The Livesays, Featuring Clarence Clemons’ Guitarist/Vocalist Billy Livesay, To Release New Album “Not What I Bargained For”

Billy Livesay, best known for his work with E Street Band legend Clarence Clemons as his guitarist & vocalist, is releasing a new album with his group The Livesays. “Not What I Bargained For”, a memorable hybrid of melody, rhythm and message, is the band’s fifth album and is slated for release on September 1st, 2021.

In 2018, due to the sudden death of their drummer and beloved bandmate Eddie Zyne (formerly with Hall and Oates), The Livesays were forced to take a break from finishing their fourth CD. The search for a new drummer began in 2019 and ended with the addition of Howard Goldberg, and reconnecting with piano man, Timothy Murphy, who had taken a hiatus back in 2014. With a solid lineup in place, another unexpected turn of events occurred at the onset of 2020 … the Covid-19 pandemic, putting The Livesays and the masses out of work. Sequestered at his Ft. Lauderdale-area home, acclaimed singer-songwriter Billy Livesay, like most songwriters in the past year and 1/2, decided to write. And write. And write. Music became a lifeline. A whole new set of songs were created comprising two entirely new albums - 2020’s “The Rhythm Of Love and Dysfunction” (which they dedicated to Eddie), and now 2021’s very aptly titled “Not What I Bargained For.”

The subject matter of the new songs reflect the struggles and conquests of everyday life. The topics range from alcoholism, infidelity, overcoming poverty and bullying, to chasing dreams, growing older and dealing with the loss of a loved one. A few of the songs were inspired by political circumstance, conspiracy theorists, and how social media has been set afire with false information. And as the chaos of the last year begins to diminish, hope is on the horizon; there’s a new found optimism among the better angels of our nature. As with all of The Livesays’ previous albums, there’s always a song or two with which listeners feel a personal connection.

The Livesays have been dubbed “Heartland-Rock revivalists” offering up a blend of Americana and roots rock infused with pop, blues, funk and soul. They are long respected members of the South Florida music community, well known for their dynamic live performances. They have opened for dozens of international artists and have been featured at countless rock, blues and indie festivals. All five band members are excited to be back on stage performing live concerts again after a grueling 15 month hiatus due to Covid restrictions.

Billy Livesay has forged an impressive national publishing and licensing career. Over thirty of Billy’s original songs have been featured in network and cable television shows, made for TV movies, as well as in major motion pictures. Billy is an award winning songwriter and has been highly acclaimed for decades for his gift for melody and incredible knack for lyrical storytelling, often likened to Bob Dylan and Bruce Springsteen. This latest batch of songs may be his best work yet.

The Takeaway:
Billy Livesay explains: “After Eddie’s death in 2018, the Covid-19 global pandemic reaffirmed that life can change in unpredicted ways in an instant. In March of 2020, we found ourselves unemployed, in exile and in turmoil... definitely ‘not what we bargained for’! It became abundantly clear that time is short and too valuable to waste. Amidst the chaos, despair, and in collective solitude, we turned to what we know best - music ... to heal our souls, conquer our fears, resurrect our dreams, and create something meaningful. I believe what we have produced is our most succinct and cohesive album to date. I hope our music brings joy to all who listen.”

There are 12 tracks on the new album - ten new original songs and two surprise classic covers. Everything was recorded in Billy Livesay’s home studio, produced by Billy, mixed by Grammy nominated engineer Steve Gordon, and mastered by Grammy winning engineer Mike Fuller at Fullersound in Ft Lauderdale.

Listen/Purchase the new CD (Pre-Sale 7/21/21; Official release date 9/01/21):
https://thelivesaysmusic.com/not-what-i-bargained-for
(The music will be available on all music platforms; additional links below)

Watch the Lyric Video of the Debut Single “Two Sides”: 

The Livesays’ lineup:
Billy Livesay - Guitar / lead vocals
Jorge Laplume - Bass / vocals  
Howard Goldberg - Drums  
Victor “Cuqui” Berrios - Organ / vocals  
Tim Murphy- Piano / vocals

Websites:
The Livesays www.thelivesaysmusic.com
Billy Livesay www.billylivesay.com

Social Media pages:
Facebook www.facebook.com/TheLivesays
YouTube www.youtube.com/user/TheLivesaysMusic
Instagram www.instagram.com/TheLivesays
Twitter www.twitter.com/TheLivesays
ReverbNation www.reverbnation.com/TheLivesays

Listen, purchase, leave a review, add to Playlists:
iTunes www.itunes.com/TheLivesays
Spotify https://open.spotify.com/artist/411odDnocN1WzBbx1rwr8c

Previously released albums:
(1) “Rose Colored Glasses”: www.thelivesaysmusic.com/rose-colored-glasses
(2) “Faith, Hope & Love”: www.thelivesaysmusic.com/faith-hope-and-love
(3) “Hold On... Life is Calling”: www.thelivesaysmusic.com/hold-on-life-is-calling
(4) “The Rhythm of Love and Dysfunction”: www.thelivesaysmusic.com/the-rhythm-of-love-and-dysfunction

To download song lyrics: https://drive.google.com/drive/folders/1uMG6ifmu-899OwuJbC8DckSA4nBX2nnA?usp=sharing

Press inquiries (International): Glass Onyon PR, Billy James, PH: 828-350-8158, glassonyonpr@gmail.com

More info, Bookings, Interviews: Main Event Talent Agency, Judy Blem, Agent, PH: 954-648-4355, TheLivesaysMusic@gmail.com

New 7” Vinyl Commemorates HUMBLE PIE’s Fiery Performance Of “I DON’T NEED NO DOCTOR”!

Los Angeles, CA - In 1973 and throughout much of the early ‘70s, British blues rock powerhouse Humble Pie had as the centerpiece of their widely hailed and massively popular live show an epic, barnstorming blues rock cover of the 1966 R&B tune penned by Nick Ashford (of Ashford & Simpson), “I Don’t Need No Doctor.” In the hands (and voice) of vocalist Steve Marriott, the song would explode on the stage with a galloping drum beat and glorious backup vocals, breaking down in the middle for some extended guitar solos by the group’s two six-string slingers before Marriott would return to lead the crowd in a joyful call-and-response singing of the chorus like he was leading an old tent revival of spiritual ecstasy. So extraordinary was the band’s live version of the song, they never even attempted a studio version, however, an edited version of the band’s 1971 performance was released as a single and issue on 7”. Now, another even more fiery performance of the track, from the band’s 1973 concert at San Francisco’s Winterland Ballroom has been edited down and prepared for release on a limited edition 7” vinyl as well as on all digital music platforms.

Stream/download the single: https://orcd.co/humble_pie_i_dont_need_no_doctor

This new 7” comes in your choice of either SILVER or PURPLE vinyl and includes a smokin’ hot studio version of another Humble Pie cover on the b-side, James Brown’s “Think!”

Order the 7” vinyl: https://cleorecs.com/store/shop/humble-pie-i-dont-need-no-doctor-limited-edition-colored-7-vinyl/

Track List:
SIDE A
I Don’t Need No Doctor (Live 1973)

SIDE B
Think

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
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Zero Times Everything to Release Innovative New Double Album “Sound of Music”

New music fans worldwide will be excited to hear that Zero Times Everything will be releasing their second album “Sound of Music” on August 28, 2021. The release date of this innovative new double album coincides with a private concert the band is giving in Massachusetts, just outside of Boston. On August 21, 2021 Zero Times Everything will release the official video for the 19 minute “Die Nacht Ist Leben.”

