British Rock Legends UFO To Release First Ever Covers Album "The Salentino Cuts"

Los Angeles - British rock legends UFO offer up their first ever covers album paying homage to a dozen of their personal favorites! “The Salentino Cuts” includes several unexpected choices such as Mad Seasons's “River Of Deceit,” John Mellencamp's “Paper In Fire,” and Bill Withers' “Ain't No Sunshine” alongside more traditional but nonetheless thrilling versions such as The Yardbirds' “Heartful Of Soul,” ZZ Top's “Just Got Paid” and lots more!

UFO's current line-up features original members Phil Mogg on vocals and Andy Parker on drums. Keyboardist/guitarist Paul Raymond joined the band in 1976. Lead guitarist Vinnie Moore has been a permanent member of the group since 2003, and American bassist Rob De Luca joined the fold in 2012.

Vinnie says, “Making this covers record was a blast for me. I thoroughly enjoyed putting a little of my own spin on these tunes that I grew up with. I played ZZ Top and Robin Trower songs about a gazzilion times onstage over the years. it was great to actually get to record some of my old faves.”

UFO's “The Salentino Cuts” will be released on September 29th and will be available on both CD & 2 limited vinyl pressings, one splatter vinyl and one white vinyl!

Track List:
1. Heartful Of Soul
2. Break On Through (To The Other Side)
3. River Of Deceit
4. The Pusher
5. Paper In Fire
6. Rock Candy
7. Mississippi Queen
8. Ain't No Sunshine
9. Honey-Bee
10. Too Rolling Stoned
11. Just Got Paid
12. It's My Life

In September & October, the band will be embarking on a monster tour of North America with fellow classic rockers Saxon!

UFO European tour dates:

August 11 - Leyendas del Rock Festival XII - Villena - Spain
August 13 - Alcatraz Open Air- Kortrijk - Belgium
September 7 - Germany - Dortmund - Musiktheater Piano
September 8 - Holland - Eindhoven - Cityrock Festival
September 9 - Holland - Leeuwarden - Cityrock Festival
September 10 - France - Raismes - Raismes Fest
September 12 - England - Southampton - The Brook
September 14 - England - Dorking - Dorking Halls
September 15 - England - Holmfirth - Picturedrome
September 16 - England - Northampton - Roadmender

UFO & SAXON US Tour Dates - Round 2:

September 22 - Newton, NJ - Newton Theater
September 23 - Huntington, NY - Paramount Theater
September 24 - Baltimore, MD - Baltimore Soundstage
September 26 - Philadelphia, PA - Theater Of The Living Arts
September 28 - Plymouth, NH - Flying Monkey
September 29 - Worcester, MA - Palladium
September 30 - Hartford, CT - Webster Theater
October 1 - Portland, ME - Aura
October 3 - Toronto, ON - Queen Elizabeth Theatre
October 4 - Montreal, QU - Corona Theatre
October 6 - Flint, MI - Machine Shop
October 7 - Traverse City, MI - Ground Zero
October 8 - Chicago, IL - Concord Music Hall
October 9 - Akron, OH - Tangier Cabaret Room
October 11 - Pittsburgh, PA - Jergels
October 12 - Cincinnati, OH - Bogarts
October 13 - Merrillville, IN - Star Plaza
October 14 - Indianapolis, IN - The Egyptian

UFO was formed in London in 1969. They became a transitional group between early hard rock and heavy metal and the new wave of British heavy metal. Over a career spanning 48 years, UFO has released 22 studio albums, 14 live recordings and 16 compilation albums. They achieved success with several albums and singles  in the UK and US Top 40 charts, and have sold over 10 million records worldwide. UFO is considered one of the classic hard rock acts, and have influenced many notable rock bands. The band was ranked number 84 on VH1's “100 Greatest Artists of Hard Rock.”

For more information:
http://www.ufo-music.info/
http://www.ufo.band

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

FROM HELL Joins Evil Over Europe Tour with Double Headliners POSSESSED and BELPHEGOR!

FROM HELL is pleased to announce that the band has joined the Evil Over Europe Tour with double headliners POSSESSED and BELPHEGOR this December 2016. This is going to be one of the most extreme tours of the year and this will be FROM HELL’s first tour in Europe. FROM HELL brings their own brand of horror metal to Europe that is an amalgam of death metal, thrash metal and black metal. The band’s music is one long horror story from beginning to end and the band will be playing an excerpt of their horror story on this tour. Main support for the tour will be ABSU, black metal from Dallas, Texas. Also on the bill will be Cold Raven and Sariola. FROM HELL’s front man, Sinn, says the band’s music is influenced by the great King Diamond and musically by bands such as Death and At the Gates. On this tour will be bass player, Stephen Goodwin, of Viscious Rumors who is temporarily replacing Damien Sisson who is on tour with Death Angel and on lead guitar will be Justin Sakogawa of Hatriot, temporarily replacing Claudeous Creamer, who was tapped by POSSESSED to play lead guitar on this tour.

This tour will be the last set of shows supporting FROM HELL’s debut release Ascent From Hell. When the band returns from the tour, they will go into the studio to begin tracking new songs for the next FROM HELL horror album, tentatively entitled Rats & Ravens!

02.12.2016 - FR - Paris, Glazart
03.12.2016 - IT - Brescia, Circolo Colony
04.12.2016 - CH - Zurich, Dynamo
06.12.2016 - SK - Kosice, Collosseum
07.12.2016 - SLO - Ljubljana, Kino Siska
08.12.2016 - CZ - Ostrava,Barrack Club
09.12.2016 - PL - Wroclaw, Alibi
10.12.2016 - GER - Berlin, Nuke Club
11.12.2016 - NL - Tilburg, Dudok
12.12.2016 - UK - Glasgow, Classic Grand
13.12.2016 - UK - London, Islington Academy
14.12.2016 – GER – Oberhausen, Helvete
15.12.2016 - GER - Ludwigsburg, Rockfabrik
16.12.2016 - GER - Ingolstadt, Eventhalle Westpark
17.12.2016 - BEL - Bruges, Entrepot
18.12.2016 - GER - Hamburg, Logo
19.12.2016 - GER - Flensburg, Roxy
20.12.2016 - GER - Erfurt, From Hell

