Held By Trees To Release Second Album “Hinterland” Featuring Talk Talk/Hollis veterans Robbie McIntosh, Laurence Pendrous, Andy Panayi With Simone Marie Butler (Primal Scream, Jesus & Mary Chain), Matt Simms (Wire), Jen Macro (My Bloody Valentine) and Others!

“Hinterland” is the second LP by Held By Trees, taking in elements of jazz, post-rock, and ambient music and will be released on CD/Vinyl (and digital download only on Bandcamp) on Friday 4th April, 2025 on Tweed Jacket Music Ltd and Lasgo Records Distribution. The follow-up to 2022’s critically acclaimed debut, ‘Solace’, this new eight-piece album is a sonic journey through ambiguous spaces, within and without.

Once again, Held By Trees – helmed by composer/producer David Joseph - brings together living DNA from its chief influence, the latter work of Mark Hollis with Talk Talk, and as a solo artist. This includes this time his son Charlie Hollis who plays piano on four of the tracks. Returning Talk Talk/Hollis veterans are Robbie McIntosh on guitar, Laurence Pendrous on piano, Andy Panayi on flute, clarinet and saxophone (who are each member of the live HBT band), plus Martin Ditcham on drums/percussion and Simon Edwards on double bass.

Other notable contributors to the album include: Rob Coombes (Supergrass) on Hammond Organ, Stephen Gilchrist (Stephen Evens, Graham Coxon) on drums, Simone Marie Butler (Primal Scream, Jesus & Mary Chain) on synths and sound effects, Matt Simms (Wire, It Hugs Back) on guitar, Norman Westberg (Swans) on guitar, Robert Poss (Band of Susans, Phil Niblock) on guitar, Simon Scott (Slowdive) with field recordings, Mark Simnett (Bark Psychosis) on drums and percussion, Jen Macro (My Bloody Valentine, Hurtling, Graham Coxon) on guitar, Chris Pedley (The Baker Brothers) on bass.

David Joseph said, “‘Hinterland’ is a meandering celebration of the vague, the between places, the forgotten, nameless margins – not just in the landscape around us physically, but also internally – somewhere in the middle of faith and doubt, joy and melancholy, departure and arrival.”

“The thrill of Held By Trees is bringing such a variety of musicians together and sculpting something surprising and unique from the ideas they submit. This album is an odyssey of guitar, with some of the most innovative guitarists of the last 50 years of alternative, left-field music taking part. ‘Hinterland’ is full of soundscapes using guitars like paintbrushes, painting a variety of rich, delicate, floating and abrasive textures that evoke the liminal spaces around us and within us.”

In a departure from previous releases, the artwork this time is supplied by Brighton-based abstract mixed-media artist, Gareth Hayward. David said, “Gareth’s artwork is the perfect visual pairing for the music. It asks us what we see within it, without dictating what or where it is. There is plenty of intentional ambiguity, which is central to the album’s musical theme. I adore Gareth’s use of negative-space and his visceral approach to capturing landscapes full of mood and mystery.”

David Joseph

For more information: www.heldbytrees.co.uk

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com (North America, Europe)

From the Heinous to the Sublime, Paul Adams and Elizabeth Geyer Release the Album “A Journey of Dreams”

Worldwide release November 15, 2024

Chicago - Living thousands of miles apart, United States based, award-winning multi-instrumentalist, Paul Adams, and Australia based, award-winning pianist, flugelhorn instrumentalist and vocalist, Elizabeth Geyer, have been creating music together from opposite ends of the globe since their debut collaboration, “Imaginings.” Across the oceans and continents, something definitely worked synergistically and continues to work. Their album won the award, “Contemporary Instrumental Album of the Year” at the Zone Music Reporter Awards in 2015. Following, “Imaginings,” came “Deeper Imaginings” and “Sanctuary,” the New Age Music Guide's “Album of the Year” of 2022.

Continuing to unfold the timeless, spiritual sanctuary that has become a trademark of their music, came the (December 2023) single from this new album, “A Journey of Dreams.” The full album release of “A Journey of Dreams” met with delays after the success of the single but is finally released on 11/15/24. It involves Adams’ creative musical talent and his collection of exotic world instruments as well as the electric sitar he made in the days when he was a luthier. Their successful journeys have amassed over 138 million streams on Pandora as well as regular programming on SiriusXM Radio.

Blended with Elizabeth Geyer’s sensitive piano, flugelhorn and instrumental vocalizations, “A Journey of Dreams,” continues the beautiful and exotic flow of their previous releases. Adams said, “We wanted to focus on beauty, especially as the world seems to be in such deep chaos.” When referring to Geyer’s solo album projects, Bruce Lundvall of Blue Note Records called Elizabeth “A brilliant musician and songwriter.” For “A Journey Of Dreams,” Elizabeth says her intention was to create a place of safety and home. “Imagine a place where you once came from, where you will go back to, and a place you sometimes visit in dreams.”

With its exotic artistic nature and chill ethnic impressions, Adams describes the album as offering a bit of artistic and spiritual pragmatism. “It's all right here on ‘circus Earth’ – from the heinous to the sublime. We felt a need to create something that might focus on the deep beauty we are all capable of. We feel as if God, nature, or whatever you wish to call it, is challenging us. ‘She’s’ wondering if we have the interpersonal maturity and cultural skills to work together in this rapidly changing, growing, yet shrinking world.”

Paul Adams: Keys, Dobro, Sitar, Ethnic Flutes, Chinese Hulusi and Oud
Elizabeth Geyer: Piano, FlugelHorn, Vocalizations.

Full length video of A JOURNEY OF DREAMS: https://www.youtube.com/watch?v=-BxL-b36zWk

Music Link To All purchase/streaming Sites: https://pauladams.hearnow.com/
LinkTree: https://linktr.ee/pauladams

Official artist website – Paul Adams: www.pauladams.org
Official artist website – Elizabeth Geyer: www.elizabethgeyer.com

Paul Adams -Twitter: https://twitter.com/ppaul3
Paul Adams – Facebook: https://www.facebook.com/paul.adams.754/
Paul Adams – Instagram: https://www.instagram.com/ppaul3/?hl=en

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

French-Brazilian Guitar Virtuoso Marcelo Paganini To Release Two Singles Digitally on November 20, 2024

If not now, then when? Just before celebrating his 60th anniversary, French-Brazilian guitar player, composer, producer and film-maker Marcelo Paganini will digitally release two singles on the 20th of November 2024.

The first single Marcelo Paganini will release is his short orchestral overture “Poder Paralelo”. It is just 49 bars. It lasts only about one minute. Perfect for the short attention span audience of the current times. It is the first movement of his first symphony “Belo Horizonte” that he wrote 20 years ago, when his friend Andre Dequech told him about a composition contest. Award nominee sound engineer John Chapman did the audio mixing in Hollywood, California, USA. Marcelo Paganini conducted by himself the Budapest Scoring Orchestra in Budapest, Hungary on October the 23rd for the recording. 3 cameras captured the performance and the video will also be released on the 20th of November. There will also be an “making of” short film documentary produced and directed by Marcelo Paganini that will be released next year on the film festival circuit.

Marcelo Paganini is still stepping on the clouds after coming back from Budapest: “I have never written for orchestra before, and I started with the most difficult part, the “tutti” when all the instruments play at once. I hired the great orchestrator Thomas Goss to mentor me in the process of making sure everything was correct and would sound right. Because it is easy to write something that sounds good on the computer but doesn’t translate well with a real orchestra. But Thomas Goss said he had very little to do, that it was great scoring. What he mostly did was transcribe my work and prepare all the scores for the session. With just one half an hour to record, I had to plan every detail in advance. Everybody at Budapest Scoring Orchestra is wonderful and very professional, they made the whole experience very smooth. Since I wrote the overture and knew it by heart, I could conduct without a score. This gave me the advantage to have my whole brain, both arms and eyes on the orchestra all the time.”

