10/18/2018

Jann Klose Reveals The Music Video For Latest Single "Love High"

Jann Klose reveals the music video for his latest single,  “ Love High”, shot in Williamsburg, Brooklyn.

Watch the music video for “Love High” here: 


The music video for Jann Klose's  “Love High” - the second single off his latest studio album  “In Tandem” -  came together after Jann reached out his friend, collaborator, and Tony Award winning choreographer, Yo-EL Cassell. Now a professor at Boston University, Yo-EL connected Jann with recent BU graduates Director/Producer Klaudyna Astramowicz and Director of Photography Wyatt Ward. Both came onboard to create the music video for “Love High” which features several NYC-based dancers and actors. The shoot took place in a single day in Williamsburg, Brooklyn and centers around a dreamscape setting in which the lead character connects with lovers of the past and future during a daydream. Edited by Deijah Lee-Carroll, the world premiere of the video took place Oct 14th at the famed NYC venue The Cutting Room.

'Love High' is about that moment in a relationship where you realize the physical aspect will most likely outweigh the emotional! You reach a point in the relationship where you have to let go because it can only go so far,” explains Klose.

Klose gathered some of SA's top musicians while recording  “Love High” and the single features Sakhile Nkosi (who also performs with AKA) on bass, Ezra Erasmus (Idols SA, John Legend) on keys, Leagan Breda (Lira, Trevor Noah) on drums and Raymond Green (Idols SA) on featured electric guitar. Produced by RJ Benjamin, mixed by Rici Martins and mastered by Ben Kesler.

Jann Klose also announces all the dates for the “In Tandem” Acoustic SA Tour. Catch him live at the following venues:

Cape Town Leg
Thu, 15 Nov: Café Roux, Noordhoek, Cape Town
Ticket Price: R130
Tickets on sale from webtickets

Sat, 17 Nov: Masterclass at Music Exchange, Cape Town
Sat, 17 Nov: The House Of Machines, Cape Town
Sun, 18 Nov: Cottage Club, Kommetjie 

Gauteng Leg
Wed, 21 Nov: Rusty Hook, Honeydew, Johannesburg
Thu, 22 Nov: Café Barcelona, Pretoria 
Ticket Prices: Limited Tickets on Pre-sale at R80 from https://www.howler.co.za/JannKlose22Nov
Remainder available at the door on the night at R100
**Space is VERY limited, so get your tickets now

Fri, 23 Nov: The Local Culture, Greenside, Johannesburg 
Ticket Prices: Limited Tickets on Pre-sale at R80 from https://www.howler.co.za/JannKlose23Nov
Remainder available at the door on the night at R100
**Space is VERY limited, so get your tickets now

Sun, 25 Nov: 11am - The Local Market At Silverstar, Krugersdorp 
Sun, 25 Nov: 2pm - Beerhouse, Fourways

Jann Klose is elated to have his brand-new studio album “In Tandem” released worldwide. Fans can download and stream the album, which features a selection of top South African artists such as Karen Zoid and Tamara Dey, on their favorite digital platform. “In Tandem” also features a duet between Jann and legendary Renaissance vocalist Annie Haslam on a cover version of Peter Gabriel's “Don't Give Up,” which has also been released as a single.

The wait is finally over after almost a year's worth of work going into the writing and recording of the album, and Jann is ready for people to hear all the songs on “In Tandem”! “I am so excited to release 'In Tandem' to the world! Making this album has been the most beautiful creative experience of my life and career thus far. Working with all these great guest artists from three continents has opened my mind in ways I never expected. I think this is my most honest work to date and I hope everyone enjoys listening to it as much as we did making it.”

Watch the music video for “Take Me 2 Forever”:


Jann spent time in SA last year recording his 6th studio album in partnership with the Academy of Sound Engineering, in addition to lending his time and supporting the work of Desmond Tutu's TutuDesk foundation. The album features a selection of SA's finest with RJ Benjamin as producer, songwriting contributions from James Stewart (The Usual), Ziyon (Liquideep), Karen Zoid (who also features on the song she co-wrote), and collab feature from Tamara Dey.



“In Tandem” Tracklisting:
01. Love High
02. Dear Mel
03. Don’t Give Up (feat. Annie Haslam)
04. What Have You Got to Say?
05. Never Fall
06. You and I (Cosmic Love) (feat. Tamara Dey)
07. Hochzeitslied
08. Pour the Champagne (feat. Karen Zoid)
09. After the Last
10. Take Me 2 Forever
11. What it Is
12. Win This Fight (feat. The RJ Benjamin Voices)
13. Wedding Song (Hochzeitslied English Version)

“In Tandem” is out now on digital and CD. Download or stream Jann Klose's brand-new album “In Tandem” now – http://smarturl.it/JannKloseInTandem



Jann Klose is an award-winning pop singer-songwriter, who has released six albums and two EPs. Jann was raised in Kenya, South Africa, Germany, and the United States and now resides in New York City. His music has been streamed over 1,000,000 times online and his song “Make It Better” is featured on the Billboard Top 10 charting compilation album “Action Moves People United.” His new album “In Tandem” was released by Gallo Records in June 2018. Jann is an ambassador for Desmond Tutu's Tutudesk campaign.

