Showing posts with label Blues. Show all posts
Showing posts with label Blues. Show all posts

3/12/2018

Concert Review: Eric Johnson In Concert At Infinity Hall With Arielle In Norfolk Connecticut

Eric Johnson In Concert At Infinity Hall 
With Arielle 
Norfolk, Connecticut
Ah Via Musicom Tour 2018
March 10, 2018
My first visit to the Infinity Hall in Norfolk CT was a prolific one. I say that because I was about to catch six-string slinger Eric Johnson for the second time. Last night was different, however. This night he would perform his entire Ah Via Musicom album. This was the album that introduced me to his music some 28 years ago, it also happens to be my favorite recording in his substantial catalog.

Infinity Hall is a beautiful venue complete with a bistro, bar, minibar and a wonderful theater upstairs that upon first blush, looks like a church/barn, but very beautiful. All 300 seats are there on one floor (including an upper level with tables for folks with food from the Bistro), and there is not a bad seat in the house. Plus, there is standing room only in the back for overflow. It was a sold-out show, which came as no surprise. 

To start the night off Arielle was going to warm up the crowd. She is an up and
coming artist from Texas that recently released a 5 track EP called Mind Lion. Before she came out onstage a group of four ladies sat next to me. As fate would have it they were all of Arielle's aunts! And quite the cheering section as well. Although, the crowd did take to the young lady quickly, so the cheering section was getting plenty of help from an appreciative audience. One of the lovely ladies sitting next to me informed me that Brian May of Queen had taken her under his wing for a while and now EJ was doing the same thing. So, needless to say, the development of this artist has been in good hands. 

Arielle is a natural talent. It takes a lot of guts to come out on stage all by yourself and she passed with flying colors. Her voice is magnificent and she really knows how to bend those guitar strings. Her 30-minute set covered everything from ballads, blues, and shredding. The shredding example is provided with the song "Take II" (check out the video) with her favorite two-tone guitar that she made. Interesting enough, Brian May made his guitar as well prior to forming Queen.

I can't say enough about Arielle, she is one of the most dynamic and talented young ladies I have seen onstage in quite some time. Her future looks very bright.



After she was done Eric Johnson and his original band segued on to the stage, so there was no break in the music, not yet. Tommy Taylor (drums) and Kyle Brock (bass), who provide a rock-solid foundation for Johnson to lay his licks on, stepped out with EJ. What a night we were in for!

Johnson's first set was very diverse. I think that word properly tells the story of what he brings to the table. His mix includes rock, blues, jazz, and pop. It is always interesting and extremely entertaining. There was so much going on for a trio I find it difficult to put it all into the right context. So, what we witnessed was a walk down memory lane on the first set, which included a pumped up and rockin' version of The Beatles song "The Night Before." The mark of a great artist is the ability to take an iconic tune and make it your own. Not an easy task regardless of what level your talent is on. Eric does it all with ease and grace. He makes everything he does look so easy. His battery mates also are right in sync as well. Taylor is a great drummer (and a good vocalist) and Brock is top notch and his bass playing looks quite effortless as well.

After an incredible first set full of amazing musicianship and improvisation we got a 15-minute break to get something to wet the whistle and go visit Arielle and grab her new CD. She was very gracious while signing everyone's swag.

Now the moment everyone was there for was to see EJ play Ah Via Musicom, which by no coincide for many, was the album people there had discovered him through. I found out by chatting with a few people in attendance that this was the case. There was also one lady sitting next to me after Arielle's Aunts had left, that was not a big EJ fan (her fiancé was) but after a few songs in she was a convert! I love to watch people's reactions to the music and this night was exceptional. 

As Mr. Johnson made his way through his trademark release the crowd was all pumped up, however very respectable of the performers and the rest of the people next to them. It was as close to a perfect evening as it could get, actually.



Some of my favorites of the evening where "Stratagem," off his most recent release Collage, "Black Mountain Side," a Led Zeppelin cover, "Cliffs of Dover," my all-time favorite track, and the encore with Arielle on a very old track titled "Zap."

Eric Johnson is a phenomenal guitar player and a very good vocalist. He definitely ranks in my top 10 guitarists of all time. He has flown under the wire a bit in his career and deserves a lot more recognition than he has received. Last night proved to me that there are people out there that understand what a great talent he is. If you have the opportunity and want to see some guitar wizardry then make sure you catch him on tour this year!

