MuzikMan's Reviews And News: Anthology

Showing posts with label Anthology. Show all posts

11/11/2025

Billy Yfantis Celebrates a Decade of Cosmic Soundscapes with the Album “2015–2025 The First Years in Space”

Experimental electronic composer Billy Yfantis proudly presents his new double-length anthology album, “2015–2025 The First Years in Space.” Spanning a full decade of sonic experimentation, this 30-track release represents Yfantis’ artistic evolution through ambient, electronic, and noise-based soundscapes inspired by the mysteries of the cosmos.

The album compiles highlights from Yfantis’ previous releases along with nine previously unreleased compositions, forming a complete chronicle of his creative journey across the past ten years. Each piece reveals a unique approach to sound design, mixing music technology with conceptual art and a fascination for scientific exploration.

Among the most distinctive pieces:
• “The Electric Drill Session” features real sounds of an electric drill, turned into rhythmic, industrial elements that blur the boundaries between man-made tools and music.
• “Landing” incorporates authentic NASA spaceship sounds, carefully edited and arranged to recreate the sensation of landing onto an unknown planet.
• “Dust Not Found” includes real vacuum cleaner recordings, turning the chaos into an experimental metaphor for the emptiness and silence of space.

Other highlights include the meditative “Ionosphere Reverie,” the expansive “Cosmic Noise” and “Planetary Noise,” and “The Universe Collapses (Live at Norcal Noisefest 2022),” a 15-minute improvisational performance recorded at one of the world’s leading experimental music festivals.

“I am pleased to present you my compilation which is a fair synopsis of my recordings (8 full albums and 5 singles) between 2015 and 2025. This is a reference point on the evolution of my music.”— Billy Yfantis

The second part of the album introduces nine previously unreleased tracks, including “The Journey,” “Dreaming Among Planets,” and “Behind the Eye of the Universe,” which explore new territories of analog synthesis, lo-fi atmospheres, and ambient acid tones.

Watch the Official Video Teaser

YouTube (Shorts): https://www.youtube.com/shorts/4jSajQY4Gzs

Listen to the New Album

• Spotify: https://open.spotify.com/album/4IL0S3CN6QYVn77seqENqc?si=oMDWcRTFSNy2YSSzyX_vUQ
• YouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_k2XhV-8YDvbWGHULUpbixaCxydMUO02BA
• Apple Music: https://music.apple.com/us/album/2015-2025-the-first-years-in-space/1825805358
• Bandcamp: https://billyyfantis.bandcamp.com/album/2015-2025-the-first-years-in-space

Album Details

• Title: 2015–2025 The First Years in Space
• Artist: Billy Yfantis
• Release Year: 2025
• Format: Digital Album (30 Tracks)
• Genre: Experimental / Ambient / Space Music / Noise
• Label: Independent

About Billy Yfantis

Vasileios (Billy) Yfantis holds two master's degrees in computing science and a Ph.D. in the field of e-government. Billy has been working on music since the late 1990s by experimenting with tape mixing and sound design. Billy is playing digital keyboards but prefers to express his artistic dream through the electronic sounds that come from unusual machines. He has experimented with the recording of vacuum cleaners, electric blenders, and other strange sounds that have resulted in musical releases. Moreover, Billy has authored books on music, business, and science, and from time to time he speaks about electronic governance at scientific conferences all over Europe.

More Music: https://billyyfantis.bandcamp.com

Books: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

Contact Details

Email: Byfantis@yahoo.com
Facebook: https://www.facebook.com/billy.yfantis
Twitter: https://twitter.com/billyyfantis
Instagram: https://www.instagram.com/billyyfantis

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/10/2025

New Album of Unreleased Demos by THE IVEYS, ‘Miniskirts And Rainbows’ To Be Released Nov. 28, 2025 on Y&T Music

Y&T Music is proud to announce the release of a previously unreleased album by THE IVEYS, Miniskirts And Rainbows. The album, which features 19 rare demos, recorded between 1966 and 1969, will be released on CD and all streaming services on November 28, 2025. There will also be a strictly limited edition 17-track vinyl pressing of 300 copies.

There were a few major developments since the last Iveys release, titled, How Much Is The Sky. The release of Pete Ham's Acoustic album was the follow-up release to Y&T Music’s Gwent Gardens, which has sold out, and Badfinger’s long lost final album recorded with Pete Ham, Head First, was remixed from the original multi-tracks and issued on both CD and vinyl as a special 50th Anniversary edition.

Badfinger archivist & historian Tom Brennan has been compiling and editing this new collection of rare & interesting demos since 2024, and mastering engineer & Badfinger historian Kevin McElligott has been cleaning up the recordings during the past year for public consumption.

The CD edition of Miniskirts And Rainbows includes 19 tracks by The Iveys recorded between 1966 and 1969, of which, only 1 has ever been heard by serious collectors in the versions that appear here. The album contains 6 titles that are alternate versions of tracks by The Iveys or Badfinger that have been previously released, and 10 titles that either collectors or the public have never heard of before. Three of these are solo demos by Mike Gibbins, and two by bassist, Ron Griffiths.

The theme of this Iveys Volume 5 Anthology collection is based on the song “Black & White Rainbows” which makes reference to a purple miniskirt in addition to its title. Of course, we also have the opening and closing tracks which have the word “miniskirt” in their titles.

For the first time, two songs written or co-written by Bill Collins, who was considered as the unofficial 5th member of the group, are included on an Iveys release. The first is a co-write with guitarist Tom Evans, called “Good Boy”, from the time in late Summer of 1967 when he had just joined the group. The second song which was entirely written by Collins for Apple artist Mary Hopkin in November 1969, was a song called “All The Fun Of The Fair.” On the demo produced by Tom Evans, Pete Ham sang the lead vocal.