The title “Sound Of Music” is derived from the Pythagorean theory of musica universalis or the “music of the spheres” wherein Pythagoreas states that if objects in motion create sound then the planets forever in motion must forever produce sound. This theory has been totally discredited but the notion of the sound of a harmonious planetary-solar-system is the touchstone for the title of the album. There’s also the notion present within the record itself of the dangerous existence of black holes and white holes within this planetary harmony. The gravity of black holes is so strong that once it pulls matter within it nothing, even light, can get out. On the opposite extreme, a white hole in space is a hypothetical region that cannot be entered from the outside, although matter and light can escape from it. Side one is titled “Black Hole” and side two “White Hole.” If the theory is that the movement of the stars produces a harmony, then these holes in space create danger within that harmoniousness.

Zero Times Everything began in 2012 when Richard Sylvarnes invited Tony Geballe and Pietro Russino, who first met at one of Robert Fripp’s Guitar Craft Seminars, to perform a live musical accompaniment to a film he had recently completed called “The Last Words Of Dutch Schultz.” It was supposed to be a singular event, a “project.” But it became quite apparent in the early rehearsals that there was much more potential than a simple one-off project. They immediately began to get invites to play in galleries, at benefit concerts, and even to make music for an artist installation in China. So, almost without realizing it, they became an official band and started working on material for their first record, “Sonic Cinema,” which was released to great critical acclaim on Trey Gunn's 7D Media label in 2017.

When they finished their first album Richard immediately had the brazen idea that their second album should be a double album. He gave two reasons. One was to experiment, to allow the material to breathe, and not worry about the length of tracks and have to reflexively edit something for reasons of limited space. The second reason was to invite other musicians, mostly avant garde musicians from New York, to contribute their unique talents to this endeavor; even to the extent of redefining what can be considered Zero Times Everything music. These artists include extreme-metal guitarist Reg Bloor, avant pianist Matteo Ramon Arevalos, singer Daria Neumann, percussionist Michael Evans, multi-media artist Bradley Eros, guitarist Zach Layton, turntablist and foley artist Rachael Guma, singer Mikey Kirkpatrick, writer Sven Marquardt, film-projector rhythmatist Bruce McClure, composer and Touch guitarist Markus Reuter, vocalist Patricia Rothberg, and writer Sønje Sylvarnes.

As Richard said, “We wanted to open the door to Zero Times Everything and allow other artists we greatly admire to participate in making the music and use these collaborations to stretch the definition of what Zero Times Everything music can be.” Each of these unique and extraordinary artists have a strong sensibility and signature sound that deeply affected not only the overall sound of a piece but the compositions themselves

The centerpiece of the album is the 19-minute blitzkrieg “Die Nacht Ist Leben” (translated “The Night Is Life”) with words in German by Sven Marquardt, the infamous gatekeeper of the notorious Berlin nightclub Berghain and featuring Reg Bloor on extreme guitar, Bruce McClure’s “wall of terrifying delay,” and Daria on vocals. Richard spent a year searching for the perfect vocalist for this piece. He was searching for a female contralto, like Cher or Marlene Dietrich, and when he was close to giving up the search he found Daria; exactly the voice he heard in his head. This piece pushes the idea of metal to the extreme, and Tony Geballe says “If Kurt Weill and Bertolt Brecht had had access to digital technology, this is what they would have sounded like.”

The most ambitious track on the album and in Zero Times Everything’s oeuvre is the 26-minute “Lux Aeterna” which they affectionately call “our Supper’s Ready.” This is an apocalyptic song in spiritual, political, and scientific terms. The piece begins with a recording of the late Frederick Neumann, legendary actor, director and friend of Samuel Beckett, reading “The 10 Most Popular Ways for the Word to End” as compiled by scientists at a convention. The middle of the song includes random moments from a 1950’s radio play of Aldous Huxley’s “Brave New World” and the song ends with the somber yet beautiful apocalyptic liturgical text “El Cant de la Sibilla.”

“Sound Of Music” will be the equivalent to a triple album on vinyl, as the band have produced roughly 120 minutes of music on two CDs. The album was recorded over the course of three years and then, in the middle of the mixing, the pandemic hit, stopping all work. This caused a delay of over a year.

Zero Times Everything thanks its audience for their support which allows them to make adventurous, artistically ambitious, non-mainstream music that thrives on the fringe of culture.

To preorder:
Bandcamp: https://zxevery.bandcamp.com/

For more information:
Website: http://www.zerotimeseverything.com  
Facebook: https://www.facebook.com/zerotimeseverything
Instagram: https://www.instagram.com/zerotimeseverything/

Here is what the press has said about Zero Times Everything:

“Richard Sylvarnes, Pietro Russino, and Tony Geballe are three musicians operating at the top of their game, and they have combined their talents into a distinctive sound that reveals more depth on every listen.” - Exposé

“Unyieldingly awesome!!” - John A Wilcox, Progsheet

“It’s more of an event with an embedded storyline that sustains a great deal of interest due to its magnetic qualities and substantial replay value...Strongly recommended.” -ALL ABOUT JAZZ

“‘Sonic Cinema’ is an album you can reach for again and again and hear something a little different each time. Recommended.” - Sea of Tranquility

“A solid bet for those that like to veer toward the dark side.” - Midwest Record

“‘Sonic Cinema’ is, from start to finish, one of the surefire contenders for Best Album of The Year. Believe me and buy this album yourself. Or don't believe me and miss out on an incredible audio experience.” - Exclusive Magazine

“The truth is, if you like adventurous music, you have to give this a chance. I bet you’ve never heard anything quite like it.” - Music Street Journal

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Classic Rock Legend ARTHUR BROWN Teams With STOOGES Guitarist JAMES WILLIAMSON, VANILLA FUDGE Drummer CARMINE APPICE & Others On New Limited-Edition 7”, Full Length Album Coming 2022!

Los Angeles, CA - He is The God Of Hellfire, a music legend who is surely one of the most influential figures of theatrical rock, and even 5+ decades into his extraordinary career, Arthur Brown is still heating things up! Brown has just announced the release of a new 7” vinyl that contains a stunning new rendition of his signature hit “Fire,” which features a host of devilishly talented hellions including Stooges guitarist James Williamson, drum icon Carmine Appice, keyboard maestro Brian Auger, and producer Jürgen Engler. Like the man himself, “Fire” is a timeless treasure whose appeal has only increased over the years. Originally released in 1968 by the group that bore his name, The Crazy World Of Arthur Brown, “Fire” was a global phenomenon reaching the top spot on the singles charts in both the UK and Canada while hitting the #2 spot in the U.S. It’s considered one of the biggest crossover hits that brought psychedelic rock to mainstream audiences and launched Brown into the musical stratosphere.

Check out the new version of “Fire” featuring guests James Williamson, Carmine Appice & Brian Auger: https://orcd.co/arthur_brown_fire

Or watch a video for the track cut together from Arthur’s scenes in the 2017 horror film The Black Room: 

This new limited-edition 7” pressing will be available in your choice of either fiery RED or YELLOW vinyl. Most exciting of all is that this release previews a thrilling full-length album from Brown that will feature even more amazing guest stars set for release in 2022!

Brown had this to share about the coming project, “It’s a great pleasure being involved in making this high quality, imaginative piece of terror and fun.”

Order the 7” vinyl: https://cleorecs.com/store/shop/arthur-brown-fire-limited-edition-colored-7-vinyl/

Track List:
SIDE A
Fire feat. James Williamson, Carmine Appice, Brian Auger & Jürgen Engler

SIDE B
Zombie Yelp feat. Mark Stein & Alan Davey

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
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Guthrie Govan To Be Featured Guest Artist On Prog Ensemble Potter’s Daughter’s Explosive New Full-Length Album “Close to Nearby” To Be Released On September 30, 2021!

The album will be available digitally and on CD. Limited-edition vinyl with accompanying Art Book will be released later this Fall!

Prog ensemble Potter's Daughter will be releasing their second full-length album “Close to Nearby” featuring guest guitarist, Guthrie Govan, on September 30, 2021!  Also appearing on the album is the legendary drummer, Simon Phillips! The album will be available digitally and on CD, with limited-edition vinyl and accompanying Art Book being released later this Fall!

