Showing posts with label Classical. Show all posts
Showing posts with label Classical. Show all posts

9/29/2021

Multi-instrumentalist and Composer Rachel Flowers to Release Third Solo Album “Bigger on the Inside” October 1, 2021

California multi-instrumentalist and composer Rachel Flowers will be releasing her eagerly awaited new solo album on October 1, 2021. Rachel demonstrates with her latest effort that she truly is, as the title suggests, “Bigger on the Inside.” As a composer, Rachel seamlessly weaves together elements of progressive rock, jazz, classical, and pop music with cinematic orchestrations, soaring melodies, and virtuosic playing. Top this off with Rachel's 3 1/2 octave vocal range and her uncanny ability to explore universal themes ranging from love, joy, and hope to depression, bullying, and fear of an uncertain future with sensitivity and optimism, and you have an album that is destined to stand the test of time.

Says Rachel, “I was inspired by composers and bands like Ambrosia, Frank Zappa, and Keith Emerson while writing the songs on ‘Bigger on the Inside.’ Some songs were inspired by or even heard in dreams. Others were improvised during the recording process. Sometimes just hearing a new piano sound can lead to inspiration. Some of my lyrics just come from my imagination and others come from real experience.”

Rachel Flowers is recognized worldwide as a multi-instrumentalist and composer whose music spans multiple genres.

She first gained recognition for her talent as a young child and has been admired and mentored by those at the top of their field including Greg Lake, Keith Emerson, Dweezil Zappa, Conductor Terje Mikkelson, and a series of jazz greats, most notably Herbie Hancock. As a teenager she won numerous awards as a pianist and flutist, and has matured to perform and record on the global stage.

The award winning documentary “Hearing Is Believing” was produced about her unusual life and talents.

Among Rachel’s recording credits are her solo albums “Listen” (2016) and “Going Somewhere” (2018), “Music From the Soundtrack: Hearing is Believing” (2017), collaborations with Michael Sadler of Saga and fusion band Stratospheerius, and appearances on the albums of Telergy and Marcelo Paganini. Rachel is prominently featured on “Keith Emerson - Beyond the Stars,” and the much awaited CD and DVD set, “Fanfare For The Uncommon Man: The Official Keith Emerson Tribute Concert.”

Rachel continues to defy expectations, refusing to be pigeonholed by genre or by instrument. Her classical piano training started when she was only 4 years old. At 9 she discovered jazz and was immediately transfixed by the music of John Coltrane, Miles Davis, Herbie Hancock, and Ella Fitzgerald. As varied as her musical background had already been, hearing Emerson, Lake & Palmer proved to be a turning point. Rachel was captivated by keyboardist Keith Emerson's innovative integration of classical and jazz elements in a rock setting, and he became a musical role model.

While her favorite instruments continue to be piano and organ, she is also classically trained on the flute and plays the guitar, bass, saxophone, and Chapman Stick.

Says Rachel, “I’ve always wanted to create music that had those big sounds that I love. I was excited to incorporate more of the organ on this album, using my Nord C2D and Electro 4D as well as pipe organ sound libraries to get that iconic tone I was looking for. There is also a lot of electric guitar on this album. I was inspired by Steve Vai, John Mayer, Steven Wilson, and of course Adrian Belew, who was a direct inspiration for the opening track.”

In support of Rachel’s new album release she will be performing at ProgStock on October 1 - 3, 2021 (https://www.progstock.com/2021/). On November 6, 2021 Rachel opens for Asia featuring John Payne at the Union County Performing Arts Center in Rahway, New Jersey, and she is slated to perform at Synthplex, the “All Things Synthesizer” electronic music festival & gear expo, on October 27 - 30, 2022 at the Los Angeles Burbank Airport Convention Center.

Rachel’s future plans include completion of a jazz album, and a jazz/hip-hop fusion album, both started during the pandemic. There are no release dates as yet. Plans to record with a live orchestra are currently in discussion.

In closing Rachel has this to impart to her listeners, “The message I would like my listeners to come away with is that there will be darkness, but you can fly, you can love, you can be loved, and the darkness is only temporary.”

