King Crimson will be playing one tour this year in USA and Canada during June and July 2020. Except for shows such as the Ottawa Blues Festival, all the dates will be double bills with the Zappa Band.
“The Summer tour will be a throwback one for us in a few ways; great to be going back to outdoor venues, some of them the ‘sheds’ we played in the 1980’s. And we’ll be travelling by tour bus, old school! As for what pieces we’ll play, that hasn’t been decided yet, but will likely be a wide selection from the 50 years of Crimson repertoire. With 7 players on stage we can cover it all.” - Tony Levin
Since King Crimson's return to live performance in 2014, with critically acclaimed sell-out shows all over the world their three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album In The Court of the Crimson King, described by Pete Townshend, as an “uncanny masterpiece”. The new 7-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where seven of the best musicians in the world play music without distraction or adornment.
King Crimson is:
June 4 - Clearwater, FL - Ruth Eckerd Hall
June 5 - St. Augustine, FL - St Augustine Amphitheatre
June 6 - Miami, FL - Mizner Park Amphitheatre
June 8 - Orlando, FL - Dr. Phillips Walt Disney
June 9 - New Orleans, LA - Saenger Theatre
June 10 - Memphis, TN - Graceland Soundstage
June 12 - Cary, NC - Koka Booth Amphitheatre
June 13 - Portsmouth, VA - Union Bank Pavilion
June 14 - Philadelphia, PA - The Mann Center
June 16 - Glens Falls, NY - Cool Insuring Arena
June 18 - Boston, MA - Rockland Trust Pavilion
June 19 - New York, NY - Forest Hills Stadium
June 20 - New Haven, CT - Westville Music Bowl
June 22 - New Brunswick, NJ - State Theatre
June 24 - Huber Heights, OH - Rose Music Center @ The Heights
June 25 - Louisville, KY - Palace Theatre
June 26 - Detroit, MI - Meadowbrook Amp
June 28 - Baltimore, MD - MECU Pavillion
June 30 - Vienna, VA - Wolf Trap
July 1 - Lewiston, NY - Artpark
July 5 - Chicago, IL - Ravinia
July 7 - Montreal, QC - Salle Wilfrid-Pelletier - Palace des Arts
July 9 - Quebec City, QC - Festival d'ete
July 11 - Ottawa, ON - Bluesfest
July 12 - Rama, ON - Casino Rama
For more information: www.dgmlive.com
painting by Francesca Sundsten
“The Zappa Band” is composed primarily of former ZAPPA alumni. The touring unit is: Ray White (lead vocals, guitar), Mike Keneally (guitar, keys, vocals), Scott Thunes (bassist) and Robert Martin (keyboards, sax, vocals). Also joining are ZPZ alums Jamie Kime (guitar) and ZAPPA archivist Joe “Vaultmeister” Travers (drums, vocals). The band will be performing a strong mix of Zappa classics along with new and rare Zappa compositions. This is the ultimate Zappa alumni band in partnership the Zappa Trust. Don't miss your chance to see these virtuosos perform live!
King Crimson Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), firstname.lastname@example.org
New PledgeMusic Campaign For "200 Motels" by Frank Zappa & Tony Palmer Box Set - CD & DVD with Extras & Exclusives!
London - “200 Motels” is a 1971 American-British musical surrealist film co-written and directed by Frank Zappa and Tony Palmer and starring The Mothers of Invention, Theodore Bikel and Ringo Starr.
Gonzo Mulitimedia is releasing a limited edition box set of “200 Motels” - CD & DVD with Extras & Exclusives! The film DVD is mastered from Tony Palmer's original 2-inch masters. This is for the first time these masters have ever being used. The second disc contains extra concert material specially edited by “200 Motels” original director Tony Palmer.
In “200 Motels”, the film attempts to portray the craziness of life on the road as a rock musician. While on tour, The Mothers of Invention go crazy in the small fictional town of Centerville (“a real nice place to raise your kids up”), wander around, and get beaten up in “Redneck Eats”, a cowboy bar. In a cartoon interlude passed off as a “dental hygiene movie”, bassist “Jeff”, tired of playing what he refers to as “Zappa’s comedy music”, is persuaded by his bad conscience to quit the group, as did his real-life counterpart Jeff Simmons, who was fired for insubordination before the film began shooting. Simmons was replaced by Martin Lickert (who was Ringo's chauffeur) for the film.
The Orchestra was the Royal Philharmonic, including the great classical guitarist John Williams, and was conducted by Elgar Howarth who went on to become one of Britain's most distinguished conductors. And the choreography was devised by Gillian Lynne, who went on to 'invent' the Lloyd-Webber musical “Cats”. She always said that “200 Motels” was the inspiration for much that she later incorporated into “Cats”.
It was also the first film ever to be shot on 2-inch analogue videotape and successfully transferred to celluloid. “Star Wars” was only just around the corner.