Keith “MuzikMan” Hannaleck
March 11, 2018

Founder of:

Review Provided By New Age Music Reviews

Set 1:
Intro (Arielle introduced the band &… more )
Stratagem
S.R.V.
The Night Before (The Beatles cover)
Trail of Tears
Underground (Eric solo on piano)
Black Mountain Side (Led Zeppelin cover) (Eric solo)
Wanderlust (Arielle cover with Arielle)
C.W. (Kyle Brock & Tommy Taylor; without Eric)
Camel's Night Out
Manhattan
Pipeline (The Chantays cover)

Set 2 (Ah Via Musicom):
Ah Via Musicom
Cliffs of Dover
Desert Rose
High Landrons
Steve's Boogie
Trademark
Nothing Can Keep Me From You
Song for George (Eric solo)
Righteous
Forty Mile Town
East Wes
Western Flyer

Encore:
ZAP (With Arielle)








2/22/2018

Virtuoso Blues/Rock Guitarist Paul Nelson Announces 2018 North American Tour Dates


Paul Nelson is recognized as one of today's most talented guitarists and live performers. Nelson not only has the distinction of being the hand-picked guitar protégé, bandmate and producer to legendary rock/blues icon Johnny Winter but he has toured the world over performing and or recording alongside an endless who's who list of top artists including Eric Clapton, Slash, Billy Gibbons, Ben Harper, Robben Ford, Vince Gill, Warren Haynes, Derek Trucks, James Cotton, Joe Perry, Susan Tedeschi, Kenny Wayne Shepherd, John Popper, Dr. John, Larry Carlton, Leslie West, Joe Bonamassa, Sonny Landreth, Dickey Betts to Joe Walsh and more... Paul will be touring the US & Canada this winter/spring 2018.

“What else can we say about Paul Nelson except...Chops Deluxe.” - Guitar World Magazine

“An A-List guitar player...one of the most technically dazzling players around today.” - Guitar Magazine

“He's a soulful player who has chops to burn. The word 'ferocious' comes to mind, or 'take no prisoners'” - Vintage Guitar Magazine

Paul Nelson US/Canada Tour Dates

02/17/18 - Daryl's House, Pawling, NY
02/24/18 - Factory Underground, Norwalk, CT
03/09/18 - World Live Cafe, Philadelphia, PA
03/17/18 - FTC, Fairfield, CT
03/22/18 - The Slippery Noodle Indianapolis, IN
03/24/18 - Chrome Lounge, Omaha, NE
03/25/18 - Byrons Bar, Pomeroy, IA
03/28/18 - Zoo Bar, Lincoln, NE
03/30/18 - Knuckle Heads Saloon, Kansas City, MO
03/31/18 - The Third Base, Springfield, IL
04/06/18 - Cadillac Lounge, Toronto, Ontario, Canada
04/07/18 - Peters Players, Gravenhurst, Ontario, Canada
04/14/18 - Chans, Woonsocket, RI
04/27/18 - Lizzie Rose Music Room, Trenton, NJ
05/04/18 - Uncle Bos, Topeka, KS
05/05/17 - Round Barn Festival, Kirksville, MO
05/06/18- Buddy Guy's Chicago, IL
05/09/18 - Paradise Inn, Gulf Breeze, FL
05/11/18 - Englewoods on Dearborn, Englewood, FL
05/12/18 - South Street Naples, FL
05/17/18 - Terrafermata, Stuart, FL
05/18/18 - The Barrel Room, Fort Myers, FL
05/19/18 - The Funky Biscuit,  Boca Raton, FL
05/20/18 - Earl's Hideaway, Sebastion, FL
06/01/18 - Big Beat Dallas, Hwy 61 Stage - Irving, TX
06/02/18 - Big Beat Dallas, Hwy 61 Stage - Irving, TX
06/03/18 - Big Beat Dallas, Hwy 61 Stage - Irving, TX
08/17/18 - Madams Organ, Washington, DC

A multi-Grammy nominated artist, Paul Nelson received a Grammy award for his work performing on and producing Winter's Step Back Megaforce/Sony release, winning “Best Blues Album of the Year” and the BMA “Blues Music Award” for “Best Blues/Rock Album.” Step Back reached #16 on the Billboard top 200, staying at #1 on the Billboard Blues Charts for weeks. He is also a recipient of the Blues Foundation's KBA “Keeping The Blues Alive Award.”

Nelson and his music have reached millions with appearances on Late Night with David Letterman and Jimmy Kimmel Live, and via the award-winning documentaries: “Down and Dirty - The Johnny Winter Story” and “Sideman: Long Road to Glory” (feat: Bonnie Raitt, Greg Allman, Hubert Sumlin).

Nelson's latest project “Badass Generation,” on Sony Records, still maintains his unmistakable connection to the Blues, but it also finds the guitarist showing powerful songwriting combining his many other musical influences that his fans have come to expect, making him one of music's most respected and influential contemporary artists.

Staying at #1 on the “Hot New Releases” charts for months Nelson's latest project “Badass Generation” on Sony Records still maintains his unmistakable connection to the Blues, but it also finds the guitarist showing his many other musical dimensions fans have come expect considering him one of music's most respected and influential contemporary artists...

