Jazz Review: Charu Suri-The New American Songbook EP

Release Date: December 20, 2019

Label: Amala Records

Website

If it has been a while since you heard some great jazz, specifically with piano as the main instrument, and a gorgeous female voice, then I have found one artist you simply need to hear now. Her name is Charu Suri and with her latest EP The New American Songbook, she makes quite a musical  statement.

Charu is the first female Indian American jazz composer to premiere work at Carnegie Hall. Charu has been playing the piano since the age of five and performing since the age of nine. She won an international piano competition at the age of 15. When you start in music that young, there is ample time to develop and certainly in this instance all those years have paid an enormous number of dividends.

Danielle Erin Rhodes’ voice is perfect and she can get so high and clear; is the vocal instrument on display with all the music, particularly Charu’s exceptional piano, accompanying her that puts the finishing touch on every track. Even though you may only get four tracks, it is very satisfying, and this could be the taste of what is to come. If that is the case, I look forward to an entire album of music and vocalizations like those on The New American Songbook.

The track “A Little Joy,” is made for the Holiday Season and was just released on YouTube, and will be on Spotify on January 30th. This is the kind of music people need to hear now and not because it is great music with a soothing beautiful voice getting you some comfort, it is all about having just a little joy, maybe for the length of the song or for Christmas. Whatever you are going through right now, this will offer a few moments in time to get into another space.

The New American Songbook and Charu Suri will take you back to a time when there were so many amazing jazz musicians and singers like Ella Fitzgerald and Billie Holiday. Speaking of the blues, Charu does get “Bluesy” on the ivory keys, and you can feel the emotion of Danielle’s vocals taking hold of you. It is the best track on the EP and one I will never forget.

The New American Songbook is a recording that lovers of jazz, blues, and holiday music will want to hear.  

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder
December 16, 2020

Track List:
1. Seasons        
2. Bluesy        
3. It's the Simple Things
4. A Little Joy

Pop-R&B Review: Sam Wilder-Homebound

Release Date: October 16, 2020

Label: Spin Move Records

Website

Sam Wilder’s recent release Homebound will raise some eyebrows in the music industry and capture many listeners. Like the saying goes “No risk, no reward.” Wilder stepped out and took a big chance to change his life’s path forever.

He decided to choose the title because he left his home in the Netherlands to go to Los Angeles to find his path in music. Like everyone else, he is missing his family during these lock down times.

As things turned out when he got to LA, he was immediately on the fast track to success taking his many talents to the studio to create radio-ready music for the masses.

Sam’s natural talents become evident in the eight tracks offered on the EP. “Overtime,” is a great tune featuring glossy pop and beats to keep you in a steady groove. And it is good, no, actually better than some of the crap out there they decided to call music. “Penelope” and “Bring It Home (feat. Livy Lee)” also shines the light on this progressing talent.

Everything about Homebound says “Play me” and for good reason. The music is keeping right in step with what you will hear on any platform in 2020. The catchy hooks and Sam’s high vocalizations move each song right to the heart of any listener. The combination of Pop and R & B brings out all the talent this young man has to offer in all eight tracks. The only difference is that he is not on the same playlist as pop divas like Katy Perry etc. Perhaps that can all change if his music makes it to the right people in the industry. He is good enough to break it big.

I enjoy listening to artists like Sam Wilder and bringing attention to all the talent on display on Homebound. It is interesting how eight tracks are considered an EP and back in the day of The Beatles for instance, when they were pumping out 4 or 5 albums a year, it would be an entire album. Now today a full album is at least 12 tracks or more.

Regardless of these facts, Sam Wilder has made his musical statement on Homebound and it will be heard. The talent of this young man is obvious and the potential is limitless. One listen to this album proves that. The purpose and intent is clear, Sam is here to stay and he has an amazing future in front of him.

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder
December 13, 2020

Track List:
1. Fiending    
2. What's Wrong With Me        
3. Set You Off        
4. Overtime
5. Sunlight        
6. Without        
7. Penelope    
8. Bring It Home (feat. Livy Lee) [Explicit]

World Instrumental Guitar Review: Kiko Barriuso-6 Stringed Music

Release Date: October, 22, 2020

Label: Independent

Website

Kiko Barriuso is a six-string guitar maestro on his most recent, and seventh proper recording, titled 6 Stringed Music. It does not get any more straightforward than that when it comes to album titles. There are no hidden meanings, riddles, or something that needs to be interpreted. Born in Madrid Spain in 1978, he started with the piano at a young age then gravitated towards the guitar.

After translating Spanish to English on his Bandcamp page this is the overview I got of the album: 6 Stringed Music is a collection of instrumental songs in a world music style. All instruments have been played and programmed by Kiko Barriuso (except where indicated). acoustic guitar mainly, although other types of guitars appear (12 strings, electric ...).

What you are promised is a wide variety of styles and approaches. And that is exactly what you get. I must say straight away that I loved this right from the first note to the end. I have many reasons, first of course is his excellent command of the six-string, the eclectic tracks, and most importantly respect for the level of difficulty of not only playing the guitar incredibly well but venturing into a worldly journey of exploration of sounds. The tracks burst with electric energies and all colors of the musical spectrum.

