Showing posts with label Soundtracks. Show all posts
Showing posts with label Soundtracks. Show all posts

11/06/2024

Joe Satriani Bass Sideman & Mermen Co-founder Allen Whitman Releases 4th Ambient Soundtrack “The Eternal City”

ALLEN WHITMAN, former bassist with legendary virtuoso guitarist JOE SATRIANI and co-founder of the influential San Francisco-based instrumental surf-rock trio THE MERMEN, announces the digital-only release (through label SQUEAKEY STUDIOS) of his 4th soundtrack/ambient travel log album “THE ETERNAL CITY.”

The album, his 4th in a series, continues the artist’s predilection for incorporating acoustic guitar-driven sonic environments with samples and synths - and this time out forwarding the in-your-face pace of that Grande Dame of cities, Rome. The sounds, making use of field recordings made on his recent sojourn in Italy, are compelling, occasionally contemplative, and often propulsive.

ALLEN WHITMAN, a stalwart of the San Francisco music scene, credits past live performance and musical collaboration with, among many others, HELIOS CREED, TINY TIM, THE SANDALS, THE INK SPOTS, NELS CLINE, MIKE KENEALLY, CARMINE APPICE, DJ QUEST, SAMMY HAGAR, TONY MACALPINE, DWEEZIL ZAPPA, STEVE LUKATHER, STEVE VAI, STEVE MORSE and JOHN PETRUCCI.

Additionally, WHITMAN’s band, FIVE DAY MIRACLE TENT CRUSADE, explores deep ambient and dense vocal-heavy refusenik-pop reminiscent of Godley and Creme, John Cale and Holgar Czukay, recently collaborating with chanteuse DOROTHY MOSKOWITZ of THE UNITED STATES OF AMERICA.

WHITMAN has worked extensively in live music for theater, particularly with California-based Theatre of Yugen for live performance in a modern Noh style in San Francisco, New York City, Tokyo and Austin.

To purchase: https://squeakeystudios.bandcamp.com/album/the-eternal-city-an-ambient-travel-log-album

Previous ambient travel log albums:
https://squeakeystudios.bandcamp.com/album/m-hitotsu-no-f-kei-album
https://squeakeystudios.bandcamp.com/album/monogatari-no-f-kei-album
https://squeakeystudios.bandcamp.com/album/the-summer-solstice-sessions-album

Additional online resources:
https://www.instagram.com/squeaksmore/
https://audius.co/squeakeystudios
https://soundcloud.com/squeakey-studios

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

1/23/2023

Prog Music Artist Leon Alvarado Releases New Short Film and Soundtrack As An Addendum to His Latest Album “Charging The Electric Dream”

Starting February 15, you’ll be able to watch the short film “Outside the Dream” online via YouTube or Vimeo and purchase a CD of the soundtrack which is available through Melodic Revolution Records. The instrumental musical short film is ten and a half minutes of thought-provoking eye candy while the 10-minute “Epic Edition” of “Outside The Dream” goes far beyond the original version. The music takes you deeper on a voyage with newly added arrangements and instrumentation. The film and soundtrack make up the perfect companions to “Charging The Electric Dream,” the ultimate acoustical trip.

This EP contains 16 minutes of content consisting of music that was recorded during the last quarter of 2022 with some additional material recorded in January of 2023. “Outside the Dream, Epic Edition” is an expansion and rearrangement of the piece by the same name from the “Charging The Electric Dream” album. The second song in the CD is “Alternate Frequencies” which is found as is in the album “Charging The Electric Dream”. Both songs in this EP were composed and recorded during sessions between October and November of 2022. Although the music directly relates to the “Charging The Electric Dream” album, the artwork for the CD follows its own path resembling the style of illustrated artwork found in science-fiction posters from the 70’s. Being heavily influenced by the music from those days, Leon thought a touch of nostalgia depicting a “future that might have been,” would be appropriate for this particular project.


OUTSIDE THE DREAM (SOUNDTRACK)
Release date: February 15, 2023

Track listing:
1. Outside The Dream - Epic Edition 10:02
2. Alternate Frequencies - Single Version 5:52

Personnel:
Leon Alvarado, all instruments
Engineered by Leon Alvarado
Mastering by Maor Appelbaum
Label: Melodic Revolution Records

©2023 Leon Alvarado. All rights reserved

To purchase:
https://leonalvarado.bandcamp.com/album/outside-the-dream
https://leonalvarado.bandcamp.com/album/chasing-the-electric-dream

For more information:
leonalvarado.bandcamp.com/
mrrmusic.com/leon-alvarado

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

1/12/2023

French Songwriter Alan Simon To Release Second Film “Monsieur Constant” With Soundtrack Featuring Supertramp’s Jesse Siebenberg & French Singer Cali on February 8, 2023

Lauded French songwriter Alan Simon (several gold and platinum discs, “Excalibur,” Roger Hodgson, Midnight Oil, The Moody Blues, Alan Parsons...) is releasing his second film on February 8, 2023. (after “O Genghis” with Jean Reno & Omar Sharif in 2005)

“Monsieur Constant” is a film particularly sensitive since it speaks of a man who cannot forget the love of his life who tragically disappeared 50 years earlier! The film highlights four characters who meet for the fiftieth anniversary of the disappearance of Natalia, incarnation of grace and beauty: She who was once nicknamed “the star of Siberia.”

Alan Simon wrote the screenplay, the direction and the music. The symphonic themes are arranged and conducted by Lee Holdridge (to whom we owe the masterpiece Jonathan Livingston Seagull alongside Neil Diamond)

The soundtrack, featuring Supertramp’s Jesse Siebenberg and including 20 original titles, is available now on the Babaika productions label. The film will first be released in Europe by the 8th of February 2023, Alan hopes to find a distributor in the UK and US market by 2023.

Watch the promotional film “Frappe le sol avec ton cœur” (Alan Simon) Feat. Cali: https://youtu.be/VL-acVopPaY

The soundtrack is on sale in cinemas. To purchase the soundtrack or for any information you can reach Alan Simon at: asimon7805@aol.com

Monsieur Constant”
Un film written & directed par Alan Simon

Cast: Jean Claude Drouot (Constant), Gabrielle Pelissier (Adéla), Cali (Sergio), Daniele Evenou (Odile), Michal Zhigalov (Micha), Jean-Yves Lafesse (P’tit Louis), Sacha Bourdo (Sacha), Capucine Goust (Natalia), Jean-Jacques Chardeau (Charlemagne), Juliette Pelissier (Julie)

Synopsis:

Their names are Sergio, Constant, Micha, Adela. They have never forgotten the one they loved so much: the famous prima ballerina Natalia Ivanovna tragically passed away almost 50 years ago. The gaze of a child will resuscitate the past. The big meeting is approaching and they will find themselves where the one nicknamed “The Star of Siberia” was born, in Novosibirsk, capital of distant Siberia. Will love be stronger than death?

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

9/09/2022

RICK WAKEMAN, GEOFF DOWNES, L. SHANKAR & More Join FERNANDO PERDOMO On Soundtrack For Chilling New Thriller FROST!

