Showing posts with label Jon Durant. Show all posts
Showing posts with label Jon Durant. Show all posts

5/27/2021

Guitarists Jon Durant & Stephan Thelen Team Up For An International Musical Conversation “Crossings”

An intercontinental guitar dialogue

Swiss guitarist Stephan Thelen and his American counterpart Jon Durant have teamed up for an international musical conversation. The pair conceived and executed the album “Crossings” during the Covid lockdowns of 2020. Each working in his own home studio, Thelen on Lake Zürich, Durant on the Willamette River, the pair fell into a remarkable sense of shared purpose as they developed the seven tracks that comprise the album. While the album was entirely done with guitars (and one bass part), there are frequent trips into sonic spheres that bear little resemblance to the traditional sounds of the instrument they share.

Following on from Durant’s work on Thelen’s “Fractal Guitar 2,” the pair began the work as a project for a sampler project that MoonJune Records were to release. Those plans were scrapped but the two had so enjoyed the process that they began to explore more pieces together. Thelen noted: “In April 2020, during the lockdown, I immediately thought of doing a duo with Jon. I decided to revisit the title track from my 2004 solo album, 'Vol de Nuit', which we recorded as a homage to two of our favorite guitarists, Robert Fripp and Terje Rypdal.”

The album contains a series of musical dialogues, often begun with Thelen’s polymetric guitar loops, which allowed Durant a wide range of options for textural and lead work, notably his expressive fretless and colorful electric 12 string playing on the title track, “Crossings.” The sublime “Sunrise” features Durant’s cloud guitar drifting above Thelen’s hypnotic minimalist patterns before the deeply emotional lift of fretless lead towards the end. The darker hued “Dream Sequence” and “Infinity” showcase the two guitarists’ textural soundscaping, with the former offering a nod towards innovative trumpeter/composer Jon Hassell.

Durant commented, “Working with Stephan offers me a chance to explore in ways I wouldn’t necessarily do on my own, and it challenges me to step up my game and let my playing be more extroverted.” Thelen added, “We did a lot of file sharing, and I was very pleased at incredibly good, fast, and reliable working with Jon was.”

“Crossings” will be released June 11, 2021 on Alchemy Records.

For North America:
https://jondurant.bandcamp.com/

For Europe:
https://stephanthelen.bandcamp.com/

About the artists:

Innovative guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks and his very distinctive use of fretless guitar has been widely admired.

Durant has previously released 10 solo albums and three Burnt Belief records (with Colin Edwin of Porcupine Tree). Durant has also been featured on the Astarta / Edwin album which was released in 2016. Durant, Colin Edwin and Ukranian singer Inna Kovtun released a CD in 2019 which featured a completely unique and modern take on traditional Ukranian folk music, with a blend of progressive rock, ambient, and pop elements.

Durant’s acclaimed 2018 solo release “Parting Is” was his first ‘solo guitar’ recording and the follow up solo guitar album “Alternate Landscapes” continued to stretch the boundaries of what a guitar record can sound like. Both solo CDs have been nominated for “Best Ambient Album” in US new age radio publications, while “Alternate Landscapes” also spent multiple weeks at the top of the NACC Chill Charts. In 2020, Durant released the well received duo album “Across the Evening” with Estonian guitarist Robert Jürjendal as well as his most recent solo album, “Soul of a River” (Myndstream Records) which featured Jon playing guitars and piano. In addition, Durant released a pair of recordings with keyboardist and Brian Eno collaborator Peter Chilvers, “Always Golden Sands” and “Vista” at the end of 2020 and start of 2021.

Stephan Thelen was born in Santa Rosa, California, where he spent his first ten years. He then moved with his family to Switzerland, where he still lives. After studying mathematics and music at the University of Zürich, he attended several Guitar Craft courses under the direction of King Crimson guitarist Robert Fripp, closely studied the music of Béla Bartók and Steve Reich, and eventually concentrated on studying  polymetrical music.

