major jazz festivals across Europe, such as Vienne, Nice, Paris, and Stockholm.

As a member of  “The Children on the Corner,” the Electric Miles reunion band featuring bass legend Michael Henderson and jazz tabla pioneer Badal Roy, Sam continues to explore new dimensions in jazz fusion. His musical education began at Columbia University in New York City, where he immersed himself in the vibrant jazz scene, frequenting legendary clubs like Slugs and the Village Vanguard. He also experienced the groundbreaking rock acts of the era at Fillmore East, further expanding his musical horizons.

Currently, Sam Morrison is actively working on a new trio album featuring Michael Shrieve, the original Santana drummer from Woodstock, and Patrick Gleeson, an electronic music and synth pioneer known for his collaborations with Herbie Hancock. Additionally, his forthcoming solo album is eagerly anticipated, with remixing by the legendary bassist, producer, and remixer Bill Laswell.

Sam Morrison’s contributions to the world of music continue to evolve and inspire. Blue Buddha is proud to have him as part of our roster of exceptional talent, and audiences can look forward to experiencing his innovative and genre-defying artistry in the years to come.

To purchase: https://bluebuddha.bandcamp.com/album/whatever-anthology-1

Blue Buddha Productions Contact: eliot.bluebuddhaproductions@gmail.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

10/06/2023

Guitar Virtuosos Daniel Reyes Llinás, Harvey Valdes, Elliott Sharp Release New Collaborative Album “String Schemas”

Guitar virtuosos Daniel Reyes Llinás, Harvey Valdes, Elliott Sharp are releasing their collaborative album “String Schemas” on October 6, 2023 on 7D Media.

“In April 2022, I was about to perform in Brooklyn for the first time since the pandemic. Offering a solo set didn't excite me much, so I invited my avant-garde jazz-wizard friend, Harvey Valdes, who had just released his superb recording of Bach’s lute works on the electric guitar. To complete the trifecta, I reached out to downtown legend, experimental guitarist, composer, and multi-instrumentalist Elliott Sharp, whom I have been a fan of for many years and recently reconnected with. Harvey and Elliott generously joined me, delivering incredible solo sets. Later, Elliott proposed closing the evening with improvisations. The vibe was so great that we decided to repeat the experience a few months later. ‘String Schemas’ serves as the documentation of those memorable moments.” - Daniel Reyes Llinás

Daniel Reyes Llinás, a Colombian composer, guitarist, and producer, derives inspiration from rhythmic and melodic angularity. He weaves atonal architectures with vibrant lyricism into his music. As a leader, Daniel has released two albums: “Molino,” a captivating collage of world and new music, and “En Remolinos,” a bold exploration that blurs the boundaries between improvisation and composition. His contributions can be heard on Parias Ensemble's experimental “St. Mark’s sessions” and on the eclectic collaborative EP “re:SET vol:1”. Daniel has scored films, theater productions, and dance choreographies. Most recently, his solo guitar debut, “Códices,” comprising a series of modern guitar études and improvisations co-produced by Trey Gunn, is scheduled for release on 7DMedia on November 3rd, 2023.

Harvey Valdes, a guitarist of searching, sophisticated musicality, can traverse styles from avant-jazz and Middle Eastern music to improvised film scores and the compositions of Bach. Harvey has an intrepid curiosity about the guitar’s sonic and expressive range; he is also a trained player of the Arabic oud. To date, he has released four albums as a soloist/leader: “Novare”, his interpretation of Bach Lute Suites on electric guitar, “Solitude Intones Its Echo”, a set of concise, engaging solo improvisations; “PointCounterPoint”, a bristling, Mahavishnu-meets-math-rock trio album, and “Roundabout”, his solo debut featuring lyrically inventive takes on jazz standards.

Elliott Sharp is a composer, multi-instrumentalist, producer, author, and visual artist who leads the projects Orchestra Carbon, SysOrk, and Terraplane and whose compositional strategies encompass fractal geometry, chaos theory, algorithmic approaches, genetic metaphors, and new techniques for graphic notation. He has been awarded the Berlin Prize, a Guggenheim Fellowship, and fellowships from the Foundation for Contemporary Art and the Center for Transformative Media. Sharp is the subject of the documentary “Doing The Don’t” and has been featured on NPR’s All Things Considered. His composition “Storm of the Eye”, for violinist Hilary Hahn, appeared on her Grammy-winning album “In 27 Pieces.”

Elliott (left ) Daniel (center) Harvey (right)

To purchase Daniel Reyes Llinás, Harvey Valdes, Elliott Sharp “String Schemas”:
7d Media: https://7dmedia.com/daniel-reyes-llinas-string-schemas
Bandcamp: https://llinas.bandcamp.com/album/string-schemas

For more information:
https://7dmedia.com/daniel-reyes-llinas-string-schemas
www.llinasmusic.com
harveyvaldes.net
http://www.elliottsharp.com/

Press Inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

9/21/2023

MAGMA 50th Anniversary Vinyl Box Set of “Mekanïk Destruktïw Kommandöh” Release Delayed Until October 27

The release of MAGMA's birthday present in celebration of their iconic third album, which arrives as a lavish box set limited to 2,000 copies, is being delayed due to a manufacturing issue. This has been solved by upgrading the paper quality of the included artbook to an even higher standard. "Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh" will hit stores three weeks later than originally announced on October 27, 2023.

