Showing posts with label Debut Album. Show all posts
Showing posts with label Debut Album. Show all posts

7/30/2021

Prog Ensemble The Far Cry To Releases Debut Album “If Only”


Prog ensemble The Far Cry has released their debut album “If Only.” Though not intended in any way to be a “concept” album, “If Only” very much exhibits a connecting common thread of human emotion and perspective meeting real human conditions.

Apparently, some people just won’t give up on long held goals and aspirations. Jeff Brewer and Robert Hutchinson, co-conspirators behind the inception of what was to become The Far Cry, can vividly recall the musical awakening that occurred in their younger days when The Beatles landed and with all that followed. Soon thereafter, they each were even more deeply moved by the emergence of the Progressive Rock bands of the early 70’s, most notably King Crimson, Yes, Emerson, Lake & Palmer, Genesis and Gentle Giant.

Jeff and Hutch first crossed paths around 1976 with the formation of a short-lived rock covers band. Common ground occurred later, though not simultaneously, when both were members of Connecticut prog-rock band Holding Pattern, Hutch as co-founder from 1980-83 and, after Hutch left the band, Jeff joined as lead vocalist & percussionist from 1984 to 1993 when the band ceased operations.

Fast forward to 2013 when Hutch purchased a speaker cabinet Jeff had for sale. In the attendant dialogue, the pursuit of the likely impossible was quickly broached and a decision was made to chase the dream just one more time. Thus the seeds for The Far Cry were sown.

Unfortunately, due to the ambitious and stylistic nature of the music they were pursuing, connecting with suitable personnel to complete the band lineup was met with recurring difficulty and disappointment.

Eventually, the duo decided to enter the recording studio to get the material up and running. Guitarist Bryan Collin had already been in contact, having answered a Craigslist ad, and was amenable to playing on the recordings. As he did so, he became intrigued and more strongly connected to the music and the band concept. Certainly his stellar contributions and playing on the “If Only” CD demonstrate that. Bryan Collin was now The Far Cry guitarist.

Still, a highly competent keyboardist was required. Studio owner and master engineer John Bolduc was asked if he knew of any keyboard man who could properly interpret and perform the music he was hearing.

John responded instantaneously: Chris Dabbo. No time was wasted in contacting him. At first, Chris came on as a session man but very quickly demonstrated his impressive skill set as well as a connection to and understanding of the music. All involved were highly enthused and Chris was drafted in as keyboardist for The Far Cry.

Hence, the “If Only” CD is a result of a step by step evolution by what has now become a fully formed membership. Robert Hutchinson, Jeff Brewer, Bryan Collin and Chris Dabbo are the artists that comprise The Far Cry. The future awaits

Says the band, “Our fondest wish and recommendation is that this music should be listened to from beginning to end uninterrupted through a great set of headphones.”

The Far Cry is now formulating plans for the creation of videos to support the music from the CD. Certainly, live performance will be part of the near future and into 2022. Also, work on the next CD to follow “If Only” will begin within the next couple of months.

The Far Cry:
Chris Dabbo: piano. keyboards, vocals
Robert Hutchinson: drums, percussion, bells, spoken word
Jeff Brewer: lead vocals, bass, bass synth, bass pedals, guitar.
Bryan Collin: lead guitar, Electric and acoustic guitars.

To purchase The Far Cry “If Only.”:
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=itunes
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=apple+music
https://open.spotify.com/album/1Lm9OsAksc7miRffkvEpe2
https://www.amazon.com/gp/product/B098JRGWF4
To purchase physical CD from outside the USA.
https://www.lasercd.com/

For more information:
www.thefarcrygroup.com
www.facebook.com/thefarcry

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

7/15/2021

The Poppermost, One-Man “Beat Group” Feat. Joe Kane From Scotland Delivers Beatlesque Power-Poppin’ Folk-Rockin’ Roll On Debut Album “Hits To Spare”

Released August 27, 2021 on Think Like A Key Music

With the genuine desire to create a continuation of the FABS early vibe, The Poppermost is the one-man mission of Glasgow multi-instrumentalist Joe Kane - whose attention to detail is impeccable; the structure and arrangements, the playing, the sentimentality is all there along with the in-jokes, creating songs that satisfy your innermost Fab Four desires.

The Poppermost finds Joe in his garage studio playing everything himself. Utilising an array of instruments, microphones and recording techniques, all glued together by bargain basement analogue junk that builds up to the very first Poppermost album, “Hits To Spare.”

Short, sweet and exactly as they used to make ‘em, “Hits To Spare” does exactly what it says on the sleeve. Kicking off with an enthusiastic “1-2-3-4,” the opening track “Egg And Chips,” with its solid back beat-driven Cavern Club stomp and ascending “ah-ah-ah’s” sets the scene for what follows. In just over half an hour, “Hits To Spare” packs in a multitude of double-tracked vocals, three-part harmonies and major sixth endings that’ll leave you giddy and dizzy, dizzy, dizzy Miss Lizzy.

Within these carefully considered grooves there are rockers galore like “Goodnight Georgia Peach” and “Laziest Fella In The Realm.” Then there is the chugging, chiming “Ticket To Ride” inspired “Park And Ride” alongside the romantic balladry of “Get It Down.” Whether it’s the Lennon-like “you wanted the werld and I gave you the werld” here, a woody McCartney bass-line there, a multitude of 12-string chiming George middle eight’s, with everything held in place by a perfect Ringo compressed backbeat, there’s a song for every occasion.

“Ultimately, this album was about making a very fresh, quick and positive pop record, utilising the recording aesthetics and sound of my favourite music,” says Kane, who is currently putting together a live version of the band that’ll be ready to get people twisting and shouting as soon as possible.

Based out of Glasgow, Scotland, Joe Kane stays a busy man and has a busy track record, having recorded under various aliases such as Dr. Cosmos’ Tape Lab (You Are The Cosmos) and Radiophonic Tuckshop (Last Night From Glasgow) while working with countless artists including the late, great Neil Innes (The Rutles), Joey Molland (Badfinger), Alan White (Plastic Ono Band), BMX Bandits and Ette. He can also be heard kick starting the recent Ex Norwegian & Friends tribute album to Liverpool singer-songwriter Jimmy Campbell, Sing Jimmy Campbell with a fantastic take of his classic Rockin’ Horse track “Yes It Is.”

This latest project, The Poppermost, exists to remind us of a time when the world shook to the giddy monophonic thunk of Merseybeat, to a time of Dansettes and desert boots, when R&B didn’t mean Rhianna and Beyonce and an MP3 was Harold Wilson and a couple of his Westminster mates out on the razz down Carnaby Street.

Watch the video trailer: 

Stream the album: https://song.space/12nej6rep4v

Pre-order the album: https://tlak.rocks/hitstospare

For all upcoming release announcements, album pre-orders and to find out first about live dates, connect with The Poppermost online at:
thepoppermost.com
instagram.com/thepoppermostband
twitter.com/thepoppermost
facebook.com/thepoppermost
thepoppermost.bandcamp.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

6/28/2021

Bay Area Singer-Songwriter ROBERT STONER Releases His Personal and Nuanced Debut Album YEAR OF PAIN

San Francisco, CAROBERT STONER is a singer-songwriter from Berkeley, CA. He has written and performed music for many years, and now with the help of producer Ben Bernstein is set to release his debut album YEAR OF PAIN on July 9, 2021. ROBERT STONER, who also goes by Bob, wrote and recorded YEAR OF PAIN over the last year. This impressively strong debut showcases his personal and nuanced grappling with issues ranging from the specific challenges of children growing up and keeping a marriage fresh, to the trials and tribulations of our modern times.

The brother of a professional violinist in New York City, ROBERT STONER comes from a very musical family (one of his cousins even won the Tchaikovsky Competition in the Soviet Union at the height of the Cold War, to great national acclaim). Despite the fact YEAR OF PAIN is his debut release, Bob Stoner is a prolific songwriter who has been writing songs his whole life, and he is already hard at work on his next release. “My songs seem to come in a pretty constant stream,” says Bob. “Songwriting to me is an ongoing process of listening, discovery, fleshing out of ideas, honing and sharpening, and trying to maintain or enhance the original creative energy through the production phase.”