“To conduct is to ‘play’ the orchestra, the ultimate instrument,” explained Marcelo Paganini. “The orchestra became me, and I became the orchestra. The way all my body communicated my musical intentions to the 67 musicians was the most intense feeling I had in my life. I have never done that before. I was dreaming about doing it since I was a child and the first time I saw and heard an orchestra. I had never conducted an orchestra before, I was moved to tears when the orchestra applauded me at the end. I was not expecting that at all. Just look at the smile on the musician’s face, that is priceless. Forever in my heart. I hope Eumir Deodato will be proud of me. Now I am doing everything I can to go back to Budapest as soon as possible to record the rest of my symphony. There are two more movements, ‘Central Parque Municipal’ and ‘Nao sei contar’. 11 more minutes and 2 hours recording time with the orchestra. People can help me make my dream come true by buying my music on Bandcamp and paying as much as they want for the digital file. There is no limit. I am also looking forward to performing it live with orchestras around the world. A one-minute overture is easier to find a spot in a program than the whole 12 minutes symphony. If you direct an orchestra of any level and want a short one-minute powerful modern piece to perform live look no further. Just get in touch on Bandcamp”.

Marcelo Paganini Band (1998)

The second single to be released is the blues jazz bossa nova song “Sentir” (Marcelo Paganini) recorded live by the Marcelo Paganini Band featuring the Brazilian singer Catia Werneck at Divan du Monde in Paris, France on November the 27th 1998. Marcelo Paganini finally found the tapes in a box in his attic, decades later, after moving around way too many times. The band is: Marcelo Paganini on guitar, arrangements. Catia Werneck as a guest singer. Laurent de Oliveira on keys. Ze Luis Nascimento on percussion. Marc Madore on bass. Luiz Augusto Cavani on drums. Nicolas Gueret on tenor sax. Philippe Henry on trombone. And Christophe Dutray (RIP), who left us too soon a couple of years ago, on trumpet. Sound engineer Daniel Boivin did the audio mixing. There is a whole live album to be released in the future from that magical concert. Stay tuned.

For more information:

YouTube “Poder Paralelo” Orchestral Overture video link: https://youtu.be/5gsm2et1cr4

Bandcamp page for “Poder Paralelo” Orchestral Overture: https://marcelopaganini.bandcamp.com/track/poder-paralelo

Bandcamp page for “Sentir” blues jazz bossa nova song: https://marcelopaganini.bandcamp.com/track/sentir

Marcelo Paganini Facebook Page: https://www.facebook.com/profile.php?id=100043967236194

Marcelo Paganini Instagram page: https://www.instagram.com/marcelopaganini.ic/

Marcelo Paganini YouTube channel: https://www.youtube.com/@MarcelloPaganini

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

3Below “Live in Mérida” Featuring Michael Manring (Jaco Pastorius), Trey Gunn (King Crimson), Alonso Arreola Releases November 8, 2024

3Below features three extended range instruments played by Michael Manring (Jaco Pastorius alumni, creator of the Hyperbass), Trey Gunn (Warr Guitarist with King Crimson), Alonso Arreola (Mexican bassist, writer and poet).

Their latest release, “Live in Mérida”, was recorded on November 5, 2023 at the Palacio del La Música de Mérida in the Yucatan in Mexico. During this performance, they were joined by special guest Emmanuel Pina on the oud.

3Below began in a small but significant way when Arreola and Gunn, along with Gunn’s daughter Harper, traveled across Mali and The Dogon in West Africa in 2012. They took their baritone ukuleles with them hoping to touch base with local musicians. Mali is known for its deep musical traditions and by the third day they had found their way in: go into each small village and ask for lessons from the local master drummer or ngoni player (African string instrument). This led to a string of lessons and playing sessions with a variety of musicians from Bamako, Séguo, Mopti, Djenne and throughout the Dogon where they ended up participating in a late-night festival and jam session with the king and queen of Begnemato.

These experiences and the musical languages they learned in Mali set the groundwork for 3Below. This exploded further with bringing in bass legend Michael Manring. Manring is most known for his jaw-dropping solo performances, but he is also a brilliant ensemble player.

3Below first began with live shows in Mexico about one year after their return from Mali. Combining roots from Latin America, Asia, Africa and Europe, the first part of a 3Below live show is acoustic-based with Arreola and Gunn on ukulele and acoustic bass. The second half of the show is full-on electric, with the addition of solo pieces by Gunn and Manring.

Time Out Magazine calls them “Musicians with enormous talent and giant careers.”

“3Below was the triumph of the Alterna Jazz Season.” - The Chronicle on their Centro Cultural Roberto Cantoral, Mexico City performance.

Credits
Alonso Arreola: Percussive Electroacoustic & Electric Basses
Trey Gunn: Warr Guitar, Baritone Ukulele
Michael Manring: Fretless Basses, Caxixi Shaker
Emmanuel Pina: Oud

Live Sound: Nelson Sánchez
Mixed by Trey Gunn at 7d Studios

Track List:
1. Relamparia (Arreola)
2. Mamadou's Mercedes (Arreola)
3. Versos (Arreola)
4. Hard Winds (Gunn)
5. Forest Floor (Gunn, Arreola)
6. Big Fungus (Manring)
7. Lake of Ice (Gunn)
8. Lake of Fire (Gunn)
9. The World Is Everything That Is The Case (Manring)
10. Monkey Businessman (Manring)
11. Culpa (Arreola)
12. Area (arr. Arreola, Pina)

Alonso Arreola - Percussive Electroacoustic & Electric Basses
Joined as time went by on a Saturday afternoon. It was Day of the Dead in Mexico City, November the 2nd. The year: 1974. There were clouds in the sky. When he could believe in something, he chose the movement that animates music and words. With seven albums to his name and as many in collaboration or as a producer, he has created and staged numerous stage projects in more than fifteen countries. He has also written thousands of articles, interviews, reviews, chronicles, poems or stories in magazines and newspapers about music, cinema or gastronomy from four continents, as well as a book about letters from his paternal grandfather (Juan José Arreola). He has done stage shows with authors such as Michel Houellebecq and Agustín Fernández Mallo. He is the author of “Relamparia,” a collection of poems, voices and entertainment published by Attica. For twenty years he has had a bass laboratory with dozens of disciples (LabA), and for twenty-five years he has had a musical column in the cultural supplement of the newspaper La Jornada. He launched the Curandera guitar alongside the Spanish artist Alejandro Sanz and the luthier Antonio Álvarez Bernal. He aspires to be a son of art and become a lightning rod. His favorite animal is the water buffalo.

Trey Gunn - Warr Guitar, Baritone Ukulele
A native Texan who resides in New Mexico, Gunn is known for the unusual 10-string touch guitar that he plays. From the blistering live recordings at the Royal Albert Hall in London with David Sylvian and Robert Fripp (“Damage”, Virgin Records) to ten years recording and touring with King Crimson – a group many contend as the most aggressively, adventurous rock band of all time – Gunn is associated with a constant stream of cutting edges projects.

In addition to the powerful performances and recordings of his groups Tu-Ner, TU, KTU, 3Below, The Security Projectand the multi-mediators Quodia, Gunn has toured and/or recorded with John Paul Jones, Brian Eno, Maynard J. Keenan’s “Puscifer”, Vernon Reid, Azam Ali, David Hykes of the Harmonic Choir and Steven Wilson of Porcupine Tree.

When not on the road, Gunn continues his work scoring for tv/film, runs his own media label (7d Media) and coaches musicians in the creative process.

Michael Manring - Fretless Basses, Caxixi Shaker
Hailed by many as the world’s leading solo bassist, Michael Manring has been pushing back the boundaries of what’s possible on the bass guitar for decades. A student of bass legend Jaco Pastorius, Michael has honed his skills on hundreds of recordings and thousands of live shows around the world, working with a diverse collection of artists including the late guitar genius Michael Hedges, New Age keyboardist Suzanne Ciani, Avant-improv guitar innovator Henry Kaiser, celebrated folk troubadour John Gorka, experimental post-metal rockers Tim Alexander (Primus) and Alex Skolnick (Testament) and electro-pop pioneer Thomas Dolby. He has earned three gold records, Grammy and Bammie nominations, a Berklee School of Music Distinguished Alumni Award, two Just Plain Folks Awards and numerous Bass Player Magazine Readers’ Poll awards including 1994 Bassist of the Year. His YouTube videos have garnered millions of views displaying the expressive skills that have led The San Jose Mercury News to call him “...a virtuoso electric bassist who’s almost single-handedly re-defined the outer limits of the instrument” and The Philadelphia Inquirer to refer to him as simply “...the hottest bassist today.”