Los Angeles, CA – Superstar musician/producer Fernando Perdomo is following up last year’s blockbuster collaboration with drum legend Carmine Appice, “Energy Overload,” with not one but two exciting new projects. First, Perdomo produced the high-profile single “Lucifer Sam” for theatrical rock legend Arthur Brown, which was released on Tuesday, and today marks the release of the first single from Perdomo’s film score for the new theatrical thriller Frost!

“The Crash” is a haunting piece that scores the Frost film’s central incident, an auto accident that leaves the two main characters, a father and daughter, stranded in an icy mountain wilderness where they have to fight for their survival. Joining Perdomo on the track is none other than keyboard wizard Rick Wakeman, just one of the many guests featured on the Frost soundtrack alongside Asia/Yes keyboardist Geoff Downes, electric violinist L. Shankar (Peter Gabriel/Frank Zappa), guitarist Terry Reid.

Listen to the single: https://orcd.co/fernando_perdomo_rick_wakeman_the_crash

The soundtrack is being released on vinyl on September 23 while the CD will be part of the special Blu-ray package released on October 11.

Pre-order the vinyl soundtrack: https://cleorecs.com/store/shop/frost-original-motion-picture-soundtrack-white-vinyl/

Pre-order the Blu-ray: https://cleorecs.com/store/shop/frost-blu-ray-cd/

Pre-order the DVD: https://cleorecs.com/store/shop/frost-dvd/

Pre-order/pre-save the digital soundtrack: https://orcd.co/frost_soundtrack

Track List:
1. The Crash feat. Rick Wakeman
2. Fading Heartbeat feat. Terry Reid
3. Helicopter Rescue feat. L. Shankar
4. First Sign Of Impending Snowstorm feat. L. Shankar
5. Orchid Dreaming - Big Electric Cat
6. Photo Album feat. Terry Reid
7. Hoodoo Man Blues - Junior Wells feat. Joe Louis Walker
8. Desperation feat. Geoff Downes
9. The Bonening - Front Line Assembly
10. Not Alone feat. Rick Wakeman
11. Snowy Landscape feat. Geoff Downes
12. Dad Finally Answers The Walkie feat. L. Shankar
13. Family Tragedy feat. Terry Reid
14. Frosted Blonde feat. Rick Wakeman
15. Intruder - Front Line Assembly [CD/DIGITAL ONLY]

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

7/26/2022

Steve Horowitz, Prolific Composer of the Original Score to the Academy Award Nominated Film “Super Size Me,” Reaches Major Milestone With the Release of His 30th Album on August 5, 2022!

Welcome to “Side Scroller” The 30th album by prolific composer Steve Horowitz. Get ready for a heart pounding journey into a hypnotic world of rhythmic exactitude. Written for the critically acclaimed Red Desert Ensemble, Side Scroller exposes the hidden musical secrets trapped within every video game!

Side Scroller for bass clarinet and percussion features Devin Maxwell (percussion) and Katie Porter (bass clarinet). The piece includes a film by The well-known videographer/filmmaker Zig Gron.

Side Scroller features repeating percussion patterns and slowly unfolding bass clarinet lines. The accompanying video represents each rhythm segment in the piece with an individual clip or snippet of timed gameplay from some of the most well-known and well-loved side scrolling games. Games such as River City Ransom, Sonic the Hedgehog, Mega Man and more are represented. The repetition of images, the repetition of rhythmic patterns, the time scale and slowly unfolding material brings out the humor, plaintiveness, and seriousness in the music.

“Video games are art and this piece highlights the artistry of side scrolling games throughout history. Small rhythmic cells combine and recombine to create an ever unfolding and hypnotic musical tapestry” - Steve H

This piece is made in homage to some of the greatest side scrolling video games of all time.

“The Moving Image moves; and then having moved, Moves on!”

Music By Steve Horowitz
Video by Zig Gron
Performed by the Red Desert Ensemble (Devin Maxwell & Katie Porter)
Recorded May 22, at Studio 43
Produced by Fluffy Schwartz

About Red Desert
https://www.reddesertensemble.org/
RED DESERT is the duo project of clarinetist Katie Porter and composer/percussionist Devin Maxwell.  They have been performing, commissioning, creating and championing interesting music for almost 20 years.  Based in Brooklyn, NY and a remote cabin in the mountains of Utah, they’re repertoire consists primarily of living composers, especially ones that strive to challenge and enrich our understanding of what music is and can be.

About ZIG GRON
https://sensitiveskinmagazine.com/zig-gron/
https://www.imdb.com/name/nm0343065/
Zig grew up in Detroit, studied music composition and now works as an independent filmmaker and editor. Zig’s work is thought provoking, intense and fun. Zig Gron is most frequently exhibited in the United States, but he has also had exhibitions in Germany, Greece among other far away places.

Album Preview (for press)
https://promo.theorchard.com/k6wPeUSXBa2yDdYtPMUd?skin=light
Video Promo
https://www.youtube.com/watch?v=TrmFpC5ySXA

To purchase:
https://www.stevehorowitzmusic.com/albums
Apple https://music.apple.com/us/artist/steve-horowitz/185446777
Tidal https://tidal.com/browse/artist/5994562
Spotify https://open.spotify.com/artist/0zdxLXZzI7d9xpvtaNcdoi
Amazon https://www.amazon.com/s?i=popular&rh=p_32%3ASteve+Horowitz&ref=dp_byline_sr_music_1

For more information:
https://www.stevehorowitzmusic.com/
https://www.facebook.com/steve.horowitz.3
https://twitter.com/fluffyschwartz

COMING SEPTEMBER OF 2022
Next Release is an re-mastered album of Steve’s first two string quartets

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

5/25/2022

The Pandemic Dam Breaks for Prolific Bassist & Composer Steve Horowitz Releases Two Albums of New and Exciting Music!

Composer of the original score to the Academy Award Nominated film “Super Size Me” Steve Horowitz releases “Old Monsters Trio” and “Mr. E”

A creator of odd but highly accessible sounds and a diverse and prolific musician, Steve Horowitz is perhaps best known for his original Score to the Academy Award Nominated film “Super Size Me.” The artist behind Twenty Nine albums of mind bending original music, a Grammy, Webby and Kid Screen award winning composer producer, he currently resides in San Francisco.

Steve is now releasing two new albums “Old Monsters Trio” and “Mr. E”

Old Monsters Trio”

“Old Monsters Trio” is an album featuring Jim Bove on drums, Scott Looney on piano and features the compositions and bass playing of Steve Horowitz. Recorded January of 2022 at studio 43 in SF.

The band New Monsters recorded three albums, the first one featuring the music of Dan Plonsey. The second album recorded live at studio 55 in San Rafael, and the third album “Point Cloud.”  

For this album Steve reached back into his substantial back catalog of twenty-nine albums from different periods in his career and brought them to the band to recompose, rearrange and reimagine. The theme of this recording is transformation, where old becomes new again.

Let me explain…

The opening piece “Happy Eating Theme” is a reimagining of the theme from the academy award nominated indie hit documentary film “Super Size Me.” The second track “Aesthetic Nourishment'” is a trio version of a chamber piece written for the Red Desert Ensemble. “I Am No Ordinary Mortal,” the third cut, is a re-examination of a tune that was written for the television show “I Bet You Will” which ran on MTV. The fourth cut “Quasi-Eternity” is a re-orchestration of a graphic score from the 1990’s called “Party Of Four,” originally released on Steve’s third album San Francisco chronicled. “Bad Taste For High culture” the fourth cut on the album, is taken from a tune that Steve wrote in high school, a simple angular melody that he gave to Scott and he put new chords and new harmony to it. Number five “Strength Through Embarrassment” is another early 90s graphic score. “Wild Man The Throne God” is another tune from I Bet You Will, and the last piece on the album “The Expendable Man” is a trio exploration of concert music written for string quartet and trumpet.