The album features 8 tracks, 3 virtuosic instrumentals and 5 captivating vocal songs. All compositions arranged and produced by Jan Christiana.

1. One (Ginastera)
2. Rosewind (DPV + JC)
3. Night Sky/Into the Dream (DPV + JC, lyrics by DPV and Ronda Dubiel)
4. The Mask (DPV +JC)
5. 5 (DPV + JC)
6. Midnight (DPV + JC, based on the poem by Edgar Allen Poe)
7. VII (Julia Schwartz)
8. Hold (DPV + JC, lyrics by Ronda Dubiel and DPV)

Potter’s Daughter (MRR) was formed in NYC while Dyanne was studying classical piano performance at the Manhattan School of Music. The group performed regularly in NYC, as well as in northeastern PA. Potter’s Daughter has been featured on radio, TV, and in national and international magazines and blogs. Potter’s Daughter released their debut album, “The Blind Side,” in August 2018. In 2019 they released two singles; “Blood and Water,” featuring Annie Haslam (Renaissance) as guest artist, and the holiday single, “This Winter’s Child,” which was composed for the MRR Holiday album.

In March 2020 they went on tour with MRR labelmate Joe Deninzon & Stratospheerius, and Dark Beauty. They were also invited to participate in several online festivals, including The Uncancelled Music Festival (April), The WorldWide Prog and Rock Virtual Festival (May), and the ProgStock Presents Festival. (August).

In October 2020, Potter’s Daughter released their Covid Quarantine EP, “Casually Containing Rage.” The single from the EP, “We Could Be,” was released as a video, directed by filmmaker Serena Kunzler.

In December 2020, Potter’s Daughter was featured in the Limelight section of Prog Magazine, and in the same edition, voted #2 in the Reader’s Poll Unsigned Band Category.

In February 2021, Potter’s Daughter enjoyed the privilege of participating in the debut release (Pyrrha’s Song) for Nick Katona’s “Troubleshooting Pandora’s Box,” together with drummer Jimmy Keegan.

In April 2021, Potter’s Daughter’s music video, “We Could Be,” was chosen as a finalist to compete in the annual American Golden Picture International Film Festival.

They are scheduled to close the prestigious music festival, ProgStock (NJ), on Oct. 3rd, and open the music festival, Prog on the Ranch, (FL) October 30th.

Now, with the addition of virtuoso guitarist Guthrie Govan adding his fire to the mix, they plan to release their heaviest work to date. The Artwork for the album cover was created especially for this project by the master artist, Armand Cabrera.

“Jan and Dyanne are evidently partial to doing interesting and unique things in their music so I was very happy to contribute to the record – it was a lot of fun!” – Guthrie Govan (guitarist currently playing with The Aristocrats and Hans Zimmer)

Photo by Victor Peters

Say Dyanne and Jan of Potter’s Daughter, “There really is no one who plays guitar like Guthrie - truly a pinch-me moment to have him play on our record. He more than deserves his spot in the pantheon of the all-time Greats!”

“It has been an absolute pleasure to play on your music. Very challenging and ever so much fun.” - Simon Phillips (drummer with Protocol, Toto, Hiromi, Mike Oldfield, The Who, Jeff Beck etc)

“…just beautiful...I love your voice, and chord progressions are sublime” - Jon Anderson (lead singer of progressive rock band, Yes)

“On first hearing of Blood and Water I was struck by its unusual and haunting melody and Dyanne's exquisite voice. To be a part of it was truly a wonderful experience.” -  Annie Haslam (Lead singer of progressive rock band, Renaissance)

For more information:
Facebook: https://www.facebook.com/PottersDaughterBand/
Instagram: https://www.instagram.com/pottersdaughterband
Twitter: https://www.twitter.com/PottersDtrBand

Purchasing:
Amazon: https://amzn.to/2qsUdKn
Bandcamp: https://bit.ly/2Mqk1PM
iTunes: https://apple.co/2P1hTQm
Spotify: https://spoti.fi/35O57uo

YouTube: 

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Guthrie Govan To Be Featured Guest Artist On Prog Ensemble Potter’s Daughter’s Explosive New Full-Length Album “Close to Nearby” To Be Released On September 30, 2021!

The album will be available digitally and on CD. Limited-edition vinyl with accompanying Art Book will be released later this Fall!

Prog ensemble Potter's Daughter will be releasing their second full-length album “Close to Nearby” featuring guest guitarist, Guthrie Govan, on September 30, 2021!  Also appearing on the album is the legendary drummer, Simon Phillips! The album will be available digitally and on CD, with limited-edition vinyl and accompanying Art Book being released later this Fall!

The album features 8 tracks, 3 virtuosic instrumentals and 5 captivating vocal songs. All compositions arranged and produced by Jan Christiana.

1. One (Ginastera)
2. Rosewind (DPV + JC)
3. Night Sky/Into the Dream (DPV + JC, lyrics by DPV and Ronda Dubiel)
4. The Mask (DPV +JC)
5. 5 (DPV + JC)
6. Midnight (DPV + JC, based on the poem by Edgar Allen Poe)
7. VII (Julia Schwartz)
8. Hold (DPV + JC, lyrics by Ronda Dubiel and DPV)

Potter’s Daughter (MRR) was formed in NYC while Dyanne was studying classical piano performance at the Manhattan School of Music. The group performed regularly in NYC, as well as in northeastern PA. Potter’s Daughter has been featured on radio, TV, and in national and international magazines and blogs. Potter’s Daughter released their debut album, “The Blind Side,” in August 2018. In 2019 they released two singles; “Blood and Water,” featuring Annie Haslam (Renaissance) as guest artist, and the holiday single, “This Winter’s Child,” which was composed for the MRR Holiday album.

In March 2020 they went on tour with MRR labelmate Joe Deninzon & Stratospheerius, and Dark Beauty. They were also invited to participate in several online festivals, including The Uncancelled Music Festival (April), The WorldWide Prog and Rock Virtual Festival (May), and the ProgStock Presents Festival. (August).

In October 2020, Potter’s Daughter released their Covid Quarantine EP, “Casually Containing Rage.” The single from the EP, “We Could Be,” was released as a video, directed by filmmaker Serena Kunzler.

In December 2020, Potter’s Daughter was featured in the Limelight section of Prog Magazine, and in the same edition, voted #2 in the Reader’s Poll Unsigned Band Category.

In February 2021, Potter’s Daughter enjoyed the privilege of participating in the debut release (Pyrrha’s Song) for Nick Katona’s “Troubleshooting Pandora’s Box,” together with drummer Jimmy Keegan.

In April 2021, Potter’s Daughter’s music video, “We Could Be,” was chosen as a finalist to compete in the annual American Golden Picture International Film Festival.

They are scheduled to close the prestigious music festival, ProgStock (NJ), on Oct. 3rd, and open the music festival, Prog on the Ranch, (FL) October 30th.

Now, with the addition of virtuoso guitarist Guthrie Govan adding his fire to the mix, they plan to release their heaviest work to date. The Artwork for the album cover was created especially for this project by the master artist, Armand Cabrera.

“Jan and Dyanne are evidently partial to doing interesting and unique things in their music so I was very happy to contribute to the record – it was a lot of fun!” – Guthrie Govan (guitarist currently playing with The Aristocrats and Hans Zimmer)

Photo by Victor Peters

Say Dyanne and Jan of Potter’s Daughter, “There really is no one who plays guitar like Guthrie - truly a pinch-me moment to have him play on our record. He more than deserves his spot in the pantheon of the all-time Greats!”