As a guitarist and composer, he has worked and recorded with many internationally acclaimed musicians including Bill Laswell, Henry Kaiser, David Torn, Markus Reuter, Eivind Aarset, Hans Koch and Irene Schweizer. He has composed music for many ensembles, most notably the Kronos Quartet, from which he received a commission in 2016 to compose a piece for their “50 for the Future” program: https://www.50ftf.kronosquartet.org/composers/stephan-thelen

He is founder, guitarist and main composer for SONAR, an internationally acclaimed Swiss quartet, that specializes in minimalistic and polymetrical rock music that uses a unique tuning called the tritone tuning. SONAR has recorded five studio albums, the latest two (“Vortex” and “Tranceportation” with David Torn on RareNoiseRecords). He has recently released “World Dialogue,” an album of string quartets on RareNoiseRecords, and “Fractal Guitar 2” on Moonjune Records.

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

12/07/2020

Keyboardist and Brian Eno Collaborator Peter Chilvers and Guitarist Jon Durant Create a Series of Stunningly Beautiful Aural Vistas

Peter Chilvers & Jon Durant Release “Always Golden Sands” & “Vista” - An ambient jazz album in two parts

English keyboardist and Brian Eno collaborator Peter Chilvers teamed up with American guitarist Jon Durant to create a series of stunningly beautiful aural vistas, which blend ECM inspired chamber jazz improvisation with ambient music. For both artists, this recording was an opportunity to explore their introspective sides as well as their textural tendencies. Gentle melodies weave their way through atmospheric clouds, at times reminiscent of Budd and Eno, but with a sense of interplay between the guitar and keys those ambient pioneers left out.  

The duo settled into a rhythm of working across distant time zones during the pandemic. Tracks often began with a morning keyboard improvisation from Chilvers, which would be embellished and transformed by Durant as daylight hit his side of the Atlantic. Having completed Vista, the momentum built up, and three further tracks emerged. These stood well on their own and will be released first as “Always Golden Sand” - a starter to Vista’s main course.

The EP features the exquisitely melancholic “Always Autumn”, the playful dialog of guitar and percolating synths on “Shifting Sands”, and the pensive “Golden”, a reworking of the more rhythmic “Age of Steam” from Vista. The album also includes the darker shades of “Embers” and the expansive “Sunset” - multiple piano loops slowly build around each other, augmented by Durant’s signature cloud guitars before giving way to a deep dusky atmosphere to close the album. Best enjoyed with a glass of whisky.

Chilvers commented, “As a teenager, I fell in love with the great ECM recordings of the 70s and 80s. Working with Jon has felt like travelling back to that period and finding an undiscovered star. It’s been a joyful and effortless recording, a live album somehow recorded despite lockdowns on opposite sides of the Atlantic. I wish I could beam it back to my teenage self.”

Durant noted, “My favorite aspect of this record is the level of interplay we managed to achieve, especially given the difficult circumstances in which we made this record. Peter’s lovely piano melodies were an inspiration for me to add not just beautiful textures but also play melodically with and around his piano and synths.”

Peter Chilvers: Remodelled Pianos, Synths, Generative processes, Fretless bass
Jon Durant: Cloud Guitar, Fretless Guitar, Mixing

Release dates:

December 11. 2020
The three song EP “Always Golden Sands” will be released digitally on Bandcamp and all streaming services.

January 15, 2021
The full length “Vista” will be released digitally on Bandcamp and all streaming services.

For more information:
https://www.jondurant.rocks
http://www.peterchilvers.com

To Purchase:
https://jondurant.bandcamp.com
https://peterchilvers.bandcamp.com

About the artists:

Peter Chilvers is a musician and software designer. Best known for creating the iOs applications Bloom, Trope, Scape and Reflection with Brian Eno, he has also toured with Karl Hyde (Underworld) and recorded numerous albums with vocalists Tim Bowness and Sandra O’Neill, as well as several solo instrumental albums. Many of these were released through Burning Shed, the online label he co-founded in 2001 with Tim Bowness and Pete Morgan.

Since 2006 he has worked as a musical and technical assistant to Brian Eno on projects including the soundtracks to “The Lovely Bones” and “Spore”, album collaborations with David Byrne and the Warp releases “Small Craft on a Milk Sea”, “Drums Between the Bells” and “Lux”. He worked as Assistant Producer on Eno’s 2016 release “The Ship”, for which he also helped develop a multi-speaker installation which has been shown in many countries.

