Showing posts with label Debut Album. Show all posts
Showing posts with label Debut Album. Show all posts

3/17/2022

FS3 Trio Featuring Austrian Guitarist Joe Doblhofer Releases Debut Album “Cats ‘n’ Strats”

Joe Doblhofer is a Linz/Austrian based guitar player with musical roots in both European Classical and American Blues and Rock music, fused with a deep dedication to Jazz and other related forms of improvisational and interactive music. Working with German Jazz-Metal crossover band Panzerballett since 2010 he has now released his own trio's debut album with his trio FS3 titled “Cats ‘n’ Strats”, a well-balanced mix of composition and improvisation, stylistically drawing from both traditions in Jazz and Blues as well as conceptional approaches found in contemporary classical music.

The idea behind “Cats ‘n’ Strats” was to combine all the aspects of making music that matter the most to Joe into one project. He wanted to make music that would balance composed parts with space for interaction and improvisation, and satisfy his need for both sophistication and savageness.

Says Joe, “‘Cats ‘n’ Strats’ blends together my affection for the possibilities of expression that the electric guitar provides with my love for Blues and Rock as well as my interest for intellectually demanding approaches known from Jazz and Contemporary Classical Music. The tunes are supposed to work equally well live in a trio setting as well as produced tracks on the album.”

Being born into a musical family Joe experienced education in classical music from an early age on taking his first steps into making music with the violin. It was not until the age of 14 when he first discovered the electric guitar as his means of expression, and with it a musical culture diametrically opposed to the one he had been exposed to so far.

While first being fascinated by the rawness and power of guitar based music he later discovered the limitless possibilities of the guitar in terms of creating a distinct musical language by combining its dynamic and expressional abilities with the offerings that an academic approach to music theory and composition were able to contribute. It is this dialectic between savageness and sophistication that has been driving his musical journey ever since, resulting in his long time engagement with German Jazz-Metal act Panzerballett as well as his own trio project FS3. As a sideman he has worked with Ian Paice (Deep Purple), Randy Brecker, Mathias “IA” Eklundh (Freak Kitchen), Trilok Gurtu and others.

Says Joe, “The music to this album was written over the course of several years. After being exposed to a lot of different approaches to composition during my studies of Jazz at the university and as a sideman for projects ranging from Jazz/Metal Crossover to classical Orchestra I had to figure out what in particular would work for the music I had in mind.  The basic tracks were recorded live at a studio to get some musical interaction going. After that a lot of time went into developing parts around the original recordings as I love enhancing a track by creating little arranged details around obvious interactive parts. I want listeners to be aware though that this is a band record with real people interacting and taking musical risks. The music is supposed to be played live which was the reason to make the record in the first place.”

FS3 is:
Florian Kasper - Drums
Gerald Kiesewetter - Bass
Joe Doblhofer – Guitars

The basic tracks were recorded Feb. 14th - 16th, 2020 at Anton Bruckner Privatuniversität Linz. Additional recordings March till May, November 2020.

Produced by FS3, engineered by Matthias Kronsteiner, mixed by Tobi Wöhrer, mastering by  Michael Haider @AlphaMastering & Alphakustik.

Cover Design by Edith Gappmaier. Pics by Reinhard Winkler.

All Tracks composed by Joe Doblhofer

Videos:
Album Teaser: https://www.youtube.com/watch?v=TX1H3u79DdY
Soldersniffer Blues: https://www.youtube.com/watch?v=tTcP4EIz94s

Track list:
1 - Necessary Evil 08:18
2 - Hustle & Slo 07:09
3 - Soldersniffer Blues 07:02
4 - Loony & Blue 07:03
5 - (Ballad Of The) Blue Genes 09:51
6 - Tech Republic 05:06
7 - Black Sheep Waltz 06:08
8 - LN (feat. Jan Zehrfeld) 07:56
9 - Lost In The Shuffle 07:24
10 - Ragdoll Boogie 05:14

To purchase:
Released on Cats ‘n’ Strats Records, the album is available from www.joedoblhofer.com/shop as CD, 180g Vinyl and Download, as well as on all major streaming and download platforms.
Spotify: https://open.spotify.com/album/1FNn9bMoauafkI9Wcq87vE
Apple Music: https://geo.music.apple.com/at/album/_/1601175392?
Amazon Music: https://music.amazon.com/albums/B09NRYSZMS
Tidal: https://listen.tidal.com/album/209652886
Deezer: https://www.deezer.com/album/281274491

For more information:
Web: www.joedoblhofer.com
Joe's artist page on FB: www.facebook.com/joedoblhoferofficial
FS3 on FB: www.facebook.com/FSThreee
Joe on Instagram: www.instagram.com/joedoblhofer/
FS3 on Instagram: www.instagram.com/fs3_official/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

2/11/2022

Guitarist/Composer Alex Anthony Faide To Release Long Awaited Solo Album “Particles of the Infinite” Featuring King Crimson’s Pat Mastelotto On 7d Media March 18, 2022

AAF plays my guitar parts better than I do.”  - Robert Fripp

Originally from Buenos Aires, Argentina, Guitarist/Composer Alex Anthony Faide has a decades-long international reputation for being the secret weapon in rock recordings, arrangements, and stage productions in Europe and Latin America. Now based in Seattle, WA, Faide will release his long-awaited solo record – “Particles of the Infinite” – a display of guitar pyrotechnics in nine parts, in March 2022 on Trey Gunn’s label 7d Media. Inspired by and developed from concepts found in songs such as King Crimson’s “Fracture” and “Lark’s Tongues in Aspic,” Faide takes the work beyond the stratosphere into the mirror dimension to find something completely his own. In the words of his mentor Robert Fripp, “AAF plays my guitar parts better than I do.”  

Faide spent 2017-19 touring, songwriting, and arranging, with Mexican hard rock heroes Molotov on their MTV Unplugged Show “El Desconecte” and as a sideman for Molotov front man Tito Fuentes’ acclaimed solo record “El Ocaso.” He is currently working on a new project with legendary German producer/songwriter Uwe Fahrenkrog-Petersen, founder and main composer for the band Nena.  

Faide is the co-founder of cherished 3rd wave surf rock band, Los Twang! Marvels, in addition to Los Gauchos Alemanes/Electric Gauchos. He has also worked with artists including Markus Reuter, Namgar, Willie Campins, Crystal Beth, TROOT, Kathy Moore, Tiny Orchestral Moments, Los Primitivos, and Lutz Petersen, among countless others.

Says Alex, “It is difficult to determine the true origin of this work, though it stands undeniably as a tribute to my guitar instructor, life mentor, and friend, Robert Fripp. Ideas and compositions started taking shape in April 2016 in response to a challenge set forth by long-time collaborator and life brother Steve Ball (League of Crafty Guitarists, Electric Gauchos, Prometheus) to come up with my own version of King Crimson’s ‘Fracture’ and ‘Lark’s Tongues in Aspic.’ Mr. Fripp’s writing and guitar work in these monumental pieces strike me as expertly unique blends of influences in contemporary electric guitar repertoire, which inspired me to dive deeply into my own voice and personal practice to accept the challenge issued.

“What sparked my interest the most was the notion of a fierce, heavy rock attitude and sound, executed with pristine precision in a contemporary classical music tradition on an electrified instrument. I am mesmerized by the section of “Fracture” known as “Perpetuum Mobile” and with the guitarist’s capacity to execute intricate parts in an effortless fashion with a triangular plectrum. The challenge to evoke such intricacy seems to me both impossibly fragile and risky.

“Once the embryonic emergence of ‘Particles of the Infinite Parts I through III’ began to take shape, it became clear this was going to be a full-length record and require a full nine parts to complete the body of work I set out to explore. ‘Particles of the Infinite’ sums up 30 years of personal development and research on the guitar, derived and gleaned from direct guitar instruction as part of Guitar Craft, and the live practice of experiencing life as an international touring musician in myriad genres and settings. I traveled almost monthly between Argentina, Mexico, and the US from 2017-2019, developing this work between shows and collaborations, in hotel rooms and airbnb’s, with recordings intermittently in Seattle when the moment allowed.”