“Love this album - the sound and the energy. Gorgeous, searing guitar work. Like a blow torch!” - Wall Street Journal

“The Paul Nelson Band Rocks. Period.” - Goldmine Magazine

Paul Nelson and Warren Haynes at the Great South Bay Music Festival on Long Island:
www.youtube.com/watch?v=cpMET3fmaHA&feature=share

Official website: www.paulnelsonguitar.com
Official FB: www.facebook.com/pages/Paul-Nelson/221214511250923

To purchase Paul Nelson's “Badass Generation”: https://itunes.apple.com/us/album/baddass-generation/id1082870890

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

2/10/2018

Rock/Blues Review: Jimi Hendrix-Both Sides of the Sky

Release Date: March 9, 2018
Label: Sony Legacy

Although the man has been gone since 1970, the legend of Jimi Hendrix is alive and well and continues to grow exponentially. There was a period of 4 years that this amazing guitar player created some of the most remarkable music. From what I understand, if he wasn’t playing to audiences, he was in the studio with the tapes always rolling. So as one can imagine, he left behind an overabundance of material on the shelf. He made more music in a 4-year period than anyone I am aware of.

This falls right in line with the Hendrix family taking control of his legacy and contributions. When that happened, all of his music was handled properly. Since then, every year we see at least one or two unearthed and remastered albums coming out. It has been a true renaissance for arguably the greatest six-string bender ever. And because of this flow of music over the years, it feels like he never left us. For my musical tastes, that is a beautiful thing. If you like the music of Hendrix I am pretty sure you would agree. I think it goes beyond like at this point for a lot of us.

Both Sides of the Sky is part of trilogy that included Valleys of Neptune (2010) and People, Hell and Angels (2013). So, what is really cool about this release? It is the cast of legendary artists that played with Jimi on these tracks. I had always heard of the different sessions he had at Electric Ladyland Studios (the renowned music church), however I have not heard anything with so many different artists on one recording.  Ten of the tracks are previously unreleased (see all the notations provided on the track list). The sound and engineering on this set is phenomenally crisp and clear. I would expect that goes without saying after all the previous reissued music that set the bar so high.

“$20 Fine” has one of the most recognizable vocalist in rock history, Stephen Stills. “Things I Used to Do” features the master of the white boy blues Johnny Winter. Now that is quite a paring of guitar players. The classic track “Woodstock,” which was originally recorded with Stills on lead vocals (CSN), is in a totally different incarnation with Hendrix laying down the guitar lines. With all the other layers of instruments that were added, it made for a maximum overhaul of the track. I found comfort out right out of the gate knowing Stills is there on vocals, just to remind us who sang it first. With Hendrix’s blues-based rock hammering away, it was a perfect opportunity for the vocalist to step in and complete the changing shades and colors of the track. It worked for me but may not for some purists. It is more meat and potatoes (musically) if you will, and a totally different but interesting take on the song.

“Power of Soul” has always been one of my favorites ever since I heard it back in the 70’s on vinyl courtesy of the Crash Landing album. This extended version is terrific. 

There are some real blues barn burners on this set. The playing is pinpoint, biting and memorable. Hendrix had it down, he owned it. Once you hear “Things I Used to Do” and “Georgia Blues” you will find out exactly what I mean. Lonnie Youngblood does a great job belting out those ‘Georgia Blues,” answering Jimi’s sting like a bee leads. The sax that comes in towards the curtain closing on the number is a nice touch as well. That horn just cries and screeches “do you hear me now?” And trust me, there is no filler anywhere on these tracks. If you enjoy a total blues workout then you will love those two rippers.

Any time I cover anything by Hendrix I feel like I could write a book instead of an overview, but I have to reel it in and let the music fans decide if they have the same feelings and or thoughts about this release. Both Sides of the Sky is a fine addition to the archives and one release any rock or blues fan should get ASAP!

5/5 Stars

Keith “MuzikMan” Hannaleck
February 10, 2018
Founder of:

Review Provided By MuzikMan Reviews

Tracks:
 

*Previously unreleased
^ Previously unavailable extended version
+Featuring Stephen Stills
#Featuring Johnny Winter
++Featuring Lonnie Youngblood

01.Mannish Boy *
02. Lover Man *
03. Hear My Train A Comin’ *
04. Stepping Stone *
05. $20 Fine *+
06. Power Of Soul ^
07. Jungle *
08. Things I Used to Do #
09. Georgia Blues ++
10. Sweet Angel *
11. Woodstock *+
12. Send My Love To Linda *
13. Cherokee Mist *

 

Rock/Blues Review: Jimi Hendrix-Both Sides of the Sky

Release Date: March 9, 2018
Label: Sony Legacy

Although the man has been gone since 1970 , the legend of Jimi Hendrix is alive and well and continues to grow exponentially. There was a period of 4 years that this amazing guitar player created some of the most remarkable music. From what I understand, if he wasn’t playing to audiences, he was in the studio with the tapes always rolling. So as one can imagine, he left behind an overabundance of material on the shelf. He made more music in a 4-year period than anyone I am aware of.

This falls right in line with the Hendrix family taking control of his legacy and contributions. When that happened, all of his music was handled properly. Since then, every year we see at least one or two unearthed and remastered albums coming out. It has been a true renaissance for arguably the greatest six-string bender ever. And because of this flow of music over the years, it feels like he never left us. For my musical tastes, that is a beautiful thing. If you like the music of Hendrix I am pretty sure you would agree. I think it goes beyond like at this point for a lot of us.

