Showing posts with label Blues. Show all posts
Showing posts with label Blues. Show all posts

3/17/2022

FS3 Trio Featuring Austrian Guitarist Joe Doblhofer Releases Debut Album “Cats ‘n’ Strats”

Joe Doblhofer is a Linz/Austrian based guitar player with musical roots in both European Classical and American Blues and Rock music, fused with a deep dedication to Jazz and other related forms of improvisational and interactive music. Working with German Jazz-Metal crossover band Panzerballett since 2010 he has now released his own trio's debut album with his trio FS3 titled “Cats ‘n’ Strats”, a well-balanced mix of composition and improvisation, stylistically drawing from both traditions in Jazz and Blues as well as conceptional approaches found in contemporary classical music.

The idea behind “Cats ‘n’ Strats” was to combine all the aspects of making music that matter the most to Joe into one project. He wanted to make music that would balance composed parts with space for interaction and improvisation, and satisfy his need for both sophistication and savageness.

Says Joe, “‘Cats ‘n’ Strats’ blends together my affection for the possibilities of expression that the electric guitar provides with my love for Blues and Rock as well as my interest for intellectually demanding approaches known from Jazz and Contemporary Classical Music. The tunes are supposed to work equally well live in a trio setting as well as produced tracks on the album.”

Being born into a musical family Joe experienced education in classical music from an early age on taking his first steps into making music with the violin. It was not until the age of 14 when he first discovered the electric guitar as his means of expression, and with it a musical culture diametrically opposed to the one he had been exposed to so far.

While first being fascinated by the rawness and power of guitar based music he later discovered the limitless possibilities of the guitar in terms of creating a distinct musical language by combining its dynamic and expressional abilities with the offerings that an academic approach to music theory and composition were able to contribute. It is this dialectic between savageness and sophistication that has been driving his musical journey ever since, resulting in his long time engagement with German Jazz-Metal act Panzerballett as well as his own trio project FS3. As a sideman he has worked with Ian Paice (Deep Purple), Randy Brecker, Mathias “IA” Eklundh (Freak Kitchen), Trilok Gurtu and others.

Says Joe, “The music to this album was written over the course of several years. After being exposed to a lot of different approaches to composition during my studies of Jazz at the university and as a sideman for projects ranging from Jazz/Metal Crossover to classical Orchestra I had to figure out what in particular would work for the music I had in mind.  The basic tracks were recorded live at a studio to get some musical interaction going. After that a lot of time went into developing parts around the original recordings as I love enhancing a track by creating little arranged details around obvious interactive parts. I want listeners to be aware though that this is a band record with real people interacting and taking musical risks. The music is supposed to be played live which was the reason to make the record in the first place.”

FS3 is:
Florian Kasper - Drums
Gerald Kiesewetter - Bass
Joe Doblhofer – Guitars

The basic tracks were recorded Feb. 14th - 16th, 2020 at Anton Bruckner Privatuniversität Linz. Additional recordings March till May, November 2020.

Produced by FS3, engineered by Matthias Kronsteiner, mixed by Tobi Wöhrer, mastering by  Michael Haider @AlphaMastering & Alphakustik.

Cover Design by Edith Gappmaier. Pics by Reinhard Winkler.

All Tracks composed by Joe Doblhofer

Videos:
Album Teaser: https://www.youtube.com/watch?v=TX1H3u79DdY
Soldersniffer Blues: https://www.youtube.com/watch?v=tTcP4EIz94s

Track list:
1 - Necessary Evil 08:18
2 - Hustle & Slo 07:09
3 - Soldersniffer Blues 07:02
4 - Loony & Blue 07:03
5 - (Ballad Of The) Blue Genes 09:51
6 - Tech Republic 05:06
7 - Black Sheep Waltz 06:08
8 - LN (feat. Jan Zehrfeld) 07:56
9 - Lost In The Shuffle 07:24
10 - Ragdoll Boogie 05:14

To purchase:
Released on Cats ‘n’ Strats Records, the album is available from www.joedoblhofer.com/shop as CD, 180g Vinyl and Download, as well as on all major streaming and download platforms.
Spotify: https://open.spotify.com/album/1FNn9bMoauafkI9Wcq87vE
Apple Music: https://geo.music.apple.com/at/album/_/1601175392?
Amazon Music: https://music.amazon.com/albums/B09NRYSZMS
Tidal: https://listen.tidal.com/album/209652886
Deezer: https://www.deezer.com/album/281274491

For more information:
Web: www.joedoblhofer.com
Joe's artist page on FB: www.facebook.com/joedoblhoferofficial
FS3 on FB: www.facebook.com/FSThreee
Joe on Instagram: www.instagram.com/joedoblhofer/
FS3 on Instagram: www.instagram.com/fs3_official/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

3/09/2022

Tony Palmer’s “All You Need Is Love” Documentary Limited Unique Signed Collectors Edition Box Set

“All You Need Is Love” is a landmark production that first aired in the 1970s.

Director Tony Palmer’s 17-part documentary covers the history of modern popular music, from its earliest origins through the mid-70s. Among the included genres are folk, ragtime, musical theatre, swing, jazz, blues and of course rock ‘n’ roll.

Palmer interviewed more than 300 subjects, and he enlisted the help of experts and personalities in the music field, including Stephen Sondheim, Leonard Feather and Nik Cohn, to provide the background for each episode. The documentary’s title is taken from the 1967 Beatles song written by John Lennon, a friend of Tony’s.

The Box Contains:
1) A hand signed by Tony Palmer certificate
2) All 17 one hour episodes on 5 DVDs of the classic TV series
3) 322 page long out-of-print original book with black & white and colour photos
4) 28 page brochure with all the background
5) A complete facsimile of Tony Palmer’s diary for 1975 showing where and when the films were made...
6) A reproduction of the “A monumental achievement. Thank you” telegram sent by JOHN LENNON personally to Tony Palmer

Here’s what the press has said about Tony Palmer’s “All You Need Is Love”:

It’s subtitled ‘The Story of Popular Music,’ and it really is, in nearly 15 hours, on five discs… How great must this be? See for yourself.” (EW Pick, “A” Rating) - Ken Tucker, ENTERTAINMENT WEEKLY

“Calling this five-disc, 17-episode walk through history of pop music ‘comprehensive’ is like calling the Bible ‘important’… All You Need Is Love is a musical education in a box.” - Ryan Dombal, BLENDER

“There's no shortage of ambition in this 17-episode series directed in 1977 for  British TV by music journalist and filmmaker Tony Palmer. Subtitled 'The Story of  Popular Music,' this is the closest we will ever get to a definitive portrait of such a sprawling topic.” - Sean Axmaker, MSN.com

