2/20/2020

THE FOLSOM PROJECT Releases Their Debut Cinematic Concept Album THE WOLF & THE SKULL


San Francisco, CA – From the mind of composer, producer, and multi-instrumentalist Romsam Malpica, a new way of presenting cinematic atmospheres through an audiovisual experience has been born under his moniker THE FOLSOM PROJECT. A mix of Orchestral Rock, Trap, and Trip-hop, THE FOLSOM PROJECT draws inspiration from Romsam’s experience with film scoring and dark sound design, which he explores on his debut cinematic concept album THE WOLF & THE SKULL, releasing online February 21 everywhere music is streamed and sold, followed by an official CD release on March 13, 2020.

THE FOLSOM PROJECT was conceived in 2015 while Romsam was studying music production for a year at Pyramind in downtown San Francisco, CA. Originally from Jalisco, Mexico, Romsam was inspired by his new surroundings, and he took the name of the street where his SF Music Academy was located for THE FOLSOM PROJECT.

It was here that Romsam Malpica began to develop the concept of an “audible action thriller.” The resulting debut album THE WOLF & THE SKULL is a soundtrack to the story he tells of a sick and troubled doctor in charge of a biochemical lab in the middle of the woods. The doctor works on the mysterious Folsom Project, which hides a dark truth. The story is told through the eyes of  “The Wolf,” an animalistic creature that awakens in the woods with no memory and a thirst for vengeance, and explores The Wolf’s journey to unravel the truth about his past and stop the doctor at all costs.

The first single to introduce the album’s concept was “Dr. Schmidth,” which was released digitally in the summer of 2019 and is, as Romsam calls it, “the villain’s ballad.” Following that release was “Iceland,” the next single that explores a conversation between the secondary characters Ali and Bob, aka The Skull. Ali is in her mid-twenties and was abducted by the Project, while The Skull is a biogenetic scientist and the doctor’s partner.

These first two singles culminated with the digital release of The Wolf & The Woods EP, which featured the first five songs off the new full-length album. Romsam also designed visual elements across all the artwork and videos for the project to help establish the main color and tone of the album’s story, set amongst the dark imagery of the woods and featuring characters like The Wolf, The Lady in White, or The Skull with his mysterious yet unknown intentions.

Get a taste of the cinematic audiovisual experience provided by THE FOLSOM PROJECT and the new debut album THE WOLF & THE SKULL, releasing online February 21 everywhere music is streamed and sold, followed by an official CD release on March 13, 2020.



To order THE WOLF & THE SKULL on digital services please visit: https://smarturl.it/TFPWolfandSkull

To order THE WOLF & THE SKULL on Bandcamp please visit:  https://thefolsomproject.bandcamp.com/

For more information about THE FOLSOM PROJECT please visit: www.thefolsomprojectmusic.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

2/19/2020

Prog Legends Gentle Giant To Release First 4 Albums On Vinyl April 3, 2020


Gentle Giant is happy to announce the release of the first 4 albums on vinyl April 3rd.

After the positive response to the box set “Unburied Treasure” many fans asked whether the vinyl albums would ever be available. The band has responded and decided to make these albums officially available for the first time in decades.

The band’s first album “Gentle Giant” was first released in October 1970. Produced by Tony Visconti it marks the 50th Anniversary of the recording and live appearances of the band. Tony Visconti produced the follow up album “Acquiring The Taste” in 1971.

The band oversaw the production of the third album “Three Friends” in 1972 and was the first official release in North America. Strangely the N.A. version featured the artwork from the U.K. “Gentle Giant” album.

This album was followed up with their milestone album “Octopus” in 1972. Once again the North American artwork was different to the Roger Dean U.K. version and featured a dye cut Octopus in a jar.

Released on the Alucard label, the albums will be manufactured in 180 gram vinyl with the original gatefold artwork from the U.K.

The band hopes that their friends, followers and fans will enjoy these albums in their original form 50 years later!

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

2/17/2020

Bass Legend Tony Newton Releases Timely New Single “Stop That Sh*t”


Bass legend Tony Newton is releasing a timely new single “Stop That Sh*t” from his newly released acclaimed new album “White Light Collection.” Says Brett David Stewart of JukeboxPodcast, “Lyrically, the single takes aim at those who only want to benefit themselves, often at the cost of those around them and future generations. 'Stop That Sh*t,' Newton croons funkily as he points the finger at a 'bad cancer' of society - those with endless greed.”

Not too long ago, the world of music found a revelation in Tony Newton, a virtuoso hailing from the historic city of Detroit, Michigan. Tony took keen interest in the art of music right from the days of his childhood. At the tender age of 7 years, his passion for music drew him closer to the piano. Although Tony is highly adept in playing keyboards, there is no denying the fact that he has carved out quite a history for himself in the field of electric bass.