Both Sides of the Sky is part of trilogy that included Valleys of Neptune (2010) and People, Hell and Angels (2013). So, what is really cool about this release? It is the cast of legendary artists that played with Jimi on these tracks. I had always heard of the different sessions he had at Electric Ladyland Studios (the renowned music church), however I have not heard anything with so many different artists on one recording.  Ten of the tracks are previously unreleased (see all the notations provided on the track list). The sound and engineering on this set is phenomenally crisp and clear. I would expect that goes without saying after all the previous reissued music that set the bar so high.

“$20 Fine” has one of the most recognizable vocalist in rock history, Stephen Stills. “Things I Used to Do” features the master of the white boy blues Johnny Winter. Now that is quite a paring of guitar players. The classic track “Woodstock,” which was originally recorded with Stills on lead vocals (CSN), is in a totally different incarnation with Hendrix laying down the guitar lines. With all the other layers of instruments that were added, it made for a maximum overhaul of the track. I found comfort out right out of the gate knowing Stills is there on vocals, just to remind us who sang it first. With Hendrix’s blues-based rock hammering away, it was a perfect opportunity for the vocalist to step in and complete the changing shades and colors of the track. It worked for me but may not for some purists. It is more meat and potatoes (musically) if you will, and a totally different but interesting take on the song.

“Power of Soul” has always been one of my favorites ever since I heard it back in the 70’s on vinyl courtesy of the Crash Landing album. This extended version is terrific. 

There are some real blues barn burners on this set. The playing is pinpoint, biting and memorable. Hendrix had it down, he owned it. Once you hear “Things I Used to Do” and “Georgia Blues” you will find out exactly what I mean. Lonnie Youngblood does a great job belting out those ‘Georgia Blues,” answering Jimi’s sting like a bee leads. The sax that comes in towards the curtain closing on the number is a nice touch as well. That horn just cries and screeches “do you hear me now?” And trust me, there is no filler anywhere on these tracks. If you enjoy a total blues workout then you will love those two rippers.

Any time I cover anything by Hendrix I feel like I could write a book instead of an overview, but I have to reel it in and let the music fans decide if they have the same feelings and or thoughts about this release. Both Sides of the Sky is a fine addition to the archives and one release any rock or blues fan should get ASAP!

5/5 Stars

Keith “MuzikMan” Hannaleck
February 10, 2018
Founder of:

Review Provided By MuzikMan Reviews

Tracks:
 

*Previously unreleased
^ Previously unavailable extended version
+Featuring Stephen Stills
#Featuring Johnny Winter
++Featuring Lonnie Youngblood

01.Mannish Boy *
02. Lover Man *
03. Hear My Train A Comin’ *
04. Stepping Stone *
05. $20 Fine *+
06. Power Of Soul ^
07. Jungle *
08. Things I Used to Do #
09. Georgia Blues ++
10. Sweet Angel *
11. Woodstock *+
12. Send My Love To Linda *
13. Cherokee Mist *

 

12/15/2017

Blind Macon Guitar Legend Joey Stuckey Live FaceBook Concert Friday, December 29


Macon, GA - End the year with a rockin' concert from the Joey Stuckey Trio. The best part? You don't even have to get out of your pajamas! Blind Macon guitar legend Joey Stuckey and his band will be doing a 45 minute concert right here on Facebook for their friends and fans to enjoy on Friday 12/29 at 8pm. We'll be streaming live from Senate Records & Shadow Sound Studio in Historic Downtown Macon-Bibb!

The concert will feature popular songs from Joey's catalog of originals.

LIVE on Facebook with the Joey Stuckey Trio
Public · Hosted by Joey Stuckey
Friday, December 29 at 8 PM - 9 PM
https://www.facebook.com/events/731072247098967/

Chances are that if you are a true music enthusiast, especially of guitar-driven Southern rock and blues, you have heard of Macon, Georgia’s official music ambassador Joey Stuckey. The blind producer and recording artist launched a new music festival in his hometown on September 29, 2017. The festival, “Joey Stuckey’s Alive Day,” hosted an array of talented musicians from across the state of Georgia. This free, family-friendly event was held in celebration of the anniversary of Stuckey's surviving brain tumor surgery as a child. While the brain tumor left Stuckey blind and with other health challenges, his parents started celebrating the anniversary of the successful removal of the brain tumor as a way to turn what could have been a traumatic experience for a child into a triumphant experience!

Stuckey sees his “Alive Day” as a chance to connect with family, friends and fans and to revel in the joy of living and music. It is a day dedicated to positivity and to uplifting the community. The inaugural concert featured 8 artists, a variety of activities for families, food trucks, perfect weather and over 500 music-lovers in attendance! Mayor Robert Reichert honored Stuckey by issuing a proclamation naming September 29th “Joey Stuckey’s Alive Day in Macon/Bibb.”