POSSESSED
https://www.facebook.com/666possessed

BELPHEGOR
http://www.belphegor.at/
https://www.facebook.com/belphegor

ABSU
http://absu.bandzoogle.com/
https://www.facebook.com/officialabsu

FROM HELL
http://www.fromhell.net/
https://www.facebook.com/thisbandisFROMHELL

COLD RAVEN
https://www.facebook.com/coldraven666

SARIOLA
http://sariola.de/
https://www.facebook.com/sariolaofficial

Rage Against the Machine Debut Album To Be Released On Limited Edition Hybrid SACD

“The first album to successfully merge the sounds of rap and heavy metal”

Camarillo, CA – Marshall Blonstein's Audio Fidelity will be releasing the critically acclaimed debut album by Rage Against the Machine on limited edition Hybrid SACD. Rage Against the Machine's first album is a mix of punk, metal, hardcore and politically resonate rap. Every song is full of energy with smart lyrics and plenty of slam-dancing potential. In 1992, the band released its self-titled debut album, which became a commercial and critical success. The album went to #1 on the Billboard Heatseekers chart, and #45 on the Billboard 200 chart. Rolling Stone magazine named it as one of the 500 greatest albums of all time. In 2001, Q magazine named it as one of the 50 Heaviest Albums Of All Time.

This album is relentless, from the opening track “Bombtrack” all the way to the last blast of “Freedom,” every tune is a highly explosive ball of energy, none of which is clearly superior to any of the others. The lyrics, while full of blunt and pure anger, are very passionate and well-written in the sense that they actually stand for something.

This album like no other changed the landscape of '90s music. The “guilty parties”: Zack de la Rocha's vitriolic and angst-ridden words fueled by the heaviest rhythm section on the planet featuring drummer Brad Wilk and the exciting and dynamic bass of Timmy C and of course, RATM's signature sound, Tom Morello's belligerent, aggressive guitar riffs and turntable-esque noise that make this the best debut album of all-time.

The “Know Your Enemy” track features Tool vocalist Maynard James Keenan on “additional vocals” and also features Jane's Addiction drummer Stephen Perkins on trashcan percussion. The liner notes claim, “No samples, keyboards or synthesizers used in the making of this recording.” This is, and always will be, considered Rage Against the Machine's most important work.

“Distinctly groundbreaking and original...a landmark in musical history.”

Track list:

1. BOMBTRACK
2. KILLING IN THE NAME
3. TAKE THE POWER BACK
4. SETTLE FOR NOTHING
5. BULLET IN THE HEAD
6. KNOW YOUR ENEMY
7. WAKE UP
8. FISTFUL OF STEEL
9. TOWNSHIP REBELLION
10. FREEDOM

Produced by: Garth Richardson, Rage Against the Machine
Mastered by Steve Hoffman and Stephen Marsh at Marsh Mastering

For more information: www.audiofidelity.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Celebrate The Debut Album Of Metal Giant THOR With A Special 3 Disc Reissue Plus & A Spectacular NY Concert Event!

Los Angeles, CA - Get ready for one of the biggest metal reissues of the YEAR - a super deluxe edition of the legendary, underground classic, the 1977 debut album Keep The Dogs Away from metal icon THOR! This landmark release has become revered among music aficionados of every generation as one of the most explosive debut albums of any era with such ultra catchy rock anthems as “Keep The Dogs Away,” “Sleeping Giant,” “Thunder” and more. The CD version comes in a deluxe 6-panel digipak CD with alternate cover art, liner notes from longtime fan Brian Kehew (co-author of Recording The Beatles), 22 rare and unreleased bonus cuts on a separate disc PLUS a vintage 1980 concert DVD. The vinyl version meticulously recreates the original pressing with a foldout poster and printed inner sleeve. Both formats will officially hit the streets on May 13, courtesy of Deadline Music.

To celebrate this landmark reissue, THOR, in association with famed radio personality and metalhead Eddie Trunk and Fabio Productions, has put together a spectacular 4-hour multi-media event at the Highline Ballroom in New York City on May 14th. The event includes a first time EVER full concert performance of the entire KTDA album, plus a theatrical screening of the I Am Thor documentary, a special THOR Museum display, as well as another concert performance of THOR’s most popular songs with tons of special guests! This is the ULTIMATE THOR experience - a metal extravaganza unlike any BETHOR! https://www.facebook.com/THOR-A-Rock-Odyssey-Live-in-New-York-1016591135046207/

Track List:
1. Keep The Dogs Away
2. Sleeping Giant
3. Catch A Tiger
4. I'm So Proud
5. Tell Me Lies
6. Military Matters
7. Superhero
8. Wasted
9. Rosie
10. Thunder

BONUS TRACKS (CD ONLY)
1. Asgardia
2. All Nite
3. Atomic Vibrations
4. Do The Muscle (1975 Version)
5. Away From You
6. Touch Me
7. You Tried My World (No Time)
8. Do The Musicle
9. We Got The Power (Brian Kehew Mix)
10. Hey Tonight (Brian Kehew Mix)
11. Everybody Needs A Hero
12. We Are Body Rock / Start The Show
13. You Have Too Much
14. Just For You
15. Give Me The Green Light
16. She Sings The Body Rocker
17. Tears In My Soup
18. Who's Better? (You Haven't Got A Chance)
19. Best Built Man Alive (Live)
20. Land Lover
21. Open Sky
22. Keep The Dogs Away (Demo)

Buy the CD: http://flyt.it/ThorKTDACDAmazon
Buy the Vinyl: http://flyt.it/ThorKTDALP
Download the digital version: http://flyt.it/ThorKTDADig

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Music News: Black Note Graffiti Perform At 2016 SXSW

Ann Arbor, MI-March 10, 2016- Michigan’s hard rock band Black Note Graffiti will perform two shows right in the middle of 2016 SXSW at the RedGorilla Music Festival in Austin TX. The headlining shows will be on Thursday March 17th at 7pm at The Dizzy Rooster and March 18th at 7 pm at the Roof Top Bar in Austin, TX. They will be performing songs from their upcoming sophomore release Volume II, which promises more hard rockin’ energy from the band.
 

Black Note Graffiti is headlining this years Hash Bash in Ann Arbor with Tommy Chong on Saturday April 2^nd as well.