And for the very first time, Steve is experimenting with releasing this album in a brand new way, in three different flavors. The first is the Deluxe Blend (Green) which features all the tracks and switches back and forth between monk-esq jazz and abstract contemporary compositions. The Jazzy Blend (Purple) features only the four jazzy cuts in an EP format. And the Abstract Blend (Orange) features only the contemporary compositions in EP format. Now listeners can experience the music from different angles and different points of view and listen based on taste and preference. Some people will only like the jazz stuff and some people will only like the abstract weird stuff and others will love them mixed together in a strange funky brew.

The album covers feature the artwork of Joseph Guillette also known as JTA, the amazing artist who has worked with Steve on most of his album covers since they met in early 2000s working together with Morgan's Spurlock on “I Bet You Will” and “Super Size Me.”

Watch the promotional video: https://www.youtube.com/watch?v=ZaLsZMV-yfQ&t=1s

Mr. E”

The album “Mr. E,” recorded at the same time was made in homage to the amazing percussionist drummer madman and visionary Michael Evans who passed away tragically last year. The album features Michael’s voice from a phone machine message and several interviews mixed together into one twenty-two minute composition. The track features Steve Horowitz on bass Jim Bovy on drums Scott Looney on piano and Michael Evans spoken word.

The cover artwork is by Michael Evans. In the latter parts of his life Michael was working in visual art and multimedia and this piece featuring a log cabin, witch hat and other multimedia elements serves as the cover. “Mr. E” the title, refers to Mr. Evans and also to the mystery of life and the tragedy and mystery of his sudden death. The music features heavy use of percussion improvisation and music concrete to create a pastiche of wanton musical madness that is rich and satisfying to listen to.

Watch the promotional video: https://www.youtube.com/watch?v=docdd0-Ms2A

All the album titles are in homage to the amazing percussionist drummer mad man and visionary Michael Evans who passed away tragically and suddenly last year. The names come from a phone machine message that was left by Mr Evans and all the profits from the sale of this album will go to the Michael Evans memorial fund at Roulette in NYC. Next Release is an album of Steve’s chamber music for the Red Desert Ensemble. Titled “Side Scroller,” it will be released worldwide in August 2022


To purchase:
https://www.stevehorowitzmusic.com/albums
Apple
https://music.apple.com/us/artist/steve-horowitz/185446777
Tidal
https://tidal.com/browse/artist/5994562
Spotify
https://open.spotify.com/artist/0zdxLXZzI7d9xpvtaNcdoi
Amazon
https://www.amazon.com/music/player/albums/B09W9GZ847
https://www.amazon.com/music/player/albums/B09W9H6FMP
https://www.amazon.com/music/player/albums/B09W9HD5BK

For more information:
https://www.stevehorowitzmusic.com/
https://www.facebook.com/steve.horowitz.3
https://twitter.com/fluffyschwartz

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

4/29/2022

Renowned Artist Graham Dean “Strange Beauty” Deluxe Edition Box Set With Book & DVD Featuring Unreleased Soundtrack By Peter Gabriel

Peter Gabriel’s Soundtrack From 1981 “Undercurrents” Available For The First Time!

Graham Dean “Strange Beauty” Box Set limited to 50 copies including Book, DVD, Cassette of Peter Gabriel’s “Undercurrents”, Art and Reproduction Memorabilia plus Signed Numbered Certificate and Two Pieces of Original Graham Dean Artwork!

Also available:
Signed Hardbound Book and DVD
Softbound Book and DVD

Renowned British artist Graham Dean’s new book “Strange Beauty,” featuring many of his celebrated works along with unreleased paintings, is being released as a Deluxe Edition Box Set with Book & DVD that includes an unreleased soundtrack by music legend Peter Gabriel.

Graham Dean transmits an essential part of the emotions and psychological states of his characters whether they be beautiful models, athletes, crazy bondage enthusiasts, identical twins, people with skin imperfections, – all using their bodies as vehicles of expression.

He is essentially a painter of identity. But more than the identity of the body, it is the identity of the soul as evoked by these sumptuous watercolours. Like Egon Schiele who was researching in mental hospitals to study his subjects, Graham Dean loves these oddball characters who voluntarily use their bodies often in extreme situations. His images are recomposed in a creative alchemy, mixing people, body parts and time itself. Although the works are representational, they escape the illustrational to reach a universal form from something deeply personal. He has also used buildings, mysterious ships, confessionals in churches, forests, trains, to enhance these atmospheric moods.

Using a technique he calls “reverse archaeology,” Graham Dean re-invents the traditional uses of watercolour resulting in a unique technique. Contrasting layers of paint are applied separately on thick, handmade paper from Southern India. Each sheet has undergone a process of tearing and overlapping to create a final composition, this corresponds to the multiple layers of the epidermis which protects the human body. The process is organic and cyclical, the paintings appear fragmented and destroyed using sections (front and back) that lead to a renaissance in the form of a new composition. Adapted from an article by Galerie Maubert, Paris. September 2011

“Undercurrents” is a 14 minutes instrumental piece that was written and recorded by Peter Gabriel in 1981, originally as the ambient soundtrack for a short film made for an exhibition by artist Graham Dean. Peter allegedly recorded the music in one day. This is his first soundtrack, ahead of “Birdy,” “The Last Temptation of Christ” and “Long Walk Home.” Peter supplied the music, in return for an original painting by Graham. This was Graham’s second film funded by the Arts Council. Dean, a pioneer in early video technology, shot “Undercurrents” on 16mm film featuring a series of images and live action footage and then manipulated. The film was shown on “Riverside” a BBC arts TV show.

Graham said about the recording of the soundtrack, “We were supposed to go into the studio for the afternoon for a few hours, but we ended up leaving at 6.00 am the following morning.”

When the people at Real World were looking for the master tape for “Undercurrents” they actually found the multi-tracks after 40 years! The music was re-mixed at the end of last year in the main studio at Real World and the remix version sounds AMAZING! The music has been described as dark and atmospheric, even ‘Birdy’-like at times.”

In regards to his new book Graham explains, “I have been painting and exhibiting since 1973 so naturally I had a large body of works to choose from when making a selection for this book. I was keen to include some of which have never been published before alongside the latest paintings, several fresh out of the studio. All the paintings are watercolour or watercolour with a few added elements like dye or stained glass paint though I’m now reluctant to use anything else but watercolour. The papers are either Arches or an Indian rag paper from Southern India. The rags which make up the Indian papers when pulped are recycled garments -mostly western t-shirts I’ve been told.”

Photo by Andy Hollingworth

In addition to “Undercurrents,” there are other films on the “Strange Beauty” DVD with David Rhodes (PG’s longtime guitarist and Random Hold guitarist) providing the soundtracks. Graham also worked on the official promo videos for Peter Gabriel of “Solsbury Hill” and “In Your Eyes” which are included on the DVD.