Frank Zappa as himself
The Mothers of Invention as themselves
Theodore Bikel as Rance Muhammitz, the narrator/Master of Ceremonies
Ringo Starr as Larry the Dwarf, dressed as Frank Zappa
Keith Moon as the hot nun
Howard Kaylan as himself
Mark Volman as himself
Ian Underwood as himself
Ruth Underwood as herself
Don Preston as himself
Jimmy Carl Black as Lonesome Cowboy Burt
Euclid James 'Motorhead' Sherwood as himself,
Aynsley Dunbar as himself
George Duke as himself
Jim Pons as himself (uncredited)
Pamela Des Barres as the interviewer
Martin Lickert as “Jeff”
Janet Neville-Ferguson as Groupie #1
Lucy Offerall as Groupie #2
Dick Barber as Chunga – The Vacuum Cleaner
Judy Gridley as the chorus leader
For more information: www.pledgemusic.com/frankzappaandtonypalmer
Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), email@example.com
The Ed Palermo Big Band Releases The Adventures of Zodd Zundgren, a Dizzying and Ingenious Reinvention of Music by Frank Zappa and Todd Rundgren!
Featuring Zappa Vocal Legend Napoleon Murphy Brock!
Ed Palermo may have gained an international following with his ingenious orchestral arrangements of Frank Zappa tunes, but he’s hardly a one-trick pony. Earlier in the year, the saxophonist released an uproarious double album The Great Un-American Songbook Volumes 1 & 2, a project celebrating an expansive roster of songs by successive waves of British invaders, from the Beatles, Rolling Stones and Jeff Beck to King Crimson, Traffic, and Jethro Tull.
With his new big band project, slated for release on Cuneiform Records on October 6, 2017, Palermo is back on his home turf, but the landscape feels strange and uncanny. He’s reclaiming the Zappa songbook, filtering Frank through the emotionally charged lens of the polymathic musical wizard Todd Rundgren in a wild and wooly transmogrification, The Adventures of Zodd Zundgren. Working with the same stellar cast of players, Palermo somehow captures the essence of these iconoclastic masters, making Zappa Zappier and Todd more Rundgrenian.
He sees the Zappa and Rundgren as embodying a ying and yang approach to life that played an essential role in helping him navigate the minefields of teenage angst in the 1960s. “For most of my high school days my favorite musicians were Zappa and Todd Rundgren,” Palermo says. “Rundgren had his songs about self-pity, which were exactly what I needed back then. I’d go out with a girl and whatever party I brought her to she’d go and hang out with another dude. Todd understood. At the same time, Zappa had these snarky songs like ‘Broken Hearts are for Assholes.’ It was tough love. You gotta broken heart? Deal with it. Todd Rundgren’s music was there to give you a hug. I wanted to contrast the hard-bitten Zappa followed by a bleeding heart Rundgren ballad.”
Though the title suggests a forced merger, The Adventures of Zodd Zundgren doesn’t mashup the oeuvres of the two masters. Rather, the album mostly alternates between the composers, creating a deliciously dizzying whipsaw as the two diametrical stances sometimes blur or even switch. Zappa’s soaring fanfare “Peaches En Regalia” is more inspirational than smarmy, with a particularly eloquent alto sax solo by Cliff Lyons, while a brisk and forthright version of Rundgren’s “Influenza” showcases the muscular lyricism of violinist Katie Jacoby, one of the orchestra’s essential voices.
Palermo reaches deep into the Rundgren songbook for “Kiddie Boy,” a stinging blues from 1969’s Nazz Nazz, the seminal second release by his underappreciated band Nazz (an album which originally bore the Zappaesque title Fungo Bat). Drawing directly from the maestro’s original horn arrangement, Palermo displays some impressive guitar work on a vehicle for Bruce McDaniel’s blue-eye vocals. Napoleon Murphy Brock delivers a poker-faced rendition of Zappa’s surreal “Montana,” the tune that turned a generation on to the lucrative potential of floss farming, and McDaniel and Brock join forces on Rundgren’s deliriously silly “Emperor of the Highway,” an homage to Gilbert and Sullivan.
The contrasting sensibilities of the Zundgrens comes into sharp focus in the center of the album. While Palermo has recorded Zappa’s “Echidna’s Arf (Of You)” this time he replaces the horns with McDaniel’s intricately layered vocals via the miracle of multi-tracking. From Zappa’s playfully odd metered work out the big band saunters into Rundgren’s greatest ballad “Hello It's Me,” an arrangement for McDaniel’s most impassioned crooning based on the original version from 1968 album Nazz (not the hit from his solo Something/Anything? album).
Tenor saxophonist Bill Straub swaggers through Rundgren’s “Wailing Wall,” which is sandwiched between two slices of Zappa at his snarky best, “Big Swifty Coda” and “Florentine Pogen,” another superb feature for Brock. Palermo spotlights a dark and wondrous Zappa obscurity with “Janet's Big Dance Number,” a brief piece recovered from 200 Motels featuring Ben Kono’s noir tenor solo. From that unified hedgehogian arrangement Palermo unleashes the multifarious fox on Rundgren’s “Broke Down and Busted,” a portmanteau arrangement that touches on Rundgren’s “Boat on the Charles,” the Ramsey Lewis hit “The ‘In’ Crowd,” Zappa’s “Brown Shoes Don’t Make It,” and even traces of Steely Dan’s “Pretzel Logic.” It’s a tour de force that feels like stream of consciousness journey, though the id truly emerged on the closing hidden track. In what has become a Palermo tradition, he includes yet another version of an enduring lament about the difficulties of relationships, arranged this time in Nazzian style by McDaniel.