The 9 frameworks that make up “Particles of the Infinite” are presented in triptych (Pt. I-III / Pt. IV-VI / Pt. VII – IX) each containing particular techniques (alternate and cross-picking, stamina, release and flow for the left hand, exploration of diminished /symmetric scale relationships, rhythmic displacement & vector harmonization) - and interpretations of various themes, motifs and passages. There are many convergences imprinted in the music, playing style and overall tone.

Says Alex, “Obviously part of the material stands as a tribute to Fripp, however I am always pushing towards my own musical horizon and following the demands of the Muse. I hear it as ‘gold panning’ in musical form. One could arguably call this record “just a fancy collection of chops”…and I would happily agree with that. But I regard these techniques and interpretations as a cross-pollinating and ever-evolving body of work that points to a larger idea in the ever-expanding continuum of the electric guitar. Above all, these techniques are simply a means to an end, the end being the ability to let music speak freely and continually in real time.

“It’s interesting to experience the evolving arc throughout the whole record start to finish, personally it represents a sort of a surprising navigation chart helping me (and hopefully the listener as well) to find a center of gravity amidst the storm. May the Higher Powers grant Us the Patience to endure and the Strength to persevere. As they say: Ad Astra per Aspera.”

photo by Karen Moskowitz

Particles of the Infinite” Track list:
Pt. I (04:06)
Pt. II (04:31)
Pt. III (05:50)
Pt. IV (04:37)
Pt. V (11:05)
Pt. VI (03:18)
Pt. VII (03:38)
Pt. VIII (06:28)
Pt. IX (06:11)

All tracks composed and performed by Alex Anthony Faide on electric guitar and bass.

Guest drummers:
Matt Chamberlain (Pt. I & VI)
Pat Mastelotto (Pt. II)
Alessandro Inolti (Pt.III, IV, V, VII & VIII)

Recorded at SoundVision Studios (Seattle)
Mixed by Jonathan Plum / London Bridge Studios (Seattle)
Mastered by Brian Lucey / Magic Garden Mastering (LA)

Release Date March 18, 2022

To purchase: https://alexanthonyfaide.bandcamp.com/album/particles-of-the-infinite

For more information:
Official website: www.alexanthonyfaide.com
Facebook: https://www.facebook.com/alex.a.faide
Instagram: https://www.instagram.com/instrofreak/
YouTube: https://www.youtube.com/c/AlexAnthonyFaide

7DMedia: www.7dmedia.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

1/18/2022

Prog Ensemble Vast Conduit To Release Debut Album “Always Be There” February 16, 2022

Prog ensemble Vast Conduit featuring keyboardist/vocalist Bill Jenkins, best known for his work with Enchant and Thought Chamber, will be releasing their debut album “Always Be There” on February 16, 2022.

This album is dedicated to the notion of doing whatever we can to build and cherish all parent/child relationships, regardless of circumstance. There are so many different ways these can suffer – death, divorce, illness, self-centeredness, etc. – yet they are so vital to our happiness and well-being. Every moment we have to support each other and make each other's lives better is precious.

Says Bill, “The songs ‘Always Be There’ and also ‘Early Eclipse’ convey the main message of the album. The release date is the 40th anniversary of my father’s passing, which set in motion a path through life and philosophy described by the songs on the album. I had the basic song ideas in place for almost all of these songs sitting around for years and it was simply time to finally make it all happen.”

The Fates conspired and a fortuitous set of circumstances created a vast conduit, galvanizing what might have otherwise been a run-of-the-mill progressive rock project with an abundance of musical talent and prowess. Keyboardist Bill Jenkins (Enchant, Thought Chamber), musing over some material near to heart, enlisted the talents of these amazing musicians to bring that material to light: Adding everything from scorching leads to subtle emoting is virtuosic guitarist Michael Harris (Arch Rival, Thought Chamber, Darkology, Michael Harris Tranz-Fusion). Laying the foundation with solid grooves and making odd time signatures seem effortless and feel natural is drummer Will Jenkins (Ghost and the City, Great Wall). The venerable Jeff Plant solidifies that foundation with electric and fretless bass (also from Thought Chamber and whose pedigree otherwise is too long to list here and whose amazing bass playing simply speaks for itself). Adding just the right amount of smoke and fire off his rosined bow is violinist Jim Hurley (who has performed with the likes of Ritchie Blackmore, Trans Siberian Orchestra, Ancient Future, and Queen Ida’s Grammy-winning Bon Temps Zydeco Band, among many others). Rounding out the list are the satiny vocals of Friel (a truly rare gem of vocal talent to have somehow, somewhere, out of the blue, been found for this project).

With the players in place, a cross-country recording project began, finishing with Vast Conduit’s initial studio album release “Always Be There” - a centrally themed album that explores several musical genres. Although progressive rock in nature, when pressed for a singular genre, Michael jokingly suggested “smooth prog.” After the requisite laughter, the recognition of how apropos of a description it was settled in, and laughter shifted to nods of approval as it was fully embraced by the band.

The album started as just an EP project, and recording of 3 of the songs with demo vocals started several years ago. Then covid happened and opened up the opportunity and availability to expand it to a full album.

Along with the core ensemble, the album features some guest artists. Having known the California Guitar Trio guys for some time, and loving their sound, Bill had always hoped to get them involved in a song. Bert Lams agreed to add his acoustic guitar to “Early Eclipse,” and helped in adjusting the arrangement to work even better with the addition of his parts.

Bill’s brother Tom Abraira plays the lead on trumpet on the track “Philly Etymology.” There were two spots for a female voice on this album. Says Bill, “I heard Manon’s singing in High Hopes Acapella, and invited her to sing the female part in ‘Barrier.’ Having worked with Betsy Walter previously, I already had an earlier demo of ‘Early Eclipse’ with her voice in it and used her part from under the solo in that song and it fit perfectly.”

Finally, there was an old recording of the instrumental idea that became “Wesley Save Us” that had Jessica Jenkins’ voice when they were a toddler. “With Jess’s voice being my association with that song for so many years, and given the theme of the album, working a few of those samples in just had to happen.”

Work has already begun on writing for the next album. After the release, the band will look into opportunities for live performances. In closing Bill has this to say, “If our listeners enjoy the music even half as much as we enjoyed creating it, that would be amazing!”

Watch the trailer for Vast Conduit’s “Always Be There”: 

Track List:
1. Barrier 6:22 B. Jenkins, S. Spring (with lyrics)
2. Soul Tuck 5:10 B. Jenkins (instrumental)
3. Always Be There 5:49 B. Jenkins (with lyrics)
4. Endless Days 6:40 B. Jenkins, D. Ott (with lyrics)
5. Too Busy 5:45 B. Jenkins (instrumental)
6. Odessa 5:56 B. Jenkins (with lyrics)
7. 500 Miles 4:44 B. Jenkins, B. Walter (with lyrics)
8. Philly Etymology 5:39 B. Jenkins (instrumental)
9. Early Eclipse 6:59 B. Jenkins (with lyrics)
10. Of A Feather 5:01 B. Jenkins (instrumental)
11. Wesley Save Us 4:31 B. Jenkins (with lyrics)

Band Members:
Friel: Vocals
Bill Jenkins: Keys, backing vocals
Will Jenkins: Drums
Michael Harris: Guitars
Jeff Plant: Bass
Jim Hurley: Violin

Guest Artists:
Tom Abraira - Trumpet on “Philly Etymology”
Bert Lams - Acoustic Guitar on “Early Eclipse”
Manon Roem -Vocals on “Barrier”  
Betsy Walter - Vocals on “Early Eclipse”
Recorded at: The Zircon Cube, The Beige Area, and Psycho Sound East Mixed by: Bill Jenkins and Will Jenkins
Produced by: Bill Jenkins and Will Jenkins
Mastered by: Michael Romanowski at Coast Mastering, Berkeley CA
Artwork by: Jessica Jenkins

To purchase:
https://vastconduit.bandcamp.com/releases
https://www.vastconduit.com

For more information:
www.vastconduit.com
www.facebook.com/VastConduit/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

1/13/2022

Talk Talk, Pink Floyd, Dire Straits, Blur Veterans Unite on Debut Album By Held By Trees Titled ‘Solace’

Held By Trees is a new instrumental project featuring some of the most respected musicians in the British rock fraternity. Sitting between post-rock and prog, the outfit led by David Joseph announces their debut album, ‘Solace’, which will be released in April 2022.