In 1969, tape dubs of 6 Iveys demos were sent to both Paul McCartney and Rolling Stones’ manager Andrew Loog Oldham to get their opinions for which songs they should record for a follow-up single to “Maybe Tomorrow.” The last of these to be issued, The Iveys’ own version of “Blodwyn” appears here.

THE SONGS (CD edition)

1. Cleopatra In A Miniskirt
2. I Love You
3. Blodwyn [demo]
4. All Of My Life
5. That’s Okay
6. Spider Woman
7. Angelique [demo]
8. Bound To Get Lucky Someday
9. Girl Without Love
10. Black & White Rainbows [version 2]
11. Tomorrow Today [version 2]
12. Yesterday Ain’t Coming Back [demo]
13. Love Means Happiness
14. Good Boy
15. All The Fun Of The Fair
16. Please Understand Love
17. I Miss You [demo]
18. I Love The Way You Hate Me
19. Girl Next Door In The Miniskirt [whistling version]

THE SONGS (vinyl edition)

SIDE 1:

1. Cleopatra In A Miniskirt
2. I Love You
3. Blodwyn [demo]
4. All Of My Life
5. That’s Okay
6. Spider Woman
7. Angelique [demo]
8. Bound To Get Lucky Someday
9. Black & White Rainbows [version 2]

SIDE 2:

1. Tomorrow Today [version 2]
2. Yesterday Ain’t Coming Back [demo]
3. Love Means Happiness
4. All The Fun Of The Fair
5. Please Understand Love
6. I Miss You [demo]
7. I Love The Way You Hate Me
8. Girl Next Door In The Miniskirt [whistling version]

To purchase:
amazon.com and other online outlets

For more information:
https://www.badfingerlibrary.com
www.ytmusiconline.com
https://www.youtube.com/user/BadfingerIveys

CONTACT Y&T / Rich Ulloa: PH: 1-786-368-9904

YTMusic1@aol.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

10/13/2023

Legendary Miles Davis’s Saxophonist Sam Morrison “Whatever : Anthology 1” Now Available on Blue Buddha Productions

Soprano & Tenor Saxophonist, Alto & Bass Flute Player, Composer, and Synthesist

Sam Morrison is a multifaceted musician known for his mastery of the soprano and tenor saxophones, as well as his artistry on the alto and bass flutes. With a career that spans several decades, he has left an indelible mark on the world of jazz, collaborating with legendary artists and contributing to iconic recordings.

One of the standout moments in Sam’s career was his membership in the esteemed Miles Davis Band. His performance alongside Miles Davis at the 1975 Newport Jazz Festival, held that year at Avery Fisher Hall, garnered rave reviews from The New York Times. A portion of that historic concert's recording has recently been released in the Miles Davis bootleg series, “Volume 4: 1955-1975 Newport Jazz Festival.” Collectors and enthusiasts can also find bootleg recordings of concert and club performances featuring Sam Morrison with the Miles Davis Band, testifying to the lasting impact of his contributions.

Sam Morrison’s musical journey extends beyond his time with Miles Davis. He has collaborated with an array of jazz, rock, and blues luminaries, including Gil Evans, Al Foster, Buster Williams, Woody Shaw, Billy Hart, T-Bone Walker, Michael Shrieve, Michael Brecker, Masabumi Kikuchi, and Ryo Kawasaki. His presence has graced stages at major jazz festivals across Europe, such as Vienne, Nice, Paris, and Stockholm.

As a member of “The Children on the Corner,” the Electric Miles reunion band featuring bass legend Michael Henderson and jazz tabla pioneer Badal Roy, Sam continues to explore new dimensions in jazz fusion. His musical education began at Columbia University in New York City, where he immersed himself in the vibrant jazz scene, frequenting legendary clubs like Slugs and the Village Vanguard. He also experienced the groundbreaking rock acts of the era at Fillmore East, further expanding his musical horizons.

Currently, Sam Morrison is actively working on a new trio album featuring Michael Shrieve, the original Santana drummer from Woodstock, and Patrick Gleeson, an electronic music and synth pioneer known for his collaborations with Herbie Hancock. Additionally, his forthcoming solo album is eagerly anticipated, with remixing by the legendary bassist, producer, and remixer Bill Laswell.

Sam Morrison’s contributions to the world of music continue to evolve and inspire. Blue Buddha is proud to have him as part of our roster of exceptional talent, and audiences can look forward to experiencing his innovative and genre-defying artistry in the years to come.

To purchase: https://bluebuddha.bandcamp.com/album/whatever-anthology-1

Blue Buddha Productions Contact: eliot.bluebuddhaproductions@gmail.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

4/21/2021

Symphonic Rock Legends Renaissance feat. Annie Haslam Release “50th Anniversary - Ashes are Burning - an Anthology - Live in Concert with The Renaissance Chamber Orchestra”

Featuring special guest Jim McCarty!

Renaissance are proud to announce the release of their Blu-ray/DVD/2CD set of the 50th Anniversary Concert at The Keswick Theatre in Glenside PA, USA on October 12th 2019, featuring their own 10-piece Renaissance Chamber Orchestra and with special guest Renaissance co-founder Jim McCarty.

It is time to celebrate the culmination of the bands widespread touring and recording over the past 50 years with their first high-definition concert film and Blu-ray release.

Renaissance featuring lead singer Annie Haslam performed an impressive concert of high quality musicianship alongside a magical backdrop of paintings for each song in the show, created by Annie. The combination was stunning.

The concert film is a retrospective celebration of Renaissance classics songs, some of which have never been orchestrated before, including their most notably “Ashes Are Burning”!

