Showing posts with label American Tears. Show all posts
Showing posts with label American Tears. Show all posts

4/16/2021

Rock Review And Interview: American Tears-Free Angel Express

Release Date: October 23, 2020

Label: 2020 Deko Music

Website


Making their debut in the early ‘70s, American Tears saw low to moderate success with a triple album set through that time period. While Powerhouse became their third and final attempt for some time as a collective band, leader and singer Mark Mangold, went off to explore trying his own musical path with a solo career. Spawning two albums, Mirror Image and Lift respectively, writing a book, and working on various other soundtracks as The Sign, Drive, She Said and one with Aldo Nova of Canada; Mark saw a blossoming period of growth and popularity. In 2019, the band reformed and reorganized to create White Flags, though there seemed to be no signs of surrender from this group in the near future. Now with Free Angel Express, Mark and American Tears are ready to rumble.

“Sledgehammered” is a great introductory recording. The build-up of the keyboard combined with the chanting vocals is thrilling to the listener as the ‘sledgehammer’ waits in mid-air limbo anticipating a sudden drop. The song instead, remains fluid and consistent tricking the ear and mind. “Set It On Fire” begins as a hunt-and-attack-themed piece. Yet, as it plays out the melodic keyboard and vocals reveal a dream sequence. Approaching the midway of the song, the drums play well into the initial beats of the song. It does very well in keeping the listener in a trance.

“Free Angel Express/Resist/Outta-Here” is a 10-minute instrumental track that is soothing, and offers itself up as a bridge between tracks. With the ‘Resist’ part of the track being the driving force, vocally of the track; the title track delivers the impression of an express railroad that the listener is joyriding on. “Not For Nothing” comes through with a different take of heavy rock blended with blues lyrics and melodies. A surprise to the system, “Not For Nothing” becomes a key track without question.

“Glass” projects itself as a contrast to its song title name. As it can be clear and put together, it can also shatter and crumble. Listening, to the ‘perfect storm,’ it’s as though the shattered pieces are blowing against the singer’s face as he battles on to find a resolution. “Everything You Take” finds itself in the aftermath of “Glass,” literally. The two songs marry together so well that the singer feels like he lost this battle either within himself or with someone close to him. “Roll the Stone” is like the perfect resolution of a trilogy, coming to an epic way of understanding of just picking up what remains, and moving on.

“Blue Rondo” plays on as the most interesting and fun pieces on the album. Its clash of organ versus drum is a surprisingly pleasant sound. All the while the combo gives off a jazz/rock/speed-metal triple-blasted sound to spice up and change up some of the energy of the record. “Can’t Get Satisfied” is a blaring, classic-mid- ‘70s-‘80s track that consists of a strong pop element which allows it to act as the album’s presumable single. “Woke” is an organ-dominated track that has both somber and perseverance concepts to it.

“Shadows Aching Karma” starts off exciting with a “Take On Me” keyboard-pop idea. As the song progresses, the synthesizer effects on this track make it a fun and interactive song that is not-so-much an earworm tune but, it does give off an animated cartoon or videogame soundtrack vibe while it plays through. “So Glow” finds itself in a seemingly positive-reinforcement bright song. Although, this song plays out more as a one-liner repetitive instrumental piece that’s massively appealing to the ear (minus a couple crashes in the middle). Finally, “Rise to the Light” begins just as the title might give way to, in a church-type setting. With the organ beaming loud, Mangold’s voice is bold and largely singled-out apart from the supported instrumentation. It is a refreshing and cool way to end an album that energizes and has the listener’s ear busy from start to finish.


Free Angel Express expels a great deal of energy and vibrato to capture its audience in a melodic, keyboard-rock rush. While few tracks fall slightly short of keeping the momentum booming (i.e. – “Roll the Stone” and “So Glow”), the album shines with genre experimentation and blending. Furthermore, the band’s revival might just land them on solid ground throughout the 2021 new year, should this album get the recognition and consumption it deserves by rock, pop, and metal enthusiasts alike.


Gregg Keniston - MuzikMan.net Staff
April 15, 2021

Track Listing:
01. Sledgehammered
02. Set It On Fire
03. Free Angel Express/Resist/Outta Here
04. Not For Nothing
05. Glass
06. Everything You Take
07. Roll the Stone
08. Blue Rondo
09. Can’t Get Satisfied
10. Woke
11. Shadows Aching Karma
12. So Glow
13. Rise to the Light




