Showing posts with label Zero Times Everything. Show all posts
Showing posts with label Zero Times Everything. Show all posts

8/04/2021

Zero Times Everything to Release Innovative New Double Album “Sound of Music”

New music fans worldwide will be excited to hear that Zero Times Everything will be releasing their second album “Sound of Music” on August 28, 2021. The release date of this innovative new double album coincides with a private concert the band is giving in Massachusetts, just outside of Boston. On August 21, 2021 Zero Times Everything will release the official video for the 19 minute “Die Nacht Ist Leben.”

The title “Sound Of Music” is derived from the Pythagorean theory of musica universalis or the “music of the spheres” wherein Pythagoreas states that if objects in motion create sound then the planets forever in motion must forever produce sound. This theory has been totally discredited but the notion of the sound of a harmonious planetary-solar-system is the touchstone for the title of the album. There’s also the notion present within the record itself of the dangerous existence of black holes and white holes within this planetary harmony. The gravity of black holes is so strong that once it pulls matter within it nothing, even light, can get out. On the opposite extreme, a white hole in space is a hypothetical region that cannot be entered from the outside, although matter and light can escape from it. Side one is titled “Black Hole” and side two “White Hole.” If the theory is that the movement of the stars produces a harmony, then these holes in space create danger within that harmoniousness.

Zero Times Everything began in 2012 when Richard Sylvarnes invited Tony Geballe and Pietro Russino, who first met at one of Robert Fripp’s Guitar Craft Seminars, to perform a live musical accompaniment to a film he had recently completed called “The Last Words Of Dutch Schultz.” It was supposed to be a singular event, a “project.” But it became quite apparent in the early rehearsals that there was much more potential than a simple one-off project. They immediately began to get invites to play in galleries, at benefit concerts, and even to make music for an artist installation in China. So, almost without realizing it, they became an official band and started working on material for their first record, “Sonic Cinema,” which was released to great critical acclaim on Trey Gunn's 7D Media label in 2017.

When they finished their first album Richard immediately had the brazen idea that their second album should be a double album. He gave two reasons. One was to experiment, to allow the material to breathe, and not worry about the length of tracks and have to reflexively edit something for reasons of limited space. The second reason was to invite other musicians, mostly avant garde musicians from New York, to contribute their unique talents to this endeavor; even to the extent of redefining what can be considered Zero Times Everything music. These artists include extreme-metal guitarist Reg Bloor, avant pianist Matteo Ramon Arevalos, singer Daria Neumann, percussionist Michael Evans, multi-media artist Bradley Eros, guitarist Zach Layton, turntablist and foley artist Rachael Guma, singer Mikey Kirkpatrick, writer Sven Marquardt, film-projector rhythmatist Bruce McClure, composer and Touch guitarist Markus Reuter, vocalist Patricia Rothberg, and writer Sønje Sylvarnes.

As Richard said, “We wanted to open the door to Zero Times Everything and allow other artists we greatly admire to participate in making the music and use these collaborations to stretch the definition of what Zero Times Everything music can be.” Each of these unique and extraordinary artists have a strong sensibility and signature sound that deeply affected not only the overall sound of a piece but the compositions themselves

The centerpiece of the album is the 19-minute blitzkrieg “Die Nacht Ist Leben” (translated “The Night Is Life”) with words in German by Sven Marquardt, the infamous gatekeeper of the notorious Berlin nightclub Berghain and featuring Reg Bloor on extreme guitar, Bruce McClure’s “wall of terrifying delay,” and Daria on vocals. Richard spent a year searching for the perfect vocalist for this piece. He was searching for a female contralto, like Cher or Marlene Dietrich, and when he was close to giving up the search he found Daria; exactly the voice he heard in his head. This piece pushes the idea of metal to the extreme, and Tony Geballe says “If Kurt Weill and Bertolt Brecht had had access to digital technology, this is what they would have sounded like.”

The most ambitious track on the album and in Zero Times Everything’s oeuvre is the 26-minute “Lux Aeterna” which they affectionately call “our Supper’s Ready.” This is an apocalyptic song in spiritual, political, and scientific terms. The piece begins with a recording of the late Frederick Neumann, legendary actor, director and friend of Samuel Beckett, reading “The 10 Most Popular Ways for the Word to End” as compiled by scientists at a convention. The middle of the song includes random moments from a 1950’s radio play of Aldous Huxley’s “Brave New World” and the song ends with the somber yet beautiful apocalyptic liturgical text “El Cant de la Sibilla.”

“Sound Of Music” will be the equivalent to a triple album on vinyl, as the band have produced roughly 120 minutes of music on two CDs. The album was recorded over the course of three years and then, in the middle of the mixing, the pandemic hit, stopping all work. This caused a delay of over a year.