As one of the earliest successes when Apple’s App Store’s debuted in 2008, Bloom continues to be fondly remembered. This led in 2018 to a collaboration with Microsoft to produce Bloom: Open World, an augmented reality installation shown in Denmark, and Bloom: 10 Worlds, a complete reimagining of the app for modern phones and tablets. Eno and Chilvers were also commissioned to create Hypnotised, a customized version of Bloom for use in Coldplay’s live stadium shows.


Innovative guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks and his very distinctive use of fretless guitar has been widely admired.

Durant has previously released 10 solo albums and three Burnt Belief records (with Colin Edwin of Porcupine Tree). Durant has also been featured on the Astarta / Edwin album which was released in 2016. Durant, Colin Edwin and Ukranian singer Inna Kovtun released a CD in 2019 which featured a completely unique and modern take on traditional Ukranian folk music, with a blend of progressive rock, ambient, and pop elements. Durant’s acclaimed 2018 solo release “Parting Is” was his first “solo guitar’ recording and the follow up solo guitar album “Alternate Landscapes” continues to stretch the boundaries of what a guitar record can sound like. Both solo CDs have been nominated for “Best Ambient Album” in US new age radio publications, while “Alternate Landscapes” also spent multiple weeks at the top of the NACC Chill Charts. In 2020, Durant released the well-received duo album Across the Evening with Estonian guitarist Robert Jürjendal as well as his most recent solo album, Soul of a River which featured Jon playing guitars and piano.

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

6/30/2020

Guitarists Jon Durant and Robert Jürjendal Release A Vibrant New Musical Collaboration "Across the Evening"


“Across the Evening,” by ambient experimental guitarists Jon Durant and Robert Jürjendal, further extends the ambient/jazz/world crossover music both musicians have traversed throughout their diverse careers. Featuring appearances from Colin Edwin (UK) on bass, Aleksei Saks (Estonia) on trumpet, and Andi Pupato (Switzerland) on percussion, “Across the Evening” is a multi-dimensional, trans continental delight.

With sounds that caress and envelop, rhythms that percolate and inspire, the two guitarists nimbly play off each other and their guests, rarely allowing the listener to imagine that they are hearing guitars.

From the sublime “Reflective Sea” to the deep middle eastern vibe of “Beguiling Eyes,” the album crosses multiple stylistic boundaries. The final two tracks, “Return to Russia” and “Balkan Blue” are live recordings from the ensemble's live performance in Tallin, Estonia in 2019.

Says Jon, “Robert and I had known each others' work for some time - I'm really fond of his group Uma (with Aleksei Saks), and between my collaborations with Tony Levin and Colin Edwin, he'd been following my work as well. But we hadn't connected personally until recently. When the idea of collaborating was floated, we met it with great enthusiasm. We are both very interested in the textural possibilities with guitar but approach it differently, both in terms of tools and techniques. In the end, the two approaches blend wonderfully, and it's often hard to believe that what you’re hearing is guitar. When we began working, we realized that while it's great to be able to work remotely, there was a strong desire to also work together in the same room. I arranged a trip to Tallinn, and Robert organized a concert at Philly Joe's Jazz Club in Tallinn. We were very fortunate to have Aleksei Saks join us on Trumpet, and Inna Kovtun came up from Kiev to sing with us. It was an incredibly inspiring evening, and two tracks on the album are from the recording of that show. The album includes ideas and concepts born out of our few days of rehearsing and improvising together, and flushed out with fantastic performances from Colin Edwin (bass) and Andi Pupato (percussion).”

THE ARTISTS

Jon Durant - Guitars

Jon Durant brings a unique sense of texture and melody to his instrument. His unique “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks and his very distinctive use of fretless guitar has been widely admired. He has previously released 9 solo albums and three Burnt Belief records (with Colin Edwin). Durant's acclaimed 2018 solo release “Parting Is” was his first “solo guitar” recording and the follow up solo guitar album “Alternate Landscapes” continue to stretch the boundaries of what a guitar record can sound like. Both solo CDs have been nominated for “Best Ambient Album” in various US new age radio publications, while “Alternate Landscapes” also spent multiple weeks at the top of the NACC Chill Charts.

