Showing posts with label The Final On Vinyl Podcast. Show all posts
Showing posts with label The Final On Vinyl Podcast. Show all posts

9/17/2024

Peppos-Jones Band Review and Interview: Life Notes

Genre: Rock-Pop

Release Date: August 29, 2024

Website

I first heard music from Peppos and Jones in 2019. Louis Jones was also in that band. The title was 50/80, 50 Years in 80 Minutes. Additionally, I had a blast interviewing these old high school friends.

The album Life Notes was released a few weeks ago. It opens with a rousing “Don't Waste The Dawn.” Because it was several years back, I did not recall the sound as much as I would have liked, but I know the lead vocals are different. And I don’t mean that in a negative way. It is a great way to kick off the recording. 

“Decisions” is the longest track, clocking in at 6:18 minutes. It starts with a newscast discussing a shake-up in Portland. The tune is well-thought-out, with a saxophone adding unique depth and a guitar wailing away. The male and female vocals are understated, serving the purpose of their message. It's a song about brotherhood and understanding, reminiscent of a '60s protest song. The focus here is to take the advice and make a firm “Decision” to do so.

 

“Music In Heaven” starts with a soft acoustic guitar. I started thinking about how this music reminded me of something. The band America came to mind rather quickly because of the gentle but effective vocal style and rhythmic guitar playing in this track. As always, this was my take on what I heard; everyone can listen to it and be engaged differently. Music triggers things in a listener, whether an emotion is connected to a memory, a person, an event, or anything in life. The female vocals are a nice touch, and the partnership works well.

 

“350 Degrees” begins with excitement and rocking sounds and quickly changes to a more mellow sound, with acoustic and electric guitar still a factor but tastefully. The track is about the circle of life and how quickly it completes that circle, with the hope that goals will be reached.

 

“A.I.” is present-day, which makes no sense to these folks. The guitar is rocking out on this track (Courtesy of Barry Scott). There are many opinions about artificial intelligence, and you hear a powerful take on this subject set to some incredible musicianship. It's a straight-ahead rocker that might not make sense to some due to its content. I like the line, “Man or machine, you just never know.” And that is so true.

 

“This Isn't A Love Song” tells you what they are singing about right up front. Just some random thought I decided to put to ink,” the singer explains. He talks about a lovely woman who moves and sways and how breathtaking it is. Some nice guitar lines populate the track with some honest vocals that are just right to emphasize the lyrics. It’s a real toe-tapper. It's like the smooth sailing sounds of a Jimmy Buffet number.

 

“Back To The Bullet” certainly is a change in direction for track titles! It starts with a strumming acoustic and electric slide, giving it a blues-country feel. It's about a convicted person for murder singing that they are innocent and to be hanged and on the run to get back to his family. He sings, asking, “What is free?” and the sound of a prison cell door closing ends it.

 

“The Musician” had a record collection when he was three years old, and he saw The Beatles on Sullivan. After that night, he and thousands of other kids knew what they wanted to be. The only thing I remember about watching that is getting mad at all the girls screaming because I could not hear them playing! It is a touching song about sweet memories and how music made the singer whole. That combination of rhythmic acoustic guitar and tasteful electric is added to give the song a rich, layered sound. The vocals are soft and thoughtful, as they are on many of these tracks.

 

“Expanding Shadows” starts with an old-fashioned organ playing to give it that Halloween sound and perfect lyrics. The track is much different than all the previous tracks. It's dark but light-hearted, a step away from the other tracks' message. However, that is the point; it sounds like the band is having fun with all the different types of music and scary lyrics. It is my favorite track on the album.

 

“Where Would I Be” returns to a softer approach to people, love, and emotion. The track could be about a significant person—whatever the listener wants to interpret it, as is always the case with any song. The lead guitar and piano playing on this track add a layer of emotion. The lyrics and vocals are heartfelt and moving, resonating with the listener personally.

 

Now it's time to close the recording with the title track, “Life Notes.” After all, this entire album is about a lifetime of memories, events, and the feelings that surrounded that. This one is thoughtful and about the meaning of life, and the message is clear: it's about whatever we hold dear. And that, to me, resonates. The music is well played, and the lyrics are expressive, with that ever-present strumming acoustic, but, this time, an electric slide for some more flavor and emphasis is added.