To Purchase:
Bandcamp https://rachelflowers.bandcamp.com/album/bigger-on-the-inside
Apple Music https://music.apple.com/us/album/bigger-on-the-inside/1584874386
Amazon https://www.amazon.com/gp/product/B09FPJ2P86

For more information:
Website http://rachelflowersmusic.com
SoundCloud https://soundcloud.com/rachelflowers-1
YouTube https://www.youtube.com/RachelFlowersMusic
Facebook https://www.facebook.com/RachelFlowersMusic
Twitter https://twitter.com/RFlowersMusic
Instagram https://www.instagram.com/rachelflowersmusic
Spotify https://open.spotify.com/artist/4grHJyvpWRMC9cSDzohYaf

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

2/08/2021

Guitarist and Film Music Mastermind Lyle Workman To Release Stunning New Instrumental Album “Uncommon Measures” on Feb. 19, 2021 on Blue Canoe Records

Epic Progressive Rock/Jazz Fusion Collection Features 63-Piece Orchestra recorded Live At Abbey Road Studios

Known both as a first-call sideman/session musician and a top-shelf film composer with credits including “Superbad,” “The 40-Year-Old Virgin,” and “Forgetting Sarah Marshall,” prolific guitarist Lyle Workman will release “Uncommon Measures,” his first solo album in a more than a decade, on February 19, 2021, via Blue Canoe Records. Featuring a 63-piece orchestra recorded live at Abbey Road under the direction of orchestrator extraordinaire John Ashton Thomas (“Black Panther,” “Captain Marvel”), the collection plays like the score to some epic film from an alternate dimension, mixing elements of progressive rock, jazz fusion, and romantic classical music with gleeful abandon.

“This record ties together all the different threads of who I am,” explains Workman. “It was four years in the making due to my film and TV schedule, but it’s really the culmination of a lifetime in music.”

Bursting at the seams with soaring arrangements and virtuosic performances, “Uncommon Measures” showcases not only Workman’s unparalleled musicianship, but also his profound empathy and expansive emotional vocabulary. The songs here are living, breathing entities, constantly growing and evolving in ways both subtle and drastic, and the production is similarly unpredictable, veering from larger-than-life bombast to whispered intimacy and back, sometimes within the very same track. The result is a record as extraordinary as it is unexpected, a captivating, transportive song cycle that manages to scale the dizzying heights of joy and sadness, love and friendship, self-discovery and celebration, all without a single word.

“Lyle Workman is a completely accomplished and inspired guitarist, musician and composer,” says Steve Vai. “He has a wicked command of the instrument and is perhaps one of three players I know of that can wield exotic orchestral compositions with either a screaming or whispering guitar. ‘Uncommon Measures’ is the masterful evidence of this.”

A California native, Workman’s musical journey began in the mid-1980s, when he joined the Sacramento-based band Bourgeois Tagg. The group landed a deal with Island Records and gained international acclaim for their hit single “I Don’t Mind At All,” a Workman co-write that helped earn performances on the Tonight Show, Top Of The Pops, American Bandstand, and their European equivalents. The band proved to be a launching pad for Workman, who soon began picking up gigs in the studio and on the road with the likes of Sting, Beck, Frank Black, Jellyfish, Todd Rundgren, Norah Jones, Bryan Adams, and jazz icon Tony Williams, who included Workman’s “Machu Picchu” on his final album, “Wilderness,” with Stanley Clarke and Herbie Hancock. Workman’s skills as a sideman turned out to make him ideally suited for the world of film and television, as well, and work writing commercial jingles soon gave way to jobs composing for indie films, which opened the door to major studio releases and a connection with Judd Apatow, who began hiring Workman to score many of his projects. To date, Workman has composed music for films that have generated over a billion dollars at the box office worldwide.

PURCHASING LINK:
https://www.bluecanoerecords.com/uncommon_measures.html

SOCIAL MEDIA:
https://www.facebook.com/lyleworkman.musician
https://www.instagram.com/lyle.workman/
https://www.youtube.com/c/lyleworkmanofficial
https://twitter.com/lyle_workman

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Guitarist and Film Music Mastermind Lyle Workman To Release Stunning New Instrumental Album “Uncommon Measures” on Feb. 19, 2021 on Blue Canoe Records

Epic Progressive Rock/Jazz Fusion Collection Features 63-Piece Orchestra recorded Live At Abbey Road Studios

Known both as a first-call sideman/session musician and a top-shelf film composer with credits including “Superbad,” “The 40-Year-Old Virgin,” and “Forgetting Sarah Marshall,” prolific guitarist Lyle Workman will release “Uncommon Measures,” his first solo album in a more than a decade, on February 19, 2021, via Blue Canoe Records. Featuring a 63-piece orchestra recorded live at Abbey Road under the direction of orchestrator extraordinaire John Ashton Thomas (“Black Panther,” “Captain Marvel”), the collection plays like the score to some epic film from an alternate dimension, mixing elements of progressive rock, jazz fusion, and romantic classical music with gleeful abandon.

“This record ties together all the different threads of who I am,” explains Workman. “It was four years in the making due to my film and TV schedule, but it’s really the culmination of a lifetime in music.”

