Award Winning New Age Artists Paul Adams and Elizabeth Geyer Release New Album “Sanctuary”

In recent years upheaval and uncertainty has become normal for many of us. Our careers, possessions, health, even relationships are more fragile than we realized. More than ever we need that sanctuary, the safe blissful place that can only be found within.

Following on from their previous successful collaborations including “Imaginings” (Winner, ZMR's Instrumental Album of the year) and “Deeper Imaginings” (nominated for both Zone and Independent Music Awards), Paul Adams and Elizabeth Geyer now bring us “Sanctuary,” nine new pieces borne out of their own - and our global collective need - to heal and re-anchor to our soul's true home in uncertain times. Included is an art insert of poetry focusing on peace, self - acceptance and songs within.

Solo artists each in their own right - multi award winner Adams has 120 million Pandora streams alone and Geyer's singer/songwriter albums have drawn high praise from industry heavyweights including EMI/ Blue Note's Bruce Lundvall, Jim Moginie (Midnight Oil) and multiple Grammy winner Bill Champlin (Chicago, The Sons of Champlin). It was one windy morning in Illinois two years ago which sparked the idea for “Sanctuary.”

“In my view this has to be one of the best New Age music releases I have heard for many years… an award winning album of true majesty…. and a multi-instrumental delight!” - Steve Sheppard, One World Music, UK

Elizabeth was meditating in a dark room to stave off a blinding migraine while Paul practiced the breathy Anasazi and Native American flute downstairs. Something about the combination of the wind and the low gentle phrases Paul was playing was curiously grounding and she began to feel better. Wondering what was different about these sounds from other gentle music they'd created and explored, it was the comforting reassurance of a constant low anchor that seemed to be holding the dreamy, soaring, floating textures. Put simply, music that flies without ever flying away.  Music is an incredible medium; it can excite, confront, take us to the edge; equally other music can nurture, comfort and heal. “Sanctuary” is both a powerful grounding meditation soundtrack while equally artistically rich. Adam's sultry electric sitar and other worldly touches and Geyer's distinctive jazz sensibilities on piano and vocal make “Sanctuary” both indulgence for the soul and a perfect healing backdrop for these troubled times.

Here’s what the press has said about “Sanctuary”:

“With ‘Sanctuary,’ Adams and Geyer once again prove that they are among this genre's finest artists... the soundscape is everything... beautiful beyond words.” - B T Fasmer, New Age Music Guide, Belgium 

“The addition of various other textured layers of sounds like electric sitar, chimes, etc... Elizabeth's wordless background vocalizations. make for a completely immersive experience. I suggest putting this on a loop.” - Keith “MuzikMan” Hannaleck, New Age Music Reviews, USA

“… soundscapes that draw you in and keep you comforted and relaxed are outstanding... both a salve  for the soul and peace for the mind.” - Clouzine Magazine, United Kingdom   

“Using flute, piano and voice, the duo have created nine rich, earthy tracks of ambient and world music that seem to have a life of their own… It is like immersing in waters made of music... Highly recommended.” - RJ Lannan, Artisan Music Reviews, USA

To purchase:
(Apple, Spotify, Pandora etc) https://pauladams.hearnow.com/sanctuary
BANDCAMP https://pauladams.bandcamp.com/album/sanctuary

For more information:
www.pauladams.org  
www.elizabethgeyer.com
https://twitter.com/ppaul3      
https://www.facebook.com/paul.adams.754/
https://www.instagram.com/ppaul3/?hl=en  

Videos:
SANCTUARY: https://www.youtube.com/watch?v=wyAVinhhYaE
GRACEFUL WATERS: https://www.youtube.com/watch?v=8iJLoJD0tsA
AN EVENING’S CARESS: https://www.youtube.com/watch?v=FqAlulE42yA

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Legends FLASH Featuring Peter Banks “In The USA Live 1972-73” 3-CD Set Available Sept, 9, 2022

Available on Sept. 9th, restored live recordings from 1970ʼs classic prog rock group FLASH featuring ex-YES guitarist Peter Banks. Twenty-two tracks from seven shows across 3 discs; a majority of them previously unavailable. Best known thanks to their YES connections, the band nevertheless held their own across three Billboard charting albums, and the top 30 single hit “Small Beginnings.” Includes 32-page booklet with exclusive band interviews, unpublished photos and tour itinerary. A true time capsule back to the golden age of US rock concerts.

• Carefully restored and previously unreleased recordings
• For fans of progressive rock, guitar heroes & YES
• Previously unpublished photos & essay including detailed US tour history with exclusive band interviews and memorabilia

“Capturing the collective during seven of their American shows of 1972-1973, one of those preserved for posterity in its entirety, the digipack will allow the listener to savor most of the three LPs in rather different performances than those laid down in the studio and the uninitiated will have the opportunity to see how brilliant these musicians were. Colin and Ray worked for a while under the old name relatively recently, but it’s the old recordings their followers are after, so there’s something to look forward to.” – Dmitry Epstein https://dmme.net

Says Ray Bennett: “What ‘Think Like A Key Music’ set out to do here, on this multi-disc set, is to gather together whatever was left out there of live FLASH stuff regardless of quality and present it in the best possible way. Whatever improvements could be made to the audio were done. Quite a bit of it is rough sounding, but I found that even with the poor sound issues there was something coming across from the live experience. Some surprisingly good moments. A fair bit of this material was fan-recorded, probably on cassettes, some possibly from rough mixing board recordings; some is much better studio type quality, and some has been online for years on obscure websites, but in the worst possible form – awful sound, complete with extraneous noise and talking in the recordings. So all that has been cleaned up and the sound mastered as well as possible. Overall, I think this is a worthy project for the historical record at the very least. Other than the ‘In Public’ CD which is already available, this new set is it as far as we know. Pretty much all that there is of live FLASH performance.”

Watch the promotional video:  https://www.youtube.com/watch?v=aqi8AVksm7c

FLASH “In The USA” Tracklist:

CD 1:
Roslyn, NY, August 1st, 1972:
1. Black And White
2. There No More
3. Monday Morning Eyes
4. Small Beginnings
5. Children Of The Universe
6. Lifetime

CD 2:
Hempstead, NY, July 18th, 1972:
7. Small Beginnings
8. There No More
9. Children Of The Universe
10. Dreams Of Heaven
Passaic, NJ, December 16th, 1972:
11. Small Beginnings
12. Black And White
13. Children Of The Universe

CD 3:
Indianapolis, IN, December 27th, 1972:
14. Small Beginnings
15. Black And White
16. Children Of The Universe
Burbank, CA, October 9, 1973:
17. Dead Ahead
18. Psychosync
Miami, FL, October 26th, 1973:
19. Children Of The Universe
20. Black And White
Cape Cod, MA, August 24th, 1973:
21. The Bishop
22. Manhattan Morning (Christmas ’72)

To purchase: https://flash.biglink.to/intheusa

For more information: https://www.thinklikeakey.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Captain Beefheart And The Magic Band Alumni Jeff Cotton To Release His Debut Solo Album “The Fantasy Of Reality” On Madfish August 12, 2022

Jeff Cotton of Captain Beefheart and his Magic Band fame will be releasing his first ever solo album “The Fantasy of Reality” on Madfish on August 12, 2022.