 

Life Notes is a versatile album that will resonate with music listeners who like to reflect upon their lives and those who could use a little push to do so. The album's soft approach and the moments they decided to cut loose and rock keep the listener engaged. The exemplary musicianship, thoughtful lyrics, and vocals that place enough emphasis on the words when needed make for an absorbing listening experience from start to finish.

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder

September 13, 2024

Tracks:

01. Don't Waste The Dawn 04:12

02. Decisions 06:18

03. Music In Heaven 04:11

04. 350 Degrees 03:13

05. A.I. 04:32

06. This Isn't A Love Song 03:53

07. Back To The Bullet 03:20

08. The Musician 05:15

09. Expanding Shadows 02:30

10. Where Would I Be 03:58

11. Life Notes 02:51




4/16/2021

Rock Review And Interview: American Tears-Free Angel Express

Release Date: October 23, 2020

Label: 2020 Deko Music

Website


Making their debut in the early ‘70s, American Tears saw low to moderate success with a triple album set through that time period. While Powerhouse became their third and final attempt for some time as a collective band, leader and singer Mark Mangold, went off to explore trying his own musical path with a solo career. Spawning two albums, Mirror Image and Lift respectively, writing a book, and working on various other soundtracks as The Sign, Drive, She Said and one with Aldo Nova of Canada; Mark saw a blossoming period of growth and popularity. In 2019, the band reformed and reorganized to create White Flags, though there seemed to be no signs of surrender from this group in the near future. Now with Free Angel Express, Mark and American Tears are ready to rumble.

“Sledgehammered” is a great introductory recording. The build-up of the keyboard combined with the chanting vocals is thrilling to the listener as the ‘sledgehammer’ waits in mid-air limbo anticipating a sudden drop. The song instead, remains fluid and consistent tricking the ear and mind. “Set It On Fire” begins as a hunt-and-attack-themed piece. Yet, as it plays out the melodic keyboard and vocals reveal a dream sequence. Approaching the midway of the song, the drums play well into the initial beats of the song. It does very well in keeping the listener in a trance.

“Free Angel Express/Resist/Outta-Here” is a 10-minute instrumental track that is soothing, and offers itself up as a bridge between tracks. With the ‘Resist’ part of the track being the driving force, vocally of the track; the title track delivers the impression of an express railroad that the listener is joyriding on. “Not For Nothing” comes through with a different take of heavy rock blended with blues lyrics and melodies. A surprise to the system, “Not For Nothing” becomes a key track without question.

“Glass” projects itself as a contrast to its song title name. As it can be clear and put together, it can also shatter and crumble. Listening, to the ‘perfect storm,’ it’s as though the shattered pieces are blowing against the singer’s face as he battles on to find a resolution. “Everything You Take” finds itself in the aftermath of “Glass,” literally. The two songs marry together so well that the singer feels like he lost this battle either within himself or with someone close to him. “Roll the Stone” is like the perfect resolution of a trilogy, coming to an epic way of understanding of just picking up what remains, and moving on.

“Blue Rondo” plays on as the most interesting and fun pieces on the album. Its clash of organ versus drum is a surprisingly pleasant sound. All the while the combo gives off a jazz/rock/speed-metal triple-blasted sound to spice up and change up some of the energy of the record. “Can’t Get Satisfied” is a blaring, classic-mid- ‘70s-‘80s track that consists of a strong pop element which allows it to act as the album’s presumable single. “Woke” is an organ-dominated track that has both somber and perseverance concepts to it.

“Shadows Aching Karma” starts off exciting with a “Take On Me” keyboard-pop idea. As the song progresses, the synthesizer effects on this track make it a fun and interactive song that is not-so-much an earworm tune but, it does give off an animated cartoon or videogame soundtrack vibe while it plays through. “So Glow” finds itself in a seemingly positive-reinforcement bright song. Although, this song plays out more as a one-liner repetitive instrumental piece that’s massively appealing to the ear (minus a couple crashes in the middle). Finally, “Rise to the Light” begins just as the title might give way to, in a church-type setting. With the organ beaming loud, Mangold’s voice is bold and largely singled-out apart from the supported instrumentation. It is a refreshing and cool way to end an album that energizes and has the listener’s ear busy from start to finish.