Bursting at the seams with soaring arrangements and virtuosic performances, “Uncommon Measures” showcases not only Workman’s unparalleled musicianship, but also his profound empathy and expansive emotional vocabulary. The songs here are living, breathing entities, constantly growing and evolving in ways both subtle and drastic, and the production is similarly unpredictable, veering from larger-than-life bombast to whispered intimacy and back, sometimes within the very same track. The result is a record as extraordinary as it is unexpected, a captivating, transportive song cycle that manages to scale the dizzying heights of joy and sadness, love and friendship, self-discovery and celebration, all without a single word.

“Lyle Workman is a completely accomplished and inspired guitarist, musician and composer,” says Steve Vai. “He has a wicked command of the instrument and is perhaps one of three players I know of that can wield exotic orchestral compositions with either a screaming or whispering guitar. ‘Uncommon Measures’ is the masterful evidence of this.”

A California native, Workman’s musical journey began in the mid-1980s, when he joined the Sacramento-based band Bourgeois Tagg. The group landed a deal with Island Records and gained international acclaim for their hit single “I Don’t Mind At All,” a Workman co-write that helped earn performances on the Tonight Show, Top Of The Pops, American Bandstand, and their European equivalents. The band proved to be a launching pad for Workman, who soon began picking up gigs in the studio and on the road with the likes of Sting, Beck, Frank Black, Jellyfish, Todd Rundgren, Norah Jones, Bryan Adams, and jazz icon Tony Williams, who included Workman’s “Machu Picchu” on his final album, “Wilderness,” with Stanley Clarke and Herbie Hancock. Workman’s skills as a sideman turned out to make him ideally suited for the world of film and television, as well, and work writing commercial jingles soon gave way to jobs composing for indie films, which opened the door to major studio releases and a connection with Judd Apatow, who began hiring Workman to score many of his projects. To date, Workman has composed music for films that have generated over a billion dollars at the box office worldwide.

PURCHASING LINK:
https://www.bluecanoerecords.com/uncommon_measures.html

SOCIAL MEDIA:
https://www.facebook.com/lyleworkman.musician
https://www.instagram.com/lyle.workman/
https://www.youtube.com/c/lyleworkmanofficial
https://twitter.com/lyle_workman

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

4/23/2020

Internationally Renowned Musician JOZEF VAN WISSEM Releases New Single In Partnership With CLEOPATRA RECORDS!


Los Angeles, CA - He’s been called the most well-known lute player in the western world, earning immense critical praise from Pitchfork, NY Times, NPR and others and collaborating with a wide range of accomplished artists including Zola Jesus, Jarboe of Swans, film director Jim Jarmusch, and many more. Now, Jozef Van Wissem has found a new partner in L.A.-based indie label Cleopatra Records, through which Van Wissem will release his newest single, a stunningly dark and gothic take on the ‘70s folk classic by America “Horse With No Name.” Van Wissem draws out all the underlying themes of isolation and mental instability with his hauntingly visceral take on the song, his deep baritone voice contrasting with the lightness of the lute, which adds a baroque quality to this American classic.

“Cleopatra Records asked me to do a yacht rock cover from a playlist. My natural inclination was to decline since the material was too happy and suntanned. But then I took a closer look at the lyrics of “ A Horse With No Name.” I think it fits perfectly with the times. Musically I wanted to strip it down so there’s only two chords played on a 12 string electric guitar and baroque lute with effects. But to me the song is more about the character lost in dystopia. Or maybe it’s about heroin.” -  Jozef Van Wissem

Give it a listen here: https://orcd.co/jozef-van-wissem-a-horse-with-no-name



Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify  @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

2/08/2020

Classical/World/ New Age Instrumental Review: Kim Angelis-Passages

Release Date: January 15, 2020
Label: Cantocielo Music
Website


Kim Angelis has recorded a lot of music over the years. Her most recent effort is Passages. As indicated in her bio on her website, her foundation in classical music is readily apparent. What comes after that foundation is amazing!

Passages
has some incredible virtuoso violin playing. What you will witness is an aural explosion of colors and sound. This a woman taking that classical foundation to new heights of progressive improvisation and turning into a fascinating gypsy-inspired sound with all kinds of elements mixed in for an original sound.

The recording has nine tracks that come at you one after another, full speed ahead. If you have enjoyed other violin artists such as Jean Luc-Ponty and David Ragsdale etc., you will find great joy in this album. I know that great players go back to the days of Bach, so perhaps that is where this talented lady first received the gift of inspiration and creativity that brought her to this place she is in now.