After playing guitar, lap steel and vocals with the legendary Captain Beefheart and his Magic Band, appearing on the ground breaking album “Trout Mask Replica” (under the pseudonym Antennae Jimmy Semens), as well as playing on “Strictly Personal” & “Mirror Man,” Cotton withdrew from the commercial music business for nearly 50 years. Using the island state of Hawaii as a home base, he emerges from his seclusion in 2022 with his first ever solo album; “The Fantasy of Reality.”

Whimsical, playful and tongue-in-cheek – Cotton delivers a psychedelic journey that will delight Beefheart devotees while bringing plenty of new ideas to the table across the sprawling 22 track, 66-minute runtime. “Trout Mask Replica” cover designer Cal Schenkel collaborates once again as he returns to contribute to the internal artwork of the album to continue the Captain Beefheart canon into the 2020s.

Across the decades, the Magic Band’s power and influence has only grown in might, and the cult following of 1969’s “Trout Mask Replica” still excites fans to this day, in part due to the mystery and enigma of members such as Antennae Jimmy Semens (aka Jeff Cotton). In 1967, Cotton was scoped by Don Van Vliet – Captain Beefheart himself, replacing Ry Cooder on guitar. He then went one to help craft some of Captain Beefheart and the Magic Band’s most vibrant recordings and later contributed to the cult band MU.

Now blending together musical strands such as jazz, delta blues, Hawaiian and the avant-garde to create a melting pot of ideas, Cotton will astonish fans with his comeback.

The magic will continue on “The Fantasy of Reality,” which will be released on CD & Digital via Madfish with PRE ORDERS AVAILABLE HERE (https://jeffcotton.lnk.to/fantasyofreality)

Track List:
1. Does It Work For You
2. It Never Ceases To Blow My Mind
3. Ivy
4. Green Bamboo
5. He Made The Eagle
6. Elvirus
7. This Gentle Earth
8. All Things New
9. Crusin` Hamakua
10. Together We Sail
11. The Space Between Us All
12. On The Thread
13. Aloha
14. The Liberation Song
15. The Breeze Of Oblivion
16. Heavy
17. The Season Of The Awakening
18. Mother Earth Needs Healing
19. Together
20. Hear The Word
21. It Would Take An Angel
22. Clean In Nature`s Stream

For more information: https://www.madfishmusic.com/artists/jeff-cotton/

For hi-res images please see https://www.madfishmusic.com/media/jeff-cotton/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

ANYONE Releases “The Sylvia Sessions” Tribute To Taylor Hawkins

Featuring the earliest recordings of Taylor Hawkins to ever be heard!

TogethermenT Records is proud to announce the release of a 5 Song album by the critically acclaimed rock band ANYONE featuring the late Taylor Hawkins on Drums. The EP is entitled “The Sylvia Sessions” and is available now. The release is also available as a deluxe NFT Package with exclusive video, pictures, liner notes.

Watch the promotional video: https://www.anyoneden.net/the-sylvia-sessions-teaser

“The Sylvia Sessions” is a historically significant release, featuring the earliest recordings of Taylor Hawkins to ever be heard - recorded in 1993 and originally released as a demo tape. The EP captures Hawkins in his youthful exuberance playing with the explosive attack that would ultimately make him a rock drumming legend. This is amongst the first full albums to ever be released as an NFT package.

ANYONE was formed by Riz Story, along with Jon Davison (Yes) and Taylor Hawkins (Foo Fighters) in the late 80’s in Laguna Beach, California.  Hawkins and Story worked together for the bands early years and together created the bands unique sound, which was dubbed ‘Maximum Acid’ by the press. Hawkins and Davison were replaced by the time the band signed with RoadRunner Records in 2000. Their self-titled debut album received much critical acclaim including a 5-star rating from Rolling Stone (Adrian Zupp).  

In October of 2016 the single “Fly Away” was featured in Story’s debut feature film “A Winter Rose” and became the most listened to rock song in America on digital radio, hitting #1 on the DRT National Airplay Rock Chart. The 2020 album release of “On the ending earth…” was met with widespread critical acclaim as was the monumental album released in October of 2021. “In Humanity” is a double concept album featuring an unprecedented display of virtuosity by Riz Story, who performed all instruments and vocals as well as producing, mixing and mastering.

TRACK LISTING
1. Peace Love & Toxic
2. Sister Someone
3. Dear Sylvia
4. Mommy
5. Real (Bonus Track)

To purchase: https://distrokid.com/hyperfollow/anyone4/the-sylvia-sessions

For more information:
www.AnyoneDen.net
www.facebook.com/ANYONEDEN

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Vanderwolf Releases “12 Little Killers” LP As Follow Up To His “Extinction” EP

Following the recent release of his EP “Extinction” which featured musical legends Robert Wyatt and Daevid Allen, Vanderwolf has put forth an album of 12 original tracks available on vinyl and digital download - his first LP under his own name.

Vanderwolf re-emerges with “12 Little Killers” an eclectic collection that includes the deliciously oozing slice of psychedelia of the single “Glisten,” which is heavily-slanted toward melting analogue synthesizers (Sam Sallon) and rich layers of acoustic guitars (Chris Cordoba) and an exquisite vocal by Max Vanderwolf.

Recorded by producer Chris Wyles at his south London studio, the 12 songs were selected, mixed and compiled by keyboardist and co-producer Sam Sallon. It’s available in a limited pressing of 500.

Says Max, “These 12-tracks, present human fallibility in its many forms - greed, anxiety, lust, self-debasement, our seemingly limitless capacity to hurt others – it’s all there. It was important to have a visual identity that carries these themes.”

Vanderwolf’s music spans a wide-range of genres from global beats to hard blues to fragile balladry to prog-rock monstrosities and beyond. With a vast back catalogue of songs to release, Vanderwolf is set to get his wild and restless music out to the world.

Born in NYC, working in London and as of 2020 residing in Los Angeles, Max Vanderwolf has recorded several albums and countless songs. Most of them remain unreleased. Notably, he was vocalist and creative-force behind the semi-legendary London band, Last Man Standing, whose sole album in 2008 received plaudits from many including Mojo and Uncut.

Concurrent to his life in music, Vanderwolf has worked under an assumed name as a music programmer and concert producer in some of the worlds’ most celebrated clubs and venues. He went from overseeing the legendary underground downtown NYC’s Knitting Factory to overseeing London’s Royal Festival Hall, where for 9 years he produced the Meltdown Festival where he worked closely with David Bowie, Patti Smith, Jarvis Cocker, Massive Attack and others. He has produced concerts in Brooklyn, Rome and Paris working closely with John Cale, Sparks and the Residents.

With more music from these London sessions being mixed and an album’s worth of new material being recorded in Los Angeles, Max Vanderwolf is diving headlong into the future.

Vanderwolf “12 Little Killers” will be released on July 20, 2022.