“This rigorous and compelling documentary series is a one-stop shop for the wisdom and development of pop.” - Andrew Perry, MOJO (UK)

“For an entertaining and informative history of popular music up through the mid-70’s, you could not do any better than this engrossing series.” - Curt Fields, WASHINGTON POST

“The idea of documenting the entire in-depth history of something as mercurial as popular music is the kind of epic task that could make even Ken Burns blanch. And yet that’s exactly what British journalist and filmmaker Tony Palmer did in the mid-’70s, with the impossibly expansive 'All You Need Is Love: The Story of Popular Music.'” - Bilge Ebiri, TIME OUT NEW YORK

“Tony Palmer’s 'All You Need Is Love' was hailed in its day and looks even better now, thanks to Palmer's blend of stock footage, electrifying performances and thoughtful narration.”  - Noel Murray, LA TIMES

“…an impressive achievement, scholarly, opinionated and entertaining, seamlessly blending archive and fresh footage with an impressive cast of talking heads.” - Peter Kane, Q MAGAZINE (UK)

“…Undeniably the most ambitious attempt to document the changing face of popular music ever to reach the TV screen.” - Terry Staunton, CLASSIC ROCK MAGAZINE

“…An astute, fine-tooth-combing through popular music in all its hues and ages.” - Linda Laban, BOSTON GLOBE

“…Holds your interest throughout – though you’ll certainly need more than one viewing to absorb it all.” (4 stars) - Gillian G. Gaar, GOLDMINE

For more information: https://www.tonypalmerdvd.com/products/a-limited-unique-signed-collectors-edition-all-you-need-is-love-box-set

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

3/08/2022

Blues Rock Guitar Legends THE PAT TRAVERS BAND Continue To Push Themselves To New Heights, Releases Epic New Single & 7”!

Los Angeles, CA - He is one of the most indomitable guitar slingers of his generation. An unstoppable force of bold tone, electrifying musicianship and dynamic performance. No wonder he’s been able to persevere through numerous decades of musical fads and trends, staying true to his artform and calling. And now Pat Travers and his band steps forward once again with a blazing new single, “Push Yourself.”

Built around Travers’ trademark Fender Strat, “Push Yourself” crackles with intensity and bravado. The guitar playing is matched in grittiness and power by Travers’ own vocals, which ring out like a wakeup call to anyone thinking that this veteran blues rocker will be resting on his laurels.

As Travers himself puts it, “‘Push Yourself’ is a mantra I use when I need to get my ass in gear and get stuff done. Pretty simple.”

Stream the single: https://orcd.co/pat_travers_push_yourself

Also check out the killer video cut together for “Push Yourself,” which was assembled using recent live footage of Travers tearing up the stage intercut with scenes from the recent Lynyrd Skynyrd dramatization Street Survivors: The True Story Of The Lynyrd Skynyrd Plane Crash.

Watch the video: PUSH YOURSELF VIDEO (https://www.youtube.com/watch?v=lGyKfuwcIy0)

In addition to the single being available on all digital platforms, it will also be pressed on limited edition RED 7” vinyl backed with another new cut “Full Spectrum” both of which are set to appear on Travers’ new studio album coming later this year!

Buy the vinyl: https://cleorecs.com/store/shop/pat-travers-push-yourself-limited-edition-colored-7-vinyl/

See The Pat Travers Band on tour. Dates and ticket links below. And in even more exciting news, the Pat Travers Band will be performing live with good friends Cactus featuring Carmine Appice for a series of limited engagements.  

SATURDAY, MARCH 12th - KENT STAGE, KENT OH
Appearing with Cactus
BUY TICKETS

SUNDAY, MARCH 13th - SELLERSVILLE THEATRE, SELLERSVILLE, PA
Appearing with Cactus
BUY TICKETS

SATURDAY, MARCH 26th - UPTOWN ART EXPO FEST Altamonte Springs, FL
BUY TICKETS (PAT TRAVERS BAND ONLY)

FRIDAY, APRIL 22nd - Tampa Bay Seafood & Music Festival - Tampa, FL
BUY TICKETS (PAT TRAVERS BAND ONLY)

FRIDAY, APRIL 29th - BACKSEAT BAR & GRILL- WINCHESTER, VA
BUY TICKETS (PAT TRAVERS BAND ONLY)

FRIDAY, MAY 20th - RAMONA MAINSTAGE- RAMONA, CA
BUY TICKETS (PAT TRAVERS BAND ONLY)

SATURDAY, JUNE 11th - LUDLOW GARAGE, CINCINNATI, OH
Appearing with Cactus
BUY TICKETS

SUNDAY, JUNE 12th - TOKEN LOUNGE, WESTLAND, MI
Appearing with Cactus
BUY TICKETS

THURSDAY, JUNE 16th - REGGIE’S ROCK CLUB, CHICAGO, IL
Appearing with Cactus
BUY TICKETS

FRIDAY, JUNE 17th - WILDEY THEATER- EDWARDSVILLE, IL
Appearing with Cactus
BUY TICKETS

SATURDAY, JUNE 18th - THE ARCADA THEATRE, ST CHARLES, IL
Appearing with Cactus
BUY TICKETS

Track List:
SIDE A
Push Yourself

SIDE B
Full Spectrum

FOR ALL THINGS PAT TRAVERS BAND: www.pattravers.com

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

Management:
Pilato Entertainment Marketing & Media LLC
PH: 585-721-6029
bruce@pilato.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
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2/03/2022

British Blues Legend JOHN MAYALL Shines On New Vinyl Reissue Of Vintage 1980 Studio Album ROAD SHOW BLUES!

Los Angeles - The name John Mayall is now and will forever be uttered with utmost reverence and respect among blues music aficionados. The man practically launched the British blues rock explosion of the ‘60s with his band John Mayall & The Bluesbreakers, which became the proving ground for everyone from a young up-and-comer Strat-slingin’ phenom going by the name of Eric Clapton as well as Rolling Stones guitarist Mick Taylor, Fleetwood Mac’s Peter Green & John McVie, Cream’s Jack Bruce and numerous others.

But Mayall had enough juice of his own to fly solo as well both on stage and in the studio, and his many solo albums prove just that. For starters, check out the superb 1980 album Mayall released, Road Show Blues. The album combines the best of Mayall’s qualities - original songs, soulful vocals, and of course fiery guitar playing. This brilliant set is now being reissued with revamped artwork featuring vintage photos in both a CD digipak as well as a limited-edition gatefold jacket with RED MARBLE vinyl!