Watch the video for “Day of Dreamer”:

Annie Haslam says: I am so proud I was chosen to be lead singer in this incredibly unique band and to have witnessed all the musicians that have been a part of our history, each person adding something extra into the mix and life of the band. Particularly the band that we are now, who have put their hearts and souls into this music. Rave Tesar, our keyboardist and MD has taken the band to a new level by creating our own orchestra of hand-picked musicians... when we go touring now it’s like a 16-piece band, and to have them with us on our 50th Anniversary tour was so natural and perfect. Personally, I have come full circle with our special guest and friend Renaissance co-founder Jim McCarty who was at my audition on December 31st 1970! He added such special moments and memories as we performed ‘Island’, written by Keith Relf and Jim, the song that got me the job!

Renaissance are: Annie Haslam - lead vocals, Rave Tesar - keyboards, Mark Lambert - guitars/vocals, Geoffrey Langley - keyboards/vocals, Leo Traversa - bass guitar/vocals, Frank Pagano - drums/percussion/vocals

Renaissance is a band with a rich history unique unto themselves as progressive rock pioneers who rose from the ashes of the seminal UK rock band, The Yardbirds. Acclaimed for their unique blending of progressive rock with classical and symphonic influences, the band's career has now spanned fifty years spearheaded by the 5 octave voice of Annie Haslam and the masterful songwriting skills of Michael Dunford. They are widely considered to be the band that most successfully and routinely utilized the sound of a full orchestra in their recordings.

The band has toured throughout the world and has performed at Carnegie Hall with the New York Philharmonic Orchestra and additionally at the Royal Albert Hall with the Royal Philharmonic Orchestra and Royal Chorale Society. Renaissance had a top ten hit in the UK with their song “Northern Lights” that still demands airplay to this day.

Retail release will follow through Symphonic Rock Recordings in the United States, Canada and South America on April 23rd other territories will be distributed through Cherry Red Records on April 30.

To pre-order: https://renaissancetouring.com/50

For more information:
www.renaissancetouring.com
facebook.com/renaissancetouring
www.anniehaslam.com
facebook.com/anniehaslamart

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Symphonic Rock Legends Renaissance feat. Annie Haslam Release “50th Anniversary - Ashes are Burning - an Anthology - Live in Concert with The Renaissance Chamber Orchestra”

Featuring special guest Jim McCarty!

It is time to celebrate the culmination of the bands widespread touring and recording over the past 50 years with their first high-definition concert film and Blu-ray release.

The concert film is a retrospective celebration of Renaissance classics songs, some of which have never been orchestrated before, including their most notably “Ashes Are Burning”!

Watch the video for “Day of Dreamer”:

Retail release will follow through Symphonic Rock Recordings in the United States, Canada and South America on April 23rd other territories will be distributed through Cherry Red Records on April 30.

To pre-order: https://renaissancetouring.com/50

For more information:
www.renaissancetouring.com
facebook.com/renaissancetouring
www.anniehaslam.com
facebook.com/anniehaslamart

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

3/19/2021

Folk Legend JUDY COLLINS Releases New Single, Announces Collection Of Hand-Picked Favorites!

Includes guests Willie Nelson, Stephen Stills & Joan Baez!

Los Angeles, CA - When you’ve been making music for as long as folk music icon Judy Collins, songs become more than just familiar melodies, they’re treasured memories connecting you to people and places of your past. For her newest collection of recent recordings, White Bird - Anthology Of Favorites, Collins has hand-selected a number of songs that remain dear to her heart so much so that she can still remember exactly where she was the first time she heard them. Take for instance, this story Collins shares about one of her best-known, most beloved songs, “It was 1967 when I received a phone call at three in the morning from Al Cooper, the founder of Blood Sweat & Tears. He said he followed this girl home from a bar where she had told him she was a songwriter. She played him some of her songs and after she played him one particular song, he picked up the phone and called me. He put the girl on the phone and Joni Mitchell sang me her great song ‘Both Sides Now.’”

Or this story about another young songwriter, “In 1966 I was getting ready to make my sixth album, In My Life. Someone sent me a song called ‘I Think It’s Going To Rain Today’ by Randy Newman. I never heard of this guy but loved the song. Randy had not started thinking of himself as a singer-songwriter but after I recorded this song, he put out his own version and became the gold standard. He has told me I started his career but I'm sure he would've done it without me.”

Judy Collins has inspired countless artists, including Rock Hall of Famer Stephen Stills. Not only was she the muse that led Stills to write the Crosby, Stills & Nash classic “Suite: Judy Blue Eyes” but the pair’s musical romance was so strong that it was rekindled decades later in 2015 for a recording of Tom Paxton’s “The Last Thing On My Mind.” Collins shares, “I would run into Tom on the street in Greenwich village in the early ‘60s and he would say I just wrote this song would you like to sing it. It became a favorite song of mine and also of Stephen Stills. So, 40 years after our love affair, and a couple of years before our extraordinary reunion of concerts, Stephen and I recorded the song together. So thanks to Tom Paxton and thanks to you, Stephen. It’s been a long and rewarding love affair and friendship.”

And Collins is still finding new loves and friendships along the way, including a little-known gem from 1969 San Francisco. Hippie rock group It’s A Beautiful Day first recorded the song that gives Collins’s collection its name, “White Bird,” but just as it is with all of the songs Collins touches, she makes it sound like she wrote it or maybe even inspired it.

Stream the single “White Bird”: https://orcd.co/judy_collins_white_bird

White Bird - Anthology Of Favorites will be released on digital, on CD in a deluxe digipak and on limited edition WHITE vinyl starting May 7 from Wildflower Records, exclusively distributed by Cleopatra Records.