Vanderwolf:
Max Vanderwolf - Vocals
Sam Sallon - Keyboards
Chris Wyles  - Drums
Kevin Petillo - Drums
Chris Cordoba - Guitar
Oli Hannifan - Guitar
Will Muldrew - Bass
Malin-My Nilsson and Amy Langely: strings
Victy Silva - backing vocals

To purchase the new single “Glisten”: https://lnk.to/VanderwolfGlisten

To purchase “12 Little Killers”: https://vanderwolf.lnk.to/12LittleKillers

For more information:
Official website: www.vanderwolfmusic.com
Youtube: https://www.youtube.com/channel/UC5VCMMZZYJ0QKriJy07ZJCg
Facebook: https://www.facebook.com/vanderwolfmusic
Instagram: https://www.instagram.com/vanderwolfmusic/
Twitter: https://twitter.com/Vanderwolfband
Promotional materials: https://www.vanderwolfpromo.com/
Soundcloud link to album, “12 Little Killers”: https://soundcloud.com/vanderwolf-official/sets/12-little-killers

Videos:
“Glisten” from “12 Little Killers”: https://www.youtube.com/watch?v=LE1x25aXIkA
“The Existential Terrier” from “12 Little Killers”:
https://youtu.be/1BhnWCSKoJs (available to watch on the release date)

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Brian Woodbury To Release “Rhapsody & Filigree” the 4th and Final Volume of the “Anthems & Antithets” Series

“Not since... the wondrous works of young Brian Wilson... have I heard sound of this romantic design. Indispensable.” – Van Dyke Parks

Brian Woodbury will be releasing Rhapsody & Filigree, the 4th and Final Volume of the Anthems & Antithets series on July 25th. Brian Woodbury is a songwriter who straddles the avant/pop/theater/comedy divide. His eclecticism ranges from writing Disney cartoon themes and children’s TV songs, to experimental jazz big band, to arranging 1960s Bollywood covers, to a country anthem about marriage equality and Tom Lehrer-esque comedy songs. He has released eleven albums, including the current 4-volume Anthems & Antithets. He creates music videos for his songs, most recently “Gimme Some of That Old Time Prog,” a spot-on sendup of prog rock. His songs have been sung by Nathan Lane, Lisa Loeb, Terre Roche & David Yazbek.

Van Dyke Parks has said of Brian’s music, “Not since... the wondrous works of young Brian Wilson... have I heard sound of this romantic design. Indispensable.” Brian Woodbury has been described as “... a multi-talented musician, bordering on genius. ...He should be up there with Zappa and Beefheart,” BBC Radio 3, Mixing It, and as “a consummate writer of instantly memorable pop tunes,” All Music Guide

Says Brian, “Anthems & Antithets is a series of 4 double albums I’ve made during the pandemic, each one in its own musical mood: comic, confessional, political and arty. Rhapsody & Filigree is the 4th Volume in the series, and the culmination of the project.

“Rhapsody & Filigree is expansive, fancy and fanciful - with a wide variety of arty, experimental kinds of pop songwriting, both musically and in subject matter. An emphasis on melody and beauty. The assumption is we’re all educated adults here. I always try to write songs about the things nobody writes songs about. For this album, even more so.

“On this album, I condense large forms into smaller ones. For instance, the rock opera ‘Theseus Rex’ where Theseus is the bastard son of Jerry Garcia from the Grateful Dead. Inspired by early Genesis and prog rock concept albums, this rock opera lasts just over 9 minutes, but it has a sweeping cinematic scope and it tells a tragic story. Another example is the ‘Brief Mass,’ a full setting of the Latin Mass in just over 7 minutes.

“I also love miniatures, like ‘When Byron Swam,’ a song about the elusive nature of artistic achievement. (“Did Lord Byron swim the Dardanelles or was it the Bosphorus?”) Or ‘The Honorable Mention’ where a Hollywood award show nominee rehearses his acceptance speech.”

Here’s what the press has said about the music of Brian Woodbury:

“Now it’s official – Brian Woodbury is a multi-talented musician, bordering on genius. …he should be up there with Zappa and Beefheart.” - BBC Radio 3 Mixing It

“…An extraordinary confection. Surprise your dinner guests; flummox the music anoraks; and enjoy.” - John Bungey, The Times (London)

“A cleverly lyrical, deviously funny kitchen-sink songwriter.” - New York Daily News

“An authentic pop gem that lovers of XTC and the like should absolutely not miss.” - Ondarock (Italy)

“Brian Woodbury is a particularly beautiful example of a maverick in the mainstream and double agent in the pop industry.” - Bad Alchemy (Germany)

“…alluring…. there is no way to classify what Woodbury and his Orchestra do…. There are other artists who blend styles, but none quite so seamlessly and with complete abandon as Woodbury. …Full of captivating melodies and rhythms…. Clever without being coy, this album is remarkable….” - All About Jazz

“It’s one thing to have that exceptional ability to fuse humor and witty lyrics to great music – Zappa, 10cc, Ray Stevens, Weird Al come to mind – but it’s altogether something else to be able to do it while genre hopping all over the musical map with highly original material. Quirky, witty, artful and sometimes poignant, covering the pop and country spectrum.” - Expose

Says Brian, “I had the great opportunity of collaborating with dozens of unique artists on this album. One song ‘How Soon We Forget, How Long We Remember,’ a song about the evolution of culture, was constructed using a game of musical telephone, where a half-remembered musical theme was recreated and passed on to the next musician in the chain.

“Another collaboration came about when I found my music confused with the music of a different Brian Woodbury on all the streaming platforms. A situation apparently beyond the ability of the tech giants to solve. So I reached out to this other Brian Woodbury - a jazz trombonist - and we wrote a song about it. Called ‘The Other Brian Woodbury.’”

Brian concludes, “The overriding theme of the new CD is the future. Whereas Volume 2 is a wistful look at the past, and Volume 3 is an indictment of the injustices of the present, on the new album I tried to glimpse the future. To see what positive or at least non-dystopian outcomes we have to look forward to. Dystopia is an easy pose, but it shows an utter lack of imagination. In the face of climate change and authoritarianism, it’s a copout. There are solutions, and hints of better things to come. There will be a future.”

In support of the new releases, Brian is making music videos for the 18 songs on the new album, as well as continuing to make videos for songs from the other volumes of “Anthems & Antithets”. There are 20 music videos so far from the other volumes. And in a unique kind of tour, Brian will be doing a series of attentive listening parties at select music listening rooms in the US, UK & Europe.

Release date July 25th for both the new CD (Rhapsody & Filigree) and box set of all four volumes of the “Anthems & Antithets” project.

To purchase:
US & North America: https://brianwoodbury.bandcamp.com/album/rhapsody-filigree
UK & Europe: http://www.rermegacorp.com/

For more information:
www.BrianWoodbury.com
https://www.facebook.com/BrianWoodburyMusic/
https://brianwoodbury.bandcamp.com/
https://www.youtube.com/c/brianwoodburymusic

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Female Rockabilly Pioneer LINDA GAIL LEWIS, Sister Of Rock Legend JERRY LEE LEWIS, Shares New Collection Of Early Recordings From The ‘60s & ‘70s!

Los Angeles, CA – At a time when most female artists were content with crooning sappy love songs for mainstream audiences, vocalist and pianist Linda Gail Lewis was following her own muse, singing rowdy and rousing versions of early rock classics like “C.C. Rider,” “Jim Dandy” and “Baby (You’ve Got What It Takes).” The latter track might hint at what drove Lewis to blaze her own musical path as it is a duet with Lewis’s brother, well-known raconteur and rabble rouser Jerry Lee Lewis. Lewis would go on to record several times with her brother but also branched out to record several solo albums throughout the years as well as a 2000 album with Van Morrison and, more recently, has appeared on albums by Robert Gordon and Ann-Margret!  

But it’s Gail’s early tracks that truly showcase her historic importance as a pioneer of rockabilly music, and these tracks have now been collected on a brand-new compilation, entitled Early Sides 1963-1973, giving fans of vintage rock and rockabilly a chance to discover her unique talents. The audio has been completely remastered by guitar icon Danny B. Harvey who had this to say about the collection “It’s a well-known fact that from 1961 until the late ‘70s, Linda Gail Lewis sang and stood beside her big brother Jerry Lee Lewis, both onstage and in the studio. Not as well-known is during that time she also managed to record her own amazing solo singles in Memphis, Nashville and LA with legendary musicians & producers like Scotty Moore, Jerry Reed, Harold Bradley, Reggie Young & of course her brother backing her.”