The very first track just blew me away to be perfectly honest. “Lavender Farm” sounds like it should be a soft and gentle introduction to this music that unfolds before you. Well, do not read into that title, this track has plenty of high-level energy and cultural magnificence driving it along. The farm she dedicated the track to is a real place in IIwaco Washington, which is a garden of delights according to track notes included with the fold-out CD cover. I did add it to my New Age Music Reviews Spotify Playlist without a second thought. It is the second-longest track clocking in at 7:51. “The Promise,” another full-fledged classic instrumental track, finishes at 9:19.

How many instrumental violin tracks have you heard that had consistency and grabbed your attention for that long? There are not many that can do that, the previously mentioned Ponty, could do it for me, but then again, I am far from being a violin expert or one that listens to a lot of this type of music presented this way. I do believe I am missing out on an awful lot, and I am sure there is more out there that is similar but will it be this good?

“Lost and Found” illustrates that moving and danceable gypsy sound that I find alluring. It is more than just a casual listen. There are other players involved in all this music that help to heighten the lead violin sound. There is the quintessential percussion, bass, classical harp, flute, clarinet, and kalimba (which is a thumb piano) that populate the various textures and sounds in every track. It all comes together stunningly, like the magic of a gypsy spell, it sweeps you away like a warm wave of heat coming off a campfire blazing long into the night. The warmth permeates your senses, you feel it, smell it, and breathe it in, the music comes alive, and fills you up with all of its vibrations and sounds.

These Passages of time wrapped up in these nine fantastic tracks will convince you that the violin can indeed be a lead instrument if played with as much robustness and talent as one Kim Angelis.

Keith “MuzikMan” Hannaleck
February 6, 2020

 

Founder of:








Review Provided By New Age Music Reviews

Tracks:

1. Lavender Farm
2. Sweet Botswana
3. Wait Until Summer
4. The Promise
5. Eagles
6. Lost and Found
7. Longing
8. Tango de Paco
9. Sequoias (Resurrected)

 
 

4/04/2019

RICK WAKEMAN, JEFF WAYNE, KEVIN PEEK “Beyond the Planets” Limited Edition 180 Gram Clear Vinyl Personally SIGNED by Rick Wakeman Now Available For Pre-order!


London - Now available for pre-order RICK WAKEMAN, JEFF WAYNE, KEVIN PEEK “Beyond the Planets” Limited Edition of 100, Hand Numbered, 180 Gram Clear Vinyl personally SIGNED by Rick Wakeman!

Have you even wondered what would happen if the king of progressive rock keyboards teamed up with the bloke who wrote “The War Of The Worlds” rock opera and the guitarist with the late lamented Classical Rock group Sky? Well, you need wonder no longer! A reviewer on the Prog Archives writes: “Beyond the planets” is essentially the performance of Holst's “The planets” in a rock context. Wayne's contribution is limited to the composition of an Overture for the album. As this ends, some brief narration by Patrick Allen is heard. Allen does a great impression of Richard Burton, which when combined with Wayne's distinctive sound, immediately creates echoes of “War of the Worlds.” Allen returns a couple of times during the album to link tracks together with further brief narration. The familiar introduction to “Mars” (as used by Rainbow on “Eyes of the World” among many others) then takes over, and we launch into a full rendition of “The Planets suite.” The music is performed dramatically and faithfully throughout, with Peek using various guitar sounds according to the mood of the piece.

This is a strict edition of 100 units, all hand numbered, pressed on 180 gram clear vinyl and personally SIGNED by Rick Wakeman released by The Strictly Limited Edition Vinyl Company.

Estimated delivery date : July 2019



TRACKLIST
FACE A
1. Waves / The Journey composed by Jeff Wayne
2. Mars (The Bringer of War)
3. Venus (The Bringer of Peace)
4. Mercury (The Winged Messenger)

FACE B
1. Jupiter (The Bringer of Jollity)
2. Circles / Saturn (The Bringer of Old Age)
3. Uranus (The Magician)
4. Neptune (The Mystic) / The Heavens Reply / Beyond (The Finale written by Rick Wakeman)

To pre-order: https://www.diggersfactory.com/vinyl/226769/rick-wakeman-jeff-wayne-kevin-peek-beyond-the-planets

THE STRICTLY LIMITED EDITION VINYL COMPANY UNITED KINGDOM
The strictly limited edition vinyl company. produce strictly limited edition of 100 units per title 180gram, colour vinyl pressings of long lost classic albums and previously unreleased on vinyl

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

RICK WAKEMAN, JEFF WAYNE, KEVIN PEEK “Beyond the Planets” Limited Edition 180 Gram Clear Vinyl Personally SIGNED by Rick Wakeman Now Available For Pre-order!


London - Now available for pre-order RICK WAKEMAN, JEFF WAYNE, KEVIN PEEK “Beyond the Planets” Limited Edition of 100, Hand Numbered, 180 Gram Clear Vinyl personally SIGNED by Rick Wakeman!