To purchase the album: https://orcd.co/judy_collins_white_bird_anthology

Track List:
1. White Bird
2. Chelsea Morning
3. Turn! Turn! Turn! (To Everything There Is A Season)
4. Pack Up Your Sorrows
5. When I Go feat. Willie Nelson
6. I Think It’s Going To Rain Today
7. Last Thing On My Mind feat. Stephen Stills
8. Blackbird
9. Both Sides Now
10. Diamonds & Rust feat. Joan Baez
11. Send In The Clowns

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

11/17/2020

Banging Colours “Hallucinogenic Treasures from the Convolution of an Imaginative Brain” Compilation To Be Released December 4, 2020

The year 2017 marks the 50th anniversary of the Summer of Love. On this occasion, many rare finds from the London Underground music scene found their way into the public ear again. Now, with a little delay, perhaps the most important rediscovery from the time of Swingin’ London is available: Iapetus presents this compilation for the first time, “Hallucinogenic Treasures from the Convolution of an Imaginative Brain” is a comprehensive review of the work of the legendary British band Banging Colours.

“Pet Sounds” by the Beach Boys or “Freak Out” by the Mothers of Invention had already been announced the year before, but 1967 was the Year of Great Change in rock and pop. From “Sgt. Pepper” to “The Piper at the Gates of Dawn,” from “Are You Experienced” to “Surrealistic Pillow,” unprecedented sounds broke into pop music and redefined what popular music is and can be. In place of hit production came the work on the album. The setlist of performances no longer consisted of a string of singles; instead, the musicians experimented live with their material and sounded out the possibilities of rock music in long improvisations. The studio itself became an instrument for expanding musical boundaries, and drug-induced changes in consciousness manifested themselves in psychedelic sound.

During the short period of their existence in London from 1967 to 1969, Banging Colours featuring keyboarder and singer Manny Wolfe was considered one of the most important and influential bands of their time. Performances at the U.F.O. Club and in Middle Earth established their reputation as a cult band by British psychedelia fans. Joint performances with the main acts of the scene consolidated this status as well as their innovative light show, which gave the band its name.

Matthias Derer has meticulously searched and rummaged through the archives of record companies, radio stations and film studios, bringing to light some amazing things. More treasures than ever hoped for could be recovered, in almost all cases in the form of original tapes of the individual tracks and in far better quality than feared. Markus Reuter has remixed them with great devotion and has given these pearls of the psychedelic era, which were considered lost, new radiance. The result is a fascinating testimony of probably the most creative period of rock music.

Album 1 of the compilation brings together studio recordings from almost two and a half years, from the first and only single that not only sings about London’s underground scene but also became its secret anthem, to songs from various album projects from 1967 to 1969. The material was written entirely by the band’s head Manny Wolfe and bears his compositional signature.

Album 2 includes jams and studio live sessions and shows the band from a slightly different side: it impressively documents their impartiality and freedom to improvise freely, leaving the three-minute format suitable for radio light years behind.

Both showcase the extraordinary lineup of Banging Colours: Bas Ricken, whose powerful and soulful playing was acknowledged by the major drummers of his time, is the pulse in which the colours are banging. Pekka Jokinen on bass is an exceptional phenomenon: Seldom in this era has a bassist shaped the overall sound of a band as much as he did. On these recordings he not only proves that he lives up to his idol Paul McCartney and is on the cutting edge of his time, but he also shows himself to be a harbinger of a new type of bass player, as he was later embodied by Chris Squire or John Wetton in the 70’s. You don’t have to be a music expert to imagine what a brilliant career Young Patel could have had on the guitar if fate hadn’t objected. He effortlessly freed himself from his roots, the R‘n’B, without ever having to deny his musical origins. Especially his interaction with Keith Friedell is one of the most exciting elements of Banging Colours. While Young lets the blues flow in, Friedell makes the wide field of swing and gypsy jazz fertile for psychedelic proliferation. His virtuosic playing leaves its mark on the band and contributes significantly to the incomparable sound of Banging Colours. The creative centre around which this ensemble of exceptional musicians is grouped is Manny Wolfe, who not only wrote all the songs but also lends them the psychedelic sound carpets on organ, piano and mellotron as well as his unusual voice. At the moment he is writing an autobiographical story of Banging Colours, and it will be interesting to see if more treasures of the band will be salvaged in the course of this.

But not only the acoustic side of this rediscovery is interesting. In the course of extensive research, Matthias Derer has also succeeded in making the work of one of the most important graphic artists of his time partially accessible again. Wes H. Bernatt was not only a friend of the band and designer of their record covers, posters and the band logo, but also one of the most creative draftsmen and illustrators in London in the late 60’s. His contribution to psychedelic art and graphic design was unjustly forgotten. Bernhard Wöstheinrich’s revision of the album covers for this compilation brings Bernatt’s merits back into focus.

This compilation is a major act and an important contribution to the history of music, which gives an idea of the importance of Banging Colours. A must for all fans of the 60’s and lovers of psychedelic music.

Release Date: December 4, 2020

To purchase: www.bangingcolours.bandcamp.com

For more information: Iapetus Media, info@iapetus-media.com, www.iapetus-media.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/25/2020

Prog Music Artist Tim Morse To Release New Compilation “The Archaeology Project”

“The Archaeology Project” is a compilation of prog music artist Tim Morse’s music from 2005-2020. There’s no real concept for this release, given that it is a compilation album, however the title and the artwork ties the music of different eras together.