Free Angel Express expels a great deal of energy and vibrato to capture its audience in a melodic, keyboard-rock rush. While few tracks fall slightly short of keeping the momentum booming (i.e. – “Roll the Stone” and “So Glow”), the album shines with genre experimentation and blending. Furthermore, the band’s revival might just land them on solid ground throughout the 2021 new year, should this album get the recognition and consumption it deserves by rock, pop, and metal enthusiasts alike.


Gregg Keniston - MuzikMan.net Staff
April 15, 2021

Track Listing:
01. Sledgehammered
02. Set It On Fire
03. Free Angel Express/Resist/Outta Here
04. Not For Nothing
05. Glass
06. Everything You Take
07. Roll the Stone
08. Blue Rondo
09. Can’t Get Satisfied
10. Woke
11. Shadows Aching Karma
12. So Glow
13. Rise to the Light




7/10/2020

Jon Anderson Interview With The Final On Vinyl Podcast


Listen To My Interview With Jon Anderson As We Discuss His Incredible Solo Album 1000 Hands-Chapter One. It was quite an honor for me to interview the legendary vocalist/musician Jon Anderson of Yes fame and incredible solo work. Thank you kind sir for all of your time!

Jon Anderson Interview With The Final On Vinyl Podcast

Listen To My Interview With Jon Anderson As We Discuss His Incredible Solo Album 1000 Hands-Chapter One.

It was quite an honor for me to interview the legendary vocalist/musician Jon Anderson of Yes fame and incredible solo work. Thank you kind sir for all of your time!


Jon Anderson Interview With The Final On Vinyl Podcast

   
Listen To My Interview With Jon Anderson As We Discuss His Incredible Solo Album 1000 Hands-Chapter One. It was quite an honor for me to interview the legendary vocalist/musician Jon Anderson of Yes fame and incredible solo work. Thank you kind sir for all of your time!

3/06/2020

Rock-Pop Review: Bob Jones, Louis Jones, Stephen Peppos-50/80 50 Years in 80 Minutes

Release Date: December 23, 2019
Label: Sonic Bear Music
Website

Interview With Band Is Included Below!

How does a group of musicians put 50 years of music into a single CD that lasts for 80 minutes? Just ask Bob Jones, Louis Jones, and Stephen Peppos. The title 50/80 50 Years in 80 Minutes lets you know straight away what you are in for.

On a separate note, I have covered several of Stephen’s New Age keyboard instrumental projects over the years and consider him to be one of the finest performers of instrumental music that I have heard.

This all started in the 60s when three boys in High School put a band together and then started writing and recording. One of the configurations was Stephen Peppos & Jones Straightjacket Band (tracks 1, 3, 8, 9, 12, 14, 19, 22, 24). There are extensive liner notes included with the CD so you get the whole story.

The 25 tracks cover a range of pop and rock that are indeed retro and if you listen intently you can identify which decade that they fit into. For instance, “High School Years #2” sounds very 60s and “Too Much To Bear” has some good guitar licks that reminded me of the late 70s to early 80s period. Then “Lalena” has a psychedelic trippy 60s Top 40 sensibility. These songs sound good enough to have been spinning regularly on radio stations and in fact, some did on a local level with station WKLX out of Virginia. “I Gotta Sing My Song” was one song that radio DJ Mike Deeson liked. To me, it felt like something that would have gone well with 70s TV shows like Love Boat or the Mary Tyler Moore Show. Only those old enough to remember will understand where I coming from once, they hear the tracks.

One of the tracks on solid ground that is good for any era is ”A Christmas Carol.” It features great vocals and some jangly acoustic guitar lines. Seasonal music does not define a period so when you first hear it, it fits no matter what.

As you make your way through this ambitious compilation, you realize why it took 2 years to get it all together. The variety is quite interesting. Form a Christmas song to the lyrics “Hell no we will not fade away” on “Boomers Anthem,” which is a recent recording from 2019, is accompanied by appropriate guitar lines and inspirational lyrics for all the rockers out there. For me that was one of the standout tracks and my favorite on the entire recording.

Influences from the Byrds To Paul Simon to Cream pepper all of these recordings. You get the feeling of originality bursting through with authority to more obscure live recording snippets on “Look Through Any Window.” “Kicks” is all 60s and one of the best tracks on the CD. It was a hit in 1966 for Paul Revere and the Raiders. The fact that they covered it so well was an indication of their all-around talent.

