Instrumental Rock Fusion-Jazz-Blues Review: Nic Weatherly-Home Again

Release Date: August 30, 2024

Label: Independent

Website

Nic Weatherly is a diverse guitar player who released his EP Home Again a month ago. His website explained what to expect, and he promised a varied listen of instrumental guitar work.

"Redemption" starts the album with a jazzy acoustic sound and a good backing rhythm. It has a great feel and makes your feet move without thinking. Some of the picking is extraordinary in between the main leads and melody. 

"I Do" starts at a much softer, slower pace than the previous opening track, allowing the listener to flip the mood to the other side of the coin. Some lovely acoustic playing fills the air with well-defined notes. Nic's playing is precise but unpredictable, which I particularly enjoy because I already realized the man's talent from the start. It's a slow mover and some excellent playing once again.

"Blind" kicks off with some jazzy, funky licks. It is energetic and complex, with some great tone and changes throughout the track, albeit some fast pick work. Some strong bass and timely drums accompany the dazzling fretwork. It was a great way to get momentum and continuity, sparking anticipation and leaving the listener eager for what's next. It is the kind of instrumental jazz-rock fusion that keeps you on your toes!

"O Jul Med Din Glede" translates as "O Christmas with your joy," and the tempo and sound surely match what the title is saying. It sounded like hints of Celtic music at times to me, but it is a Norwegian song. It is a very upbeat tune, yet it also brings comfort and spirituality that washes over you nearly instantly. It's a great tune to mix into this varied EP, leaving you feeling uplifted and serene.

"LaVonne" is likely about a woman in his life, so I am anticipating something special. Possibly the lady on the front of the cover artwork, I will guess his mother or grandmother. Once again, we get a touching presentation of acoustic string expertise with some violin for more feeling and a very subtle drum to keep the pace. The emotional depth in this track is palpable, making it clear that this person was extraordinary in his life.

Nic Weatherly is an excellent guitar player, and if this is a sample of what he can do, I would love to hear a full album. His talents are far-reaching within those strings on a guitar. It is readily apparent from beginning to end that he plays any style of music that he wants, and Home Again is a window into those capabilities.

Keith “MuzikMan” Hannaleck-MuzikMan.net Reviews Founder

October 5, 2024

Tracks:

1. Redemption 3:17

2. I Do 3:56

3. Blind 3:35

4. O Jul Med Din Glede 3:07

5. LaVonne

Blues-Rock-Country Review: Dion-Girl Friends

Release Date: March 8, 2024

Label: ‎INGROOVES

Website

Dion has been making music for a mighty long time. He is one of the few who recorded music in the 50s and 60s that is still alive and relevant. That point alone should tell you something about the man's resilience and determination. It tells me a lot.

 

Girl Friends is another winner, his most recent release with an all-star cast. As you can see by the CD cover, all his guests are the ladies accompanying him on twelve tracks of blues, rock, and country-flavored tunes. I enjoyed it from start to finish, and Dion is in fine form musically and vocally.

 

Track one begins "Soul Force," an excellent way to kick off things with the fiery Susan Tedeschi. They both rock the house as Dion sings, "Superpower stronger by the hour."

 

"I Aim to Please" with Danielle Nicole is a country-inflected mover! This one has a great call answer from the duo and is a real toe-tapper. 

 

"Stop Drop and Roll" with Valerie Tyson features a strumming acoustic guitar with lots of rhythm and harmonizing. It is a country pop tune with banjo and excellent electric six-string licks. Some foot-stompin' country, y'all!

 

"Do Ladies Get the Blues" with Christine Ohlman & Debbie Davies asks the question. By all accounts, it is true. The ladies and Dion bring it home to make you a believer as some stinging electric guitar heats things to a boil and the bottom end cooks right along with it.

 

"An American Hero" with Carlene Carter is my favorite track because of its meaning. Dion sings, "We need an American hero to stand up for everyone." Never was there a time in our history was that truer. Carlene Carter was a great choice with her voice, and they punctuated every word, which gave me chills.

 

"Don't You Want a Man Like Me" with the soulful Rory Block and some acoustic slide guitar to get those embers of passion burning. The rhythm section is rock solid; hard rockin' blues burn the fuel as they sing "Some Like It Hot."

 

"Sugar Daddy" with Christine Ohlman's breathy vocals and steady rhythms merge for another rockin' blues workout. Acoustic and electric guitars soar!

 

"Endless Highway" with Randi Fishenfeld features exceptional bass, with the track deep in Americana roots and country twang. Dion is in great form.

 

"I Got Wise," with Maggie Rose starting the vocals, is the first on the album without Dion leading off. Dion comes in to answer her at a slow and emotional pace—a very atmospheric track.

 

"Hey, Suzy" with Sue Foley is a kind of old-fashioned love song. The duo combination is perfect, with Dion showing that he still has some range in his vocals. The country and blues-varied guitar lines hit the bullseye.

 

"Mama Said" with Shemekia Copeland is soulful, with Shemekia singing "Listen boy"…as Dion responds. It was another strong and well-rounded effort by the duo.

 

"Just Like That" with Joanne Shaw Taylor is a great closer with smokin' hot guitar lines as they cross the finishing line with conviction.

 

Girl Friends is an eclectic range of artists providing music and vocals that keep it a satisfying listen from beginning to end. The booklet accompanying the CD has an excellent write-up from Dion about the "feminine genius" and how it has surrounded his life. Also, he adds comments about each artist.