“Entre Dos Tierras” is a fantastic journey of the acoustic guitar. It is played with style and grace and the full impact and generosity of the varying degrees of sound are appreciated by this listener. “Pisando Un Nuevo Suelo” starts with a nice ambient atmosphere then explodes into some magnificent electric guitar lines. Previous to that you will experience all-acoustic playing and would likely expect more of the same after looking at the album cover as well. It was a nice surprise for my listening tastes as he still played with exceptional precision and grace.

You will find out very quickly that Kiko knows how to make an impact with the guitar regardless if it is acoustic or electric or influenced by another country besides his own. That thought process for me gives even more credence to his ability and amazing talent.

“Un Toque Español” starts and I am wondering if he is going to jump into his full version of “Classical Gas.” The track never reaches that crescendo of emotion and lightning speed playing, instead what you get is a gorgeously short Spanish-influenced acoustic instrumental that ends way too soon. And that is meant strictly as a compliment to how much I appreciated the composition.

“Vuelo Nocturno” is another track filled with worldly delights and sounds. It is one of the highlights of the recording with layers of sounds added to support his guitar presentation. The intermingling of the layers of sounds suits the playing quite well and the result is a richly flavored freshly brewed instrumental gem. I bet you thought I was going to say something about coffee? Well, the comparison is there as a fresh cup of coffee from the finest beans in the world has no comparison, unless you are playing guitar while you’re drinking it, in this instance, it all applies.

Just to make sure he covers all the ground possible; he ends the album with the “Sueño Oriental,” which runs over 7 minutes. On this track you get the best of both worlds, Kiko plays acoustic and electric. The wonder of layering music is a beautiful thing. It is the most progressive and complicated track you will hear.

I think “Closing Time” should have been the last track, it seems appropriate but there is nothing ordinary or anticipatory about any of this music. You just have to wait to see what is next. That is the kind of recording I can appreciate the most.

Kiko Barriuso is a six-string conjurer on 6 Stringed Music. The beauty of the instrument and the lands the music is derived from is a tasty instrumental treat you should not miss. The is the art of music in full bloom and seen through the eyes of one talented man. I cannot wait to see where he goes from here!

Note: For Those of you that do not speak Spanish, I asked Kiko to translate the tracks to English.

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder
December 5, 2020 

Track List:
01. Claro Que Si 03:10 (Yes Of Course)
02. Semilla De Amor 03:43 (Love Seed)
03. A Través Del Tiempo 02:54 (Throughout Time)
04. Entre Dos Tierras 04:21 (Between Two Lands)
05. Still Missing You 03:48
06. Pisando Un Nuevo Suelo 04:09 (Stepping On A New Ground)
07. Sensaciones 03:19 (Sensations)
O8. Un Toque Español 03:11 (A Spanish Touch)
09. Vuelo Nocturno 02:57 (Night Flight)
10. Never Ending Winter 02:55
11. A Change of The Seasong 03:17
12. Closing Time 02:27
13. Sueño Oriental 07:17 (Oriental Dream)

Featured Track:-The Song Gardeners - Love Is The Magic of Change

The Song Gardeners are back with a new single from the fertile grounds where they plant a seed with their enchanting sounds on "Love Is The Magic of Change."

The seed grows and blossoms inside you while listening to their music. It is a can't miss proposition with lyrics that will touch your soul.

Here is an example of some of the lyrics: 

And we are one with the universe sparks of light, connecting the people and places in our lives, and we are here for a moment in space and time, inspiring each other to better humankind.

It is so beautiful and meaningful and the music brings the lyrics down the path that makes the most impact. The voice of Ms. Corrie Dunn is excellent, her inner beauty and tenderness come shining through as she plays the keys. 

Chris Day's bass is in perfect step as Mary Gospe provides the backing vocals. It is a trio from heaven here to grace our presence with their magic of change, their music.

Keith "MuzikMan" Hannaleck

Visit The Song Gardener's Website: https://www.thesonggardeners.com

The Song Gardeners is a musical trio from the San Francisco Bay Area featuring singer/songwriter Corrie Dunn (vocals, piano, guitar), singer/songwriter Mary Gospe (vocals, guitar, percussion), and Chris Day (bass). 

Their original songs are filled with positive, empowering messages and beautiful harmonies.

Rock-Pop Review: Denoven-Retrofuturism

Release Date: October 9, 2020

Label: TimeArt Recordings

Website

If you remember the 80s and the music that was being played then you will love Retrofuturism from the artist known as Denoven. Straight away one of your first thoughts will be this is one of those uncovered gems that never got released. The process of putting it together started in 2018 and was completed this year. The album showcases one hell of a tight band and a lady with an incredible voice that goes up to 5 octaves, which is extremely rare.

Notably, tracks are featuring Pat Kelley and Mike Miller on guitar with the masterfully effective synth work by Denoven and commanding vocals. Other players in her band that you will recognize are the incredible Vinnie Colaiuta on drums with Neil Steubenhaus on bass.

So, if you are ready to rock and think of days gone by, this will do it for you and then some. So here we go into the music time machine…

If you can remember the days of dancing “Body to Body” or you are doing it now in your social distanced bubble then good for you! Here is some music that will keep those eternal embers burning. Although I think the song is about what happens after the dance.