Emmanuel Pina - Oud
Biologist, Ph.D. in Biomedical Sciences and multi-instrumentalist musician. Throughout his scientific career, he has been involved in several research projects with international publications in fields such as virology, breast cancer and the development of drugs for the treatment of lymphoma, diabetes, and parasitic diseases. As a self-taught musician, he started playing drums and guitar. Currently specializes in the study and performance of ancient string instruments such as the oud, tar, setar and baglama, as well as modern instruments such as the electric bass and the Chapman Stick. He has been part of various bands and shared the stage with several musicians, including Human, Luz de Riada, Alfonso André, Markus Reuter, and Alonso Arreola in projects such as Rosetta and LabAcústica, which eventually led to his inclusion in 3Below.

To purchase: https://3belowband.com/live/

For more information: https://3belowband.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

KING CRIMSON “Red 50th Anniversary Edition” 2CD / 2Blu-ray & 2LP 200-gram Audiophile Vinyl Available October 25, 2024

• 50th Anniversary editions of King Crimson’s classic 1974 album
• 4 disc boxed set with 2 x Blu-ray & 2CDs
• 2 x Blu-rays featuring completely new mixes of the album in Dolby Atmos, 5.1 DTS-HD MA Surround & Hi-Res Stereo by Steven Wilson, New Elemental Mixes in Hi-Res Stereo by David Singleton, a number of extra tracks drawn from the existing sessions reels mixed by David Singleton, all three mixes of the live album USA in Hi-Res Stereo, 5 audio restored bootleg concert recordings from the 1974 US tour making their debut on disc & the audio restored bootleg of the band’s final US show in Central Park NYC on July 1st, 1974
• 2 x CDs feature new Stereo + instrumental mixes by Steven Wilson & new Elemental Mixes & a sequence of studio recordings detailing the making of ‘Starless’ mixed by David Singleton
• Presented as two vinyl replica sleeves in a rigid slipcase with booklet including photos & new sleeve-notes by King Crimson Biographer Sid Smith

King Crimson:
Robert Fripp: Guitar and Mellotron
John Wetton: Bass and Voice
William Bruford: Percussives
With: David Cross, Mel Collins, Ian McDonald, Robin Miller, Mark Charig

DGM & Panegyric proudly present the 50th anniversary edition of the King Crimson classic album “Red”. A 2 Blu-ray + 2 CD edition features completely new Dolby Atmos, 5.1 DTS-HD Master Audio Surround & Stereo mixes by Steven Wilson taking the music to new levels of clarity & power. “Red” was one of the earliest mixes undertaken by Steven Wilson in 2009 & King Crimson was the first of a number of classic bands & artists to be mixed by Steven so it’s entirely appropriate that he return, some 15 years later, to take the album into the Dolby Atmos era.

“What I hear on ‘Red’ is the best representation of 72-74 era line-up in the studio. In effect this is a power trio record and their sound is just huge.” – Steven Wilson

Also featured are a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

As King Crimson biographer Sid Smith puts it in his new notes for the album: “David Singleton’s elemental mixes pull the veil aside on the original sessions and act as a kind of alternative account, a ‘Red’ that could have been, revealing the different passes and takes that the band undertook as well as those Collins, Charig and McDonald as they engaged with the material”.

Multiple new to disc tracks & studio takes – representing all material to survive from the recording sessions have also been mixed &/or mastered for inclusion, making this the most comprehensive overview of the album to be released.

“Red” was recorded immediately after King Crimson’s final US tour of 1974 & the anniversary edition reflects that by including all three Hi-Res Stereo mixes of the live album “USA” in its full concert versions. Also included are a quintet of audio restored bootlegs being issued on disc for the first time, alongside a bootleg of the band’s final US concert in New York in 1974 which Robert Fripp claimed was: “the first gig since the 1969 Crimson where the bottom of my spine registered ‘out of this world’ to the same degree.”

In the decades since its release, “Red” has gone from being an album that was, upon release, under-promoted – as the band had already split up, to being one of the most lauded albums of its era & (after “In The Court of the Crimson King”), King Crimson’s biggest selling album. Writing in The Mojo Collection in 2000, John Bungey assessed “Red” as, “That rarest of records, the sound of a line-up quitting while ahead”.

By the time King Crimson entered the studio in July 74, the band had spent the best part of two years on the road, recorded two albums along the way (“Larks’ Tongues In Aspic” & “Starless & Bible Black”) & shed two band members en route; percussionist Jamie Muir having quit early 1973, and violin/mellotron player David Cross at the end of the US tour just a week prior to the recording of “Red”.

Crimson had built a reputation as one of the tightest, most powerful bands on the rock circuit. Recording as a trio in Olympic studios in London, with one improv piece (Providence) drawn from that final US tour & with contributions from former members & friends on saxophones, violin, and oboe, the group produced the last Crimson studio album of the 70s & one of the decade’s masterpieces – “Red”.

“Red” emerged as a distillation of everything Crimson had been working towards live & in the studio between 72 and 74. In the half century since its release it has built an enviable, enduring reputation among fans & professional musicians alike – with bands from each succeeding decade citing it as an important influence.

“Red - The 50th Anniversary Edition”

Disc 1 CD 2024 mixes and Additional Material
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Additional Material
2024 Instrumental Mixes
6 Fallen Angel
7 One More Red Nightmare
8 Starless - Edit
Produced and Mixed by Steven Wilson
* 9 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton

Disc 2 CD Elemental Mixes and Session Material
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
The Making of Starless
6 Starless - Mellotron
7 Starless - Three Saxophones
8 Starless - Basic Take
9 Starless - Sax Solos
10 Starless - Cornet and Guitar Solos
11 Starless - Cornet takes
Produced and Mixed by David Singleton

Disc 3 Blu-Ray
USA
I * 1 June 28th, 1974, Casino Arena, NJ
DTS-HD MA 24/192 Stereo, 2013 Mix
Mixed by Robert Fripp, David Singleton and Tony Arnold
* 2 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, 2005 Mix
Mixed by Ronan Chris Murphy
24/96 Stereo, 30th Anniversary Mix
* 3 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, Original album mix
A Crimson Production, Remastered by Simon Heyworth and Robert Fripp, 2001
II USA Tour Concerts
24/48 Stereo
1 April 17th, 1974, Muthers, Nashville, TN
2 April 20th, 1974, Hollywood Sportatorium, Miami, FL
3 May 1st, 1974, Felt Forum, New York, NY
4 June 4th, 1974, Municipal Auditorium, San Antonio, Texas, TX
5 June 19th, 1974, Shrine Auditorium, Los Angeles, California, CA
The Final US Concert
24/48 Stereo
* 6 July 1st, 1974, Central Park, New York, NY

Disc 4 Blu-Ray
I Red
2024 mixes and Additional Material

Dolby Atmos/DTS-HD MA 5.1 Surround/24/96 Stereo
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Produced and Mixed by Steven Wilson
II Elemental Mixes and Session Recordings, 24/192 DTS-HD MA Stereo
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
Three More Red Nightmares
1 One More Red Nightmare - Early Guide Vox Section
2 One More Red Nightmare - Saxophone Overdub Section
3 One More Red Nightmare - Bass and Drums
The Making of Starless
1 Starless - Mellotron
2 Starless - Three Saxophones
3 Starless - Basic Take
4 Starless - Sax Solos
5 Starless - Percussion
6 Starless - Cornet and Guitar Solos
* 7 Starless - Cornet takes ~
Produced and Mixed by David Singleton except 7 ~ Produced and Mixed by Alex R Mundy sourced
at 24/48
* 1 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton
2 Think Again - Fragment
Mastered by Alex R Mundy from a John Wetton 1/4" file tape
III 2024 Instrumental Mixes, 24/96 Stereo
1 Fallen Angel
2 One More Red Nightmare
3 Starless (edit)
Produced and Mixed by Steven Wilson
IV * Original Masters, 24/96 Stereo
30th Anniversary Master
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
* Indicates material previously available on disc
All other material newly mixed/new to disc