Have you even wondered what would happen if the king of progressive rock keyboards teamed up with the bloke who wrote “The War Of The Worlds” rock opera and the guitarist with the late lamented Classical Rock group Sky? Well, you need wonder no longer! A reviewer on the Prog Archives writes: “Beyond the planets” is essentially the performance of Holst's “The planets” in a rock context. Wayne's contribution is limited to the composition of an Overture for the album. As this ends, some brief narration by Patrick Allen is heard. Allen does a great impression of Richard Burton, which when combined with Wayne's distinctive sound, immediately creates echoes of “War of the Worlds.” Allen returns a couple of times during the album to link tracks together with further brief narration. The familiar introduction to “Mars” (as used by Rainbow on “Eyes of the World” among many others) then takes over, and we launch into a full rendition of “The Planets suite.” The music is performed dramatically and faithfully throughout, with Peek using various guitar sounds according to the mood of the piece.

This is a strict edition of 100 units, all hand numbered, pressed on 180 gram clear vinyl and personally SIGNED by Rick Wakeman released by The Strictly Limited Edition Vinyl Company.

Estimated delivery date : July 2019



TRACKLIST
FACE A
1. Waves / The Journey composed by Jeff Wayne
2. Mars (The Bringer of War)
3. Venus (The Bringer of Peace)
4. Mercury (The Winged Messenger)

FACE B
1. Jupiter (The Bringer of Jollity)
2. Circles / Saturn (The Bringer of Old Age)
3. Uranus (The Magician)
4. Neptune (The Mystic) / The Heavens Reply / Beyond (The Finale written by Rick Wakeman)

To pre-order: https://www.diggersfactory.com/vinyl/226769/rick-wakeman-jeff-wayne-kevin-peek-beyond-the-planets

THE STRICTLY LIMITED EDITION VINYL COMPANY UNITED KINGDOM
The strictly limited edition vinyl company. produce strictly limited edition of 100 units per title 180gram, colour vinyl pressings of long lost classic albums and previously unreleased on vinyl

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

12/10/2018

Classical-New Age Review: Samer Fanek-Guide Me

Release Date: December 11, 2018
Label: Independent

Samer Fanek is a talented keyboard player. I covered his debut WishfulThinking two years ago. I gave it a 5-star rating and I have no reason to believe things would be different with his new offering Guide Me. This is an instrumental recording filled with classical and contemporary music with a new age feel.

According to the artist, the first track “Grand Opening,” is intended to be exactly what it says it is. The curtain opener is an exciting burst of colors and energy that has you envisioning a scene in an action movie or an emotional still picture with a soundtrack to make it come alive. It is an amazing song but it does not set the tone for the album that most opening tracks do because of the eclectic nature of the overall presentation. “Chasing Time” is similar to the high level of energy and general pace.

What you will discover while listening are different moods, a story being told through the fingers and ivory keys. There is no doubt that this music can move you and it is meant to. The changing tides of sound and textures are a credit to Samer’s characteristic creativity and tastefulness. It can give the astute listener an opportunity to step outside any sort of emotional bubble one may feel trapped in. 

An interesting point is the artist spent the last two years dealing with his own life and through the music found a path to enlightenment…a point of letting go and allowing himself to walk through the door of change and renewal. This is what Samer’s music can do for anyone. The first step is hitting play and letting the music encapsulate your surroundings and then changing your thought process. That is a monumental change for anyone feeling stress, distraught or just sad and lonely. If you have heard anyone say “I can be in a room with 300 people and feel alone,” then that gives you an idea of the level of pain one individual could be feeling.  I think the key is to own whatever it is you are feeling at the moment then be ready to let go and move on with the help of the music.

Guide Me is an extraordinary musical achievement that will give listeners the occasion to feel what the artist is feeling and what part they may be playing in the story. Sometimes, for me, it feels like I take on my own part in the story and get this flood of feelings and emotions listening to this music, and then any isolation I may be feeling just slips away. On the positive side of the coin, there is a necessary solitude that I enjoy. It recharges my inner batteries and gives my soul a shot of light and hopefulness. It may sound complicated to some folks but it certainly works for my listening experience.

As the music guided Samer it will guide you to another space and time with a mindset that can give you a healing internally that you will come to expect from this music. I had set the bar very high for Samer on his sophomore release and he came through with another instrumental masterpiece.

