Guitarist Tone Masseve To Release Debut Album "Amp L'étude" Feat. Jethro Tull Drum Legend Doane Perry

“Playing with Tone was one of the most illuminating musical experiences of my career. Yes, he's that good.” - Graham Parker

NYC - The singing sustain of multiple razor edged electric guitars, the monster rock backbeat of Jethro Tull drummer Doane Perry and The Moonlight Sonata? Yes, This mash-up is the concept behind Tone Masseve's album “Amp L'étude.” Classical pieces? Yes, but these are not the dry, conventional versions we've all heard before. The album vividly brings these compositions to life with a new and powerful sound.

Tone said, “In my childhood I was exposed to many different musical styles and genres. Although I am really a blues player, I also love the music of Bach, Beethoven, Tchaikovsky, Schubert, Chopin and Debussy. I wanted to play their classical pieces with a rock sound and attitude.” He used the feedback, bends, shakes, falls and dives of his guitar heroes; Jeff Beck, Jimi Hendrix, early Eric Clapton, Robert Fripp, Brian May, Joe Satriani and George Harrison to do just that.

Tone's dynamic playing combined with Doane's great rock feel, give this music of the masters an entirely new presentation. Some of the sound and production techniques of this record are drawn from famous rock tracks such as; “Whiter Shade of Pale,” “The Hill of the Skull,” “God Save the Queen,” “Wind on Water,” “She's so Heavy” & “Girl,” and, “1983… (A Merman I Should Turn to Be).”

Every now and then a brilliant and fully developed artist arrives on the scene. Such is the case of Tone Masseve's enigmatic emergence out of the shadows. His sonic identity, unique voice and concept and his blending of seemingly disparate styles simply amazed and surprised me. Tone's inspired and highly original take on some of the most hallowed and iconic classical music ever composed is eloquently orchestrated, passionately and precisely executed and a wholly satisfying aural experience! I believe any of the great composers represented would be honored and thrilled to hear their music so creatively reimagined and lovingly brought to life within such a modern and innovative context. 

One of the most powerful elements in his music is the thick, sonorous and clear voice which he elicits from his “Guitorchestra”. Speaking as one who participated in this exciting project, I found the rich harmonic blend and counterpoint combined with the strength and subtlety of his parts, compelling and utterly inspiring to play off of ... and was astonished to think so much of this was coming through the head, hands and heart of a single musician. And I never even met him. I don't know how he did it but that is one of the delightful musical riddles which does not need solving. 

Joyful, biting, menacing, muscular, melancholy and euphoric are apt descriptions which are summoned to mind when I listen to his music. All of those elements provided a powerful catalyst for my own contributions. I am honored to have worked with this gifted artist and to have been a part of such an original musical adventure … and I would like to think the mysterious and hugely talented Tone Masseve will not remain unknown for much longer.

Doane Perry

Tone started playing the guitar at age 6 and performing live at age 15. By the time he was 18 he was doing session work in NYC. Legendary Graham Parker saw him playing with a band called Robazz Bowtime, and asked him to play a few gigs. Graham said, “I didn't play with Tone for a great deal of time, but it was one of the most illuminating musical experiences of my career. Yes, he's that good.”

The recording started in 1995 and took more than 20 years to complete. The guitar parts alone took more than two years to record. In 1997, while still working on Amp L'étude, tragically, Tone got pneumonia and died.

In 2016 a wonderful and talented group of musicians came together to finish his long lost album. The first was Doane Perry who added his hard hitting rock drumming to six tracks. Doane was the drummer for the legendary, Grammy winning rock band, Jethro Tull, for twenty-seven years. He also played with Lou Reed, Todd Rundgren and many, many others.

Next was Garry Kvistad who is a Grammy award winning master percussionist. He is a member of the four man percussion group Nexus. The New York Times called Nexus “the high priests of the percussion world.” Steve Reich said, “They are probably the most acclaimed percussion group on earth.” Garry added orchestral percussion; tympani, large gong, orchestral bass drum, glockenspiel, orchestral chimes, and symphonic crash cymbals to two of the pieces

Then members of the vocal group Prana added their voices to a couple of tracks. They gave one piece, “Maria, (She's so) Ave” a decidedly Liverpudlian sound. Finally Maria Todaro was brought in to conduct the choir for “O Fortuna.” Maria is not only an internationally renowned opera singer, stage director, and conductor, but also the general director of The International Festival of the Voice. For this recording, with her deep understanding of the voice as an expressive instrument, she evoked an impassioned performance from the choir.