Boasting seven veterans of the seminal latter Talk Talk and Mark Hollis solo albums, other contributors include Tim Renwick (Guitar - Pink Floyd, David Bowie, Eric Clapton), Mike Smith (Sax - Blur, Damon Albarn, Gorillaz), David Knopfler (Guitar - Dire Straits founding member), Gary Alesbrook (Trumpet - Noel Gallagher, Kasabian, Super Furry Animals) as well as parts from blues/roots legend, Eric Bibb, Dutch rising-star, Just, and ambient composer, Unknown Replica.

After establishing themselves with pop hits such as ‘It’s My Life’ and ‘Life’s What You Make It’, Talk Talk, led by Mark Hollis and producer, Tim Friese-Greene, broke new musical ground, defining what would later be termed as ‘post-rock’ with their seminal album, ‘Spirit of Eden’ (1988). Three years later they returned with ‘Laughing Stock’. Part of that creative process was to invite musicians they respected in to improvise on their arrangements. Guitarist Robbie McIntosh (Paul McCartney, The Pretenders, John Mayer), drummer/percussionist Martin Ditcham (Chris Rea, The Waterboys, Nik Kershaw), bassist Simon Edwards (Michael Jackson, Billy Bragg, Fairground Attraction) all took part in those sessions, and have now contributed to ’Solace’. A solo record from Mark Hollis followed in 1998 which featured pianist Lawrence Pendrous, and flautist/Clarinettist Andy Panayi, both of whom have also now played for Held By Trees. Engineering all of these albums, as well as classics like John Martyn’s 'One World’, is Phill Brown, with Denis Blackham mastering them. Phill and Denis have kindly come out of retirement to mix and master this debut album from Held By Trees.

‘Solace’ was made using a similar approach to ‘Spirit of Eden’ and ‘Laughing Stock’, with David Joseph inviting musicians to improvise over his rhythm patterns and chord progressions. Blending in his own spontaneous compositions and field recordings made in Dorset, Wiltshire and Somerset, the result is a unique album that carries the DNA of the seminal Talk Talk records, and yet stands in its own identity.

‘Solace’ is a work that revels in the natural world. At once both melancholic and hopeful, the album is purposefully full of space, tension and release, and music that demands patient listening. The project celebrates nature, not just through the music and artwork (including a motif from Talk Talk’s artistic partner, James Marsh), but by partnering with Play It Green, a real tree is planted for each album sold. Held By Trees thereby removes more carbon from the atmosphere than it produces.

All told, Held By Trees begins its career with an impressive first album project with unique claims and a tantalizing cast of contributors.

‘Solace’ is released on 22nd April 2022 on Tweed Jacket Music through Nova/Plastic Head Distribution

Pre-order: https://mellotone.net/products/held-by-trees-pre-order

Social Media links:
https://www.facebook.com/heldbytrees
https://www.instagram.com/heldbytrees/
https://twitter.com/heldbytrees

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

11/17/2021

Classic Jump Blues and Swing Group Virginia and The Slims Release Debut Full-Length Album “Busman’s Holiday"

Popular North Carolina jump blues and swing group Virginia and The Slims have released their debut full-length album “Busman’s Holiday”! The CD features 10 original songs, seven of which were composed by founding member James Kamp. As described by Mountain Xpress’s Bill Kopp, “The results balance modern musical sensibilities with the retro quality of classic jump blues and swing.”

Says the band, “The CD seeks to bridge and capture the nostalgic vintage of jump blues with new song material. We even insisted on using a vintage photo for the cover art.”

Virginia and The Slims started in the Summer of 2013 with Virginia DeMoss on vocals, Perry Lavin on drums, James Kamp on tenor sax, Harry Schaefer on bass, Ginger Drake on alto sax and Sean Anderson, on guitar. Virginia’s husband came up with the name and the band loved it.

The idea was to play blues but to play songs people would respond to, especially swing or jump blues as no one else locally was focusing on that. Eventually Virginia left to start a family, Ginger left for Nashville, and Perry and Harry left to pursue their first love, Indian classical music. James and Sean reorganized with Sid Heilbraun, a rock solid bassist, and Brian Gant, a Nashville pro on drums. Rebecca O’Quinn came on board as the new singer. After about a year she left, and the band met their current vocalist, Joanna Best. Joanna can bring across old time blues like no one’s business and has a great disposition. Then Virginia and The Slims added a long term friend and killer harmonica player, Bill Mattocks as well as saxophonist Vinny Corda and Marco Noto on drums. Howie Neal joined on Guitar, John Davis on Bass, John Barrett on drums for the recording of the CD.

A highlight of ‘Busman’s Holiday’ is the Kamp composition ‘Let it Go.’ With a saucy melody and a familiar blues structure, the song showcases the straightforward simplicity of Virginia and the Slims’ current configuration. The tune has been in the band’s repertoire since at least 2016, but the new recording takes the song at a faster tempo and showcases newest member Neal’s lead guitar skills.” – Bill Kopp, Mountain Xpress

In support of the release of “Busman’s Holiday” album, Virginia and The Slims have taken a mini tour across NC with backup guitar by Charlie “Mojo” Rapp and Charles Singletary on bass. Currently Charlie plays bass and Charles plays keys. The band’s calendar stays relatively busy with local venues. Plans to travel more and play festivals are currently in the works.

In closing the band has this to impart, “We will keep playing so folks can dance and enjoy blues-based music that is upbeat.”

To purchase:
https://www.amazon.com/gp/product/B08MLC42G1/ref=ewc_pr_img_1?smid=A1WJYDZUFBWVU2&psc=1
https://open.spotify.com/album/2XnLUwzbyuNJj4UeYSCSP0
https://jaxsta.com/release/1ce1aded-efbf-5a28-b364-d2b623f90fb8/d73627b4-8adf-57f0-be30-14de4885d295/overview
https://virginiaandtheslims.hearnow.com/busman-s-holiday
https://www.pandora.com/artist/virginia-and-the-slims/busmans-holiday/ALZKVnZp2fgtXlK
https://music.apple.com/sa/artist/virginia-and-the-slims/1540282301

For more information:
www.virginiaandtheslims.net
www.facebook.com/virginiaandtheslims

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

10/04/2021

Italian Prog Ensemble Ambigram To Release Eponymous Debut Album Inspired By Greg Lake on October 22, 2021

Featuring A Track Co-produced by ELP Legend Greg Lake

“Ambigram” an English term coined in 1986 by Douglas Hofstadter: “Calligraphic design that has two or more clear and distinct interpretations. The two readings are usually generated through the change of point of view that can be obtained through rotations and symmetries or other expedients.” (Wikipedia)

Never was a more appropriate definition to introduce to the world the release of their eponymous debut album. Ambigram, is a new super - band composed by Italian leading musicians who have very deep roots in progressive and underground music. Among them also appears, in the production phase, the giant of prog Greg Lake (Wherever he is now, for the help given in developing this project over the years). Embedded in the meaning of the name itself, Ambigram is also a record that lends itself to be read and enjoyed with different narratives and fruition levels; it is a complex but enjoyable album that is a pleasure to listen to and, above all, decidedly engaging at each subsequent listening ....