The seamless ease with which Palermo and his crack crew navigate between the Zappa and Rundgren shouldn’t come as a surprise. Over the years Zappa’s music has proven supremely pliable in Palermo’s capable hands, as evidenced further by a recent concert at Iridium that paired his songs with standards indelibly linked to Ol’ Blue Eyes (is there an album The Adventures of Zinatra in the future?). Everything he brings into the big band is a labor of love.
“Todd Rundgren holds a very special place in my heart,” Palermo says. “I realized I was in love with my girlfriend (now wife) listening to his album Something/Anything? It was about 2 years ago doing our regular hit at The Falcon that I decided to have Zodd Zundgren night. A lot of people who like the music of Zappa also like Rundgren and Steely Dan, but there are enough Steely Dan cover bands out there.”
Born in Ocean City, New Jersey on June 14, 1954, Palermo grew up in the cultural orbit of Philadelphia, which was about an hour drive away. He started playing clarinet in elementary school, and soon turned to the alto saxophone. He also took up the guitar, and credits his teenage obsession with Zappa to opening his ears to post-bop harmonies and improvisation.
Palermo caught the jazz bug while attending DePaul University, and took to the alto sax with renewed diligence inspired by Phil Woods, Cannonball Adderley, and Edgar Winter (the subject of an upcoming EPBB project). Before he graduated he was leading his own band and making a good living as a studio player recording commercial jingles. But like so many jazz musicians he answered New York’s siren call, moving to Manhattan in 1977. After a year of playing jam sessions and scuffling Palermo landed a coveted gig with Tito Puente, a four-year stint that immersed him in Afro-Cuban music.
An encounter with trumpeter Woody Shaw’s septet at the Village Vanguard in the late 1970s stoked his interest in writing and arranging for larger ensembles, and by the end of the decade he had launched a nine-piece rehearsal band with five horns. Between Don Sebesky’s well-regarded book The Contemporary Arranger and advice from Dave Lalama and Tim Ouimette, “I got a lot of my questions answered and I’ll love them forever,” Palermo says. “Then the real education was trial and error. I lived in a little apartment with no TV or furniture. All I had was a card table, and once a week I’d rehearse my nonet, then listen to the cassette of the rehearsal and make all the changes.”
Palermo made his recording debut in 1982, an impressive session featuring heavyweights such as David Sanborn, Edgar Winter and Randy Brecker. As a consummate studio cat and sideman, he toured and recorded with an array of stars, including Aretha Franklin, Eddie Palmieri, Celia Cruz, Lena Horne, Tony Bennett, Mel Tormé, Lou Rawls, Melba Moore, The Spinners, and many others. As an arranger, he’s written charts for the Tonight Show Band, Maurice Hines, Eddy Fischer, and Melissa Walker. Employed frequently by bass star Christian McBride for a disparate array of projects, Palermo has written arrangements for a James Brown concert at the Hollywood Bowl, a Frank Sinatra tribute featuring Kurt Elling, Seth McFarland, and John Pizzarelli, and a 20-minute medley of Wayne Shorter tunes for the New Jersey Ballet.
Palermo had been leading his big band for more than a decade before the Zappa concept started coming together. Inspired by electric guitar master Mike Keneally, who performed with Zappa on some of his final concerts before his death in 1993, Palermo decided to arrange a program of 12 Zappa tunes. When the time came to debut the material at one of the band’s regular gigs at the Bitter End in early 1994, a sold-out crowd greeted the band.
He earned international attention with the ensemble’s 1997 debut The Ed Palermo Big Band Plays Frank Zappa on Astor Place Records, which received a highly-prized 4-star review from DownBeat. With Palermo’s brilliant arrangements and soloists such as Bob Mintzer, Chris Potter, Dave Samuels, Mike Stern, and Mike Keneally, the album made an undisputable case for the Zappa jazz concept. In 2006 he released another collection of Zappa arranged for his jazz big band, called Take Your Clothes Off When You Dance, on Cuneiform, thus beginning an ongoing collaboration with that label. While Palermo has written more than 300 Zappa charts, he’s cast an increasingly wide net for material. Recent releases like 2014’s Oh No! Not Jazz!!, 2016’s One Child Left Behind and 2017’s The Great Un-American Songbook Volumes 1 & 2 - all on Cuneiform and all recipients of DownBeat’s coveted 4-star ratings - featured a bountiful selection of his original compositions and material by composers not named Frank Zappa.
Nothing demonstrates the ensemble’s ongoing vitality better than the stellar cast of players, with longtime collaborators such as violinist Katie Jacoby, baritone saxophonist Barbara Cifelli, drummer Ray Marchica, and keyboardist Ted Kooshian. Many of these top-shelf musicians have been in the band for more than a decade, and they bring wide-ranging experience, expert musicianship and emotional intensity to Palermo’s music.