Maintaining a day job as an economist means the songwriting process has not always been straightforward for Bob, but the left and right sides of his brain have fully coalesced on YEAR OF PAIN, resulting in a musical experience that is both provocative and enjoyable for the listener. He worked with Ben Bernstein at Ben Bernstein Music to produce the album, and Ben also contributed lead and electric guitar to the songs. YEAR OF PAIN also features vocal and instrumental contributions from singer-songwriter Maya Elise, and drums and percussion from Mike Stevens. Adding to the personal nature of the album is the artwork painted by Bob’s daughter Lily Stoner, who also contributed vocals on the release.

The songs on YEAR OF PAIN run the gamut from personal reflections on kids moving on in life (“Just a Riverboat”) or relationship difficulties (“Wait Until the Morning”) to commentary on the present state of ethics in the political realm (“The Principle”) and the difficulties that have become ingrained in our modern era (“Year of Pain”). The song that leads off the album (“Just a Riverboat”) and the song that ends it (the title track “Year of Pain”) each hold special significance for Bob. “Just a Riverboat” reflects on the time his daughter Lily went off to college back East by way of a trip to New Orleans with friends. It was an exciting moment and an important milestone in her (and Bob’s!) life, and the New Orleans imagery provided the perfect backdrop for the song. “Year of Pain” is a song that sums up the difficult times we live in, with political dysfunction, gun deaths, and growing intolerance leading the list.

ROBERT STONER has many influences in his songwriting, but his sound is uniquely his own. This comes from his eclectic taste in music (which includes everything from classical to showtunes to folk and blues), as well as a relatively long period of time spent amalgamating these influences before his debut album. People have said his songs have echoes of Leonard Cohen, Van Morrison, and Bob Dylan – “I don’t know about that, but I will take the compliment!” says Bob. YEAR OF PAIN showcases Bob Stoner’s writing in the singer-songwriter genre, but he also composes fully instrumental music for the piano and has plans to release an album of that music as well.

To purchase or stream the album YEAR OF PAIN please visit: https://smarturl.it/YearOfPain

For more information about ROBERT STONER please visit: https://robertstoner.bandcamp.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

3/29/2021

Long Island Singer/Songwriter Chris St. John Releases Highly Anticipated Debut Album “I’m Dreaming”

First single “I Called You Rose” received critical acclaim and dominated the charts!

New York, NY — Over the last quarter century, Long Island Singer/Songwriter Chris St. John has truly led a diverse and successful professional career in the field of law as a prosecutor, judge and practicing attorney.

Now, his dream of lateral success in the music business is starting to become a reality, as his LP, “I’m Dreaming,” is now available on www.chrisstjohn.com, Soundcloud and all the major services. His instantly satisfying first single from the record “I Called You Rose,” hit Number #3 on the Euro Indie Music Charts and #8 on the World Indie Music Charts - with a second tune “I’d Send You My Heart” - hitting the airwaves now.

The album includes 13 original songs plus a cover of “Peggy O’” and a musical score that connects two compositions. Chris St John’s music draws from multiple genres, utilizing an array of instruments. Each song leaves the listener intently waiting for the next surprise. St John cuts his own path though, making the music uniquely his own.

The topics include the loss of love at a young age; the loss of his parents; the birth of his son John (now 18) and life with his wife of 27 years Elisabeth; a surprise DNA discovery; a serious illness where he was put in a medically induced coma, and a nurse sang him back to life; the loss of a young relative in a car accident and the subsequent climb out of depression; alcohol addiction and recovery; and a gift from his grandmother that he intends to return to her someday.

Says Chris, “My professional career is what I do. These songs are who I am. They are about my personal life. The songs have been written over about 30 years, with four new ones written in the last several months to finish up the album.”

Chris also worked in the State Department, participating in the Reagan-Gorbachev Summit in 1987; and lived, studied, and taught in China later that year. He was also a Congressional Aide and is now a volunteer firefighter.

In 2015, he and his friend started a not-for-profit charity called HALO Missions, which provides medical care, clothing, food, farming equipment, and surgeries for AIDS orphans and the extreme poor throughout Africa, Central America, and the Caribbean.

Chris remarks, “The title of the LP is ‘I’m Dreaming’ because some of these songs were dreamed in my sleep and written down when I awoke. Others came from daydreams. There are so many references to dreaming in the album. I guess I like to dream. People have told me I should write a book or make an album. This is both to me”.

To purchase Chris St. John’s “I’m Dreaming”: https://chrisstjohnmusic.com/product-category/music-and-merchandise/music/

For more information:
Official Website: www.chrisstjohn.com
Listen on SoundCloud: https://soundcloud.com/chrisstjohnmusic
Watch on YouTube: https://www.youtube.com/channel/UCchfgkT0LnXFCJr76KlLJgA
Like on Facebook: https://www.facebook.com/chrisstjohnmusic

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

2/23/2021

Anthony W Rogers’ babyflow Releases Debut Album “Oblivious”

A nod to “The Who Sell Out”

Independent label Wildflow Records and Anthony Rogers announces the release of the wild debut album from babyflow. entitled “Oblivious.” The album is available on the full range of digital and stream services and is available again on limited edition vinyl, in keeping with all releases thus far on Wildflow. “Oblivious” marks the first time Rogers has released an album under another name, evidently, like everything else these days, a side effect of the Covid experience.

Rogers remarks “This is a wild one. We intended an even more collaborative album which got shut down 2 songs in March. After that, it wasn’t until August that we had the Lillers come back in separately to finish the vocals. Since there were a number of tracks with vocals other than mine, it was entirely appropriate to put this under another name. Blake significantly stepped up writing wise and the others-especially the Liller brothers left a big imprint on the final product. Then of course the craziness of the commercials and format. Made sense to me.”

Marketed as “an indie solution for the Covid/Trump hangover,” “Oblivious” is the fourth full length release (#3 on Wildflow) by Appalachian indie artist Anthony W Rogers. In addition to Rogers, babyflow features the usual contributions from Rogers’ children Blake (Audrey) and Joe Rogers as well as heavy contributions from brothers Aaron and Sean Liller, and musical contributions from local musicians/friends Pierce Miller and Bryson Bush. To complete the family circle, the iconic full on unforgettable sun cover art was painted by artist Lisa Rayden-Rogers, wife of Anthony/mother of Blake and Joe.

Most mischievous of all is that “Oblivious” features seven songs/six commercials weaving in and out of the album imitating the construct of the great classic late 60’s record, “The Who Sell Out.” But babyflow’s commercials all reference modern 2020 fictious products /places (Covid Beach, Invisible Mask, No Test Health Insurance). “The idea came from a discussion with my son, Joe about what funny products you could come up with.” Anthony says, “We landed on Invisible Mask and we were off to the races. I put the other planned tracks away and we finished it up like this. Fun to weave these in.”

The album itself is a journey from the dark caustic opener “Daddy Got Played” (a finger wagging at the collapse moral and ethical standards of the Southern Christian contingent) to the light-the hopeful optimistic promise of closer “Rain Cloud”, a ballad written for and first performed at the inaugural Mineral County (WV) Music Festival in summer 2019. The record also features the first recorded solo composition from Blake Rogers, a high school junior, in the form of the instrumental second side opener “William Burns” - a mature and subtly placid reminder honoring the victim of the last known lynching in the local Western Maryland region in 1907. The album liner notes remark of this track, “it is our duty to never forget.” “Blake also was the principal/genesis writer on ‘Substitute For Science,’ ‘3 for $12.99’ and ‘Karen for Hire.’” says Anthony.

Anthony recorded solo two of the album tracks, “Wrong” and “Wish Away.” “Wrong” is a poppy playlist ready remake/update of a track originally intended to be included on the 2015 solo album of the same name. He says, “Originally the first version of wrong referred to the existence of time. Now with the new version, I’ve come to agree with Chris Dedrick/Free Design… the wrong is outside us.”  “Wish Away” concerns the personal desperation felt across the country from the early days of the pandemic. “Ok, so we know we can’t go back to how it was before” says Rogers, “so let’s dream and find the better way.” Other standout tracks include “Greaser” (a Brown Sugar-ish/Black Crowes style tribute to individualism) and “Listen (concerning BLM and the breakdown of civil discourse from an unrecognizable uninformed segment of society).