 

Dion proves once again that age has nothing to do with a great musician and a singer's capabilities as long as you have the experience, confidence, and belief in your craft. It is a solid release, and everyone involved should be proud.

 

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder

February 27, 2024

Tracks:

01. Soul Force with Susan Tedeschi

02. I Aim to Please with Danielle Nicole

03. Stop Drop and Roll with Valerie Tyson

04. Do Ladies Get the Blues with Christine Ohlman & Debbie Davies

05. An American Hero with Carlene Carter

06. Don't You Want a Man Like Me with Rory Block

07. Sugar Daddy with Christine Ohlman

08. Endless Highway with Randi Fishenfeld

09. I Got Wise with Maggie Rose

10. Hey Suzy with Sue Foley

11. Mama Said with Shemekia Copeland

12. Just Like That with Joanne Shaw Taylor

Rock-Progressive Review: 6 Turning 4 Burning-6T4B

Release Date: August 26, 2023

Label: Bomber Records

Website

Those Hellraisers From Cleveland, Ohio, 6 Turning 4 Burning, have released a rock album for all true music lovers to give a spin or to blare from your vehicle while cruising down the roads of America. Listen to 6T4B, and I will tell you why track by track.

Indicative of the cover art, they will appeal to those who believe in the freedom of the U.S. and the open roads to travel anywhere. Their music is very eclectic, bordering or launching into full-on progressive.

"Crazy Peace" is an instant satisfying rocker, and the lyrics are a riot! It is about the lady friend or wife, as it may, having their crazy "time of the month." It is a great way to kick off the album. Also, you will hear some exemplary musicianship on the recording. It is bound to click when you assemble a group of seasoned players. The second track, which clocks in at 7:02, is a tribute to their all-around talents and a tight band exhibiting all their skills within one track. It is a killer track featuring all aspects of the band at each position. Notably, the vocals are outstanding.

"So Deep" was a famous track that got thousands of views. It is a rocking love song, a slow cooker, and a tremendous vocal performance. It serves as another dimension of the band to be admired and appreciated.

"Help Me Through This" differs significantly from the previous tracks for 8:29. The guitar playing is bluesy, which fits the lyrics nicely. I am getting more impressed the further I get into the album. The diversification is quite impressive. And because of that, it keeps things interesting. Also, with extensive songs, it is essential not to lose the listener. That never happens because of all the changes. This one is a progressive rocker.

"Something's Wrong" keeps up with the pattern of change. The track starts with a soft acoustic guitar as the bass and drums come in. The vocals are heartfelt and expressing the lyrics beautifully. If you like blues-country tracks, this one is a nice change from the previous track. They sound like a different band on this one.

"It's Over" starts with a funky bass line accompanied by a driving guitar line, then it changes into a slower pace to emphasize the lyrics about the abuse of drugs and all the struggles it can bring. It doesn't sound like any fun, and it should discourage those wanting to take drugs. I think that was the point. As the song lumbers along, the words hit you like a brick wall at 90 mph, saying, "Cocaine's got me down, rest in peace." About halfway through, the song turns into the fast line as the bottom end pushes it along. The guitar plays some fat chords and nice cutting lines to show off their chops. It is another excellent track with 8:44 of fantastic changes and music to keep you wondering what is coming next. Then, at the end, you can hear someone snorting coke.

"Karma" is another long one coming in at 9:34, so I am amazed at how they can keep pumping out all these impressive tracks with such length and complexities. It starts with some definitive chicken pickin', rapid drumming, and a big bass sound. It all changes as it goes back and forth with different paces and styles of playing. It's like a country-fried rocker with hints of the blues for extra color. You may wonder when the vocals will come in, but they finally arrive well into 3+ minutes. And in this case, that is a good thing, as I enjoyed the long instrumental intro. The vocals add their sentiments with lines like "Karma speaks to you all alone." Those words change how we can relate to and experience karma. Which, of course, works if you believe in it. I believe in it without question, so I found the lyrics relatable.

"Take a Hike" is their magnum opus, dialing in at 11:24. I did not know what to expect with a track this long; it had to be progressive. At least, that was my first thought. It starts epically with a hard-driving metallic power; then they start reciting lines from the bible to help save them from the dark master himself, the Devil. It is an incredible track with magnificent music. It is reflective, opaque, and anticipatory. This one convinced me what a superior group of players this band is. Fans of Black Sabbath would love this one for sure. It is most certainly a hike to the darker side of life. In typical fashion, at 4+ minutes, it completes changes in pace and sound. This bass is prolific here. The vocals reminded me of Ian Gillan of Deep Purple. It is so soulful and passionate, and if anyone wants to know how good this band can play, it should be your first track. It's a must! And remember what they say in the song "Don't listen to Devil!" "Take a hike, Devil, disappear!" All instruments are superb throughout the run of the song.

So, if all of that wasn't enough, they test their abilities by covering the ELP classic 'Lucky Man" within 10:07. Could they once again prove themselves as a legitimate force in music? It starts differently than the original, then changes to the more familiar melody you are used to hearing in 2+ minutes. The vocals are excellent, and the music from start to finish is outstanding. It was risky to close out such a superior recording like that, but they pulled it off like the five-star band they are.

6T4B is a title that may give people a different idea of what this band is all about, including the cover art. Trust me on this one; you are in for a treat for the senses with 6 Turning 4 Burning. Every track is entertaining and well-played, and you will be sorry it all ends, so play it again.