The band’s following continues to expand with its monthly residency at Iridium and bi-monthly gigs at The Falcon. In addition, performances (some headlining) at jazz festivals across the USA are winning new fans of all ages for the band. Palermo’s profile in the jazz press is also rising fast, with articles and feature stories appearing this past year in such publications as Jazz Times and Jazziz. Regarding recordings, albums by The Ed Palermo Big Band have been critically acclaimed and also embraced by the general public-jazz and rock fans alike. Palermo has already recorded dozens of new tracks for The Great Un-American Songbook Volumes 3 & 4, and is hoping Zodd Zundgren helps introduce Rundgren’s ingenious, heartfelt music to a new generation.
To purchase Ed Palermo's The Adventures of Zodd Zundgren:
For more information on The Ed Palermo Big Band
http://www.palermobigband.com- http://www.facebook.com/palermobigband - Twitter: @palermobigband
http://www.cuneiformrecords.com - Twitter: @cuneiformrecord
Press inquiries: Glass Onyon PR, PH: 828-350-8158, firstname.lastname@example.org
Music Legend Frank Zappa's Brother Bob Zappa To Release Second Book “Frankie & Bobby: The Rest of Our Story”
NYC - Following his critically acclaimed book “Frankie & Bobby: Growing Up Zappa,” music legend Frank Zappa's younger brother Charles Robert “Bob” Zappa is releasing a second book titled “Frankie & Bobby: The Rest of Our Story.”
Bob's first book, “Frankie & Bobby: Growing Up Zappa,” is poignant and insightful perspective on the life of one of the twentieth century's most provocative and intriguing musicians. This “coming of age” memoir provided readers with never before told stories about events that helped shape Frank's political, social, intellectual and creative development. The book begins with the brother's time in Maryland from the late 1940's until the summer of 1967 in New York City before Frank and the Mothers went on their first of many European tours. This fascinating account describes how the two brothers lived through, and handled, a series of events ranging from amusing to life threatening. It is a must-read for anybody interested in Frank's amazing life that only his closest confidant and brother, Bobby, can tell.
Bob's new book “Frankie & Bobby: The Rest of Our Story” picks up where the first volume leaves off... Says Bob, “For those of you who read my first book, 'Frankie & Bobby: Growing Up Zappa', thank you. I hope you enjoyed it and found that the information about Frank added to your understanding his complex and brilliant mind and his early development. This book tells the next chapter in our story. It's about how my brother and I continued on our separate but intertwined paths after his successful long running show, 'Absolutely Free' (sic), at the Garrick Theater in New York in the summer of 1967.
“When I decided to write the sequel to 'Frankie and Bobby: Growing Up Zappa,' I wanted to provide readers with more personal stories that would fill in gaps on how our lives intersected over the last decades of Frank's life. I also wanted to describe more about life in America during the Vietnam era and up to the present day to help set the stage for events that fans have wondered about for a long time. This time I added more about my own life's journey. I wanted to depict how Frank and I maintained our relationship because to me he was a 'regular guy,' except for his extraordinary life in the public eye. He was my older brother and best friend regardless of his talents, celebrity or public image. I think fans will find this aspect interesting and should help add a more human dimension to his image.
“There are also the episodes about Frank's own family - especially his wife, Gail - that try to explain their curious relationship and how she interacted with me and her own children. Of interest are how our mother, sister, and brother, and especially me, were kept from Frank's and his children's lives. The reasons for that are still unclear to my niece Moon and nephew, Dweezil.
“But I do end on a positive note by describing my reunion with Moon and Dweezil following Gail's death, after more than four decades of estrangement. 'Frankie and Bobby: The Rest of Our Story' provides new material that will help Frank's fans add some much needed pieces to the puzzle that is Frank Zappa.”
While there have been several books and documentaries about Frank Zappa, most have forgotten to mention that Frank often referred to himself as “a regular guy.” And that is one of the “driving forces” behind Bob's new book.
Says Co de Kloet, well-known radio personality and music producer in Amsterdam, “By sharing personal, sometimes extremely personal stories about his relationship with Frank, Bob gives us a clear view of that 'regular-guyness' quality, leaving the importance and impact of his brother intact. By not just focusing on Frank and giving us information about other relations and some of his own experiences, he puts Frank in a new and sincere perspective. I had a great time reading it and I hope it will do well. Over the years I had a friendship with Herbie Cohen, Frank's manager and business partner. He was at my farmhouse a few times and once when he was reading something in a book about Zappa, he smiled and said, 'It is always fun to read what people THINK really happened (in Frank's life) but they haven't got a clue.' Bob Zappa has! And that is what makes this book a must have.”