Robert Jürjendal - Guitars

Robert Jürjendal is an Estonian guitarist and composer who studied classical guitar and composition (Anti Marguste) at Tallinn Georg Ots Music School. In 1992-1997 he participated in Robert Fripp Guitar Craft Courses. He has written music for classical and contemporary guitar, cembalo, mixed ensembles, choirs; documentaries, art exhibitions and theater. His compositions include both traditional and contemporary elements, from folk music to post-rock and ambient-jazz. Robert Jürjendal is working as a freelancer composer / artist / lecturer. He is also the curator of the music program SOOLO at Tallinn Art Hall. Recent albums include “Source Of Joy” (Unsung Records 2013), “Balm Of Light” (iapetus - media 2014) and “Simple Past” (Strangiato Records 2016). “Another World” (with Colin Edwin) (Hard World 2018), “Five Seasons” (Albany Records 2018), With Noya and Godwin, “Samliku” (New Dog Records 2019), with Sandor Szabo “Electric Poetry” (Greydisc 2019).

To purchase:
Bandcamp: https://jondurant.bandcamp.com/album/across-the-evening

Burning Shed: https://burningshed.com/jon-durant_robert-jurjendal_across-the-evening_cd

Amazon: https://www.amazon.com/Across-Evening-Jon-Durant/dp/B089LYGZKT

Jon Durant's official website: http://www.jondurant.com
Robert Jürjendal's official website: http://robertjyrjendal.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

6/08/2019

Instrumental Ambient Review: Jon Durant-Alternate Landscapes

Release Date: May 3, 2019
Label: Alchemy Records

My introduction to Jon Durant came in 2018 when he released Parting Is. His unique use of guitars I found to be very intriguing. 

Alternate Landscapes is along the same path but an expansion of what he was doing on the last release, this time with the use of synths. The music is ambient and electronic with Jon’s cloud guitar signature driving the compositions.

I made sure to include the track times because without that as an indicator people would assume that this was EP. That could not be further from the truth as the shortest track is 6:56 and the longest rolls in at 20:32.

After looking at the track titles I had to wonder what each one meant. The only one I recognized was “Aragon.” Have a little fun and look up all the track titles to see what they mean. I can tell you this, they are all destinations. Speaking of going somewhere, you are probably wondering where this music will take you. All this music has a destination as indicated by the track titles; however, I do believe that is up to each individual listener.  So, before you give this music a listen, stop, think, then decide how you will use this music as a tool to achieve your own destination.

I really cannot qualify this music as new age, perhaps a sub-genre thereof would be the best way to put it. It is atmospheric, dreamy, and billowy like a cloud. It pulls you out of one space and puts you in another rather quickly. At times it gave me the feeling of being submerged in water and thus that “floating” weightless feeling of mind, body, and soul. It can be a beautiful thing if you can let the music work its magic.

I would think that the folks that work in film making should take a good look at what Jon Durant can offer for soundtracks and effects for all sorts of films and documentaries. This music is Alternate Landscapes in a definitive sense, musically of course. Most listeners that enjoy ambient or new age will really appreciate this release.

Keith “MuzikMan” Hannaleck
June 8, 2019

Founder of:

Review Provided By New Age Music Reviews

Tracks:
 
1. Systravatn 15:56
2. Aragon 6:56
3. Ciel Du Cheval 20:32
4. Dinkelsbül 15:11 



4/01/2019

Innovative Guitarist Jon Durant Releases New Solo Guitar Album "Alternate Landscapes"


Portland, OR - Following his acclaimed CD “Parting Is,” Jon Durant returns with a new solo album “Alternate Landscapes.” While both records are solo guitar, that’s also where the similarity ends.

Alternate Landscapes expands the idea of solo guitar to include MIDI guitar triggering old school synthesizer sequences and breathy wind instruments alongside Jon’s signature cloud guitar textures. The result is a strikingly original blend of highly unusual sounds and textures with the additional context of vintage synthesis all translated through the guitar. In addition, each of the four expansive tracks take the listener on an extended sonic journey through a multitude of aural landscapes.