At first glance when you see 25 tracks you may think “Wow this is a lot of music” and it is a double album. The truth is they go by very quickly because some are short snippets of recordings to go along with other full-length tracks that cover some ground musically.

When I heard the first few tracks, I was thinking that I was not too crazy about them, just my opinion, and it does not mean someone else would not like them. But it just keeps getting better and you realize the entire point of this compilation. That thought was fleeting and forgotten in a matter of minutes.

50/80 50 Years in 80 Minutes is jam-packed with musical diversity and a snapshot of history over a long period. This group of young men had the talent to record all this music and although they did not become stars on a national level, they certainly showed that their talent could have taken them places most bands dream of. It is a matter of being in the right place at the right time. All of that aside, this is a valid musical statement showcasing the talents of the three main men involved.

Keith “MuzikMan” Hannaleck
February 28, 2020


Review Provided By MuzikMan.net
 



2/07/2020

The Final on Vinyl Podcast: Bluesman Billy Price

Thank you Billy for your time and discussing the new release Dog Eat Dog, complete with my dog barking in the background at one point!

1/24/2020

New Age/Contemporary Instrumental Review: Doug Hammer- piano2

Release Date: December 31, 2019
Label: Dreamworld Productions

Previous to Doug Hammer’s 13th proper studio recording piano2, I had the distinct pleasure to cover two entirely different releases. Christmas Lights in 2015 and Americana in 2016. The titles are self-explanatory however this title leaves you thinking what could be coming out of your speakers.

What I can say with unequivocal joy is that piano2 is as diverse musically as the last two I heard and reviewed. Doug likes to mix it up and play many different styles, touching upon a multitude of genres. 

There is new age, contemporary classical, like “A Rainy Night with You” or some jazz-inflected honky-tonk like on “Chasin’ Possum.” Or one of my favorites that I added to my New Age Music Review Spotify Playlist, “The Sunshine in You.” That one sounds as bright and energetic as the title implies. If the shoe fits wear it right? I believe that applies to all of this music, titles of the tracks are a lead into what you will hear. Everyone will hear something different but the one commonality is that if there is a love for instrumental piano music. The consequence of that is piano2 will be your cup of tea straight away.

The changes can be dramatic from one track to the next and that is exactly what makes it such a great listen. It will hold your attention from beginning to end. 

One thing that always fascinates me is the process an artist goes through creating a recording from scratch. This what Doug said about his process with piano2:

 “I would work on an accompaniment first and then listen to that and record melodic ideas on another track. Then, I would go back and refine the accompaniment and then again go back and refine the melody.”

So, the very beginning steps then turns into refinement on different levels of production. What you get after all that passionate piano playing and structuring of compositions is nothing but beauty. To be more specific, this is musical bliss that anyone could enjoy and or appreciate. 

My entire being is touched by music like this because I do not have to think about any lyrics, I just let the music take me to another mindset, a place where I love to go time and time again. I am giving thanks to Doug Hammer and every artist out there that has given me that gift. If you are looking for something like I am, then give piano2 a spin or stream it with the player provided right now.

Keith “MuzikMan” Hannaleck
January 16, 2020
 
Founder of:

Review Provided By New Age Music Reviews

Tracks:

 01. Shimmer in Disaster
02. You're the One
03. The Sunshine in You
04. Across the Plains  
05. Reaching for the Moon    
06. Strut Your Stuff  
07. Chasin' Possum
08. A Rainy Night with You     
09. The Uncertainty Principle
10. Round and Round      
11. Fanfare      
12. Celtic Heart
13. Walking with You
14. Shine Bright  
15. The Last Goodbye  
 



10/31/2019

THE FINAL ON VINYL PODCAST: INTERVIEW WITH TODD WULFERS


Ted Wulfers has a new album and it is a diverse mix of rock, blues, jazz, pop, well, you name it and he does it. Check out my interesting interview now on my Podcast and you can read my review here if you are interested  https://www.thefinalonvinyl.com/article.html?id=123.

THE FINAL ON VINYL PODCAST: INTERVIEW WITH TODD WULFERS


Ted Wulfers has a new album and it is a diverse mix of rock, blues, jazz, pop, well, you name it and he does it. Check out my interesting interview now on my Podcast and you can read my review here if you are interested  https://www.thefinalonvinyl.com/article.html?id=123.