“Red” 2024 Steven Wilson Mixes & 2024 David Singleton Elemental Mixes
2 x 200gm vinyl
• 50th Anniversary editions of King Crimson’s classic 1974 album
• 2LP set pressed on 200-gram audiophile vinyl
• LP1 features all new 2024 stereo mixes by Steven Wilson
• LP2 features all new 2024 elemental mixes by David Singleton
• Cut by Jason Mitchell at Loud Mastering

Whilst mixing the album for Dolby Atmos, Steven Wilson also prepared new stereo & 5.1 mixes. Those new stereo mixes are what appears as LP1 of this 2LP set. LP2 consists of a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

To pre-order:
2CD/2Blu-ray - https://burningshed.com/kingcrimson/king-crimson_red_2cd_2blu-ray
2LP - https://burningshed.com/kingcrimson/king-crimson_red_double-vinyl

For more information:
http://www.dgmlive.com

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Mothers of Invention Keyboard & Synthesizer Legend Don Preston Embarks on First European Solo Tour September 2024

Pianist & Synthesizer legend Don Preston will be touring Europe starting in September (tour dates below). Don Preston leads a life filled with music, innovation, and experimentation in acoustic and electronic music. “Groundbreaking” is a phrase that is clearly overused. With Don it rings true. One of the first performers to drag a pile of oscillators and filters onstage, he brought his classical training to the Avant Garde. In the early 60s Frank Zappa would come to see Don’s “electronic music with films of bacterial life” shows in Los Angeles. Don was soon in Zappa’s radical new group The Mothers Of Invention, touring and playing on classics like “We're Only In It For The Money” and “Roxy & Elsewhere” from 1966 to 1973.

Don has played with everyone from Elvin Jones, Gil Evans, and Nat King Cole to The Residents, Jack Bruce and Robbie Krieger.  His keyboard solos on Zappa albums, as well as countless soundtracks like Coppola’s “Apocalypse Now,” are considered ground-breaking moments in synthesizer music history.

Still very active in his 90’s, Don was there for the dawn of electronic musical performance, and today grafts new technologies into his experimental palette with software synths & iPhone apps, blending jazz, rock, comedy, magic and ambient synths into a captivating performance.

DON PRESTON SOLO EUROPEAN TOUR
9/24 Porgy & Bess Vienna
9/25 Prague Czech
9/26 Prague Czech
9/27 Broumod Under
9/29 NordHausen, Germany
9/30 Bb (Jazz Club) Berlin, Germany
10/2 Weert, Netherland
10/3 Russelsheim, Germany
10/5 Brussels, Belgium
10/6 Stuttgart, Germany

“The guy that really impressed me was Don Preston, I didn’t know what that stuff was when I heard it on Frank Zappa's records. I said, ‘Man!’” - GEORGE DUKE

“Preston not only brought his skewed piano sensibility into the creative jazz context, he lugged along a little of his zany synthesizer as well…touching on all these associations (Carla and Paul Bley, John Carter, Zappa and Cole Porter), showing what he can do twisting a standard around and delving a bit into his own compositional bag as well. Preston resides on the edge of tonality, toying with it.” – DOWNBEAT

“Revisiting choice moments of weirdness and glory, as well as dig into original works and unlikely standards, is not to be missed. The range of program is somewhat camouflaged by the seamless interplay of Preston and cohorts. They possess a cohesion born of fluidity that is reminiscent of Paul Bley’s 60’s trios, but they have their own crisp edge. It is a high common denominator for such a diverse program.” – JAZZTIMES

“Best known as the first synth wielding Mother of Invention - Frank Zappa’s keyboardist aide de camp, to others he is an avowed New Music experimentalist, whose work in theatre, and with assorted sonic daredevils is the stuff of underground acclaim.......in the jazz orbit Preston’s credits have included Gil Evans, Carla Bley, Buell Niedlinger, Michael Mantler, John Carter, and Bobby Bradford” – DOWNBEAT

“Preston demonstrated anew that he is one of the most consistently exciting keyboardists anywhere, he plays with an intensity and a rhythmic vitality that approached the demonic, at climactic moments smashing the keys with a forearm and elbow, as if the piano were just not instrument enough for him.” - LA JAZZ SCENE

DON PRESTON DISCOGRAPHY
http://en.wikipedia.org/wiki/Don_Preston#Discography

DON PRESTON ON FACEBOOK
https://www.facebook.com/don.preston.54540

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Soft Machine’s THEO TRAVIS “AELOUS” One Hour Duduk Meditation CD/Blu-ray Featuring Production and Soundscapes by Steven Wilson Available September 6th, 2024

• Theo Travis is widely known due to his work with his own bands and (among others) Soft Machine, Steven Wilson, Robert Fripp, Gong, Porcupine Tree and many more
• Theo’s previous releases of duduk music on YouTube have become something of a sensation. The piece “Ancient Soul, Modern Times” (which is included on the Blu-ray) has amassed over 1 million listens
• Steven Wilson is one of the world’s most sought-after producers, mix engineers and remixers of multi-channel Surround Sound and Dolby Atmos audio
• Both artists enjoy a significant fan-base

When Theo Travis began experimenting with long-form improvised instrumentals for duduk - a woodwind instrument from Armenia sometimes described as ‘the saddest sounding instrument in the world’ - he could hardly have imagined a world in which such a one-hour piece would clock up in excess of a million plays on YouTube. Yet that is precisely what happened, with the multi-functional music finding fans purely in its own terms as well as for an array of uses from meditation to yoga, to relaxation and more. Something about the sound, the performances, the context, found, built and maintained a much wider audience than most, far more mainstream music. All of this was achieved without hype, marketing or a dedicated record label supporting the release.

Extending the idea, earlier this year Theo worked with producer Steven Wilson, (who has previously mixed and mastered many of Theo’s solo recordings and in whose band Theo has played) to produce a new duduk improvisation in multi-channel audio as well as stereo, with soundscapes assembled by Steven Wilson from Theo’s alto flute playing. The result is a stunning and utterly unique piece of work which helps to define new possibilities for so-called “immersive audio”, without losing focus on the pure sound and inherent musicality of the duduk improvisations which have struck such a chord with a wide and growing audience online.

The new piece “Aeolus” (again, one hour long) appears in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and 24/96 high resolution stereo on the Blu-ray and in standard 16/44 audio on the accompanying CD.

Watch the promotional trailer: https://www.youtube.com/watch?v=Z0ceR1EkiO4

TRACKLISTING:

CD:
Aeolus (60mins)

Blu-ray:
Aeolus (60 mins)
Dolby Atmos, DTS-HD MA Surround (5.1) & 24/96 LPCM stereo

Aeolus (4 min edit)
24/96 LPCM stereo.

Ancient Soul, Modern Times (60 mins)
24/96 LPCM stereo.

AEOLUS: Composed by Theo Travis and Steven Wilson
Theo Travis – Duduk and Alto flute
Steven Wilson – Production & Soundscapes

Ancient Soul, Modern Times: Composed by Theo Travis
Theo Travis – Duduk & Soundscapes

To pre-order: https://burningshed.com/theo-travis_aeolus_cd_blu-ray?filter_name=aeolus&filter_sub_category=true

For more information: https://www.theotravis.com/

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Austrian Jazz/Fusion Guitarist Gerald Gradwohl To Release New Album “… Or What?” May 3, 2024

Adam Nitti, Kirk Covington, Bill Evans, Gergo Borlai and Stephan Maass. What sounds like a “Who’s Who” in the present jazz-rock/fusion scene, is actually the lineup for electric guitarist Gerald Gradwohl’s new album “…Or What?

Gerald has worked with Kirk Covington since 2002, when they recorded the album “ABQ” with Bob Berg, and Gary Willis, the album making big waves in the fusion scene. The idea to make a mutual album with Adam and Kirk was given birth during the tour in 2014 and could now finally be realized this year.

Modern recording techniques have made it possible to capture these exceptional musicians together on this album. The sessions and what was captured cannot be described in words here……you’ll need to hear the recording. It’s stunning.

A Jazz, Rock and Funk gumbo combined to make an energetic, and exciting project, that not only showcases the amazing instrumental capabilities of these musicians, but also features the exceptional musicality, and the extraordinary chemistry that this band creates together.