To many, the unique and most exciting part of the project will be the commercials-a humorous yet serious commentary of the state of America circa 2021. “Covid Beach” - a Dick Dale/Jan and Dean panache to a mask less paradise; “Substitute for Science” and “3 for $12.99” - with the “bleach tab “phenomena”; “Invisible Mask” - the dangers of being smart in dumdum culture; “NTHI” - a no test health insurance and “Karen for Hire,” a Sparks (Mael brothers) influenced tribute to the homemakers from hell club, who like to “fix things.” “I have no doubt that if these are heard they would be extremely useful and attractive form of comic relief for college stations across the country. The originals on sell out were used as bumpers everywhere. I think ours are just as funny.”

Anthony W Rogers is a veteran of both the local and DC music scenes, and has (many lifetimes ago in a different world) played to thousands over the years in his DC area bands Ten Below and The Now. Rogers has released three solo albums prior to “Oblivious”: 1993’s “Indentifiction”; “Wrong” in 2015; and “One Day (a Journal)” in 2018. “I’m always happy and satisfied to fly a bit below the radar. I know what we’re doing is good. Every record is just me dropping my pebble into the lake. I think my younger cohorts this time out are decidedly less apathetic as me so I hope for their sake more people hear this one.” “Oblivious” was recorded, produced and mixed at Anthony’s own Lakes Edge studio. The latest project was also the first to be mastered by DC area legend and multi-Grammy winner Greg Lukens at his Virginia facility.

Babyflow’s “Oblivion” album, following in the vein of the last two Wildflow releases - will be available on limited edition vinyl and is available currently for digital download worldwide and streaming services on the Wildflow imprint. Previous releases “Wrong” and “One Day” have previously garnered much critical praise from reviewers in the US and across Europe and are also available digitally and vinyl. Rogers first CD release in 1994, “Identifiction” remains currently out of print.

Tracks:
1. Daddy Got Played
2. Substitute for Science
3. Wrong
4. Covid Beach
5. Greaser
6. 3 for $12.99
7. William Blake
8. Invisible Mask
9. Wish Away
10. NTHI
11. Listen
12. Karen for Hire
13. Rain Cloud

2021 Wildflow Records

Website: www.wildflowrecords.com

To purchase digitally: https://www.amazon.com/dp/B08THH9QCD/ref=pe_385040_118058080_TE_M1DP
Stream on YouTube: https://www.youtube.com/playlist?list=OLAK5uy_nO0i3kEEnv1VKoFEqngj6g0jqPCvyzgys
Soundcloud page: https://soundcloud.com/anthony-w-rogers

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

2/22/2021

Eternal Return’s Debut Release “Once Only” Featuring Members Of Porcupine Tree and Fripp’s Crafty Guitar School Available On NEWdOG Records

The international progressive ensemble Eternal Return is a five-piece combining various duos/trios that have previously recorded and toured together. Notably, Colin Edwin (Porcupine Tree, NoMan, O.R.k.) on bass with his frequent collaborator, Estonian guitarist Robert Jürjendal (Toyah Wilcox, Fripp’s Crafty Guitar School). At the heart of the band is Dogon, the duo of Miguel Noya, (Venezuelan electronic music pioneer, Phantom Limb Recordings) and Paul Godwin, (California-based composer/singer). Dogon have been widely celebrated and aired since the late ‘90s - “the best of progressive ambient”- WIRED Magazine. Holding down this aerial act is Miguel Toro, Venezuelan-born, Berlin-based drummer (Royal Dust). It seems like a distant past when five musicians from around the world could meet in a foreign city to record an album in-person, but that’s just what they did. They came from Venezuela, England, Estonia, California & Spain to meet in Berlin and form this band. The result is something flowing and hypnotic, mysterious yet comforting.  

Colin Edwin's tasteful fretless bass combined with atmospheric textures, and voice from ETERNAL RETURN unveils songs built on air. A special and sensitive offering.” - Bill Laswell, Hell’s Kitchen, NYC, January 2021

Once Only”

The debut album was recorded in Berlin in late 2019 by Bob Spencer at The Famous Gold Watch Studio (a former munitions factory and Stasi HQ) and mixed at Pete Townsend’s Grand Cru boat studio in London’s St. Katherine’s Docks by Jonathon Hucks. The album is concerned with “nomadism” in a time of lockdown inspired by Noya’s status as part of Venezuelan economic and political diaspora (currently living in Europe.) Musically siting progressive ambient and dream-pop influences such as Talk Talk’s Spirit of Eden, David Sylvian’s solo work, or the mysterious and finely wrought 4AD project, This Mortal Coil - - the album is something fresh, darkly intimate and beguiling.

To purchase:
https://newdogrecords.bandcamp.com/music
https://burningshed.com/labels/newdog

About NEWdOG Records
NEWdOG Records releases fresh musical works by career ambient, progressive, post-rock, dream-pop and experimental artists from Europe, North and South America. Founded as a home for progressive ambient in the mid-‘90s in San Francisco, the label found critical acclaim and a distribution home with Dave Allen's World Domination Records (WEA). Now available through Burning Shed worldwide.

For more information:
www.newdogrecords.com
Facebook @newdogrecords
https://www.facebook.com/Newdogrecords/
Instagram @newdogrecords
https://www.instagram.com/newdogrecords/
Soundcloud @newdogrecords
https://soundcloud.com/newdogrecords
Spotify @newdogrecords
https://open.spotify.com/user/newdogrecords

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

11/27/2020

Prog Ensemble ILLUMINAE to Release Debut Album “Dark Horizons” February 12, 2021

Featuring special guests Steve Hackett (Genesis), John Helliwell (Supertramp), Troy Donockley (Nightwish), Craig Blundell (Steven Wilson), Luke Machin and Gonzalo Carrera.

Immrama Records and Gonzo MultiMedia announce the release of “Dark Horizons,” the debut album from ILLUMINAE, the brand-new project from Ian Jones (Karnataka, Chasing The Monsoon) and Agnieszka Swita (Caamora). The album features special guests Steve Hackett (Genesis), John Helliwell (Supertramp), Troy Donockley (Nightwish), Craig Blundell (Steven Wilson), Luke Machin and Gonzalo Carrera. The album was mixed by Joe Gibb, highly regarded as a world class mix engineer and who has worked with many prestigious artists including Massive Attack, The Cure and Leftfield.

ILLUMINAE will be releasing the single & video for “Blood On Your Hands” on November 27th.

From dark, twisted symphonies to sweet lullabies, the collective writing talents of Ian Jones (Karnataka, Chasing The Monsoon) and Agnieszka Swita (solo, Caamora) combine in their powerful new musical collaboration ILLUMINAE. Embracing symphonic, progressive and Celtic influences, bitter sweet melodies intertwine with lush harmonies to create a majestic towering cathedral of sound, songs which traverse the dividing line between darkness and light, life and death, solitude and hope. Shards of light piercing a subterranean labyrinth.  

London based Welshman, Ian Jones, is a founder member, composer and multi-instrumentalist with British symphonic rock band Karnataka and Chasing The Monsoon. Karnataka have released several critically acclaimed and award-winning albums, including The Gathering Light and Secrets of Angels. Vocalist, pianist and composer Agnieszka Świta, hailing from Poland and living in London, released her self-penned debut solo album “Sleepless,” a modern symphonic rock album, to critical acclaim and has released several albums with Clive Nolan in their collaborative project Caamora.  

TRACK LIST:
The Lighthouse
Blood On Your Hands
Edge of Darkness
Lullaby
Twice
Heretics and Prophecy
Sanctuary
Black Angel
Sign of Infinity
Dark Horizons

For press and distribution enquiries contact:
info@illuminae.net
www.illuminae.net
www.facebook.com/illuminaemusic www.twitter.com/illuminaemusic www.instagram.com/illuminaemusic

Gonzo MultiMedia: www.gonzomultimedia.co.uk

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

10/23/2020

SF Music Scene Fixture EVAN WARDELL Releases His Debut Solo Full-Length Album IN LIKE A LION // OUT LIKE A LIGHT

San Francisco, CA – An export from the island of Martha’s Vineyard in Massachusetts, EVAN WARDELL is a musician, producer, and audio engineer now based in San Francisco. Written, performed, produced, recorded, and mixed entirely by EVAN WARDELL (he even created the cover art), the new album IN LIKE A LION // OUT LIKE A LIGHT is a hook-laden indie rock masterpiece that illustrates the pain of addiction, heartbreak, and the all too common struggle just to get out of bed in the morning. Made available online everywhere music is streamed and sold on October 30, 2020, IN LIKE A LION // OUT LIKE A LIGHT is the debut solo full-length album from EVAN WARDELL.