Durant commented: “For my entire musical career, I’ve steadfastly refused to wear my influences on my sleeve. If I ever do something that sounds too much like someone else, I have always discarded it. This time I allowed myself to let, for example, my Tangerine Dream influence come to the fore, and decided to make a statement that offered homage without being too derivative.”

Continuing, Durant spoke of the very different nature of how he approached his guitar playing on “Alternate Landscapes” relative to his previous work: “I’ve always had a great love of melody, and on all my earlier work whether solo or with Burnt Belief my lead guitar was a centerpiece of what I did. The cloud guitar textures, for which I have gained a certain reputation, were usually placed in a context underneath a more obvious lead guitar melody. On Alternative Landscapes, however, I have almost eliminated the lead guitar voice in favor of letting the cloud guitar textures become the dominant theme.”

“Two of the songs, “Aragon” and “Ciel du Cheval” are solo guitar pieces, performed live in the studio with no overdubs. All the percussive elements on “Aragon are a loop played on guitar, over which I played my fretless guitar. “Ciel du Cheval” is solo cloud guitar piece all played on guitar with an E-Bow. Listeners might be reminded of the landmark work of Fripp & Eno in it’s scope and approach, though not necessarily in the sounds that emerge.”

The other two tracks involve the use of guitar synthesizer, and also include sounds of voices and trains recorded on an iPhone and played back through the pickups of a guitar and processed through Durant’s complex effects rig to render those sounds completely indistinguishable from where they began.

Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. His 2018 release “Parting Is” was nominated for “Best Ambient Album” in the Zone Music Reporter awards. In 2019, several highly regarded recordings feature Jon’s work as a session player, including Stephan Thelen’s landmark “Fractal Guitar” on which Durant can be heard alongside David Torn and Marcus Reuter and many other innovative guitarists.

As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's six solo albums and three Burnt Belief records (with Colin Edwin of Porcupine Tree), Alchemy has also released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.



To Purchase Jon Durant's “Alternate Landscapes”:
https://jondurant.bandcamp.com/album/alternate-landscapes
https://www.amazon.com/Alternate-Landscapes-Jon-Durant/dp/B07NRF9ST6
https://burningshed.com/jon-durant_alternate-landscapes_cd?filter_tag=jon%20

Video for Burnt Belief, “Ghosts Aquatic”:


Video for Burnt Belief, “Dissemble”:


Video for Burnt Belief, “Semazen”:


Jon Durant's official website: http://www.jondurant.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

5/19/2018

Instrumental Ambient Review: Jon Durant-Parting Is

Release Date: January 18, 2018
Label: Alchemy Records

When I heard the name Jon Durant it made me think, I know that name. I also felt like I had heard a similar sound somewhere. That is quite likely however as it turns out when I had the muzikreviews.com site running, one of my staff covered the Colin Edwin and Jon Durant release Burnt Belief. That was in December 2012.

What I really can appreciate in the music industry is artists helping artists. That is exactly what Jon does on his own Alchemy Records. Who understands a musician more than one of their own? Today this is commonplace and it should have happened eons ago. With that being said, Jon knows how to create some of his own significant pieces of music as well.

Parting Is (such sweet sorrow?) the latest release by Jon. It came out in the middle of January 2018. He uses no synths on this recording (you could have fooled me), which I found quite astounding. 

Jon uses a broad selection of PRS (Paul Reed Smith) guitars which includes an electric 12 string, cloud guitar, Koll Tornado fretless guitar, Klein electric guitar, and the Spector Fretless bass. With this amazing array of electrified guitars, the talented Mr. Durant takes guitar-based music to another place. It is like taking a journey into unchartered waters or space beyond our own galaxy. As this artist explores these new soundscapes you will find yourself wondering how this was all this was accomplished on Parting Is. I believe the cloud guitars are the instruments that create the synth sounds, that just makes sense to me.