Says Gerald, “I started doing this parallel to my last album “Episode 6” and this is maybe the reason why it took that long. The recordings took place between 2020 and 2023 and everybody recorded in his own studio at home. I wanted to prove that it is possible to make an album with a cool vibe although we were not recording together in one room as on all my records before. The music is influenced by all the musicians and records that I listened to and has a strong Funk and Rock influence. The harmonic concept/background comes from Jazz but always with a big amount of Groove and Power.”

The outstanding guest appearances of Bill Evans, Gergo Borlai and Stephan Maass give proof of Gerald’s top-ranking in the jazz and fusion scene today!

“Working at the highest level of quality, jazz meets rock!”

Featuring:
Gerald Gradwohl - guitar
Adam Nitti - bass
Kirk Covington - drums, vocals also featuring:
Bill Evans - sax
Gergo Borlai - drums
Stephan Maass - perc.

Track list:
1 Paradoxon
2 Cheap Chunk
3 Color Of Magic
4 Unterwurzacher
5 What Are We Gonna Do Tomorrow
6 Still There
7 The Course
8 Gerephitti

Release date May 3, 2024

To purchase:
www.gradwohl.at
www.hoanzl.at
www.bandcamp.com

For more information: www.gradwohl.at

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Santana Drum Legend Michael Shrieve To Release New Album “Drums of Compassion” May 24, 2024

Featuring Jack DeJohnette, Zakir Hussain, Airto Moreira, Trey Gunn & others!

Seattle, WA – Legendary drummer Michael Shrieve announces the much-anticipated release of his album, “Drums of Compassion,” set to drop on May 24, 2024 on Trey Gunn’s innovative label, 7D Media. This album is a testament to Shrieve’s artistic journey, encapsulating over fifty years of musical exploration and collaboration with some of the most revered names in the industry.

“Drums of Compassion” is not merely an album; it’s an odyssey that began two decades ago inspired by the Dalai Lama’s call for a Time of Compassion, with a nod to the title of Nigerian Percussionist Babatunde Olatunji’s classic album from 1959, “Drums of Passion”, which is one of the first records to popularize African Music to the Western World. This album is graced with an Introduction Vocal Incantation by Olatunji himself and acts as a bridge between eras, cultures, and sounds, embodying the spirit of unity and the transformative power of music.

The album boasts an ensemble of musical virtuosos, including Jack DeJohnette, Zakir Hussain, Airto Moreira, Trey Gunn and special guest Babatunde Olatunji, among others. Their collective genius creates a tapestry of rhythmic brilliance that transcends conventional music boundaries, offering listeners an immersive sonic experience.

Shrieve’s collaboration with Soundmaster Jeff Greinke lays the foundation of the album with ambient, space-evoking melodies that serve as a backdrop to the dynamic percussive elements. Recorded in the iconic Robert Lang and London Bridge Studios in Seattle, “Drums of Compassion” offers a rich acoustic experience, further enriched by contributions from world-renowned musicians during a serendipitous gathering at the Bumbershoot Festival.

The album’s artwork, crafted by the talented designer Christo Downs and artist Penebranca, mirrors the album’s profound musical narrative, presenting a visual feast that complements the auditory journey.

“Drums of Compassion” is more than an album; it’s an offering from Shrieve to the world. It’s a declaration of the pure intentions of musicians, a prayer for compassion, and an invitation to explore the depth of human connection through the universal language of music.

Available on May 24, 2024, “Drums of Compassion” promises to be a landmark release in Shrieve’s illustrious career and a beacon of hope and unity while inviting listeners to embark on a journey of musical and spiritual discovery.

photo by Steve Korn

Track List:
1. The Call of Michael Olatunji
2. On the Path to the Healing Waters
3. As Above, So Below
4. The Euphoric Pandiero of Airto Moriera
5. The Fierce Energy of Love
6. Oracle
7. The Breath of Human Kindness
8. Zakir Hussain
9. Hejira

Produced by Michael Shrieve and Eric Oz

Recorded by Eric Oz at Glenn Sound, and Ironornj Studio, Robert Lang at Robert Lang Studios, Rik Parashar at London Bridge Studios and Don Gunn at the office. All in Seattle, WA

Mixed by Donn Gunn and Eric Oz
Mastered by Donn Gunn

Album designed by Christo Downs, cover illustration by Bruno Borges

To pre-order: https://7dmedia.com/micheal-shrieve-drums-of-compassion

For more information:
www.michaelshrieve.com
www.instagram.com/michaelshrieve/
https://www.facebook.com/michaelshrieve/
https://7dmedia.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Alchemy Records Elevates the Vibe With “Momentarily,” the Highly Anticipated New Album From Guitarist Jon Durant

PORTLAND, OR - Alchemy Records is thrilled to announce the release of “Momentarily,” an ensemble tour de force from celebrated composer guitarist Jon Durant. The album showcases the best of Durant’s unique skill set, an amalgamation of transcultural, jazz-related styles, that gives way to euphoric, universally relatable grooves and soundscapes. A trio recording featuring Durant alongside longtime musical partners Colin Edwin (bass) and Andi Pupato (drums/ percussion), both legends in their own right, this musical jewel showcases rare mastery through individually compelling tracks and comprehensive arcs.

The responsive and fluid interaction of these three collaborators immediately draws listeners in. Created initially as a series of guitar improvisations by Durant, the composer then developed and rearranged the pieces for trio. Grounded musical elements beautifully balance freely improvised aspects, hinting at one of the key ingredients of Durant’s signature, sublime sound. The seamless flow between composition and improvisation leaves the listener in an effortless state of engagement.

Throughout “Momentarily” Durant’s explorative guitar leads the way. His expressive use of fretless guitar on all but one of the tracks “shows he is one of the precious few practitioners on the instrument that elevate it beyond its usual presence as a mere novelty.” (All About Jazz) In addition, his use of guitar synth – in this case playing a modified sample of an Armenian Duduk – adds a breathy counterpoint to his emotionally tinged guitar parts.

Percussionist Andi Pupato (Nik Bärtsch’s Ronin, Andreas Vollenwider, Fractal Sextet) shines throughout with his totally unique hybrid kit comprising both hand drums and conventional drum set. This distinctive collection of timbres emotes the open space of European jazz with considerable Middle Eastern elements that the hand drums reveal alongside Durant’s Fretless guitar. Anchoring the whole process is bassist Colin Edwin (O.R.k., Gaudi, Burnt Belief), with whom Durant has worked extensively over the past 12 years. On “Momentarily” he is playing acoustic basses (upright and fretless acoustic) providing a sonorous low end balancing out the whole picture.  His beautifully melodic playing on the opening track “In A Moment” provides especially delightful interaction with Durant and Pupato.

Among the standout tracks on the album is the epic “Rockets on Kyiv.” Originally conceived and recorded on the morning Russia bombed the glass bridge in Kyiv (where Durant, Edwin and Ukrainian singer Inna Kovtun had filmed many scenes in the video for their song “Gannochka”). When Durant steps on the distortion on this one, you can instantly feel the deep emotions he was experiencing that morning. In addition, the one track with fretted guitar (“Bitter Wind”) shows a depth of gratitude towards his Scandinavian musical influences.

“Momentarily” will be available on Bandcamp beginning March 29, 2024, and all streaming services on April 16, 2024.