DVD Features:
“Waterproof” 2014
“Painting Music” 2011
“Solsbury Hill” 1993
“In Your Eyes” 1993
Paintings 1987-1990
Interview
“Undercurrents” 1981

WATERPROOF 2014
Waterproof was made with the intention of providing a background to how I work or at least to put into context. In the studio I usually have several paintings all in different stages of completion and as is often the case of them having a life of their own due to the amount of water I use. I’ve tried to get this across in the film, these ideas of controlled chance, experimentation in terms of colour and form. Nothing is too straightforward and I avoid the narrative as much as I can. The original soundtrack is by my long term collaborator David Rhodes and the camerawork, another collaboration is by Joe Murray.

PAINTING MUSIC 2011
In 1n 1984 I asked David Rhodes to produce a soundtrack to a film idea I had been playing around with. I had already used Random Hold on my very first film ‘Copy’ in 1979, then Peter with ‘Undercurrents’ in 1980. But this time I wanted to merge the music and the images so they became equally dependent on each other, to create an interesting hybrid. Also to get really close to the paint, to the mark making, as if the camera was my eye seeing what I was seeing as I made a painting. It was going to be visceral, sensual, full of colour and hopefully exciting. I think we succeeded and I’m surprised that it still stands up to this day.

SOLSBURY HILL 1993
Peter rang me up very late one evening in London to see if I would be willing to co-direct with Peter and co-ordinated by Gerry Chater, an excellent video editor, a new video for ‘Solsbury Hill’, which was to be re-released. We didn’t have much time and we were booked into studios in London in that fallow period between Christmas and New Year. It was thinking up ideas on the spot time. I wish we had more time, it was fun to work on but it was re-edited with new material a few years later, this is the second edit.

IN YOUR EYES 1993
I have mixed feelings about this one as it could have been much more than it was. The record was in the American charts but there questions about its chart placing from the record company who thought it may go down and were reluctant to pay for a video I had a small modest crew of the three of us booked and ready to go when Peter rang up the night before to say that the single had gone down in the charts so the record company pulled the plug. I managed to persuade Peter to go ahead with an experimental day of filming just to see what we could come up with –I’d already done a lot of research and had a storyboard of ideas. Peter had only just bought the Real World site in Box – it was basically a warehouse and outbuildings by the railway track. It even had an entrance barrier with a hut which we had to navigate. This was also my first introduction to the first of Real World’s employees – Mike Large and Dave Taraskevics, I took to them immediately and this was my first indication that Peter had a great antennae to get the right people around him. Only a quarter of the video was made that day which is a shame as there were some good ideas which could have been realised. Many years later it re-emerged with new footage but including my original material – again I had nothing to do with the final edit.

UNDERCURRENTS 1980
This was only the second film I ever made. It was to accompany a large touring show of my work based around the themes of water and skin. I managed to persuade Peter Gabriel, probably after a few glasses of a fine wine and the promise of a painting, to compose a soundtrack to it. This I think was to be his very first film soundtrack albeit on a modest scale and only 15 minutes long and we had a rough cut of the film to work to. Peter booked us into Crescent studios in Bath for what we thought was going to be a late afternoon to evening but we eventually emerged at dawn the following day. It was finished for the exhibition tour but also I was pleased that a then arts programme on BBC 2 called ‘Riverside’ showed a clip and did an interview with me, all live. I even think they included a massive painting from the show in the studio.

“Undercurrents”
(Peter Gabriel) (13:38)
Recording date: 1981
Recording location: Crescent Studios/Bath
Performed by: Peter Gabriel
First official release: 27th June 1981 - Graham Dean Exhibition at South Hill Park Bracknell

To pre-order:
Deluxe Edition: https://www.gonzomultimedia.co.uk/products/graham-dean-strange-beauty-deluxe-edition-box-set-feat-unreleased-soundtrack-by-peter-gabriel

Hardback Edition: https://www.gonzomultimedia.co.uk/products/graham-dean-strange-beauty-hardbacked-signed-edition

Softback Edition: https://www.gonzomultimedia.co.uk/products/graham-dean-strange-beauty-softback-edition

For more information:
https://grahamdean.com/about/
https://grahamdean.com/about/chronology/

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

10/25/2021

“Songs Inspired By The Film The Beatles And India” 2CD Set Available October 29, 2021

The album, “Songs Inspired By The Film The Beatles And India” features a diverse cast of Indian artists (Vishal Dadlani, Kiss Nuka, Benny Dayal, Dhruv Ghanekar, Karsh Kale, Nikhil D’Souza, Anoushka Shankar, Farhan Ahktar, Soulmate and many others) all bringing their own musical styles, as well as contemporary and classical Indian influences and techniques to the record. The album features Beatles’ songs written during their stay in Rishikesh, India including “Mother Nature’s Son,” “Revolution,” “Sexy Sadie,” “Dear Prudence,” “Child of Nature” among others. It also includes songs from their incredible catalogue which were colored by their earlier leanings to the magical sounds of India.

The hypnotic, lyrical soundtrack for “The Beatles and India” was written by award-winning composer Benji Merrison and recorded at Abbey Road Studio 2, the legendary home of The Beatles recording sessions, Budapest, Hungary and Pune, India. Both a classically trained composer and a skilled music producer and engineer, Benji has scored music for projects across film, television, installations and events. His distinctive musical voice is in high demand and he is known for SAS: Red Notice, Forces of Nature with Brian Cox, Dynasties, General Magic.

The award-winning film, “The Beatles And India,” is a unique historical chronicle of the enduring love affair between The Beatles and India that started more than half a century ago. Rare archival footage, recordings and photographs, eye-witness accounts and expert comments along with location shoots across India bring alive the fascinating journey of George, John, Paul and Ringo from their high octane celebrity lives in the West to a remote Himalayan ashram in search of spiritual bliss that inspires an unprecedented burst of creative songwriting. It is the first serious exploration of how India shaped the development of the greatest ever rock band and their own pioneering role bridging two vastly different cultures. “The Beatles And India” was directed by Ajoy Bose and co-directed by Peter Compton. The film was produced by Reynold D'Silva (Renoir Pictures / Silva Screen Productions) with executive producers Adam Greenup and Keith Ferreira. The documentary won Best Film Audience Choice and Best Music at the 2021 UK Asian Film Festival.