Newton officially launched his bass guitar career along with the likes of esteemed blues musicians, such as John Lee Hooker, T-Bone Walker and Little Walter then moving on quickly to Motown. Tony has sealed a permanent berth for himself in the souls and minds of music lovers not only across the USA but also in different parts of the world by recording on over 100 hit recordings with innumerable world-renowned artists, including The Funk Bros., Tony Williams Lifetime, Smokey Robinson, Stevie Wonder, Michael Jackson, Supremes, Allan Holdsworth, Gary Moore's G-Force, Robbie Krieger of the Doors, Aretha Franklin, Mamas & Papas, Chuck Berry,& Little Richard, to name a few.

TONY STILL HERE. Scores of musicians, producers and one hit wonders have hit the dust. Tony's music has evolved from the turbulent and riotous sixties and seventies to the current plethora of crises of the 21st century. This legendary talent and rare phenom rose with white lightning speed to the top of American music artistry, to become an iconic trendsetter and innovator. What's different and unique about TN that distinguishes him from other music artists.

His fans say this:
“He is a powerful musical history coupled with current innovative sound”
“He’s not trying to fit into slots”
“He is a trendsetting, artist who forges his own way” 
“His great song writing and arrangements!” 
“A fresh new music, doesn't sound like anybody else, is original, Groove, depth of music, honesty, very uplifting” 
“He is multifaceted, not only musically but personally and professionally in all that he does”
“Tony sees the bigger picture and beyond and succeeds in bringing it all together for the betterment of humanity”

Says Newton, “My music tells life stories – Within my music there is a unique and special story for each listener as well as a journey for both you and I. If I can write and perform music which helps you get through a bad time, good time, inspires, or gets you thinking, then I have fulfilled my mission”



“Newton's Motown roots are immediately apparent on 'Stop That Sh*t,' a lengthy nine minute excursion through his thunderous style of bass performance. It has a slick, cinematic style to it that's scored with searing electric guitar, bass, and keys solos, cataclysmic string sections, and waterfalls of bombastic percussion and backing vocals. Much like Motown, it's sharply produced and immensely suave, but never sterile or inauthentic.” -  Brett David Stewart (BrettDavidStewart.com) - JukeboxPodcast

“Antonio (Tony) Newton, super genius, will go down in history as one of the most vital path forgers of our era” - Randali, Music Critic - Mean Streets Magazine.

WHAT TONY NEWTON IS DOING NOW!

Along with promoting his new album and single, currently Tony is writing and producing theme song for DNA National Homeless Soulutions! He is also preparing for “RARE” concert series in colleges and theaters across the US in addition to “Personal Enrichment, Technology and Music” speaking events, produced by Seaside Music Management.

To purchase: https://beatcha.in/tonynewtontntxtreme/stopthatshit

For more information:

WEBSITE
https://TonyNewtonMusic.com

FACEBOOK
https://www.facebook.com/TonyNewtonMusicArtist
https://www.facebook.com/TonyNewtonTntXtreme/

YOUTUBE CHANNEL
https://www.youtube.com/c/antoniotonynewtonmusic

EMAIIL SIGNUP & BIO
https://sites.google.com/view/tnewtonwlc/home

US - PR and Events
SeaSide Music Management
Inside MusiCast
www.seasidemusicmgmt.com
PH: 1-561-350-3867

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

2/16/2020

Progressive Rock Review: Art in America - Cloudborn

Release Date: August 1, 2019
Label: Art in America



Like a book, music can catapult you into an imaginative adventure. Art in America most definitely built their latest LP, Cloudborn around the concept of an alternate universe where all your troubles just disappear and the listener cannot wait for what may lie ahead.

The theme of experimental simplicity is fitting for this band as the band members started, as they state on their site, “in their living room kicking around some musical ideas with guitar, bass and some unusual instrumentation - … and a Japanese Koto.” Band members and siblings, Chris Flynn – lead vocals and guitar, Shisonee Flynn – harp, koto, tamboura, and vocals; and Dan Flynn – on drums and percussion, began the venture of artistry and bringing together the framework of a band. Soon, after adding Jim Kuha – on bass guitar and backing vocals, and Garry Galloway on the keys; the band was finalized and two albums later, Art in America is on the rise to become a part of every Progressive Rock N’ Roll lover’s collection and earworm.

“A Tale of the Unexpected” sounds like that of a videogame cut scene. It offers the listener a way to both, relax and get introduced to a realm of unusual instruments that typically is not included within Progressive Rock album concepts. The harp, an Indian piece called a tambura, and a Japanese koto are fused throughout the track list.