Keith “MuzikMan” Hannaleck
December 10, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks: 

01. Grand Opening
02. Long Time Ago
03. Newborn
04. Now You See
05. Guide Me
06. Guardian
07. Before Dawn
08. Chasing Time
09. For Lila
10. Sense of Purpose
11. Back to Hometown

 



9/20/2018

New Age-Classical-World Review: Sangeeta Kaur-mirrors

Release Date: September 21, 2018
Label: Sangeeta Kaur Music

This time last year I was introduced to Sangeeta Kaur with her amazing album Ascension - Niguma Vol. 2 The Mantra Project. It was easy for me to tag it as a 5-star album. I was genuinely moved by her music.

Mirrors is Sangeeta Kaur’s third New Age/Classical Crossover album. The album features renowned composer and producer, Nicolas Neidhardt on piano and keyboard as well as the multi-instrumentalist, Dat Nguyen on guitars and flute.  These excellent musicians become the quintessential element that elevates the vocalist to where she needs to be.

Once again, I am mesmerized by this woman’s voice. Mirrors can give a listener so much potential. I found it to be relaxing assurance, peace, and a smile was inside me just bursting to come out. This music and Sangeeta’s voice is something to celebrate.

The music is an effective combination of new age, classical, world and vocals. The difference in this recording is it was not recorded to match a stage presentation on the level of the last album. I can envision a multi-media project built around this music, however. The strongest instrument is Sangeeta’s voice. The musicianship is precise and quite beautifully arranged to accompany and accentuate a great vocalist. This combination worked well and at this point, there is no doubt there is a great vocalist that we all need to discover. Well, here she is, if you have not heard her, you need to. Even if you are not a fan of this type of music you can appreciate the talents of Sangeeta.

With Mirrors, I heard some more music presented in a different language and again, I was very pleased. I felt it was done just right, her warmth and sincerity come through the music with tremendous impact while at the same time gently inviting you in to partake in the festivities.

I think Mirrors says a lot through the music and the CD cover. This really does mirror the soul of a woman that wants to give you every ounce of energy that she can give. This music can mirror you the listener, it can give you purpose, validation, and clarity. That is the purpose of any good meditation or relaxation music. If you can sync with the music and feel the vibrations and tones, you will be swept away instantly, I can promise you that, and you will love it!

Keith “MuzikMan” Hannaleck
September 19, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks:  
1. Bring It Down
2. Dust In The Wind
3. I'm Not Gonna Break
4. Adoro Te Devote
5. Mother Earth
6. If Time Stood Still
7. Sa Ta Na Ma Meditation - To Make The Impossible, Possible  
8. Thank You



9/09/2018

New Age/Classical/Ambient Review: Karen Olson-SongPath

Release Date: July 13th, 2018
Label: Soundview Records

SongPath is Karen Olson's 8th CD release and is a companion to her soon to be published book entitled, SoundPath: Using the Power of Sound and Silence for Health, Harmony, and Happiness. Notably, SongPath is in the top 10 on four Billboard charts including Classical and #3 as the Highest-Ranking Debut New Age Album so far in 2018.

According to Karen’s website:  She combines her unique background as a Violist, Recording Artist, Composer, Author, and intuitive Holistic Healer, to make a positive difference in the lives of others through interactive programming, events, and concert performances that are fun, inspiring, and transformative.
Karen Olson is a respected healer, practitioner, and musician. With SongPath she adds to her already incredibly impressive resume of releases and has reached the pinnacle (thus far) of her musical achievements for variety, depth, and healing. 

I think after listening to her latest offering I can agree with that statement. I covered A Hero’s Journey in 2016 and was quite impressed. It is nice to find out 2 years later that I feel the same about her music. 

SongPath is very wide-ranging. One of the tracks that caught me completely off guard was “New Ways.” It is an electronic-R&B- rap style song. I think it was titled appropriately considering I never expected to hear such a big change in direction on this album. Olivia Meihofer provides the excellent vocals as she does on other songs as well. I give Karen credit for stretching out musically and taking a chance. I enjoyed the song because it was so different and done very well. I imagine there will be new age fans that will probably not appreciate it but that is ok. All the rest of the album is more along the lines of what you would expect from Karen.

With her “New Ways” you will find “Inspiration” and “Serenity” and an “Adventure” inside the music. All of that is wrapped in a nice package for the prospective listener. 

Personally, if I can find pleasure in any type of music, it is healing. It doesn’t necessarily have to have a certain tag on it for it to work, but that is for me. In this case, the label of new age, classical and ambient certainly fits. What you will discover is joy, healing and quite a range of sounds and styles that would satisfy any musical palette. 

SongPath is a prolific release from my viewpoint mainly based on the fact the lead instrument is a viola. That my music loving friends is not an easy task to accomplish, yet Karen Olson makes it sound like it is all very natural, with very concise musicianship and a flow that syncs with your inner voice and soul.  That covers it all as far as I am concerned.