Says Tim, “It seemed like a good time to reflect on the last fifteen years of being a recording artist. It was fun revisiting these songs and choosing what I consider to be the best examples of my songwriting to feature on this collection. I’ve remastered the older songs with Craig Long and I have to say the music has never sounded better. I was so pleased with the work that I ended up remastering more music than could fit on one CD and so I’m offering five extra songs as a download for no additional charge. There is also a new solo guitar instrumental, a remix/new vocal for the Mangoes song ‘200 Yards’ and my cover version of the classic Pink Floyd song ‘Dogs’ on ‘The Archaeology Project.’ I especially like the imagery that Jay Leek came up with for the project - it has a nice ‘Hipgnosis’ feel to it.”

It was an interesting experience for Tim compiling the album and noting his growth as a singer/songwriter. He felt it was nice to be able to offer a cross section of his music and include a real rarity as a bonus download (the first demo he did with Mark Dean - an early version of “Present Moment”). Says Tim, “The Guitar Etude that opens the album includes a bit of a melody that I wrote in my first song. I was never really happy with my vocals on the original version of ‘200 Yards’ and so it was nice to redo the vocal and remix the song. Lastly, the cover version of ‘Dogs’ is something I’ve wanted to do for years. I’ve always loved that song and it was a fantastic experience to put my stamp on it with a fantastic group of musicians: Bret Bingham, Andrew Glasmacher, Charley Langer and Hope Rogers.”

Tim Morse “Dogs” cover version:

Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim’s first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and recognized as an original voice, in the tradition of Yes and Genesis, yet recorded and performed with a modern edge.

His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was appreciated for its pop sensibility and quirky humor. His latest solo release “III” was also warmly embraced in 2018 by critics and fans alike.

Tim’s recent cover version of the classic Yes song “Awaken” has received the ultimate compliments from members of Yes - Rick Wakeman enthused, “Best YES cover I've heard ...well done to everybody” and Jon Anderson said, “Great job with ‘Awaken’...the fact you sat around and decided to perform it is a treat....not an easy work!” Composer/musician Adam Holzman was so impressed by this performance of it that he offered to do his own remix of the song (both versions can be found on Tim’s Youtube channel and website).

Tim Morse “Awaken” cover version:

Here's what the press has said about Tim Morse’s previous albums:

(Tim Morse III)

“Tim Morse III is an engaging, appealing album that seamlessly bridges melodic rock and progressive influences.” - Anil Prasad, Innerviews

“There’s no doubt fans of symphonic prog will find much to enjoy. Recommended.” - Jerry Lucky, The Progressive Rock Files

“Musically, III is enjoyable - occupying the lighter end of the Yes style spectrum." - PROG Magazine

“Recommended for fans of melodic rock with some progressive touches.” - Jon Davis, Expose

(Faithscience)

“Tim Morse deserves to make it into the mainstream, as he surely one of the greats of the genre.” - John Bollenberg, iO Pages

“A smartly arranged, melodic-symphonic opus.” - John Collinge, Progression Magazine

“Probably the biggest surprise of the year...and highly recommended to fans of classic prog.” - Kinesis

(Transformation)

“Transformation is a work truly realized, an impressive work of creativity that grows on one even more after repeated listening.” - Andres Valle (Mellotron)

“An interesting and expansive collection of symphonic prog songs...it not only rewards repeated listening, it demands it.” - DPRP

Tim is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin’s Press and was featured on the Howard Stern show. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.

Tim will be doing videos and PR to support the release of “The Archaeology Project.” He’s also working on a Mangoes EP with Bret Bingham that should be released in the New Year. As for live performance, that is completely up to what happens with the pandemic and the interest/demand for shows.

In closing Tim has this to impart, “I hope that everyone is safe and healthy in these uncertain times. Also, I'm always grateful when anyone takes the time to listen to my music, even if they didn’t like it or were critical of it. In this modern age of endless distractions it is a lovely thing when someone will truly listen to music.”

Release date: September 30, 2020

Purchasing links:

The Archaeology Project is available for preorder on Bandcamp:

https://timmorse.bandcamp.com/album/the-archaeology-project

After its release it will also be available on timmorse.com, iTunes, Amazon, etc.

For more information:

Tim Morse website: https://timmorse.com/

Facebook: https://www.facebook.com/timmorsemusic/?modal=admin_todo_tour

YouTube channel: https://www.youtube.com/c/TimMorseProgRock

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Music Artist Tim Morse To Release New Compilation “The Archaeology Project”

Tim Morse “Dogs” cover version:

Tim Morse “Awaken” cover version:

Here's what the press has said about Tim Morse’s previous albums:

(Tim Morse III)

“Tim Morse III is an engaging, appealing album that seamlessly bridges melodic rock and progressive influences.” - Anil Prasad, Innerviews

“There’s no doubt fans of symphonic prog will find much to enjoy. Recommended.” - Jerry Lucky, The Progressive Rock Files

“Musically, III is enjoyable - occupying the lighter end of the Yes style spectrum." - PROG Magazine

“Recommended for fans of melodic rock with some progressive touches.” - Jon Davis, Expose

(Faithscience)

“Tim Morse deserves to make it into the mainstream, as he surely one of the greats of the genre.” - John Bollenberg, iO Pages

“A smartly arranged, melodic-symphonic opus.” - John Collinge, Progression Magazine

“Probably the biggest surprise of the year...and highly recommended to fans of classic prog.” - Kinesis

(Transformation)

“Transformation is a work truly realized, an impressive work of creativity that grows on one even more after repeated listening.” - Andres Valle (Mellotron)

“An interesting and expansive collection of symphonic prog songs...it not only rewards repeated listening, it demands it.” - DPRP

Release date: September 30, 2020

Purchasing links:

The Archaeology Project is available for preorder on Bandcamp:

https://timmorse.bandcamp.com/album/the-archaeology-project

After its release it will also be available on timmorse.com, iTunes, Amazon, etc.