Jann's most recent solo album, “Mosaic” featuring “Make It Better” entered the Roots Rock charts at #22 and won three 2014 Independent Music Awards. The record also made the first round of the 2014 Grammys® in the categories Pop Vocal Album and Album Of The Year.

His voice is featured in the movie “Greetings From Tim Buckley” (Universal) as the voice of Tim Buckley starring Penn Badgley and Imogen Poots. His songs have been heard on the Grammy® nominated “Healthy Food For Thought”compilation as well as MTV Cribs and movies “Dead Broke” (Warner Bros) featuring Paul Sorvino and “A Venue For The End Of The World” (BrinkVision) featuring Dick Cavett and Ian Anderson. Most recently Jann scored the music for the award-winning short “The Beauty of Disaster.”

He has performed as an actor and singer in touring companies of Broadway musicals, including “Jesus Christ Superstar,” “Jekyll & Hyde,” and “The Who's Tommy.” In 2005, the off-Broadway production “Moonlight Interior,” a musical based on Klose's music, premiered in New York City.

Jann Klose has periodically collaborated with members of classical rock group Renaissance and tours regularly in the U.S., Europe, Africa and Asia. He has worked with a wide range of artists including Pat Benatar, John Oates of Hall and Oates, Suzanne Vega, Paula Cole, Annie Haslam, Denny Laine and Steve Holley (Paul McCartney & Wings), Ann & Liz Callaway, Gary Lucas, Brett Dennen, Rusted Root, Vonda Shepard, Ben Taylor, RJ Benjamin, Karen Zoid, Tamara Day, Ziyon (Liquideep), Shekhinah, Amanda Black, Jeffrey Gaines, Bret Michaels, Rosanne Cash, The Byrds' Roger McGuinn, Marty Stuart, The Yardbirds' Jim McCarty, Pete Seeger and Les Paul.

To purchase Jann Klose's “In Tandem”: http://smarturl.it/JannKloseInTandem  ;

Follow Jann Klose Online:
Official Site: jannklose.com
Facebook: facebook.com/jannklose
Twitter: twitter.com/jannkloseband
YouTube: youtube.com/jannklose
Instagram: instagram.com/jannklose

Follow Gallo Record Company online:
Facebook: https://www.facebook.com/gallorecordcompanysa/
Twitter: @GalloRecordsSA
Instagram: @GalloMusicSA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Melissa Conradie Agency – Publicity South Africa: Melissa Conradie, + 27 (0) 83 601 0487, mel@melissaconradie.co.za /

Gallo Record Co – Label: Rob Cowling, robc@gallo.co.za

10/17/2018

Acoustic Instrumental Review: David Lindsay-Last Passing of Summer

Release Date: October 10, 2018
Label: Fallingfoot Records

It has been two years since the music of David Lindsay came back into my world. My first taste was Nightbound. With the Last Passing of Summer David went into Will Ackerman’s Imaginary Road Studios to create some more magic. The consequences of going into that studio are nothing short of magnificent for any artist. On hand were several talented artists besides Ackerman and multi-instrumentalist and co-producer/engineer Tom Eaton.

The woodwinds of Jill Halley, cello of Eugene Friesen, the violin of Charlie Bisharat, the percussion of Jeff Haynes, vocals of Noah Wilding, and the electric guitar, cymbals, keyboards, piano of Tom Eaton are major contributors to the overall sound and textures of the music. All of the musicianship is outstanding on this recording, so expect a quality listen.

Once again as it was two years ago, simplicity is the concept here. David’s guitar is gentle yet inspiring. The music will resonate with you if you afford it a bit of introspection into the cover art and the track titles. Nature is an ever-changing occurrence and with that thought, the guitar playing can ebb and flow in the same way. If you listen to Last Passing of Summer you find that to be very true.

“Through The Fields” is one of the more rhythmic tracks and it serves as the quintessential acoustic guitar track. David’s guitar continually builds in the track and gets stronger with each change of pace. I found that my senses were aroused by this music. Most of the tracks are very relaxing and hold their own however this is the one track that really stood out for me.