“Just Wanna Love You” is one of my favorites, it features a band in sync and reminds me of the 80s and Friday nights dancing in San Francisco. It put a smile in my heart and soul. It is perfect for the period. Denoven’s voice is sultry smooth and very emotive albeit sexy. The point gets across loud and clear. There are some great background vocals and a cut like a new razor lead guitar three-quarters of the way through as the track gets closer to the end.

The quirky “Make Up Your Mind” takes you down another path, this time the progressive lane as mentioned on the website one sheet, it is “odd meter.” This proved to be the outright talent this band has and their ability to change it up so fast.

The ballad “Never Goes Away” would have been a hit back in the 80s and actually, it sounded timeless to me and it is a hit at any time on my radio dial. This was excellent musicianship and vocals on display. I found a lot of appreciation for what was being offered. Similarly, and more of a rocker, “Out of My Head,” is a reminder of the days when hormones were raging and the power of youth took complete control of your mind and body. And another great guitar lick comes front and center around three quarters into the track, putting the rocker stamp on it for good. In the end, Denoven lets her 5-octave vocals close out the track. Wow, what a finale that was!

“Radioactive” sounds radio ready and a sure-fire hit in the top forty in the 80s. This music may be close to four decades removed from now but today I enjoyed it as much as I would have then. That says it all for this music lover.

Retrofuturism is a solid group of tracks and the title befits the music, you have my guarantee. Are you ready to rock into the 80s again or maybe for the first time? Here comes Denoven!

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder
November 17, 2020
 

Track List:
01. Out of My Head 3:28                                 
02. Words in the Dark 3:48                           
03. Make Up Your Mind 4:01                           
04. Radioactive 4:02                                    
05. Who Do You Know 3:10                            
06. Body to Body 4:15                                 
07. You’re Someone I Could Know 4:13         
08. Hot as Ice 4:02                                            
09. Just Wanna Love You 3:35                      
10. Never Goes Away 4:14   

TOTAL TIME 38:08

Prog Rock Review: Circuline-Circulive New View

Release Date: October 9, 2020

Label: Circuline Music

Website

Prog Stock 2017 was attended by actual people, how different? Things that were normal every day things have changed in the new norm. I usually attend at least 5 concerts a year and I went to one just before the virus spread like wildfire.

Circulive New View just came out this month. I covered Circuline-Circulive::Majestik DVD in 2018. That was an excellent prog-rock experience so I anticipate the same with the new release and was not disappointed.

The band Circuline is a prog-rock band out of New York that is no stranger to the stage. Circuline is Andrew Colyer (keyboards, vocals), Darin Brannon (drums, percussion), Alek Darson (guitars), Joel Simches (bass), and lead vocalists Billy Spillane and Natalie Brown.

Their performance at the festival was captured on a magnificent Blu-ray and DVD. This is a 3-disc set including a CD so all formats are covered for thirteen tracks offered on this superb audio-visual experience. There also bonus features with official videos, tour posters, images, and more.

Circuline members are polished professionals and bring a very entertaining show to the stage. Their music is distinctively prog-rock with an in-sync rhythm section, two incredibly talented vocalists, a guitar player suited to play through all the many changes one song can go through, and of course the amazing Andrew Colyer on keyboards. Andrew is recognized for his accomplishments but not on the level he should be. Based on what I have heard over the last few years, he ranks right up there with some of the best and most tasteful players active today.

Coming in under the wire in the prog world is nothing new because it refuses to go mainstream. Fans such as myself and thousands more are grateful for that and thank them for staying true to themselves and the music. That is something that is accepted going into this type of music and the music remains the most important factor, endearing fans of all ages to their work. This set is a document to the excellence of Circuline as a functioning musical unit without exception.

The two performances I enjoyed the most were the “Piano Challenge” on track #5 and “The Forbidden Planet + Drum Feature” on track 10. The drum performance was quite entertaining as everyone on stage was playing some sort of percussion. They all were in sync as well, which is not an easy task, especially if it is not your primary instrument.

The bonus you get has two choices of viewing for the video and then the soundtrack on CD for strictly the audio experience. Also, something interesting is the option of watching the video to a band commentary, however, I would recommend watching just the concert first then the commentary version to see what they all have to say about the performance.

Circulive New View is the complete audio and visual experience you could have. Excellent musicianship is the most important factor and that is what makes everything else the icing on the cake.

Keith “MuzikMan” Hannaleck-Prog Rock Music Talk Founder
October 24, 2020

Track List:
01. Intro / Erosion (Live)        
02. Soleil Noir (Live)        
03. One Wish (Live)    
04. Nautilus (Live)    
05. Piano Challenge (Live)    
06. Hollow (Live)    
07. Return (Acoustic) [Live}        
08. Fallout Shelter (Live)    
09. Pale Blue Dot (Live)    
10. Forbidden Planet / Drum Feature (Live)    
11. Inception (Live)    
12. Summit (Live)        
13. Stereotypes (Live)

Track Feature: Fusion Mafiosi-Fall From Grace

 

Guitar wizard Danny John and his band are his first collaborative project by the members of Danny John Trio, Danny John, James Dennett, Marcos Gil, and friends, Justin Defreece (Guitar), Derek Sherinian (Keyboards).  They are called Fusion Mafiosi.