10/24/2019

Rock/Prog Rock-American Tears-White Flags

Release Date: June 21, 2019
Label: Escape Music Ltd
The renaissance of 70’s power keyboard legends, American Tears is in full force with their second release in as many years, White Flags.  Not only are they influenced by keyboard-driven progressive rock of the album-oriented 70’s such as Emerson, Lake & Palmer, Genesis, and Deep Purple, they helped define the genre. Founder Mark Mangold’s boundless musical energy and skill spawn critically acclaimed, yet commercially unsuccessful releases Branded Bad and Tear Gas in the mid-’70s.  American Tears would morph into Touch in the early ’80s yet remain clouded in anonymity.  Mangold moved on to collaborate with artists such as Michael Bolton, write hits for Cher and Benny Mardones, and release his solo records.
The band’s current incarnation unearths an ambiance from a time in rock history when keyboard solos reigned supreme. Tom Scholz’s masterful Hammond organ solo on Boston’s Smokin comes to mind.  Mangold’s keyboard riffs are rife with passion and energy. The moment you feel him about to wind down and wrap up, he reinvents the song and takes it to another level.  In this regard, American Tears defies formulaic structure. To the delight of the listener, these songs keep going and going. After all, if you’re enjoying the ride, why would you want it to end? 
In a recent interview on The Final on Vinyl Podcast (or play below), Mangold quotes Pete Townsend when The Who was accused of sounding self-indulgent and pretentious “Thank you very much,” said Pete, clearly proud of being labeled as such. Mangold is justifiably proud, as well.   
Listening to his vocals on White Flags, one is reminded of the soul and range of The Cult’s Ian Astbury.  Each song on White Flags is consistently upbeat with a broad array of tempos and melodies.  Two of the more soulful tracks which accentuate his vocal range come in the form of “Give me More” and the album’s closer “White Flags.” 
To Mark Mangold, White Flagsis about surrender and sacrifice.  Giving up the battles and giving all of oneself is a sure path to freedom. The lyrics, vocals, and driving power keyboards echo that refrain.  Those who remember American Tears from the ’70s will enjoy this next chapter in their evolution while an emerging fan base is sure to keep growing. 
Tom Endyke - MuzikMan.net Staff
October 19, 2019

Key Tracks Include: “Hell or High Water,” “Fire Down Below,” “Turn U On”, “Turn the Page”

REVIEWS PROVIDED BY:
Rate the Tracks

Tracks:

01. Turn U On
02. Wake up City
03. Hell or High Water
04. Waltz of the Angels
05. Fire Down Below
06. Give Me More
07. Love is Love
08. Turn the Page (Blue Dog)
09. Pitch Black
10. Keep on Movin’
11. White Flags



Rock/Prog Rock-American Tears-White Flags

Release Date: June 21, 2019
Label: Escape Music Ltd
Website
 
The renaissance of 70’s power keyboard legends, American Tears is in full force with their second release in as many years, White Flags.  Not only are they influenced by keyboard-driven progressive rock of the album-oriented 70’s such as Emerson, Lake & Palmer, Genesis, and Deep Purple, they helped define the genre. Founder Mark Mangold’s boundless musical energy and skill spawn critically acclaimed, yet commercially unsuccessful releases Branded Bad and Tear Gas in the mid-’70s.  American Tears would morph into Touch in the early ’80s yet remain clouded in anonymity.  Mangold moved on to collaborate with artists such as Michael Bolton, write hits for Cher and Benny Mardones, and release his solo records.
The band’s current incarnation unearths an ambiance from a time in rock history when keyboard solos reigned supreme. Tom Scholz’s masterful Hammond organ solo on Boston’s Smokin comes to mind.  Mangold’s keyboard riffs are rife with passion and energy. The moment you feel him about to wind down and wrap up, he reinvents the song and takes it to another level.  In this regard, American Tears defies formulaic structure. To the delight of the listener, these songs keep going and going. After all, if you’re enjoying the ride, why would you want it to end? 
In a recent interview on The Final on Vinyl Podcast (or play below), Mangold quotes Pete Townsend when The Who was accused of sounding self-indulgent and pretentious “Thank you very much,” said Pete, clearly proud of being labeled as such. Mangold is justifiably proud, as well.   
Listening to his vocals on White Flags, one is reminded of the soul and range of The Cult’s Ian Astbury.  Each song on White Flags is consistently upbeat with a broad array of tempos and melodies.  Two of the more soulful tracks which accentuate his vocal range come in the form of “Give me More” and the album’s closer “White Flags.” 
To Mark Mangold, White Flags is about surrender and sacrifice.  Giving up the battles and giving all of oneself is a sure path to freedom. The lyrics, vocals, and driving power keyboards echo that refrain.  Those who remember American Tears from the ’70s will enjoy this next chapter in their evolution while an emerging fan base is sure to keep growing. 
Tom Endyke - MuzikMan.net Staff
October 19, 2019

Key Tracks Include: “Hell or High Water,” “Fire Down Below,” “Turn U On”, “Turn the Page”

REVIEWS PROVIDED BY:
Rate the Tracks

Tracks:

01. Turn U On
02. Wake up City
03. Hell or High Water
04. Waltz of the Angels
05. Fire Down Below
06. Give Me More
07. Love is Love
08. Turn the Page (Blue Dog)
09. Pitch Black
10. Keep on Movin’
11. White Flags



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