“Sorrows of the Moon” was special because Will Ackerman played lead guitar. It reminded of the Windham Hill days and the music that influenced my tastes in music so much. “Chandos Lake” was another track with an upbeat feel to it and well played. 

So, what you get is the simplicity and beauty of the acoustic guitar that is accentuated with numerous other instruments that create a blanket of sound that the main instrument float over nicely. And yes, that explanation is as nice as it all sounds folks.

As another season is ushered in, David Lindsay gives us the colors and sounds to match the season on the Last Passing of Summer.  Acoustic instrumental music does not get any better and this album is highly recommended.

Keith “MuzikMan” Hannaleck
October 17, 2018
 
Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. For Joni
02. Blue Skies
03. To The Sun
04. Look To The Sky
05. Through The Fields
06. Reverie
07. Last Passing of Summer
08. Sorrows of the Moon
09. Chandos Lake
10. Still Point
11. Night Vision
12. The Wind Shapes the Pines

10/16/2018

"Jazz On A Summer's Day" 60th Anniversary Edition - 1958 Newport Jazz Festival


Bert Stern's acclaimed film of the 1958 Newport Jazz Festival is newly restored for its 60th Anniversary

“Jazz on a Summer's Day” is one of the greatest concert movies ever made, a timeless record of the 1958 Newport Jazz Festival, with some of the most stunning images of live music ever brought to the cinema screen.

Conceived by stills photographer Bert Stern (Vogue magazine, Marilyn Monroe, Audrey Hepburn) and brilliantly filmed over three days in August 1958, “Jazz On A Summer's Day” provided the template for future concert documentaries such as Monterey and Woodstock.

Interspersing footage of the crowd and fashions of late Fifties America, the America's Cup yacht race with artists live on stage and largely devoid of dialogue, Stern's fluid form perfectly echoes the jazz vibe tempering a fly-on-the-wall documentary style with surreal, dreamlike flourishes.

Although the festival featured a glittering array of jazz giants such as Louis Armstrong, Thelonious Monk, Anita O'Day, Dinah Washington, George Shearing, and Gerry Mulligan, the event encompassed far more. Chuck Berry duck-walked his way to rock glory, Big Maybelle provided her powerhouse R&B and the magnificent Mahalia Jackson delivered gospel in a manner that demonstrated what true soul was all about.

In 1999, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”

Bert Stern's acclaimed film of the 1958 Newport Jazz Festival is newly restored for its 60th Anniversary by Richard J Whittaker of FX with DVD authoring by Ray Shulman at I-Sonic while the soundtrack has been digitally remastered for CD by Peter Reynolds at Reynolds Mastering and for the first time ever, mastered at half-speed by Barry Grint at Alchemy Studios on two 33 1/3 rpm audiophile Vinyl LPs.

Released on Charly Records, the special edition comes housed in a lavish, blue-foil blocked fully-illustrated 40-page hardback book complete with new, definitive sleeve notes by Mojo's Fred Dellar, including artist and track-by-track details.

DVD extras include an interview with Bert Stern, an introduction to “Jazz on a Summer's Day,” artist biographies and photo gallery.

60TH ANNIVERSARY EDITION
DVD | CD | VINYL | BOOK
• Complete film DVD + bonus
documentary + extras
• Newly-remastered soundtrack
on CD
• 2 x 10-inch LPs mastered
half-speed on audiophile vinyl
• 40-page lavishly illustrated
hardback book
• New liner notes by Fred Dellar

Release date: 26th October 2018

“An audio-visual treat, a moment to savour from the Indian summer of Jazz.” - THE GUARDIAN

“Sixty years on, 'Jazz on a Summer's Day' remains a timeless venture, forever memorable.” - Fred Dellar, MOJO MAGAZINE

To purchase: http://smarturl.it/JAZZis60

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

10/14/2018

Curved Air Announces Third Volume of its Ongoing Rarities Series With The Second British Rock Meeting 1972 - OUT NOW!


London - Legendary Prog band Curved Air is pleased to announce the third volume of its ongoing rarities series with The Second British Rock Meeting 1972 – OUT NOW!

The sound quality is of an astonishing fidelity for a live recording from the early 1970s and features the only known recordings of the band improvising!

The last track is an extended jam and a version of the band’s hit “Vivaldi” – lasting well over 30 minutes!

The band had just released its Phantasmagoria album at the time and the line-up was:
Sonja Kristina
Darryl Way
Francis Monkman
Florian Pilkington-Miksa
Mike Wedgwood

The booklet features a written introduction by Francis Monkman, who mastered the audio and curated the release personally, along with two essays written by attendees at the festival and previously unseen pictures.