The first single "Fall From Grace," clocks in at 11:36. It is an amazing musical jam session that will remind you of the best jazz-rock-fusion from bands like Return To Forever and Mahavishnu Orchestra at times. After 10 minutes he launches into full head-on metal riffs and some shredding.

So if you are looking for a taste of jazz-fusion, metal, and flat out shredding all in under 12 minutes, then you will definitely find great appreciation for "Fall From Grace."

Danny John is a superb six-sting maestro that I would not mind hearing a lot more!

Keith "MuzikMan" Hannaleck

More About Danny John:
https://www.facebook.com/fusionmafiosi

Many instrumental guitar trios capably blend jazz, rock and blues elements, but the one led by Australian guitarist Danny John takes a harder stance. With feet firmly planted on the metallic side of the fence...READ MORE...

dannyjohnguitar · Fall From Grace (Fusion Mafiosi)

Prog Rock Review: Lighthouse Sparrows-The Deep End

Release Date: August 4,2020

Label: Samsara Records

Website

Back in 2019 in Finland, guitarist Sami Sarhamaa and his colleague, Olli Huhtanen, a sound engineer, made the move from talking about music to actually making the music. Surprisingly quickly they had 5 tracks completed and a mini album, The Deep End was released.

In effect, Olli produces the basics of the track and Sami adds things to his liking and they decided that rather than aim to produce prog rock, art rock or whatever, they would simply “go with the flow” of what they produced.

The onset of Covid – 19 lockdowns meant that time to finalize these 5 tracks became available. Via the internet, the two friends, working in their own studios, collaborated with other musicians, namely Miri Miettinen (drums) and Trio Tingo (backing vocals). This ultimately resulted in The Deep End being released at the beginning of August.

The Deep End is a 5 track mini album with a total running time of just over 30 minutes (30:11) with track 3, “Shallow End” being the shortest at 4:45 minutes and the final track, “Gravity” the longest with a playing time in excess of 7:00 minutes (7:11).

The opening track “Gravest Danger” (6:17) starts with a great guitar riff which falls away to a gentler scenario before the crystal-clear vocals enter. The track slowly builds in intensity and the gentle guitar passages are sublime. Around the halfway point the track has an excellent synth theme before the guitar sets down another excellent passage and ushers in the vocals again. Another excellent passage builds with the musicians showing their skills before the sound drops away to end with a solo piano motif. This track has certainly been successful in getting the listeners interest and for relative newcomers, this has been an excellent taster for the 4 tracks still to come.

Track 2, “Scales” (7:00) carries on from the opening track with more excellent vocals and superb guitar riffs. After 4 minutes, the track takes a different direction with some exquisite piano and synth passages, prior to the vocals appearing. Only 2 tracks in and this release is looking like a stunning debut for Lighthouse Sparrows.

The third track, “Shallow End” (4:46) continues the good work with a much more laidback feel, which highlights another facet of the band. The vocals sound very relaxed but can “roughen up” when required. Synth passages carry the track on with sudden seamless changes in tempo and a guitar passage with a little more “punch” takes the track to its finale.

The last 2 tracks, “Deep End” and “Gravity,” (4:57 and 7:11 respectively), continue to impress to the listener, bearing in mind that this release is a debut mini album. Synths, great drum and bass from the engine room, excellent vocals and stunning guitar passages. The range of the band over the 5 tracks on offer is exceptional.

The Deep End is an amazing debut and gives the listener the perception of a band that has been playing and recording for a long time as the band just exudes confidence in what they do. I have no hesitation in suggesting that this mini album would be money well spent and I look forward, in anticipation, to where Lighthouse Sparrows go from this point.

Jim “The Ancient One” Lawson – Prog Rock Music Talk Staff.
October 10, 2020

Tracks:
1. Gravest Danger (6:17)
2. Scales (7:00)
3. Shallow End (4:46)
4. Deep End (4.57)
5. Gravity (7:11)

Featured Track: Dan Palladino-Leaving Cygnus

 

Dan Palladino has released several albums over his career and most recently in 2019 Pastoral Memory.

Dan Commented: With the single track "Leaving Cygnus," I wanted to continue the experiments which began on "Counting Stars" from Pastoral Memory. I find the electric sitar uniquely suited for ambient music, and I think featuring it on this track gives it the middle eastern/southern Asian vibe I was trying to create.  

 I would agree with that statement after listening to the track. I think the combination of the ambient music and all its sounds and textures are enhanced in a very positive way.  In fact, it actually highlights the other instruments in an entirely different light.  

"Leaving Cignus" continues the path of solar exploration in a most significant way with music and eye catching art like what Dan presents on the cover of this single track.

My hope as a listener is that Dan Palladino continues to experiment with different instruments to put on top of the ambient layers he creates. 

So sit back and listen to the stream now and enjoy this interstellar creation of music!

Keith "MuzikMan" Hannaleck

More About Dan Palladino: http://danpalladinomusic.com

Dan Palladino is a guitarist, vocalist, composer, and music instructor based in Central New Jersey. He began his journey on guitar at the age of seven, played his first gig at the age of 12, and has continually performed in public for the past 45 years...READ MORE...