“It has been an absolute pleasure to play on your music. Very challenging and ever so much fun.” - Simon Phillips (drummer with Protocol, Toto, Hiromi, Mike Oldfield, The Who, Jeff Beck etc)

“…just beautiful...I love your voice, and chord progressions are sublime” - Jon Anderson (lead singer of progressive rock band, Yes)

“On first hearing of Blood and Water I was struck by its unusual and haunting melody and Dyanne's exquisite voice. To be a part of it was truly a wonderful experience.” -  Annie Haslam (Lead singer of progressive rock band, Renaissance)

For more information:
Facebook: https://www.facebook.com/PottersDaughterBand/
Instagram: https://www.instagram.com/pottersdaughterband
Twitter: https://www.twitter.com/PottersDtrBand

Purchasing:
Amazon: https://amzn.to/2qsUdKn
Bandcamp: https://bit.ly/2Mqk1PM
iTunes: https://apple.co/2P1hTQm
Spotify: https://spoti.fi/35O57uo

YouTube: 

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Multinational Rock Fusion Band City Weezle To Release New Album “No.2”

City Weezle is a rock fusion band that fuses elements of different styles and influences, but marks its distinctly unique brand of fusion with a punky swing rock, groove backbone at its core. The band’s self proclaimed influences are Faith No More, Mr. Bungle, Primus, King Crimson, The Melvins, Frank Zappa...

“No.2” is City Weezle’s latest offering after a long Hiatus taken due to disbanding in 2010. It’s the fruit of years of work! The album was written and recorded in various beautiful and precarious places from the backwaters of Ireland to the metropoles of France and Japan over a 4 year period.

City Weezle was founded in Paris back in 2005 by potato lovin’ Irishman Simon Fleury. After stringing together two demos, “City Weezle” (in 2006) and “The Leprechaun” (in 2008), City Weezle became a prominent member of the European underground fusion scene. They toured Europe several times sharing the stage with acts such as Watcha, Sleepytime Gorilla Museum. They have also become good friends and collaborated with great underground acts such as Igorrr (who produced both the band’s LP’s), Vladimir Bozar, Pryapisme and Clurichaun. After the release of their first full length LP drummer Ai Uchida had to return to Japan.

Due to not being able to find anyone to replace him, City Weezle was put on hiatus indefinitely but released “Lysergik Tea Party” in 2012 to let people know the band would be back. In 2013 and the following years, Simon would meet pianist and composer CSL Parker, who mentored him in experimental free form improvisation. Under his advice, Simon would reform the band, reconnecting with drummer Ai Uchida and bassist Kengo Mochizuki. Ai flew from Japan to write and record the drums over a two week period In a little cottage in Ireland.

Over the following years, the instrumentation and vocals would be written and recorded in “various beautiful and precarious places” throughout Ireland, France and Japan, culminating in their latest effort and second LP entitled “No. 2”

The recordings include many Guests and the band’s musical palette diversifies on this album incorporating Piano, Organ, Harpsichord, String arrangements, etc. “No. 2” is a less chaotic sounding album stepping away from the Primus and Bungle influenced sound of Taboo opening up some new directions for the band who will strive to keep things original, fun and interesting for the listener to enjoy. The band is now promoting “No. 2” preparing for a post Covid return to the Stage.

Both City Weezle’s albums “Taboo” and “No.2” were co-produced with legendary breakcore artist “Igorrr.”

The Lineup  
Simon Fleury (IRL) aka “The Vocal Viking”: Vocals, Guitars, Banjo’s, baby screams
Kengo Moichizuki (JAP) aka “Bass Samurai”: Bass
Ai Uchida (JAP) aka “Drum Ninja”: Drums
Axel Steinbiss(DE) aka “Wunderkind”: Keyboards, Piano  
Pierre Schmidt(FR): Guitar

Here’s what the press has said about City Weezle:

“City Weezle has elements of Beefheart and Frank Zappa that make a welcome relief to singer-songwriter-dom and Guitar-band isms.” - Hot Press Magazine (Ireland)

“The Prog songs of this incredible band jump seamlessly through metal funk and an array of styles all while making it sound very natural.” - Longueur d’ondes (France)

“City Weezle plays a metal, fusion, psychobilly twisted mix that is sure to be a favorite of avid Twisted Hillbilly Readers.” - Twisted Hillbilly Magazine (USA)

“There are some Crimson notions in there and certainly the influence of Frank Zappa is present. There's this gigantic funky sound that seems to be present just about everywhere on this album.” - Dutch Prog Rock Page (Netherlands)

“They describe their sound as swinging, grooving rock with a sharp punky edge. All I know is with these 12 songs, the outcasts and forward thinkers will go bonkers over City Weezle. Brilliant!” - Eternal Terror (Norway)

“City Weezle have blended their influences into a surprisingly cohesive sound. The musicianship is excellent, and the songs are well crafted” - Progressive World (USA)

“The band is all over the musical map delving into hard rock, metal, funk, jazz, prog, opera, fusion and probably a few more genres that I missed. There is no denying the band displays exemplary musicianship and there is something about their quirky nature that is charming.” - Sea of Tranquility (USA)

“The pieces proposed are very enjoyable in addition to being well played and having a well-characterized choice of sounds, there is a certain care in the arrangements: odd tempos, well-executed cuts and a voice that seems to come directly from a madhouse criminal.” - Hard sounds.it (Italy)

Support the band by buying some of our cool merch here:
https://cityweezle.bigcartel.com/

Hear all our music and read all our lyrics for free here:
https://cityweezle.bandcamp.com/

Like and Follow us on:
https://www.facebook.com/cityweezle
https://www.instagram.com/
https://twitter.com/cityweezle
https://open.spotify.com/artist/4ii6ZSUfxuPp8CtKrtHruo
https://www.tiktok.com/@cityweezle

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

JUDY COLLINS, JACK BRUCE, ANN WILSON & JOHN WETTON Lead A Team Of Legends Covering THE BEATLES On A New Collection!

Also includes performances by Air Supply, Molly Hatchet, Glenn Hughes, Steve Morse, Andrew Gold, Howard Jones, Richard Page and more!

Los Angeles, CA - While the world waits for Academy Award-winning filmmaker Peter Jackson’s highly anticipated documentary on The Beatles, the return of Beatlemania is getting kick started with a brand new collection of Beatle cover tunes recorded by an incredible host of rock, pop and folk icons and superstars! Legends Play The Beatles showcases the extraordinary influence the Fab Four had across a broadly diverse array of artists from ‘60s folk icon Judy Collins to former Deep Purple vocalist Glenn Hughes to ‘80s sensation Howard Jones. Each of these artists bring their unique talents to bear on such timeless Beatles’ classics as “Here Comes The Sun,” “Eleanor Rigby,” “Let It Be,” “Across The Universe,” “Tomorrow Never Knows” and many more!

Legends Play The Beatles is available both on CD in a fantastic looking digipak and on limited-edition colored vinyl in your choice of either YELLOW or BLUE!

Order the CD/vinyl: https://cleorecs.com/store/?s=legends+play+beatles&post_type=product

Track List:
1. Here Comes The Sun - Richard Page & Steve Morse
2. Across The Universe - Ann Wilson
3. Penny Lane - John Wetton
4. Back In The USSR - Molly Hatchet
5. Norwegian Wood - Andrew Gold
6. The Long And Winding Road - Air Supply
7. Tomorrow Never Knows - Electric Moon
8. Rain - Sugar Candy Mountain
9. Eleanor Rigby - Jack Bruce
10. And I Love Her - Howard Jones
11. Yesterday - Judy Collins
12. Let It Be - Glenn Hughes

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
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https://www.dailymotion.com/CleopatraRecords
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https://vimeo.com/cleopatrarecords
Spotify @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

Prog Ensemble The Far Cry Releases Debut Album “If Only”

Prog ensemble The Far Cry has released their debut album “If Only.” Though not intended in any way to be a “concept” album, “If Only” very much exhibits a connecting common thread of human emotion and perspective meeting real human conditions.