The definition, which lead vocalist Francesco Rapaccioli most loves to use to describe their music, is ‘pro aggressive’ rock ... do not be fooled by the pun: The basis on which their sound is nourished is a solid rock with haunting melodies inspired by the classic British school, with classy arrangements. Francesco’s lead vocals are supported by the “rhythm machine”, expertly conducted by Gigi Cavalli Cocchi (drums) who marks the times with power and elegance; Beppe Lombardo’s guitars, accompanied by Max Marchini’s bass, have the ability to make each piece unique. Throughout the work we perceive a very accurate research and study of detail, thank also to the precious cameos of brilliant guests who collaborated on the project: Area’s legendary guitarist Paolo Tofani (guitar solos on track 6-7), the super vocalist Paola Folli (vocals on track 4), Camillo Mozzoni, La Scala Orchestra’s former 1st Oboe (oboe on tracks 2,7), keyboard’s wizard Max Repetti and, last but not least, Marco Rancati and Avant/Prog rising Star Annie Barbazza on background vocals.

The voice of Francesco Rapaccioli brings the emotional side to a new level where lyrics span from suburban crimes to mythological journeys with a deep bound to the Sea exploring its haunting meanings from Odysseus lost in the Aegean Isles to Argonauts search symbolism.

Beware you don’t get lost at sea, too.
We are really cracked on Ambigram...

CREDITS

1. A Mediterranean Tale
2. Cerberus Reise
3. Pig Tree
4. Sailing Home
5. Imaginary Daughter
6. L’Absinthe
7. Patchwork
8. Pearls Before Swine
9. Cerberus Reise (Radio Edit)

Produced By Ambigram except “A Mediterranean Tale” co-produced by Greg Lake.

Personnel:
Francesco Rapaccioli - lead and background vocals
Beppe Lombardo - guitars
Gigi Cavalli Cocchi - drums and percussion
Max Marchini - bass guitar
with
Annie Barbazza (vocals); Max Repetti (piano, keyboards), Marco Rancati (bkg. vocals)
special guests:
Paola Folli (vocals on 4)
Camillo Mozzoni (oboe on 2,7)
Paolo Tofani (guitar solo in 6,7)

Recorded by Alberto Callegari @ Elfo Studios
Mixed by Alberto Callegari and Francesco Rapaccioli @ Elfo Studios
Mastered by Tommy Bianchi @ White Sound Mastering
All songs by Barbazza/Cavalli Cocchi/Lombardo/Marchini
published by Poggeidon Edizioni Musicali
photography: Franz Soprani

Special thanks to Greg Lake, wherever he is now, for the support and help in developing this project over the years. We deeply feel to dedicate this music to his memory.

Also Thanks to Bunker 54 Recording Studio and Max Cavalli Cocchi

Ambigram’s Historical Facts

The band was born early this millenium, when Beppe Lombardo got back from Finland to his hometown of Piacenza where he teamed up again with old mate Max Marchini. The two spent many sofa evenings sharing guitars and getting the basis to this project. Then the band underwent many changes of personnel trying to accomplish and perform what is now Ambigram. Deeply convinced that Progressive is more an attitude to the music than a genre, many friends joined and left: too bluesy, too jazzy, too rock, too pop… They don’t want to be nostalgic although 60s and 70s music is alive and well in their hearts. They needed a dramatic improvement from their collaborators in both musical skill and creative imagery.

Then famous drummer Gigi Cavalli Cocchi said yes to Max after inviting him and the band immediately changed. Old school days mate Francesco Rapaccioli, 360° musician, producer and talented vocalist, then turned professional, also accepted (after former vocalist Marco Rancati quit): the right recipe was eventually found and, as Greg Lake pointed, the good fairy appeared.

All the songs were re-arranged and produced as a collective effort with Greg Lake in person helping on the first track. The 4 Ambigram opened the door to some friends whose collaboration spiced the menu bringing it on an even higher level: from the impressive vocal talent of Paola Folli to Greg Lake’s discovered singer Annie Barbazza, who also took part in compositions. From the cubist visionary guitar solos of Area’s Paolo Tofani to keyboard wizard Max Repetti and La Scala Orchestra former 1st oboe Camillo Mozzoni.

This is Ambigram and you’ll hear about them pretty soon and loud.

To purchase:
http://store.maracash.com/product_info.php?products_id=594&osCsid=em0l6p8h3tjfb6ntnoco304aqp
https://maracashrecords.bandcamp.com/album/ambigram

For more information: https://www.facebook.com/ambigramband

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/27/2021

Talk Talk, Pink Floyd, Dire Straits Veterans Unite on New Instrumental Project, Held By Trees - New Single “Mysterium” Released November 12, 2021

Featuring blues legend Eric Bibb, Robbie McIntosh (Talk Talk, Paul McCartney, John Mayer, The Pretenders), Martin Ditcham (Talk Talk, Chris Rea, The Waterboys), David Knopfler (Dire Straits), Laurence Pendrous (Mark Hollis, Anja Garbarek), Gary Alesbrook (Noel Gallagher, Kasabian, Super Furry Animals), Mike Smith (Blur)

New instrumental project, Held By Trees, will release their next single, “Mysterium” on 12th November, 2021. The record features an astounding cast of world-class musicians, including…

Eric Bibb (Guitar)
Robbie McIntosh (Guitar – Talk Talk, Paul McCartney, John Mayer, The Pretenders)
Martin Ditcham (Drums and Percussion – Talk Talk, Chris Rea, The Waterboys)
David Knopfler (Guitar – Dire Straits)
Laurence Pendrous (Piano – Mark Hollis, Anja Garbarek)
Gary Alesbrook (Trumpet – Noel Gallagher, Kasabian, Super Furry Animals)
Mike Smith (Keyboards – Blur)

Drawing together elements of post-rock and progressive rock, Held By Trees are also announcing their debut, self-titled album, due in Spring 2022. The full-length LP features more stellar musicians, such as Tim Renwick (Guitar – Pink Floyd, David Bowie, Eric Clapton), and Mike Smith (Keyboard and Sax – Blur, Gorillaz, Damon Albarn).

Described by project leader, composer/producer and multi-instrumentalist, David Joseph, as “somewhere between latter Talk Talk and Gilmour-era Pink Floyd”, Held By Trees has the unique claim of bringing together a total of seven Talk Talk/Mark Hollis veterans. These include engineers Phill Brown and Denis Blackham, bassist Simon Edwards, and flute/clarinet master, Andreas Panayi (as well as those mentioned above).

This project is a sleeve-note reader’s fantasy!

“Mysterium” evokes a vivid night-time pastoral atmosphere with ambient field recordings and undulating drones while a gentle rhythm guides delicate chord changes, graced with Robbie McIntosh’s melodic and emotional lead guitar. The piece spaciously breaks open into a swelling, aching crescendo before dying back away into silence.

Release Date: 12th November 2021
Label: Tweed Jacket Music
Distributor: Nova

To purchase: https://orcd.co/heldbytreesmysterium

Listen to the song here: https://promo.theorchard.com/FcifapTwxhYOL5iQ15Xg

For more information:
https://heldbytrees.com/
https://facebook.com/heldbytrees
https://www.instagram.com/heldbytrees/
https://twitter.com/heldbytrees
https://youtube.com/channel/UCMtTEAoLjKS79ZEeuzzzNkQ

Coming Spring 2022: Held By Trees, the album!

Listen to Held By Trees: https://songwhip.com/heldbytrees

Pre-order the album here: https://heldbytrees.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

7/30/2021

Prog Ensemble The Far Cry Releases Debut Album “If Only”


Prog ensemble The Far Cry has released their debut album “If Only.” Though not intended in any way to be a “concept” album, “If Only” very much exhibits a connecting common thread of human emotion and perspective meeting real human conditions.

Apparently, some people just won’t give up on long held goals and aspirations. Jeff Brewer and Robert Hutchinson, co-conspirators behind the inception of what was to become The Far Cry, can vividly recall the musical awakening that occurred in their younger days when The Beatles landed and with all that followed. Soon thereafter, they each were even more deeply moved by the emergence of the Progressive Rock bands of the early 70’s, most notably King Crimson, Yes, Emerson, Lake & Palmer, Genesis and Gentle Giant.

Jeff and Hutch first crossed paths around 1976 with the formation of a short-lived rock covers band. Common ground occurred later, though not simultaneously, when both were members of Connecticut prog-rock band Holding Pattern, Hutch as co-founder from 1980-83 and, after Hutch left the band, Jeff joined as lead vocalist & percussionist from 1984 to 1993 when the band ceased operations.