Instrumental Acoustic Guitar: Michelle Qureshi-within

Release Date: September 25, 2020

Label: Real Music

Website

within is Michelle Quershi’s twelfth recording. The album encompasses 24 tracks which at first glance looks like a double album however they are shorter in the length with the longest coming in at 4:14 (# 23 “Waiting For A Friend”).

The acoustic guitar is Michelle’s specialty. The cover art indicates the color, nature, and organic placid beauty, much like the way all of these tracks are presented. She covers some ground amongst these tracks. It is filled with an excellent acoustic guitar that would relax the most nervous and unsettled individual. There is no other way to explain the effect this music can have on you.

I typically hear a lot of keyboard-based music so this was a nice step away from that. You come to appreciate acoustic guitar music more if you do not hear it as often as you like. There is nothing complex going on here, it is one woman and one guitar. That is all she needs because she reaches down deep within this music. The title is understated beneath her name on the cover in lower case. I see this at times and wonder why. My thought here is she wanted to bring more attention to her name and the image and what it projects. That is my perception and nothing else though.

Time is irrelevant because what is being offered here is aural substance and the beauty one instrument can produce if placed into the right hands. In this case, Michelle sounds as if she was born to do this because the flow of the tracks is so effortless. As with mother nature, it happens, you accept it and appreciate it or not. For this listener, there is a lot of appreciation for this kind of music. The singularity and simplicity of it are what amazes me and along those lines, then how would something like this keep my attention? Well, it does quite well thank you very much and I had no issue enjoying all of it with complete attention.

There is more to music than meets the eye. It is all-encompassing in regards to atmosphere, tones, texture, and how you perceive it all is the most important factor. It works that way for all of us who love our music. What is there not to like here? 24 tracks of gorgeously composed and played acoustic guitar music suits me just fine any time of day.

Guitar aficionados and listeners alike will all find something to enjoy on within. It does not get any easier and straightforward than that.

Keith “MuzikMan” Hannaleck
September 26, 2020

Track List:
01. Above Us
02. With Joy
03. With Courage
04. Sweet Child
05. With Anticipation
06. With Hesitation
07. With Knowing
08. Aurora Glass
09. Content
10. Shores of Atlantis
11. Before We Go
12. With Langour
13. Afternoon in May
14.  With Resolve
15. Storyboard
16. Half This Sky
17. With Certainty    
18. Beneath    
19. With Doubt
20. At Twilight         
21. With Hope
22. With Thoughtfulness        
23. Waiting for a Friend        
24. With Tenderness

Jazz/Prog Fusion Review: The Segue

Release Date: December 8, 2019

Label: Digital release

Website

The Segue hail from Poland and are the second new Polish band to catch my attention recently. The band comprises 4 members, Robert Wiercioch (guitar), Karolina Wiercioch (piano, grand piano, synths), Marcin Essen (bass) and Szymon Piotrowski (drums) and they are joined on this recording, Holograms, by three guest musicians, Jan Kozlinski (bass), Michal Sarapata (bass) and Maciej Dzik (drums).

I am most impressed with this debut, as I will freely admit that fusion/jazz fusion would not normally be a genre I would listen to, and, it is also an instrumental album, another area I can find less interesting, but The Segue have an interesting sound that takes me beyond any preconceptions.

Holograms is a 7 track album with a playing time of just over 45 minutes (45:15), with the opening track, “Segue,” the shortest on offer at 3:55 minutes and the final track, “Time Space Illusion” being the longest, clocking in at 8:14 minutes.

The opening track, “Segue,” bounces into life very quickly and grabs the attention just as fast. Guitar, bass and drums set down an amazingly interesting sound and just after the 1-minute mark, there is a synthesizer passage before the track settles into the earlier style. Around the 2:10 minute point there is a slight change to the guitar which steps to the fore, driving the track along, suitably underpinned by that thumping bass and precision drumming. Just into the 3-minute mark there is a very atmospheric passage before the band wind up and are away. An ideal opening track, highlighting the musician skills and enticing the listener into the sound of The Segue.

Track 2, “Questions” (6:31), starts off much more gently and soon the piano of Karolina takes the track onwards with a very jazzy feel, suitably aided by the guitar, bass and drums. Karolina then moves into one or two different piano passages, complimented by the engine-room of drum and bass. The piano remains the major instrument, although around 3:45 minutes, there is an excellent bass passage which changes the tone of the track. Karolina (piano) and Robert (guitar) take the track on with Robert coming to the forefront, before a very gentle piano/bass passage ushers the track to completion.

The fourth track, “Future Ways” (4:30), starts with a synth passage to which the bass and drums soon pitch in followed by the guitar. Karolina concentrates on the synth on this track, together with Robert’s exquisite guitar playing and the bass and drum foundation is always there, supporting. “Future Ways,” as with all the tracks, gives the individual musicians a chance to step into the spotlight and shows the band to be a unit of very skillful musicians.

Initially I mentioned that jazz and instrumentals do not form a major part of what I would normally listen to, but The Segue seem to be different in that they mix what they do so well. Karolina is as accomplished on synths as the piano, although her style of playing certainly shows a love of jazz. Robert on guitar can throw out jazzy guitar runs with the best of them, but is not averse to suddenly diving into a more prog vein.