Buy the CD/VINYL: https://cleorecs.com/store/shop/john-mayall-road-show-blues-limited-edition-red-marble-vinyl/

Stream/download the digital: https://orcd.co/john_mayall_road_show_blues

TRACK LIST:
1. Why Worry
2. Road Show
3. Mama Talk To Your Daughter
4. A Big Man
5. Lost And Gone
6. Mexico City (Live)
7. John Lee Boogie
8. Reaching For A Mountain
9. Baby What You Want Me To Do (Live)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

CLEOPATRA BLUES
Facebook @CleopatraBlues
https://www.facebook.com/Cleopatra-Blues-584680441701352
Instagram @CleopatraBlues
https://www.instagram.com/cleopatrablues/
Twitter @CleopatraBlues
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Youtube @CleopatraBlues
https://www.youtube.com/channel/UCaJ81caYJNs2PldtrjOkzZw

12/06/2021

Blues Guitarist Brandon Teskey To Release Second Solo Album “Screaming Into The Void” November 25, 2021

Brandon Teskey is a blues guitarist, known most notably as the guitar player and songwriter of the blues rock band, Until the Sun. His music includes and often fuses elements of Blues, Fusion, Alternative Rock, Psychedelia, and Jazz.

Brandon’s forthcoming second solo album titled “Screaming Into The Void’ is an eclectic array of blues, rock, fusion, jazz, psychedelic, and alternative music that spans throughout an album with surprising twists and turns. Discontent with tired formulas, or being confined to a single genre, Brandon Teskey finds creative freedom in an album that breaks all the rules and lets the truth of the music speak for itself. Though the album features two songs with Brandon singing, and two songs with Alyssa Swartz (Until the Sun) singing, the mostly instrumental guitar driven album delves into a variety of styles exploring the expanse of musicianship and virtuosity the players have to offer.

Says Brandon, “I strove to create true musical artwork that spoke for itself. It encompassed many of my favorite musical genres, while still staying true to my blues rock roots.”

The album was recorded at Mind’s Eye Studio in Glendale Arizona. It was produced by Brandon Teskey and engineered by Larry Elyea. There are twelve tracks on the album. Most of the songs are original, however, it does feature a few covers including, “Side Tracked” by Freddy King, “Equinox” by John Coltrane, and “Autumn Leaves” by Joseph Kosma and Jacques Prevert.

Brandon assembled a world class group of musicians to play on the project. The personnel includes: Brandon Teskey, on Guitar and Vocals, Chris Tex (Until the Sun), on Drums, Jon Nadel (Marbin) on Bass, Will Kyriazis on Keyboard, Danny Markovitch (Marbin) on Saxophone and Alyssa Swartz on Vocals.


Brandon Teskey was born and raised in Southern California. At age 11 he began playing guitar and was exposed to Blues music shortly thereafter and became consumed with the playing of Eric Clapton, Stevie Ray Vaughan, Buddy Guy, B.B. King, Albert King, Robert Johnson, Albert Collins, and T-Bone Walker, as well as Rock artists like Led Zeppelin, Jimi Hendrix, Pink Floyd, and Eric Johnson. Along with his obsession with guitar playing also came the obsession of songwriting and almost as soon as he had picked up the instrument, he began coming up with chord progressions and penning lyrics.

By the time Brandon was 15 years old, he had joined an established blues band with some members forty years his senior and by the time he was 16, he had played the prominent San Juan Capistrano venue, The Coach House, where he had seen many of his idols play as a kid. Brandon further developed his playing, becoming intrigued with the technical and harmonic sophistication of players like Scott Henderson, Robben Ford, and John Scofield and began studying the works of Jazz musicians like Charlie Parker, Wes Montgomery, Django Reinhardt, and Joe Pass.

Brandon moved to Arizona to attend Arizona State University in the summer of 2003, studying Music and Philosophy. While attending ASU, he met Bruce Jensen where they formed their first Rock band, playing gigs all across the Phoenix valley. In 2011 Brandon and Bruce formed bluesy hard rock band ‘Corium’. The band released an EP and opened for many national performers across Arizona.

In 2017, Brandon released “The Chime”, a solo rock instrumental album which combined influences of Rock, Delta Blues, Electronic Rock, and Jazz. The same year Brandon, along with other bandmates, formed ‘Until the Sun’, which allowed Brandon to return to his Blues-Rock roots and opened new doors of creativity in his song writing and playing. In 2019 Until the Sun released their debut album, “Blackheart”, followed by their 2021 album, “Drowning in Blue”. Throughout 2021 Until the Sun played numerous shows and went on some small tours, despite the Covid lockdown.

In June of 2021, Brandon began recording his second solo album, “Screaming Into The Void”. Throughout the recording process, he pushed himself to the limits of his playing ability and the boundaries of his creativity to make true musical art. The mostly instrumental album defies the genre boundaries and includes rock, blues, fusion, psychedelic and jazz songs. Says Brandon, “I pushed myself beyond the limits of my playing and writing ability.”

To purchase:
http://itunes.apple.com/album/id1590500629?ls=1&app=itunes
http://itunes.apple.com/album/id/1590500629

For more information: https://www.facebook.com/people/Brandon-Teskey/100050206731848/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

11/30/2021

LESLIE WEST’s Bluesy Version Of “SILENT NIGHT” Is Released On 7” Vinyl!

Los Angeles, CA - Talk about the perfect stocking stuffer for guitar lovers! Check out this fantastic 7” vinyl from the celebrated guitarist and founding member of classic rock giants Mountain, Leslie West, who passed away just a few days before Christmas 2020. The vinyl’s A-side is a deeply moving instrumental version of the beloved holiday hymn “Silent Night,” originally released in 2015 on the Blues Christmas compilation, that opens with a gorgeous and moving acoustic guitar arpeggiation before West comes in with a massive electric slide guitar like a six-string slingin’ Santa coming down the chimney. The track is the perfect distillation of West’s unique combination of tough and tender playing, and a beautiful way to make this holiday season a little extra bright.

Stream/download “Silent Night”: https://orcd.co/leslie_west_silent_night

The B-side is no lump of coal either, it’s a killer cover of The Doors’ “Roadhouse Blues” with organist Brian Auger and blues master Rod Piazza! This 7” is available as a limited-edition BLUE vinyl release, so don’t delay and pick one up for the blues rock lover in your life today!

Order the 7”: https://cleorecs.com/store/shop/leslie-west-silent-night-limited-edition-7-colored-vinyl/


Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
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11/17/2021

Classic Jump Blues and Swing Group Virginia and The Slims Release Debut Full-Length Album “Busman’s Holiday"

Popular North Carolina jump blues and swing group Virginia and The Slims have released their debut full-length album “Busman’s Holiday”! The CD features 10 original songs, seven of which were composed by founding member James Kamp. As described by Mountain Xpress’s Bill Kopp, “The results balance modern musical sensibilities with the retro quality of classic jump blues and swing.”

Says the band, “The CD seeks to bridge and capture the nostalgic vintage of jump blues with new song material. We even insisted on using a vintage photo for the cover art.”