EVAN WARDELL moved to San Francisco in 2009 to study audio engineering and immerse himself in city life. Since then, he has gone from recording in his bedroom to becoming the musical manager at Pianofight (the coolest indie venue in San Francisco), engineering at the historic and renowned Hyde Street Studios, and mixing front of house for audiences of hundreds of people. IN LIKE A LION // OUT LIKE A LIGHT represents at least seven years of songwriting and recording, and as a result offers a chronicle of how EVAN WARDELL has changed over that time as a person, as a songwriter, and even as an audio engineer. Evan says, “To me the album feels like the culmination of everything I've ever learned, and the beginning of something bigger and better.”

EVAN WARDELL produced, recorded, and mixed IN LIKE A LION // OUT LIKE A LIGHT entirely by himself, and offers these services to other artists and producers as well. With flexible rates, a home studio, a small demo studio, and access to Hyde Street Studios, he has the rates and environment to fit your recording needs! For more information please contact evan.wardell@gmail.com.

Evan was born and raised on a small rural island off the coast of Massachusetts where he learned how to play music. From the very beginning he wanted to write and record his own material, and everything he does musically has this entrepreneurial drive at its core. He’s played in a few different bands over the years, all the while developing his own voice and engineering abilities. His music blends vitriolic passion with meandering psychedelia into a soup of hook laden indie rock. Throughout 2020 he has been keeping busy, already at work in the studio again and recording some new songs. EVAN WARDELL also does sound design for theater, and as a composer is currently scoring a film, a video game, and even a dance video.

A fixture in the San Francisco music scene, you can find EVAN WARDELL rocking out with the psychedelic Western outfit The Green Door (new album Wolf In The Fold out now!), or in normal times playing his saddest tunes for his bi-weekly live show Sadurday Happy Hour at Pianofight, the city’s coolest hub for performing artists, where he also acts as Musical Technical Manager. EVAN WARDELL was also a member of the SF band Biv and the Mnemonics, whose album The Pace was released to critical acclaim in 2013.

IN LIKE A LION // OUT LIKE A LIGHT is made available online everywhere music is streamed and sold October 30, 2020.

To order IN LIKE A LION // OUT LIKE A LIGHT on digital services please visit: https://smarturl.it/EvanWardell

For more information about EVAN WARDELL or upcoming tour dates, please visit: www.moomoorecordsmusic.com/evanwardell

For Press, Radio, and Interview inquiries please contact Moo Moo Records: ben@independentdistro.com

For Digital Marketing please contact Jerome Forney at Independent Distribution Collective: jerome@independentdistro.com

9/23/2020

Ugly Runner’s Stephen Britt To Release Debut Solo Album “Bite A Lemon”

Stephen Britt is a singer-songwriter from Asheville, North Carolina. His band, Ugly Runner, put out their debut EP, “Romanticizer,” with Cleopatra Records in January, 2020. It was aggressive and raw, with little room for sorrow or sentiment. The band parted ways during quarantine, and in late July of 2020, Stephen enrolled in school at Full Sail University to pursue a BFA in Creative Writing. Taking a break from music didn’t last long. He began working on what would become his debut solo album, “Bite A Lemon” on August 8th. He wanted to touch on all the aspects of rock and roll that have inspired him throughout his life as an aspiring songwriter. With ”Bite A Lemon,” you get the familiar raw, aggressive, unpolished rock and roll, but it doesn’t end there. The record is laden with acoustic guitar, vocal harmonies, and relaxation, but it never loses the soul of rock and roll. With that, Stephen Britt presents an album that from start-to-finish should have something for everyone.

“Bite A Lemon” was written and recorded at Stephen Britt’s home in Asheville, North Carolina, from August 8th to September 8th, 2020. The album was produced, engineered, mixed and mastered by Stephen himself, and while it might show at times, it’s exactly what he was going for. Stephen’s friend, roommate, and local musician, Garett Hatch, is featured on various tracks throughout the 38-minute album playing bass or guitar. Stephen also had his friend and local musician, Ben Survant (Natural Born Leaders), lay down a saxophone solo in the opening track, “Elevator Toe Jam” to kick off the album, and he shows up again in the upbeat soul track, “Left The Party.”

Says Stephen, “Going into the quarantine of 2020, I wanted to create an album with intent. No filler. Of course, that’s the plan with every release, but to really sit down and trim the fat is something I’ve never done. It’s also not something you were able to do in the pre-COVID days, where you go into a studio, record everything you’ve prepared and that’s what you put out. It was nice to be able to sit with the material as I made it, and really create an intentional collection of what I considered the most timeless 12 songs I could write at the moment. I believe the intent of ‘Bite A Lemon’ is to not only be an outlet for me to say some things I’ve wanted to say, but also to pay tribute to the history of rock and roll with an eclectic blend of (hopefully) timeless rock and roll songs.

“My friend and roommate, Garett Hatch, had just released a solo album in August, 2020 (‘A Place With No Name’). I really enjoyed it, and thought I would give it a shot. I didn’t want to use any of my older songs. I really just wanted to write and record an album within a month. At some point during this process, Garett heard a demo version of a song I wrote at the beginning of quarantine called ‘Bite A Lemon’ and demanded it go on the album. It’s the only song from the record not written between August 8th and September 8th, and it’s funny how I considered this track only a ‘throwaway’ back in March and now it’s the title track to the record.”

To support the new release Stephen is currently working on a video for the track “Imaginary World” which he aims to release by the middle of October. He’s still figuring out the live production of “Bite A Lemon,” but with the talent of his friends in the Asheville area, it will surely be a lot of fun!

In closing Stephen has this to impart, “I know there’s a message I want people to take away from ‘Bite A Lemon,’ but I think I’m still trying to figure out what it means to me. The one thing I know is that it’s as honest as I could be without being too on-the-nose. The entire process was a whirlwind of guitars on porches, too many cigarettes, and not enough sleeping. I hope by the end of the album people love rock and roll a little bit more than they did before.”

“Bite A Lemon” will be released online everywhere on September 25th, 2020.

To Purchase “Bite A Lemon”: https://stephenbrittmusic.com

For more information: Instagram: https://www.instagram.com/stephenbrittmusic/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/09/2020

Bedroom Pop Rising Star SLEEPSK8 Release Debut Full-Length Album!


Los Angeles, CA - San Gabriel, CA artist Sleepsk8 has just dropped his first ever full-length album, a warm and memorable slice of guitar-focused bedroom pop filled with melodic hooks and exquisite vocals drenched in luscious reverb. Dubbed A Paralyzing Fear Of Trying, the album is the culmination of 3 years’ worth of work that began on Soundcloud (under his previous moniker TM36) and has resulted in his tracks already amassing one million streams! Now, the singer/songwriter is set to take the next step in his career, partnering with the much venerated indie giant Cleopatra Records, who has released A Paralyzing Fear Of Trying worldwide to all digital platforms.

"My taste in music has always been chaotically juxtaposed and I think it's reflected in the album. Some songs are melodic and sweet while others are distorted and dramatic. Cleopatra has been great because they're really all about the music. They don't want to confine me to a specific sound, so I get to share my unfiltered range with this project." - Sleepsk8

Stream the album here: https://orcd.co/sleepsk8_album

For more information:
https://instagram.com/sleepsk8?igshid=xvvelvsvglyp
https://soundcloud.com/sleepsk8?ref=clipboard
https://open.spotify.com/artist/0pHD9rcAGnPX05lPCc1lRz?si=BLfphSzaTZSYMHu01J5f6w

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
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Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

1/30/2020

Italian Music Artist Annie Barbazza To Release Debut Solo Album "Vive"


Featuring Greg Lake, Fred Frith, Daniel Lanois, John Greaves, Paul Roland and others!