Here's what the press has said about “The Beatles And India”:

“…fascinating story of how and why India fell in love with the Beatles” - The Guardian

“The Beatles: The Best Films to check out” - The Times

“...a uniquely Indian take on this pivotal event.” - Financial Times

“...impressive… Rich in content, scope and its use of archive footage and interviews with the Fabs and the other major players in this saga, this is a world apart from anything resembling your stereo typical Beatles documentary.” - Shindig

“…a welcome new perspective” - Radio Times

“As with his 2005 book The Beatles In India, Ajoy Bose’s directorial debut (co-director Peter Compton) suspends current censoriousness to catapult us to a world where it wasn’t unforgivable to get things wrong about other cultures as long as you were trying to get it right… Over 50 years later, what survives is gratitude on all sides that the Beatles and Indian musicians, teachers and fans they met got to be part of each other’s story.” - Uncut (Lead review)

“…fascinating documentary” - Eastern Eye

CD 1: Songs Inspired By The Film

01 Tomorrow Never Knows (John Lennon / Paul McCartney) Performed by Kiss Nuka
02 Mother Nature’s Son (John Lennon / Paul McCartney) Performed by Karsh Kale / Benny Dayal
03 Gimme Some Truth (John Lennon) Performed by Soulmate
04 Across The Universe (John Lennon / Paul McCartney) Performed by Tejas / Mali
05 Everybody’s Got Something To Hide (Except Me And My Monkey) (John Lennon / Paul McCartney) Performed by Rohan Rajadhyaksha /  
Warren Mendonsa
06 I Will (John Lennon / Paul McCartney) Performed by Shibani Dandekar / Neil Mukherjee
07 Julia (John Lennon / Paul McCartney) Performed by Dhruv Ghanekar
08 Child of Nature (John Lennon) Performed by Anupam Roy
09 The Inner Light (George Harrison) Performed by Anoushka Shankar / Karsh Kale
10 The Continuing Story Of Bungalow Bill (John Lennon / Paul McCartney) Performed by Raaga Trippin
11 Back In The USSR (John Lennon / Paul McCartney) Performed by Karsh Kale / Farhan Ahktar
12 I’m So Tired (John Lennon / Paul McCartney) Performed by Lisa Mishra / Warren Mendonsa
13 Sexy Sadie (John Lennon / Paul McCartney) Performed by Siddharth Basrur / Neil Mukherjee
14 Martha My Dear (John Lennon / Paul McCartney) Performed by Nikhil D’Souza
15 Norwegian Wood (This Bird Has Flown) (John Lennon / Paul McCartney) Performed by Parekh & Singh
16 Revolution (John Lennon / Paul McCartney) Performed by Vishal Dadlani / Warren Mendonsa
17 Love You To (George Harrison) Performed by Dhruv Ghanekar
18 Dear Prudence (John Lennon / Paul McCartney) Performed by Karsh Kale / Monica Dogra
19 India, India (John Lennon) Performed by Nikhil D’Souza

CD 2: Original Score - Composed by Benji Merrison

01 Main Titles
02 Diminutive Yogi
03 Crazy Trailblazer
04 Selling Like Hotcakes
05 A Few Lessons
06 Something Very Grateful  
07 Rishikesh Bridge
08 Jai Guru Dev
09 A Simple Existence
10 Old Ashram
11 The Prayer Room
12 50 Years Ago  
13 Feeling and Heart
14 All Of India
15 Birthday Party
16 Spiritual Teacher
17 A Dealbreaker
18 Secrets Revealed  
19 Down To Kerala
20 Small Gift To The World
21 End Credits

Available October 29, 2021

To purchase/stream album (album singles):
Amazon: https://www.amazon.com/Songs-Inspired-Film-Beatles-India/dp/B082154533/

iTunes: https://music.apple.com/us/album/songs-inspired-by-the-film-the-beatles-and-india/1586741514

Spotify: https://open.spotify.com/album/3WpfaqAZsMyrJnJx3fgXE0?si=a9aGUnL6R4C8uprDXwlnLA

For more information: WWW.SILVASCREENUSA.COM

For more information about the film “The Beatles And India”: HTTPS://BEATLESANDINDIA.COM/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

6/18/2020

Cleopatra Records Unveils The Official Soundtrack To The Long-Awaited LYNYRD SKYNYRD Biopic, STREET SURVIVORS: The True Story of the Lynyrd Skynyrd Plane Crash


Los Angeles, CA - After a long legal battle that made national headlines, STREET SURVIVORS: The True Story of the Lynyrd Skynyrd Plane Crash, the full-length film that re-tells the story of the infamous 1977 plane crash that killed several members of Southern Rock icons Lynyrd Skynyrd, will finally see the light of day as it is released to video-on-demand services. In conjunction with the film’s release, the official soundtrack will be hitting digital music platforms as well as retail stores on June 26th. Comprised of both selections of the film’s orchestral score as well as original music inspired by the band, the Street Survivors soundtrack offers a powerful testament to the enduring legacy of Lynyrd Skynyrd and the historic significance of the events depicted in the film. Highlights include a superb rendition by blues rock legend Pat Travers of the classic J.J. Cale song “Call Me The Breeze,” which Skynyrd covered on their sophomore effort Second Helping (1974), as well as music performed by the sons of Skynyrd drummer, and survivor of the 1977 crash, Artimus Pyle. The soundtrack will be available on both CD and limited-edition vinyl in your choice of either blue or white!

Stream the single: https://orcd.co/pyletribe_black_creek

Pre-order the album: https://orcd.co/street_survivors

Track List:
1. Southern Feeling (Last Day) - Marshall Pyle
2. Wish - Lorenzo Green
3. Black Creek - PyleTribe
4. Curse - PyleTribe
5. Rattlesanke - PyleTribe
6. In Memory Of - Bryan Mabry & Chris Leuzinger
7. Street Survivor - Scott Raines
8. 6 Souls (Score)
9. Call Me The Breeze - Pat Travers
10. Last Flight (Score) [CD ONLY]
11. A Remembrance (Score) [CD ONLY]
12. Rescue (Score) [CD ONLY]

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify  @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

6/17/2020

"She Who Must Be Loved" Original Motion Picture Soundtrack by AJ True Now Available


Composer and musical director AJ True's soundtrack to Erica Glynn's film, “She Who Must Be Loved,” has been released digitally. The film offers an intimate portrayal of the director's own mother, Freda Glynn: a vibrant and tenacious Kaytetye woman from central Australia. This film won “Best Documentary” at the 2019 Sydney Film Festival.

“She Who Must Be Loved” is a documentary that tells the epic life story of Alfreda Glynn – 78 year old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy.

ABOUT THE SCORE:

“For this film, Erica wanted a minimal, organic and-at times-haunting sounding score. The smaller budget allowed for a limited number of instruments, which was a good thing for a film like this. A dialogue heavy documentary, it was important that music stayed out of the way as much as possible. Each cue was approached first as a soundscape, with various keyboard and electric guitar elements added later as colour. I used lots of vintage keyboards, organs, synths, harmoniums and my 1916 upright Beale piano. Recorded mostly in my bedroom in September 2018.” - AJ True.



AJ True is an APRA Award nominated composer and musical director for film, TV, and theatre. One of Australia's most versatile and experimental composers, his scores are organic and modern, blending traditional instrumentation with electronic elements and textures. AJ seeks to write music that serves the story and the vision of the director, this often results in minimal underscore that carries an emotional weight. He frequently collaborates with a team of highly experienced musicians and award winning personnel including; Liam Egan (sound design), and Dave Hammer (music mixer). His recent credits for screen composition include: “She Who Must Be Loved” (dir. Erica Glynn, 2019),
“Truth Be Told; Lest We Forget” (dir. Erica Glynn, 2018), “Jirga” (dir. Benjamin Gilmour, 2017), “Paramedico” (dir. Benjamin Gilmour, 2012).

In 2019, his debut feature film score for the Australian drama “Jirga” was nominated for “Best Music” at the Film Critics Circle of Australia Awards, and the coveted “Feature Film Score of the Year” at the 2019 APRA/AGSC Screen Music Awards.