Check out the collection’s lead-off track, a fantastic version of “C.C. Rider!”

Stream the single: https://orcd.co/linda_gail_lewis_cc_rider

Early Sides 1963-1973 will be released worldwide July 15 on CD, vinyl and digital!

Pre-order the CD/vinyl: https://cleorecs.com/store/?s=CLO2922&post_type=product

Pre-order/pre-save the digital: https://orcd.co/linda_gail_lewis_early_sides

TRACK LIST:
1. C.C. Rider
2. Nothin' Shakin' (But The Leaves)
3. Sittin' And Thinkin'
4. Break Up The Party
5. Small Red Diary
6. Baby (You've Got What It Takes) feat. Jerry Lee Lewis
7. Jim Dandy
8. Who Will Be The Next One
9. My Heart Was The Last One To Know
10. Louisiana
11. Gather 'Round Children
12. What Is Love
13. Before The Snow Flies feat. Jerry Lee Lewis
14. Working Girl
15. Smile, Somebody Loves You
16. Ivory Tower
17. I Wanna Be A Sensuous Woman
18. I Should Have Not Fallen In Love With You

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

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Singer/Songwriter Mary Fahl Interprets Pink Floyd, George Harrison, Moody Blues, ELO and Others On New Solo Album “Can’t Get It Out Of My Head”

Released July 22, 2022!

In an effort to find some light and comfort during these challenging times, singer/songwriter Mary Fahl looks back to some of the essential music that has brought her sustenance and clarity by reinterpreting songs from her greatest inspirations … Pink Floyd, George Harrison, Moody Blues, ELO, The Rolling Stones, Neil Young and others. For Mary, this is a tribute to the music that defined her as an artist.

With “a voice for the gods that can transport listeners to other realms” (Boston Globe), Mary Fahl is an expressive, emotional singer/songwriter who first achieved fame as lead singer and co-founder of the mid-1990s NYC- based chamber-pop group October Project, a band known for their lush harmonies, sweeping melodies and Fahl’s unique and powerful vocals. After two records on Epic, the band disbanded, but Fahl had more freedom to pursue her own muse, whether that meant writing and recording songs for movies (including the theme for the Civil War epic “Gods and Generals”), singing arias and medieval Spanish songs for Sony Classical or releasing a unique album-length take on “Dark Side of the Moon.”

Fahl's music has a timeless quality that she conveys with an earthy, viscerally powerful contralto that bridges the generational gap between Fairport Convention’s Sandy Denny and London Grammar’s Hannah Reid. Her elegant, cinematic songs have a hauntingly gothic romanticism that inspired renowned writer Anne Rice to portray Mary’s voice emanating from a dead woman’s room in her 2013 novel “The Wolves of Midwinter.”

Over the past few years, she’s been touring and recording on her own label, Rimar Records, and her recent releases have garnered awards including an Indie Acoustic Award for Best Live Album for “Live at the Mauch Chunk Opera House” (filmed for PBS) and a 2020 Independent Music Award for her recent holiday album, “Winter Songs and Carols”. Her latest release, a Blu-ray 5.1 surround DVD, “From the Dark Side of the Moon,” brilliantly mixed by Bob Clearmountain, won the 2021 Immersive Album Audio Listener’s Choice award and was named “Immersive Album of the Year” by Life in Surround.

Now she returns with “Can’t Get It Out of My Head,” a collection of songs that she calls “essential” to her development as an artist … “On top of all the madness that was happening in the world, I was grappling with the devastating loss of my mother and sister this past year and was feeling completely rootless. In an effort to find an anchor, a link to the past, a sense of home, I began to immerse myself in the comfort of music from my youth. These were such essential songs for me… like old friends… my musical home in many ways. I fell in love with each of them at the quintessential coming-of-age moment when music goes straight into your heart with no filter and these songs became part of my musical DNA… I learned to play guitar with several of them – especially the early Neil Young songs. Most of these covers come from the first albums I ever bought using one of those Columbia House ‘get 12 free albums for a $1’ mail order programs. I played these records endlessly… and the lyrics on many of these songs still have a powerful resonance for me.”

“The challenge for me and my producer Mark Doyle was to make each of these songs our own while paying tribute to their original greatness...,” says Fahl, “Along with a standard hi-res audio version, we wanted to bring these classics into a new light by utilizing the latest audio technologies to reinterpret my favorite Pink Floyd, Neil Young, George Harrison, Richard Thompson, Moody Blues, The Rolling Stones, ELO, Nick Drake, Judy Collins, and the Mamas and Papas songs in the brilliant, full immersive, high-resolution clarity of 5.1 surround.”

Mary further comments on her collaborator on this latest release, “Producer Mark Doyle and I first met around 2005 when he was the co-producer of 'From the Dark Side of the Moon' and he’s been my Music Director since 2013. Aside from the strings and drums, he played every instrument on this album. We recorded most of it at his home studio and a majority of the vocals are taken from the first time I auditioned these songs with Mark for the album… something I never would have done in my youth… but there’s something fresh, unstudied and unselfconscious about working that way. Mark has been essential to the process of helping me make these great songs my own without sacrificing the essence first captured by their original creators.”

Track List:

1) Can’t Get It Out of My Head (Electric Light Orchestra)
2) Ruby Tuesday (The Rolling Stones)
3) Tuesday Afternoon (Moody Blues)
4) River Man (Nick Drake)
5) Got A Feelin’ (The Mama and the Papas)
6) Don’t Let It Bring You Down (Neil Young)
7) Comfortably Numb (Pink Floyd)
8) Since You’ve Asked (Judy Collins)
9) Beware of Darkness (George Harrison)
10) The Great Valerio (Richard & Linda Thompson)

Here’s what the press has said about Mary Fahl:

“With her unmatched contralto voice, a heartfelt piece of herself firmly attached to every song, and her bravery in tackling revered favorites (Dark Side of The Moon, where she brilliantly re-imagined the entirety of the 1973 holy classic), Mary Fahl gives everything to fans.” - MUSIC TAP

“Mary Fahl’s striking voice with its wide range, rich, full-bodied amplitude and stately, formal tone, marks her as a first-rate smart-pop diva in the making. Fahl also has the artistic temperament and emotional radar to avoid the showy excesses of divadom.” - THE LOS ANGELES TIMES

“Mary Fahl has a voice for the gods that can transport listeners to other realms.” - BOSTON GLOBE

“Fahl’s voice has a transcendent and beautiful tone” - THE CELEBRITY CAFE

“One of the most distinctive voices in modern music has been singer Mary Fahl.  While we love the 'ethereal girls' on Echoes, Mary Fahl is a powerhouse singer whose roots are more Grace Slick and Sandy Denny than Elizabeth Fraser and Suzanne Vega.” - JOHN DILIBERTO-ECHOES

“Mary Fahl is a diva in the best sense of the word. The former lead singer of October Project is a powerful, emotive vocalist who employs her wide range and dramatic flair in a way that never seems hammy or contrived.” - BILLBOARD

“It is hard not to fall for this Mary and her soul-permeating pipes…” - THE PORTLAND PRESS

To listen: www.maryfahl.com/oomh/

To purchase:
http://www.maryfahl.com/store/
ITunes: http://itunes.apple.com/album/id1625285028?ls=1&app=itunes
Apple Music: http://itunes.apple.com/album/id/1625285028