Italian music artist Annie Barbazza is releasing her first solo album “Vive” on February 29, 2020 on Dark Companion Records. She was a young drummer in love with progressive rock when Greg Lake discovered her talent as a singer and wanted her on stage with him for the concert which would later become the posthumous “Live in Piacenza”. Again Lake produced “Moonchild”, the duo with pianist Max Repetti for Manticore Records where she sang many songs formerly sang by Lake with ELP and King Crimson. If these were the beginnings of Annie’s career, now she is a rising star of the international Avant/Prog scene. Her friendship with John Greaves (Henry Cow, National Health) leads her to collaborate permanently live with the Welsh musician and to collaborate on his latest albums (“Piacenza” for Dark Companion and “Life Size” for Manticore).

Another one of her stable collaborations is the one with legendary writer-singer-songwriter Paul Roland with whom Annie regularly performs live as a bassist and singer and in the studio also as a drummer. Of extraordinary success both with critics and audiences is the recent collaboration with the North Sea Radio Orchestra as main vocalist in “Folly Bololey” (Dark Companion), the tribute to Robert Wyatt which triumphed at Rock In Opposition festival and at Cafe Oto in London, the cradle of new music. In studio she collaborates, among others, with Giorgio Fico Piazza and with Warm Morning Brothers, while live she performs together with artists such as Eugenio Finardi, Osanna, Robyn Hitchcock and many more, in addition to the ones afore-mentioned.

This album has a long history: Greg Lake originally wanted Annie to played all the instruments, but the record slowly turned into an all-star friends collaboration for most of them asked Annie to be part of it, from Fred Frith to John Greaves, from Lino Capra Vaccina to Daniel Lanois and Paul Roland. All tracks are original with the exception of two tracks written for her by John Greaves and Paul Roland and a cover of the splendid Blegvad / Greaves classic, “How Beautiful You Are”.

Who know Annie is aware of her elusive, shy nature. By these songs she gave voice to her inner ghosts and dreams, desires and fierce creativity.

An intimate, courageous, innovative album in which the many influences and musical styles of Annie melts together. Producer Max Marchini wanted to keep as immediate as they were conceived and played, avoiding overengineerings and over arrangements. The result is a collections of songs that span over the years working on which the many sides of the sparking, incredible voice of Annie Barbazza are the main character.

The album cover is visual artist William Xerra’s design. The album was recorded and produced at legendary Elfo Studios in Tavernago (Italy), in audiophile quality.



“I think if you can have any gift in music, the greatest gift is to be a singer. Annie’s unique voice is at the same time beautiful, brave and heartfelt.” - Greg Lake

“Annie is a phenomenon. She has a big voice and big heart and she’s eager to learn. Those are the characteristics of all the great musicians I’ve worked with. I can’t wait to see what she does next!” - Fred Frith

“I am in awe of Annie’s numerous gifts; her mellifluous voice, her mastery of so many instruments and most surprising of all - her incredibly diverse range of influences from classic rock to ambient and beyond. Not to forget her impeccable taste in cover versions!” - Paul Roland

“I’m very proud to know Annie as a dear friend. One day, on stage, on the radio in your kitchen, on the net or wherever you chance to hear her, you will know how great she is.” - John Greaves

Tracklist:
01. Ys (Barbazza) 4:12
02. June (Barbazza) 3:52
03. From Too Much Love Of Living (Greaves/Swinburne) 2:39
04. Time (Barbazza) 1:25
05. Nebulæ (Barbazza) 3:00
06. Wrote Myself A Letter (Roland) 6:23
07. How Beautiful You Are (Greaves/Blegvad) 4:22
08. Lost At Sea (Barbazza) 2:35
09. Phantoms (Barbazza) 3:20
10. Tide (Barbazza ) 2:10
11. Les Ruines Du Sommeil (Barbazza) 4:10
12. Lotus Flower (Barbazza) 3:33
13. Boîte à Tisanes (Barbazza) 3:42

Recorded, Mixed and Mastered by Alberto Callegar at Elfo Studios, Tavernago (PC).
Produced by Max Marchini

Annie Barbazza
with
Camillo Mozzoni
Daniel Lanois
Franz Soprani
Fred Frith
Greg Lake
John Greaves
Lino Capra Vaccina
Max Marchini
Michael Tanner
Olivier Mellano
Paolo Tofani
Paul Roland
William Xerra

Annie Barbazza
Vive
Dark Companion Records
DC 013 - Limited edition first press golden gatefold mini LP CD
DCLP013 - Limited edition gimmix cover colored audiophile Vinyl and golden CD with an original artwork insert by William Xerra
first press of 500 CDs and 300 individually hand numbered vinyl
Released  February 29, 2020

To purchase: http://store.maracash.com/advanced_search_result.php?keywords=annie+barbazza+vive&search_in_description=1&x=0&y=0

The vinyl first press will be available worldwide only directly from the website here: http://store.maracash.com/product_info.php?products_id=528

Exclusive International Distrubution and Mail Order: www.maracash.com


www.darkcompanion.com
info@darkcompanion.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

11/05/2019

New Group RUFFYUNZ Featuring Guest Artists Pat Travers & T.C. Tolliver To Release Debut Album


Featuring Pat Travers and members of The Plasmatics and Cactus!

RUFFYUNZ is a partnership between Randy Pratt (Cactus/The Lizards), Emmy winning engineer JZ Barrell, and singer Ed Terry and a collection of drum and guitar masters. Guest artists include guitar legend Pat Travers and drummer T.C. Tolliver from The Plasmatics. The songs are mainly about sex, animalistic sex, with a couple of “Dark Dread” numbers thrown in for bad measure.

“Funky, Heavy & Tight” is RUFFYUNZ credo!

Bassist Randy Pratt on bass, pedals and riffs and is best known for his work with The Lizards & Cactus. Singer Ed Terry has sung live with Stevie Wonder, Sister Sledge, John Oates, Sissy Houston, Slash and recorded with John Lennon, Keith Richards, Talking Heads, Simply Red, Little Steven, David Bowie, Rod Stewart, Fleetwood Mac, David Lee Roth, Madonna, Whitney Houston, Aretha Franklin and Tina Turner! JZ Barrell handles recording, engineering, mixing and arranging…he earns his writing credits. Jesse Berlin is the band's “go-to-first guitarist” usually and helps set a bedrock with embellishments.

The band's concept is to use “known” drummers and guitarists as guests on their records. Once the guest guitarist has done his or her thing, Jesse trades solos with them…and he really throws down the gauntlet, as he SHREDS!!

Says Randy, “The songs are written bass/drums first, creating a lot of grooves and BIG RIFFS. From decades of reading Bass Player magazine, it seems most song writing bassists don’t write on bass…so I hope that gives us a bit of a unique vibe….plus my ever growing collection of uncommon effect pedals, not intended for bass, influence the way I play and the stuff I come up with. After the sessions, my partner JZ Barrell arranges the music into more  defined song form. Usually, Ed Terry writes his vocals and lyrics, quickly, and records them at his home studio. Amazingly, it seems like we go with his first takes 90% of the time! Also, he writes most of his vocals to bass and drums, which is 'different', too, isn’t it? Josh and I produce the records. Then guitar is added to make the compositions come alive, searching for that sweet spot where James Brown and Black Sabbath collide.”

RUFFYUNZ next record is in the works now with and exciting new cast of guest players!

Listen to RUFFYUNZ new album:
To purchase: genius@optonline.net

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

8/23/2019

Cosmic Guitarist & Songwriter Roy Herman To Release Two Debut Albums - Uncle Roy & The Band From Another Planet "Save The Universe" & Uncle Roy's Spaceship "How Do We Get To Earth"


Two completely different music projects! Released September 1 & 2, 2019!

WELCOME THIRD ROCKERS FROM THE SUN!!!
UNCLE ROY AND THE BAND FROM ANOTHER PLANET “SAVE THE UNIVERSE” 5-song EP is the very first release for U.R. and the B.F.A.P and will be released on September 1, 2019. The five, alternative rock-pop rock vocal tunes, range from sweet and ethereal, to a heavy blend of rock, alternative rock, classical rock, progressive rock, power pop rock and modern, pop rock musics. There are wonderful stories in the lyrics and lyrics that will make you feel and think about life. You can hear many different musical influences, within the sounds of U.R. and the B.F.A.P.. “This is all about fun! Enjoy!,” says Uncle Roy. Included with the physical CD is a beautiful 8-page booklet filled with fun, sci-fi stories and thoughts, pictures, song descriptions and lyrics written by Uncle Roy. There is also a cool, inventive and “top secret” alien photo file attached to the CD of Alien Uncle Roy.