Apparently, some people just won’t give up on long held goals and aspirations. Jeff Brewer and Robert Hutchinson, co-conspirators behind the inception of what was to become The Far Cry, can vividly recall the musical awakening that occurred in their younger days when The Beatles landed and with all that followed. Soon thereafter, they each were even more deeply moved by the emergence of the Progressive Rock bands of the early 70’s, most notably King Crimson, Yes, Emerson, Lake & Palmer, Genesis and Gentle Giant.

Jeff and Hutch first crossed paths around 1976 with the formation of a short-lived rock covers band. Common ground occurred later, though not simultaneously, when both were members of Connecticut prog-rock band Holding Pattern, Hutch as co-founder from 1980-83 and, after Hutch left the band, Jeff joined as lead vocalist & percussionist from 1984 to 1993 when the band ceased operations.

Fast forward to 2013 when Hutch purchased a speaker cabinet Jeff had for sale. In the attendant dialogue, the pursuit of the likely impossible was quickly broached and a decision was made to chase the dream just one more time. Thus the seeds for The Far Cry were sown.

Unfortunately, due to the ambitious and stylistic nature of the music they were pursuing, connecting with suitable personnel to complete the band lineup was met with recurring difficulty and disappointment.

Eventually, the duo decided to enter the recording studio to get the material up and running. Guitarist Bryan Collin had already been in contact, having answered a Craigslist ad, and was amenable to playing on the recordings. As he did so, he became intrigued and more strongly connected to the music and the band concept. Certainly his stellar contributions and playing on the “If Only” CD demonstrate that. Bryan Collin was now The Far Cry guitarist.

Still, a highly competent keyboardist was required. Studio owner and master engineer John Bolduc was asked if he knew of any keyboard man who could properly interpret and perform the music he was hearing.

John responded instantaneously: Chris Dabbo. No time was wasted in contacting him. At first, Chris came on as a session man but very quickly demonstrated his impressive skill set as well as a connection to and understanding of the music. All involved were highly enthused and Chris was drafted in as keyboardist for The Far Cry.

Hence, the “If Only” CD is a result of a step by step evolution by what has now become a fully formed membership. Robert Hutchinson, Jeff Brewer, Bryan Collin and Chris Dabbo are the artists that comprise The Far Cry. The future awaits

Says the band, “Our fondest wish and recommendation is that this music should be listened to from beginning to end uninterrupted through a great set of headphones.”

The Far Cry is now formulating plans for the creation of videos to support the music from the CD. Certainly, live performance will be part of the near future and into 2022. Also, work on the next CD to follow “If Only” will begin within the next couple of months.

The Far Cry:
Chris Dabbo: piano. keyboards, vocals
Robert Hutchinson: drums, percussion, bells, spoken word
Jeff Brewer: lead vocals, bass, bass synth, bass pedals, guitar.
Bryan Collin: lead guitar, Electric and acoustic guitars.

To purchase The Far Cry “If Only.”:
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=itunes
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=apple+music
https://open.spotify.com/album/1Lm9OsAksc7miRffkvEpe2
https://www.amazon.com/gp/product/B098JRGWF4
To purchase physical CD from outside the USA.
https://www.lasercd.com/

For more information:
www.thefarcrygroup.com
www.facebook.com/thefarcry

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Prog Ensemble The Far Cry To Releases Debut Album “If Only”

Prog ensemble The Far Cry has released their debut album “If Only.” Though not intended in any way to be a “concept” album, “If Only” very much exhibits a connecting common thread of human emotion and perspective meeting real human conditions.

Apparently, some people just won’t give up on long held goals and aspirations. Jeff Brewer and Robert Hutchinson, co-conspirators behind the inception of what was to become The Far Cry, can vividly recall the musical awakening that occurred in their younger days when The Beatles landed and with all that followed. Soon thereafter, they each were even more deeply moved by the emergence of the Progressive Rock bands of the early 70’s, most notably King Crimson, Yes, Emerson, Lake & Palmer, Genesis and Gentle Giant.

Jeff and Hutch first crossed paths around 1976 with the formation of a short-lived rock covers band. Common ground occurred later, though not simultaneously, when both were members of Connecticut prog-rock band Holding Pattern, Hutch as co-founder from 1980-83 and, after Hutch left the band, Jeff joined as lead vocalist & percussionist from 1984 to 1993 when the band ceased operations.

Fast forward to 2013 when Hutch purchased a speaker cabinet Jeff had for sale. In the attendant dialogue, the pursuit of the likely impossible was quickly broached and a decision was made to chase the dream just one more time. Thus the seeds for The Far Cry were sown.

Unfortunately, due to the ambitious and stylistic nature of the music they were pursuing, connecting with suitable personnel to complete the band lineup was met with recurring difficulty and disappointment.

Eventually, the duo decided to enter the recording studio to get the material up and running. Guitarist Bryan Collin had already been in contact, having answered a Craigslist ad, and was amenable to playing on the recordings. As he did so, he became intrigued and more strongly connected to the music and the band concept. Certainly his stellar contributions and playing on the “If Only” CD demonstrate that. Bryan Collin was now The Far Cry guitarist.

Still, a highly competent keyboardist was required. Studio owner and master engineer John Bolduc was asked if he knew of any keyboard man who could properly interpret and perform the music he was hearing.

John responded instantaneously: Chris Dabbo. No time was wasted in contacting him. At first, Chris came on as a session man but very quickly demonstrated his impressive skill set as well as a connection to and understanding of the music. All involved were highly enthused and Chris was drafted in as keyboardist for The Far Cry.

Hence, the “If Only” CD is a result of a step by step evolution by what has now become a fully formed membership. Robert Hutchinson, Jeff Brewer, Bryan Collin and Chris Dabbo are the artists that comprise The Far Cry. The future awaits

Says the band, “Our fondest wish and recommendation is that this music should be listened to from beginning to end uninterrupted through a great set of headphones.”

The Far Cry is now formulating plans for the creation of videos to support the music from the CD. Certainly, live performance will be part of the near future and into 2022. Also, work on the next CD to follow “If Only” will begin within the next couple of months.

The Far Cry:
Chris Dabbo: piano. keyboards, vocals
Robert Hutchinson: drums, percussion, bells, spoken word
Jeff Brewer: lead vocals, bass, bass synth, bass pedals, guitar.
Bryan Collin: lead guitar, Electric and acoustic guitars.

To purchase The Far Cry “If Only.”:
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=itunes
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=apple+music
https://open.spotify.com/album/1Lm9OsAksc7miRffkvEpe2
https://www.amazon.com/gp/product/B098JRGWF4
To purchase physical CD from outside the USA.
https://www.lasercd.com/

For more information:
www.thefarcrygroup.com
www.facebook.com/thefarcry

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

New Atomic Rooster Tribute Nuclear Bird “Tyrannical Megalomaniac” Now Available!

Nuclear Bird was inspired by the 70’s band, Atomic Rooster which was led by extraordinary keyboardist Vincent Crane who is also known for his signature organ work on The Crazy World of Arthur Brown’s “FIRE.” Tyrannical Megalomaniac was Vincent Crane’s nickname.

Drummer/songwriter, Mark Murdock was influenced by Atomic Rooster and other early 70’s progressive-psychedelic bands from England, recently composed a batch of original songs with the intent of capturing Atomic Rooster’s spirit musically, but also telling an interpretation of the band’s story.

Mark invited Atomic Rooster drummer, Ric Parnell to the recordings. “Ric gave the music that authentic Atomic Rooster feel with his exceptional drumming on five of the eight songs. Thrilled to have him on board,” says Mark. Ric shared some of those interesting stories of the band which were incorporated into the lyrics. Also, lyricist/music reviewer, Dmitry M. Epstein contributed on a few of the songs.

“There was also an attempt to invite other former Atomic Rooster cast onboard; Peter French, Steve Bolten, Carl Palmer, Arthur Brown and Preston Heyman to participate but unfortunately could not participate for various reasons - scheduling, conflict of interest and lack of studio access, to name a few. “Perhaps I’ll try knocking on their door on the next Nuclear Bird works,’’ laughs Mark.