Since their inception, the band also has found success by charting on CMJ and landing media deals to air on ESPN, NASCAR, MTV, and DISCOVERY.

The multi-talented leader of the band Kris Keller will also be in the audience in Austin representing Noteborn Music Company and will be scouting for new bands at the festival to sign and license material to TV and Movies. There is a lot of excitement for the band right now and their ability to help other indie bands is a driving force behind what they stand for.

Black Note Graffiti is anxious to give their fans great live performances on one of the world’s biggest stages for indie music in the heart of Texas. The great music tradition of Austin will surely continue with this yearly event. The electricity and energy of introducing some of the new material that will be on the upcoming release is certain to be one of the highlights of their show and create more anticipation for the new release. 

Keller and the band look forward to seeing some familiar faces, meeting some new ones and creating some more fans along the way. If Volume II picks up where Volume I left off it then it is a guaranteed rollercoaster ride of heavy metal and eclectic sounds. 

Volume ll will be released this summer and updates and more information is available on their website.

www.Blacknotegraffiti.com
 

Company: Noteborn Music Company

Contact: Kris Keller

Address: P.O. Box 8171 Ann Arbor, MI 48107 USA

Email: info@blacknotegraffiti.com

Celebrate The Life Of Former WARRANT Singer JANI LANE With This Collection Of Superb Solo Performances!

Los Angeles, CA - In 2011, the rock world lost an incredibly gifted singer and songwriter, a man whose voice reverberated around the world on such blockbuster hits as “Cherry Pie,” “Down Boys,” “Sometimes She Cries,” “Uncle Tom’s Cabin,” and the unforgettable ballad “Heaven.” Jani Lane joined Warrant in 1985, and together the band lit up the L.A. club circuit, becoming an international sensation with multi-platinum albums and an adoring fanbase. Always a music lover at heart, after Lane left Warrant in 2004, he continued to write and record, often paying homage to some of his musical heroes by participating in tribute projects to Cheap Trick, Judas Priest and others. Now a new CD compilation collects some of these superb solo performances in one convenient package and for the first time ever on vinyl! Catch A Falling Star, which includes Lane’s takes on UFO’s “Doctor, Doctor,” Def Leppard’s “Photograph,” and Bon Jovi’s epic “Lay Your Hands On Me, will be released February 26 on Deadline Music.

In addition to guest appearances by two of Lane’s bandmates, guitarist Erik Turner & bassist Jerry Dixon, Catch A Falling Star includes liner notes by former Warrant drummer Bobby Borg who shares his personal recollections of Lane. There is “no better tribute to Lane than a collection of covers,” Borg writes, “Those who saw Warrant perform live know that Lane loved to mix cover songs into the show…songs by The Doors, Led Zeppelin, Joe Walsh, Queen, and other artists throughout our live sets. (I loved that about the band.).” Speaking of Lane’s distinctive vocal style, Borg writes “Lane was able to convey the subject matter of a song emotionally—whether soft and heartfelt or loud and aggressive—while always maintaining a certain charm as if he were grinning warmly.” This collection is the perfect way to remember both the man and immense musical gifts, and is sure to leave a warm grin on the face of his fans everywhere.

Track List:
1. I Want You To Want Me feat. Ryan Roxie (Alice Cooper / Slash’s Snakepit)
2. Panama
3. Photograph
4. The Ocean
5. Doctor, Doctor
6. Electric Eye
7. Free For All feat. Jake E. Lee
8. No Surprise feat. Chris Holmes (W.A.S.P.)
9. Lay Your Hands On Me feat. Erik Turner & Jerry Dixon (Warrant)

Buy the CD: http://flyt.it/JaniLaneCD
Buy the LP: http://flyt.it/JaniLaneLP

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Metal Icon THOR Unleashes Pure Metal Vengeance With Help From A Host Of His Punk/Hard Rock Superstar Friends, Debuts New Video On Metal Hammer!

Features guests Henry Rollins, Fast Eddie Clarke, Cheetah Chrome, Jay Jay French, Joe "Shithead" Keithley and more!

Los Angeles, CA - After a year that saw a deluxe reissue of his career-launching 1983 album Unchained as well as seeing his life’s story retold in the documentary film I AM THOR, which has been picking up awards at such prestigious film festivals as Slamdance and Fantasia Fest, metal legend Jon Mikl THOR is capping off one of the biggest years of his career with the release of his newest studio album Metal Avenger on October 30! Joining the metal savior on this epic recording is a slew of luminaries from both the rock and punk worlds including powerhouse vocalist Henry Rollins, Motörhead guitarist Fast Eddie Clarke, Dead Boy Cheetah Chrome, Twister Sister axeman Jay Jay French, Christian Death guitarist Rikk Agnew, D.O.A.’s own Joey Shithead plus Ritchy Stotts of Plasmatics, Betsy Bitch and many others! The album will be available on both CD as well as a limited edition “blood red” vinyl pressing courtesy of Deadline Music!

“This is my most ambitious and best album in the history of my career,” THOR states boldly. Reteaming with producers Bruce Duff (Twisted Roots) and Frank Meyer (Streetwalkin’ Cheetahs), the group began writing new material and “came up with the concept of the ‘Metal Avenger’ whereby each song represents THOR’s quest to overcome the overlords of the planet Psykon and free the slaves on the master ship. There is adventure, intrigue and love in the lyrics and story. But most of all there is strength in the music. These songs are HEAVY yet melodic.” Recording took place at Kitten Robot studios with engineer Paul Roessler (The Screamers, 45 Grave) behind the board. Speaking of his guest performers, THOR offers, “I was very fortunate to perform with these incredible musicians who are each superhero characters in their own right. With my Comrades of Metal, I feel more powerful than ever!”