WELCOME EARTHLINGS!!!
UNCLE ROY'S SPACESHIP “HOW DO WE GET TO EARTH?” is a 5-song EP and the very first instrumental release for Uncle Roy's Spaceship and will be released on September 2, 2019. The music is a progressive, instrumental recipe of several genres of rock music, blending time signatures and tempos, within instrumental rock, progressive rock, fusion, classical rock, space rock, jazz rock and other cosmic sounds, at this moment in space and time. There is a galaxy of musical influences from many light years of playing, that you can hear within the sounds. Sometimes, the soundscapes will be light and breezy and dreamy. And sometimes, the soundscapes will be heavy, thick and creamy. Some tunes may have a bit of both, with a sprinkling or splashing of other musical textures and moods from soft to intense…Uncle Roy says,“Instantaneously, music finds our emotions and at the speed of light, brings them out! Music, stimulates our imagination! Fun, with music! Enjoy!” Included with the physical CD is a beautiful 8-page booklet filled with fun, sci-fi stories and thoughts, pictures and song descriptions written by Uncle Roy.


Uncle Roy & The Band From Another Planet “Save The Universe” & Uncle Roy's Spaceship “How Do We Get To Earth” is ROY LEONARD HERMAN. All music, lyrics and stories are, composed, performed and written by Uncle Roy. Roy Leonard Herman is the creator of original, multi-genre, styles of rock music from alternative rock to progressive rock and more. When asked, Uncle Roy says: “Music is a vehicle to bring the mind, the spirit, the soul and the body together. Music, inspires our greatest emotions to emerge. Music, inspires millions upon millions of people to enjoy a fantastic moment of living, simultaneously. Music, heals the heart and opens it up to life. Music is, magical! Music is, a state of happiness and freedom! I hope to create music for people of different musical tastes. Some will like vocal tunes and some will like instrumentals. Some will like pop music and some will like progressive music. And, I hope to give them all, some of what they love to hear. It inspires me to do different projects to please everyone I can who loves music. There is a third project, different from these two, that is materializing!”


“SAVE THE UNIVERSE”
Uncle Roy says, “For 'Save The Universe' I wanted to create a set of tunes that were not one style of rock or just heavy or just light. I wanted to have some of the musical ingredients, from several rock stylings, within the scope of the music. I wanted the recipe for this project to be more universal, with a mix of rock genres. Therefore, each tune has its own musical and lyrical difference and character from the others. There is soft guitar and screaming guitar. There are dreamy, orchestral keyboards to, thick, and rockin' keyboards. The drums may lightly and tightly groove for a section of a tune and then, be pounding. The bass will be subtle at times and then, sometimes big and fat. Vocally, you will find the voices of the songs going from the mellow and grand to heavy rock to a little, talk-singin' and preachin'. For every letter of the alphabet, there is a musical influence that has manipulated my musical, genetic makeup, over a few light years. The world's music is broad, cultural, always evolving and it is what influences me musically, as well, all the time.”

The song list:
“COSMIC HAPPINESS” is a fun, alternative pop rocker that begins with a spacey, rock intro, as the cosmic, long distance romance story in the lyrics, unfolds. The tune rolls from a classic, bouncy, rock boogie groove, to a cool, hooky and rockin' chorus.
“THE ISLE OF RIFF ON THE WORLD OF TONE” - this alternative rock tune opens with a tight, soaring rock motif that flows into a sweet, thick and grand alternative rock/pop rock verse. The verse slides into a heavy rock bridge that crescendos into a catchy, power pop, alternative rock chorus. The words tell the story of a peaceful, majestic, utopian world, where everyone is welcome.
“A WORLD OF MIRACLES” is a mellow, beautiful, dreamy, ethereal, philosophical, thoughtful song. With a couple of harmonious, chiming guitars, a pulse, and crisp and bright vocals, the song is filled with fairytale lyrics that create visions about some of the enchanted things we all would love in our lives.
“FATHER TIME” mixes an explosive, rock beginning that, ascends into the verses, as the music takes on the magic and vibe of an old, traditional 'pub' sing along song that evolves into an alternative-progressive, power pop rock finale. The lyrics remind us of the power and importance of, time.
“IT DOESN’T REALLY MATTER” is, an alternative rock tune with a world music vibe. The tune begins with an airy and misty music and vocal section. The song builds into a catchy, pop rock bridge that develops into a thumping, driving, preachin', talk-singin' chorus. The words address the whole world issue of racism, prejudice and equality across the Earth.


“HOW DO WE GET TO EARTH?”
WELCOME TO THE STORY AND JOURNEY OF UNCLE ROYS SPACESHIP!!!
“After trying for a few light years of time, to repair the navigational system of my spaceship, due to a small ice particle smashing into the lens of the interstellar space guiding system, at the nose of this ship, I suddenly realized that my course direction had changed, drastically! None of the constellations or orbiting bodies were familiar. Distant solar systems were out of place in the twilight! The galaxy I was orbiting, was not, the Milky Way! I must have drifted into a wormhole while working on the repair. Which didn’t work. I need a few parts. Good thing is, at least, I found a map of our solar system and the Milky Way under my drivers seat. If I get close to home, it could help. 'Let's see. The map says, 'Map of the Solar System,' 1987..What!?  What!? 1987! Oh man! This map is, ancient! Talk about, lost in space! Hopefully, I'll meet someone out here who knows where I am, where I can get some parts and how I can return home…I guess I'll just play some music while I survey my surroundings and give this galaxy a couple of orbits, so I can get comfy in my new neighborhood..Man! Whatever universe this is, it sure is a beautiful, sparkling place! Navigation by the stars! Oh yeah! I need some drivin' music! Hmmm…Some of my Uncle Roy's Spaceship music will do just fine! One thing about outer space is that, no one care's about how loud or how long you play it! Everybody, everywhere, loves Earth music!!!” The adventure, begins…

Uncle Roy says, “I love instrumental music! From soloists to small groups to orchestral instrumentals, through a variety of music, the dynamic sensitivities within instrumental music makes me feel a rollercoaster of sensations and emotions!!! So, I thought that creating a project of some tunes with the ingredients of a few instrumental rock music genres together, would be fun! Instrumental rock, progressive rock, fusion, spacey rock, classical rock and jazz rock are all a part of the music in, 'How Do We Get To Earth?' There are moments of soft, sweetness and moments of roaring and throbbing sounds. There are cruising, floating rhythms that groove and heavier, driving rhythms that rock. The dreamy and bright soundscape moments will make you drift. Each tune has a different mood, feeling, atmosphere and style from the others.”

The song list:
“SPACE NOODLEIN” is a a fun, screamin', six string, jammin' rocker! The intro starts as a fat drum beat that, leads into a progressive, classical rock section. Followed by a whimsical, ascending then descending musical theme, for that, 'noodlein' underbelly feel, as the music breaks open into a heavy, roaring, rock development.
“MOOONBEAMS AND THE COSMIC BANG” begins with a syrupy, melodious and harmonious guitar melody and sounds, shooting in the background, to the soothing rhythms being played. The music moves suddenly, to a heavy, punchy and crunchy, progressive metal rock passage of the composition and into the powerful crescendo.
“THERE IS NOTHING MORE BRIGHT THAN THE STARS AT NIGHT” is a fusion instrumental that begins with an edgy tension creating tone, into a very cool, smooth cruisin' groove, with light textured keys and tasty, sonic guitar, throughout. The tune bounces sweetly, drifting in to get the fusion ensemble rolling. This tune cruises nicely.
“IT'S A BEAUTIFUL DAY IN THE MILKY WAY” is a beautiful and dreamy soundscape. The song is a pretty, flowing, melodic and rhythmic composition that has a wonderful, warm, serene feeling and quality. The composition makes you drift thoughtfully and imagine. Subtle and sweet orchestration, gives the song its appealing ambiance and mood. Softly, singing guitar notes provide sweet textures and voice. The tune leaves one with a good vibe, inside.
“FLIGHT OF THE ANCIENT ALIEN” is an energetic, progressive rock tune. This tune crescendos all the way from start to finish. The music gives you the feeling of flying with this ancient adventurer. The intertwining guitar melodies, harmonies and pulsating rhythm, from the start and throughout create a soundscape perfect for a sci-fi movie adventure.