Vocalist Tim Pepper not only captured a flowing vocal on the songs but did the concept cover art of a Quetzalcothus (dinosaur bird) playing a Hammond organ with a nuclear power plant burning in the background. Thus, the title Nuclear Bird, not to be confused with Brand X’s “Nuclear Burn.” Speaking of which, former guitarist John Goodsall played on two of Mark’s Cymbalic Encounters works.

Additional musicians who contributed to the tracks are guitarist, Ken Hall who played with Mark in Phoenix, Arizona from the 70’s who captured an authentic 70’s era guitar and Broadway drummer, Jon Berger who guested on drums for two songs.

Nuclear Bird “Tyrannical Megalomaniac” Track List:
1. Exposition of Fools
2. Tyrannical Megalomaniac
3. Addicted to the Water
4. Fascination with the Afterlife
5. The Revolving Door
6. The Harvester of Organs
7. Haunted Chords
8. Locked in a Graveyard

Music and Lyrics by Mark Murdock
*Lyrics on songs 6 & 8 by Dmitry M. Epstein

Mark Murdock - organ and drums
Ric Parnell - drums and percussion on songs 1, 2, 3,  7 and 8
Tim Pepper - vocal
Ken Hall - guitar
Jon Berger - drums on songs 6 & 8 *Ric Parnell- percussion on song 6

All compositions by Mark Murdock
Produced by Mark Murdock
Mixed and Mastered by Mark Murdock
Recorded at Off-Shore Studios, Tokyo and various remote locations
Artwork by Tim Pepper

Available as digital download: https://nuclearbird.bandcamp.com/album/tyrannical-megalomaniac

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

New Atomic Rooster Tribute Nuclear Bird “Tyrannical Megalomaniac” Now Available!

Nuclear Bird was inspired by the 70’s band, Atomic Rooster which was led by extraordinary keyboardist Vincent Crane who is also known for his signature organ work on The Crazy World of Arthur Brown’s “FIRE.” Tyrannical Megalomaniac was Vincent Crane’s nickname.

Drummer/songwriter, Mark Murdock was influenced by Atomic Rooster and other early 70’s progressive-psychedelic bands from England, recently composed a batch of original songs with the intent of capturing Atomic Rooster’s spirit musically, but also telling an interpretation of the band’s story.

Mark invited Atomic Rooster drummer, Ric Parnell to the recordings. “Ric gave the music that authentic Atomic Rooster feel with his exceptional drumming on five of the eight songs. Thrilled to have him on board,” says Mark. Ric shared some of those interesting stories of the band which were incorporated into the lyrics. Also, lyricist/music reviewer, Dmitry M. Epstein contributed on a few of the songs.

“There was also an attempt to invite other former Atomic Rooster cast onboard; Peter French, Steve Bolten, Carl Palmer, Arthur Brown and Preston Heyman to participate but unfortunately could not participate for various reasons - scheduling, conflict of interest and lack of studio access, to name a few. “Perhaps I’ll try knocking on their door on the next Nuclear Bird works,’’ laughs Mark.

Vocalist Tim Pepper not only captured a flowing vocal on the songs but did the concept cover art of a Quetzalcothus (dinosaur bird) playing a Hammond organ with a nuclear power plant burning in the background. Thus, the title Nuclear Bird, not to be confused with Brand X’s “Nuclear Burn.” Speaking of which, former guitarist John Goodsall played on two of Mark’s Cymbalic Encounters works.

Additional musicians who contributed to the tracks are guitarist, Ken Hall who played with Mark in Phoenix, Arizona from the 70’s who captured an authentic 70’s era guitar and Broadway drummer, Jon Berger who guested on drums for two songs.

Nuclear Bird “Tyrannical Megalomaniac” Track List:
1. Exposition of Fools
2. Tyrannical Megalomaniac
3. Addicted to the Water
4. Fascination with the Afterlife
5. The Revolving Door
6. The Harvester of Organs
7. Haunted Chords
8. Locked in a Graveyard

Music and Lyrics by Mark Murdock
*Lyrics on songs 6 & 8 by Dmitry M. Epstein

Mark Murdock - organ and drums
Ric Parnell - drums and percussion on songs 1, 2, 3,  7 and 8
Tim Pepper - vocal
Ken Hall - guitar
Jon Berger - drums on songs 6 & 8 *Ric Parnell- percussion on song 6

All compositions by Mark Murdock
Produced by Mark Murdock
Mixed and Mastered by Mark Murdock
Recorded at Off-Shore Studios, Tokyo and various remote locations
Artwork by Tim Pepper

Available as digital download: https://nuclearbird.bandcamp.com/album/tyrannical-megalomaniac

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Blues-Rock Guitarist Chantel McGregor Releases “The Shed Sessions Volume 1 & 2”

Critically acclaimed Blues-rock guitarist Chantel McGregor is releasing 2 new albums titled “The Shed Sessions Volume 1 & 2.” The first volume (acoustic) has been available for a few weeks and the second volume (electric) will be released August 2nd and is now available for pre-order.

“March 2020, the world changed and the everyday things that we normally did became a dream, the world went into lockdown, the pause button on life was hit, and we stayed at home.

So, I was sat there one night in my shed thinking to myself ‘what can I do to make lockdown seem a little bit brighter?’ After a while it came to me,  ‘why not do a live stream so that I could stay in touch and connect with my lovely fans, they could connect with each other, and we all have a little bit of fun and music during a pretty gloomy time?’

At the time, I didn’t know that it would become a weekly thing, but the first session was so much fun that I thought I’ll do another one the following week, and then the week after that, and it became a weekly gig, ‘The Shed Sessions’!

5pm every Saturday was the hour every week where I could perform my music, have a bit of banter and catch up with friends on the live stream. An hour of music and humour to remind everyone that one day things will be fun again and live music will still be there!

A lot of people asked if I would record an album of the sessions, so I started thinking about what to record. There were so many songs to choose from!

At the start of lockdown, I was living in the North of England, so the sessions were just acoustic guitar and vocals, but when the government said you could move around more freely, I moved to the South of England and started collaborating with Jamie Brooks on keyboards, which meant that I could feature my electric guitar and a bit more improvisation. Because lockdown was still restricting studios being open, both albums were recorded at home, using a wardrobe as a vocal booth and then sent off to Wayne Proctor to mix and master.

The two albums are incredibly different, so it seemed appropriate to do two albums, one acoustic and one electric; ‘Volumes One and Two.’”

Chantel McGregor - July 2021

Chantel McGregor has been performing live gigs since the age of 12, schooled at a music college and achieved a First Class Honours Degree in Popular Music. Along with her current band members, Colin Sutton on bass and Thom Gardner on drums, they form an awesome power trio playing an eclectic mix of blues based tunes, composed by Chantel, ranging from traditional blues numbers complimented perfectly by the purity of her singing voice, to a much more raunchy blues rock style. And boy, can that girl play guitar! With several complicated solos she proved that she can shred with the best of them as her and her guitar became one.

To purchase: www.chantelmcgregor.com/store

For more information: https://www.chantelmcgregor.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

PFM/Aqua Fragile Vocal Legend Bernardo Lanzetti Releases Solo Album “Horizontal Rain”

Featuring Tony Levin, David Cross, David Jackson, Derek Sherinian, Tony Franklin, Jonathan Mover and others!

Conceived and recorded over a few years with outstanding musicians and special guests, Bernardo Lanzettiʼs new work is presented as a collection of musical episodes that sail from Progressive Rock to Vanguard, making port of call at Modern Opera, Art Rock, Rock & Soul and Classix 2 B.

Eight songs in English, two lyrics written by friend Peter Jack Marmot, wordsmith and coach manager between London and Marbella, plus an Italian text for the song “Ero un num Ero”, built on an elementary and random numerical progression as if to point out that the so-called “inspiration”, at times, can only be a fairy tale to deceive the unwary listener.