For more information:

Tim Morse website: https://timmorse.com/

Facebook: https://www.facebook.com/timmorsemusic/?modal=admin_todo_tour

YouTube channel: https://www.youtube.com/c/TimMorseProgRock

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

8/14/2020

Massive 7CD Box Set Celebrates The Life & Talents Of Original HAWKWIND Guitarist, HUW LLOYD-LANGTON!

Los Angeles, CA - Fans of the widely revered and hugely influential guitar player, Huw Lloyd-Langton, have one helluva reason to celebrate! Purple Pyramid Records, a division of Cleopatra Records, Inc., is proud to announce the first ever CD box set of Lloyd-Langton’s stunning work, which will be available everywhere starting August 28. Primarily known as the original guitarist for British space rock legends Hawkwind, Lloyd-Langton appeared on some of that band’s seminal releases including their 1970 self-titled debut as well as 1980’s Levitation and 1981’s Sonic Attack. After splitting from the group in the mid ‘80s, Lloyd-Langton built a significant solo career as The Lloyd-Langton Group as well as numerous side projects including one that featured fellow Hawkwind alumni Simon King. This deluxe box set covers this fruitful period with 7 individually packaged discs containing more than 8 complete studio albums plus bonus tracks, acoustic recordings and more, all packaged in a clamshell box with a 20-page full-color booklet filled with informative liner notes and photos!

Order the box set here: https://cleorecs.com/store/shop/huw-lloyd-langton-anthology-7-cd-box-set/

Track List:

DISC 1
Solo Acoustic Recordings (1971)
1. Got a Love (Blues)
2. I Can See It All Again
3. Things Just Ain't the Same
4. Sleep
5. The Morning Dove's Song
6. Damn Shame (Solo Acoustic Version)
7. Seasons
8. Love You Wear a Pretty Face
9. Painted Evergreen (a/k/a Night Air)
10. Little Girl (Solo Acoustic Version)
11. Battle of Battles
Magill with Pete Scott, John Clark & Rob Rawlinson (1973)
12. Rag Man
13. Feed Your Friends With a Long Handled Spoon
14. I Can't Be Satisfied
15. Don't Let Me Be Misunderstood
Jawa with Simon King & Nic Potter (1979)
16. Rocky Paths
17. Jealousy
18. Heart Of Stone
19. Damn Shame
20. Dark Dark Night

DISC 2
The Lloyd Langton Group ‎– Night Air (1985)
1. Night Air
2. Before Is Over
3. Got Your Number
4. Painted Evergreen
5. Für Kirsty
6. Diseased Society
7. Alien Jiggers
8. Lonely Man
9. Candle Burning
10. Lunar-Tic
BONUS TRACKS
11. Wind Of Change (7" single A-side 1983)
12. Outside The Law (7" single B-side 1983)
13. Working Time (7" single A-side 1983)
14. I See You (7" single B-side 1983)
Lloyd Langton Group ‎– Like An Arrow... (Through The Heart) (1986)
15. Strange Times
16. I Could Cry
17. Like An Arrow...
18. So Long Waiting
19. On The Move

DISC 3
Lloyd Langton Group ‎– Like An Arrow... (Through The Heart) (1986)
1. No Man's Land
2. Voices That Fade
3. Wars Are The Hobby There
4. Take A Back Step
5. In Their Eyes
6. Can You Feel
Lloyd Langton Group ‎– Time Space And LLG (1988)
7. It's A Work Of Art
8. Walk A While In The Sun
9. Spoonful Of Justice
10. Mirror Image
11. Could Be A Poor Man
12. Market Of Death
13. Can We Be Free
14. Night Crusader
15. I Can See The Day-Break
16. City Of The Future

DISC 4
Lloyd Langton Group ‎– Elegy (1991)
1. Shine A Light
2. The Night Is Young
3. Nature Calls
4. Damn Shame
5. Little Girl
6. Bird Of Fantasy
7. Farewell
8. Angel Of Ice And Steel
9. Crazy Days
10. Elegy
Lloyd Langton Group ‎– River Run (1994)
11. Dancing
12. All Jigged Up
13. Suffer In Silence
14. In The Distance
15. The Wall Came Tumbling Down
16. Louise

DISC 5
Lloyd Langton Group ‎– River Run (1994)
1. River Run
2. Waiting
3. For Whom The Bell Tolls
Huw Lloyd-Langton ‎– On The Move (1997)
4. Got Your Number
5. I Could Cry
6. Wrong Streets
7. On The Move
8. Move Over Lady
9. Finally Finding
10. Farewell
11. Just The Same
12. No Participation
13. Outside The Law
14. Lonely Man
15. Off The Cuff
BONUS TRACKS
16. Big Boss Man

DISC 6
Huw Lloyd-Langton ‎– On The Move (1997)
1. Shame, Shame, Shame
2. Rollin' And Tumble
Lloyd Langton Group ‎– Chain Reaction (1999)
3. Jealousy
4. Sleepless
5. Tell Me
6. Dedications
7. Love They Said
8. Chain Reaction
9. Jerry's Caribbean Adventure & Cardboard City
10. Talk To You (Part 1)
11. Talk To You (Part 2)
12. Free
13. 5 To 4
14. Three Spirits
15. Shirley's Blues
16. Who Went Before

DISC 7
Huw Lloyd-Langton's LLG ‎– Hard Graft (2011)
1. Huw's Intro To Hard Graft (Part 1)
2. Hello Friend
3. A Dream
4. PDT - Photo Dynamic Therapy
5. Hey Mama
6. My Eyes See Only The Sea
7. So Long Too Long
8. Strange Flower
9. Hard Graft (Part 2)
BONUS TRACKS - Huw's Blues
10. So Long Baby
11. Slow Train A Coming
12. Cowboy Blues

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

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Massive 7CD Box Set Celebrates The Life & Talents Of Original HAWKWIND Guitarist, HUW LLOYD-LANGTON!