Virginia and The Slims started in the Summer of 2013 with Virginia DeMoss on vocals, Perry Lavin on drums, James Kamp on tenor sax, Harry Schaefer on bass, Ginger Drake on alto sax and Sean Anderson, on guitar. Virginia’s husband came up with the name and the band loved it.

The idea was to play blues but to play songs people would respond to, especially swing or jump blues as no one else locally was focusing on that. Eventually Virginia left to start a family, Ginger left for Nashville, and Perry and Harry left to pursue their first love, Indian classical music. James and Sean reorganized with Sid Heilbraun, a rock solid bassist, and Brian Gant, a Nashville pro on drums. Rebecca O’Quinn came on board as the new singer. After about a year she left, and the band met their current vocalist, Joanna Best. Joanna can bring across old time blues like no one’s business and has a great disposition. Then Virginia and The Slims added a long term friend and killer harmonica player, Bill Mattocks as well as saxophonist Vinny Corda and Marco Noto on drums. Howie Neal joined on Guitar, John Davis on Bass, John Barrett on drums for the recording of the CD.

A highlight of ‘Busman’s Holiday’ is the Kamp composition ‘Let it Go.’ With a saucy melody and a familiar blues structure, the song showcases the straightforward simplicity of Virginia and the Slims’ current configuration. The tune has been in the band’s repertoire since at least 2016, but the new recording takes the song at a faster tempo and showcases newest member Neal’s lead guitar skills.” – Bill Kopp, Mountain Xpress

In support of the release of “Busman’s Holiday” album, Virginia and The Slims have taken a mini tour across NC with backup guitar by Charlie “Mojo” Rapp and Charles Singletary on bass. Currently Charlie plays bass and Charles plays keys. The band’s calendar stays relatively busy with local venues. Plans to travel more and play festivals are currently in the works.

In closing the band has this to impart, “We will keep playing so folks can dance and enjoy blues-based music that is upbeat.”

To purchase:
https://www.amazon.com/gp/product/B08MLC42G1/ref=ewc_pr_img_1?smid=A1WJYDZUFBWVU2&psc=1
https://open.spotify.com/album/2XnLUwzbyuNJj4UeYSCSP0
https://jaxsta.com/release/1ce1aded-efbf-5a28-b364-d2b623f90fb8/d73627b4-8adf-57f0-be30-14de4885d295/overview
https://virginiaandtheslims.hearnow.com/busman-s-holiday
https://www.pandora.com/artist/virginia-and-the-slims/busmans-holiday/ALZKVnZp2fgtXlK
https://music.apple.com/sa/artist/virginia-and-the-slims/1540282301

For more information:
www.virginiaandtheslims.net
www.facebook.com/virginiaandtheslims

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

8/05/2021

New 7” Vinyl Commemorates HUMBLE PIE’s Fiery Performance Of “I DON’T NEED NO DOCTOR”!

Los Angeles, CA - In 1973 and throughout much of the early ‘70s, British blues rock powerhouse Humble Pie had as the centerpiece of their widely hailed and massively popular live show an epic, barnstorming blues rock cover of the 1966 R&B tune penned by Nick Ashford (of Ashford & Simpson), “I Don’t Need No Doctor.” In the hands (and voice) of vocalist Steve Marriott, the song would explode on the stage with a galloping drum beat and glorious backup vocals, breaking down in the middle for some extended guitar solos by the group’s two six-string slingers before Marriott would return to lead the crowd in a joyful call-and-response singing of the chorus like he was leading an old tent revival of spiritual ecstasy. So extraordinary was the band’s live version of the song, they never even attempted a studio version, however, an edited version of the band’s 1971 performance was released as a single and issue on 7”. Now, another even more fiery performance of the track, from the band’s 1973 concert at San Francisco’s Winterland Ballroom has been edited down and prepared for release on a limited edition 7” vinyl as well as on all digital music platforms.

Stream/download the single: https://orcd.co/humble_pie_i_dont_need_no_doctor

This new 7” comes in your choice of either SILVER or PURPLE vinyl and includes a smokin’ hot studio version of another Humble Pie cover on the b-side, James Brown’s “Think!”

Order the 7” vinyl: https://cleorecs.com/store/shop/humble-pie-i-dont-need-no-doctor-limited-edition-colored-7-vinyl/

Track List:
SIDE A
I Don’t Need No Doctor (Live 1973)

SIDE B
Think

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
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7/26/2021

Blues-Rock Guitarist Chantel McGregor Releases “The Shed Sessions Volume 1 & 2”

Critically acclaimed Blues-rock guitarist Chantel McGregor is releasing 2 new albums titled “The Shed Sessions Volume 1 & 2.” The first volume (acoustic) has been available for a few weeks and the second volume (electric) will be released August 2nd and is now available for pre-order.

March 2020, the world changed and the everyday things that we normally did became a dream, the world went into lockdown, the pause button on life was hit, and we stayed at home.

So, I was sat there one night in my shed thinking to myself ‘what can I do to make lockdown seem a little bit brighter?’ After a while it came to me,  ‘why not do a live stream so that I could stay in touch and connect with my lovely fans, they could connect with each other, and we all have a little bit of fun and music during a pretty gloomy time?’

At the time, I didn’t know that it would become a weekly thing, but the first session was so much fun that I thought I’ll do another one the following week, and then the week after that, and it became a weekly gig, ‘The Shed Sessions’!

5pm every Saturday was the hour every week where I could perform my music, have a bit of banter and catch up with friends on the live stream. An hour of music and humour to remind everyone that one day things will be fun again and live music will still be there!

A lot of people asked if I would record an album of the sessions, so I started thinking about what to record. There were so many songs to choose from!

At the start of lockdown, I was living in the North of England, so the sessions were just acoustic guitar and vocals, but when the government said you could move around more freely, I moved to the South of England and started collaborating with Jamie Brooks on keyboards, which meant that I could feature my electric guitar and a bit more improvisation. Because lockdown was still restricting studios being open, both albums were recorded at home, using a wardrobe as a vocal booth and then sent off to Wayne Proctor to mix and master.

The two albums are incredibly different, so it seemed appropriate to do two albums, one acoustic and one electric; ‘Volumes One and Two.’”

Chantel McGregor - July 2021

Chantel McGregor has been performing live gigs since the age of 12, schooled at a music college and achieved a First Class Honours Degree in Popular Music. Along with her current band members, Colin Sutton on bass and Thom Gardner on drums, they form an awesome power trio playing an eclectic mix of blues based tunes, composed by Chantel, ranging from traditional blues numbers complimented perfectly by the purity of her singing voice, to a much more raunchy blues rock style. And boy, can that girl play guitar! With several complicated solos she proved that she can shred with the best of them as her and her guitar became one.