The book is also one of rejection, reconciliation and closure... As James Cohen: Zappanale Master of Ceremonies explains, “A memoir is more than recollection, it exposes a continuum of related events: Bob Zappa's 'Frankie & Bobby - The Rest of Our Story' is wisdom gained over time. Picking up where his first book left off, it focuses on Bob's adventures in the US and elsewhere - a Swedish university course in Deviant Behavior or a close brush with Soviet espionage. Bob's ultimate purpose of understanding how his alienation from his brother Frank's world developed, or was created, overshadows these episodes. Climaxing with a series of rejections relating to the passing of their mother Rose Marie and finally of Frank himself, Bob celebrates his subsequent reconciliation with Dweezil and Moon and a new life rooted deep in his past…A great read, and for the Zappa faithful, optimistic closure.”
Distinguished Teaching Professor Joseph Klein, Dmus concludes, “Perhaps most poignant are the episodes relating to Frank's own family- in particular his wife, Gail…during the final years of Frank's life…and (sheds) light on a matter that has baffled and frustrated the Zappa fan community for decades…'Frankie and Bobby: The Rest of Our Story' is essential reading for any Zappologist curious for answers regarding some of the more enigmatic aspects of Frank's life.”
Bob Zappa's “Frankie & Bobby: The Rest of Our Story” is a must-read for all fans of Frank Zappa!
To purchase “Frankie & Bobby: The Rest of Our Story”:
https://www.createspace.com/6991665 (United States)
http://www.amazon.com/dp/1544258798 (United States)
http://www.amazon.ca/dp/1544258798 (Canada - Book not currently available in Canada)
http://www.amazon.co.uk/dp/1544258798 (United Kingdom)
To purchase “Frankie & Bobby: Growing Up Zappa”:
Press inquiries: Glass Onyon PR, PH: 828-350-8158, email@example.com
The Turtles/Zappa & The Mothers Legend Jim Pons Pens New Book “Hard Core Love: Sex, Football, and Rock and Roll in the Kingdom of God”
From the Sunset Strip to the White House and stadiums throughout the NFL, Jim Pons' journey through rock and roll to filming professional football becomes a one-of-a kind spiritual autobiography. “Hard Core Love” connects the dots behind the scenes of Jim's years with The Turtles, Frank Zappa and The New York Jets, all of which lead to his finest achievement, a long-sought peace with God.
Says Jim, “People I have worked with, played with and lived with always told me I should write a book someday and I always thought it would be entertaining to people. It was Neale Donald Walsch who convinced me. He told me it would be helpful to people.”
Jim Pons is a former bass guitarist and singer for several legendary 1960's and 70's rock bands, including The Leaves, The Turtles, Frank Zappa & The Mothers and Flo & Eddie.
In 1973 Pons left the music industry to become the film and video director for the New York Jets football club. He held this position until his retirement in 2000. Pons and his family moved to Jacksonville, Florida in 2005, where he did game day video for the Jacksonville Jaguars for three more years before finally leaving the NFL. He now sings and plays upright bass in a bluegrass band called Lonesome Ride.
“If you’ve been taught to believe that fame and fortune are the keys to happiness—and most of us have—Jim Pons’ remarkable story is for you. If you’ve been taught that your questions about the meaning of life should be left in the hands of religious experts—and most of us have—Jim’s personal quest to know God offers the gift of spiritual freedom. His transparency shines throughout and cannot help but assist other seekers—covertly, even those who buy the book for the football and rock n’ roll. Having known his story for several years, it has been our sincere desire that Jim share it with the world. Thankfully that time has come. We invite you to open these pages, enjoy his story and come away the better for sharing his experience.” - Lee and Steven Hager, authors of The Gospel of Thomas: Where Science Meets Spirituality
In closing Jim has this to impart, “There is more to life than fame and fortune. We haven’t learned all there is to know about God.”
For more information:
Press inquiries: Glass Onyon PR, PH: 828-350-8158, firstname.lastname@example.org
King Crimson / Zappa / Bowie Guitar Legend Adrian Belew Announces Massive Spring 2017 North American Tour!
Asheville, NC – Legendary guitarist Adrian Belew, best known for his work with King Crimson, Frank Zappa and David Bowie, as well as his own critically acclaimed solo work, is happy to announce his Spring 2017 North American tour! A celebration of Adrian's massive body of work past, present, and future! The tour, which spans across 23 US States and 3 Canadian Provinces, starts on February 28 in Vienna, VA. Adrian is touring with his Power Trio featuring Julie Slick on bass and drummer Tobias Ralph, both virtuoso musicians.
Adrian recently scored the music to “Piper”, a short movie by animation studio Pixar, which was released on June 17, 2016. The six-minute production tells the story of a small bird that lives on a beach, and must challenge herself to find food while avoiding treacherous waves. It was screened before “Finding Dory”, the full-length sequel to 2003's “Finding Nemo”. Meanwhile, Adrian continues to work on the latest additions to his FLUX project, including an album called FLUXbybelew Volume Two and an in-app addition entitled FLUXation Pack Two.