“She Who Must Be Loved” – Original Motion Picture Soundtrack by AJ True
Format: All digital platforms including band-camp released May 10, 2020.
Country: Australia
Genre: Stage and Screen, Instrumental, Experimental
Style: Soundtrack/Original Score
Duration: 24mins (9 tracks)

LEAD SINGLES:
“Elders of Kaytetye Country”
“Alice Springs Telegraph Station”
“Reflecting at Hatches Creek”
“Freda's Theme”

PERSONNEL:
All tracks written, performed, engineered, and produced: AJ True at ‘The Cabin’, Wyong Creek, NSW, September 2018.
Mixed and Mastered: Dave Hammer, October 2018.
Album Design: HQ Covers, April 2020.
Film Sound Designer and Sound Mixer: Liam Egan
Film Music Mixer: Dave Hammer
Film Producer: Tanith Glynn-Maloney SINCE 1788 PRODUCTIONS
Film Writer/Director: Erica Glynn

FILM CREDITS:
SINCE1788 PRODUCTIONS WITH SCREEN AUSTRALIA AND NATIONAL INDIGENOUS TELEVISION AND THE ADELAIDE FILM FESTIVAL
“SHE WHO MUST BE LOVED” WITH FREDA GLYNN
EDITOR KAREN JOHNSON DOP KATHRYN MILLISS SOUND DESIGN LIAM EGAN COMPOSER A.J. TRUE
PRODUCER TANITH GLYNN-MALONEY WRITER/DIRECTOR ERICA GLYNN

To purchase:
https://music.apple.com/au/album/she-who-must-be-loved-original-motion-picture-soundtrack/1513989858
https://open.spotify.com/album/4CE2rBfoTYA9NyCE9n1znE
ajtrue.bandcamp.com

For more information:
https://ajtrue.net
facebook.com/ajtrue

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

4/28/2020

Filmmaker Deborah Anderson Starts Fundraiser Campaign For Award-Winning Documentary "Women Of The White Buffalo"


Featuring theme song and voice of YES legend Jon Anderson!

Filmmaker/photographer Deborah Anderson has started a fundraiser campaign to help get her Award-Winning Documentary “Women Of The White Buffalo” out into the world via a streaming platform. The film's theme song is written and performed by YES legend Jon Anderson who's voice is also heard throughout the documentary.

An ancient, Native, matriarchal society has been upended by centuries of genocide and colonialism. This has resulted in culturally sabotaged and isolated communities that are in a constant struggle to save what remains of their sacred identity. The Lakota women living on the Pine Ridge Indian Reservation in South Dakota, are rising up against the forces that continue to suppress them. By preserving and protecting their ancestral values and wisdom, they provide a source of hope to their people.

With exclusive access to the lives of 8 women, ranging in age from 10 to 98, the documentary explores powerful testimonials of loss and survival as we gain insight into the experience of a modern Indigenous American living on a reservation. Gripping historical accounts and startling timely statistics guide viewers down the path that has led to these present day conditions.

The indelible voices of these determined women inspire us with their strength, gifting us with ancient insights that speak to our current global, environmental and cultural crises. These are the powerfully rich stories of the brave women and children living in the poorest county in the United States.

Says Deborah,“Dad (Jon Anderson) has created a beautiful theme song for the film 'Women Of The White Buffalo' which he sings with Delacina Chief Eagle. His voice is also featured throughout this important documentary film which I am currently looking to self-distribute. I am raising the final funds to make this a possibility during these challenging times, because the poorest regions of the country will be some of the hardest hit by this pandemic. Please check out my Facebook fundraiser page to make a donation and help support getting this film out into the world.

Your donation will support this film in getting it out into the world via a streaming platform that will be available to all as I believe this is an important time to hear the wisdom of the powerful Native women featured in the film. It is time we understood the current situation of the Natives so we can raise their voices and stand with them in this much needed time of change on our planet.

Thank you for your support, thank you for helping raise the voices of our Native peoples. Native understanding is the true medicine for the healing of this planet.”

To donate: 
https://www.facebook.com/donate/926851331100866/926851347767531/
www.womenofthewhitebuffalo.com

CREATIVE OBJECTIVE
The intention of this film is to shine a light on our Native sisters, to ensure that their voices are included in this current wave of global Women's empowerment, and to inspire the next generation of Native youth to utilize their own ancient wisdom in the much needed healing of their communities. For all viewers, this film is an opportunity to learn from this intensely beautiful and powerful culture about some of the forces that perpetuate racism, abuse, and inequality. As they say in Lakota, Mitákuye Oyás'in, “We are all related.”

THE LANDSCAPE
Mother Earth is weeping, which we see and feel in many of our imminent ecological crises. The centuries-long murder and rape of indigenous women in the west parallels humanity's destruction and betrayal of this precious planet. We must each learn to accept responsibility for our part in the recovery and preservation of our shared home.

The Lakota people have a tradition of considering the following 7 generations when making any big decision, ensuring an abundant future for those that would come after them. The women featured in “Women of the White Buffalo” have been compelled to use their voices and many gifts in order to shift the consciousness of all those whose lives they touch. They will not be silenced. Their wisdom is essential to our survival.

THE POWER OF FILM
Documentary film is a vital tool for holding people, governments and corporations accountable and for spreading awareness about important issues. To date, there has not been a film that has focused primarily on the women currently living on the second largest and one of the most impoverished Indian Reservations in the United States. The voices of the Lakota women have been documented by Deborah Anderson, who worked intimately, compassionately and artfully to capture not just these women's words, but their very essence.



DEBORAH ANDERSON brings together her achievements in every area of her creative body of work from over the past 16 years as a world-renowned photographer, artist and art director to delve into the world of documentary film-making.

Deborah Anderson is best known for her work as a wide-ranging photographic and film artist. She has released three fine art books to date - “A photographer whose distinctive sensuality is located somewhere between classic French erotica and Helmut Newton” (Los Angeles Times).

Her work has graced the covers of albums and magazines, the walls of iconic hotels and private homes around the world with an expansive A-list clientele.

As art director for the Gansevoort Hotel Group, her original art appears throughout the property and showcases her first fine art book of sensual black-and-white photography, “Paperthin” (Verlhac), in each guest room. For the Gansevoort Park Avenue location, Deborah photographed the1960's-inspired, interior artwork. The hotel features her second book, Room 23 (daab), in each of the 249 guest rooms. For Room 23, Deborah photographed 100 celebrities (George Clooney, Cindy Crawford, Sharon Stone) in a single suite at the Peninsula Hotel in Beverly Hills. The book was very well-received and sold out worldwide.

Deborah's first feature documentary film project “Aroused”, also a fine art book, features 16 successful female, adult, film stars. It was released theatrically and is currently available on Showtime and Amazon in the United States.

Deborah has created short film pieces for other artists including award-winning writer and activist Eve Ensler and her 1 Billion Rising organization, featuring Rosario Dawson. Poet, Gina Loring, collaborated with Deborah on the short film “Walking Prayers”, which went viral and was picked up by the New York Times. She is currently working with Eve Ensler on the new RISE 2020 campaign.

Deborah has spent the past two years working on a feature documentary film called “Women Of The White Buffalo”, about the Lakota women living on the Pine Ridge Indian Reservation in South Dakota. The film has already won many awards including: Best Feature Documentary at the 24th Red Nation International Film Festival and Best Director of a Feature Documentary at the Los Angeles Independent Film Festival.