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder

December 6, 2023

Tracks:

1. Crazy Peace 5:26

2. Release Me 7:02

3. So Deep 5:28

4. Help Me Through This 8:29

5. Something's Wrong 4:25

6. It's Over 8:44

7. Karma 9:34

8. Take a Hike 11:24

9. Lucky Man 10:07

Rock Review: Dreamstreet-2.0

Release Date: September 23, 2023

Label: ‎ Red Fields Entertainment LLC

Website

Dreamstreet version 2.0 harkens back to the '70s and the popularity of AOR (album-oriented rock). I was one of those people who would tune into a radio station out of Boston or Hartford to hear this type of music. Sometimes, they would play an entire album. It's an early version of streaming, just over the radio waves. History can repeat itself and look different while using the same concepts.

The track "You Got Me Rockin" says it all for content, a simple message with great vocals and musicianship to drive it down that road of the excitement of days gone by or, if you are new to the genre, a discovery worth experiencing. I am sure this band is a blast in a live setting.

 

Tracks like "Heartzone" are classic rock ballads, and the longest track clocks in at 5:21. The bass and drums are critical to making this rock clock tick along. Three-quarters in the lead guitar takes off to give you a taste of what they can do within one song. They change the pace and intensity, and the vocals are perfect. It reminded me of the powerful vocals of Kansas at their height.

 

A surprise is the cover of Gary Wright's "Love Is Alive." It is one of my favorites of the time, so this was a big test of how good this band could be. Musically, it is a sound cover, and the vocals would be the most challenging thing to emulate. The vocals were average compared to the music provided. But you expect a vocalist to sound like the original, so I am being critical; however, I liked the way they ended it.

 

"On The Edge" is another excellent example of the AOR genre and how to present it. The keys, bass, drums, and supporting guitar leads that bite and make the song powerful and expressive. 

If you are a guitar enthusiast and like hook-filled songs, Dreamstreet will be the band for you. Find out for yourself and stream the album with the Spotify player provided. If you're a rocker, you will find value and enjoy listening to Dreamstreet.

 

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder

December 5, 2023

Tracks:

1. Money 

2. Power of Love 

3. Forever Yours 

4. Head Troubles 

5. Love Is Alive 

6. Heartzone 

7. On The Edge 

8. Time To Go Home 

9. You Got Me Rockin

Rock Review: Arielle-Analog Girl In a Digital World

Release Date: May 7, 2021

Label: Independent

Website

A New Jersey native woman (even if only briefly), gone West Coast, takes listeners through a time-traveling experience. Arielle found herself a spot to shine in the indie-rock. Discovered in 2010, the singer spent the next ten years building up her reputation as a guitar ‘prodigy’ in her own right…even if she didn’t feel affection for the title and prestige the term held. Unfortunately, her rapid ascent amongst the best of best came with early on challenges due to sexism. From not being allowed to sell guitars (instead, watering the plants in the store at 16) to giving all of her-SELF away for what she believed she had to do to get further ahead…due to a dark side to the music and entertainment industry; Arielle spent many years suffering personally and physically because of it.

Finally leaving her label behind, she was free to be an independent artist. Her debut album The Whale washed up onto music platforms in 2015. Arielle then followed it with two EPs in 2017 and 2018 respectively. Here, she is at the height of her career, she is now free to create as she pleases. And with her new Analog Girl In a Digital World fresh out into the airwaves, the world is at her fingertips.

Analog Girl In a Digital World is a call-out to the “good old days.” Frankly, I’ve never heard an album say exactly what I have been thinking for years. It tells of someone living in a modern world such as ours, and they just want to go back to simpler times because simpler times meant less stress and more human interaction. The initial track “Dialup” is a cool old-fashioned set of dial tones and a signal of all systems crashing.

“Digital World” is that single song that cries out for a way of life before we became too focused on the newest upgrade of a device or phone, digitizing every aspect of our daily lives, and how many ‘likes’ or ‘reactions’ we got on our latest social media post. The singer remembers a not-too-distant past of manual operation, physically interactive lifestyle, rather than everything being at the click or touch of a button.

“Peace of Mind” is acknowledging a roaming desire for internal peace and contentment from within. But, in this modern world, there’s always something to be done nowadays. Our minds are never truly settled with every option at our fingertips. With a “tight noose around you,” the person feels stuck in a routine, struggling to get out. “This is Our Intervention” is a short declaration song in which two individuals deem today, they will be taking their lives back and taking control of their surroundings instead of being told they will not reach what they wish and hope to achieve.

“Still A Man” pokes fun at a man in a partnership/relationship aspect, speaking of his best efforts to keep to what he says he will do for his significant other. Being “Still a Man,” he falls short of his promises and the singer looks to be understanding in a tongue-in-cheek sort of way. “Inside & Outside” is a mellow, classic-rock-sounding tune. The song basks in the glow of a newfound realization that the relationship she is in is ideal for her. She loves everything “inside and out” about her partner and further recognizes what many fail to inside ourselves. We all “have a dark side, searching for the light” yet, we blame the darkness many times solely on bad intentions or character; when sometimes, the darkness is just a battle route to get to a better place.

“I’d Rather Be In England” is just a fun simple tune where the singer longs to be with her friend or partner across the seas. She loves the culture and nature of England and so she daydreams of being there. It combines some rock with the singer-songwriter/indie personal style she conveys through the album. “Living In a Fortress” speaks of the singer’s mind being a bunker to keep out other’s opinions and decisions. She views the world and the people amongst her everyday public life as too involved in one another’s business. She would rather do things the way she sees fit and the rest of us can move on.