Says Stuckey, “The outpouring of love and support was humbling. It was great to have so many people gathering to enjoy the beautiful weather and outstanding music. I am excited about the continued growth of the festival and am already looking forward to next year.”

To learn more about Joey Stuckey's Alive Day check out the Mayor's proclamation and the Alive Day PSA below:
Mayor's Proclamation https://youtu.be/nJrnnbsrQa0 ;
Alive Day PSA https://youtu.be/e71pIKr8saI

For more information: www.joeystuckey.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

8/19/2017

Concert Review: Southside Johnny and The Asbury Jukes

Southside Johnny and The Asbury Jukes In Concert At The Colonial Theater
Pittsfield, Massachusetts
August 17, 2017

I have one word for the concert I saw last night, FANTASTIC! Southside Johnny & The Asbury Jukes worked up the capacity crowd at the Colonial Theater in the Berkshires to a dancing frenzy. Part of my process of observation is watching the reaction of the crowd or certain interesting individuals at concerts. In this case, entire sections of people were standing up and dancing last night. I have been to many concerts at this gorgeous venue and have never witnessed that. It was a lot of fun.

I remember this band from back in the 70s and I know they never made it big like the acts they influenced, namely Bruce Springsteen and Bon Jovi. They decided to stick to their guns and not cooperate with record labels and slick executives in suits. Just before the end of the show I stepped out to the merch table to buy their new release on vinyl, which is their first recording in 5 years. I spoke to the gent behind the table who happened to be Johnny’s life time friend. He told me Johnny never wanted to sell out and please the labels so they carried on and made the music they loved. So here we are still listening to his music and enjoying their shows.

The show started right on time and they played for a solid 2.5 hours and a lot of time segued right into the next song. The energy Johnny has is amazing for someone nearly 70 years old. He is an inspiration and a joy to watch. Usually when the music comes on the sound system the concert is over, well this was a false alarm. I think Johnny was inspired by the love and energy he was getting in return from the audience as he played another 4 songs for an encore!

The music of Southside Johnny and his Asbury Jukes is a combination of rock, blues and soul. His vocal style is perfect for the music. He has a rough whiskey edge the puts a certain emphasis on the words for each song. 

A bonus to the band’s full sound is the amazing horn section. There is trumpet, trombone and saxophone. All three get a chance to strut their stuff separately at the front of the stage and together as well. Johnny would step to either side of the stage and grab a mic to finish out a song and let his boys cut lose.

 

Special nods go to the guitar player Glenn Alexander and the keyboard man Jeff Kazee, who has an amazing voice. When he would sing solo or with Johnny it was a treat for everyone’s ears. The band also did a really good job with some cover tunes like the Stone’s “Time Waits For No One.” This the true test of a great band. To take another band’s classic songs and make it their own while it remains very recognizable to your audience, that is something special. That is real talent and resilient musicianship. Speaking of musicianship, Johnny can play that harmonica! At times, it sounded like a locomotive flying down the tracks. He was just so focused and in a groove. The man has the blues in his soul and that is a fact!

I must not forget all the entertainment value that was on display. Johnny can tell a story and he is very humorous. Keeping it light is right in line with all the upbeat and energetic music they present. All around it was a great night for everyone. For me, The Colonial is my destination to go hear all the great bands I know and remember. They have consistently presented great shows ever since the venue reopened after the renovation. I do not see any end to that thank the Lord!

Keith “MuzikMan” Hannaleck
August 19, 2017

8/12/2017

Concert Review: Kenny Wayne Shepherd At The Egg In Albany, NY

Kenny Wayne Shepherd Band At The Egg
Opening Act: Sly Fox And The Hustlers
Albany, New York



Legendary guitar slinger Kenny Wayne Shepard and his band invaded the cozy confines of The Egg in Albany NY last night.  I had been to the venue one time before and enjoyed the intimacy and atmosphere not mention the unique architecture, outside and inside.

The seating there is terrific, there is not really a bad seat in the house. Although I was positioned in the center I was in the very last row. Even though that may seem too far back I was fine with my seats and could see everything going on without any issue. The sound folks were right behind us and graciously gave me the set list before leaving.

Sly Fox and The Hustlers warmed up the receptive crowd before Kenny arrived. They are local to Albany and have their own album out. We heard some originals and they also did some covers, like most blues bands. I thought they were exceptional. The crowd did as well and gave them a good send off before the lights came back on for a short break.

Kenny Wayne Shepherd is one of those young phenom’s I remember when he first started. Right out the gate his name was stamped into the souls of all blues rock oriented followers. He has done nothing but gain notoriety in the passing years and ultimately the respect of his peers. The admiration from the community you are in is one of stepping stones to being recognized and a path to stardom. It didn’t take Kenny long to get there.

If you are in the mood for a show that has a band onstage that knows how to play traditional blues properly with rock mixed in then you need to get your tickets to see KWS. I mean this band smokes!