I hope those in the universe, hear a little something within one or both of the projects, a tune or more, that touches them in a way that makes them happy, thoughtful, adrenalized and ready to rock the cosmos! I hope, all of you, find a tune or more you enjoy, that uplifts your soul to a state of happiness, helping you to fly to your own inner and outer space, where all the boundaries of the universe disappear and music, fills the air!!!
Cheers and peace always,
Uncle Roy


Check out https://www.uncleroysalienmusic.com/ for all things from UNCLE ROY AND THE BAND FROM ANOTHER PLANET & UNCLE ROY'S SPACESHIP…and become a fan at the website and at the Facebook Page at Uncle Roy's Alien Music, http://fb.me/uncleroysalienmusic.

UNCLE ROY AND THE BAND FROM ANOTHER PLANET “SAVE THE UNIVERSE” & UNCLE ROYS SPACESHIP “HOW DO WE GET TO EARTH?” digital albums are available at the website, https://www.uncleroysalienmusic.com/. and as a Pre-Sale order at iTunes. They will be available at most major on line streaming music services and at most major on line music retail stores, as a digital album and single and as a physical CD, starting on the release dates for each album…

Press Inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

8/05/2019

Extreme Metal Band National Wrecking Company Releases Debut Album Featuring Final Recording of Guitar Legend Bernie Torme!


Featuring members of The Lizards, Cactus, Humble Pie & The Plasmatics!

The National Wrecking Company featuring members of  The Lizards, Cactus, Humble Pie & The Plasmatics are releasing their highly anticipated debut album. The new release features one of the final recordings by guitar legend Bernie Torme, best known for his work with the Ian Gillan Band and Ozzy Osbourne, who passed away this year. The song is a bonus preview track from the upcoming National Wrecking Company II release “Overture/Mechanized Confusion.”

A heavy diverse discourse on the current state of politics, war, religion and greed. The view from our vantage point of a global catastrophic claustrophobic dystopia.

We've included this ultra special bonus preview title track of National Wrecking Company II:(Overture/ “Mechanized Confusion”). In dedication to and featuring Bernie’s simply stunningly artful fretwork.

God bless Bernie Tormé, a true gentleman and a monumental talent. 

All songs were written on bass first, then arranged by JZ Barrell. He also produced, recorded, mixed and mastered the album. The band features 2 guitarists; 23 year old shred prodigy Jesse Berlin and  Phil Bader, a 60 something finger stylist in the vein of  Beck and Knopfler. The bass is handled by Randy Pratt, best known for his work with The Lizards and harpist for classic rock legends Cactus! The drummer TC Tolliver is best known for his work with Wendy O Williams & The Plasmatics! Drums are also handled by Neil Cicione. Jimmy Kunes is featured on lead and backing vocals and Scott “The Doctor” Treibitz on keyboards.Together the National Wrecking Company crank out some weird and extreme metal!

For more information and purchase:
genius@optonline.net
Hyperspace Records
P.O. Box 1374,
Manhasset, NY 11030

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

5/22/2019

Fraudprophets Release Debut Album 'Poptosis', Allay Growing Industry Fears Of Jazz Fusion Takeover


The jazz-rock group is joined by Bob Reynolds of Snarky Puppy, guitarist Oz Noy, keyboardist Matt Rohde and Nashville fiddle ninja Jenee Fleanor

Los Angeles, CA - Fraudprophets (www.fraudprophets.com), a collaboration between multi-instrumentalist and composer Sean Halley and A-list drummer Nate Morton (seen weekly on NBC’s ‘The Voice’), are ecstatic to announce the release of their debut album ‘Poptosis’ on June 3, 2019. The new record seamlessly blends elements of jazz, pop, rock, country and 70’s fusion into tunes that feel uniquely natural together, a result of the long-standing bond between Morton and Halley and their decades-long careers on stage and in the studio…and the gin.

“It probably isn’t the best way to go about it, but we randomly started this whole thing one night by drinking cocktails to a click track”, said Morton. “Not having a plan ended up being a real blessing, as the snippets of music that came out of that evening were free-spirited and fun, and they were infused with personality and our love for each other as musical dorks.” Halley continues, “Nate and I love just about every kind of music, so nothing was off limits if it was a style we felt comfortable with. The same was true for the production - I like big-sounding records, so if we needed a ridiculous Beastie Boys-esque organ-and-drums breakdown for a
tune, I’d have to go figure it out.”

“The tones, the tunes and performances are stellar! It’s the best new instrumental music I’ve heard in ages!” session guitar legend Michael Thompson (Babyface, David Foster, Backstreet Boys, Toni Braxton, etc)

“ …the new CD is fantastic and really musical. All of the players are phenomenal - I love the entire disc, but my favorite tune is ‘Skronktastic’”. Drummer Greg Bissionette (David Lee Roth, Toto, Ringo Starr, Santana).

“This album is a total success from start to finish. The sound quality is nothing short of amazing! Check out ‘Poptosis’ and become a believer.” babysue.com May 2019

The band is currently putting together a musical unit to take ‘Poptosis’ to the next level live, and hope to play dates in the US, Japan and Europe in the coming year. The band keeps a presence on social media as time allows, so check out Instagram and Facebook for examples of their unique brand of musicality and good-natured humor.



The album will be available for pre-sale on May 27 and fully released on June 3. Links for the major online retailers will be available at http://www.fraudprophets.com/buy--poptosis-.html
when live.

For more information: www.fraudprophets.com

Press inquiries: Glass Onyon PR, PH: +1 828-350-8158, glassonyonpr@gmail.com

3/25/2019

NYC Rock Legends Binky Philips & The Planets To Release Debut Record After 47 Years!


“The Planets played with a reckless joy that was the heart, soul, and spirit of their founder and creative light, Binky.” -  Paul Stanley, KISS 

NYC – As amazing as it sounds, NYC rock legends Binky Philips & The Planets after 47 years will be releasing their debut album “Established 1972 NYC” on April 26th! David Fricke of Rolling Stone once described  the band as “the best rock & roll band I never saw or heard.”

The history of The Planets:

May 7th, 1972: Binky Philips names his just-formed band The Planets...

December 19th, 1972: The Planets debut opening for The New York Dolls at the Mercer Arts Center...

July 13th, 1973: The Planets share the bill with KISS at the Hotel Diplomat...

May 2nd, 3rd, 4th, 1975: The Planets open for The Ramones at CBGB...

November 16th, 1977: The impending deal with Warner Brothers Records falls apart after six months of negotiations. Thus bestowing on The Planets in the heyday of the CBGB/Max’s Kansas City explosion of talent as… The Only Band That Didn’t Get Signed. In fact, The Planets, to this day, are minor legends for just that reason.

For all these years, Binky has kept The Planets together. Yes, there have been plenty of personnel changes over the decades, but, there has always been a band called The Planets playing somewhere in New York City since December, 1972.

After decades as The Planets, the band has had to change its name to Binky Philips & The Planets. Why? Well, there are over 25 other bands on the internet called The Planets nowadays. Binky's band had to make sure everyone found the REAL Planets when searching for their music.

Nowadays, Binky Philips & The Planets have a residency at the club, Arlene's Grocery, on the Lower East Side. The band has been playing there at least once a month for over three years and counting.

In August, 2017, The Planets started working with producer JZ Barrell on what improbably is their debut album after more than 45 years in the game. The ten tracks on the album are all written by Binky Philips between 2014 and 2017.

Says Binky, “Over many years, I have written about ten albums worth of songs. None of them ever got past the demo stage. Perhaps, rightly so. It's fitting that The Planets' first ever true full-blown-production album, 'Established 1972 NYC', is comprised of the best songs I have ever written. The brand of music we play could be called Unhyphenated Rock. It's straight up. It's hard. It's real. We are not Pop. We are not Metal. We are not Punk. We are not Retro. We are Rock & Roll.”