Keith “MuzikMan” Hannaleck
September 9, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
1. Ever Peace
2. Why Not
3. Adventure
4. Moving Higher
5. Reminding
6. Inspiration
7. New Ways
8. Gaining Grace
9. Serenity

 

9/01/2018

Instrumental Ambient/New Age/Classical Review: Barbara Hills-The Flowers Suite

Release Date: August 1, 2018
Label: House in the Wood Productions


Barbara Hills likes to refer to her music as “painting sound.”  Interesting enough is the fact that she does paint, and flowers are her specialty. One of the examples is the cover of her latest release The Flowers Suite. What you find out after hearing her music is how these two things can go hand in hand.


I also have referred many times over the years to music as taking a blank canvas a filling it with colors, feelings, atmospheres, and life. In the same thought process, any listener can then do the same while and paint their own canvas in their mind. I always have been able to create some kind of running story or images listening to moving instrumental music. With The Flowers Suite I found that ability to do so quite easily, it was a natural transition. She also takes sounds of nature and her surroundings and blends it with her music to get a wonderful result.

What I appreciated the most about The Flowers Suite was how eclectic it was. All twelve tracks have their own personality, a different painting if you will from the multi-talented artist. The most moving songs for me were “Sweet William,” it captured my imagination and stirred my spirit, then “Hedgerow Walk” really got my attention. The “Hedgerow Walk” is an entertaining 16 minutes of progressive ambient instrumental music. Granted 16 minutes is a long run for any track however if it is done properly it can mesmerize the listener. In the case of this particular a musical stretching of thoughts and forms, it most certainly sounded like music being painted into your consciousness.  I think the end result is quite amazing. It is a great example of an artist using all of the talents and instrumentations at her disposal to create something special and memorable for the instrumental music fan. 

If you happen to fancy ambient music with some changing scenery this will be a real pleasure. It is all done with a new age flair and a solid foundation of classical to hold it all together. It is an omnibus of sounds and colors conjoining to make a beautiful painting.

The Flowers Suite is a triumph of sound and art for Barbara Hills. I am certain that any instrumental music fan can find appreciation somewhere amongst the bounty of sounds that this talented lady provides. I think this recording could serve as soundtrack music for the film industry or for an individual searching to create their own soundtrack or painting in the mind's eye. I highly recommend giving this album a thorough listen as there is so much just waiting for you to discover!

Keith “MuzikMan” Hannaleck
August 30, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
01. Love-In-A-Mist
02. Among Lilies
03. Through Iris Halls
04. The First Snowdrop   
05. When Cherry Blossoms Fall
06. On Hawkweed Bank
07. Sweet William   
08. Forget-Me-Nots
09. Creeping Buttercup
10. Where Heather Grows
11. Hedgerow Walk
12. Canyons Of The Black Tulip

 

4/05/2018

Instrumental New Age-Chill-Classical Review: Richard Dillon-Terra Incognito-The Space Between Us

Release Date: February 14, 2018
Label: Independent

Before settling in and taking in Terra Incognito-The Space Between Us, I thought about the three albums I had the pleasure of covering last year.  I got to know Richard through Ring Around The Moon, Irish Mist and The Land of Nod Lullabies for the Listless. There is a saying…familiarity breeds contempt, in this that could not be further from the truth. Having a comfort zone before I started made it even easier for me to get into my mindset for listening.

Although I do have that zone with Richard’s music, I certainly never know what to expect from him one album to the next. The only realistic expectation I have is that his music will be a great experience from start to finish.

Terra Incognito is unfamiliar territory, a new path or journey one is experiencing. A similar term, Terra Incognita, is in reference to territories that have not be mapped. To put it in layman’s terms, this is the unknown. Like Captain Kirk and his crew aboard the starship enterprise, we embark upon a journey with wonder and excitement, with no prior knowledge of what will come our way.

Terra Incognito-The Space Between Us is everything that I just discussed. Such diversity presented so well deserves a hearty salute and tip of the cap. Richard manages to record 24 tracks and some redux’s with an energy and grace that comes flowing through the music like a steady running stream. 

The colors are changing all the time on this recording. From track to track you just do not know what is coming next. It is like having Christmas at your own private music shop and Richard is the sole proprietor. The reason this recording is so eclectic is that it takes past recordings and weaves them together to encompass orchestration and licensing going back to 1984 all the way to present day.

It is music for movies, documentaries, commercials, just about anything you can imagine. Instrumental music is much more flexible when it comes to using it for various media purposes. I really appreciated the ground covered musically and the titles range from “In Search of Chocolate” to “Leonardo’s Flying Machine.” There is no connection whatsoever with those two tracks but yet they find a home here in this collection.