Finally, “Reimagine” is more along the lines of an ending piece to settle the listener’s ear. With angelic echoing to begin, then drifting into a rocker’s lullaby. The song is bright and enjoyable, and as such, the album looks to have touched upon an array of emotion and topics for such a young and still-developing artist. Arielle’s vocals, her guitar prowess, and her willingness to keep on pushing for her personal artistry to be known and heard are what make her a triple threat and an upcoming indie-rock sensation.

Gregg Keniston - MuzikMan.net Staff
May 12, 2021

Track Listing:
1. Dialup
2. Digital World
3. Peace of Mind
4. This Is Our Intervention
5. Still a Man
6. Inside & Outside
7. I’d Rather Be in England
8. Living in a Fortress
9. Reimagine

Rock Review: Sweet-Isolation Boulevard

Release Date: December 18, 2020
Label: 2020 Andy Scott exclusive / Aviator Entertainment
Website 

If you venture through the ‘80s there’s no telling the endless possibilities of pop, rock, and other music stylings that will take hold of your ear and have you looking like Tom Cruise in Risky Business. The Sweet (then morphed into Sweet)  burst onto the scene from London, England in 1968 but, officially became a recognizable and formidable contender in the music world in 1974 with the release of Desolation Boulevard. Much of that initial record has now been revived into a newly mastered album closely aligned in the title as Isolation Boulevard. It’s the band’s walk down memory lane, combined with their introduction to new, upcoming, rock connoisseurs.

Starting off Isolation Boulevard is the band’s first and most notable hit “Fox On the Run.” The song’s catchy chorus gives the listener a burst of excitement as they chant back at or with the band, especially when performing live. This is the type of song that sticks in your brain for days once you’ve heard it for the first time. “Still Got the Rock” follows as a new song to add to the band’s repertoire. The Sweet is back with vengeance to proclaim they still got the power and the rock that they garnered over the course of their near 50-year career. Meanwhile, “Action” sounds like a track you’d hear during a climax/post-climax or event-type of a scene in a movie or cartoon (i.e. – the chase scenes between the “monster” and the Mystery Inc. gang on Scooby-Doo). Nevertheless, it remains a cool bridge track.

Continuing with “Love Is Like Oxygen,” the song gives off an anthem-like theme, it isn’t too overpowered, and it gives off a more mellow vibe while keeping the listener with build-up and dips of excitement through the song. “Hellraiser” ignites a fire once again as the song clearly hints. With synthesizer effects, thrashing guitar strings, and somewhat storytelling tonality to the song; the song is like the last anticipated second before the fuse lights the dynamite followed by its explosion.

“The Six Teens” is a lyrical mind-game, yet it’s interesting tale of young love gone wrong has a certain appeal to it as well. “Blockbuster” is a secret-to-revelation, mystery track. Much like “Action,” it gives off a film scene imagery. “Set Me Free” is a wild and dark, tongue-in-cheek song that is an enticing song of how loathsome a pairing can become. Yet, all the while, the emotions are high and aggressive as can be almost as if it’s love-to-hate gameplay.

The song “Teenage Rampage” track is a rebellion song if ever there was one to be written. “Come and join the revolution. Get yourself a constitution. And join the revolution now. And recognize your age, it’s a teenage rampage.” This is all about how a clash of the ages and ‘the way it’s been’ vs. ‘change’ is perceived and played out. It also shows that history does, in fact, repeat itself. “Turn It Down” slides in with a jam session that will just keep cranking it up instead as the band moves through the song. The last two tracks offer nothing but pure excitement. “New York Groove” may attract some of the younger viewership with a familiar part of the track being off of Alicia Key’s “Empire State of Mind Pt. 2.” And lastly, if you’ve never lent your ears to “Ballroom Blitz,” then you just don’t know rock and roll. “Ballroom Blitz” is one of those songs that will forever go down in rock history as a frenzy-driven song that is just pure adrenaline.

Sweet remaster all of these hits to capture their best moments once again. The band, while having their share of rotations through the years in members and labels, along with epically tragic events like losing key members like Brian Connolly, Mick Tucker, and Steve Priest; seem to still rise above and come out on top. Though they may feel like they are in a sort of isolation with such loss. The big gain Isolation Boulevard pulls off for them is that of memories, thrill, and a sort of rebirth of the band.

Gregg Keniston - MuzikMan.net Staff
April 14, 2021

Track Listing:
01. Fox on the Run
02. Still Got the Rock
03. Action
04. Love is Like Oxygen
05. Hellraiser
06. The Six Teens
07. Blockbuster
08. Set Me Free
09. Teenage Rampage
10. Turn It Down
11. New York Groove
12. Ballroom Blitz

Rock Review And Interview: American Tears-Free Angel Express

Release Date: October 23, 2020

Label: 2020 Deko Music

Website

Making their debut in the early ‘70s, American Tears saw low to moderate success with a triple album set through that time period. While Powerhouse became their third and final attempt for some time as a collective band, leader and singer Mark Mangold, went off to explore trying his own musical path with a solo career. Spawning two albums, Mirror Image and Lift respectively, writing a book, and working on various other soundtracks as The Sign, Drive, She Said and one with Aldo Nova of Canada; Mark saw a blossoming period of growth and popularity. In 2019, the band reformed and reorganized to create White Flags, though there seemed to be no signs of surrender from this group in the near future. Now with Free Angel Express, Mark and American Tears are ready to rumble.