Zero Times Everything thanks its audience for their support which allows them to make adventurous, artistically ambitious, non-mainstream music that thrives on the fringe of culture.


To preorder:
Bandcamp: https://zxevery.bandcamp.com/

For more information:
Website: http://www.zerotimeseverything.com  
Facebook: https://www.facebook.com/zerotimeseverything
Instagram: https://www.instagram.com/zerotimeseverything/

Here is what the press has said about Zero Times Everything:

Richard Sylvarnes, Pietro Russino, and Tony Geballe are three musicians operating at the top of their game, and they have combined their talents into a distinctive sound that reveals more depth on every listen.” - Exposé

Unyieldingly awesome!!” - John A Wilcox, Progsheet

It’s more of an event with an embedded storyline that sustains a great deal of interest due to its magnetic qualities and substantial replay value...Strongly recommended.” -ALL ABOUT JAZZ

“‘Sonic Cinema’ is an album you can reach for again and again and hear something a little different each time. Recommended.” - Sea of Tranquility

A solid bet for those that like to veer toward the dark side.” - Midwest Record

“‘Sonic Cinema’ is, from start to finish, one of the surefire contenders for Best Album of The Year. Believe me and buy this album yourself. Or don't believe me and miss out on an incredible audio experience.” - Exclusive Magazine

The truth is, if you like adventurous music, you have to give this a chance. I bet you’ve never heard anything quite like it.” - Music Street Journal

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

3/20/2017

Experimental Music Ensemble Zero Times Everything To Release New Album “Sonic Cinema” - April 21, 2017


NYC - Experimental music ensemble Zero Times Everything will be releasing their eagerly anticipated new album “Sonic Cinema” on April 21, 2017! Avant-garde post-industrial pre-cambrian pan-ethnic serial noise proto-punk neocortex music. It lives at the intersection of “My Life in the Bush of Ghosts” and Autechre, mixing glitchcore, ambient, and progressive rock.

Says band member Richard Sylvarnes, “In film making it is critical to create a sense of space; a world wholly imaginary that we can enter completely and without reservation. That is the first critical step in the creative process of Zero Times Everything. We strive to create worlds with sounds for a film that is either real or imagined. Hence the title: 'Sonic Cinema'. Although largely an instrumental recording there are passages of spoken texts; either through a disembodied heroine’s chant from a 1930’s gangster film, robot voices reciting Marxist texts, a child’s recitation of 'Twenty-first Century Schizoid Man', to a chorus of angry protesters whose calls against war resemble a liturgical chant. The totality of these texts describe a malignant world within the throes of a breathless apocalypse. And, yet, the record ends on a celestial note - a treated, improvised guitar loop - that inspires hope and resilience within the storm.”

Zero Times Everything is:
Richard Sylvarnes – Kaoss Pads, Loops, Synths, Rhythms, Guitars, Vocals
Pietro Russino – Guitars, Loops, Violin
Tony Geballe – Guitars, Synths, Loops
(with special guest Sønje Sylvarnes, vocals on Schizoid)

Tony, Richard, and Pietro first met at Robert Fripp's Guitar Craft Seminars at Claymont Court, then formed a group to provide live music for Richard Sylvarnes' epic film “The Last Words of Dutch Schultz”. ZXE continued playing live to Richard's works, developing a rich vocabulary of music and exploration far beyond their original intention. “Sonic Cinema” is the result – music to accompany films: the ones made by Richard Sylvarnes and the ones playing in your head. The music of ZXE is improvised over a framework of known landmarks and ideas.

Once they made their debut with “Dutch Schultz”, ZXE was asked to play at the inaugural NY Festival of Light in 2013, and then to perform at the opening ceremony of the 2014 NYFOL. Working with Howard Ungerleider, longtime lighting designer for Rush, ZXE presented an audiovisual extravaganza with a spectacular light show under the Manhattan Bridge. ZXE has also performed at the Filmmakers Co-op Benefit with Laurie Anderson, John Zorn, Philip Glass, and JG Thirlwell. In 2015, ZXE provided the musical soundtrack for “Valkyrie Octopus” by the celebrated Portuguese artist Joana Vasconcelos, at the MGM Grand Casino in Macau, China.

Says Richard, “ 'Sonic Cinema' was recorded over the past several years. Our first live performances were in art galleries, avant-garde cinemas, and performances spaces in New York City. The music grew from these performances, and in the studio.

“All the music was recorded in a small studio in a heavily industrialized, dirty, noisy section of Brooklyn. The studio sits underneath a bridge that separates Queens from Brooklyn and is presently being taken apart and rebuilt at the same time. The studio is also surrounded by metal refuse companies that day and night haul heaps of metal and junk from torn down buildings into dingy, contaminated yards. Amidst this cacophony the record was made, which certainly lent to the overall feeling of the music.