To purchase: https://jondurant.bandcamp.com/

Alchemy Records
188 SE Spokane St, #2 Portland, OR 97202
Contact: jd@alchemyrecords.com

About Jon Durant
Explorative · Expressive · Transcultural · Texture-driven
Guitarist, composer, and producer Jon Durant is one of the world’s most distinguished proponents of creative, transcultural jazz. With his impressive legacy of collaborative work and highly acclaimed, genre-defying albums, Durant is “one of the reigning masters of what might be called ‘infinitely manipulated atmospheric guitar effects’… [He] sets a standard to be defined by… [with] brilliance and vision.” (All Music) Combining a nuanced and emotive fretless playing style with explorative effects, Durant integrates aspects of jazz, ambient music, progressive rock, and ethnically sourced material in lush, multi-textured melodies. His signature “guitar clouds” create compelling textures and moods over which he brings directionality with enticing riffs and solos. Sought out for his uniquely American aesthetic in a predominantly European style, Durant is a go-to collaborator for multi-genre, improvised music. In partnership with renowned bassist Colin Edwin, Durant has formed the duo Burnt Belief, releasing four albums and creating “elegant, sophisticated music of multiple genres… [that] evolves toward the best of many worlds and still sounds like nobody else… a sonic paradise of the uppermost quality.” (Prog Archives) Durant is also a member of the celebrated Fractal Sextet, with guitarist / composer Stephan Thelen, pianist Fabio Anile, Colin Edwin, and drummers Yogev Gabay and Andi Pupato. Of their debut, All About Jazz commented, “Durant’s guitar is a near-perfect stylistic counter…. he is one of the precious few practitioners on the instrument that elevates it beyond its usual presence.” Durant splits his time between Boston and Portland, Oregon, and frequently travels to Europe for musical projects. As the founder and producer of Alchemy Records and with an extensive discography that includes eleven solo albums, Durant has “delivered pristine music year after year… effortless and sure.” (Art Rockin)

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Flamenco Guitar Maestro RAFAEL RIQUENI Transforms Classic Rock Staple “STAIRWAY TO HEAVEN” For His New Single And Album!

Los Angeles, CA – Prepare to be mesmerized as Maestro Rafael Riqueni, an iconic figure in flamenco guitar music, unveils a transcendent rendition of a classic rock staple with his brand new single released today, a flamenco-infused cover of Led Zeppelin's rock epic "Stairway to Heaven." The track serves as a glimpse into Riqueni's innovative approach to music, which relies more on emotive, passionate playing over technical wizardry, and has made him one of the most celebrated Spanish guitarists in history.

Riqueni’s deliberative approach to “Stairway” adds new dimension and weight to the song’s familiar melodies, allowing each note to take center stage before proceeding to the next. The transitions between the composition’s many passages are seamless and natural, and the bombastic conclusion is as explosive as you’d expect - except Riqueni accomplishes the feat without the aid of Marshall stacks! It’s a bravura performance that both rock and flamenco fans are sure to love!

Stream the single: https://orcd.co/rafaelriqueni_stairwaytoheaven

And Riqueni's brilliant reinterpretation of "Stairway” is just the beginning. Come February 16, the artist is set to release a full album of phenomenal renderings of timeless classics by the likes of Eric Clapton, Aerosmith, Whitney Houston, The Police and more! Called Versatae, the album will also feature lush renderings of Ennio Morricone’s gorgeous movie theme to “Cinema Paradiso” as well as two Spanish-flavored tracks, one written by Latin superstar Santana and the other a traditional Spanish favorite “Amapola,” which has been covered by everyone from Bing Crosby to Gaby Moreno and Natalie Cole! Music enthusiasts are also sure to enjoy Riqueni’s collaboration with soul great Ben E. King as well as his astounding version of The Beatles' "Yesterday," which are included as bonus tracks on the CD version.

Versatae will be available on both CD and digital first with the vinyl version due a couple of weeks later. Order your copies today!

Order the CD/vinyl: https://cleorecs.com/store/?s=rafael+riqueni&post_type=product
Pre-save/pre-order the digital: https://orcd.co/rafaelriqueni_versatae

Track List:
1. Tears In Heaven
2. Europa (Earth’s Cry Heaven’s Smile)
3. Cinema Paradiso
4. Just The Two Of Us
5. What A Wonderful World
6. Dream On
7. Moon River
8. Stairway to Heaven
9. I Will Always Love You
10. Every Breath You Take
11. Amapola
12. Cogiendo Rosas
BONUS TRACKS [CD ONLY]
13. Spanish Harlem with Ben E. King
14. Yesterday
15. Spanish Harlem (Instrumental Version)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, INC.
Facebook | Instagram | Twitter | YouTube | Spotify | Cleopatra Records Store
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Progressive Jam-Fusion Supergroup PAKT Featuring Brand X Bass Legend Percy Jones Heading To West Coast USA Tour To Promote New Album “No Steps Left to Trace”

PAKT, a true super group of master musicians merging & colliding new music in the realms of progressive rock, electric jazz, experimental, ambient, psychedelic and beyond, is an experience as much as a musical project. An IMAX film for the ears, PAKT takes its listeners on an improvised sonic voyage with no preconceived destination, minimal pre-planning and little use for forms and conventions. Rare is the musician who can thrive in such a spontaneous environment but Percy Jones (fretless bass guitar), Alex Skolnick (guitar), Kenny Grohowski (drums) and Tim Motzer (guitar and electronics) are all up to the task. Armed with enough tastefully used effects to stock a small music store, Motzer and Skolnick create sounds so atmospheric and ethereal that one might not guess their source is a guitar. Meanwhile, Grohowski and Jones approach their instruments in textural manners that seamlessly intertwine with each other and the quartet as a whole. The music runs the gamut from highly sensitive to intense, with all four musicians’ listening skills so strong that their collective playing is as cohesive as it is unpredictable. Welsh bassist Jones (now a New York resident) is known for his tenure in the legendary jazz fusion group Brand X (whose classic lineup included drummer Phil Collins, yes that one) and extensive studio work (especially with Brian Eno). Skolnick is a diverse improviser whose jazz and world playing and instrumental associations (including bass virtuosos Stuart Hamm and Michael Manring) forms a Jeckyll & Hyde dynamic with his high profile as lead guitarist of the metal band Testament. Grohowski's many recent associations include John Zorn, a reincarnated version of Brand X and masked avant-metal outfit, Imperial Triumphant. Motzer has a long background in free improvisation, including the bands Bandit65 (with fellow guitarist Kurt Rosenwinkel) and Orion Tango, plus many other recorded collaborations for his 1k Recordings label.

Before this album, all of PAKT’s releases had been taken from live performances. This studio session took place during the band’s East Coast tour in December, 2021. Primed from several successful shows in Upstate New York (including musician Daryll Hall’s thriving venue in Pawling, NY, Daryl’s House), the band took the day off in the Catskills Mountains, where they tracked live at NRS Studios. NRS is located in the home of musician/recording engineer Scott Petito, whose studio has hosted such luminaries John Scofield, Chick Corea and James Taylor. The PAKT musicians set up in a circle, all in the same room and performed, just as they would at a live concert. This began in the late morning and continued past dusk. By day’s end, they had accumulated a bunch of material—quite a nice document of where the band was musically back in 2021.

Tim Motzer, who produced this recording as well as providing artwork, says the following: “One of the things we all realized is that this band isn't going backward...it may be fueled by what we've done in the past, but really it’s a forward-evolving band composing in-the-moment, finding new language, and discovering our music as we go along. It's in that feeling that the title, ‘No Steps Left To Trace’, came to me because our music is a continuum, and more like a journey or an experience. We are, in a sense, tunneling or boring through the musical abstract toward and through to the ‘other side’.” Skolnick adds “From the moment we did our first performance together, it was clear that this project had a special chemistry that doesn’t happen all that often. The fact that we found this chemistry in our favorite Brooklyn venue, called Shape Shifter Lab, is fitting. It being the height of the 2020 Pandemic, that first show was streamed, with no audience present. Our first studio album ‘No Steps Left to Trace’, is a return to us just playing to each other, only this time, we have a number of live shows and touring under our belt, recorded in a high-quality studio. It’s a great document of PAKT in 2021.”

Live, of course, they have an audience that takes the ride with them. It is a real shared experience in that regard. Motzer curated five such journeys for the Live CD, one from Buffalo, three from NYC (Nublu), and one from Philadelphia. Adding the live album to the double release shows the growth and evolving chemistry in PAKT from the 2021 studio recording to the newer live recordings in 2023. It's a nice contrast with a lot of great interplay and listening happening from all the players. It also makes the album an excellent introduction to the band’s music for anyone new to it, as well as a fine addition to their discography.

PAKT
with
PERCY JONES - bass
ALEX SKOLNICK - guitar
KENNY GROHOWSKI - drums
TIM MOTZER - guitars, electronics

“PAKT recalls the fearless attitude and daring approach that originally defined progressive music: where the magic of the moment always triumphed over preconception. Templates be damned ... this music blazes its own path! This is truly exquisite fare, serving as a reminder to aficionados of what initially drew them to this most creative, visionary of genres.”