Photographic stills from the film project were exhibited at the Leica Gallery in Boston and Los Angeles, with additional Leica Gallery shows unveiling throughout the year at locations around the world.

“Women Of The White Buffalo” Awards:

2019 - Los Angeles Independent Film Awards
BEST DIRECTOR FEATURE DOCUMENTARY

2019 - 24th red Nation Film Festival
BEST FEATURE DOCUMENTARY

2020 - Native Women In Film Festival
BEST FEATURE DOCUMENTARY

2020 - Idyllwild International festival of Cinema
BEST DIRECTOR  FEATURE DOCUMENTARY - BEST FEATURE DOCUMENTARY - GOLDEN ERA HUMANITARIAN AWARD - SUMMERHAWK NATIVE AMERICAN AWARD

Team

Director/Producer/Writer/Editor - Deborah Anderson
Producer/Cinematographer - Kumiko Hayashi
Producer - Adam Schomer
Co-Producer/Writer - Charlotte Chatton
Director Of Photography/Cinematographer - Rama Miguel Torres
Co-Producer - Matthew Rebula
Co-Producer - Rachelle Garzia Stone
Associate Producer - Carol Iron Rope Herrera,  Linda Livingston
Executive Producer - Lekha Singh - Julian Lennon - Angus Mitchell - Tamara Mellon - Eve Ensler - Keely Shaye Brosnan - Alice Bamford

For more information: 
Instagram: www.instagram.com/womenwhitebuffalo
Facebook: https://www.facebook.com/womenwhitebuffalo/
Website: www.womenofthewhitebuffalo.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Filmmaker Deborah Anderson Starts Fundraiser Campaign For Award-Winning Documentary "Women Of The White Buffalo"


Featuring theme song and voice of YES legend Jon Anderson!

Filmmaker/photographer Deborah Anderson has started a fundraiser campaign to help get her Award-Winning Documentary “Women Of The White Buffalo” out into the world via a streaming platform. The film's theme song is written and performed by YES legend Jon Anderson who's voice is also heard throughout the documentary.

An ancient, Native, matriarchal society has been upended by centuries of genocide and colonialism. This has resulted in culturally sabotaged and isolated communities that are in a constant struggle to save what remains of their sacred identity. The Lakota women living on the Pine Ridge Indian Reservation in South Dakota, are rising up against the forces that continue to suppress them. By preserving and protecting their ancestral values and wisdom, they provide a source of hope to their people.

With exclusive access to the lives of 8 women, ranging in age from 10 to 98, the documentary explores powerful testimonials of loss and survival as we gain insight into the experience of a modern Indigenous American living on a reservation. Gripping historical accounts and startling timely statistics guide viewers down the path that has led to these present day conditions.

The indelible voices of these determined women inspire us with their strength, gifting us with ancient insights that speak to our current global, environmental and cultural crises. These are the powerfully rich stories of the brave women and children living in the poorest county in the United States.

Says Deborah,“Dad (Jon Anderson) has created a beautiful theme song for the film 'Women Of The White Buffalo' which he sings with Delacina Chief Eagle. His voice is also featured throughout this important documentary film which I am currently looking to self-distribute. I am raising the final funds to make this a possibility during these challenging times, because the poorest regions of the country will be some of the hardest hit by this pandemic. Please check out my Facebook fundraiser page to make a donation and help support getting this film out into the world.

Your donation will support this film in getting it out into the world via a streaming platform that will be available to all as I believe this is an important time to hear the wisdom of the powerful Native women featured in the film. It is time we understood the current situation of the Natives so we can raise their voices and stand with them in this much needed time of change on our planet.

Thank you for your support, thank you for helping raise the voices of our Native peoples. Native understanding is the true medicine for the healing of this planet.”

To donate: 
https://www.facebook.com/donate/926851331100866/926851347767531/
www.womenofthewhitebuffalo.com

CREATIVE OBJECTIVE
The intention of this film is to shine a light on our Native sisters, to ensure that their voices are included in this current wave of global Women's empowerment, and to inspire the next generation of Native youth to utilize their own ancient wisdom in the much needed healing of their communities. For all viewers, this film is an opportunity to learn from this intensely beautiful and powerful culture about some of the forces that perpetuate racism, abuse, and inequality. As they say in Lakota, Mitákuye Oyás'in, “We are all related.”

THE LANDSCAPE
Mother Earth is weeping, which we see and feel in many of our imminent ecological crises. The centuries-long murder and rape of indigenous women in the west parallels humanity's destruction and betrayal of this precious planet. We must each learn to accept responsibility for our part in the recovery and preservation of our shared home.

The Lakota people have a tradition of considering the following 7 generations when making any big decision, ensuring an abundant future for those that would come after them. The women featured in “Women of the White Buffalo” have been compelled to use their voices and many gifts in order to shift the consciousness of all those whose lives they touch. They will not be silenced. Their wisdom is essential to our survival.

THE POWER OF FILM
Documentary film is a vital tool for holding people, governments and corporations accountable and for spreading awareness about important issues. To date, there has not been a film that has focused primarily on the women currently living on the second largest and one of the most impoverished Indian Reservations in the United States. The voices of the Lakota women have been documented by Deborah Anderson, who worked intimately, compassionately and artfully to capture not just these women's words, but their very essence.



DEBORAH ANDERSON brings together her achievements in every area of her creative body of work from over the past 16 years as a world-renowned photographer, artist and art director to delve into the world of documentary film-making.

Deborah Anderson is best known for her work as a wide-ranging photographic and film artist. She has released three fine art books to date - “A photographer whose distinctive sensuality is located somewhere between classic French erotica and Helmut Newton” (Los Angeles Times).

Her work has graced the covers of albums and magazines, the walls of iconic hotels and private homes around the world with an expansive A-list clientele.

As art director for the Gansevoort Hotel Group, her original art appears throughout the property and showcases her first fine art book of sensual black-and-white photography, “Paperthin” (Verlhac), in each guest room. For the Gansevoort Park Avenue location, Deborah photographed the1960's-inspired, interior artwork. The hotel features her second book, Room 23 (daab), in each of the 249 guest rooms. For Room 23, Deborah photographed 100 celebrities (George Clooney, Cindy Crawford, Sharon Stone) in a single suite at the Peninsula Hotel in Beverly Hills. The book was very well-received and sold out worldwide.

Deborah's first feature documentary film project “Aroused”, also a fine art book, features 16 successful female, adult, film stars. It was released theatrically and is currently available on Showtime and Amazon in the United States.

Deborah has created short film pieces for other artists including award-winning writer and activist Eve Ensler and her 1 Billion Rising organization, featuring Rosario Dawson. Poet, Gina Loring, collaborated with Deborah on the short film “Walking Prayers”, which went viral and was picked up by the New York Times. She is currently working with Eve Ensler on the new RISE 2020 campaign.

Deborah has spent the past two years working on a feature documentary film called “Women Of The White Buffalo”, about the Lakota women living on the Pine Ridge Indian Reservation in South Dakota. The film has already won many awards including: Best Feature Documentary at the 24th Red Nation International Film Festival and Best Director of a Feature Documentary at the Los Angeles Independent Film Festival.