Fast forward to 2013 when Hutch purchased a speaker cabinet Jeff had for sale. In the attendant dialogue, the pursuit of the likely impossible was quickly broached and a decision was made to chase the dream just one more time. Thus the seeds for The Far Cry were sown.

Unfortunately, due to the ambitious and stylistic nature of the music they were pursuing, connecting with suitable personnel to complete the band lineup was met with recurring difficulty and disappointment.

Eventually, the duo decided to enter the recording studio to get the material up and running. Guitarist Bryan Collin had already been in contact, having answered a Craigslist ad, and was amenable to playing on the recordings. As he did so, he became intrigued and more strongly connected to the music and the band concept. Certainly his stellar contributions and playing on the “If Only” CD demonstrate that. Bryan Collin was now The Far Cry guitarist.

Still, a highly competent keyboardist was required. Studio owner and master engineer John Bolduc was asked if he knew of any keyboard man who could properly interpret and perform the music he was hearing.

John responded instantaneously: Chris Dabbo. No time was wasted in contacting him. At first, Chris came on as a session man but very quickly demonstrated his impressive skill set as well as a connection to and understanding of the music. All involved were highly enthused and Chris was drafted in as keyboardist for The Far Cry.

Hence, the “If Only” CD is a result of a step by step evolution by what has now become a fully formed membership. Robert Hutchinson, Jeff Brewer, Bryan Collin and Chris Dabbo are the artists that comprise The Far Cry. The future awaits

Says the band, “Our fondest wish and recommendation is that this music should be listened to from beginning to end uninterrupted through a great set of headphones.”

The Far Cry is now formulating plans for the creation of videos to support the music from the CD. Certainly, live performance will be part of the near future and into 2022. Also, work on the next CD to follow “If Only” will begin within the next couple of months.

The Far Cry:
Chris Dabbo: piano. keyboards, vocals
Robert Hutchinson: drums, percussion, bells, spoken word
Jeff Brewer: lead vocals, bass, bass synth, bass pedals, guitar.
Bryan Collin: lead guitar, Electric and acoustic guitars.

To purchase The Far Cry “If Only.”:
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=itunes
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=apple+music
https://open.spotify.com/album/1Lm9OsAksc7miRffkvEpe2
https://www.amazon.com/gp/product/B098JRGWF4
To purchase physical CD from outside the USA.
https://www.lasercd.com/

For more information:
www.thefarcrygroup.com
www.facebook.com/thefarcry

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Prog Ensemble The Far Cry To Releases Debut Album “If Only”


Prog ensemble The Far Cry has released their debut album “If Only.” Though not intended in any way to be a “concept” album, “If Only” very much exhibits a connecting common thread of human emotion and perspective meeting real human conditions.

Apparently, some people just won’t give up on long held goals and aspirations. Jeff Brewer and Robert Hutchinson, co-conspirators behind the inception of what was to become The Far Cry, can vividly recall the musical awakening that occurred in their younger days when The Beatles landed and with all that followed. Soon thereafter, they each were even more deeply moved by the emergence of the Progressive Rock bands of the early 70’s, most notably King Crimson, Yes, Emerson, Lake & Palmer, Genesis and Gentle Giant.

Jeff and Hutch first crossed paths around 1976 with the formation of a short-lived rock covers band. Common ground occurred later, though not simultaneously, when both were members of Connecticut prog-rock band Holding Pattern, Hutch as co-founder from 1980-83 and, after Hutch left the band, Jeff joined as lead vocalist & percussionist from 1984 to 1993 when the band ceased operations.

Fast forward to 2013 when Hutch purchased a speaker cabinet Jeff had for sale. In the attendant dialogue, the pursuit of the likely impossible was quickly broached and a decision was made to chase the dream just one more time. Thus the seeds for The Far Cry were sown.

Unfortunately, due to the ambitious and stylistic nature of the music they were pursuing, connecting with suitable personnel to complete the band lineup was met with recurring difficulty and disappointment.

Eventually, the duo decided to enter the recording studio to get the material up and running. Guitarist Bryan Collin had already been in contact, having answered a Craigslist ad, and was amenable to playing on the recordings. As he did so, he became intrigued and more strongly connected to the music and the band concept. Certainly his stellar contributions and playing on the “If Only” CD demonstrate that. Bryan Collin was now The Far Cry guitarist.

Still, a highly competent keyboardist was required. Studio owner and master engineer John Bolduc was asked if he knew of any keyboard man who could properly interpret and perform the music he was hearing.

John responded instantaneously: Chris Dabbo. No time was wasted in contacting him. At first, Chris came on as a session man but very quickly demonstrated his impressive skill set as well as a connection to and understanding of the music. All involved were highly enthused and Chris was drafted in as keyboardist for The Far Cry.

Hence, the “If Only” CD is a result of a step by step evolution by what has now become a fully formed membership. Robert Hutchinson, Jeff Brewer, Bryan Collin and Chris Dabbo are the artists that comprise The Far Cry. The future awaits

Says the band, “Our fondest wish and recommendation is that this music should be listened to from beginning to end uninterrupted through a great set of headphones.”

The Far Cry is now formulating plans for the creation of videos to support the music from the CD. Certainly, live performance will be part of the near future and into 2022. Also, work on the next CD to follow “If Only” will begin within the next couple of months.

The Far Cry:
Chris Dabbo: piano. keyboards, vocals
Robert Hutchinson: drums, percussion, bells, spoken word
Jeff Brewer: lead vocals, bass, bass synth, bass pedals, guitar.
Bryan Collin: lead guitar, Electric and acoustic guitars.

To purchase The Far Cry “If Only.”:
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=itunes
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=apple+music
https://open.spotify.com/album/1Lm9OsAksc7miRffkvEpe2
https://www.amazon.com/gp/product/B098JRGWF4
To purchase physical CD from outside the USA.
https://www.lasercd.com/

For more information:
www.thefarcrygroup.com
www.facebook.com/thefarcry

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

7/15/2021

The Poppermost, One-Man “Beat Group” Feat. Joe Kane From Scotland Delivers Beatlesque Power-Poppin’ Folk-Rockin’ Roll On Debut Album “Hits To Spare”

Released August 27, 2021 on Think Like A Key Music

With the genuine desire to create a continuation of the FABS early vibe, The Poppermost is the one-man mission of Glasgow multi-instrumentalist Joe Kane - whose attention to detail is impeccable; the structure and arrangements, the playing, the sentimentality is all there along with the in-jokes, creating songs that satisfy your innermost Fab Four desires.

The Poppermost finds Joe in his garage studio playing everything himself. Utilising an array of instruments, microphones and recording techniques, all glued together by bargain basement analogue junk that builds up to the very first Poppermost album, “Hits To Spare.”

Short, sweet and exactly as they used to make ‘em, “Hits To Spare” does exactly what it says on the sleeve. Kicking off with an enthusiastic “1-2-3-4,” the opening track “Egg And Chips,” with its solid back beat-driven Cavern Club stomp and ascending “ah-ah-ah’s” sets the scene for what follows. In just over half an hour, “Hits To Spare” packs in a multitude of double-tracked vocals, three-part harmonies and major sixth endings that’ll leave you giddy and dizzy, dizzy, dizzy Miss Lizzy.

Within these carefully considered grooves there are rockers galore like “Goodnight Georgia Peach” and “Laziest Fella In The Realm.” Then there is the chugging, chiming “Ticket To Ride” inspired “Park And Ride” alongside the romantic balladry of “Get It Down.” Whether it’s the Lennon-like “you wanted the werld and I gave you the werld” here, a woody McCartney bass-line there, a multitude of 12-string chiming George middle eight’s, with everything held in place by a perfect Ringo compressed backbeat, there’s a song for every occasion.

“Ultimately, this album was about making a very fresh, quick and positive pop record, utilising the recording aesthetics and sound of my favourite music,” says Kane, who is currently putting together a live version of the band that’ll be ready to get people twisting and shouting as soon as possible.