Without exaggerating or forcibly imposing his vocal range exceeding three octaves, the vocalist makes available the complete range of his voice, including the one processed by his Glovox device and those written for a choir that, in “Different”, move on articulated bars, always different in their division and imperceptibly delusional succession.

In the album, passion, detached nostalgia, fury and irony unfold track after track with a mix of sounds that are as unpredictable as they are effective: David Jackson’s baritone sax replacing the double bass in “Lanzhaiku” or Tony Levin’s unmistakable stick in “Heck Jack”. The pressing guitars of Marco Colombo in “Genial” where not even Andalusia is neglected or those of Andrea Cervetto, excitingly painful in the desperate appeal of “Walk Away”, which finds Tony Franklinʼs precise fretless bass and, in contrast, the hectic synth of Derek Sherinian and the poignant violin of David Cross. Alternating solid and frantic episodes, Jonathan Moverʼs drumming stands out on four strong selected tracks.

With more than 120 songs already published to his credit, Bernardo also celebrates his being an author/composer with this new album where almost everything, including the artwork, is due to his talent and attitude. Including the above mentioned special guests, in all 19 musicians and a choir of 7 from Italy, UK, USA and Spain, numerous sound engineers and the careful and patient work of the producer Dario Mazzoli, make this work precious and unique.

Watch the video for “Heck Jack”: 

(*) Alesia Baltach, Cello on 7// Marco Brioschi, Trumpet on 2// Andrea Cervetto, Gtrs, Bass, Keys, Arranger for 2 and 4// Kim Chandler, Backing Vocals on 1 and 2// Marco Colombo, Gtrs on 5 and 8 // David Cross, Violin on 1// Tony Franklin,  Bass on 1// Pier Gonella, Gtrs on 6// Franco Grandoni, Choir conductor ** on 9 // David Jackson, all Saxophones and Flutes on 3//Bernardo Lanzetti: Lead and Backing Vocals, acoustic Gtr, Harmonica, pre production and programming // Tony Levin, Stick on 2// Dario Mazzoli, Bass on 5// Sara Wilma Milani: backing vocals on 3// Carlo Napolitano: Trombone on 2// Jonathan Mover, Drums on 1, 2, 5 and 8// Alex Polipo, Drums on 4// Giancarlo Porro, sax and horn section arrangements on 2// Derek Sherinian, Keys on 1// Pier Vigolini, Keys on 6. (**) Chorus on “Different”: Luisa Baiocco, Federica Bastianelli, Silvia Metelli, Michelle Rainone, Gabriele Santoni, Teo Tiburzi, Gabriele Serano.

Track List:
01-Walk Away
02-Heck Jack
03-Lanzhaiku
04-Time Is King
05-Genial!
06-Conventional
07-Ero un num Ero
08-Horizontal Rain
09-Different

All music and lyrics by B.Lanzetti except 02 and 05, lyrics by P.J.Marmot.

To purchase:
SPOTIFY: https://open.spotify.com/album/0CX7kn753qMkUt7oZDiYxI
iTunes Italy: https://music.apple.com/it/album/1565842423?app=itunes
iTunes USA: https://music.apple.com/com/album/1565842423?app=itunes
iTunes UK: https://music.apple.com/uk/album/1565842423?app=itunes
AMAZON CD & DIGITAL STREAMING & MP3: https://www.amazon.com/gp/product/B09437RKHK/ref=dm_ws_sp_ps_dp

For more information:
http://bernardolanzetti.blogspot.com/
https://www.facebook.com/BernardoLanzetti

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

PFM/Aqua Fragile Vocal Legend Bernardo Lanzetti Releases Solo Album “Horizontal Rain”

Featuring Tony Levin, David Cross, David Jackson, Derek Sherinian, Tony Franklin, Jonathan Mover and others!

Conceived and recorded over a few years with outstanding musicians and special guests, Bernardo Lanzettiʼs new work is presented as a collection of musical episodes that sail from Progressive Rock to Vanguard, making port of call at Modern Opera, Art Rock, Rock & Soul and Classix 2 B.

Eight songs in English, two lyrics written by friend Peter Jack Marmot, wordsmith and coach manager between London and Marbella, plus an Italian text for the song “Ero un num Ero”, built on an elementary and random numerical progression as if to point out that the so-called “inspiration”, at times, can only be a fairy tale to deceive the unwary listener.

Without exaggerating or forcibly imposing his vocal range exceeding three octaves, the vocalist makes available the complete range of his voice, including the one processed by his Glovox device and those written for a choir that, in “Different”, move on articulated bars, always different in their division and imperceptibly delusional succession.

In the album, passion, detached nostalgia, fury and irony unfold track after track with a mix of sounds that are as unpredictable as they are effective: David Jackson’s baritone sax replacing the double bass in “Lanzhaiku” or Tony Levin’s unmistakable stick in “Heck Jack”. The pressing guitars of Marco Colombo in “Genial” where not even Andalusia is neglected or those of Andrea Cervetto, excitingly painful in the desperate appeal of “Walk Away”, which finds Tony Franklinʼs precise fretless bass and, in contrast, the hectic synth of Derek Sherinian and the poignant violin of David Cross. Alternating solid and frantic episodes, Jonathan Moverʼs drumming stands out on four strong selected tracks.

With more than 120 songs already published to his credit, Bernardo also celebrates his being an author/composer with this new album where almost everything, including the artwork, is due to his talent and attitude. Including the above mentioned special guests, in all 19 musicians and a choir of 7 from Italy, UK, USA and Spain, numerous sound engineers and the careful and patient work of the producer Dario Mazzoli, make this work precious and unique.

Watch the video for “Heck Jack”: 

(*) Alesia Baltach, Cello on 7// Marco Brioschi, Trumpet on 2// Andrea Cervetto, Gtrs, Bass, Keys, Arranger for 2 and 4// Kim Chandler, Backing Vocals on 1 and 2// Marco Colombo, Gtrs on 5 and 8 // David Cross, Violin on 1// Tony Franklin,  Bass on 1// Pier Gonella, Gtrs on 6// Franco Grandoni, Choir conductor ** on 9 // David Jackson, all Saxophones and Flutes on 3//Bernardo Lanzetti: Lead and Backing Vocals, acoustic Gtr, Harmonica, pre production and programming // Tony Levin, Stick on 2// Dario Mazzoli, Bass on 5// Sara Wilma Milani: backing vocals on 3// Carlo Napolitano: Trombone on 2// Jonathan Mover, Drums on 1, 2, 5 and 8// Alex Polipo, Drums on 4// Giancarlo Porro, sax and horn section arrangements on 2// Derek Sherinian, Keys on 1// Pier Vigolini, Keys on 6. (**) Chorus on “Different”: Luisa Baiocco, Federica Bastianelli, Silvia Metelli, Michelle Rainone, Gabriele Santoni, Teo Tiburzi, Gabriele Serano.

Track List:
01-Walk Away
02-Heck Jack
03-Lanzhaiku
04-Time Is King
05-Genial!
06-Conventional
07-Ero un num Ero
08-Horizontal Rain
09-Different

All music and lyrics by B.Lanzetti except 02 and 05, lyrics by P.J.Marmot.

To purchase:
SPOTIFY: https://open.spotify.com/album/0CX7kn753qMkUt7oZDiYxI
iTunes Italy: https://music.apple.com/it/album/1565842423?app=itunes
iTunes USA: https://music.apple.com/com/album/1565842423?app=itunes
iTunes UK: https://music.apple.com/uk/album/1565842423?app=itunes
AMAZON CD & DIGITAL STREAMING & MP3: https://www.amazon.com/gp/product/B09437RKHK/ref=dm_ws_sp_ps_dp

For more information:
http://bernardolanzetti.blogspot.com/
https://www.facebook.com/BernardoLanzetti

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

YES Keyboard Legend Tony Kaye To Release Solo Album “End Of Innocence” - Out September 10, 2021!