I had never been to one of Kenny’s concerts but knew it would be a must for anyone that loves the blues. By the time the evening was through I felt like I just saw the Hendrix incarnate!  He has one of the tightest bands and one that includes another legend in his own right, Chris Layton on drums. He held down the rhythm section for Stevie’s Ray Vaughan’s band and from that point his name was written in stone.

Kenny and his band also have a new album out titled Lay It On Dow. They gave the audience a good taste of that featuring several songs. It certainly made an impression as they were lining up to buy the CD after the show (including me). It is a very rootsy blues rock oriented set of songs and that country influence is heard in some tracks as well. Of course, that is where the roots sound comes in. It’s that blend of blues and country that forms into a superb musical gumbo. Kenny and his band wear it well.




Noah Hunt handles a lot of lead singing and he switches off with Kenny depending on what song they are doing. They both have good voices however Noah’s vocal timbre is deep and just right for this kind of music. Many times, during the evening he reminded me of Paul Rogers however when I listened to the CD on the way home I did hear that, which I found interesting. Therein lies the difference between a live and studio performance. And speaking of that difference, this band is so good that they nail their studio tracks spot on. And to the delight of the audience, plenty of improvisation and wailing away is provided by Mr. Shepherd. 

Favorites of the night were “Heat of the Sun,” “Blue on Black” and an amazing rendition of  “Voodoo Child.”

This was a night to remember for me and I am sure for everyone in attendance there. KWS has earned his seat amongst the great guitar heroes of our generation and I would expect to see him continue to gain fans. The man is only 40 so he has at least another 40 years or more left before hanging it up, if he ever does. Most blues players play until the cannot anymore or simply pass away. I know one thing for certain, this six-string bandit will be entertaining audiences long after I leave this planet. 

The music of KWS reaches out to everyone and any barriers that were in place outside the venue in daily life melt away instantly. It makes me wonder…if we piped in music on every city street across the world if it would change the attitudes of people and make it a better place? It’s worth a try.

Keith “MuzikMan” Hannaleck
August 11, 2017
Founder of:
Review Provided By Write A Music Review

Set List:
Never Lookin Back
Kings Highway
True Lies
House Is Rockin’
Hard Lesson
Baby Got Gone
Down for Love
Heat of the Sun
Talk To Me Baby
Deja Voodoo
Born With A Broken Heart
Diamonds and Gold
Nothing But The Night
BB Medley
Shotgun Blues
Encore:
Blue on Black
King Bee
Voodoo Child

8/11/2017

Blues Rap Duo NOWELO Celebrates the New "PASSING DAYS" Single Feat. Grammy Nominated ANN HOKU LYN with a KONA WINE MARKET Release Party


Kona, Hawaii – Blues Rap duo NOWELO (pronounced no-VEH-lo) is releasing their new single “PASSING DAYS” featuring ANN HOKU LYN on August 18th, and celebrating with a release party featuring a nine-piece band presented by KONA WINE MARKET at The Edible World on August 26th, 2017. “PASSING DAYS” is the first single from their EP of the same name releasing later this fall. The release party event will feature Chef Noah Hester and special guest performer Reggie Griffin, as well as live artwork by Robert Thomas.

NOWELO is a musical duo formed in 2015 consisting of guitarist and blues harmonica player Truth Musiq from East Palo Alto in California’s Bay Area, and Rapper/Singer Pana Jones from Kona, Hawaii. Although the group is based in Kona, they have a sound that connects with audiences from around the world. Their music resonates with a sonic inspiration that spans Hip Hop, Blues, Reggae and even some Island influences. Nowelo has created a unique series of releases that will start with the new “PASSING DAYS” single, featuring ANN HOKU LYN.

Pana Jones was born and raised in Kona, Hawaii, growing up exposed to both modern and ancient island music. He developed a love for melodic chants and Polynesian drumming, while also being influenced by a variety of Rap and Blues music, and started writing and rhyming his way around his island home. Truth Musiq was born and raised in Northern California. Truth spent years as a street musician in Santa Cruz with a wide variety of musical influences ranging from the Beastie Boys to Robert Johnson, and he eventually made his way across the country to Jacksonville, FL.

The two joined forces, and in middle of 2016 NOWELO released their debut single “Leave Me,” a blues rap song about coping with loss. The track was released under their own label which is aptly called Mind Matters Music, founded by NOWELO with Sterling Leatherman, also originally from Palo Alto, California. Sterling is God-Brother to Truth and an avid listener of Hip Hop who now lives in Hawaii and owns KONA WINE MARKET, a landmark business in Kona for over 25 years.

ANN HOKU LYN was raised in the Marshall Islands with a love of the trumpet. She spent ten years in NYC touring as a freelance trumpet player around the US, Asia, and in Europe.
Ann continues to write and record with various jazz and pop artists, having played Madison Square Garden and Jazz at Lincoln Center. She is an integral part of the sound on NOWELO’S new “PASSING DAYS” single and EP.