Adrian Belew Power Trio tour dates:
2/28/2017 - Vienna, VA - Jammin Java - Tickets: http://tinyurl.com/hcabc63 ;
3/01/2017 - Sellersville, PA - Sellersville Theater - Tickets: http://tinyurl.com/z9l74ue
3/02/2017 - Pawling, NY - Daryl's House - Tickets: http://tinyurl.com/jfq75cj ;
3/03/2017 - Fairfield, CT - The Warehouse - Tickets: http://tinyurl.com/jotfzo6 ;
3/04/2017 - Burlington, VT - Artsriot - Tickets: http://tinyurl.com/jam3rly
3/05/2017 - Boston, MA - The Sinclair - Tickets: http://tinyurl.com/hzthptw
3/07/2017 - Buffalo, NY - The Tralf - Tickets: http://tinyurl.com/jlzvyhs/
30/9/2017 - Cleveland, OH - Beachland Ballroom - Tickets: http://tinyurl.com/gvbufkc
3/10/2017 - Grand Rapids, MI - The Stache at The Intersection - Tickets: http://tinyurl.com/hb3fhsc ;
3/11/2017 - Milwaukee, WI - Shank Hall - http://www.shankhall.com ;
3/12/2017 - Minneapolis, MN - Turf Club - Tickets: http://tinyurl.com/h8vu926
3/14/2017 - Boulder, CO - Boulder Theater - Tickets: http://tinyurl.com/gso2kpk
3/17/2017 - Seattle, WA - Triple Door - Tickets: http://tinyurl.com/z37pgzg ;
3/19/2017 - Portland, OR - Aladdin Theater - Tickets: http://tinyurl.com/hvvd64y
3/21/2017 - San Francisco, CA - The Chapel - Tickets: http://tinyurl.com/he4kgez ;
3/22/2017 - Mill Valley, CA - Sweetwater Music Hall - Tickets: http://tinyurl.com/htu8mvu ;
3/23/2017 - San Juan Capistrano, CA - The Coach House - http://www.thecoachhouse.com/ ;
3/24/2017 - Agora Hills, CA - The Canyon Club http://www.canyonclub.net ;
3/25/2017 - Pasadena, CA - The Rose - http://roseconcerts.com/ ;
3/26/2017 - Phoenix, AZ – The Crescent Ballroom - www.crescentphx.com
3/30/2017 - Kansas City, MO – Knuckleheads - Tickets: http://tinyurl.com/h2a6fsp
3/31/2017 - St. Louis, MO - The Old Rock House - Tickets: http://tinyurl.com/gqnz9du
4/01/2017 - Chicago, IL - Old Town School Of Folk - http://www.oldtownschool.org ;
4/02/2017 - Louisville, KY – Zanzabar - Tickets: http://tinyurl.com/jzgcx5y
5/03/2017 - Atlanta, GA - Terminal West - Tickets: http://tinyurl.com/zp3v5rq ;
5/04/2017 - Asheville, NC - Isis Music Hall - Tickets: http://tinyurl.com/h6fgnm4 ;
5/05/2017 - Carrboro, NC - Cat's Cradle - http://www.catscradle.com ;
5/07/2017 - Annapolis, MD - Rams Head On Stage - Tickets: http://tinyurl.com/h285drv
5/09/2017 - New York, NY – Iridium - Tickets: http://tinyurl.com/gpgz6ly
5/10/2017 - New York, NY – Iridium - Tickets: http://tinyurl.com/jhdjofs ;
5/11/2017 - New York, NY – Iridium - Tickets: http://tinyurl.com/jtvd46y ;
5/12/2017 - Albany, NY – Sawyer - Tickets: http://tinyurl.com/hsd36pb ;
5/13/2017 - Montreal, QC - Le Club Soda - http://www.clubsoda.ca ;
5/14/2017 - Quebec City, QC - Salle Jean Paul Tardif - http://www.sallejeanpaultardif.com/
5/16/2017 - Toronto, ON - The Mod Club - Tickets: http://tinyurl.com/hg8aogc ;
5/17/2017 - Ferndale, MI - The Magic Bag - Tickets: http://tinyurl.com/h8rpkas ;
5/18/2017 - Cincinnati, OH - 20th Century Theater - http://www.the20thcenturytheater.com ;
5/20/2017 - Nashville, TN - 12th & Porter - http://12andporter.com/ ;
Adrian Belew is a legendary guitarist well-known for his diverse travels around the musical map. He is a multi-instrumentalist whose solo records are critically acclaimed. His moving singing voice and prolific songwriting has endeared a loyal fan base of music lovers. His music is being discovered everyday by more and more listeners thirsty for great music with a creative standard not often pushed by the commercial music industry.
Adrian first appeared on the guitar-world radar when he toured with Frank Zappa who later said, “Adrian reinvented electric guitar”. Adrian's signature tones, unique use of effects and whammy bar remains completely different, and his techniques continue to be a huge influence on today's guitarists. He was guitarist, songwriter and frontman Progressive Rock Powerhouse King Crimson for over 30 years. “Discipline”, Adrian's first record with King Crimson, is listed among the most important rock records ever made.