“Sledgehammered” is a great introductory recording. The build-up of the keyboard combined with the chanting vocals is thrilling to the listener as the ‘sledgehammer’ waits in mid-air limbo anticipating a sudden drop. The song instead, remains fluid and consistent tricking the ear and mind. “Set It On Fire” begins as a hunt-and-attack-themed piece. Yet, as it plays out the melodic keyboard and vocals reveal a dream sequence. Approaching the midway of the song, the drums play well into the initial beats of the song. It does very well in keeping the listener in a trance.

“Free Angel Express/Resist/Outta-Here” is a 10-minute instrumental track that is soothing, and offers itself up as a bridge between tracks. With the ‘Resist’ part of the track being the driving force, vocally of the track; the title track delivers the impression of an express railroad that the listener is joyriding on. “Not For Nothing” comes through with a different take of heavy rock blended with blues lyrics and melodies. A surprise to the system, “Not For Nothing” becomes a key track without question.

“Glass” projects itself as a contrast to its song title name. As it can be clear and put together, it can also shatter and crumble. Listening, to the ‘perfect storm,’ it’s as though the shattered pieces are blowing against the singer’s face as he battles on to find a resolution. “Everything You Take” finds itself in the aftermath of “Glass,” literally. The two songs marry together so well that the singer feels like he lost this battle either within himself or with someone close to him. “Roll the Stone” is like the perfect resolution of a trilogy, coming to an epic way of understanding of just picking up what remains, and moving on.

“Blue Rondo” plays on as the most interesting and fun pieces on the album. Its clash of organ versus drum is a surprisingly pleasant sound. All the while the combo gives off a jazz/rock/speed-metal triple-blasted sound to spice up and change up some of the energy of the record. “Can’t Get Satisfied” is a blaring, classic-mid- ‘70s-‘80s track that consists of a strong pop element which allows it to act as the album’s presumable single. “Woke” is an organ-dominated track that has both somber and perseverance concepts to it.

“Shadows Aching Karma” starts off exciting with a “Take On Me” keyboard-pop idea. As the song progresses, the synthesizer effects on this track make it a fun and interactive song that is not-so-much an earworm tune but, it does give off an animated cartoon or videogame soundtrack vibe while it plays through. “So Glow” finds itself in a seemingly positive-reinforcement bright song. Although, this song plays out more as a one-liner repetitive instrumental piece that’s massively appealing to the ear (minus a couple crashes in the middle). Finally, “Rise to the Light” begins just as the title might give way to, in a church-type setting. With the organ beaming loud, Mangold’s voice is bold and largely singled-out apart from the supported instrumentation. It is a refreshing and cool way to end an album that energizes and has the listener’s ear busy from start to finish.

Free Angel Express expels a great deal of energy and vibrato to capture its audience in a melodic, keyboard-rock rush. While few tracks fall slightly short of keeping the momentum booming (i.e. – “Roll the Stone” and “So Glow”), the album shines with genre experimentation and blending. Furthermore, the band’s revival might just land them on solid ground throughout the 2021 new year, should this album get the recognition and consumption it deserves by rock, pop, and metal enthusiasts alike.

Gregg Keniston - MuzikMan.net Staff
April 15, 2021

Track Listing:
01. Sledgehammered
02. Set It On Fire
03. Free Angel Express/Resist/Outta Here
04. Not For Nothing
05. Glass
06. Everything You Take
07. Roll the Stone
08. Blue Rondo
09. Can’t Get Satisfied
10. Woke
11. Shadows Aching Karma
12. So Glow
13. Rise to the Light

Rock-Blues Review: Steve Cropper-Fire It Up

Release Date: April 23, 2021

Label: Provogue

Website

 

If you have any familiarity with Booker T. and the MG’s or all the music coming out of the legendary Stax label, then you know the name, Steve Cropper. All that music I have always appreciated and the craft of Cropper on the six-string leading the way. You won’t hear his name mentioned amongst the greats such as Clapton, Beck, and of course Hendrix. My thought is that he was recognized in his genre and all his contributions to countless recordings including his solo recordings. He played at a very high level and continues to do so as the new release Fire It Up will attest. He is right up there on the list with the big boys as far as I am concerned.

Fire It Up features Cropper at his level best with Nioshi Jackson (drums), Roger C. Reale (vocals), and Jon Tiven (bass, sax, keys, harmonica, background vocals, with shared production duties with Cropper). Some other names contributed that you will recognize as well are Felix Cavaliere, Anton Fig, Simon Kirke, the list is extensive. All of that fine talent coming together to lend a hand gives Fire It Up some flow and cohesiveness that adds to the spark of that amazing guitar playing on display from start to finish.

There are thirteen cuts on the album. After listening to all of them I felt as though there was nothing that seemed out of sync or so different that it stood out as the one track that would be left in the can for future consideration. This is quality rock and blues with a strong underpinning of soul that comes through the vocals nicely.

I think the versatility that Cropper offers on this release is exceptional. “Bush Hog, Pt. 1” is a snappy instrumental to kick things off. The title track is a funky bluesy burner with Reale on vocals to complete the song. As things move along you hear will so many of those sweet crisp licks from Cropper. My favorite amongst many was “Heartbreak Street” and “She’s So Fine,” which sounded like a good choice for a single release to create a buzz about the album.