20th July 2021: Keyboard legend Tony Kaye announces the release of his debut solo album “End Of Innocence,” on 10th September 2021 on Spirit Of Unicorn Music (distributed via Cherry Red Records) to mark the 20th anniversary of 9/11.   

Having retired from music in 1996, Kaye was moved, by the events of 11th September 2001, to commit his thoughts and feelings to a heartfelt personal musical interpretation.

“End Of Innocence” is a requiem for those who lost their lives and all those touched by the horrific events of 9/11. Primarily orchestral, “End Of Innocence” is a powerful and emotional suite that is both beautiful and sinister, reflecting the dark forces at work that day. It guides the listener through the day and touches on the response, to reach a hope that peace and calm may prevail.

As did many millions, Kaye watched the horrors of 9/11 unfold on his TV screen. “The next day I unpacked my keyboards for the first time in a long time,” Kaye recalls. “I didn’t know what I was going to do. It was one of those things that happened, inspiration on a musical level.”

The suite begins the night before 9/11 but, as Kaye’s wife Dani Torchia sings an innocent lullaby, menacing storms are gathering. The beautiful “9/11 Overture” was the first piece Kaye composed, the following day. “I had no recording equipment, just an 8-track cassette recorder and some of those recordings became what you hear now.”

Kaye continues to create vivid images of New York City life and a vibrancy around The World Trade Centre (285 Fulton Street) before the terror begins and captures the fears of those on the planes, “Flight 11” depicting the conversations stewardesses had with the tower. The track includes a powerful drum solo by Kaye’s friend Jay Schellen (CIRCA, YES) reflecting the struggles onboard.

Following the collapse of the towers, Dani Torchia sings her lament “Sweetest Dreams” and the album looks at the “Aftermath” and the “Heroes” before focusing on the response. “I wanted it, musically, to be about that day,” Kaye says, “but I felt compelled to extend it to deal with the repercussions of what happened. Musically, it was quite challenging to do the battle scene and then the 'Hope And Triumph,' a patriotic anthem and the consequences of war. 'Ground Zero' is the hope for the future, the rebuilding.”

The artwork for the album has been created by Roger Dean, known for his work with YES and ASIA, powerful imagery reflecting the journey the music takes.

“End Of Innocence” Track Listing:
1. Twinkle Twinkle Little Star/Twilight Time
2. 911 Overture
3. NYC Blues
4. Battle Cry
5. 285 Fulton Street
6. Let’s Roll
7. Tug of War
8. Flight 11
9. Towers Fall
10. Sweetest Dreams
11. Aftermath
12. Heroes
13. The Battle
14. Hope and Triumph
15. Homecoming
16. Ground Zero

Produced by Tony Kaye

All tracks composed by Tony Kaye except “Sweetest Dreams” by Dani Torchia.

Tony Kaye, Spirit of Unicorn Music and Cherry Red Records are donating 10% of all profits from “End of Innocence” to https://www.garysinisefoundation.org/ The charity supports veterans, defenders and first responders in times of hardship.

About Tony Kaye
Tony Kaye is best known as the original keyboard player with prog legends YES, his Hammond organ giving their groundbreaking “The YES Album” it’s most distinctive sound within the YES catalogue. Following his departure from YES in 1971 Kaye was involved with a number of other bands including David Bowie, Badger, Flash and Badfinger before returning to YES for their greatest commercial success “90125” in 1983. Kaye remained with YES for several albums and tours before retiring from the music business in 1996.  

Following the re-awakening of his musical inspiration in 2001, Kaye accepted an invitation from current YES bassist Billy Sherwood to work on projects which led to the formation of CIRCA, in 2007, and has yielded four albums to date.

Tony Kaye – “End of Innocence”
Released on 10th September  through Spirit of Unicorn Music Formats: Standard CD Jewel case

Pre-order here: https://www.cherryred.co.uk/product/tony-kaye-end-of-innocence/
www.yesworld.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

YES Keyboard Legend Tony Kaye To Release Solo Album “End Of Innocence” - Out September 10, 2021!

20th July 2021: Keyboard legend Tony Kaye announces the release of his debut solo album “End Of Innocence,” on 10th September 2021 on Spirit Of Unicorn Music (distributed via Cherry Red Records) to mark the 20th anniversary of 9/11.   

Having retired from music in 1996, Kaye was moved, by the events of 11th September 2001, to commit his thoughts and feelings to a heartfelt personal musical interpretation.

“End Of Innocence” is a requiem for those who lost their lives and all those touched by the horrific events of 9/11. Primarily orchestral, “End Of Innocence” is a powerful and emotional suite that is both beautiful and sinister, reflecting the dark forces at work that day. It guides the listener through the day and touches on the response, to reach a hope that peace and calm may prevail.

As did many millions, Kaye watched the horrors of 9/11 unfold on his TV screen. “The next day I unpacked my keyboards for the first time in a long time,” Kaye recalls. “I didn’t know what I was going to do. It was one of those things that happened, inspiration on a musical level.”

The suite begins the night before 9/11 but, as Kaye’s wife Dani Torchia sings an innocent lullaby, menacing storms are gathering. The beautiful “9/11 Overture” was the first piece Kaye composed, the following day. “I had no recording equipment, just an 8-track cassette recorder and some of those recordings became what you hear now.”

Kaye continues to create vivid images of New York City life and a vibrancy around The World Trade Centre (285 Fulton Street) before the terror begins and captures the fears of those on the planes, “Flight 11” depicting the conversations stewardesses had with the tower. The track includes a powerful drum solo by Kaye’s friend Jay Schellen (CIRCA, YES) reflecting the struggles onboard.

Following the collapse of the towers, Dani Torchia sings her lament “Sweetest Dreams” and the album looks at the “Aftermath” and the “Heroes” before focusing on the response. “I wanted it, musically, to be about that day,” Kaye says, “but I felt compelled to extend it to deal with the repercussions of what happened. Musically, it was quite challenging to do the battle scene and then the 'Hope And Triumph,' a patriotic anthem and the consequences of war. 'Ground Zero' is the hope for the future, the rebuilding.”

The artwork for the album has been created by Roger Dean, known for his work with YES and ASIA, powerful imagery reflecting the journey the music takes.

“End Of Innocence” Track Listing:
1. Twinkle Twinkle Little Star/Twilight Time
2. 911 Overture
3. NYC Blues
4. Battle Cry
5. 285 Fulton Street
6. Let’s Roll
7. Tug of War
8. Flight 11
9. Towers Fall
10. Sweetest Dreams
11. Aftermath
12. Heroes
13. The Battle
14. Hope and Triumph
15. Homecoming
16. Ground Zero

Produced by Tony Kaye

All tracks composed by Tony Kaye except “Sweetest Dreams” by Dani Torchia.

Tony Kaye, Spirit of Unicorn Music and Cherry Red Records are donating 10% of all profits from “End of Innocence” to https://www.garysinisefoundation.org/ The charity supports veterans, defenders and first responders in times of hardship.

About Tony Kaye
Tony Kaye is best known as the original keyboard player with prog legends YES, his Hammond organ giving their groundbreaking “The YES Album” it’s most distinctive sound within the YES catalogue. Following his departure from YES in 1971 Kaye was involved with a number of other bands including David Bowie, Badger, Flash and Badfinger before returning to YES for their greatest commercial success “90125” in 1983. Kaye remained with YES for several albums and tours before retiring from the music business in 1996.  

Following the re-awakening of his musical inspiration in 2001, Kaye accepted an invitation from current YES bassist Billy Sherwood to work on projects which led to the formation of CIRCA, in 2007, and has yielded four albums to date.

Tony Kaye – “End of Innocence”
Released on 10th September  through Spirit of Unicorn Music Formats: Standard CD Jewel case

Pre-order here: https://www.cherryred.co.uk/product/tony-kaye-end-of-innocence/
www.yesworld.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com