Based out of Glasgow, Scotland, Joe Kane stays a busy man and has a busy track record, having recorded under various aliases such as Dr. Cosmos’ Tape Lab (You Are The Cosmos) and Radiophonic Tuckshop (Last Night From Glasgow) while working with countless artists including the late, great Neil Innes (The Rutles), Joey Molland (Badfinger), Alan White (Plastic Ono Band), BMX Bandits and Ette. He can also be heard kick starting the recent Ex Norwegian & Friends tribute album to Liverpool singer-songwriter Jimmy Campbell, Sing Jimmy Campbell with a fantastic take of his classic Rockin’ Horse track “Yes It Is.”

This latest project, The Poppermost, exists to remind us of a time when the world shook to the giddy monophonic thunk of Merseybeat, to a time of Dansettes and desert boots, when R&B didn’t mean Rhianna and Beyonce and an MP3 was Harold Wilson and a couple of his Westminster mates out on the razz down Carnaby Street.

Watch the video trailer: 

Stream the album: https://song.space/12nej6rep4v

Pre-order the album: https://tlak.rocks/hitstospare

For all upcoming release announcements, album pre-orders and to find out first about live dates, connect with The Poppermost online at:
thepoppermost.com
instagram.com/thepoppermostband
twitter.com/thepoppermost
facebook.com/thepoppermost
thepoppermost.bandcamp.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

6/28/2021

Bay Area Singer-Songwriter ROBERT STONER Releases His Personal and Nuanced Debut Album YEAR OF PAIN

San Francisco, CAROBERT STONER is a singer-songwriter from Berkeley, CA. He has written and performed music for many years, and now with the help of producer Ben Bernstein is set to release his debut album YEAR OF PAIN on July 9, 2021. ROBERT STONER, who also goes by Bob, wrote and recorded YEAR OF PAIN over the last year. This impressively strong debut showcases his personal and nuanced grappling with issues ranging from the specific challenges of children growing up and keeping a marriage fresh, to the trials and tribulations of our modern times.

The brother of a professional violinist in New York City, ROBERT STONER comes from a very musical family (one of his cousins even won the Tchaikovsky Competition in the Soviet Union at the height of the Cold War, to great national acclaim). Despite the fact YEAR OF PAIN is his debut release, Bob Stoner is a prolific songwriter who has been writing songs his whole life, and he is already hard at work on his next release. “My songs seem to come in a pretty constant stream,” says Bob. “Songwriting to me is an ongoing process of listening, discovery, fleshing out of ideas, honing and sharpening, and trying to maintain or enhance the original creative energy through the production phase.”

Maintaining a day job as an economist means the songwriting process has not always been straightforward for Bob, but the left and right sides of his brain have fully coalesced on YEAR OF PAIN, resulting in a musical experience that is both provocative and enjoyable for the listener. He worked with Ben Bernstein at Ben Bernstein Music to produce the album, and Ben also contributed lead and electric guitar to the songs. YEAR OF PAIN also features vocal and instrumental contributions from singer-songwriter Maya Elise, and drums and percussion from Mike Stevens. Adding to the personal nature of the album is the artwork painted by Bob’s daughter Lily Stoner, who also contributed vocals on the release.

The songs on YEAR OF PAIN run the gamut from personal reflections on kids moving on in life (“Just a Riverboat”) or relationship difficulties (“Wait Until the Morning”) to commentary on the present state of ethics in the political realm (“The Principle”) and the difficulties that have become ingrained in our modern era (“Year of Pain”). The song that leads off the album (“Just a Riverboat”) and the song that ends it (the title track “Year of Pain”) each hold special significance for Bob. “Just a Riverboat” reflects on the time his daughter Lily went off to college back East by way of a trip to New Orleans with friends. It was an exciting moment and an important milestone in her (and Bob’s!) life, and the New Orleans imagery provided the perfect backdrop for the song. “Year of Pain” is a song that sums up the difficult times we live in, with political dysfunction, gun deaths, and growing intolerance leading the list.

ROBERT STONER has many influences in his songwriting, but his sound is uniquely his own. This comes from his eclectic taste in music (which includes everything from classical to showtunes to folk and blues), as well as a relatively long period of time spent amalgamating these influences before his debut album. People have said his songs have echoes of Leonard Cohen, Van Morrison, and Bob Dylan – “I don’t know about that, but I will take the compliment!” says Bob. YEAR OF PAIN showcases Bob Stoner’s writing in the singer-songwriter genre, but he also composes fully instrumental music for the piano and has plans to release an album of that music as well.

To purchase or stream the album YEAR OF PAIN please visit: https://smarturl.it/YearOfPain

For more information about ROBERT STONER please visit: https://robertstoner.bandcamp.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

3/29/2021

Long Island Singer/Songwriter Chris St. John Releases Highly Anticipated Debut Album “I’m Dreaming”

First single “I Called You Rose” received critical acclaim and dominated the charts!

New York, NY — Over the last quarter century, Long Island Singer/Songwriter Chris St. John has truly led a diverse and successful professional career in the field of law as a prosecutor, judge and practicing attorney.

Now, his dream of lateral success in the music business is starting to become a reality, as his LP, “I’m Dreaming,” is now available on www.chrisstjohn.com, Soundcloud and all the major services. His instantly satisfying first single from the record “I Called You Rose,” hit Number #3 on the Euro Indie Music Charts and #8 on the World Indie Music Charts - with a second tune “I’d Send You My Heart” - hitting the airwaves now.

The album includes 13 original songs plus a cover of “Peggy O’” and a musical score that connects two compositions. Chris St John’s music draws from multiple genres, utilizing an array of instruments. Each song leaves the listener intently waiting for the next surprise. St John cuts his own path though, making the music uniquely his own.

The topics include the loss of love at a young age; the loss of his parents; the birth of his son John (now 18) and life with his wife of 27 years Elisabeth; a surprise DNA discovery; a serious illness where he was put in a medically induced coma, and a nurse sang him back to life; the loss of a young relative in a car accident and the subsequent climb out of depression; alcohol addiction and recovery; and a gift from his grandmother that he intends to return to her someday.

Says Chris, “My professional career is what I do. These songs are who I am. They are about my personal life. The songs have been written over about 30 years, with four new ones written in the last several months to finish up the album.”

Chris also worked in the State Department, participating in the Reagan-Gorbachev Summit in 1987; and lived, studied, and taught in China later that year. He was also a Congressional Aide and is now a volunteer firefighter.

In 2015, he and his friend started a not-for-profit charity called HALO Missions, which provides medical care, clothing, food, farming equipment, and surgeries for AIDS orphans and the extreme poor throughout Africa, Central America, and the Caribbean.

Chris remarks, “The title of the LP is ‘I’m Dreaming’ because some of these songs were dreamed in my sleep and written down when I awoke. Others came from daydreams. There are so many references to dreaming in the album. I guess I like to dream. People have told me I should write a book or make an album. This is both to me”.

To purchase Chris St. John’s “I’m Dreaming”: https://chrisstjohnmusic.com/product-category/music-and-merchandise/music/

For more information:
Official Website: www.chrisstjohn.com
Listen on SoundCloud: https://soundcloud.com/chrisstjohnmusic
Watch on YouTube: https://www.youtube.com/channel/UCchfgkT0LnXFCJr76KlLJgA
Like on Facebook: https://www.facebook.com/chrisstjohnmusic

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

2/23/2021

Anthony W Rogers’ babyflow Releases Debut Album “Oblivious”

A nod to “The Who Sell Out”

Independent label Wildflow Records and Anthony Rogers announces the release of the wild debut album from babyflow. entitled “Oblivious.” The album is available on the full range of digital and stream services and is available again on limited edition vinyl, in keeping with all releases thus far on Wildflow. “Oblivious” marks the first time Rogers has released an album under another name, evidently, like everything else these days, a side effect of the Covid experience.