I think that it is this versatility that make Holograms so accessible and I have no doubt that many people will think the same. Holograms will be an excellent addition to many CD collections and indeed I still listen to tracks regularly. This is an excellent debut release and I look forward to finding out where further releases will take the band.

Jim “The Ancient One” Lawson -Prog Rock Music Talk Staff
September 22, 2020

Tracks:
1. Segue (3:55)
2. Questions (6:31)
3. Torrent (8:05)
4. Exosphere (6:30)
5. Future Ways (4:30)
6. Broken Mind (7:30)
7. Time Space Illusion (8:14)

Soul Review: Bobby Deitch Band-Work With Whatcha Got!

Release Date: August 31, 2020

Label: Independent

Website

Bobby Deitch grew up being exposed to an eclectic range of music from his family members. All of those influences come flowing out of his music on Work With Whatcha Got! Which was released a few weeks ago. Bobby heads up the 7-piece eclectic band.

The Bobby Deitch Band offers up nine tracks about the human condition. The male and female give and take vocals on several of the tracks make this music get closer to the heart. Music like this can get you very sentimental but it also is most importantly easy to listen.

The combination of soul, pop, and rock with plenty of funkiness like on “If Looks Could Kill,” keep the flow of variety on this recording consistent. The consistency lies in the strong musicianship and variety of styles that are incorporated in every track. This is one of the coolest tracks on the album for sure. It is as danceable and funky as it gets, the Bobby Deitch Band pull out all the stops on this one. They put the boogie into the Woogie…yes sir!
 
When I first read the write up on the band’s Soundcloud page this segment gave me a hint of all the influences that permeate their sound: Uplifting original Soul music that takes its cues from Stevie Wonder, The Beatles, Earth Wind & Fire, Billy Joel & Michael Jackson.
 
That is about as mixed as you can get for the types of music that you will hear on Work With Whatcha Got! Early influences for Bobby included big band, doo-wop, and pop, so the natural progression was to incorporate the previously mentioned artist's sounds as well.
 
“He Loves Me” features the beautiful vocals of Natasha DiMarco with a cameo appearance by Turkuaz vocalist Shira Elias. This takes the band into a nice smooth groove as they venture into a flat-out love song. The lyrics are to the point and delivered perfectly as the music moves with the emotion of the singer. As she brings her voice to a different register and emotion the band just cooks along with her. It is heartfelt and sexy.

“Constant Complainer (feat. George Porter Jr.)” gets back to the funk and horns of previous tracks with an in the groove bass line that leads the way with in sync drumming. Including George Porter Jr. and his bluesy gritty vocals gives the track a definitive soulful in the pocket blues feel as the band just kills it in support of all the great vocals. This is one of the finest tracks on the album.

Work With Whatcha Got! is full of a lot of great energy and easy to understand and relatable lyrical content. This opens the door for a listener to walk right in. It is a musical welcome mat that you will not be able to resist. And the good news is it comes backed up by some fine music with good vocals to catch your ear on every track.

 
Keith “MuzikMan” Hannaleck-TFOV Founder
September 13, 2020

Review Provided By MuziMan.net

Track List:
1. Live Together
2. Love Is Just a Kiss Away
3. Work with Whatcha Got
4. You're All That Matters to Me
5. If Looks Could Kill    
6. Love Attack    
7. He Loves Me
8. Constant Complainer (feat. George Porter Jr.)
9. It's You
 

Instrumental Jazz-Rock-Fusion: Manuel Muzzu- 3-Ree

Release Date: July 15, 2020

Label: Independent

Website

3-Ree is Manuel Muzzu’s third proper album. He has a handicap (I would rather call it a disadvantage) with his right hand so he cannot use all his fingers. You would never know that until he told you though. His playing is superlative.

Manuel Explains: My songs are inspired by all the different sounds I manage to extract from my 6 string basses including what may sound like a conventional guitar when I use it as a harmonic instrument opposed to a slap or a straight forward fretless melodic one.

Now think about that for a minute, how does this man discard a disadvantage with the most important factor in playing a stringed instrument, your hands? Amazing is the word as far as I am concerned.

Many things come to mind while listening to 3-Ree. The attraction for my ears and tastes becomes evident straight away as the first track “Give a Fu(n)k” starts. Notice the play on words in the title. Manuel likes to have some fun and give you something to think about as you browse over the track list.
 
He then takes the classic jazz-fusion from Coltrane “Giant Steps” and gives it his title dropping the s calling “Giant Step.” I imagine you would call it that as it sounds like a funky electronica jazz fusion mix with that impeccable bass of his leading the way. It is almost like the sounds of older computers moving at light speed that you would hear in older sci-fi movies or from the space-age cartoon The Jetsons from the 60s. A very interesting take on a legendary jazz fusion track indeed.

Manuel has many guests adding to the overall sounds and atmospheres of each track. As each track progressed through all of its layers of changing bursts of colors and paces, I could not help but think of some of my favorites since I started listening to jazz-rock fusion in the early 80s. Al Di Meola came to mind at first. And of course, his first band Return To Forever that amazing supergroup. “Soca Suca” really brought all of that reminiscing and feeling back to me very quickly. I remember the revelation of hearing Di Meola and Jean-Luc Ponty for the first time. This is great music and for many reasons.