Cropper is 79 years young and he still has that fire burning in his belly. He floats like a butterfly and stings like a bee (thanks for that line Muhammad Ali) on this recording. The band he pulled together to support him certainly does Fire It Up at every turn making this a classic offering that stands as one of the best releases I have heard this year.

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder
March 22, 2021
 

Tracks:

01. Bush Hog, Pt. 1    
02. Fire It Up        
03. One Good Turn        
04. I'm Not Havin' It        
05. Out of Love        
06. Far Away     
07. Say You Don't Know Me        
08. She's So Fine        
09. Two Wrongs        
10. Heartbreak Street        
11. The Go-Getter Is Gone        
12. Bush Hog, Pt. 2        
13. Bush Hog

Rock Review: The Dead Daises-Holy Ground

Release Date: January 22, 2021

Label: The Dead Daises Pty Limited

Website

The Dead Daisies hold so much street credit both past and present since their breakout in 2012, the revolving door keeps spinning with great music throughout. The current line-up: Dough Aldrich (Whitesnake/Dio), Deen Castronovo (Journey), Glenn Hughes (Deep Purple), and David Lowry (Red Phoenix) came together to offer us, Holy Ground coming from rock legends. Some prior members included: John Corabi (Motley Crue), Darryl Jones (The Rolling Stones), and John Tempesta (The Cult/Rob Zombie). As you can see, the band is a collage of rock and roll greatness.

Listening to Holy Ground, it feels like real music has found its way back to the airwaves and speakers. Having this band rise over the years means not only, that there are people that still crave the realness of music and true musicianship, but more than just machinery and auto-tuned pop or techno beats. The strength and power behind Hughes’ vocals represent just what love and dedication to a musician’s life can showcase grand results.

The album itself is a pure adrenaline rush. The intro and also title track “Holy Ground (Shake the Memory)” is an earthquake of head-banging thrill. Fittingly, “Like No Other (Bassline)” is very much focused on the bass. “Come Alive, “Bustle and Flow,” (one of the main focal tracks), and “My Fate” are all songs that maintain a battle and struggle theme or anthem throughout. The way the album is set up, “Bustle and Flow” is one of the breaks in the album where there is a bit more levity and a slight pop sound to attract a wide audience rather than them sticking to one set group of people. It sets up this back and forth between a darker or more serious tonality like “My Fate” and “Come Alive” and a pure foot-stomping, sing-along-styled “Bustle and Flow” and “Chosen and Justified.” The single “Chosen and Justified” follows as a strong continuation of the prior three tracks, yet this packs a powerful punch to keep the momentum going.

There are cracks within “Saving Grace” but, in a good manner of speaking. The cracks are where the singer proclaims that his other half is the symbol for everything that frees him of the chains that bind him to the world. Not to mention, a guitar solo finds its way to blend into the message of the song to entice the listener to more. “Unspoken” feels like it belongs inside an action movie during a battle scene. Then to follow, “30 Days in the Hole” harkens right back to that ‘80s hair-band feel. It’s the most ‘fun’ track on the whole record, as far as radio-friendly (pop-rock) is concerned. But, songs like this, “Righteous” find hints of Guns N’ Roses blasting through.

While “Far Away” ends the album on a more melancholy note, the concept of calling out to someone during the chorus is exciting on its own; enough to not have it be your typical last track lead-out song. However, taking a look after this album is complete, Holy Ground certainly has the listener feeling like they are reliving the glory days of rock n’ roll once again. Truth be told, I had never heard of The Dead Daises up until this point, and thought very much so, that they would be a Grateful Dead Tribute band. Oh boy, was I in for a much-welcomed surprise. Thankfully, after hearing The Dead Daises the first time around, I cannot wait to go back and listen to their other four records that are bound to send me or any listener on yet another time warp.

Key Tracks: “Holy Ground (Shake the Memory,” “Chosen and Justified,” “30 Days in the Hole.”

Gregg Keniston - MuzikMan.net Staff
March 12, 2021 

Track Listing:
01. Holy Ground (Shake the Memory)
02. Like No Other (Bassline)
03. Come Alive
04. Bustle and Flow
05. My Fate
06. Chosen and Justified
07. Saving Grace
08. Unspoken
09. 30 Days in the Hole
10. Righteous Days
11. Far Away

Rock Review: Tim Morse-The Archaeology Project

Release Date: October 9, 2020

Label: 2020 Tim Morse 

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Typically, I see the word ‘compilation’ in music and I overlook every part of it, often because it signifies “Greatest Hits” or “Best Of.” And as a writer, I usually want more than just the hits of someone because the hidden gems are found outside of the singles. Plus, if you find a song apart from the singles, you don’t grow tired of it as quickly because it does not frequent the radio as promotional singles do. In this case, the compilation of The Archaeology Project by Tim Morse is excellent in presenting a timeline of his work.

With no definitive reason for releasing this record, Morse says,” It seemed like a good time to reflect on the last fifteen years of being a recording artist.” Reflection can be a good way to spark that new creative edge. “Guitar Etude 1” roots from his very first song so, it seems fitting that the bit piece starts off the record. 

“Apocalyptic Visions” is a three-part song that is his longest piece to date. AV is a blend where the keyboard sounds much like an intergalactic travel scene, followed by what could sound like a take from a 90’s Alternative group like Good Charlotte blending with a speed-metal song cut, and ending with a mix of peaceful chime and keyboard but also going back to the powerhouse guitar playing. “Adrift” is a self-reflective journey piece that initially was just an instrumental work for the longest while.