WEST COAST TOUR DATES
Feb 01 - Seattle, WA (Funhouse)
Feb 02 - Portland, OR (Alberta Abbey)
Feb 03 - Eugene, OR (WOW Hall)
Feb 04 - Redding, CA (The Dip)
Feb 06 - TBA
Feb 08 - Mill Valley, CA (Sweetwater Music Hall)
Feb 09 - Fresno, CA (Fulton 55)
Feb 10 - Los Angeles, CA (Baked Potato, 2 shows)
Feb 11 - Los Angeles, CA (Baked Potato, 2 shows)
Feb 12 - Costa Mesa, CA (Wayfarer)
Feb 13 - Phoenix, AZ (The Rhythm Room)

To purchase PAKT “No Steps Left to Trace” (2CD, 2LP, 24bit Download):
https://pakt-moonjune.bandcamp.com/album/no-steps-left-to-trace

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Guitar Legend Scott Henderson To Release New Album “Karnevel!”, Announces Forthcoming European Tour

Scott Henderson will be releasing his highly anticipated new album “Karnevel!” on February 2, 2024! Scott’s previous album “People Mover” was voted best fusion album of 2019 by Jazz Times magazine, and he won both Best Guitarist and Best Electric/Jazz-Rock/Contemporary Group in JazzTimes Readers Poll.

“Karnevel!” features a diverse set of beautiful compositions, and demonstrates Scott's striking ability to combine elements of jazz, rock, funk and blues in an authentic, seamless and musical way. After 35 years as a bandleader, Scott is a musician who's playing and composing continues to grow.

The album was recorded live in the studio with Romain Labaye on bass and Archibald Ligonnière on drums, the same musicians on “People Mover.” After the live session, Scott spent quite a bit of time layering additional guitar tracks. “I’m happy I was able to come up with quite a few sounds I’ve never used before” said Scott in a recent interview. “The variety and pacing are very important aspects of a record to me, and this one covers a lot of territory, from heavy rock moments to very harmonic jazz, and there’s a solo guitar piece which is something I haven’t done on an album before”.

Scott replied about the album concept, “It comes from being a fan of the LA Fair and carnivals in general, not so much as a kid, but from being a dad. Disneyland is fun, but the fair is way more quirky, ridiculous, and always hilarious. It’s a crazy atmosphere filled with variety, like my music.”

Born in 1954, Scott Henderson emerged in the 1980s with his legendary band Tribal Tech and has since become one of the top guitar players/composers in jazz fusion. Scott has toured and recorded with Chick Corea, Weather Report’s Joe Zawinul, Jean-Luc Ponty, and many others. As a bandleader, Scott has toured in over 70 countries and released over 20 albums. Throughout his career, he’s won numerous Best Guitarist awards in Guitar Player and Guitar World magazines, and been on the cover of many international guitar magazines.

“Few players have joined the spirit of jazz and rock as successfully as Scott Henderson, who consistently cranks out masterpieces of harmonic sophistication, overdriven energy, and tonal beauty. He is fully steeped in both jazz and rock tradition, and he’s woven them together to create one of the most powerful voices in fusion guitar.” - Guitar Player Magazine

Track List:

1. Step Right Up
2. Karnevel!
3. Haunted Ballroom
4. Covid Vaccination
5. Puerto Madero
6. Sea Around Us
7. Sky Coaster
8. Greene Mansion
9. Bilge Rat
10. Acacia
11. Carnies’ Time

To purchase: https://www.amazon.com/Karnevel-Scott-Henderson/dp/B0CHN3FM3P/

“Karnevel!” will be available at major retailers like Amazon, and in digital form at iTunes and other streaming platforms.

For more information:
www.scotthenderson.net
https://www.facebook.com/scotthendersonmusic
https://www.instagram.com/scotthendersontrio/
https://open.spotify.com/artist/7iqVI0BpCxVVHyVyGSfAmn

Tour dates:

FEBRUARY
Friday 16 - Jaworki, Poland - Muzyczna Owczarnia
Saturday 17 - Jaworki, Poland - Muzyczna Owczarnia
Monday 19 - Poznan, Poland - Blue Note
Tuesday 20 - Prague, Czech Republic - Jazz Dock
Wednesday 21 - Bamberg, Germany - Jazzclub
Thursday 22 - Passau, Germany - Café Museum
Friday 23 - Vienna, Austria - Porgy & Bess
Saturday 24 - Velden, Austria - Bluesiana
Sunday 25 - Bologna, Italy - Bravo Caffé
Monday 26 - Verona, Italy - Il Giardino
Tuesday 27 - Milano, Italy - Zio Live
Wednesday 28 - Chur, Switzerland - Streaminghall.ch
Thursday 29 - Geneva, Switzerland - eMa

MARCH
Saturday 2 - Paris, France - Le Triton
Monday 4 - London, UK - Ronnie Scott´s
Tuesday 5 - Folkstone, UK - The Chambers
Wednesday 6 - Tilburg, Netherlands - Paradox
Thursday 7 - Bergheim, Germany  - Medio Rhein Erft
Friday 8 - Hoofddorp, Netherlands - Poppodium C.
Saturday 9 - Hasbergen, Germany - Gaste Garage
Sunday 10 - Hamburg, Germany - Kent Club
Monday 11 - Kolding, Denmark - Godset
Tuesday 12 - Malmö, Sweden - Babel
Wednesday 13 - Karlskrona, Sweden - Sparresalen
Thursday 14 - Göteborg, Sweden - Pustervik
Friday 15 - Oslo, Norway - Cosmopolite
Saturday 16 - Sala, Sweden - Rockland
Sunday 17 - Stockholm, Sweden - Fasching
Tuesday 19 - Tampere, Finland - G Live Lab
Wednesday 20 - Äänekoski, Finland - Painotalo
Thursday 21 - Espoo, Finland - Sellosali
Friday 22 - Võru, Estonia - Võru Kultuurimaja Kannel
Saturday 23   Vilnius, Lithuania - Club Vakaris
Wednesday 27 - Gran Canaria, Spain - Teatro Perz
Thursday 28 - Tenerife, Spain - Teatro Leal
Friday 29 - Madrid, Spain - Sala Galileo Galilei
Saturday 30 - Athens, Greece - Athina Live

APRIL
Tuesday 2 - Beijing, China - Blue Note
Wednesday 3 - Hangzhou, China - Meeting Jazz
Thursday 4 - Shanghai, China - Shanghai JZ Club
Friday 5 - Shanghai, China - Shanghai JZ Club
Saturday 6 - XiAn, China - Meeting Jazz
Sunday 7 - Chongqing, China - Meeting Jazz
Monday 8 - Guangzhou, China - Guangzhou JZ
Tuesday 9 - Shenzhen, China - Meeting Jazz
Friday 12 - Bangalore, India - Windmills
Saturday 13 - Bangalore, India - Windmills

Press Inquiries: Glass Onyon PR, PH: 1 (828) 350-8158, glassonyonpr@gmail.com

Italian Prog Legends Syndone To Release New Concept Album “DirtyThirty”

Sit down, make yourself comfortable. This is the story of an artistic journey, a 30-year parable.

Listen. Immerse yourself. Eliminate all distractions; let the music speak to you, like it used to do. “DirtyThirty” is the culmination of a class struggle, of the utopian ideal of those who stubbornly cling to a model of the world that still embraces thought, wonder and the courage of art. Syndone is a vision, a nine-album journey, the desire to make a mark in the world. Syndone is a shapeshifter, a band that’s changed its skin and its musicians without ever changing its soul: swimming against the tide, defying fashion and the decline (not only musical) of an era in which you can be successful only if it pleases the powers that be.

Yet there was a time when record albums were capable of transporting us, starting with the artistry of the album covers, of breaking the rules, crossing boundaries, with a whole set of atmospheres, sounds, and thoughtful, refined, stylistic constructions. Those were the days of progressive rock; at the time it was simply called ‘pop’, because it was popular. Today there’s very little left that’s progressive: there’s no thrill of discovery, we’re no longer open to wonder and amazement, we don’t deviate from the idea of an increasingly standardized and replaceable human being.