To purchase: www.chantelmcgregor.com/store

For more information: https://www.chantelmcgregor.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

5/14/2021

The Outlaws Legend Harvey Dalton Arnold To Perform At Freight Train Blues 2021

LIVESTREAM MUSIC SERIES HONORING PIEDMONT BLUESWOMAN ELIZABETH ‘LIBBA’ COTTEN

PERFORMANCES BY AMYTHYST KIAH, JOHNNY RAY DANIELS, THE HAMILTONES, ALEXA ROSE, AND HARVEY DALTON ARNOLD

The Outlaws Legend Harvey Dalton Arnold will be performing at the Freight Train Blues Music Series on June 11, 2021. WUNC, the Town of Carrboro, Music Maker Relief Foundation, Soul Bag, and Artarie will present a livestream version of the annual Freight Train Blues Music Series, featuring concerts by “artist on the rise” (NPR Music) Amythyst Kiah, “enchanting new Appalachian voice [that] sounds like the soul child of Bob Dylan and Dolly Parton” Alexa Rose, sacred soul guitar master Johnny Ray Daniels, GRAMMY-nominated trio The Hamiltones, and Harvey Dalton Arnold, of southern rock legends The Outlaws each Friday at 6:30pm Eastern weekly starting on May 14.

The series, which typically takes place at Carrboro Town Commons, was filmed at The Fruit in Durham, NC and will be broadcasted on Facebook and YouTube is hosted by Hillsborough, N.C.-based nonprofit Music Maker Relief Foundation, whose mission is to tend the roots of American music. The series will also be streamed on Soul Bag and Artarie.

Each installment of the series will open with a rare archival performance from one of North Carolina’s Piedmont blues masters. These legends have either been showcased at previous Freight Train Blues performances or performed in Carrboro over the years.

Freight Train Blues celebrates the life and legacy of Piedmont blues legend Elizabeth “Libba” Cotten, born in 1893 in Carrboro, NC. Some of her best known compositions, like the now-standard “Freight Train” and “Shake Sugaree,” have been canonized into the repertoires of American popular culture, with the latter interpreted by the Grateful Dead. Her enduring legacy was featured earlier this year in a piece from Good Morning America, who said she was “a master storyteller.”

Freight Train Blues honors Elizabeth Cotten’s contributions to American roots music by highlighting the cultural significance, diversity, and vitality of her North Carolina community and its connections to artists across the nation.

Harvey Dalton Arnold is a North Carolina bred southern gentleman who took to the musical road in his teens. While playing bass for a band in Florida, he received an offer to audition for the now legendary southern rock group The Outlaws on a Saturday night. By the following Saturday, he already had a stadium gig under his belt opening for Johnny Winter and Lynyrd Skynyrd. He toured extensively and participated on classic albums with The Outlaws from 1976 through 1980. Always having a love for the blues, Harvey’s first solo release was a blues album. His brand new effort “Stories To Live Up To” on Music Maker Recordings is a collection of songs and stories that showcase his writing and influences. Opening performance: an archival video of outsider lounge music by Captain Luke and Cool John Ferguson.

Livestream each concert via the links below:
Facebook Live: https://www.facebook.com/MusicMakerReliefFoundation/live/
YouTube Live: https://bit.ly/2Z1lSRE

For more information: https://musicmaker.org/freight-train-blues-2021/

Harvey Dalton Arnold Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

4/20/2021

Blues-Rock Band Until The Sun To Release Second Album “Drowning in Blue” April 20th

Blues-Rock band Until The Sun will be releasing their highly anticipated second album titled “Drowning in Blue” on April 20th. The new album touches on the depths of human emotion, in the face of sorrow, love, betrayal, overcoming adversity, infatuation and existential collapse.

Until the Sun, a Rocking Blues band, was formed in 2017. Their music includes and often fuses elements of Blues, Alternative Rock, Pink-Floyd-esque Psychedelia, and Jazz. Until the Sun quickly began playing national shows, has opened up for famous Blues and Rock artists, and has played world renowned venues.

The band includes Brandon Teskey on lead guitar, Bruce Jensen on co-lead vocals and bass guitar (as well as occasional rhythm guitar and/or keys/electronics), Chris Tex on drums, and Alyssa Swartz also on co-lead vocals.


Until the Sun released their first album, ‘Blackheart’, in 2019 and just completed their second album ‘Drowning in Blue’. Brandon, Bruce, Chris, and Alyssa all poured their hearts and souls into striving for what was before unattained levels of musicianship, songwriting, tone, performance, and reaching new levels of professionalism that continues to develop.

Says Brandon, “We did all the recording ourselves in our studio. Bruce recorded, engineered, and mixed everything. It was a long process that took over a year. We were perfectionists when it came to the performances and quality. We wanted to create something that would stand the tests of time and make something as close to a blues-rock magnum opus as we were capable of. We kept going back again and again to try and make everything perfect. We got some good production notes from Josh Smith, the blues guitarist out of LA, who gave a lot of helpful advice. About half way through the recording process, Alyssa Swartz joined the band as a second vocalist. We had a female vocalist who was featured on a few songs off our first record, Blackheart, because we like the two-vocalist dynamic, and think it brings a deeper dimension and greater dynamic to the music. So, after she joined, we went back and rewrote some of the lyrics from a female perspective and re-recorded vocals on all the songs she sings on - as well as background vocals on some of the songs Bruce sings.”

As far as writing the songs, Brandon wrote the lyrics and the initial musical ideas of the songs and Bruce, Chris and Alyssa all helped develop them further, each adding their own element. The band poured out their heart and soul into it, and they think it will resonate with the audience.

Says the band, “This is our contribution to a style of music that’s nearly 100 years old and the songs are simply a passing glance at the human condition.”

In support of the release Until The Sun has a show booked almost every month in Arizona, but now that things are going to start opening up, they plan to book some smaller tours along the west coast and the southern United States when everything returns to ‘normal’ again. They have a new music video being released soon for the song “New Delilah” which is featured on the album. More video releases are planned in the near future as well.

Until the Sun is a band that is as subversive as they come. While embracing the traditional Blues playstyles, the band adds aspects of alternative rock, psychedelia, and jazz to the mix.” – Buzz Music

An honest take on that great southern trendkill that is delta deep and crossroads strong, Until the Sun twist that with modern flair into a style all their own with a raucous and gritty track that needs multiple listens just to take it all in.” - Ryan Martin, Jammerzine.