MARY FAHL UPCOMING TOUR DATES 2022

FRIDAY, JULY 22, 2022 @8PM
SOILED DOVE (Solo)
Denver, CO
For tickets click here

TUESDAY, AUGUST 9, 2022 @7:30PM
CITY WINERY NYC (full band) ALBUM RELEASE SHOW
New York, NY
For tickets click here

FRIDAY, AUGUST 26, 2022 @8PM
CITY WINERY BOSTON
Boston, MA
For tickets click here

SATURDAY, AUGUST 27, 2022 @8PM
SELLERSVILLE THEATER (full band)
Sellersville, PA
For tickets click here

SEPTEMBER 10, 2022 @8PM
THE SCHOOLHOUSE/PARKER ARTS (solo)
Parker, CO
For tickets click here

SATURDAY, OCTOBER 1, 2022 @8PM
FORT HILLS PERFORMING ARTS CENTER (full band)
Canandaigua, NY (Finger Lakes Region)
For tickets click here

FRIDAY, NOVEMBER 4, 2022 @8PM
SPIRE CENTER FOR THE PERFORMING ARTS (full band)
Plymouth, MA
For tickets click here

SATURDAY, NOVEMBER 5, 2022 @8PM
AUBURN PUBLIC THEATER (full band)
Auburn, NY
For tickets click here

THURSDAY, DECEMBER 8, 2022 @7:30 PM
THE CUTTING ROOM (CHRISTMAS SHOW) (full band)
New York, NY
For tickets click here

FRIDAY, DECEMBER 9, 2022 @8PM
THE KATE (CHRISTMAS SHOW) (full band)
Old Saybrook, CT
For tickets click here

SATURDAY, DECEMBER 10, 2022 @8PM
SELLERSVILLE THEATER (full band)
Sellersville, PA
For tickets click here

For more information:
https://www.maryfahl.com
https://twitter.com/MaryFahlMusic
https://www.facebook.com/profile.php?id=100044794981066
https://www.instagram.com/maryfahlmusic/
https://www.youtube.com/channel/UCV6tdHcWfmXRRFIcPR3IK1w

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Celebrate WILLIAM SHATNER’s Historic Space Trip With A Commemorative 7” Vinyl!

Los Angeles, CA – Not many real life events can elicit chills from sci-fi fans but when William Shatner, who portrayed space captain James T. Kirk on the long-running sci-fi series Star Trek, was actually flown into space aboard the Jeff Bezos-owned Blue Origin rocket, well, even the most cynical among us couldn’t help but feel a certain amount of astonished delight!

Now, fans of Mr. Shatner can celebrate that historic, out-of-this-world trip with a fun commemorative single! Shatner’s brilliant rendition of Elton John’s classic “Rocket Man” was originally released as a part of his 2011 solo album Seeking Major Tom. The track featured guitar work from influential Gong axeman Steve Hillage and recently has been newly mixed by producer Jürgen Engler. This new version is being released on both digital platforms as well as a limited edition 7” vinyl backed with Shatner’s version of David Bowie’s “Space Oddity featuring Deep Purple’s Ritchie Blackmore & Candice Night! Get your copy now before the Klingons destroy them all!

Stream the single: https://orcd.co/william_shatner_rocket_man

Order the 7”: https://cleorecs.com/store/shop/william-shatner-rocket-man-limited-edition-silver-7-vinyl/

Track List:
SIDE A
Rocket Man feat. Steve Hillage

SIDE B
Space Oddity feat. Ritchie Blackmore & Candice Night

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
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Connecticut Cult Favorite Rock Ensemble The Neybas Release Fifth Album “Sunshine Hotel”

Connecticut rock band The Neybas (pronounced “nay-bahz”), a cult favorite in the northeast United States for decades, has just released their fifth album, “Sunshine Hotel.” The album’s collection of hook-laden songs spans multiple genres - from traditional and punkafunkadelic rock, to ska and reggae, seasoned with a dash of Caribbean, New Orleans and jam grooves. The lyrics provide snapshots of the people who work, meet, love - and stay - at the Sunshine Hotel.

The Neybas’ music is organic, energetic, and danceable, with good-vibes and echoes of the late 60s and early 70s. They have won multiple readers’ polls including “Best Original Music,” and “Best Live Performance,” among others. Over the years, the Neybas have played live with the Georgia Satellites, Joan Osborne, Great White, Felix Cavaliere of The Rascals, Ratt, Everything, Poison, Universal Honey, and Rick Derringer, to name a few.

Featuring original members Kevin “English” Bornstein (bass/vocals), Nicholas “Toad” Eckert (guitar/vocals), Russ “Skull” Waesche (guitar/vocals), and long-time drummer Emmet Hale, they added keyboardist and hometown “neybahood” friend Greg Marshall in 2019 to complete the outfit.  

“Partying, dancing, and rock n roll. That’s precisely what the Neybas provide.”  - MTV Online

During the pandemic, guitarist/singer/songwriter Russ Waesche wanted to hear new music that hearkened back to the good vibes of the hooky, upbeat rock and roll coming from radios in the early 70s. He wasn’t hearing any that fit that description, so decided to write his own.

The origins of the concept for “Sunshine Hotel” trace back to 2019, as the band was working on their previous album, “Flow.” Russ Waesche was looking for album cover images and came across a photo taken by a friend of the Sunshine Hotel, a flophouse in the Bowery section of NYC. While the photo wouldn’t work for “Flow’s” water theme, it gave Waesche the idea of a follow-up album that would have bright, upbeat grooves and themes. Two years of pandemic darkness later, it seemed increasingly timely.

Waesche and Richard Serviss, the photographer of the album’s cover photo, had bonded years earlier over Beat authors and poets, 1970’s NYC punk culture, photography, and a shared love of Lou Reed, among other things. One of the first songs penned for the album, the lead-off track “At the Sunshine Hotel,” gives a nod to Lou Reed by naming the characters Jack and Jane (remember Sweet Jane?).

During the lockdown, Waesche and fellow singer/guitarist Toad Eckert were both sidelined by injuries which made it too painful and difficult for either to play guitar. Waesche, who lost significant use of his right hand, found that not having a guitar in hand made writing songs nearly impossible. After a full year of medical adventure and physical therapy, the use of Waesche’s hand came back, and so did the songs. Eckert also recovered, and the band began playing again.

Starting in June 2021, Waesche demoed songs for producer John Bolduc, who liked what he heard, and the work began on honing and arranging the songs.  Recording commenced at Bolduc’s Massiphonic Studios in Connecticut at the beginning of 2022, after being postponed by the death of Waesche’s father, followed by a COVID variant surge in which multiple band members had to quarantine. The band recorded all the tracks between January and March, with guest percussionist Alex Giosa, (currently one of the drummers for the Broadway version of “Hamilton”) adding the final touches during the first week of April 2022.

The band is currently storyboarding videos for select songs from “Sunshine Hotel,” and playing select gigs in the northeast.

To purchase: https://neybas.com/store

For more information:
https://neybas.com
https://www.facebook.com/people/Neybas/100045482685721/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

World’s Largest Prog Rock Supergroup THE PROG COLLECTIVE Revisit Folk & Rock Masterpieces On New Album SONGS WE WERE TAUGHT, Release First Single!