Nik Comoglio, the musical heart and soul of this story, has never surrendered to that reality; flanked by the vocal and conceptual talents of Riccardo Ruggeri, the Turin-based keyboardist and composer has truly succeeded in making his mark. Syndone, with their erudite, impeccable rock, as violent and energetic as they are melancholic and orchestral, are a dare, a counterpoint, a raised middle finger to the devious strategy of collective narcosis slyly dropped from above in the Kali Yuga of Western civilization. They’re an antidote.

“DirtyThirty” is their crowning achievement, the (perhaps) final chapter. Enjoy it like fine wine, in small sips, and remember to stay human.

Track list:

1. DirtyThirty - the end of my love - (Comoglio/Ruggeri)  [5’06”]
2. Fight Club (Comoglio/Rubinato/Ruggeri) [3’08”]
3. The Angel (Comoglio/Rubinato/Ruggeri) - quoting the track “Il fiele e il limite” from the album “La bella è la bestia”, 2012 [4’19”]
4. Valdrada’s Screen (Comoglio/Ruggeri) - restyling the track “Spleen” from the album “Spleen”,1992  [3’46”]
5. I spit on my virtue (Comoglio/Rubinato/Ruggeri) [4’40”]
6. I only ask for a super glue (Comoglio/Ruggeri) - quoting the track “Eros & Thanatos” from the album “Odysséas”, 2014 [5’02”]
7. Mary Ann (Comoglio/Ruggeri) - restyling the track “Marianne” from the album “Spleen”,1992   [5’57”]
8. René (Comoglio/Ruggeri) - restyling the track “Magritte” from the album “Melapesante”, 2010   [4’25”]
9. God’s will (Comoglio/Ruggeri) - restyling track “Inca” from the album “Inca”, 1993  [5’30”]
10. Thousand times I cried (Comoglio/Ruggeri) - restyling the track “Proverbi” from the album “Inca”, 1993  [2’11”]
11. Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018   [4’21”]
12. So long everybody - the time has come and I must leave you - (Comoglio) - restyling the track “Penelope” for full orchestra from the album “Odysséas”, 2014   [4’46”]

Bonus track
Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018 [4’21”]

Total time running 48’03”

SYNDONE Line up:

Nik Comoglio - composition, orchestration, hammond, juno dist. moog, mellotron, keyboards
Riccardo Ruggeri – composition, vocals, lyrics
Marta Caldara – vibraphone, marimba, keyboards
Gigi Rivetti – ac. piano, el. pianos, hammond, moog, accordion
Simone Rubinato – bass, fretless bass, el. baritone guitar Ciro Iavarone - drums, percussions

Guests

Tony de Gruttola – electric guitar & ac. guitar (on “DirtyThirty”)
Andrea Carbone – electric guitar (on “Mary Ann”)
Pino Russo – classic guitar (on “René”)
Gianluca Cagnani – pipe organ (on “Valdrada’s screen”)
Kaori Tsutsui – clarinet in Bb (on “Evelyn”)
Rebecca Onyeji - backing vocals
Charlie Poma - backing vocals

String Trio (on “I spit on my virtue”) – Valerio Iaccio (violin), Roberto D’Auria (violin), Michelangiolo Mafucci (cello)

Budapest Scoring Symphonic Orchestra conducted by M° Francesco Zago

Fabrizio Argiolas - sound engineer
Valentina Fornacca – artwork cover: “folli eroi e sognatori” (oil on canvas)
Eugenia Brini - layout and booklet project

To purchase: http://store.maracash.com/product_info.php?products_id=799&osCsid=n5r7g884nhrv8lm38p12vncf6p

For more information:
www.syndone.it
www.facebook.com/syndone

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Singer-Songwriter Percy Howard Releases New Album “The Stars and The Well” Featuring Fred Frith, Vernon Reid & Matt Chamberlain

Percy Howard, a NorCal based singer-songwriter and product of the New York no-wave avant-garde, has performed and or toured with members of Living Colour, King Crimson, Swans, Guns N’ Roses (Buckethead), Oxbow, Henry Cow, This Heat, and Brand X. Percy has also shared European festival stages with Brazilian music legend Caetano Veloso and ambient pioneer Stephan Micus.

Percy is the generator of the Meridiem project, which has included collaborative input from Bill Laswell, Vernon Reid, Charles Hayward, Trey Gunn, Fred Frith, Robert Rich, Buckethead, Jarboe, Happy Rhodes, and Jill Tracy, amongst others. Percy's Genre-defying mix of rock, jazz, soul and classical influences have drawn critical attention and praise from all over the planet. Percy has recently started the record label Necessary Angel, which he sees as an archival entity whose sole mission is to spread as much sonic beauty across the world as possible.

Influenced by the Laurel Canyon Sound, Bowie, Steely Dan, Richie Havens, and Scott Walker, but created in the context of my own experience, Percy’s new album “The Stars and The Well” is unabashedly nostalgic, consumed with Romance and unafraid of the fragility of love. It’s a retrospective of the impact of love in my life, in all its forms… From the heights (The Stars) to the depths (The Well).

Please listen with your ears, mind and heart open.

Produced by Joe Chiccarelli at Sunset Sound, Los Angeles, CA. October 2022

Musicians:
Bass - Kaveh Rastegar, Sean Hurley
Guitars - Joe Gore, Vernon Reid, Fred Frith, David Levita
Banjo - Joe Gore
Drums - Matt Chamberlain
Keyboards - Zac Rae
Backing Vocals and Vocal Arrangement on “The Lonely Sea” - Roger Joseph Manning
Backing Vocals - Valerie Pinkston, Mia Pfirmann, India Carney
Trumpet - James Havorka
Horns - Danny T. Levin
Strings - The Section Quartet
Song Charts - Benjamin Lee

Advice and Coordination: Eliot Goldstein for Blue Buddha Productions

To purchase: https://7dmedia.com/percy-howard-the-stars-the-well

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Multi-Instrumentalist Julian Calv Releases A Cover Of The Moondog Song “Encore” (Originally Titled “Utsu”) Through Deko Entertainment

Calv carries on the legacy of Moondog (aka The Viking of Sixth Avenue) with full support from the Moondog archives!

Stockton, NJ – Percussionist Julian Calv was a music major who recently graduated from Moravian University in Bethlehem, PA. He now resides in the art community of Windsor, VT. Calv can occasionally be seen on Church Street in Burlington, VT, busking much in the way Moondog, aka the Viking of Sixth Avenue, did in NYC during the 50’s and 60’s.

Calv has studied every aspect of the avant-garde musician’s creative life. In addition to composing and performing, Moondog’s life included the invention of several musical instruments, most famously the trimba (a sort of triangular drum). Calv has even built his own one-of-a-kind trimba, going to great lengths to travel to Sweden and Germany to meet with fellow Moondog aficionados, and study the design of the instrument. Moondog archivist Wolfgang Gnida states, “Julian Calv - the future of the trimba, that's what I called Julian some time ago. That may seem a bit of an exaggeration, but since the time I've been working at the Moondog archives, I’ve yet to meet a musician who has been as intensely involved with the trimba as Julian.”

Calv had this to say about his latest release, “‘Encore’ is written by Moondog and performed by Ava Bloomfield on piano and myself. The song was originally titled ‘Utsu’ and played on an instrument Moondog built having the same name. This reinterpretation of the song brings the utsu's melody to the piano keys. ‘Encore’ is one of nine songs from an upcoming album titled ‘Nonstop Motion,’ featuring the music of Moondog and Julian all wrapped up in one.”

Listen here: https://ada.lnk.to/JCEncore

In addition to covering Moondog material, Calv has now been creating his own percussion-based compositions in a style reminiscent of the late composer. His first release, “Route 4,” and follow up “Thorn and Roots” have been picked up on multiple Spotify playlists.

Listen to “Route 4” here: https://ada.lnk.to/Route4

Listen to “Thorn and Roots” here: https://ada.lnk.to/ThornandRoots

Order the limited edition (only 250 printed) 7”-single and limited bundles here: https://bit.ly/JulianCalv

Tracklist:
Side A – “Route 4”
Side B – “Thorn and Roots”

This bundle Includes:
One (1) 7” Vinyl Single
One (1) Julian Calv Sticker
Two (2) Maraca Key Chains

For more information: http://www.instagram.com/julian.trimba/

www.dekoentertainment.com
Deko Entertainment–Art Has Value

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com