Check out the world premiere of the “Metal Avenger” video at Metal Hammer starting Friday!
http://metalhammer.teamrock.com/features/2015-10-23/thor-heavy-metal-s-first-superhero

Catch THOR perform live along with screenings of his documentary at these following locations:

Nov 10 - Seattle, WA - El Corazon
Nov 11 - Portland, OR - Dante’s
Nov 12 - Los Angeles, CA - Whisky A Go-Go
Nov 14 - San Antonio, TX - Phil Anselmo’s Housecore Horror Film Festival
Nov 16 - Chicago, IL - Reggie Rock Club
Nov 18 - Detroit, MI - Small’s Bar
Nov 20 - Philadelphia, PA - PhillyMOCA
Nov 22 - Brooklyn, NY - Saint Vitus Bar

THOR originated in the early ‘70s with body building champion and former Mr. USA Jon Mikl Thor, and quickly gained a devout following thanks in part to the band’s elaborate and supremely entertaining live shows, which frequently featured Jon performing not just outstanding anthems of metal but also astounding feats of strength - bending steel bars with his teeth and exploding water bottles with his lungs! Jon would go on to appear on the Merv Griffin Show, which led to the licensing deal with RCA in late 1976 and the release of their debut album Keep The Dogs Away the following year. But it wasn’t until the group’s 1984 EP Unchained and the follow-up full-length album, Only The Strong, that Jon Mikl & Co. really began to flex their muscles. Those releases contained the now classic songs such as “Lightning Strikes,” “Anger,” “Let The Blood Run Red” and “Thunder On The Tundra,” which earned the band a truly international following. Through the years that following has grown and solidified as new generations of classic metal heads discover the awesome power of the mighty THOR!

Track List
1. Out Of Control feat. Jussi Lehtisalo (Circle)
2. Metal Avenger feat. Fast Eddie Clarke (Motörhead)
3. Kings Of Thunder And Lightning feat. Scott Carlson (Repulsion)
4. Master Of Revenge feat. Henry Rollins (Black Flag)
5. Destruct feat. Brian Forsythe (Kix)
6. The Hammer feat. Jay Jay French (Twisted Sister)
7. Taste Of Victory feat. Betsy Bitch (Bitch) & Rikk Agnew (Christian Death)
8. Heavy Load
9. Legions Of The Psykon World feat. Jack Starr (Virgin Steele)
10. Drive feat. Cheetah Chrome (The Dead Boys)
11. Stars Upon Stars feat. Betsy Bitch (Bitch)
12. T.H.O.R. feat. Joey Shithead (D.O.A.)
13. Atomic Man feat. Peter Stjärnvind (Krux)
14. Wings Of Destiny feat. Niklas Stålvind (Wolf)
15. Law Of The Universe

Buy the CD: http://cleorecs.com/store/shop/thor-metal-avenger-cd/
Buy the LP: http://cleorecs.com/store/shop/thor-metal-avenger-limited-edition-blood-red-lp/
Buy the digital album: http://flyt.it/ThorMetalAvengerDigi

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Twisted Sister's Dee Snider Featured On New CD By Dual Female Fronted Power Trio TANG

“TANG Rocks!” - Dee Snider

NYC - One of the hottest releases of 2015 is undoubtedly the new album by dual female fronted alternative metal power trio TANG featuring a guest appearance by legendary Twisted Sister frontman Dee Snider! Titled “Blood & Sand”, TANG's new CD features a duet with Dee Snider on the track “Reign of Blood”!

Says guitarist Denny Colt, “Bonnie knew Dee from back in the day when they both did the club circuit...I hooked up with Dee when I was in Van Helsing's Curse with him..so we have quite the connection. He's a really nice guy & did such a great job on the duet with Bonnie on 'Reign of Blood.'”

Hailing from New York, TANG features Bonnie Parker on Vox & Bass and Denny Colt on Vox, Lead Guitar & Keyboards, and have been trading phrases back and forth in their own ripping style since 1999. Mark Edwards, formerly of Criss Angel & Burning Star, now brings skull-splitting drum beats and a monster attitude. TANG has toured Europe, Canada and the US opening shows for such artists as Crucified Barbara, Girlschool, W.A.S.P., Dokken, Hammerfall, Helloween, Dee Snider, Symphony X and many, many other cool bands.

Denny played guitar, toured & recorded in Dee Snider's “Van Helsing’s Curse”, the gothic rock orchestra. Bonnie & Denny have currently played, toured & recorded, with Corky Laing from Mountain in his new band “Corky Laing & The Memory Thieves”. They are also working with Corky in Finland, writing, recording & performing on a rock opera called “Playing God” which was presented in Helsinki in 2014. The opera was presented in the US in April 2015 at Yale University & Hunter College.

“I love the total rock vibe of the new TANG CD! It’s real, it’s vital - it’s brilliant.” - Corky Laing

TANG is featured in the new Fred Carpenter film, “Charlie Mantle”, performing their song “Crashing”. The film debuted summer of 2014 and stars Armand Assante, Sean Young and Robert Funaro. Says Bonnie, “TANG was in the film performing the song in a Russian mob club as the lead character, Robert Funaro (of The Soprano's), is at the end of his dirty cop career & everything is 'crashing' down around him. Great concept by director Fred Carpenter!”

Watch TANG's new video:

Now much to the excitement of their fans worldwide, on September 1, 2015, TANG is releasing their new CD “Blood & Sand”!

Says Denny, “TANG is currently promoting the release of 'Blood & Sand' doing shows in the tri-state area. We are talking with promoters in Europe, Scandinavia & the US about setting up a tour. Our first CD, 'Mental Pollution' was on a Swedish label, Raw Power UK, and we toured Scandinavia to support it. The tours were very successful culminating with TANG performing at the Sweden Rock Fest.”

TANG:
Denny Colt - Guitar, keys & vocals
Bonnie Parker - Bass & vocals
Mark Edwards – Drums

To purchase TANG's “Blood & Sand”:
https://itunes.apple.com/us/album/blood-sand/id978043771
http://www.tangnyc.com/merch

www.tangnyc.com
www.reverbnation.com/tangnyc
www.facebook.com/tangnycusa

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Twisted Sister's Dee Snider Featured On New CD By Dual Female Fronted Power Trio TANG

“TANG Rocks!” - Dee Snider

NYC - One of the hottest releases of 2015 is undoubtedly the new album by dual female fronted alternative metal power trio TANG featuring a guest appearance by legendary Twisted Sister frontman Dee Snider! Titled “Blood & Sand”, TANG's new CD features a duet with Dee Snider on the track “Reign of Blood”!