Manuel’s use of the bass is genius and how gets that guitar sound is incredible.  3-Ree is a stellar recording from start to finish. If you are a listener that enjoys jazz, smooth jazz, rock, jazz-rock-fusion, or all of the above, then you are in for a sonic treat of the senses. 3-Ree is the entire palette of the jazz canvas converging into one incredibly entertaining group of tracks.

Keith “MuzikMan” Hannaleck
September 9, 2020

Track List:
01. Give a Fu(n)k
02. Kosong
03. Giant Step
04. A Place to Be
05. Soca Suca
06. Smoothazz
07. Stay Right To the Bottom
08. Just a Lullaby
 

Rock Review: James Williamson and Deniz Tek-Two to One

Release Date: September 18, 2020

Label: 2020 Cleopatra Records

Website

James Williamson and Deniz Tek find themselves in a fully-loaded, revved up new music venture, Two to One. The Stooges’ guitarist James Williamson and Radio Birdman’s Deniz Tek team up once again from 2017 and Tek’s 2011 special guest appearance from Iggy Pop and The Stooges’, to unveil a new progressive-rock, garage-punk blend album that is sure-fire to get you rocking out in your garage like the olden days, or on the next neighborhood block party. Coming September 18, Williamson and Tek team up to bring you an album that takes the seriousness out of your everyday life, even if it is just for a moment.

The album explodes onto the scene with “Jet Pack Nightmare.” With its ZZ Top sound-a-like guitar riffs, the song is a great starter. If you listen close enough, it sounds like a timed race of revenge on someone before the person seeking the retribution wakes up. “Progress” sings of being forever in the moment. Where we are recognizing our faults of personal history, we also acknowledge that “tomorrow never comes,” meaning, time is just a construct to some and we will rectify our issues when we feel it necessary or imperative.

“Take a Look Around” is a slower touch of ‘90s ska/alternative music, with a representation of calling out modern-day civilization. It says to observe what is right in front of us, admiring the completely wrong ideals and lifestyles, rather than maybe focusing on our self-improvement and growth. “Good as Gone,” writes itself in its lyrics. A man who has reached his point in tolerating the other party in question. He sings as though this person has pushed him to where nothing can justify him trying to mend the relationship.

“Stable,” is the lead single off of Two to One. The lead singer claims to be in a sort of freefall where nothing anyone does can save him. From when others around him first met him, his character or personality is slowly cracking with imperfections. He feels as though no matter what someone tries to do to help him, it will be nothing but failed attempts. “Climate Change” is a bit of a random tune. While it certainly does call attention to the modern-day debate of ‘climate change’ it seems to be a play-on mockery of the topic. Some of the hypocrisy, and an old vs. young them, provides comedic relief that is subtle but funny.

“Birthday Present” starts with a smooth guitar lick, and the title lends the listener to think it will be something positive and uplifting until the singer begins singing. The song is based in a darker-than-expected tone and a very scattered concept of a celebration, more like the ending of one messy party. “Small Change” begins as a bit of an Americana-rock styled song. For a sudden shift, “Small Change” hints at glimmers of positivity and subtlety peaks at how emotion can increase the effects of the changes in life. A “big heart,” to this singer is key to morphing your life to the way you desire it to be.

“Liar” calls out the singer’s significant other straight to her face. He proclaims what a lot of us feel when we’ve hit the end of the road with someone. “Except the diamond in your ear, nothing last forever” is possibly the boldest claim to how far tolerance can take a person. This woman cannot see right in front of her the actions that led up to the separation about to occur. “No Dreams” is a spiral. The singer is lost within himself, trying to find something to connect to on a physical level of which, unfortunately, failure strikes him at every turn. The song is a fantastic way to represent how our psyche can easily be manipulated and played with. Ending out the album, “Melissa Blue” is of a seductive lady who has an aura of mystery about her, only to end in heartbreak. The song tells of a whole tale of meeting up, a small dose of adventure, and inevitable heartbreak as the two, part ways.

Key tracks include: “Good as Gone,” “Stable,” and “Melissa Blue.”

Gregg Keniston - MuzikMan.net Staff
August 15, 2020

Track Listing:
01. Jet Pack Nightmare
02. Progress
03. Take a Look Around
04. Good as Gone
05. Stable
06. Climate Change
07. Birthday Present
08. Small Change
09. Liar
10. No Dreams
11. Melissa Blue (Bonus Track)
 

Featured Track: I Can't Breathe - Deitrick Haddon and Mickey Stevenson

Every year certain albums and songs make history and are remembered for eternity.  And along those lines, some events change the world. 2020 was full of life-changing events and the most prolific and shocking was the unnecessary death of a human being. George Floyd will be remembered for his untimely death. I have never been so horrified when I saw the video of that fateful day. I am sure millions of other people feel the same way.

Deitrick Haddon and Mickey Stevenson got together to write a track titled "I Can't Breathe."
 

 

Mickey Stevenson (pictured with Smokey Robinson) was one of the most important and influential figures in the history of recorded music, making a name for himself with the legendary Motown label. The combination of Haddon with Stevenson is a powerful coupling that was a cannot miss proposition.