Until the sun put out a stellar debut record” - Andrew Daly, Vinyl Writer

To pre-order:
http://itunes.apple.com/album/id1560808544?ls=1&app=itunes
http://itunes.apple.com/album/id/1560808544

For more information:
https://untilthesun.com/home
https://www.facebook.com/UntilTheSunBand
http://www.instagram.com/untilthesunband

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

4/03/2021

Various Artists Review: Morning Café

Release Date: May 21, 2021

Label: Domo Records

Website

 

If you take a look at the cover of Domo Records' upcoming release Morning Café, one may say it “Looks Like Heaven.” And it does if you enjoy a nice latte and some kickback music to chill and start your day. That is the title of one of many tracks to take a deep dive into. In actuality this is music for any time, it is all very flexible and worthy of a listen to enliven your spirit.

If variety is truly the spice of life then this compilation defines that very meaning of spice and diversity on one recording. If you are a listener that likes the expectation of something new and different coming with each track then you will love this! Also, if you happen to enjoy being totally immersed in the sounds, this is the kind of varietal selection that will get you on that course rather quickly.

The previously mentioned track “Looks Like Heaven” inspired me. There can be heaven right here on earth. We don’t have to wait until we die to experience that.  

Luis Villegas starts off your first sip with “Noches Guitanas.” The worldly beats and Latino guitar expressions are colorful and vibrant, full of the life that another country or culture can bring to a listener. I thought it was an excellent way to start things off. Personally, I love instrumental music, particularly on guitar with a Latin spark to get your inner spirit aroused and the blood pumping into your veins for a shot of energy. Later into this compilation, you get much of the same with Benedetti & Svoboda on their tasteful flight “Moresca.”

Prior to all of that entertainment, there is so much variety and styles that you are bound to find some things you like. I found I enjoyed every track with varying degrees of interest. I appreciated each one as standalone work of art, as one should on such an impressive gathering of talent on one recording. The idea here is to take an adventure into the label to see all the work by each artist.

Dave Eggar’s “Follow Me To The Sun” is about as different as things can get on one compilation, with a funky beat and a little bit of new-age rap if you will. The bass is particularly good on the track. “Low Pass Dub” by Peas is quite unusual as well, I liked it quite a bit. It is original with a great mixture of sounds and a steady irresistible beat. It is hard to classify or put into a box, which makes it that much more engaging from where I sit. Lots of funky bass lines again lead the way into several transitions to enlighten the soul.

Dino Malito continues your travels with “Tienshan.” This is guitar-based with a bottom layer of steady playing with some beautiful lines on top of it to draw you in. It is mesmerizing, like a walk along the shoreline at around sunset and the feeling of peace and absolute serenity the sound of the waves can give you. This is a form of beauty set to music that will bring lovely visions of solace to your mind with very little effort. You can relax and let the music lead you into the story in your mind’s eye. The sound of the guitar has a surf music tone to it so that is why my vision came to life while listening.

Morning Café
is eleven tracks of instrumental bliss for the listeners with a diverse palette ready to get a taste of everything on the menu. And of course, the latte is pertinent to get you in the right frame of mind to discover all the enjoyment and the fragrances and tastes it has to offer. So, are you ready to place your order while you enjoy your morning or evening cup of instrumental bliss?


Keith “MuzikMan” Hannaleck-MuzikMan.net
March 30, 2021 


Tracks:

01. Luis Villegas - Noches Guitanas
02. Dave Eggar - Earth's Paradise
03. Peas - Looks Like Heaven
04. Luna - Alone In Kyoto
05. Dave Eggar - Follow Me To The Sun
06. Tao Of Sound - The Field
07. Benedetti & Svoboda – Moresca
08. Luna - Back To You
09. Peas - Low Pass Dub
10. Dino Malito – Tienshan
11. Steve Anderson - Beau Soir, L. 6


3/15/2021

Robin Trower, Maxi Priest and Livingstone Brown Release New Album ‘United State of Mind’ In The US April 16, 2021

Released on CD in the US on April 16th is a fantastic album that brings together three very different UK music legends: Robin Trower, Maxi Priest and Livingstone Brown: ‘United State of Mind’ (released on Manhaton Records). Three artists with distinctive, trademark sounds and styles that dovetail and fuse together, creating an excellent whole that’s full of atmosphere, allure and a whole lotta soul.

Virtuoso rock guitarist Robin Trower found fame with Procol Harum, then went on to lead his very own power trio: The Robin Trower Band. His album ‘Bridge of Sighs’ has sold millions of copies worldwide. Classic Rock Review described Robin as a “guitar player of unparalleled influence,” particularly for the passion and soul of his playing, as well as his virtuosity, all of which have inspired countless young guitarists to take up the instrument.

“USM was one of the first pieces of music that I came up with for Maxi,” reflects guitarist Robin Trower, “as soon as he heard it, Maxi had the lyric idea of ‘On a lonely highway’ and everything started to fall into place from there. I think it is one of the best tracks I’ve been involved in. Working on the album with Livi and Maxi was a complete joy from beginning to end.”

Maxi Priest is an iconic British reggae vocalist, with Jamaican heritage, who’s best known for singing reggae with added R&B flavour, creating that potent blend called reggae fusion. Maxi was a pioneer in the genre and is acknowledged as one of the most successful reggae fusion acts of all time.

Livingstone Brown, meanwhile, is a talented producer/mix engineer and musician. As a session and touring musician during the 80s and 90s, Livingstone worked, separately, with Robin Trower and Maxi Priest; not to mention in his long career other high-calibre artists such as Ed Sheeran, The Waterboys, Tina Turner, Bryan Ferry, Kylie Minogue, De La Soul, ABC and Bill Withers —to name but an impressive several.

Watch United State Of Mind Official Lyric Video: 

Maxi, Robin and Livi’s distinct talents proved a winning combo: in songwriting, in performance and in production, and thus the trio’s chemistry and collaboration led to ‘United State of Mind’: an album on which you’ll find Maxi's trademark smooth as silk, mesmerising vocals, Robin Trower's soulful, passionate guitarwork, and Livingstone’s catalyst flair and Midas Touch.

What brought this remarkable trio together was a chance meeting at Livingstone Brown's studio in Brixton in the UK, caused by what Livingstone calls “a diary malfunction.”

Maxi Priest puts it this way: “Three different minds coming together trying to create a unification that we can give as a gift to the world. We wanted to come together to do something positive. I’m overwhelmed and proud of this album. It’s all live instrumentation — fully organic music. This album is for music lovers: all genres.”

The end product — ‘United State of Mind’ — is an outstanding album, rich in commercial appeal, that’s beguiling, seductive and so smooth that it’s virtually frictionless. Also, full of verve and virtuosity that’s not only going to appeal to fans of the trio’s solo work, in reggae, rock and beyond, but is bound to delight many more besides. Definitely one to check out!