Says guitarist Denny Colt, “Bonnie knew Dee from back in the day when they both did the club circuit...I hooked up with Dee when I was in Van Helsing's Curse with him..so we have quite the connection. He's a really nice guy & did such a great job on the duet with Bonnie on 'Reign of Blood.'”

Hailing from New York, TANG features Bonnie Parker on Vox & Bass and Denny Colt on Vox, Lead Guitar & Keyboards, and have been trading phrases back and forth in their own ripping style since 1999. Mark Edwards, formerly of Criss Angel & Burning Star, now brings skull-splitting drum beats and a monster attitude. TANG has toured Europe, Canada and the US opening shows for such artists as Crucified Barbara, Girlschool, W.A.S.P., Dokken, Hammerfall, Helloween, Dee Snider, Symphony X and many, many other cool bands.

Denny played guitar, toured & recorded in Dee Snider's “Van Helsing’s Curse”, the gothic rock orchestra. Bonnie & Denny have currently played, toured & recorded, with Corky Laing from Mountain in his new band “Corky Laing & The Memory Thieves”. They are also working with Corky in Finland, writing, recording & performing on a rock opera called “Playing God” which was presented in Helsinki in 2014. The opera was presented in the US in April 2015 at Yale University & Hunter College.

“I love the total rock vibe of the new TANG CD! It’s real, it’s vital - it’s brilliant.” - Corky Laing

TANG is featured in the new Fred Carpenter film, “Charlie Mantle”, performing their song “Crashing”. The film debuted summer of 2014 and stars Armand Assante, Sean Young and Robert Funaro. Says Bonnie, “TANG was in the film performing the song in a Russian mob club as the lead character, Robert Funaro (of The Soprano's), is at the end of his dirty cop career & everything is 'crashing' down around him. Great concept by director Fred Carpenter!”

Watch TANG's new video:

Now much to the excitement of their fans worldwide, on September 1, 2015, TANG is releasing their new CD “Blood & Sand”!

Says Denny, “TANG is currently promoting the release of 'Blood & Sand' doing shows in the tri-state area. We are talking with promoters in Europe, Scandinavia & the US about setting up a tour. Our first CD, 'Mental Pollution' was on a Swedish label, Raw Power UK, and we toured Scandinavia to support it. The tours were very successful culminating with TANG performing at the Sweden Rock Fest.”

TANG:
Denny Colt - Guitar, keys & vocals
Bonnie Parker - Bass & vocals
Mark Edwards – Drums

To purchase TANG's “Blood & Sand”:
https://itunes.apple.com/us/album/blood-sand/id978043771
http://www.tangnyc.com/merch

www.tangnyc.com
www.reverbnation.com/tangnyc
www.facebook.com/tangnycusa

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Classical/Heavy Metal Review: McCormick Percussion Group-Between Rock and A Hard Place

Release Date: January 13, 2015

Label: Ravello Records

Website

The McCormick Percussion Group is headed up by Robert McCormick, who is the Director of the group and Corey Harvin plays guitar while Ciro Scotto, John Cage and Dan Senn are the composers. It is an interesting collaboration and the music they create on Between Rock and A Hard Place (Plugged & Unplugged) is fascinating.

The idea of classical music meeting heavy metal is nothing new however I felt listening to this purely instrumental take on that expression to be quite attention getting. The focus is more on the percussive side of the equation however, the use of the guitar and other instruments make for some thought provoking soundscapes, it’s like listening to a movie rather than watching it yet different things jump in and out of your mind while it’s playing.

The only track under 5 minutes is “Composition for Three Voices” then at the opposite end of the spectrum is “Unplugged” clocking in at a beefy 16:24. They never bite off more they can chew regardless of the time invested into any one track.

This is very progressive music, not progressive like legendary groundbreaking bands like Yes or ELP but with the same idea and goals of intermingling two genres to come out the other side with a digestible end product for the ears. The lead off track is titled  “ I. Hard Light-Hybrid Night” It is a good warm up for what is to come. It serves as a strong introduction for a suite of compositions that have you listening over and over at first out of curiosity then that turns into awe and pure enjoyment. This will not be for everyone but what progressive music is? It depends on your taste, mood and personal preferences, just like purchasing any other product, the choice is yours. I choose to explore and expand my listening experiences and this was the perfect album to engage my senses and push me forward, to be more progressive with my ears.

“II. On Death Ground” is a bit more moody and intense, kind of like the soundtrack you would hear during a suspenseful segment of a movie. It jumps back and forth and flows like an effortless stream down a mountain. Nothing sounds forced or difficult although it may sound like cacophony at times it does all come together and make sense but it may take a few listens to get to that point of understanding. This is why I feel the first three tracks are the most important. This is the foundation to the fortress of sound being built before the story coalesces then comes to an end.

“III. Onryõ” takes you down a different road and combines some lighter parts with the hard edged guitar sounds in a much different way in that the pace is like a musical stutter step. The percussive back end holds it all together and keeps a steady rhythm so everything else seems to fall into place somehow. Trying to explain what you hear is not always the easiest thing to do but in the end it’s all dependent on the listeners view and personal aural filter if you will.

If you like progressive, fusion, experimental and or metal this is something you need to hear then decide for yourself if it is something you want more of or if the journey should be over after one trip. I took more than one trip and expect to take some more. There is a lot to process here and that is the beauty of it. 

4/5 Stars

Key Tracks: I. Hard Light-Hybrid Night, II. On Death Ground, III. Onryõ

Tracks: 
1. Between Rock and a Hard Place: “I. Hard Light-Hybrid Night”  (Ciro Scotto)
2. Between Rock and a Hard Place: “II. On Death Ground”  (Scotto)
3. Between Rock and a Hard Place: “III. Onryõ  (Scotto)
4. Between Rock and a Hard Place: “IV: Mjölnir (Crusher)”  (Scotto)
5. Five  (John Cage)
6. Rivus  (Dan Senn)
7. Between Rock and a Hard Place-Unplugged  (Ciro Scotto)
8.Compositions for 3 Voices  (John Cage)

Keith “MuzikMan” Hannaleck-Write A Music Review Founder

January 15, 2015
Review Provided By Write A Music 
 

Classical/Heavy Metal Review: McCormick Percussion Group-Between Rock and A Hard Place

Release Date: January 13, 2015

Label: Ravello Records

Website

The McCormick Percussion Group is headed up by Robert McCormick, who is the Director of the group and Corey Harvin plays guitar while Ciro Scotto, John Cage and Dan Senn are the composers. It is an interesting collaboration and the music they create on Between Rock and A Hard Place (Plugged & Unplugged) is fascinating.