The PASSING DAYS EP, set to release in November 2017, exercises elements of rap, jazz, folk, and island blues. With melodic hooks and storytelling about relationship issues past and present, the PASSING DAYS EP comes across as relatable to a wide range of music lovers. The first single and title track will be digitally released worldwide on August 18th, 2017, followed by the August 26th performance in downtown Kona. This concert will celebrate the release of the “PASSING DAYS” single and set the stage for the forthcoming EP later this fall.

PASSING DAYS Single Release Party – August 26th, 2017 – Kona, Hawaii

Kona Wine Market Presents: Raise The Bar with Chef Noah Hester is a food and beverage pairing event, featuring music from Grammy Award-nominated and winning artists ANN HOKU LYN and John Keawe. World renowned artist Robert Thomas will be creating an art piece in real time throughout the event. NOWELO will be headlining the entertainment with a full nine-piece band. Included in the band is Hip Hop pioneer Reggie Griffin, who has written, produced, and toured with music legends such as The Sugar Hill Gang, Chaka Khan, and The Isley Brothers, to name a few. Griffin is currently working with NOWELO and resides on the Big Island of Hawaii.

To pre-order the “PASSING DAYS” single on iTunes: https://itunes.apple.com/us/album/passing-days-feat-ann-hoku-lyn-single/id1267043994?ls=1?at=1001l3Iq&app=itunes or http://smarturl.it/passingdays

To pre-order the “PASSING DAYS” single on Bandcamp: https://nowelo.bandcamp.com/album/passing-days-feat-ann-hoku-lyn

For more information about NOWELO, please visit their social media pages or Mind Matters Music Website at www.mindmattersmusic.net

For Press and Interview inquiries, please contact Billy James at Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing, please contact Jerome Forney at Independent Distribution Collective: jerome@independentdistro.com

For information on the August 26th, 2017 “PASSING DAYS” single release party, please visit https://www.konawinemarket.com/

7/14/2017

The Romantics Guitarist/Vocalist/Songwriter Michael Skill To Release New Solo Single "67 Riot"


New song evokes time when Detroit burned during “Summer of Love”

Detroit - From the man who crafted such hit singles as “What I Like About You,” “Talking in Your Sleep,” and “One In A Million,” comes a new gritty blues-rock single about the riots that forever changed his hometown of Detroit in 1967. Michael Skill, who has played both bass and guitar for the power-pop rock 'n' roll band The Romantics, was a budding teenager in 1967 when five days of racially charged riots tore apart Detroit in July. When it was over, 43 people lay dead, 1,189 had been injured, more than 7,200 had been arrested and more than 2,000 buildings had been destroyed.

Skill lived on Detroit's East Side and says that although the violence took place several miles from his home, he nonetheless saw its effects up close. “I remember the National Guard right down the street from my house,” he says. “People watching the riots on TV were afraid that rioters would come into our neighborhood. People were freaked out.” The riots changed his beloved Motor City forever. “A lot of my friends' families took off for the suburbs after that,” he says, noting his family chose to stay in the city.

The riot's effects – and the fact that many of the issues they raised, from police brutality to economic decay – stayed with Skill, culminating in his desire to write “67 Riot.” Loud, powerful and evocative of tough tunes by such rockers as Link Wray, Jimi Hendrix and Skill's fellow Detroit rockers, The MC 5, “67 Riot” is both a haunting look at the past as well as a timely allusion to the present, in a world where racial and social tension still threaten to rend our nation in two.

“I wrote the song from a sense of frustration that people never came together after the riots to really address what happened, to look each other in the eye and say, 'How can we repair this? How can we move forward?'” The song's lyrics are written from this point of view. “4 AM/Down the street/Cops roll in/With all the heat/Blind pig roaring/Kickin' their heels/Soldiers home/Just gettin' real,” the song opens. “Rooftop sniper/Set the sight/Burning cocktails/Flash in flight/Broken city/Broken dreams/Things aren't always what they seem/67 Riot!”

Recorded in Skill's own studio, the song features him on guitar, bass and vocals, and also features drummer Russell Ayers, who engineered the tune. The co-producers sought to create an aural equivalent of what it was like to live through this violent time, Skill says, but he adds that he wanted the song to end on a note of hope because Detroit has rebounded in recent years.

“Try to warm your heart/Dream your dreams/Break the chain/Let's start clean,” he adds in his song, noting it’s time to break the chain of racism that has shackled generations before, during and after “67 Riot.”

Watch the “'67 Riot” video: 


“'67 Riot” first single solo release from upcoming Debut LP.

The Romantics are still touring, still recording and currently feature 3 original band members on the front line up, Rich Cole, Wally Palmar and co-founder Michael Skill. Drummer Brad Elvis joined The Romantics in 2004 and has been the longest seated drummer with the band. Rich Cole rejoined the band in 2010, reviving the band's 3-part harmony allowing The Romantics to perform songs from their first two albums live for the first time since his departure.