Terra Incognito-The Space Between Us unites us as listeners and human beings even though it is unchartered territory, our similarities and the world around us is what makes us one planet and one people. It is like taking a “Light of Peace” to heal us and help us to grow in many ways. The universal healer and language of music once again can be the answer.


5/5 Stars

Keith “MuzikMan” Hannaleck
April 5, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks:

01. Whalesong (Redux)
02. Green Flash (Redux)
03. The Space Between
04. Dust Devil
05. Ice Dancer (Redux)
06. Color Me
07. In Search of Chocolate
08. Leonardo's Flying Machine
09. Beside Still Waters (Redux)
10. Papillon (Redux)
11. Lead Kindly Night
12. It's All Right (Redux)
13. Cars
14. Voyager
15. Into the Mines
16. He Leadeth Me Beside Still Waters (Redux)
17. A Different Time a Different Place (Redux)
18. Light of Peace (Redux)
19. Goodbye for Now
20. Sea of Forgetfulness
21. Ha Long Bay
22. Missing You
23. January Moon (Redux)
24. I Could Care Less



3/12/2017

Concert Review: The Ten Tenors in Concert at The Colonial Theater

The Ten Tenors in Concert at The Colonial Theater
March 10, 2017
Pittsfield, Mass.

The Ten Tenors warmed up a chilled capacity crowd at The Colonial Theater in Pittsfield Massachusetts on a typical blustery winter night in the Berkshires. The crossover classical group is celebrating their 20th year with the Power of Ten Tour. The tremendously successful act has accounted for six Platinum and Gold records and performed alongside countless music legends including Andrea Bocelli, AndrĂ© Rieu, John Travolta, Nicole Kidman, Geoffrey Rush, Keith Urban, Rod Stewart, Alanis Morissette, Sarah Brightman, Willie Nelson, Katherine Jenkins and Christina Aguilera. It comes as no surprise to me that they have the utmost respect of music industry people all over the world. 

Their set was comprised of two acts of diversity and musical excellence. The very first thing that struck me just before they opened the night was the stage lighting. The lights came shining down on the performers like rays from the heavens. The interesting thing was that it felt like musical heaven while taking in this special evening.

I was impressed with this group of men prior to attending the concert. I watched their cover of the Queen classic “Bohemian Rhapsody” on YouTube (which has over 1.2 million views and counting) and was blown away by their exceptional talent. My first thought after that was how incredible it must be to see them perform on stage! I was even more impressed once the show kicked off with another Queen staple, “We Are The Champions.”



What I was not prepared for was their implausible diversification and electric stage presence. These Australian performers know how to present any kind of music.  Their abilities to do so points to the different ranges that each vocalist commands and how they are positioned on the stage. They do have a good sense of humor as well and the choreography was spot on and always right in sync.

I think the highlights of the night for my ears were the “Jersey Boys Medley” and the encore of “Bohemian Rhapsody” and Bowie’s “Heroes,” which closed out the show and gave me chills several times. I am a huge Bowie fan and always have been so this was the icing on the cake for my night.

I must tip my hat not only to the all-around performance of the ten men but the three others that provided the instrumentation, Ben Kiehne (piano), David Orr (guitar) and Trent Bryson-Dean (drums) were essential to their presentation as well. Without them it would just be voices, which would also sound wonderful. The musicians made a difference and so did the piped in orchestrations they had. Each number came together flawlessly once again proving that the most amazing instrument is the human voice. None of the extras included were necessary, they were just bonuses added to ten incredible vocalists with varying arrays of resonance.

The Ten Tenors are a guaranteed fun night for any music lover. The fact that they cover a wide expanse of genres give them a worldly appeal - from the crowd that appreciates opera to the all-encompassing lovers of pop and rock music. It all comes together for an amazing night of entertainment.


Selfie posted on Facebook of the audience at The Colonial, were you there?

Set List:
 
ACT 1:
WE ARE THE CHAMPIONS
JUST THE WAY YOU ARE
MARECHIARE
TORNA A SURIENTO
LA DANZA 
NOTHING COMPARES TO YOU
HALLELUJAH 
LAND DOWN UNDER
WALTZING MATILDA
STILL CALL
JERSEY BOYS MEDLEY

ACT 2:
CANCION DEL MARIACHI
ARANJUEZ CON TUAMORE
AMIGOS PARA SIEMPRE
DIVA MEDLEY
THINKING OUT LOUD
UNCHAINED MELODY
THE BOXER
ANYTHING FOR LOVE
Encore:
BOHEMIAN RHAPSODY
BOHO NESSUN DORMA
HEROES

Review Provided By: Keith “MuzikMan” Hannaleck
March 12, 2017
Founder of: 

Ads Inside Post