Adrian has had a career that commands both awe and respect from fellow musicians and loyal fans, from his first solo record “The Lone Rhino” to the Atlantic Records hit album “Mr. Music Head” or any of his other 20 plus solo records that push sonic boundaries while maintaining artistic integrity. Adrian shreds on guitar but also writes beautiful songs that will make you cry. Yes, Adrian has taken his fans on a wild ride through countless world tours and albums with David Bowie, Talking Heads, Laurie, Anderson, and Paul Simon. He truly is the Twang Bar King!
For more information:
Press inquiries: Glass Onyon PR, PH: 828-350-8158, email@example.com
(photo of Adrian Belew by Jerry LoFaro)
ZAP Feat. Zappa Vocal Legend Ike Willis, Chip Z'Nuff & Sean McKee Release Digital Single “Air Traffic Control” on Steve Vai's Favored Nations
Chicago, IL - New band ZAP has released a digital single called “Air Traffic Control” on Steve Vai's Favored Nations label. The band is made up of Emmy-nominated composer Sean McKee, who is also collaborating with Jon Anderson from YES on a concept album project, Ike Willis, the voice on numerous Frank Zappa albums, and Grammy-nominated bassist Chip Z'Nuff (Enuff Z'Nuff, Missing Persons, Adler's Appetite).
“Air Traffic Control” started as a 60 second piece that was commissioned by Lee Abrams (Co-Founder of XM Radio) to have McKee write a piece of music in the style of Frank Zappa, and produce a video to commemorate the 20th anniversary of his passing. McKee wrote and performed all instruments, including recording the keyboard parts using a then-prototype Lineage MIDI guitar from Inspired Instruments.
Besides being a musician, McKee is known as a pioneer in the field of image processing, creating technology used for new movies and classic film restorations, along with 2D to 3D conversions, with the technology he led development on being used daily in Hollywood. For several years, one of his clients was Gail Zappa, Frank's widow, and he worked on restoring film elements from Frank's archive, and also helped to recover lost video masters that Gail hadn't seen in years.
According to McKee, “When I heard the news of Gail's passing last October, I was deeply saddened, she was very kind to me, and an incredibly smart woman who pioneered the concept of artists' retaining the rights to the master recordings. I decided to take the 60 second piece and finish it as a proper song, as a memorial to Gail and tribute to Frank, who was a big influence on my playing.”
McKee crafted the song starting from the existing 60 second guitar solo, building a complete song around it, similar to methods Zappa incorporated. He then asked Ike Willis to sing on the track and add another guitar solo. Die hard Zappa fans will also notice a lyrical reference to the infamous 'White Zone'.
McKee continues, “The original solo I wrote is what ends the song, and Ike takes the first guitar solo. If you close your eyes, you can see Frank and hear the lineage. When Frank got sick, he asked Ike to carry on his music, and while this is a new, original song, his playing and voice carries the torch for both the legacy fans as well as a new generation of listeners.”
McKee then asked Chip Z'Nuff to play bass on all parts except for the bass under the solos, which McKee had recorded originally.
The end result is a modern interpretation and homage to a timeless and unique style.
Watch the video:
For more information: https://www.facebook.com/ZAP-BAND-1618003005158499/
Press inquiries: Glass Onyon PR, PH: 828-350-8158, firstname.lastname@example.org
Asheville, NC - Project/Object is the longest continually touring alumni-based Zappa tribute band in the world. For over twenty years they have toured with more Zappa alumni than anyone other than Zappa himself. Their legendary tours of the USA, Canada, and Europe have paved the way for a rich variety of other excellent, contemporary Zappa tributes.
Project/Object is the band that brought most of the currently touring Zappa band alumni out of retirement and onto the road. The list of Zappa alumni that have appeared with the band includes musicians from the first Mothers Of Invention album thru the last Zappa tour in 1988. Project/Object is back in action in April 2016 with a tour that reunites old friends Ike Willis & Don Preston. This tour will feature material that each of them recorded with Frank, as well as their personal favorites, plus Zappa classics from every era.
Ike Willis, voice of Joe’s Garage and Thingfish, handled lead vocals and rhythm guitar for virtually every Zappa Band tour and album from 1978 thru the final FZ tour of 1988. Ike's booming baritone is the most requested presence by fans worldwide.
Don Preston was in the early Mothers Of Invention, starting with the classics Absolutely Free and We’re Only In It For the Money. Don played on all the Mothers records until 1974’s Roxy & Elsewhere. Don Preston is, of course, also well known as a synthesizer and jazz pioneer. Don is responsible for scoring many film soundtracks including Apocalypse Now.