Album features performances by David Clayton-Thomas (Blood Sweat & Tears), Rod Argent (The Zombies), Sonja Kristina (Curved Air), Candice Night (Blackmore's Night), Dweezil Zappa, Ron "Bumblefoot" Thal (Guns N' Roses/Asia), Steve Morse (Deep Purple/Dixie Dregs), Martin Barre (Jethro Tull), Steve Hillage (Gong) and more!

Los Angeles, CA – Producer Billy Sherwood has helmed the massive prog rock supergroup The Prog Collective through an astonishing 10 years and 3 studio albums with an ever-evolving cast of 50+ elite-level musicians, vocalists, and creative minds. Through it all, one thing has remained constant: the project has always brought some of the most innovative musical arrangements, unique performances and cutting-edge production techniques, all in service of creating the most engaging, enthralling listening experience to the listener. The same holds true for the band’s newest effort, the gorgeous and sublime Songs We Were Taught.

As the title suggests, Sherwood and his cohort travel back in time to revisit some of the most formative and influential songs of the ‘60s & ‘70s. From Bob Dylan’s massively important “The Times They Are A-Changin’” to Simon & Garfunkel’s unforgettable classic “Sound Of Silence” to the folk standard-turned-chart-topping-rock-dirge “House Of The Rising Sun,” the compositions included here are not ones that would immediately be associated with the kind of progressive /art-rock players featured on Prog Collective albums. But just one listen to the astonishing musicianship Wishbone Ash’s Martin Turner and electric violinist Jerry Goodman bring to Dylan’s song or the mix of soul and atmosphere that David Clayton-Thomas and Steve Hillage add to “House Of The Rising Sun” and you’ll know why this album exists. Thankfully, the band has released “House Of The Rising Sun” as the album’s first single!

Check out the single: https://orcd.co/house_of_the_rising_sun

Watch for the whole of Songs We Were Taught to be released on all formats, including CD, vinyl and digital, starting July 1.

Pre-order the CD/vinyl: https://cleorecs.com/store/?s=songs+we+were+taught&post_type=product

Pre-order/pre-save the digital: https://orcd.co/songs_we_were_taught

Track List:
1. The Sound Of Silence - Jon Davison (Yes) & Geoff Downes (Yes/Asia)
2. Year Of The Cat - Billy Sherwood (Yes/Circa) & David Sancious (Bruce Springsteen's E Street Band)
3. House Of The Rising Sun - David Clayton-Thomas (Blood Sweat & Tears) & Steve Hillage (Gong)
4. In The Land Of Grey And Pink - Ron "Bumblefoot" Thal (Guns N' Roses)
5. Summer Breeze - Roine Stolt (The Flower Kings) & Steve Morse (Dixie Dregs)
6. Fire And Rain - Sonja Kristina (Curved Air) & Martin Barre (Jethro Tull)
7. The Weight - Rod Argent (The Zombies) & Jeff "Skunk" Baxter (The Doobie Brothers)
8. Wild World - Rosalie Cunningham (Ipso Facto) & Patrick Moraz (The Moody Blues)
9. It's Too Late - Candice Night (Blackmore's Night) & Dweezil Zappa
10. The Times They Are A-Changin' - Martin Turner (Wishbone Ash) & Jerry Goodman (The Flock)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

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Bill Nelson’s Red Noise “Art/Empire/Industry – The Complete Red Noise” 6CD Remastered Box Set Available August 26, 2022

• A NEW SIX DISC BOXED SET OF THE COMPLETE RECORDINGS MADE BY BILL NELSON’S RED NOISE – COMPRISING FOUR CDs AND TWO DVDs (NTSC/REGION FREE).

• FEATURING A NEWLY REMASTERED EDITION OF THE ALBUM ‘SOUND ON SOUND’, ALONG WITH NEW 5.1 SURROUND SOUND AND NEW STEREO MIXES BY STEVEN WILSON.

• INCLUDES A PREVIOUSLY UNRELEASED CONCERT RECORDED IN LEICESTER IN FEBRUARY 1979 NEWLY MIXED FROM THE ORIGINAL MULTI-TRACK TAPES, PLUS BILL NELSON’S HOME DEMOS, ADDITIONAL SESSION TRACKS AND A BBC RADIO SESSION FROM 1979.

• WITH BONUS VIDEO CONTENT OF THE PROMOTIONAL VIDEO OF ‘REVOLT INTO STYLE’ AND A SESSION FILMED FOR BBC TV’S OLD GREY WHISTLE TEST IN 1979.

• INCLUDES A LAVISHLY-ILLUSTRATED BOOK WITH EXTENSIVE ESSAY BY BILL NELSON AND A FOREWORD BY STEVE WILSON, A FACSIMILE TOUR PROGRAMME, POSTER AND FOUR POSTCARDS.

Following the release of the album “Drastic Plastic” and tour, Bill Nelson disbanded Be-Bop Deluxe. Aware of the emergence of the New Wave artists and out of a desire to continually evolve, he announced the formation of Red Noise.

Working with co-producer John Leckie, Bill recorded a new wave masterpiece, a record that would influence a new generation of musicians with its intelligent and punchy material. “Sound On Sound” and the subsequent live shows would divide opinion of both fans and critics, but with the passage of time, the album is now regarded as one of Bill Nelson’s finest works.

This boxed set features the complete Red Noise recordings; the original album newly remastered by Steven Wilson from the original master tapes, along with stunning new stereo and 5.1 Surround Sound mixes.

The set also includes an outstanding complete live concert recorded in Leicester in 1979, newly mixed from the original 24-track tapes, a session recorded for BBC Radio One and a further Red Noise studio session from May 1979 plus a bonus CD of Bill Nelson’s home demos. The set also includes video material, including the video for “Revolt Into Style” and the band’s session for the BBC TV show “The Old Grey Whistle Test” from February 1979.

Track Listing:

DISC ONE
SOUND ON SOUND REMASTERED
1 Don’t Touch Me (I’m Electric)
2 For Young Moderns
3 Stop / Go / Stop
4 Furniture Music
5 Radar in My Heart
6 Stay Young
7 Out of Touch
8 A Better Home in the Phantom Zone
9 Substitute Flesh
10 The Atom Age
11 Art / Empire / Industry
12 Revolt into Style Bonus tracks
13 Wonder Toys That Last Forever
14 Acquitted by Mirrors (B-side of ‘Furniture Music’ EP)
15 Stay Young (BBC session 17.02.1979)
16 Furniture Music (BBC session 17.02.1979)
17 Don’t Touch Me (I’m Electric) (BBC session 17.02.1979)
18 Out of Touch (BBC session 17.02.1979)

DISC TWO
LIVE AT THE DE MONTFORT HALL, LEICESTER 1979
PREVIOUSLY UNRELEASED
1 Don’t Touch Me (I’m Electric) (live)
2 For Young Moderns (live)
3 Furniture Music (live)
4 Out of Touch (live)
5 Stop-Go-Stop (live)
6 Atom Age (live)
7 Possession (live)
8 Superenigmatix (live)
9 Substitute Flesh (live)
10 Phantom Zone (live)
11 Radar in My Heart (live)
12 Art / Empire / Industry (live)
13 Revolt into Style (live)
14 Stay Young (live)
15 For Young Moderns (Encore) (live)