Here's what the press have raved about United State of Mind:

This should be on everyone’s player this year – it is a simply fabulous recording.” - MUSIC NEWS

“This album and group came together through mutual respect for each other’s talents, and they have not only crafted here an incredible piece of work but an album that is destined to be a classic” - WEBLEED MUSIC

“USM combines Marvin,R & B, Jimi tones and subtly funky blues to excellent effect” - CLASSIC ROCK

“Soul drenched excellence” - GET READY TO ROCK

“This is a decorous and dignified album of graciously exquisite sounds presented by three superlative talents. The songs will steady your nerves and settle your jitters. Pure velvet harmony…” - RAWRAMP

“From the opening title track, it’s one of those releases that catches you and never lets go” - Pete Clack, Blues In Britain

Click here to Download/Stream the album: https://ffm.to/usomalbum?mc_cid=00c76e83ff&mc_eid=1c96dcd56d

To pre-order ‘United State of Mind’ CD: https://www.amazon.com/United-State-Priest-Livingstone-Trower/dp/B08T623Z5F/ref=sr_1_1

Manhaton Records
9 School Road
Twyford
Winchester, Hampshire SO21 1QQ
United Kingdom

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

3/03/2021

Classic Rock Icons BADFINGER Release Full-Length Album Of Collabs Featuring Veteran Stars Of Rock, Blues & Pop!

Includes performances by Matthew Sweet, Todd Rundgren, Rick Wakeman, The Legendary Pink Dots, Jethro Tull's Ian Anderson, Rick Springfield, Sonny Landreth and more!

Los Angeles, CA - You’ve grooved to Matthew Sweet’s “Baby Blue,” played air piano along with Rick Wakeman on “Come And Get It,” and swooned hearing Rick Springfield’s voice on “Love Is Gonna Come At Last” - but now the wait is finally over as the full-length collaboration between Joey Molland’s Badfinger and a stellar line-up of special guest superstars is finally released! No Matter What - Revisiting The Hits gathers an immense amount of talent on one album - in addition to the aforementioned, guests include Jethro Tull frontman Ian Anderson, blues legend Sonny Landreth, eclectic art rockers The Legendary Pink Dots and many more - who offer their unique twists on some of Badfinger’s biggest, most era-defining hits from the Paul McCartney-penned “Come And Get It” to “Day After Day,” to the monster ballad “Without You.” The latter was originally released by Badfinger in 1970 but became a global phenomenon when Harry Nilsson recorded a version in 1971, and then it conquered the airwaves again in 1994 courtesy of Mariah Carey’s bombastic version, and now Rock Hall Of Fame nominee and producer/songwriter/guitarist extraordinaire Todd Rundgren offers a passionate rendering of the song that is by itself worth the price of admission to this great collection.

No Matter What - Revisiting The Hits will be available on both digipak CD and in superb-looking tri-color (red, white & blue) vinyl!

Order the album: https://orcd.co/badfinger_no_matter_what

TRACK LIST:
1. No Matter What feat. Mark Stein (Vanilla Fudge)
2. Come And Get It feat. Rick Wakeman
3. I Don’t Mind feat. Carl Giammarese (The Buckinghams)
4. Day After Day feat. Ian Anderson (Jethro Tull), Terry Reid & Manchester String Quartet
5. Love Is Gonna Come At Last feat. Rick Springfield
6. Baby Blue feat. Matthew Sweet
7. Midnight Caller feat. The Legendary Pink Dots
8. Suitcase feat. Sonny Landreth
9. Sweet Tuesday Morning feat. Albert Lee
10. Without You feat. Todd Rundgren

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
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2/15/2021

Rock Review: Tim Morse-The Archaeology Project

Release Date: October 9, 2020

Label: 2020 Tim Morse 

Website

Typically, I see the word ‘compilation’ in music and I overlook every part of it, often because it signifies “Greatest Hits” or “Best Of.” And as a writer, I usually want more than just the hits of someone because the hidden gems are found outside of the singles. Plus, if you find a song apart from the singles, you don’t grow tired of it as quickly because it does not frequent the radio as promotional singles do. In this case, the compilation of The Archaeology Project by Tim Morse is excellent in presenting a timeline of his work.

With no definitive reason for releasing this record, Morse says,” It seemed like a good time to reflect on the last fifteen years of being a recording artist.” Reflection can be a good way to spark that new creative edge. “Guitar Etude 1” roots from his very first song so, it seems fitting that the bit piece starts off the record. 


“Apocalyptic Visions” is a three-part song that is his longest piece to date. AV is a blend where the keyboard sounds much like an intergalactic travel scene, followed by what could sound like a take from a 90’s Alternative group like Good Charlotte blending with a speed-metal song cut, and ending with a mix of peaceful chime and keyboard but also going back to the powerhouse guitar playing. “Adrift” is a self-reflective journey piece that initially was just an instrumental work for the longest while.

“Rome” contains a Shakespearean-type of imagery that plays to the advantage of the artist and genre quite well. It is the epitome of an epic tale. “The sky is burning. Nero plays on….” Is the perfect symbolism for today’s pop culture/political chaos while giving a temporary historical lesson too. “Voyager,” according to Morse, was “inspired by the Berg and his book on the Lindbergh historic flight.” It is a mainly wondrous instrumental track that takes to new heights.

“Window” winds the first half of the record down with this soothing guitar piece that was thought of as a segue for his prior album Faithscience. The short track calms the listener’s ear down and prepares them, for more to come. “Afterword” keeps with the more melancholy tone but, not for the reasons you may think. Instead of saying goodbye to a love or a relationship of sorts, it’s the foundation for new beginnings moving forward and a reflection of events gone by.

“200 Yards” is a funny ‘crush-gone-wrong’ song that Morse says is the first-time-ever collaboration between him and Bret Bingham on Mangoes. The very tongue-in-cheek, watcher song, is a fun session Morse and Bingham created to simply make music. “My Ally” talks of a friendship that has lasted through the ages. I think it’s THE song I or anyone could connect with so deeply because, as an overly open and friendly person, to begin with, I love the multitude of reasons certain people come into your lives. Friendship is so much more than just a bond, it’s an experience like none other.

“Inertia” is a funky psychedelic feeling song that as the song plays out, causes an expansion of sorts. It crescendos into a musical spacetime continuum. “The Mary Celeste” speaks of the sudden loss all of us experience at one point or another. The hurt is so grand, and sometimes it is impossible to deal with moving forward, we remain still for a while, “lost at sea.”

“The Marquis” is the sign we all read in our own minds in one form or another. We over-analyze our certain actions to which we question if it could’ve been worked out differently, or if it was the correct plan of action in the first place. But the marquis is always hovering above our mind trying to intimidate us to keep on questioning ourselves. 