Photographic stills from the film project were exhibited at the Leica Gallery in Boston and Los Angeles, with additional Leica Gallery shows unveiling throughout the year at locations around the world.

“Women Of The White Buffalo” Awards:

2019 - Los Angeles Independent Film Awards
BEST DIRECTOR FEATURE DOCUMENTARY

2019 - 24th red Nation Film Festival
BEST FEATURE DOCUMENTARY

2020 - Native Women In Film Festival
BEST FEATURE DOCUMENTARY

2020 - Idyllwild International festival of Cinema
BEST DIRECTOR  FEATURE DOCUMENTARY - BEST FEATURE DOCUMENTARY - GOLDEN ERA HUMANITARIAN AWARD - SUMMERHAWK NATIVE AMERICAN AWARD

Team

Director/Producer/Writer/Editor - Deborah Anderson
Producer/Cinematographer - Kumiko Hayashi
Producer - Adam Schomer
Co-Producer/Writer - Charlotte Chatton
Director Of Photography/Cinematographer - Rama Miguel Torres
Co-Producer - Matthew Rebula
Co-Producer - Rachelle Garzia Stone
Associate Producer - Carol Iron Rope Herrera,  Linda Livingston
Executive Producer - Lekha Singh - Julian Lennon - Angus Mitchell - Tamara Mellon - Eve Ensler - Keely Shaye Brosnan - Alice Bamford

For more information: 
Instagram: www.instagram.com/womenwhitebuffalo
Facebook: https://www.facebook.com/womenwhitebuffalo/
Website: www.womenofthewhitebuffalo.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

1/31/2020

Guitar Legend Trevor Rabin To Release "Changes" 10 Disc Box Set March 16, 2020


Trevor Rabin had a hugely successful career in his native South Africa as part of what would be considered a teenybop band entitled Rabbitt. Whilst the band had much domestic success, outside of South Africa nobody knew who they were so Trevor Rabin left the band and South Africa and headed for London where he was signed up as a solo artist. He made three good and well-received rock albums before teaming up with the remnants of YES and forming a band called Cinema. Cinema with the addition of Jon Anderson would become the latest edition of YES in 1983 scoring with the massively successful album 90125. Trevor recently finished several successful tours with YES featuring Anderson, Rabin, Wakeman and, along with YES, was inducted into the Rock & Roll Hall of Fame in 2017.

His collaborations include working with Seal, Michael Jackson, Manfred Mann, Tina Turner, Bob Dylan and Paul Rodgers to name a few.

He has received numerous awards including eleven BMI Film and TV Awards, a Grammy, a Lifetime Achievement Award (Los Angeles Music Awards), a Career Achievement Award (Temecula International Film Festival), and Gold Medal for Excellence in Film Music Award (Park City Film Festival).

Trevor has since become one of the most sought-after film composers in the business, with 34 films to date. He has created music that crosses barriers and genres that have made him one of the premier composers of contemporary music. As a guitarist, keyboardist, singer, songwriter, producer or recording engineer Trevor has established himself as a leader in the contemporary music field.

Box Set Contents:

Disc 1 - Beginnings
Disc 2 - Face to Face
Disc 3 - Wolf
Disc 4 - Can't Look Away.
Disc 5 - Can't Look Away bonus tracks
Disc 6 - 90124
Disc 7 - Live in Boston 1989 part 1
Disc 8 - Live in Boston 1989 part 2
Disc 9 - Lost Soundtracks Vol. 1 - Jack Frost.
Disc 10 - Lost Soundtracks Vol. 2

also includes
Signed and Numbered Certificate
24 page A4 Photo Book, “The Making of Wolf”
24 page A4 Photo Book, “The Can't Look Away photo Session”
A3 Poster
4 x 10” x 8” Reproduction Promotional Photos
Reproduction Press Cuttings



Disc 1 - Beginnings 

Getting To Know You Better 4:12
Stay With Me 3:49
I Love You 5:01
Love Alone 2:13
Love Life 4:01
Fantasy  3:19
Painted Picture 3:36
Could There Be 4:27
Live A Bit 4:44
Red Desert 3:38

Beginnings Bonus Tracks

Getting To Know You Better (single edit) 3:20
Stay With Me  (single edit) 3:18



Disc 2 - Face to Face

I'll Take The Weight 3:56
Don't You Ever Lose 4:00
I'm Old Enough (To Make You A Woman) 4:10
The Wanderer 3:48
You 2:40
Now 4:50
The Ripper 3:48
Candy's Bar 4:02
Always The Last One 5:06

Face to Face Bonus Tracks

Don't You Ever Lose (single edit) 3:19



Disc 3 - Wolf

Open Ended 3:25
Heard You Cry Wolf 5:43
Do Ya Do Ya Want Me 3:30
Stop Turn 4:05
Lost In Love 3:45
Looking For A Lady (Wolfman) 4:41
Pain 4:35
Take Me To A Party 3:38
She's Easy 4:26
Long Island 3:41



Disc 4 - Can't Look Away

I Can't Look Away 7:19
Something To Hold On To 5:05
Sorrow (You Heart) 4:28
Cover Up 5:17
Promises 5:54
Etoile Noir 1:03
Eyes Of Love 6:53
I Don't Think It Would Last 4:05
Hold On To Me 4:42
Sludge 2:28
I Miss You Now 5:38
The Cape 2:57

Disc 5 - Can’t Look Away bonus tracks

Sorrow (Your Heart) (Edit) 3:28
I Can't Look Away (Edit) 5:04
Something To Hold On To (Demo Version) 4:15
Dan Neer Promotional Interview (Questions and Answers) 22:42
Dan Neer Promotional Interview (Answers Only) 19:05



Disc 6 - 90124

Hold On (Demo 1981) 6:19
Changes (Demo 1981) 3:11
Moving In 5:31
Would You Feel My Love 5:00
Where Will You Be (Demo 1991) 5:06
Owner Of A Lonely Heart (Demo 1981) 7:01
Walls (Demo 1990) 4:20
Promenade 1:44
Love Will Find A Way 3:29
Miracle Of Life 6:56
Cinema (Demo 1981) 4:31



Disc 7 - Live in Boston 1989 part 1 - 05 December 1989 (Previously Unreleased)

Cover Up
Sorrow (Your Heart)
Cry Wolf
Changes
Etoile Noir/Eyes Of Love
Solly's Beard
Something To Hold On To

Disc 8 - Live in Boston 1989 part 2

Carry On/Promises
Sludge
Can't Look Away
Make It Easy
Owner Of A Lonely Heart
Love Will Find A Way
Outroduction



Disc 9 - Lost Soundtracks Vol. 1 - Jack Frost (Previously Unreleased)

Frostbite
The Snowball Fight
It's Snowing
Magic Harmonica
Miss Him Too
The Cabin
Goodbye
The J Shot
Frost In Medford
Charlie Boy



Disc 10 - Lost Soundtracks Vol. 2 (Previously Unreleased)

Remember The Titans
Grace
Banger Sisters
Prague
A Beautiful Mind Trailer
Remembrance
Friendship
Sunrise
Gettysburg

Check out the newly launched Trevor Rabin shop, which as well as the box set, includes some rare and signed CDs: https://www.musicglue.com/trevor-rabin/shop

Trevor Rabin's official website: https://trevorrabin.net/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com