DISC THREE
SOUND ON SOUND NEW STEREO MIX
1 Don’t Touch Me (I’m Electric)
2 For Young Moderns
3 Stop / Go / Stop
4 Furniture Music
5 Radar in My Heart
6 Stay Young
7 Out of Touch
8 A Better Home in the Phantom Zone
9 Substitute Flesh
10 The Atom Age
11 Art / Empire / Industry
12 Revolt into Style Bonus tracks
13 Wonder Toys That Last Forever
14 Acquitted by Mirrors
15 My Light (previously unreleased) Recorded for the “Sound on Sound” sessions
16 Instantly Yours
17 Ideal Homes
18 Disposable

DISC FOUR
SOUND ON SOUND
96 kHz/24-BIT 5.1 SURROUND SOUND MIX
NEW STEREO MIX ORIGINAL STEREO MIX
1 Don’t Touch Me (I’m Electric) (5.1 mix)
2 For Young Moderns (5.1 mix)
3 Stop / Go / Stop (5.1 mix)
4 Furniture Music (5.1 mix)
5 Radar in My Heart (5.1 mix)
6 Stay Young (5.1 mix)
7 Out of Touch (5.1 mix)
8 A Better Home in the Phantom Zone (5.1 mix)
9 Substitute Flesh (5.1 mix)
10 The Atom Age (5.1 mix)
11 Art / Empire / Industry (5.1 mix)
12 Revolt into Style (5.1 mix)

DISC FIVE
ADDITIONAL RED NOISE SESSIONS
96 kHz/24-BIT 5.1 SURROUND SOUND MIXES
NEW STEREO MIXES ORIGINAL STEREO MIXES
1 Wonder Toys That Last Forever (5.1 mix)
2 Acquitted by Mirrors (5.1 mix)
3 My Light (5.1 mix) Recorded for the “Sound on Sound” sessions
4 Instantly Yours (5.1 mix)
5 Ideal Homes (5.1 mix)
6 Disposable (5.1 mix)
RAK Studios, London May 1979

VIDEO CONTENT
PREVIOUSLY UNRELEASED
1 Revolt into Style (Promotional video 1979)
2 Don’t Touch Me (I’m Electric) (BBC TV Old Grey Whistle Test – 1979)
3 Furniture Music (BBC TV Old Grey Whistle Test 1979)
4 Stay Young (BBC TV Old Grey Whistle Test 1979)

DISC SIX
BILL NELSON RED NOISE DEMOS 1978 – PREVIOUSLY UNRELEASED
1 Acquitted by Mirrors (demo)
2 For Young Moderns (demo) 3 Stop Go Stop (demo)
4 Furniture Music (demo)
5 Radar in My Heart (demo)
6 Stay Young (demo)
7 Out of Touch (demo)
8 A Better Home in the Phantom Zone (demo)
9 Substitute Flesh (demo)
10 The Atom Age (demo)
11 Revolt into Style (demo)
12 Waiting for the Night (demo)
13 My Light (demo)

To pre-order: https://www.cherryred.co.uk/product/bill-nelsons-red-noise-art-empire-industry-the-complete-red-noise-6cd-remastered-box-set/

Bill Nelson’s Dreamsville official website: https://www.billnelson.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Watch The New Video By YES Legend Jon Anderson With The Paul Green Rock Academy “So Limitless”

In support of legendary YES vocalist/songwriter Jon Anderson with the Paul Green Rock Academy's upcoming summer tour, a new video has been released titled “So Limitless.” This music was recorded during Jon's visit to Orlando during the Rock Academy tour in Florida in April 2022. The recording features members of the touring band and Jon, recorded at Solar Studios and produced by Michael Franklin.

Watch the video for “So Limitless” here: https://www.youtube.com/watch?v=PXTzm48YnF4

“HERE WE GO MAKING NEW MUSIC WITH THE ROCK ACADEMY TEENS. “SO LIMITLESS”. BECAUSE WE ARE LIMITLESS IN ALL OUR LIVING , BEING AND DREAMING…”
LOVE & LIGHT
JON

Jon Anderson will be playing select shows with The Paul Green Rock Academy in Summer 2022! Jon and the ensemble will be celebrating the 50th Anniversary of the release of YES's classic album “Close to the Edge” by performing the album in its entirety, along with other classics and surprises!

photo by Robin Gilbert

Watch Jon Anderson with the Paul Green Rock Academy promo video: https://www.youtube.com/watch?v=glDLlhbP0Kk

For more information:
Paul Green official website: www.PaulGreenRock.com
Jon Anderson’s official website: www.JonAnderson.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Watch Kansas Legend Robby Steinhardt’s Video For “Not in Kansas Anymore”

Just released! Kansas legend Robby Steinhardt’s video for “Not in Kansas Anymore” from the critically acclaimed album of the same name. Produced by Michael Franklin, the album was released on Solar Music just after the unexpected passing of Steinhardt.

Watch the video: https://www.youtube.com/watch?v=4-Xj-bzCqk8

You know him as the legendary violinist, vocalist and frontman for the band KANSAS, recording 9 albums which reached gold, platinum and double platinum status, and is now making another mark on the world with his first and only solo album.

“Not in Kansas Anymore” is a powerful, well-thought-out offering of Prog Rock magic. Timely songs with incredible arrangements and virtuoso performances. Robby’s vocals and signature electric violin come through on this continuous work labeled a “Prog Opera.”

The album “Not in Kansas Anymore” grew out of the Jon Anderson “1000 Hands” sessions. Robby was a special guest on the song “Active.” He put down several violin tracks on that song and also a song Michael was working on with drum legend Billy Cobham. That song led to the making of “Not in Kansas Anymore.”

The art direction and video work was done by Alvaro Ortega, a gifted animator from Madrid Spain. Alvaro has received worldwide notice from his Beatle and British Invasion animations. Most recently his collaboration with producer Michael Franklin’s “A Day in His Life,” a highly acclaimed tribute to John Lennon. This work went viral and given high praise by Sir George Martin's son https://www.facebook.com/michael.franklin.1610/videos/10222238735251109. Art work in the video was based off of the album art by Tom Lupo, nominated “Album Cover of the Year” by ProgReport.

Robby Steinhardt “Not in Kansas Anymore”
Recorded at Solar Studio, Orlando Florida, December 2020-May 2021
Produced by Michael Franklin producer of Jon Anderson 1000 Hands
with the cast members 1000 Hands

Robby Steinhardt - Violin and Lead Vocals
Tim Franklin - Bass and Vocals
Rayford Griffin - Drums
Jim Gentry - Electric Guitar and Vocals
Tommy Calton - Acoustic and Electric Guitar
Michael Franklin - Bosendorfer Piano, Kurzweil Forte, Hammond B3 and Vocals

And special Guests
Billy Cobham, Pat Travers, Chuck Leavell, Ian Anderson, Billy Ashbaugh, Patrick Moraz, many others, orchestra and choir.

Songs Written by Franklin/Steinhardt/Franklin Solar Music BMI

“Not in Kansas Anymore,” Digital Download, CD and preorder LP with free Digital Download can be found at: www.robbysteinhardtofficial.com or www.solarmusic.com

Promo video: https://www.youtube.com/watch?v=yu5T_3aEv0g

Robby was a big fan of local vinyl vendors. Here is where you will be able can to find LPs and CDs locally www.solarmusic.com/distribution

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Uriah Heep’s Ex-Lead Singer Peter Goalby Announces the Release of the Second of his Two Long Lost Solo Albums - "I Will Come Runnin’" is Out Now!

Following the successful release of his long lost first solo album, Easy With The Heartaches, Peter Goalby’s second solo album I Will Come Runnin’ is finally seeing the light of day.

The 10-track album was personally overseen (from tape transfer, mastering and artwork) by the former Uriah Heep and Trapeze vocalist.