The idea of classical music meeting heavy metal is nothing new however I felt listening to this purely instrumental take on that expression to be quite attention getting. The focus is more on the percussive side of the equation however, the use of the guitar and other instruments make for some thought provoking soundscapes, it’s like listening to a movie rather than watching it yet different things jump in and out of your mind while it’s playing.

The only track under 5 minutes is “Composition for Three Voices” then at the opposite end of the spectrum is “Unplugged” clocking in at a beefy 16:24. They never bite off more they can chew regardless of the time invested into any one track.

This is very progressive music, not progressive like legendary groundbreaking bands like Yes or ELP but with the same idea and goals of intermingling two genres to come out the other side with a digestible end product for the ears. The lead off track is titled  “ I. Hard Light-Hybrid Night” It is a good warm up for what is to come. It serves as a strong introduction for a suite of compositions that have you listening over and over at first out of curiosity then that turns into awe and pure enjoyment. This will not be for everyone but what progressive music is? It depends on your taste, mood and personal preferences, just like purchasing any other product, the choice is yours. I choose to explore and expand my listening experiences and this was the perfect album to engage my senses and push me forward, to be more progressive with my ears.

“II. On Death Ground” is a bit more moody and intense, kind of like the soundtrack you would hear during a suspenseful segment of a movie. It jumps back and forth and flows like an effortless stream down a mountain. Nothing sounds forced or difficult although it may sound like cacophony at times it does all come together and make sense but it may take a few listens to get to that point of understanding. This is why I feel the first three tracks are the most important. This is the foundation to the fortress of sound being built before the story coalesces then comes to an end.

“III. Onryõ” takes you down a different road and combines some lighter parts with the hard edged guitar sounds in a much different way in that the pace is like a musical stutter step. The percussive back end holds it all together and keeps a steady rhythm so everything else seems to fall into place somehow. Trying to explain what you hear is not always the easiest thing to do but in the end it’s all dependent on the listeners view and personal aural filter if you will.

If you like progressive, fusion, experimental and or metal this is something you need to hear then decide for yourself if it is something you want more of or if the journey should be over after one trip. I took more than one trip and expect to take some more. There is a lot to process here and that is the beauty of it. 

4/5 Stars

Key Tracks: I. Hard Light-Hybrid Night, II. On Death Ground, III. Onryõ

Tracks: 
1. Between Rock and a Hard Place: “I. Hard Light-Hybrid Night”  (Ciro Scotto)
2. Between Rock and a Hard Place: “II. On Death Ground”  (Scotto)
3. Between Rock and a Hard Place: “III. Onryõ  (Scotto)
4. Between Rock and a Hard Place: “IV: Mjölnir (Crusher)”  (Scotto)
5. Five  (John Cage)
6. Rivus  (Dan Senn)
7. Between Rock and a Hard Place-Unplugged  (Ciro Scotto)
8.Compositions for 3 Voices  (John Cage)

Keith “MuzikMan” Hannaleck-Write A Music Review Founder

January 15, 2015

Review Provided By Write A Music 
 

Featured Track: McCormick Percussion Group-Between Rock and a Hard Place I-Hard Light-Hybrid Night

The McCormick Percussion Group is an intriguing prospect for music enthusiasts looking for something different and challenging. The featured track is "Between Rock and a Hard Place I-Hard Light-Hybrid Night." 

It's where classical meets heavy metal and although it is very percussive in nature I think that metal fans will find interest in hearing this interesting composition. It clocks in at just over nine minutes.

The intent is clear here, to present classical music with a different twist to garner interest from a large cross section of listeners. That mission is accomplished and the track will challenge and inspire aspiring and expereinced musicians alike.

Give it a good listen and judge for yourself!

More About The McCormick Percussion Group:

htmlhttp://mb3creative.com/mccormick/McCormickPercussionGroup/McCormickPercussionGroup/About_Me.html


The McCormick Percussion Group was formed for the purpose of recording new classical music in the percussion ensemble idiom.  The  McCormick Percussion Group has received world wide recognition in Fanfare Magazine, Gramophone, American Record Guide and other leading journals. They have recorded over 2 dozen CDs, many available on Capstone Records and Ravello Records. (Ravello is distributed by Naxos)  Their latest CD on Ravello Records (published 2014) titled: Soli for Soprano with Percussion Orchestra (with Jamie Jordan) received three Global Music Awards! Many of our CD’s are also available on iTunes and major internet sites. Often our CD’s feature well known non-percussion artists  to provide the best available contemporary literature at the highest performance level. The McCormick Percussion Group uses Grover Pro Percussion, Zildjian Cymbals and Encore Mallets. Please contact us for a list of CD’s and upcoming projects.

Percussionist and conductor Robert McCormick is a Professor of Music at the University of South Florida in Tampa. He has won many awards for his teaching and percussion composition.  He served as Principal Percussionist of the Florida Orchestra for 20 seasons, and is a former member of the Harry Partch Ensemble. He is also a member of the McCormick Duo, a well known flute/percussion chamber group.  Bob is available for concerts as conductor, percussionist or clinician. His email: bobpodrum@gmail.com

Featured Track: McCormick Percussion Group-Between Rock and a Hard Place I-Hard Light-Hybrid Night

The McCormick Percussion Group is an intriguing prospect for music enthusiasts looking for something different and challenging. The featured track is "Between Rock and a Hard Place I-Hard Light-Hybrid Night." 

It's where classical meets heavy metal and although it is very percussive in nature I think that metal fans will find interest in hearing this interesting composition. It clocks in at just over nine minutes.

The intent is clear here, to present classical music with a different twist to garner interest from a large cross section of listeners. That mission is accomplished and the track will challenge and inspire aspiring and expereinced musicians alike.

Give it a good listen and judge for yourself!