Project/Object with Ike Willis & Don Preston On Tour April 2016
07 THU BRIDGEPORT CT THE ACOUSTIC
08 FRI MARLBORO NY THE FALCON
09 SAT TEANECK NJ MEXICALI
10 SUN N’HAMPTON MA IRON HORSE
12 TUE BURLINGTON VT HIGHER GROUND
13 WED BOSTON THE MIDDLE EAST
14 THU ALBANY NY THE HOLLOW
15 FRI BROOKLYN NY THE HALL at MP
16 SAT HARTFORD CT ARCH ST TAVERN
17 SUN HARRISBURG PA AMERICAN BREWING COMPANY
19 TUE BALTIMORE MD THE 8x10
20 WED PITTSBURGH PA CLUB CAFE
21 THU INDIANAPOLIS IN RADIO RADIO
22 FRI MILWAUKEE WI SHANK HALL
23 SAT CHICAGO IL MARTYRS
26 TUE CLEVELAND OH BEACHLAND BALLROOM
27 WED BUFFALO NY THE TRALF
28 THU ROCHESTER NY LOVIN CUP
29 FRI NEW HOPE PA HAVANA
30 SAT WILKES BARRE PA JAZZ CAFE
Contact for Press/Interviews with Ike/Don:
Andre Cholmondeley 732-233-5554
photo by Gary and Jill Bandfield
Asheville, NC – Adrian Belew is a multi-instrumentalist, singer, songwriter, producer, and guitarist, who has released 20 critically acclaimed solo albums. He has worked alongside some of the most innovative artists of the past 30 years, including Paul Simon, David Bowie, Talking Heads, Frank Zappa, Laurie Anderson and Nine Inch Nails. For 33 years he was the frontman, singer, and guitarist in art-rock giant King Crimson. Known as a highly inventive guitarist, much of Belew's music mixes pop songwriting with complex time signatures, witty lyrics, wild sounds, and technical mastery of his instrument.
Adrian is happy to announce his first North American tour since the Crimson ProjeKCt tour of 2011. The tour runs from Oct 22 to Dec 21, coast to coast in the USA and hitting three Canadian Provinces.
The Adrian Belew Power Trio includes bassist Julie Slick and drummer Tobias Ralph, both virtuoso musicians, with a setlist celebrating Adrian’s massive body of work. Belew first appeared on the guitar-world radar when he toured with Frank Zappa who later said, “Adrian reinvented electric guitar”. Adrian’s signature tones, and his unique use of effects and whammy bar remain unique, and his techniques continue to be a huge influence on today’s guitarists.
Adrian has had a career that commands both awe and respect from fellow musicians and loyal fans. From his first solo record “The Lone Rhino” to his current endeavors, his work pushes sonic boundaries while maintaining artistic integrity. His upcoming projects include his groundbreaking music app “Flux: Music that is never the same twice” and his effects suite for iPad “FLUX:fx”. The focus over the next few months however is to get out and burn onstage, city by city!
USA/Canada 2014 Tour dates below:
10/22/2014 Charlottesville, VA Southern Cafe
10/23/2014 Vienna, VA Jammin Java
10/24/2014 Philadelphia, PA World Cafe Live
10/25/2014 Boston, MA Sinclair (early show)
10/26/2014 Ridgefield, CT Ridgefield Playhouse
10/28/2014 New York, NY Highline Ballroom
10/29/2014 Pittsburgh, PA Rex Theatre
10/30/2014 Buffalo, NY The Tralf
10/31/2014 Cleveland, OH Beachland Ballroom
11/01/2014 Chicago, IL Old Town School of Folk Music
11/02/2014 Turtle Lake, WI St. Croix Casino Turtle Lake Event Ctr
11/04/2014 Boulder, CO Boulder Theater
11/07/2014 Vancouver, BC Rio Theatre
11/08/2014 Portland, OR Aladdin Theater
11/09/2014 Seattle, WA Triple Door
11/11/2014 Sacramento, CA Harlows
11/12/2014 San Francisco, CA The Chapel
11/13/2014 Santa Cruz, CA The Catalyst Club
11/14/2014 Santa Monica, CA McCabes Guitar Shop
11/15/2014 Big Bear Lake, CA The Cave Big Bear
11/16/2014 San Diego, CA Casbah
11/18/2014 Scottsdale, AZ Talking Stick Resort Showroom
11/20/2014 Oklahoma City, OK Acadamy Of Contemporary Music @ UCO
11/21/2014 St. Louis, MO Old Rockhouse
11/22/2014 Nashville, TN 12th & Porter
12/03/2014 Asheville, NC New Mountain Theatre
12/04/2014 Atlanta, GA Terminal West
12/05/2014 Carborro, NC Cats Cradle
12/06/2014 Annapolis, MD Rams Head
12/07/2014 Sellersville PA Sellersville Theater
12/09/2014 Dunellen, NJ NJProghouse Presents Roxy And Dukes
12/10/2014 Bay Shore, NY YMCA Boulton Center
12/11/2014 Falls River, MA Narrows Center For The Arts
12/12/2014 Laval, QC Salle Andre-Mathieu
12/13/2014 Quebec City, QC Salle Sylvain Lelilevre
12/14/2014 Trois-Rivieres, QC Salle J-Antonio Thompson
12/16/2014 Gatineau, QC Maison des Culture
12/17/2014 Toronto, ON Mod Club
12/18/2014 Ferndale, MI Magic Bag
12/19/2014 Indianapolis, IN Radio Radio
12/20/2014 Knoxville, TN The International
12/21/2014 Cincinnati, OH 20th Century Theatre
For more information: http://www.adrianbelew.net/
Press inquiries: Glass Onyon PR, PH: 828-350-8158, email@example.com