“Rome” contains a Shakespearean-type of imagery that plays to the advantage of the artist and genre quite well. It is the epitome of an epic tale. “The sky is burning. Nero plays on….” Is the perfect symbolism for today’s pop culture/political chaos while giving a temporary historical lesson too. “Voyager,” according to Morse, was “inspired by the Berg and his book on the Lindbergh historic flight.” It is a mainly wondrous instrumental track that takes to new heights.

“Window” winds the first half of the record down with this soothing guitar piece that was thought of as a segue for his prior album Faithscience. The short track calms the listener’s ear down and prepares them, for more to come. “Afterword” keeps with the more melancholy tone but, not for the reasons you may think. Instead of saying goodbye to a love or a relationship of sorts, it’s the foundation for new beginnings moving forward and a reflection of events gone by.

“200 Yards” is a funny ‘crush-gone-wrong’ song that Morse says is the first-time-ever collaboration between him and Bret Bingham on Mangoes. The very tongue-in-cheek, watcher song, is a fun session Morse and Bingham created to simply make music. “My Ally” talks of a friendship that has lasted through the ages. I think it’s THE song I or anyone could connect with so deeply because, as an overly open and friendly person, to begin with, I love the multitude of reasons certain people come into your lives. Friendship is so much more than just a bond, it’s an experience like none other.

“Inertia” is a funky psychedelic feeling song that as the song plays out, causes an expansion of sorts. It crescendos into a musical spacetime continuum. “The Mary Celeste” speaks of the sudden loss all of us experience at one point or another. The hurt is so grand, and sometimes it is impossible to deal with moving forward, we remain still for a while, “lost at sea.”

“The Marquis” is the sign we all read in our own minds in one form or another. We over-analyze our certain actions to which we question if it could’ve been worked out differently, or if it was the correct plan of action in the first place. But the marquis is always hovering above our mind trying to intimidate us to keep on questioning ourselves. 

Originally done by Pink Floyd, “Dogs” was a long desired song to cover for Morse and by molding the song to his artistry, he molds it into more of a singer-songwriter style than its original predecessor. In finalizing the record, “The Corners” is a cleverly-placed track to end out The Archaeology Project. It is a beautifully orchestrated piece representing the excitement to see what lies beyond our lives here on earth.

Key Tracks: “My Ally,” “Rome,” “Dogs,” and “Afterword”

Gregg Keniston - MuzikMan.net Staff
February 14, 2021

Track Listing:
01. Guitar Etude 1 Dec. 1970
02. Apocalyptic Visions
03. Adrift
04. Rome
05. Voyager
06. Window
07. Afterword
08. 200 Yards
09. My Ally
10. Inertia
11. Mary Celeste
12. The Marquis
13. Dogs
14. The Corners

Rock Review: Albert Bouchard- Re Imaginos

Release Date: November 6, 2020

Label: 2020 RockHeart Records / Deko

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Get ready for an adventure of a lifetime. Frontman Albert Bouchard for the legendary rock band Blue Oyster Cult returns to the spotlight on his own to share a record of his solo ventures. Re Imaginos puts to work an element of the band combined with original soothing guitar riffs and piano melodies that provide a unique twist on the Blue Oyster Cult sound but, allow Bouchard to shine on his own. This comes as Albert and his brother Joe Bouchard, release the record through his new imprint label, RockHeart Records / Deko Entertainment. The album is Albert’s reimagining of the 1988 Blue Öyster Cult release, Imaginos, which was originally intended as Albert’s solo album.

Re Imaginos starts with the alluring and outright obvious signaling of “I Am the One You Warned Me Of.” The song’s initial lead-in gets the listener in a head-bobbing, rhythmic good mood. That is, even if the song is hinting that the person is hinting at a hidden agenda or personality that was previously unsuspected. “Del Rio Song” is the main song that harkens back to the former Blue Oyster Cult classic sound. The song mirrors the sound of the classic “Burning for You,” sending the listener into a frenzy of nostalgia and enjoyment of the cool, smoothness of the track overall.

We venture into more melodramatic territory on “In the Presence of Another World.” The song avails to the strong piano-structured intro, into a powerful but constant guitar pattern that is borderline repetitious as it moves forward. While the sound is calming and enjoyable, it does begin to seem prolonged and invariable, once the mid-point second verse concludes. Venturing forward, track four, is a curious track that gives off a storybook, fable-themed sound. From the title of the track to the frequent religious references, it acts as a wonderful mystical piece for the listener to get lost within.

The wild-wild-west comes through upon “Girl That Love Made Blind.” As Bouchard recounts of a far-off, distant memory of Christmas, the girl is the center of the holiday season where he danced his heart away that night. As this soft, light song plays out, the reminiscence of him longing for that same companionship further on. The following number, “Astronomy,” makes the midpoint of the record and a re-recording of Blue Oyster Cult’s single on the Secret Treaties album. It is an illustrative tale of the wonders of space mixed with a wish of one last venture with this girl Susie who is on her way to starting her life on her own, married and complete.