Those customers, who ordered a box set directly from MAGMA's shop or the SPKR and Prophecy label shops can currently expect their copy close to the original release date around October 6, 2023. In case there are no further unexpected delays, MAGMA will also be able to offer boxes at their next live events. Please see below for all currently confirmed dates.

On "Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh", the French avant-garde pioneers and inventors of zeuhl follow the trail of their classic third full-length from the remastered original recording through decades of various incarnations on 7 vinyl LPs!

Please see below for cover art, tracklist, and full details of "Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh".

Please note that due to the singular nature of this release neither promotional copies nor sound will be provided by the label.

Release date: October 27, 2023
Style: Avant-garde rock
Label: Prophecy Productions

MAGMA comment: “With this box set, we want to take you all right into the heart of the composition of our most emblematic work, which allows you to follow its evolution throughout the 50 years of its existence”, mastermind Christan Vander explains. “When we performed ‘Mekanïk Destruktïw Kommandöh’ for the first time, we did not imagine even in our wildest dreams that people would still want us to play this album more than 50 years later. This anniversary deserves to be celebrated, and this edition is a gift for us as well!”

Iconic French avant-garde rockers MAGMA have joined forces with Prophecy Productions to create a lavish boxed set under exclusive license from Seventh Records to celebrate the 50th anniversary entitled “Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh” of their legendary milestone release and third studio album “Mekanïk Destruktïw Kommandöh” (1973).

Apart from a number of special collectors’ items, this box set limited to 2,000 copies contains seven vinyl LPs ranging from the original album to live recordings and other rare materials related to “Mekanïk Destruktïw Kommandöh” (henceforth abbreviated as “MDK” in this text), of which several were previously unreleased and/or appear on vinyl for the first time.

The albums are numbered in chronological order:

LP 1 “1972 – Paris ORTF”
This is definitely one of the first recorded live versions of “MDK”; and it might even be the first – if anybody could exactly remember this after 50 years. At that time, the masterpiece was still a work in progress.

LP 2 “1973 – Choeurs de la Storchhaus”
This studio recording can be regarded as a demo and it features the choir that played “MDK” live at the SIGMA festival in November 1972. It was first released on CD in 1989 and now appears for the first time on vinyl.

LP 3 “Mekanïk Destruktïw Kommandöh” (original version)
Despite more than 30 published studio and live recordings, many consider this album to represent MAGMA’s ultimate masterpiece. At the time, Christian Vander had taken the artistic destiny of the French band fully into his hands. The most striking development was the massive impact of the vocalists and choir. This classic was carefully remastered for this edition.

LP 4 (Side 1) “1994 – Les voix de Magma”
This previously unreleased track was recorded live with the addition of a 60-piece choir.

LP 4 (Side 2) “1995 – Babyaga la sorcière”
This surprising adaptation of “MDK” was recorded at the Espace Lumière in Epinay-sur-Seine, France on October 15, 1995 during the second concert celebrating MAGMA’s 25th birthday. It features an impressive choir of children and an instrumental ensemble of teenagers. It was released on CD in 1996, but never before on vinyl.

LP 5 “2000 – Paris Trianon Theater”
This version was recorded in Paris at the Theatre du Trianon during MAGMA’s 30th anniversary celebration and was previously only released on CD as part of a box set in 2001.

LP 6 “2005 – Paris Le Triton”
During May 2005, MAGMA booked the club Le Triton in Paris, changed their programme each week, and brought illustrious past members back to the stage to perform with them. On this recording from May 21, Christian Vander was reunited with legendary bass player Jannick Top. Previously only appearing on DVD, this is the first audio only release of this remarkable event.

LP 7 “2021 – Opéra de Rennes”
This previously unreleased version captures the new MAGMA line-up, which is more vibrant than ever!

For connoisseurs of avant-garde rock, MAGMA needs no introduction. The visionary French band that was founded in Paris by self-educated drummer and percussionist Christian Vander are towering giants within and beyond their genre.

Although MAGMA have been variously filed under avant-garde rock, progressive rock, jazz rock, and other equally fitting terms, the band has also created a sub-genre of their own, which is dubbed zeuhl or zeuhl rock. This term has also been adapted by other bands inspired by the style particularly in France and Japan but also elsewhere.

Christian Vander has created his own lyrical cosmos for MAGMA, in which humanity has destroyed earth and fled to a planet called Kobaïa that has remained at the center of his musical works. With his disturbing vision of humanity’s ecological and spiritual development, Vander was far ahead of his times and quite prophetic.

Most MAGMA lyrics are sung in the fictional language Kobaïan, which was invented by Vander and mainly uses phonetic traits of Germanic and Slavonic languages to enhance the musical expression of the band.

With “Une histoire de Mekanïk – 50 Years of Mekanïk Destruktïw Kommandöh”, MAGMA celebrate their classic album's 50th anniversary by giving themselves and their dedicated following a beautiful present in the shape of a lavish limited box set that follows the massive trail of their iconic third full-length from the original through decades of various incarnations. Zeuhl forever!

Remastering for this edition: Marcus Linon at Greasy Records Studio, Paris, France
Layouts Gerald Nimal at UZ Grafik

For more information:
magmamusic.org
www.facebook.com/zeuhlwortzmekanik
www.instagram.com/magma.officiel

To pre-order:
http://lnk.spkr.media/magma-50

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com