4/15/2020

Quintessential American Garage Band THE LIMITS Continue To Find New Fans Under The Leadership Of Musician RICK LEVY!

Los Angeles, CA - Memphis rock icon Alex Chilton of Big Star & The Box Tops called The Limits “the quintessential American Garage band…both preposterous and sublime,” and said their version of “Suzie Q” was “the best I ever heard.”

Formed in Allentown PA in late 1964, The Limits were by 1965 playing all over the Lehigh Valley at frat parties, teen clubs, school dances and more. Chris, Rook, Beau Jones, Rick Levy, Irwing Goldberg and Jack Shaffer honed their skills with constant gigs and rehearsals. The collection Garage Nuggets ’65-’68 is a compilation of the early Limits recordings - live, in the studio, in rehearsal - capturing the band’s first attempts at songwriting while the collection Songs About Girls captures their later incarnation from 1979-1988. Both collections have been reissued on all digital music platforms courtesy of a licensing arrangement with Garage Masters, a division of Cleopatra Records, Inc.

Rick Levy, who spearheaded the band’s ‘80s revival, continues to keep The Limits torch burning bright with gigs and special engagements all over the US delighting fans with their authenticity and love of early pop and rock. Levy has also gone on to perform with and manage such artists as Jay & The Techniques, Herman’s Hermits, Tommy Roe, Freddy Cannon and currently performs with The Box Tops. Levy’s memoir High In The Mid ‘60s - How To Have A Fabulous Life In Music Without Being Famous is available on Amazon or at www.ricklevy.com.

Listen to Garage Nuggets ’65-’68: https://orcd.co/the-limits-garage-nuggets
Listen to Songs About Girls: https://orcd.co/the-limits-songs-about-girls
Purchase Rick Levy’s memoir: https://www.amazon.com/High-Mid-60s-Fabulous-without-Famous/dp/194991464X

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
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12/02/2019

Modern Prog Artist Dave Kerzner Releases "Breakdown A Compilation 1995-2019" - OUT NOW!

Dave Kerzner is a progressive rock artist and producer who has been making music since the mid-90s with artists such as Kevin Gilbert of Toy Matinee and others. In 2010 he co-founded the award-winning band Sound of Contact with Simon Collins and co-wrote/produced their debut album “Dimensionaut.”

Since then, Kerzner has released two highly acclaimed studio solo albums “New World” and “Static” as well as several live albums and a lot of music made with an array of collaborative projects such as his band In Continuum featuring special guests Steve Hackett of Genesis and more, Mantra Vega, a transatlantic project with former Mostly Autumn singer Heather Findlay, Lo-Fi Resistance with Randy McStine and star-studded tribute albums with his side project Sonic Elements.

“Because a lot of my songs have ended up on albums from different bands and projects, as opposed to being easily found on my solo albums, I thought it would be nice to bring a taste of each together in one double CD package at an attractive price to introduce a body of my work to new listeners,” says Kerzner. “While doing this compilation, I also wanted to include previously unreleased outtakes, alternate studio tracks and live versions of songs from these albums so this collection would appeal to those who already have my albums and want more.”

Kerzner's new album “Breakdown” coming out on Cherry Red Records is a collection of 21 songs on 2 CDs with over 2 hours of music produced by Kerzner including brand new versions of songs like “Only Breathing Out” which he originally wrote and recorded with Sound of Contact, as well as the song “All That Is” from the soon to be released sophomore “In Continuum” album. “Acceleration Theory Part 2: Annihilation,” a song that features guest vocalist Jon Davison of Yes and was co-written between Kerzner and Yes co-founder Jon Anderson. The title track of the album,”Breakdown,” is an outtake from Kerzner's solo album “Static.”

In addition to this, the collection offers alternate versions of songs from LoFi Reistance's “Chalk Lines” and Mantra Vega's “The Illusion's Reckoning” with a special trip back to 1995 when he played with Kevin Gilbert's band Thud in the form of a new live tribute performing Kevin's song “Joytown.”

To purchase Dave Kerzner's “Breakdown A Compilation 1995-2019”: https://geni.us/Breakdown

For more information: https://davekerzner.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Modern Prog Artist Dave Kerzner Releases "Breakdown A Compilation 1995-2019" - OUT NOW!

11/27/2019

Bill Bruford’s Earthworks Announce the Release of ‘Heavenly Bodies - The Expanded Collection’ – Available Now!

Bill Bruford was the drummer with Yes and King Crimson before he moved to jazz with his band Earthworks. Heavenly Bodies – The Expanded Collection takes 23 tracks from the ‘Earthworks Complete’ Deluxe box set to present a tidy overview of the band’s 20-year history in a double CD.

Bruford says: “Heavenly Bodies - The Expanded Collection serves as the ideal ‘beginners’ guide’ for newcomers to the band. Progressive Jazz isn’t a million miles from Progressive Rock: both genres prioritise change from inside and out. People would come away from our gigs saying “I didn’t think I liked jazz, but if that’s jazz, I love it!” Heavenly Bodies - The Expanded Collection is the perfect jumping off point to dip your toes in the water.”

Heavenly Bodies – The Expanded Collection can be ordered here: https://geni.us/BBSF029CD

All audio, visual and print materials for this compilation were sourced and curated by Bill Bruford and the package comes with additional original artwork by award-winning illustrator, photographer and filmmaker Dave McKean.