Originally done by Pink Floyd, “Dogs” was a long desired song to cover for Morse and by molding the song to his artistry, he molds it into more of a singer-songwriter style than its original predecessor. In finalizing the record, “The Corners” is a cleverly-placed track to end out The Archaeology Project. It is a beautifully orchestrated piece representing the excitement to see what lies beyond our lives here on earth.

Key Tracks: “My Ally,” “Rome,” “Dogs,” and “Afterword”

Gregg Keniston - MuzikMan.net Staff
February 14, 2021


Track Listing:
01. Guitar Etude 1 Dec. 1970
02. Apocalyptic Visions
03. Adrift
04. Rome
05. Voyager
06. Window
07. Afterword
08. 200 Yards
09. My Ally
10. Inertia
11. Mary Celeste
12. The Marquis
13. Dogs
14. The Corners


10/27/2020

Veteran Blues Artists & New Talents Join Legend JUNIOR WELLS For A Very Special Collaboration!

Includes Eric Gales, Joe Louis Walker, Tyler Bryant, Colin James, Kirk Fletcher, Popa Chubby, Guitar Shorty, Pat Travers, James Montgomery and more!

Los Angeles - When Junior Wells shed his mortal coil in 1998, the music world lost one of the most iconic blues artists of a generation. Wells was a phenomenal songwriter, an unmatched performer, and a passionate, irreplaceable vocalist the likes of which haven’t been seen since. But that doesn’t mean we can’t continue to celebrate Wells’ legacy even as a whole new generation of music fans continue to discover his incredible catalog. A new collaborative album seeks to do exactly that - to both keep the Wells flame burning bright for all of the longtime fans as well as introduce him to a whole new world of blues lovers. The album is Blues Brothers and it brings together a whole host of talented guitarists, harmonica players and vocalists united in fraternal love for both Wells and the Chicago blues style that Wells epitomized.

Hear the great Joe Louis Walker fill Buddy Guy’s role as backing guitarist for Wells on not one but two JW classics “Hoodoo Man Blues” and “Snatch It Back and Hold It.” Listen as James Montgomery, himself a widely hailed figure in the Chicago blues scene, blows harmonica on “Worried Life Blues” and other tracks. And be amazed at how the young Tyler Bryant bends his style just enough so that it blends perfectly with Wells’ classic sound. Bryant even cut together a stylish video of himself performing along with Wells for the superb “Messin’ With The Kid.”

Watch the video: 

Stream the single: https://orcd.co/junior_wells_tyler_bryant

Blues Brothers also features guest performances by such phenomenal players as Eric Gales, Colin James, Kirk Fletcher, Popa Chubby, Guitar Shorty, Pat Travers and many more! The album will be available on both digipak CD and limited-edition colored vinyl.

Pre-order/pre-save the album: https://orcd.co/junior_wells_blues_brothers

Track List
1. Blues Hit Big Town feat. Colin James
2. Good Morning Little Schoolgirl feat. Pat Travers
3. Messin’ With The Kid feat. Tyler Bryant
4. Baby, Scratch My Back feat. Albert Castiglia
5. Worried Life Blues feat. Mike Zito & James Montgomery
6. When The Cat’s Gone The Mice Play feat. Harvey Mandel
7. Lovey Dovey Lovey One feat. Eric Gales
8. You Gotta Love Her With A Feeling feat. Kirk Fletcher
9. Two-Headed Woman feat. Guitar Shorty
10. Snatch It Back And Hold It feat. Joe Louis Walker
11. You Don’t Care feat. Popa Chubby
12. It’s A Man Down There feat. Bernard Allison
13. Hoodoo Man Blues feat. Joe Louis Walker

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

CLEOPATRA BLUES
Facebook @CleopatraBlues
https://www.facebook.com/Cleopatra-Blues-584680441701352
Instagram @CleopatraBlues
https://www.instagram.com/cleopatrablues/
Twitter @CleopatraBlues
https://twitter.com/cleopatrablues
Youtube @CleopatraBlues
https://www.youtube.com/channel/UCaJ81caYJNs2PldtrjOkzZw

Veteran Blues Artists & New Talents Join Legend JUNIOR WELLS For A Very Special Collaboration!

Includes Eric Gales, Joe Louis Walker, Tyler Bryant, Colin James, Kirk Fletcher, Popa Chubby, Guitar Shorty, Pat Travers, James Montgomery and more!

Los Angeles - When Junior Wells shed his mortal coil in 1998, the music world lost one of the most iconic blues artists of a generation. Wells was a phenomenal songwriter, an unmatched performer, and a passionate, irreplaceable vocalist the likes of which haven’t been seen since. But that doesn’t mean we can’t continue to celebrate Wells’ legacy even as a whole new generation of music fans continue to discover his incredible catalog. A new collaborative album seeks to do exactly that - to both keep the Wells flame burning bright for all of the longtime fans as well as introduce him to a whole new world of blues lovers. The album is Blues Brothers and it brings together a whole host of talented guitarists, harmonica players and vocalists united in fraternal love for both Wells and the Chicago blues style that Wells epitomized.

Hear the great Joe Louis Walker fill Buddy Guy’s role as backing guitarist for Wells on not one but two JW classics “Hoodoo Man Blues” and “Snatch It Back and Hold It.” Listen as James Montgomery, himself a widely hailed figure in the Chicago blues scene, blows harmonica on “Worried Life Blues” and other tracks. And be amazed at how the young Tyler Bryant bends his style just enough so that it blends perfectly with Wells’ classic sound. Bryant even cut together a stylish video of himself performing along with Wells for the superb “Messin’ With The Kid.”

Watch the video: 

Stream the single: https://orcd.co/junior_wells_tyler_bryant

Blues Brothers also features guest performances by such phenomenal players as Eric Gales, Colin James, Kirk Fletcher, Popa Chubby, Guitar Shorty, Pat Travers and many more! The album will be available on both digipak CD and limited-edition colored vinyl.

Pre-order/pre-save the album: https://orcd.co/junior_wells_blues_brothers

Track List
1. Blues Hit Big Town feat. Colin James
2. Good Morning Little Schoolgirl feat. Pat Travers
3. Messin’ With The Kid feat. Tyler Bryant
4. Baby, Scratch My Back feat. Albert Castiglia
5. Worried Life Blues feat. Mike Zito & James Montgomery
6. When The Cat’s Gone The Mice Play feat. Harvey Mandel
7. Lovey Dovey Lovey One feat. Eric Gales
8. You Gotta Love Her With A Feeling feat. Kirk Fletcher
9. Two-Headed Woman feat. Guitar Shorty
10. Snatch It Back And Hold It feat. Joe Louis Walker
11. You Don’t Care feat. Popa Chubby
12. It’s A Man Down There feat. Bernard Allison
13. Hoodoo Man Blues feat. Joe Louis Walker

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

CLEOPATRA BLUES
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