More About The McCormick Percussion Group:

htmlhttp://mb3creative.com/mccormick/McCormickPercussionGroup/McCormickPercussionGroup/About_Me.html


The McCormick Percussion Group was formed for the purpose of recording new classical music in the percussion ensemble idiom.  The  McCormick Percussion Group has received world wide recognition in Fanfare Magazine, Gramophone, American Record Guide and other leading journals. They have recorded over 2 dozen CDs, many available on Capstone Records and Ravello Records. (Ravello is distributed by Naxos)  Their latest CD on Ravello Records (published 2014) titled: Soli for Soprano with Percussion Orchestra (with Jamie Jordan) received three Global Music Awards! Many of our CD’s are also available on iTunes and major internet sites. Often our CD’s feature well known non-percussion artists  to provide the best available contemporary literature at the highest performance level. The McCormick Percussion Group uses Grover Pro Percussion, Zildjian Cymbals and Encore Mallets. Please contact us for a list of CD’s and upcoming projects.

Percussionist and conductor Robert McCormick is a Professor of Music at the University of South Florida in Tampa. He has won many awards for his teaching and percussion composition.  He served as Principal Percussionist of the Florida Orchestra for 20 seasons, and is a former member of the Harry Partch Ensemble. He is also a member of the McCormick Duo, a well known flute/percussion chamber group.  Bob is available for concerts as conductor, percussionist or clinician. His email: bobpodrum@gmail.com

Judas Priest In Concert At The Tsongas Center At UMass Lowell

Judas Priest In Concert At The Tsongas Center At UMass Lowell

Lowell, Massachusetts

October 14, 2014

Priest, Priest, Priest…the familiar battle cry from an anxious crowd rings true whenever you attend one of their classic heavy metal concerts. This is the third time I have attended a Judas Priest concert over the last nine years. I can honestly say that every show was fantastic and the band has not lost a step in presenting the old and the new tracks from their enormous catalog.

This tour celebrates their recent release Redeemer of Souls album. After checking out their previous set lists I could see a definite pattern and knew what to expect. So much for expectations…what happened was they decided to mix it all up and provide a hungry audience with a diverse set list spanning the last 40 years of heavy metal. It was a nice surprise to hear songs I never expected to.

The warm up band Steel Panther kicked things off with their over the top “porn rock,” for lack of a better term. I was a bit surprised that Judas Priest would have a band like that open for them. I fail to see the connection to their music as there is a lot more to it than it being just metal. They are talented musicians but their lyrics and in between song banter I could do without. I was glad to see them leave the stage.

The traditional pre-concert song “War Pigs” only ran for a few minutes, not the usual full length before we could hear the Judas Priest guitars bursting out of the speakers. A huge curtain covered the stage while the band played and then it eventually dropped as they got the crowd into a metal fanatic frenzy with “Battle Cry.” 

I was a bit surprised at the subpar turn out for this show. I expected a packed house however there were many empty seats around the venue and even more surprising were the gaps on the main floor where all the head bangers reside. We sat to the left of the stage looking down with an excellent view of all the proceedings.

“Dragonaut” introduced their new material in a live setting and it sounded fantastic as anyone would expect from a seasoned band. Richie Faulkner has stepped up to become the featured guitar player (in place of K.K. Downing) and his youthful energy is like a rock double cappuccino to get your blood pumping. His guitar playing is excellent and Glen Tipton seems to feed of that energy as they do the call and answer guitar licks throughout a show. 

What can one say about Rob Halford?  It is beyond my comprehension how the man continues to sing like he does. His patented screams are legendary and as the night wore on I never heard him falter once, not even after repeated screams within one song. Who would have thought he would still have these abilities at 63 years old? He is a true star and phenomena of the metal scene.

As these heavy metal gods made their way through an impressive range of songs it reached a fever pitch between the audience and band. With Halford stalking the stage from side to side and Faulkner egging everyone on to clap in unison, it was a true team effort as band and audience became one huge wall of sound. It’s a beautiful thing to witness if you are a metal fan.

Old favorites such as “Hell Bent for Leather” and “Breaking the Law” drove everyone crazy with excitement and glee prompting those in attendance to sing along as requested by Mr. Halford. It was great fun and those are can’t miss numbers on any night. The song selection was excellent and well presented as I would have expected from this great band. It was well worth the trip for this music fan.

Halford and this band show no signs of slowing down at this point and that is good news for heavy metal fans worldwide. They are the keepers of the flame right now and continue to burn bright as ever.

Keith “MuzikMan” Hannaleck-Founder of Write A Music Review, Rate The Tracks, Prog  Rock Music Talk and New Age Music Reviews

Black Sabbath - "God is Dead?" Cover

When I first heard this song last year, I couldn't contain my excitement. Black Sabbath ended their Ozzy-era discography with the rather dissapointing Never Say Die!, but this song provided hope for a fitting end to Black Sabbath's catalog over 30 years later. 
 

Heavy Metal Review: Judas Priest-Redeemer of Souls

Release Date: July 8, 2014

Label: Epic

Website

It’s hard to imagine that 6 years has passed since Judas Priest released their double album Nostradamus. Some fans found that a tough one to swallow because they tried something different. I applauded it and thought it was a true masterpiece. Then K.K. Downing retired and we thought what now? Then another live album arrived titled A Touch of Evil a year later introducing their new guitarist Richie Faulkner. Again I thought this was another good move for the band to keep things rolling and Faulkner seemed to be a good fit. Once Faulkner got his chops down and did some touring with the band it was time to step back into the studio to see how that worked without Downing for the first time.

So now we have Redeemer of Souls which by all accounts is a return to form and I could not agree more. There are three editions of this release available, the regular one CD package, the deluxe two CD set and the double vinyl LP version. I decided, as I always do, to go for the gusto and get the deluxe CD version. I was glad I did as I found out the bonus CD is like an entirely different album, not some out takes or unreleased live material (like most bonus tracks are). I also received the LP version for review which was another added bonus that I welcomed. 

The album art by Mark Wilkinson is eye catching and prolific and very “metal” so we are off to a good start. As the album begins then explodes with the onset of the opener “Dragonaut,” Halford belts out “Welcome to my world of steel, master of my domain, cower as the pain’s unsealed, disasters where I reign.” You get the idea; the heavy metal music that goes hand in hand with the lyrics is a guarantee. How else would we want it? This music is like a battering ram straight between the eyes, perfect!