Peter Goalby was the lead singer of Uriah Heep, Trapeze and Fable but has now retired from the music industry after an illustrious career.

Peter Goalby said of the release: “Well, here we go again. Thank you so much for listening to my first solo album Easy With The Heartaches.  I hope you will enjoy this collection of my songs written and recorded after I left Uriah Heep.  I have included 2 more co-writes as they deserve to be on the album. I put Little Piece Of Heaven at the end of the track list because this was the last song I wrote before walking away from music.  Thank you for sticking with me…”

I Will Come Runnin’ is OUT NOW from all good retailers:
Amazon CD: https://geni.us/RunninCD
Apple Music: https://geni.us/PGapplemusic
Spotify: https://geni.us/PGspotify

Peter Goalby’s first solo album Easy With The Heartaches is still available (https://geni.us/EasyCD) and both albums are available from Cherry Red: https://www.cherryred.co.uk/artists/peter-goalby/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

CIRCUS MIND Continues to Deliver With Their New Album BIOLUMINATE

New York, NY – CIRCUS MIND is a New York-based rock outfit and the brainchild of singer/songwriter and keyboardist Mark Rechler. The band is about to celebrate its 20th year and will unveil their fourth release BIOLUMINATE on June 17, 2022. BIOLUMINATE continues to capture the CIRCUS MIND spirit as they weave through past, present, and funky future.

The first BIOLUMINATE single “Baby Come Back Down” (featuring NoLa guitarist Marc Paradis of Johnny Sketch and The Dirty Notes) released March 18 has a funky driving Caribbean backbeat mixed with rock and soul vibes and delicious synthesizer work. Opening track and second official single “West End Road” feels like you’re in the gospel tent at Jazzfest while mixin’ in some swampy rock reminiscent of Little Feat, Taj Mahal and The Radiators. Special guest Nels Cline of Wilco shines on the standout track “Miss Fortune” a slower paced beauty, while special guests Matty Fox and Matt Godfrey from the Brandon “Taz” Niederauer Band bring the album full circle on the final track “Vampire Blues.” Longtime bassist Chris Crosby, who passed during the recording of the album, appears on four of the tracks.

CIRCUS MIND is a camouflaged Cephalopod that can change colors, moods and styles in an instant, swimming from jazzy groove rock to funky reggae roots with ease. Their previous release JOY MACHINE featured Big Sam, Marc Ribot, Ivan Neville, Walter Wolfman Washington, Scott Metzger, and more. An eclectic collection of ’70s rock and funk with modern takes on N’awlins swamp rock mixed with Beatles pop, the first JOY MACHINE single “Are You Ready?” featured guest guitar phenom Brandon “Taz” Niederauer, and its music video was well received by critics and fans alike.

Their earlier release “Silver Flower” was voted one of the Best Indie Albums of 2006 by Newsday and put a modern take on influences such as Traffic, Steely Dan, Little Feat, and Mott the Hoople while mixing in NoLa vibe influences like Dr. John, The Meters and The Neville Brothers. The CIRCUS MIND single “Jazzfest Time” was released as an ode to the New Orleans Jazz & Heritage Festival. CIRCUS MIND has opened for national acts (Toots & The Maytals, The Neville Brothers, The Radiators) and had many notable guests sit in on their recordings and live performances (Soulive, Rebirth Brass Band, Cyril Neville).

CIRCUS MIND’s members are diverse in their influences and playing styles. Lead vocalist, songwriter and keyboardist Mark Rechler performs with multiple projects and has played, toured, and recorded with members of The Meters, The Neville Brothers, The Radiators, Soulive, The Brandon “Taz” Niederauer Band, Rebirth Brass Band, Ivan Neville, and more. Spending five years in New Orleans studying music, art, & architecture helped influence his style and direction, and he always keeps his listeners salivating and wanting more.

Guitarist Jaime Scott has toured the world as a guitarist and engineer, with renowned ensemble John Lurie and the Lounge Lizards. In doing so he followed the lineage of the legendary and influential Lounge Lizard’s guitarists who came before him. “Baby Come Back Down” also features late and long-time CIRCUS MIND bassist Chris Crosby, who had studied with Oteil Burbridge of The Allman Brothers Band and Dead & Co.

The band’s rhythm section features drummer Dan Roth, a driving force of funky world influences and percussionist Steve Finkelstein, who has worked recorded and performed with pop icons from Ray Charles as well as jam band giants including members of the Dead, Allman’s, and Neville’s, and Tower of Power. Steve is also a founding member of the Funk Filharmonik.

New Member Saxophonist Michael Amendola holds a BA in Arranging from The Berklee College of Music. Credits include touring, film scores, jingles, and Broadway shows. Michael was a member of The Tony Trischka Band for 7 years, producing 2 recordings on Rounder Records and as a leader, released the jazz recording "Big Sunflower" on CDC Records. Also joining the party is Leandro Da Silva, a multi-faceted bassist from São Paulo, Brazil who brings elements of Samba and Funk that can be heard in his diverse playing style.

To purchase or stream BIOLUMINATE please visit: https://smarturl.it/CMBioluminate

To purchase or stream the singles “Baby Come Back Down” or “West End Road” please visit: https://smarturl.it/BabyComeBackDown or https://smarturl.it/CMWestEndRoad

For more information including tour dates or booking inquiries please visit: www.circusmindband.com

For Press and Interview inquiries please contact Billy James of Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com

For Digital Marketing please contact Jerome Forney of Independent Distribution Collective: jerome@independentdistro.com

Texas Experimental Rock Trio Xanthan To Release Eclectic Debut EP “Succubus Swing”

Xanthan is a three piece experimental rock band from Houston Texas featuring Boz Miller (drums), Max Miller (guitars), and Corin Gatwood (6 string basses). The trio will be releasing their debut six-track EP “Succubus Swing” on May 24th which features half instrumentals and half songs with vocals.

Says Corin, “The album has a lot of moods. There is a lot of humor in it for us. Hence the titles, but also just how we've managed to compose the songs. It's all playful. We always try something different in each song. A lot of the lyrics were inspired by strange and unsettling experiences I have had with certain people. The music was written first; but while working on the instrumentals, it put me in the right mood to write about some dark stuff. Plus, it was during late 2020, early 2021. It was still the pandemic, and hell froze over in Texas. A surreal time can be a good time to be creative, I suppose.

When recording the album, the music came first, but the band would adjust things for vocals as needed. Recording was fast. Every track was the three members recording live in Corin’s living room / practice space with no click track. Corin relates, “The track ‘Ms. Haan’ was made from noisy stuff I made on a tape machine, and me banging on the side of my washing machine. My hope was for it to evoke the anxiety of being a child again; alone, in school, or a building with scary noises and machines humming away. And it made for a good segue.”

This E.P. features two of Xanthan’s early instrumental tracks (“1934” and “Colliskeions 23”). The trio wanted to include them on this release to demonstrate their early sound, but the opening track (“HYBYC”) and the last three are songs the band is most proud of.

In closing Corin has this to say, “Just give it a listen in your car stereo on a sweltering summer night, in a dark, small town alleyway.”

Track List:
HYBYC
1934
Colliskeions: 23
Bump of Excellence
Ms. Haan
In Killeen

Release date May 24, 2022

To purchase: Bandcamp: https://xanthan.bandcamp.com/releases

For more information:
Instagram: https://www.instagram.com/xanthan.wav/
Facebook: https://www.facebook.com/xanthan.band/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com