The 20 CD / 4 DVD Earthworks Complete deluxe box set was released in mid-2019 and continues to be available here: https://geni.us/EarthworksComplete

A tremendous treasure trove of material known and previously unheard (All about Jazz)

This is a heady concoction indeed, and one which joyously breaks down all sorts of musical barriers in its path
(The Times, London)

[Earthworks] mixes up styles, moods and meters as effortlessly as it ignores musical boundaries (Wall St. Journal)

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Bill Bruford’s Earthworks Announce the Release of ‘Heavenly Bodies - The Expanded Collection’ – Available Now!

11/15/2019

Sly Stone's Earliest Recordings and Ultra-Rare Singles "Sly Before The Family Stone"

With the Viscaynes - rare early doo-wop and gospel recordings

Sly Stone's earliest recordings and ultra-rare singles “Sly Before The Family Stone” is now available! Featuring rare early doo-wop and gospel recordings with the Viscaynes. The album is released on CD and Limited Edition of 200 blue vinyl on 180 gram audiophile quality pressing!

Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. It's core line-up was led by singer-songwriter, producer, and multi-instrumentalist Sly Stone, and included Stone's brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. It was the first major American rock group to have a racially integrated, male and female lineup.

Track Listings
1. Honest
2. In the Still of the Night
3. Searchin'
4. Don't Say I Didn't Warn You
5. Ain't That Lovin' You Babe
6. Swim
7. Every Dog Has His Day
8. Suki Suki Part One
9. Suki Suki Part Two
10. Seventh Sun
11. Nerves
12. I Can't Turn You Loose
13. Take My Advice
14. Watermelon Man
15. I Ain't Got Nobody
16. If You Were Blue
17. Rock Dirge
18. Hi Love
19. Life of Fortune and Fame

To Order:
US - https://www.amazon.com/Sly-Before-Family-Stone/dp/B07SZBJZLC/ref=sr_1_1
Europe - https://www.amazon.co.uk/Sly-Before-Family-Stone/dp/B07SZBJZLC/ref=pd_ybh_a_1

Limited Edition of 200 Blue vinyl on 180 gram audiophile quality pressing:
https://www.diggersfactory.com/vinyl/227079/sly-stone-sly-before-the-family-stone

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

1/19/2019

Cleopatra Records Presents A Collection Of Unreleased Late ‘90s Studio Recordings From AltRock Hitmakers, SPONGE!

Los Angeles, CA - Fresh from the critical and commercial success of their 1996 sophomore album Wax Ecstatic, Detroit hard rockers Sponge holed up in a small studio in their hometown to record what was to be their third as yet untitled album for Sony Records. The band, whose songwriting chops had been proved on the megahit singles “Plowed” and “Molly (16 Candles Down The Drain),” looked to founder and lead vocalist Vinnie Dombroski for a new batch of tunes, and Dombroski himself turned to his classic rock heroes like The Doors, The Who and Steppenwolf others for inspiration. The result was a raw blast of sonically devastating, guitar-oriented rock n’ roll. As the story goes, when legendary A&R rep John Kalodner stopped by the studio to sample what Sponge had been up to, he was not able to tolerate the sheer power of the sessions for long and had to beat a retreat!

For reasons known only to the band, these recordings were shelved and a new set of recordings were produced for Sponge’s 1999 album New Pop Sunday. But now those incredibly inspired studio sessions from 1997-1998 are available for the first time anywhere on the Cleopatra Records release Demoed In Detroit, providing a snapshot of where the band was 20 years ago while also offering a tantalizing taste of what might have been. In addition to the 13 original songs and 3 blistering cover tunes, this special collection includes 2 exclusive acoustic versions of the band’s hits “Plowed” and “Molly (16 Candles Down The Drain)” recorded especially for this compilation. Raw and powerful, Demoed In Detroit 1997-98 is an essential album for fans of Sponge and classic '90s alternative rock!

Track List:
1. How Much Do You Think Of Love
2. Fell In Deep
3. Faling For The Girls
4. Great Big Flop
5. Love's A Killer
6. Once In A Blue Moon
7. Laughing At Me
8. Get Down And Assumed The Position
9. What Are Good Friends For
10. Walk In My Shoes
11. Turn Out The Lights
12. Song For The End Of The World
13. Someone To Talk To
14. Break On Through
15. My Generation
16. Born To Be Wild
17. Plowed (Acoustic Pilot Mix)
18. Molly (16 Candles Down The Drain) (Mad Piano Mix)

Buy the CD here: https://cleorecs.com/store/shop/sponge-demoed-in-detroit-1997-98-cd/
Buy the digital version: https://itunes.apple.com/us/album/demoed-in-detroit-1997-98/1448430761

Track List to The Early Years New York City 1997/1998:
1. Shit Life
2. Spine For You
3. Same Old Story
4. Voodoo Crush
5. Little Fish
6. Wish
7. Wake Up
8. Pig Society
9. Pseudo Trash
10. Debonair
11. I Am Nothing
12. America The Pitiful
13. Kimberly's Ghost
14. One Fix
15. Sick
16. Everything Sucks
17. City Tonight
18. Dead Men Walking
19. Fuck Tha Police

Buy the The Early Years CD here: https://cleorecs.com/store/shop/dope-the-early-years-new-york-city-1997-1998-cd/
Buy the digital version: https://itunes.apple.com/us/album/the-early-years-new-york-city-1997-1998/1410561876
Stream the album: https://open.spotify.com/album/320vQ20eShAXH5Rz6qXpy6?si=rv9pHzjlRtm_98-N-vAdFw

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com