The Planets are: Binky Philips, guitar… Nolan Roberts, lead vocals… Bobby Siems, drums… Mike Greenberg, bass

Binky also has written a book... “My Life In The Ghost Of Planets: The Story Of A CBGB Almost-Was.” Whoa, wait a minute, just who is this Binky guy? There once was a boy who simply had to make it as a rock star. He learned to play guitar, struggling with the uncooperative beast while everyone else basked in the summer's sun and threw various-sized balls at each other. This boy, Brooklyn Heights' Binky Philips, never relented. At the age of 16, he was ready to Form A Band. By the end of 1972, as the guitarist/songwriter for The Planets, Binky was sharing stages with The New York Dolls, KISS, The Ramones, Television, Blondie, et al. Our boy Bink was embedded in the heart of a pure organic moment of creativity and paradigm change as a regular performer at CBGB and Max's Kansas City. In “My Life In the Ghost of Planets,” Binky Philips recounts those days of raucous fun and furious heartbreak.

Says Binky, “The entire history of The Planets is in my book, 'My Life in the Ghost of Planets.' Besides my own story, the book covers the whole New York Rock Scene from the late 1960s to the late 1980s. It's a really fun read.”

Here's what's been said about The Planets and Binky's new book:

“Binky writes with the same infectious enthusiasm that drew me to him at The High School of Music and Art. We were the outcasts among outcasts. Ultimate fans in search of the ultimate dream; to be one with our heroes and share the glory, girls, and all the accoutrement that was to be reveled in as members of the Rock and Roll hierarchy. The Planets played with a reckless joy that was the heart, soul, and spirit of their founder and creative light, Binky. Almost too much of those qualities to ever stand the chance to survive and thrive. I'm thrilled that, in spite of what may never have quite happened for him, Binky remains a Fanboy at heart and still lights up at every memory tucked away in that file cabinet he calls his head.” -  Paul Stanley, KISS singer/songwriter/guitarist

“Binky Philips and The Planets were one of the star bands of the original CBGB scene. They were already around when early 70's rock transitioned from Glam Rock into the Punk movement. There was a lot more variety at CBGB than people might now be aware of. The Planets were a great example of the virtuoso-led school of music, just one of the ingredients that made a night out at CBGB an eclectic event. Binky’s story gives you a good view of what it was like to be in a band that was part of the inner-workings of the CBGB era.” - Tommy Ramone Erdelyi, Ramones drummer/producer

“The Planets were the best rock & roll band I never saw or heard. I know this because when I got to New York, just in time for the band's demise, everyone I met told me what I'd missed. I also know it because the tale told here, with wit, passion, and contagious hysteria, is the greatest busted-dream story I've ever read. It's so good it should come with a Planets album. If only there was one.” - David Fricke, Senior Editor, Rolling Stone

“Binky Philips writes in power chords; loud, snarling, thrilling blasts of memory that remind us why we love rock 'n' roll.  The story of The Planets is bittersweet, a classic tale of shoulda-beens who got fame and glory snatched from their grasp through bad luck and their own dumb choices.  It's also a revealing - and very funny - history of the New York rock scene from the '60s through the '80s and a testament to the author's command of language and storytelling. Binky may have fallen short in his tilting-at-Townshend-windmills quest for stardom, but there's no finer rock scribe alive today.  Period.” - Michael Simmons, Mojo, LA Weekly, Huffington Post, etc.

“In the astrology of New York bands, The Planets took on the ringing of Saturn, the throaty guitar sound of Mars, the eye-yi-yi of Jupiter's Io... the wild card of the asteroid belt. A grand band and one that deserves their place in history.” - Lenny Kaye, Patti Smith guitarist, writer, CBGB habitue

“I have great respect for Binky's ardor and dedication. The Planets would have been a great English Rock Band. Where they failed was in the area of Quirkiness. They were in the wrong venue (CBG') to capitalize on their considerable talents. That said, this was a fun read, particularly Binky’s pre-CBGB travails.” - Richard Lloyd, Television guitarist, solo artist

“Binky was, and is, the real deal when looking at NYC Underground Rock n Roll history. When The Planets hit the stage at Max's Kansas City in 1977, they delivered all the fire and promise of the mystic streets. They grabbed me by the front of my shirt and threw me into a life of Rock 'n' Roll. I am eternally grateful.” -  Thurston Moore, Sonic Youth and beyond...

To purchase The Planets “Established 1972 NYC”:
https://store.cdbaby.com/cd/binkyphilipsandtheplanets2

To purchase Binky Philips book “My Life In The Ghost Of Planets: The Story Of A CBGB Almost-Was.”:
https://www.amazon.com/s?k=binky+philips&i=digital-text&ref=nb_sb_noss

Both CD & Book are available from iTunes.

To read Binky's book: https://drive.google.com/open?id=1C3iKtbQXMprKE1TemFnS-720y_9J-JPJ

For more information:
https://www.facebook.com/ThePlanets/?epa=SEARCH_BOX
https://www.facebook.com/binky.philips

Press inquiries: Glass Onyon PR, PH: +1 828-350-8158, glassonyonpr@gmail.com

3/15/2019

Singer/Songwriter Steve Rodgers Debut Album "Head Up High" Receives Rave Reviews!


“He's fantastic” - Jimmy Page

The long awaited debut album by Steve Rodgers released in 2017 was well worth that wait! With eleven tracks in total, Steve opens with his first single “I Will Grow” and his second single, the title track from the album, “Head Up High.” As you listen through all the tracks you will find this album is both uplifting and emotive at the same time. Steve Rodgers writes from experience and from the heart so expect a truly personal experience.

“Great singing and songwriting – I'm impressed” - Roger Taylor of Queen



Steve Rodgers, singer songwriter, completed recording his much anticipated first album, released in 2018 and produced by Ken Nelson (Coldplay, Snow Patrol, Paolo Nutini) mixed by Adrian Bushby (Foo Fighters, Muse). His songs reflect his passion for life’s depth, mystery and wonder, recorded with his band of like-minded musicians. Critics compare his music to a mix of Jack Johnson, Paolo Nutini and Cat Stevens.

“Steve Rodgers has a sweet, soulful pop voice... His songwriting is also very pop-oriented with lots of wistful piano and subtle guitar. 'Head Up High' is a solid debut by a talented artist.” - Blues Rock Review

At 14 he began to write his own songs on guitar and piano. He started a band with his friends at 17, Lost Sons of Davros. From the Lost Sons came Boa who created two great albums – their first single “Duvet” was the title track to the Japanese multi award-winning animation series Manga “Lain – Serial Xperiments.” They toured the States, the UK and after much enjoyment, Steve decided to follow his own path.

“Blessed with a powerful, melodic Bluesy voice, Rodgers kept the ever growing crowd transfixed throughout his set!” - Metro Arena, Newcastle 

“Steve Rodgers was exceptional! His acoustic and electric guitar playing is inventive and rhythmic. His songwriting is thoughtful, intriguing and at times simply joyful. His voice is superb – expressive, soulful, powerful, subtle and effortlessly dynamic. His pitch and inflections impeccable…even when weaving in and out of complex cadences…” - Mick Burgess Chronicle Live

Steve has 'guested' at Wembley for Bad Company, Aerosmith's Joe Perry and the Robert Randolph Band. Tours have included support slots for Bad Company in the UK and Japan and his own headline dates in the UK and Canada. Along with Joe Walsh, Steve has also supported The Deborah Bonham Band and Midge Ure on their respective tours in the UK and Europe. In 2014 he supported Bad Company again with Lynyrd Skynyrd for their coast to coast US tour and in September 2015 he joined Stackridge for a three month tour of the UK.

Steve has headlined solo shows in the US and is planning to tour the US and the UK later this year.

Steve is currently completing his second album which is slated for release in 2019! He has also collaborated with his father Paul Rodgers on the song “This Place Called Home.” All proceeds from the single will be donated to Zoe's Place Baby Hospice in Middlesbrough. More Information:




For more information: https://steverodgersmusic.com/

US - PR and Events
SeaSide Music Management
Inside MusiCast
www.seasidemusicmgmt.com
PH: +1 561-350-3867

Press inquiries: Glass Onyon PR, PH: +1 828-350-8158, glassonyonpr@gmail.com

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