“We followed the music and listened for where it was going. This was the guiding principle to recording the CD. An idea, or the germ of an idea, would be presented to the band and from that would emerge possible directions fueled by each musician's passion, panic, and/or response to what they were hearing. Sometimes this can be comparable to walking on a high-tension line where success and failure are both one step away. A particular example would be the piece ‘Accident,’ where all that was presented was a dark, looped techno drum beat, and a single spoken phrase of a woman calling the police. No chordal arrangements or charts were given. No fixed goals in mind. From that small idea developed a forty-five minute musical exploration that was edited into its final eleven minutes of whose mood, quality, and intensity no one could have predicted, which then was further processed and distorted in the mixing phase. We record all of our rehearsals and treat those recordings as malleable material to create worlds both serene and disquieting.”

The Band:

Richard Sylvarnes is an artist and composer. Richard's works have been exhibited internationally in galleries and museums and published in such media as the New York Times and Rolling Stone. A long-time member of ASCAP and the Filmmakers Co-op, his films have been shown in Greece, Germany, England, Brazil, Russia, France and various countries in Asia, as well as twice being featured in the Tribeca Film Festival. Richard’s music has been released on 4 CDs with Sylvarluxe and the Underworld Oscillator Corporation on the Skrymir label.

Pietro Russino is a Sardinia-born guitarist, multi-instrumentalist, and composer who combines rock traditions with classical finger picking, his own blend of improvised Mediterranean folk melodies, and looping. Pietro's music has been featured on MTV and on John Shaefer's WNYC show “New Sounds,” and on RAI Television in Italy. He was music director of Da Ugo, a music venue-restaurant-bar located on the beach of Porto Taverna, Sardinia. Pietro created the genre of “Hypnofolk,” and released a CD by that name in 2011.

Tony Geballe is a guitarist, composer, and sound designer, member of the La Compagnia de' Colombari theater group and the progressive darkwave band Braindance. His works have been performed at the Huntington Theater in Boston, Classic Stage Company (NYC), New York Theater Workshop, the Hartford Stage and many other venues in the USA and internationally. Tony was also a member of The Trey Gunn Band, and his CD “Native of the Rain” was released by Robert Fripp's label Discipline Global Mobile.

Zero Times Everything is currently recording its follow up release (working title: “Sound of Music”) and embarking on several shows in the New York Metropolitan area including a record release party in late April. The group continues to make films for their music and intend to work with other visual artists in a live atmosphere, especially the multi-visual group called “Optipus”. They continue to make the band's live shows a visual as well as sonic experience.

In closing Richard has this to impart about Zero Times Everything's forthcoming album, “ 'Sonic Cinema' is challenging; at times discordant, unmoored with a feral energy, and descriptive of bleak, desolate landscapes. At the very same time 'Sonic Cinema' is lush, expansive, and vivid; an exploration of all that is luminous in this world.”

To purchase Zero Times Everything's “Sonic Cinema” CD: 
https://zerotimeseverything.bandcamp.com/album/sonic-cinema
http://music.7dmedia.com

For more information:
Official website: http://zerotimeseverything.com
Facebook: https://www.facebook.com/zerotimeseverything

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Experimental Music Ensemble Zero Times Everything To Release New Album “Sonic Cinema” - April 21, 2017


NYC - Experimental music ensemble Zero Times Everything will be releasing their eagerly anticipated new album “Sonic Cinema” on April 21, 2017! Avant-garde post-industrial pre-cambrian pan-ethnic serial noise proto-punk neocortex music. It lives at the intersection of “My Life in the Bush of Ghosts” and Autechre, mixing glitchcore, ambient, and progressive rock.

Says band member Richard Sylvarnes, “In film making it is critical to create a sense of space; a world wholly imaginary that we can enter completely and without reservation. That is the first critical step in the creative process of Zero Times Everything. We strive to create worlds with sounds for a film that is either real or imagined. Hence the title: 'Sonic Cinema'. Although largely an instrumental recording there are passages of spoken texts; either through a disembodied heroine’s chant from a 1930’s gangster film, robot voices reciting Marxist texts, a child’s recitation of 'Twenty-first Century Schizoid Man', to a chorus of angry protesters whose calls against war resemble a liturgical chant. The totality of these texts describe a malignant world within the throes of a breathless apocalypse. And, yet, the record ends on a celestial note - a treated, improvised guitar loop - that inspires hope and resilience within the storm.”

Zero Times Everything is:
Richard Sylvarnes – Kaoss Pads, Loops, Synths, Rhythms, Guitars, Vocals
Pietro Russino – Guitars, Loops, Violin
Tony Geballe – Guitars, Synths, Loops
(with special guest Sønje Sylvarnes, vocals on Schizoid)

Tony, Richard, and Pietro first met at Robert Fripp's Guitar Craft Seminars at Claymont Court, then formed a group to provide live music for Richard Sylvarnes' epic film “The Last Words of Dutch Schultz”. ZXE continued playing live to Richard's works, developing a rich vocabulary of music and exploration far beyond their original intention. “Sonic Cinema” is the result – music to accompany films: the ones made by Richard Sylvarnes and the ones playing in your head. The music of ZXE is improvised over a framework of known landmarks and ideas.