To purchase Michael Skill's “'67 Riot” single:
https://itunes.apple.com/us/album/67-riot-single/id1253879847
https://play.google.com/store/music/album/Michael_Skill_67_Riot?id=B3a7rg4gdourwt5xm2kvt26twte&hl=en
http://cdbaby.com/cd/michaelskill

Social Media:
https://www.facebook.com/mike.skill
https://twitter.com/MikeSkill2  @mikeskill2
https://www.instagram.com/mjskill/ @mjskill
https://www.facebook.com/67Riots/
https://www.facebook.com/romanticsdetroit/

Interviews:
http://www.billboard.com/articles/news/7597106/the-weeknd-secrets-the-romantics-mike-skill-talking-in-your-sleep
https://musicfrenzyradionetwork.podbean.com/e/classics-in-30-the-romantics/#.WQkLeV6m0oE.facebook
https://www.mixcloud.com/gilmartindeirdre/mike-skill-of-the-romantics-interview-on-the-independent-stage-01142016/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

The Romantics Guitarist/Vocalist/Songwriter Michael Skill To Release New Solo Single "67 Riot"


New song evokes time when Detroit burned during “Summer of Love”

Detroit - From the man who crafted such hit singles as “What I Like About You,” “Talking in Your Sleep,” and “One In A Million,” comes a new gritty blues-rock single about the riots that forever changed his hometown of Detroit in 1967. Michael Skill, who has played both bass and guitar for the power-pop rock 'n' roll band The Romantics, was a budding teenager in 1967 when five days of racially charged riots tore apart Detroit in July. When it was over, 43 people lay dead, 1,189 had been injured, more than 7,200 had been arrested and more than 2,000 buildings had been destroyed.

Skill lived on Detroit's East Side and says that although the violence took place several miles from his home, he nonetheless saw its effects up close. “I remember the National Guard right down the street from my house,” he says. “People watching the riots on TV were afraid that rioters would come into our neighborhood. People were freaked out.” The riots changed his beloved Motor City forever. “A lot of my friends' families took off for the suburbs after that,” he says, noting his family chose to stay in the city.

The riot's effects – and the fact that many of the issues they raised, from police brutality to economic decay – stayed with Skill, culminating in his desire to write “67 Riot.” Loud, powerful and evocative of tough tunes by such rockers as Link Wray, Jimi Hendrix and Skill's fellow Detroit rockers, The MC 5, “67 Riot” is both a haunting look at the past as well as a timely allusion to the present, in a world where racial and social tension still threaten to rend our nation in two.

“I wrote the song from a sense of frustration that people never came together after the riots to really address what happened, to look each other in the eye and say, 'How can we repair this? How can we move forward?'” The song's lyrics are written from this point of view. “4 AM/Down the street/Cops roll in/With all the heat/Blind pig roaring/Kickin' their heels/Soldiers home/Just gettin' real,” the song opens. “Rooftop sniper/Set the sight/Burning cocktails/Flash in flight/Broken city/Broken dreams/Things aren't always what they seem/67 Riot!”

Recorded in Skill's own studio, the song features him on guitar, bass and vocals, and also features drummer Russell Ayers, who engineered the tune. The co-producers sought to create an aural equivalent of what it was like to live through this violent time, Skill says, but he adds that he wanted the song to end on a note of hope because Detroit has rebounded in recent years.

“Try to warm your heart/Dream your dreams/Break the chain/Let's start clean,” he adds in his song, noting it’s time to break the chain of racism that has shackled generations before, during and after “67 Riot.”

Watch the “'67 Riot” video: 


“'67 Riot” first single solo release from upcoming Debut LP.

The Romantics are still touring, still recording and currently feature 3 original band members on the front line up, Rich Cole, Wally Palmar and co-founder Michael Skill. Drummer Brad Elvis joined The Romantics in 2004 and has been the longest seated drummer with the band. Rich Cole rejoined the band in 2010, reviving the band's 3-part harmony allowing The Romantics to perform songs from their first two albums live for the first time since his departure.

To purchase Michael Skill's “'67 Riot” single:
https://itunes.apple.com/us/album/67-riot-single/id1253879847
https://play.google.com/store/music/album/Michael_Skill_67_Riot?id=B3a7rg4gdourwt5xm2kvt26twte&hl=en
http://cdbaby.com/cd/michaelskill

Social Media:
https://www.facebook.com/mike.skill
https://twitter.com/MikeSkill2  @mikeskill2
https://www.instagram.com/mjskill/ @mjskill
https://www.facebook.com/67Riots/
https://www.facebook.com/romanticsdetroit/

Interviews:
http://www.billboard.com/articles/news/7597106/the-weeknd-secrets-the-romantics-mike-skill-talking-in-your-sleep
https://musicfrenzyradionetwork.podbean.com/e/classics-in-30-the-romantics/#.WQkLeV6m0oE.facebook
https://www.mixcloud.com/gilmartindeirdre/mike-skill-of-the-romantics-interview-on-the-independent-stage-01142016/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com