Much of the rest of the album gives off a blend of 80’s and 90’s Progressive Rock/Pop vibe. As soon as I heard the first few lines of “I Am I,” I felt like I was inside a Classic Progressive Rock or Action movie soundtrack music video. “Someday” hits right in the heart of any listener with half a sense of aspiration and hope. It proclaims that one day soon he (the singer), will get to where he needs to be.

Just take a look at this particular album art. It is of a vast and new unexplored world that leaves an imprint of a powerful image on the listener’s mind. “Drool,” on the other hand, gives the feel of a traveler that is in search of something but; no one quite knows what. The singer may just be wandering down an endless road. Rounding out the first half of the track list, “The New Swami” is one of those songs that you just cannot exactly place your finger on how to react. It contains elements of the tambura giving the tune some peacefulness. It is sung so brightly but, if you listen to some of the lyrics: “The new Swami smiles, as rubies turn to rubble;” the Swami is not as peaceful as proclaimed.

“Someone Called My Name,” is all about looking for answers. It’s a journey where all but, the voice he keeps hearing over and over again remains a constant in his life. We never do learn if he discovers who or what he has been searching for. Art in America goes back to a wild-western-type of a theme on “For Shelly.” It sings of coming to a realization of whom he had however, now she’s gone out of his life
Trying to find any remnants of back to when he and his friend or lover back to simpler times, the singer is in a daydream-like state and the rhythm remains constant to maintain that feel of flashbacks. It’s a very mellow peace to bridge the album together, it almost becomes instrumental.

Going from an almost monotone beginning to an action-packed four minutes and twenty-one seconds, “Facelift” is a fun changeup from the rest of the record. It feels like the singer or the listener could be charging up to something blending with a somewhat mystical sound towards the end. It becomes one of the standout tracks on the album for the simple reason that it brings some life and rejuvenation back into the record; like a reawakening of sorts.

The last three tracks create their own personalities. “Don’t Look Down” keeps with the upbeat sequence of the prior track. It’s guitar solo, is on the shorter side but, still offers what every Progressive Rock lover desires, a pure shred of the strings through your speakers. “No Wonder” finds its way on this record perfectly as its unique sound, almost like a movie scene, or story time sequence. The lyrics do not reflect much in terms of positivity because the man in question has made some mistake that he cannot seem to identify but, she knows quite well what he did. It’s the typical couples’ flare-up of arguments, disagreements, and sometimes breakup. Finally, taking a look at the last track “Goodbye My Love / Mind’s Eye / Peace of Mind,” it is truly an ideal finale to a perfect Progressive Rock album. It begins slow and swing-like, then, by the time it gets to “Mind’s Eye,” it blossoms into an up-tempo grand finish to make the listener feel as though they are leaving the concert of their life.

Cloudborn is that album that defines experimental. It pushes all types of Progressive Rock boundaries and draws the ear of various listeners. If you are looking for a record that makes you daydream, that makes you feel good overall, and that can turn any day around; this is the album for you. Often, Progressive Rock is misconstrued as angry – when commonly dealing with Metal, or disturbed when playing a bunch of Alternative artists; there’s a third avenue of eclectic and experimental sound that can accompany a typically positive intonation.

Key tracks include: “A Tale of the Unexpected,” “The New Swami,” and “No Wonder.”

Gregg Keniston- MuzikMan.net Staff
February 15, 2020

Reviews Provided By:

Track Listing:
 

01. A Tale of the Unexpected
02. I Am I
03. Someday
04. Drool
05. The New Swami
06. Someone Called My Name
07. For Shelly
08. When We Were Young
09. Facelift
10. Don't Look Down
11. No Wonder
12. Goodbye My Love / Mind’s Eye / Peace of Mind

2/14/2020

Curved Air Original Founding Member Darryl Way Announces the Release of His New Solo Album "Destinations" - Out Now !


Darryl Way is the co-founder of CURVED AIR, a trailblazing rock violinist and composer.

“Destinations” is the new studio album by Darryl Way and features ten new rock instrumentals, with a variety of influences and sound effects enriching the style and delivery of the pieces.

Darryl Way said of the new instrumental album “'Destinations' a collection of 10 pieces that set out to conjure up images of far off and exotic locations like Antigua, or imagined settings like Metropolis or Mystic Mountains. Like my previous album 'Vivaldi's Four Seasons in Rock', 'Destinations' could be described as programme music, music that evokes atmospheres and impressions.”

Mostly set in the 'Rock' genre, Darryl introduces himself as a guitarist on this album, as well as performing in his more familiar role as a violinist

The album is available to order here: Amazon CD: https://geni.us/Destinations

For more information: http://www.darrylway.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

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