When you look at the cover art of this recording you wonder what Jon is trying to convey. I think most artists are sending a message with the cover art although some just like using certain colors or a fancy image they saw. As simplistic as this image seems it does tell a story, a developing story. I see peacefulness that has an impending change, the calm before the storm? Parting Is what? Perhaps parting from the serene colors that the picture shows and the grey (area?) clouds signaling that the rain is coming or a violent storm. But there is light shining through the darkness which gives you hope. Is this a reflection of life itself? We can see things are looking terribly dreary then suddenly a light comes shining through to cast out the darkness and bring things back into focus. This my own personal musical hypothesis, surely everyone would have their own.

I really enjoy the process that an artist can present with art and music. The music on this nine-track CD is beautiful, elegant, haunting, and most importantly, full of musical emotion and colorful imagery. This music lives and breathes and tells the story, but the best part is it can be your story, just look a little further, inside the music…

4/5 Stars

Keith “MuzikMan” Hannaleck
May. 18, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
01. Clouds in Advance
02. Open Window
03. Travels Within
04. The Room Where She Waits
05. Before the Rain Falls
06. Evolve in Place
07. Ecliptic Shadows
08. Returning to the Departure   
09. Willamette Fog


1/08/2018

Innovative Guitarist Jon Durant Releases Solo Guitar Album "Parting Is"


Boston, MA - Following three acclaimed CDs with his group Burnt Belief, Jon Durant has returned with his first solo album since 2011's “Dance of the Shadow Planets.” Unlike his previous solo albums, however, “Parting Is” is a completely solo guitar album.

A deeply emotional and personal record, “Parting Is” takes the idea of a solo guitar album and transforms it into a stunning sonic landscape of texture and color. Many of the sounds on the album bear no relationship with traditional guitar, but there are no synthesizers employed at all. Everything is played by Jon Durant on guitars (with Durant also playing fretless bass on four pieces).

Durant commented: “In recent years, I have been spending a lot of time away from people and places I love very much. My two boys are out of the house, one graduated college and the other is a senior in college this year. We have a wonderful time when I get to see them, but then they go away and there is a bit of a pang as we part. Also, we have a second home on the other side of the country (Portland, OR) where I spend a fair bit of time, and is also where much of this album began. Frequently my wife will join me for a long weekend, and I will stay on for another week or so, and of course there's the sadness when we part. What is reflected in this music is the sweet sorrow that comes from this parting - recognizing that it's temporary but still longing for more time together.”

About the music, Durant stated: “On most days, one of the first things I do is grab a cup of tea or coffee, and begin to experiment with my guitar. The music that comes out is not done with any intention of becoming a composition, or a recording, but is rather more of a meditation. However, a friend heard a brief recording of one such piece and asked why I didn't record more of them. When I began to do so, I felt a pattern was emerging that might be worth exploring.

“Many pieces begin as loops that I would play a melodic lead over. I recorded several of these, then began to deconstruct the loops and record the various parts as separate components which could become less loop like and more dynamic and flowing. The track, 'Open Window' is a perfect example of how that played out.”

That track, “Open Window” also provides an opportunity to explore the unusual sound and textures that Durant creates. The primary guitar which began as a loop is an electric 12 string. From there, multiple electric 12 string parts were layered in a minimalistic way. The melodic guitar is a fretless electric guitar, and the low tones (which sound a bit like the old Moog Bass Pedals) are generated from the fretless guitar. Also, swirling around in the background are Jon's unique cloud guitar sounds, notes which hang in the air like clouds with no discernable beginnings or endings.

There are three solo cloud guitar pieces (“Clouds in Advance”, “Before the Rain Falls” and “Willamette Fog”) and two pieces which remained as a loop with lead guitar over the top. “The Room Where She Waits” is a loop of electric 12 String and the lead is fretless guitar. On “Evolve in Place”, the loop is an electric guitar with fretless guitar over the top.

Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's six solo albums and three Burnt Belief records (with Colin Edwin of Porcupine Tree), Alchemy has also released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.

To Purchase Jon Durant's “Parting Is”:
https://www.amazon.com/Parting-Jon-Durant/dp/B077319LXV
https://burningshed.com

Video for Burnt Belief, “Ghosts Aquatic”:


Video for Burnt Belief, “Dissemble”:


Video for Burnt Belief, “Semazen”:


Jon Durant's official website: http://www.jondurant.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

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