How many metal albums have 5 tracks that nearly reach the 10 minute mark? You will be hearing one if you pick this up. The first CD is powerful set with some excellent musicianship and being a long time Priest fan and one of their biggest supporters I was not disappointed in one track. The title track is amazing, sweeping, energized heavy metal; it does not get any better than that track. “Halls of Valhalla” is another beast, an epic track with all the glory of a warrior’s promise to reach the place of their calling after doing what they were destined to do, die in battle. Halford remains a wonder at his age and his ability to sing a song just as he always did. Priest would be a shadow of itself without him at the helm and we all know that.

The interplay of Faulkner and Tipton is quite the pairing and every bit as satisfying as the previous lineup. You cannot deny how strong this release is. Let us not forget the rock solid bottom end of this lineup with Ian Hill (bass) and Scott Travis (drums). Perhaps one of the best examples of that powerful duo on display is the hammer of the gods coming down in “Sword of Damocles.” If you were wondering, that phrase is a figure featured in a single moral anecdote, an allusion to imminent and ever-present peril faced by those in positions of power.

“March of the Damned” continues along the same lines as the preceding tracks. Its thunderous bass lines and juggernaut drums followed by beefy hard rock guitars are well suited to the doom and gloom of the lyrical content. And so it goes throughout the first disc, like a steamroller on mission, wave after wave of heavy metal comes at you. It is classic Priest jugging along at their very best. The first CD is relentless in its power and scope. This is a showcase of a heavy metal band hitting its stride and shining at all positions. By now I am wondering when I will hear a weaker track or one that I can say I don’t really like but that time never arrives. “Cold Blooded” and “Metalizer” continue to hammer away at your consciousness shaking you down inside and out. If you turn up the stereo with this music you are subject to shaking walls and shattered ear drums so heed the warning my metal head friends…or just go ahead and crank it and enjoy, I did.

What may come as a big surprise to fans are the bluesy roots in “Crossfire.” It is Priest because you have Halford on the vocals but if you had a different vocalist you would not know it was the same band. I have to say I thought the change was welcome and I loved the song. Some of it has the patented heavy riffs entering the mix but this one is real different and it shows how talented and diverse these musicians can be. This band is certainly not one dimensional.

The bonus CD was intended to be enjoyed as an entirely different album and it sounds that way. This is more of the classic Priest during the earlier years such as British Steel. The energy and power does not subside a bit so don’t worry. What you get is another side of Priest but the volume does not get turned down one iota.

As I made my way through the second disc, I became even more exhilarated by what I was hearing. “Snakebite” is excellent with Halford spewing out the venom of the past, giving the new fans a taste of where this band came from so long ago. It’s only four tracks but they pack a powerful punch and it’s well worth the additional investment to add them to your collection.

I also listened to the 180 gram vinyl edition of the album (minus the bonus tracks) and it sounds fantastic. You won’t be missing anything here; there is no sacrifice for quality of sound. Judas Priest sounds good in any format however this type of music is well suited to vinyl and it always was. 

This heavy metal carries on the tradition of Judas Priest and it will surely bring in more fans by the masses once they hear this music. It is one of their strongest efforts since the release of Screaming for Vengeance in 1982. If you love metal just make sure you get this!

5/5 Stars

Key Tracks: Redeemer of Souls, Sword of Damocles, Crossfire

Tracks:
Disc: 1

01. Dragonaut
02. Redeemer of Souls
03. Halls of Valhalla
04. Sword of Damocles
05. March of the Damned
06. Down in Flames
07. Hell & Back
08. Cold Blooded
09. Metalizer
10. Crossfire
11. Secrets of the Dead
12. Battle Cry
13. Beginning of the End

Disc: 2

1. Snakebite
2. Tears of Blood
3. Creatures
4. Bring It On

Keith “MuzikMan” Hannaleck-Write A Music Review Founder

August 23, 2014

Review Provided By Write A Music

Metal Warriors THOR Return To Hollywood For An Exclusive Show, Celebrate The Deluxe Re-Issue Of ONLY THE STRONG!

Los Angeles, CA - Muscle-bound superheroes THOR are set to fly to heavy metal’s very own Valhalla, Hollywood CA, on Saturday, May 24th, for an explosive performance at the Loaded club on Hollywood Blvd. This Vancouver outfit originated in the early ‘70s with body building champion and former Mr. USA Jon Mikl Thor, and quickly gained a devout following thanks in part to the band’s elaborate and supremely entertaining live shows, which frequently featured Jon performing not just outstanding anthems of metal but also astounding feats of strength - bending steel bars with his teeth and exploding water bottles with his lungs!Jon would go on to appear on the Merv Griffin Show in 1976, which led to a licensing deal with RCA and the release of THOR's debut album Keep The Dogs Away the following year.

But it wasn’t until the group’s 1985 album, Only The Strong, that Jon Mikl & Co. really began to flex their muscles. Recorded in the UK, the album produced two British chart-topping classics, “Let The Blood Run Red” and “Thunder On The Tundra,” and earned the band a truly international following. Now, on the eve of the 30th anniversary of its release, Deadline Music will offer a special deluxe CD/DVD edition of this metal masterpiece! Billed as the COMPLETE THOR experience, this set includes the entire Only The Strong album along with several rare and unreleased bonus tracks PLUS an incredible 60 minute concert DVD capturing the band in live performances during their early ‘80s heyday, performing stunts and ripping through their best songs - all packaged in a gorgeous 8 panel digipak with a full color 16-page booklet!

Jon Mikl Thor enthuses, “I am ready to take the THOR visual and sound experience to the entertainment capital of the world! What better place to launch the Only The Strong CD/DVD deluxe edition! As the Superhero Thundergod of Rock N’ Roll, I promise a night of startling metal and entertainment for all!”

For venue information, visit: http://www.LoadedHollywood.com
LOADED Hollywood
6377 Hollywood Blvd
Hollywood, CA 90028

To pre-order the CD or vinyl on Amazon: http://georiot.co/lzs

To pre-order the digital album on iTunes: http://georiot.co/38MC

For the latest information on Thor, visit: http://www.thorcentral.com/

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com