Francis recalls the concert: “Listening to the recording, I was at first puzzled that we'd decided to start the set with Everdance, especially as I had some kind of hazy memory of waiting in the dank pre-dawn gloom, trying to persuade my fingers to work in preparation for our customary opening with It Happened Today. But the uncertainty of the initial holding pattern rhythm, together with Sonja's plaintive "what shall we do?" triggered the realisation that we had arrived on stage and plugged in, only to find that the guitar was for some now-long-forgotten reason not working. So we had to decide quickly once it became clear it wasn't going to be fixed in a hurry. And what you hear is the upshot...”

These recordings capture a unique set from the band’s heyday, their only recorded improvisations and all in unbelievable sound quality for a festival in the early 70s!

1. No-Guitar Blues (3:33)
2. Everdance / Cheetah / Vivaldi (7:40)
3. Phantasmagoria (3:34)
4. Melinda (More or Less) (3:11)
5. Over And Above (11:32)
6. The Germersheim Jam / Vivaldi (31:47)

To Purchase:
Amazon CD: http://geni.us/CRVERS003
iTunes: http://geni.us/CRVERS003dig

Official website: www.curvedair.com
Official Facebook: www.facebook.com/CurvedAir

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Instrumental New Age /Ambient/Jazz Review: Jeff Oster-Reach

Release Date: October 5, 2018
Label: Retso Records 
Website

Three years ago, I covered Jeff Oster’s Next album. If you do a search on my New Age Music Reviews site it will show several other artist reviews as well. The reason is that Jeff is in demand to play on other people’s albums. There is a very good reason for this. He is one of the few Flugelhorn and Trumpet players in the genre that plays a chill ambient type of music that new age recording artists and listeners alike want to hear. He also is able to interject jazz and funk elements into his recordings. Besides that, it is a great partnership. Jeff is masterful with his instruments and with the new album out now titled Reach, he is in great form and so are the folks that accompanied him on the album.

Reach has nine tracks in total and it is a great mixture of sound and textures that will do many things to you while listening including relaxing, feeling energized and wanting to move, becoming contemplative, just about everything one person can think of or do during the listen of one album really. It invites you in at the outset and you never want to leave that “musical comfy chair.”
I love new age music when it combines jazz and world rudiments. “Le Caveau” is a great example of those sounds and atmospheres getting in sync. The music and sound clarity are amazing. The following track “Five Great Mountains” is just hypnotic. Jeff’s horn is superlative and the bass is incredible, in fact, I thought it might be Tony Levin, who seems to show up on everyone’s albums. It is, in fact, Benjamin J. Shepherd, who plays a huge role in the track, and the entire sound of the album actually. His rhythm and musical leadership in the track are exemplary. That kind of preciseness allows the star of the show to shine even brighter, so hats off to Benjamin for doing such a great job with his instrument. Everyone involved in this project is outstanding so I felt the need to list the credits below.

Some of the other instruments on this recording, besides the horns of course, that give it an overall world-jazz flavor, are the Erhu and Indian Flutes. Then there are very calming spiritual tracks like “The Lotus Within.” In my estimation, the reference would be the Lotus flower, a symbolically important aquatic Asian plant also known as the Indian or sacred lotus.  The emphasis is on sacred for this magnificent composition. 

To keep things fresh and on your “listening toes,” Jeff follows those two critical tracks with an upbeat jazz and funk-filled number titled “Troppo Y Boffo.” The Latin percussion and bass pulsate and drive the number while Jeff just glides through with his horn putting the veritable icing on the cake. It is Latin bliss, wonderful and colorful as it gets. This track could find a home on any good (worthy) jazz album.

Jeff Oster puts it all together on Reach. Every track is solid and consistent throughout. The combination of instruments, musical style and artistry of every contributing musician make this album one of the best in the genre this year. This comes as no surprise to me as everything I have ever heard from Jeff has been superlative from his own recordings to being a guest on other recordings. He is in a groove that keeps him at the forefront of the music industry and I can see that influence growing more all the time. In conclusion, I think that he will Reach a much larger audience with each successive release

Artists:
Jeff Oster – Flugelhorn, Trumpet
Ruslan Sirota – Piano, Keyboards, Guitar, Vocals
Robyn Ghosh – Guitar
Benjamin J. Shepherd – Bass
Tamir Barzilay – Drums
Pete Korpela – Percussion
Jenni Asher – Erhu (Track 4)
Ravichandra Kulur – Indian Flutes (Track 9)
Drew Allsbrook – Vocals (Track 4)

Keith “MuzikMan” Hannaleck
October 14, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
1. Onward
2. Far Rockaway
3. Le Caveau
4. Five Great Mountains
5. The Lotus Within
6. Troppo Y Boffo
7. How Familiar
8. Velvet and Smoke
9. The Pink City


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