As you will see and hear with the video presented honoring George Floyd, there were no punches pulled and it all comes straight from the heart for both men.

 

Haddon has some strong pipes and lets go giving it all that he possibly could. The lyric video and images are equally powerful. This is about being an American, and our diversity and how every human being regardless of race, creed, or religion deserves respect. The music deflates the hate and causes behind events like we all witnessed this year.

"I Can't Breathe" is statement musically and spiritually. We are all one race living on one planet. Our commonality is the love for our fellow men and women and in the end, our love for the universal language of music comes shining through! Let it be a beacon of light leading us all down the right road.

Keith "MuzikMan" Hannaleck

 

MORE ABOUT DEITRICK HADDON 

 

https://www.facebook.com/DeitrickHaddon

 

Deitrick Vaughn Haddon is a gospel singer, songwriter, music producer, pastor, and actor. He is best known for progressive gospel, and contemporary styles of music. He is also one of the cast members in Oxygen's reality television show Preachers of L.A. Contents.

Haddon launched his solo career as a Christian R&B vocalist with the Lost & Found on Tyscot/Verity in 2002. The set peaked at No. 1 on Billboard's Top Gospel Charts and received wide critical acclaim and spawned the hit "Sinner's Prayer" which was played extensively on gospel and mainstream R&B radio stations.

The 1970s-leaning Crossroads followed in 2004, led off by the upbeat single "God is Good". In an uncharacteristic move for marketing a gospel album, Haddon made an appearance on the long-running syndicated series Soul Train performing the single and the title track from the album.

Haddon appeared to be pushing his Gospel artistry further into the ranks of mainstream venues with 7 Days, released October 10, 2006. 7 Days was produced almost entirely by R&B producers Tim & Bob Balancing out the contemporary bulk of the album is the traditional gospel-flavored lead single "Heaven Knows" which Haddon produced himself.

Haddon and his brother Gerald also produced the comeback album Brand New Day for veteran gospel vocalist Vanessa Bell Armstrong. Deitrick Haddon & Voices of Unity's Live the Life won Gospel Music Workshop of America Excellence Awards for "New Artist of the Year—Urban Contemporary" and "Album of the Year—Urban Contemporary".

 

Featured Track: I Can't Breathe - Deitrick Haddon and Mickey Stevenson

Every year certain albums and songs make history and are remembered for eternity.  And along those lines, some events change the world. 2020 was full of life-changing events and the most prolific and shocking was the unnecessary death of a human being. George Floyd will be remembered for his untimely death. I have never been so horrified when I saw the video of that fateful day. I am sure millions of other people feel the same way.

Deitrick Haddon and Mickey Stevenson got together to write a track titled "I Can't Breathe."
 

 

Mickey Stevenson (pictured with Smokey Robinson) was one of the most important and influential figures in the history of recorded music, making a name for himself with the legendary Motown label. The combination of Haddon with Stevenson is a powerful coupling that was a cannot miss proposition.

As you will see and hear with the video presented honoring George Floyd, there were no punches pulled and it all comes straight from the heart for both men.

 

Haddon has some strong pipes and lets go giving it all that he possibly could. The lyric video and images are equally powerful. This is about being an American, and our diversity and how every human being regardless of race, creed, or religion deserves respect. The music deflates the hate and causes behind events like we all witnessed this year.

"I Can't Breathe" is statement musically and spiritually. We are all one race living on one planet. Our commonality is the love for our fellow men and women and in the end, our love for the universal language of music comes shining through! Let it be a beacon of light leading us all down the right road.

Keith "MuzikMan" Hannaleck

 

MORE ABOUT DEITRICK HADDON 

 

https://www.facebook.com/DeitrickHaddon

 

Deitrick Vaughn Haddon is a gospel singer, songwriter, music producer, pastor, and actor. He is best known for progressive gospel, and contemporary styles of music. He is also one of the cast members in Oxygen's reality television show Preachers of L.A. Contents.

Haddon launched his solo career as a Christian R&B vocalist with the Lost & Found on Tyscot/Verity in 2002. The set peaked at No. 1 on Billboard's Top Gospel Charts and received wide critical acclaim and spawned the hit "Sinner's Prayer" which was played extensively on gospel and mainstream R&B radio stations.

The 1970s-leaning Crossroads followed in 2004, led off by the upbeat single "God is Good". In an uncharacteristic move for marketing a gospel album, Haddon made an appearance on the long-running syndicated series Soul Train performing the single and the title track from the album.

Haddon appeared to be pushing his Gospel artistry further into the ranks of mainstream venues with 7 Days, released October 10, 2006. 7 Days was produced almost entirely by R&B producers Tim & Bob Balancing out the contemporary bulk of the album is the traditional gospel-flavored lead single "Heaven Knows" which Haddon produced himself.

Haddon and his brother Gerald also produced the comeback album Brand New Day for veteran gospel vocalist Vanessa Bell Armstrong. Deitrick Haddon & Voices of Unity's Live the Life won Gospel Music Workshop of America Excellence Awards for "New Artist of the Year—Urban Contemporary" and "Album of the Year—Urban Contemporary".