Rogers remarks “This is a wild one. We intended an even more collaborative album which got shut down 2 songs in March. After that, it wasn’t until August that we had the Lillers come back in separately to finish the vocals. Since there were a number of tracks with vocals other than mine, it was entirely appropriate to put this under another name. Blake significantly stepped up writing wise and the others-especially the Liller brothers left a big imprint on the final product. Then of course the craziness of the commercials and format. Made sense to me.”

Marketed as “an indie solution for the Covid/Trump hangover,” “Oblivious” is the fourth full length release (#3 on Wildflow) by Appalachian indie artist Anthony W Rogers. In addition to Rogers, babyflow features the usual contributions from Rogers’ children Blake (Audrey) and Joe Rogers as well as heavy contributions from brothers Aaron and Sean Liller, and musical contributions from local musicians/friends Pierce Miller and Bryson Bush. To complete the family circle, the iconic full on unforgettable sun cover art was painted by artist Lisa Rayden-Rogers, wife of Anthony/mother of Blake and Joe.

Most mischievous of all is that “Oblivious” features seven songs/six commercials weaving in and out of the album imitating the construct of the great classic late 60’s record, “The Who Sell Out.” But babyflow’s commercials all reference modern 2020 fictious products /places (Covid Beach, Invisible Mask, No Test Health Insurance). “The idea came from a discussion with my son, Joe about what funny products you could come up with.” Anthony says, “We landed on Invisible Mask and we were off to the races. I put the other planned tracks away and we finished it up like this. Fun to weave these in.”

The album itself is a journey from the dark caustic opener “Daddy Got Played” (a finger wagging at the collapse moral and ethical standards of the Southern Christian contingent) to the light-the hopeful optimistic promise of closer “Rain Cloud”, a ballad written for and first performed at the inaugural Mineral County (WV) Music Festival in summer 2019. The record also features the first recorded solo composition from Blake Rogers, a high school junior, in the form of the instrumental second side opener “William Burns” - a mature and subtly placid reminder honoring the victim of the last known lynching in the local Western Maryland region in 1907. The album liner notes remark of this track, “it is our duty to never forget.” “Blake also was the principal/genesis writer on ‘Substitute For Science,’ ‘3 for $12.99’ and ‘Karen for Hire.’” says Anthony.

Anthony recorded solo two of the album tracks, “Wrong” and “Wish Away.” “Wrong” is a poppy playlist ready remake/update of a track originally intended to be included on the 2015 solo album of the same name. He says, “Originally the first version of wrong referred to the existence of time. Now with the new version, I’ve come to agree with Chris Dedrick/Free Design… the wrong is outside us.”  “Wish Away” concerns the personal desperation felt across the country from the early days of the pandemic. “Ok, so we know we can’t go back to how it was before” says Rogers, “so let’s dream and find the better way.” Other standout tracks include “Greaser” (a Brown Sugar-ish/Black Crowes style tribute to individualism) and “Listen (concerning BLM and the breakdown of civil discourse from an unrecognizable uninformed segment of society).

To many, the unique and most exciting part of the project will be the commercials-a humorous yet serious commentary of the state of America circa 2021. “Covid Beach” - a Dick Dale/Jan and Dean panache to a mask less paradise; “Substitute for Science” and “3 for $12.99” - with the “bleach tab “phenomena”; “Invisible Mask” - the dangers of being smart in dumdum culture; “NTHI” - a no test health insurance and “Karen for Hire,” a Sparks (Mael brothers) influenced tribute to the homemakers from hell club, who like to “fix things.” “I have no doubt that if these are heard they would be extremely useful and attractive form of comic relief for college stations across the country. The originals on sell out were used as bumpers everywhere. I think ours are just as funny.”

Anthony W Rogers is a veteran of both the local and DC music scenes, and has (many lifetimes ago in a different world) played to thousands over the years in his DC area bands Ten Below and The Now. Rogers has released three solo albums prior to “Oblivious”: 1993’s “Indentifiction”; “Wrong” in 2015; and “One Day (a Journal)” in 2018. “I’m always happy and satisfied to fly a bit below the radar. I know what we’re doing is good. Every record is just me dropping my pebble into the lake. I think my younger cohorts this time out are decidedly less apathetic as me so I hope for their sake more people hear this one.” “Oblivious” was recorded, produced and mixed at Anthony’s own Lakes Edge studio. The latest project was also the first to be mastered by DC area legend and multi-Grammy winner Greg Lukens at his Virginia facility.

Babyflow’s “Oblivion” album, following in the vein of the last two Wildflow releases - will be available on limited edition vinyl and is available currently for digital download worldwide and streaming services on the Wildflow imprint. Previous releases “Wrong” and “One Day” have previously garnered much critical praise from reviewers in the US and across Europe and are also available digitally and vinyl. Rogers first CD release in 1994, “Identifiction” remains currently out of print.

Tracks:
1. Daddy Got Played
2. Substitute for Science
3. Wrong
4. Covid Beach
5. Greaser
6. 3 for $12.99
7. William Blake
8. Invisible Mask
9. Wish Away
10. NTHI
11. Listen
12. Karen for Hire
13. Rain Cloud

2021 Wildflow Records

Website: www.wildflowrecords.com

To purchase digitally: https://www.amazon.com/dp/B08THH9QCD/ref=pe_385040_118058080_TE_M1DP
Stream on YouTube: https://www.youtube.com/playlist?list=OLAK5uy_nO0i3kEEnv1VKoFEqngj6g0jqPCvyzgys
Soundcloud page: https://soundcloud.com/anthony-w-rogers

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

2/22/2021

Eternal Return’s Debut Release “Once Only” Featuring Members Of Porcupine Tree and Fripp’s Crafty Guitar School Available On NEWdOG Records

The international progressive ensemble Eternal Return is a five-piece combining various duos/trios that have previously recorded and toured together. Notably, Colin Edwin (Porcupine Tree, NoMan, O.R.k.) on bass with his frequent collaborator, Estonian guitarist Robert Jürjendal (Toyah Wilcox, Fripp’s Crafty Guitar School). At the heart of the band is Dogon, the duo of Miguel Noya, (Venezuelan electronic music pioneer, Phantom Limb Recordings) and Paul Godwin, (California-based composer/singer). Dogon have been widely celebrated and aired since the late ‘90s - “the best of progressive ambient”- WIRED Magazine. Holding down this aerial act is Miguel Toro, Venezuelan-born, Berlin-based drummer (Royal Dust). It seems like a distant past when five musicians from around the world could meet in a foreign city to record an album in-person, but that’s just what they did. They came from Venezuela, England, Estonia, California & Spain to meet in Berlin and form this band. The result is something flowing and hypnotic, mysterious yet comforting.  

Colin Edwin's tasteful fretless bass combined with atmospheric textures, and voice from ETERNAL RETURN unveils songs built on air. A special and sensitive offering.” - Bill Laswell, Hell’s Kitchen, NYC, January 2021

Once Only”

The debut album was recorded in Berlin in late 2019 by Bob Spencer at The Famous Gold Watch Studio (a former munitions factory and Stasi HQ) and mixed at Pete Townsend’s Grand Cru boat studio in London’s St. Katherine’s Docks by Jonathon Hucks. The album is concerned with “nomadism” in a time of lockdown inspired by Noya’s status as part of Venezuelan economic and political diaspora (currently living in Europe.) Musically siting progressive ambient and dream-pop influences such as Talk Talk’s Spirit of Eden, David Sylvian’s solo work, or the mysterious and finely wrought 4AD project, This Mortal Coil - - the album is something fresh, darkly intimate and beguiling.

To purchase:
https://newdogrecords.bandcamp.com/music
https://burningshed.com/labels/newdog

About NEWdOG Records
NEWdOG Records releases fresh musical works by career ambient, progressive, post-rock, dream-pop and experimental artists from Europe, North and South America. Founded as a home for progressive ambient in the mid-‘90s in San Francisco, the label found critical acclaim and a distribution home with Dave Allen's World Domination Records (WEA). Now available through Burning Shed worldwide.