The title track “Imaginos” is a continuation of Bouchard’s mysticism. The themes of ever changing life and decay, as well as, nomadic-like movement are are ways of imagining the touch-and-go-sense of nature and the human world. “Gil Blanco County,” tells of this wondrous place that nature is vast and there is a sense of openness that the typical city-life does not contain. “Blue Oyster Cult” is a funky jam tune to pay homage to the group that made Bouchard the musical phenomenon he is today. “The Oyster boys are swimming now,” make it sound as though there is this revival in the work of sorts, of which listeners can interpret to their pleasure. This is followed by a powerful guitar riff which blasts the song and audience into a midpoint rock n’ roll frenzy.

Closing out the album, “Black Telescope” is a grand wordplay trickery song. As though a sailor is making up a voyager’s song, it tells of the many ways and types of visions differing creatures may take up the sight of their world around them. “Magna of Illusion” is a tale of what could be an event in a time of victorian-era happenings. Whether it be of travel and discovery, or a battle to come, the tune ends with revealing that not all is what it seems; leaving the listener in awe. Finally, “Les Invisibles” is a medieval song that sings of a setup and celebration is put on in this particular story that looks as though, the death of an individual is celebrated.

Key Tracks: “I Am the One You Warned Me Of,” “Girl That Love Made Blind,” “Blue Oyster Cult,” “Black Telescope”

Gregg Keniston - MuzikMan.net Staff
January 28, 2021
 

Track Listing:
01. I Am the One You Warned Me Of
02. Del Rio Song
03. In the Presence of Another World
04. Siege and Investiture of Baron Von Frankenstein’s Castle at Weisseria
05. Girl That Love Blind
06. Astronomy
07. Imaginos
08. Gil Blanco County
09. Blue Oyster Cult
10. Black Telescope
11. Magna of Illusion
12. Les Invisibles

Rock Review: The Catholic Girls-Rock N’ Roll School For Girls

Release Date: November 6, 2020

Label: JSP Records

Website

Hailing from my home state of New Jersey, The Catholic Girls burst onto the rock n’ roll scene in the early ‘80s. Causing all kinds of controversy and uproar in their music, the group never really gained national momentum. However, they were able to garner enough attention along the coast and turn heads. Even the catholic church within Rhode Island decided to ban them from performing at several functions. Rock n’ Roll School For Girls finds root in the modern era that could prepare this band for an epic revitalization of their lifetime.

The Catholic Girls pack a wild punch in this remastered collection of provocative hits. They return more than 15 years later from their last release, to reintroduce themselves to the masses that the world was possibly not ready for. In a not-so-politically-correct, modern world; the band may have more success amongst varying age groups who align with angst-like, rebellion rock. On this two-disc album, essentially many of the songs represent a topic to which is breaking stereotype concepts or causing mayhem.

The consistent theme throughout the album is front-woman Gail Petersen’s distinct style. She makes her mark by emoting her voice in such a manner that gives off much of the same mystique as Stevie Nicks. Starting off the album, disc one is loaded with demo records that made their way into the group’s mainstay discography. Then, disc 2 offers a slew of remixed editions of the prior disc. Both track listings also incorporate a number of new music singles.

See, this band knows how to play up satirical themes, from the threat of schooling that plagued the singer’s home life growing up, to failed relationships and just being flat out wild and reckless. Songs like
“Grounded” and “Grand Theft Auto” are two examples of the bombastic flare that play through much of the first set of the tracklisting. As both of the discs play through, the latter half of the music, a more solemn tone is felt within the album. Emotions rise on tracks such as, “You Let Me Down” and “Should’ve Been Mine” offers a difference in mellow manners. One song is more powerful and utilizes Petersen’s vocal style to her advantage while the latter is a more lyrically somber and plainer sound that shows less is indeed more.

Showcasing their broad discography, this album acts as a reintroduction to a three decade’s worth of bad timing but, amazing talent. These girls know how to mix the flare of rock n’ roll with humor and contradiction to the normal ways of thinking on a particular subject. It seems that traveling through time, forty years down the line just might have its advantages when it comes to The Catholic Girls re-emergence.

Key tracks include: “Grounded,” “Grand Theft Auto,” “God Made You for Me,” and “Down At the Shore.”

Gregg Keniston - MuzikMan.net Staff
January 21, 2021

 
Track Listing
Disc 1:
01. Private School (1981)
02. Grounded (1980)
03. Summer Boy (1980)
04. Dancing on the 44 (1980)
05. Rock’n Roll School for Girls (1980)
06. Somebody in the USA (1980)
07. Grand Theft Auto (1979)
08. Young Boys (1980)
09. Where Did I Go Wrong (1981)
10. Boys Can Cry (1981)
11. Broken Record (1981)
12. You Let Me Down (1981)
13. C’est Impossible (1981)
14. Someone New (1981)
15. Rock’n America (1983)
16. If No One Fell in Love (2000)
17. It Doesn’t Become You (1984)
18. No One Like You (1983)
19. I Was A Lady (2001)
20. Night Shift (The New Jersey Song) [Alternate 2003]
21. Just Before Nightfall (Live at President’s Palace, 1979)

Disc 2:
01. Someone New
02. C’est Impossible
03. A Boy for Me
04. Where Did I Go Wrong
05. You Let Me Down
06. Private School
07. Boys Can Cry
08. God Made You for Me
09. The Only One
10. Make Me Believe
11. Niagara Falls
12. Should Have Been Mine
13. If I Hadn’t Loved You
14. Some Boys
15. Manderlay
16. Shame On You
17. Kiss Me One More Time
18. Down at the Shore
19. Without a Country
20. Somebody Better Get a Room