Once they made their debut with “Dutch Schultz”, ZXE was asked to play at the inaugural NY Festival of Light in 2013, and then to perform at the opening ceremony of the 2014 NYFOL. Working with Howard Ungerleider, longtime lighting designer for Rush, ZXE presented an audiovisual extravaganza with a spectacular light show under the Manhattan Bridge. ZXE has also performed at the Filmmakers Co-op Benefit with Laurie Anderson, John Zorn, Philip Glass, and JG Thirlwell. In 2015, ZXE provided the musical soundtrack for “Valkyrie Octopus” by the celebrated Portuguese artist Joana Vasconcelos, at the MGM Grand Casino in Macau, China.

Says Richard, “ 'Sonic Cinema' was recorded over the past several years. Our first live performances were in art galleries, avant-garde cinemas, and performances spaces in New York City. The music grew from these performances, and in the studio.

“All the music was recorded in a small studio in a heavily industrialized, dirty, noisy section of Brooklyn. The studio sits underneath a bridge that separates Queens from Brooklyn and is presently being taken apart and rebuilt at the same time. The studio is also surrounded by metal refuse companies that day and night haul heaps of metal and junk from torn down buildings into dingy, contaminated yards. Amidst this cacophony the record was made, which certainly lent to the overall feeling of the music.

“We followed the music and listened for where it was going. This was the guiding principle to recording the CD. An idea, or the germ of an idea, would be presented to the band and from that would emerge possible directions fueled by each musician's passion, panic, and/or response to what they were hearing. Sometimes this can be comparable to walking on a high-tension line where success and failure are both one step away. A particular example would be the piece ‘Accident,’ where all that was presented was a dark, looped techno drum beat, and a single spoken phrase of a woman calling the police. No chordal arrangements or charts were given. No fixed goals in mind. From that small idea developed a forty-five minute musical exploration that was edited into its final eleven minutes of whose mood, quality, and intensity no one could have predicted, which then was further processed and distorted in the mixing phase. We record all of our rehearsals and treat those recordings as malleable material to create worlds both serene and disquieting.”

The Band:

Richard Sylvarnes is an artist and composer. Richard's works have been exhibited internationally in galleries and museums and published in such media as the New York Times and Rolling Stone. A long-time member of ASCAP and the Filmmakers Co-op, his films have been shown in Greece, Germany, England, Brazil, Russia, France and various countries in Asia, as well as twice being featured in the Tribeca Film Festival. Richard’s music has been released on 4 CDs with Sylvarluxe and the Underworld Oscillator Corporation on the Skrymir label.

Pietro Russino is a Sardinia-born guitarist, multi-instrumentalist, and composer who combines rock traditions with classical finger picking, his own blend of improvised Mediterranean folk melodies, and looping. Pietro's music has been featured on MTV and on John Shaefer's WNYC show “New Sounds,” and on RAI Television in Italy. He was music director of Da Ugo, a music venue-restaurant-bar located on the beach of Porto Taverna, Sardinia. Pietro created the genre of “Hypnofolk,” and released a CD by that name in 2011.

Tony Geballe is a guitarist, composer, and sound designer, member of the La Compagnia de' Colombari theater group and the progressive darkwave band Braindance. His works have been performed at the Huntington Theater in Boston, Classic Stage Company (NYC), New York Theater Workshop, the Hartford Stage and many other venues in the USA and internationally. Tony was also a member of The Trey Gunn Band, and his CD “Native of the Rain” was released by Robert Fripp's label Discipline Global Mobile.

Zero Times Everything is currently recording its follow up release (working title: “Sound of Music”) and embarking on several shows in the New York Metropolitan area including a record release party in late April. The group continues to make films for their music and intend to work with other visual artists in a live atmosphere, especially the multi-visual group called “Optipus”. They continue to make the band's live shows a visual as well as sonic experience.

In closing Richard has this to impart about Zero Times Everything's forthcoming album, “ 'Sonic Cinema' is challenging; at times discordant, unmoored with a feral energy, and descriptive of bleak, desolate landscapes. At the very same time 'Sonic Cinema' is lush, expansive, and vivid; an exploration of all that is luminous in this world.”

To purchase Zero Times Everything's “Sonic Cinema” CD: 
https://zerotimeseverything.bandcamp.com/album/sonic-cinema
http://music.7dmedia.com

For more information:
Official website: http://zerotimeseverything.com
Facebook: https://www.facebook.com/zerotimeseverything

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

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