For more information:
www.newdogrecords.com
Facebook @newdogrecords
https://www.facebook.com/Newdogrecords/
Instagram @newdogrecords
https://www.instagram.com/newdogrecords/
Soundcloud @newdogrecords
https://soundcloud.com/newdogrecords
Spotify @newdogrecords
https://open.spotify.com/user/newdogrecords

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Eternal Return’s Debut Release “Once Only” Featuring Members Of Porcupine Tree and Fripp’s Crafty Guitar School Available On NEWdOG Records

The international progressive ensemble Eternal Return is a five-piece combining various duos/trios that have previously recorded and toured together. Notably, Colin Edwin (Porcupine Tree, NoMan, O.R.k.) on bass with his frequent collaborator, Estonian guitarist Robert Jürjendal (Toyah Wilcox, Fripp’s Crafty Guitar School). At the heart of the band is Dogon, the duo of Miguel Noya, (Venezuelan electronic music pioneer, Phantom Limb Recordings) and Paul Godwin, (California-based composer/singer). Dogon have been widely celebrated and aired since the late ‘90s - “the best of progressive ambient”- WIRED Magazine. Holding down this aerial act is Miguel Toro, Venezuelan-born, Berlin-based drummer (Royal Dust). It seems like a distant past when five musicians from around the world could meet in a foreign city to record an album in-person, but that’s just what they did. They came from Venezuela, England, Estonia, California & Spain to meet in Berlin and form this band. The result is something flowing and hypnotic, mysterious yet comforting.  

Colin Edwin's tasteful fretless bass combined with atmospheric textures, and voice from ETERNAL RETURN unveils songs built on air. A special and sensitive offering.” - Bill Laswell, Hell’s Kitchen, NYC, January 2021

Once Only”

The debut album was recorded in Berlin in late 2019 by Bob Spencer at The Famous Gold Watch Studio (a former munitions factory and Stasi HQ) and mixed at Pete Townsend’s Grand Cru boat studio in London’s St. Katherine’s Docks by Jonathon Hucks. The album is concerned with “nomadism” in a time of lockdown inspired by Noya’s status as part of Venezuelan economic and political diaspora (currently living in Europe.) Musically siting progressive ambient and dream-pop influences such as Talk Talk’s Spirit of Eden, David Sylvian’s solo work, or the mysterious and finely wrought 4AD project, This Mortal Coil - - the album is something fresh, darkly intimate and beguiling.

To purchase:
https://newdogrecords.bandcamp.com/music
https://burningshed.com/labels/newdog

About NEWdOG Records
NEWdOG Records releases fresh musical works by career ambient, progressive, post-rock, dream-pop and experimental artists from Europe, North and South America. Founded as a home for progressive ambient in the mid-‘90s in San Francisco, the label found critical acclaim and a distribution home with Dave Allen's World Domination Records (WEA). Now available through Burning Shed worldwide.

For more information:
www.newdogrecords.com
Facebook @newdogrecords
https://www.facebook.com/Newdogrecords/
Instagram @newdogrecords
https://www.instagram.com/newdogrecords/
Soundcloud @newdogrecords
https://soundcloud.com/newdogrecords
Spotify @newdogrecords
https://open.spotify.com/user/newdogrecords

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

11/27/2020

Prog Ensemble ILLUMINAE to Release Debut Album “Dark Horizons” February 12, 2021

Featuring special guests Steve Hackett (Genesis), John Helliwell (Supertramp), Troy Donockley (Nightwish), Craig Blundell (Steven Wilson), Luke Machin and Gonzalo Carrera.

Immrama Records and Gonzo MultiMedia announce the release of “Dark Horizons,” the debut album from ILLUMINAE, the brand-new project from Ian Jones (Karnataka, Chasing The Monsoon) and Agnieszka Swita (Caamora). The album features special guests Steve Hackett (Genesis), John Helliwell (Supertramp), Troy Donockley (Nightwish), Craig Blundell (Steven Wilson), Luke Machin and Gonzalo Carrera. The album was mixed by Joe Gibb, highly regarded as a world class mix engineer and who has worked with many prestigious artists including Massive Attack, The Cure and Leftfield.

ILLUMINAE will be releasing the single & video for “Blood On Your Hands” on November 27th.

From dark, twisted symphonies to sweet lullabies, the collective writing talents of Ian Jones (Karnataka, Chasing The Monsoon) and Agnieszka Swita (solo, Caamora) combine in their powerful new musical collaboration ILLUMINAE. Embracing symphonic, progressive and Celtic influences, bitter sweet melodies intertwine with lush harmonies to create a majestic towering cathedral of sound, songs which traverse the dividing line between darkness and light, life and death, solitude and hope. Shards of light piercing a subterranean labyrinth.  

London based Welshman, Ian Jones, is a founder member, composer and multi-instrumentalist with British symphonic rock band Karnataka and Chasing The Monsoon. Karnataka have released several critically acclaimed and award-winning albums, including The Gathering Light and Secrets of Angels. Vocalist, pianist and composer Agnieszka Świta, hailing from Poland and living in London, released her self-penned debut solo album “Sleepless,” a modern symphonic rock album, to critical acclaim and has released several albums with Clive Nolan in their collaborative project Caamora.  

TRACK LIST:
The Lighthouse
Blood On Your Hands
Edge of Darkness
Lullaby
Twice
Heretics and Prophecy
Sanctuary
Black Angel
Sign of Infinity
Dark Horizons

For press and distribution enquiries contact:
info@illuminae.net
www.illuminae.net
www.facebook.com/illuminaemusic www.twitter.com/illuminaemusic www.instagram.com/illuminaemusic

Gonzo MultiMedia: www.gonzomultimedia.co.uk

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Ensemble ILLUMINAE to Release Debut Album “Dark Horizons” February 12, 2021

Featuring special guests Steve Hackett (Genesis), John Helliwell (Supertramp), Troy Donockley (Nightwish), Craig Blundell (Steven Wilson), Luke Machin and Gonzalo Carrera.

Immrama Records and Gonzo MultiMedia announce the release of “Dark Horizons,” the debut album from ILLUMINAE, the brand-new project from Ian Jones (Karnataka, Chasing The Monsoon) and Agnieszka Swita (Caamora). The album features special guests Steve Hackett (Genesis), John Helliwell (Supertramp), Troy Donockley (Nightwish), Craig Blundell (Steven Wilson), Luke Machin and Gonzalo Carrera. The album was mixed by Joe Gibb, highly regarded as a world class mix engineer and who has worked with many prestigious artists including Massive Attack, The Cure and Leftfield.

ILLUMINAE will be releasing the single & video for “Blood On Your Hands” on November 27th.

From dark, twisted symphonies to sweet lullabies, the collective writing talents of Ian Jones (Karnataka, Chasing The Monsoon) and Agnieszka Swita (solo, Caamora) combine in their powerful new musical collaboration ILLUMINAE. Embracing symphonic, progressive and Celtic influences, bitter sweet melodies intertwine with lush harmonies to create a majestic towering cathedral of sound, songs which traverse the dividing line between darkness and light, life and death, solitude and hope. Shards of light piercing a subterranean labyrinth.  

London based Welshman, Ian Jones, is a founder member, composer and multi-instrumentalist with British symphonic rock band Karnataka and Chasing The Monsoon. Karnataka have released several critically acclaimed and award-winning albums, including The Gathering Light and Secrets of Angels. Vocalist, pianist and composer Agnieszka Świta, hailing from Poland and living in London, released her self-penned debut solo album “Sleepless,” a modern symphonic rock album, to critical acclaim and has released several albums with Clive Nolan in their collaborative project Caamora.  

TRACK LIST:
The Lighthouse
Blood On Your Hands
Edge of Darkness
Lullaby
Twice
Heretics and Prophecy
Sanctuary
Black Angel
Sign of Infinity
Dark Horizons

For press and distribution enquiries contact:
info@illuminae.net
www.illuminae.net
www.facebook.com/illuminaemusic www.twitter.com/illuminaemusic www.instagram.com/illuminaemusic

Gonzo MultiMedia: www.gonzomultimedia.co.uk

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com