On YouTube there are twelve 30 second sample videos, one for each of the twelve pieces from “Amp L'étude. “The videos feature the characters from the front cover of the album: https://www.youtube.com/playlist?list=PL2Wu-VN7bmX2249K3hIJy8HgFZTfJC208

In closing Tone had this to impart, “Music has no boundaries. If you play it with all of your heart it doesn’t matter what style it is, the feeling will come through.”

To purchase Tone Masseve's “Amp L'étude”: 
https://www.amazon.com/dp/B07FT6C4S5?ref=cp_d_n_u
store.cdbaby.com/cd/tonemasseve

For more information:
Website: www.tonemasseve.com
FB: https://www.facebook.com/Tone-Masseve-291339831409659/
Twitter: https://twitter.com/TMasseve
Instagram: https://www.instagram.com/tonemasseve/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Guitarist Tone Masseve To Release Debut Album "Amp L'étude" Feat. Jethro Tull Drum Legend Doane Perry

“Playing with Tone was one of the most illuminating musical experiences of my career. Yes, he's that good.” - Graham Parker

NYC - The singing sustain of multiple razor edged electric guitars, the monster rock backbeat of Jethro Tull drummer Doane Perry and The Moonlight Sonata? Yes, This mash-up is the concept behind Tone Masseve's album “Amp L'étude.” Classical pieces? Yes, but these are not the dry, conventional versions we've all heard before. The album vividly brings these compositions to life with a new and powerful sound.

Tone said, “In my childhood I was exposed to many different musical styles and genres. Although I am really a blues player, I also love the music of Bach, Beethoven, Tchaikovsky, Schubert, Chopin and Debussy. I wanted to play their classical pieces with a rock sound and attitude.” He used the feedback, bends, shakes, falls and dives of his guitar heroes; Jeff Beck, Jimi Hendrix, early Eric Clapton, Robert Fripp, Brian May, Joe Satriani and George Harrison to do just that.

Tone's dynamic playing combined with Doane's great rock feel, give this music of the masters an entirely new presentation. Some of the sound and production techniques of this record are drawn from famous rock tracks such as; “Whiter Shade of Pale,” “The Hill of the Skull,” “God Save the Queen,” “Wind on Water,” “She's so Heavy” & “Girl,” and, “1983… (A Merman I Should Turn to Be).”

Every now and then a brilliant and fully developed artist arrives on the scene. Such is the case of Tone Masseve's enigmatic emergence out of the shadows. His sonic identity, unique voice and concept and his blending of seemingly disparate styles simply amazed and surprised me. Tone's inspired and highly original take on some of the most hallowed and iconic classical music ever composed is eloquently orchestrated, passionately and precisely executed and a wholly satisfying aural experience! I believe any of the great composers represented would be honored and thrilled to hear their music so creatively reimagined and lovingly brought to life within such a modern and innovative context. 

One of the most powerful elements in his music is the thick, sonorous and clear voice which he elicits from his “Guitorchestra”. Speaking as one who participated in this exciting project, I found the rich harmonic blend and counterpoint combined with the strength and subtlety of his parts, compelling and utterly inspiring to play off of ... and was astonished to think so much of this was coming through the head, hands and heart of a single musician. And I never even met him. I don't know how he did it but that is one of the delightful musical riddles which does not need solving. 

Joyful, biting, menacing, muscular, melancholy and euphoric are apt descriptions which are summoned to mind when I listen to his music. All of those elements provided a powerful catalyst for my own contributions. I am honored to have worked with this gifted artist and to have been a part of such an original musical adventure … and I would like to think the mysterious and hugely talented Tone Masseve will not remain unknown for much longer.

Doane Perry

Tone started playing the guitar at age 6 and performing live at age 15. By the time he was 18 he was doing session work in NYC. Legendary Graham Parker saw him playing with a band called Robazz Bowtime, and asked him to play a few gigs. Graham said, “I didn't play with Tone for a great deal of time, but it was one of the most illuminating musical experiences of my career. Yes, he's that good.”

The recording started in 1995 and took more than 20 years to complete. The guitar parts alone took more than two years to record. In 1997, while still working on Amp L'étude, tragically, Tone got pneumonia and died.

In 2016 a wonderful and talented group of musicians came together to finish his long lost album. The first was Doane Perry who added his hard hitting rock drumming to six tracks. Doane was the drummer for the legendary, Grammy winning rock band, Jethro Tull, for twenty-seven years. He also played with Lou Reed, Todd Rundgren and many, many others.

Next was Garry Kvistad who is a Grammy award winning master percussionist. He is a member of the four man percussion group Nexus. The New York Times called Nexus “the high priests of the percussion world.” Steve Reich said, “They are probably the most acclaimed percussion group on earth.” Garry added orchestral percussion; tympani, large gong, orchestral bass drum, glockenspiel, orchestral chimes, and symphonic crash cymbals to two of the pieces

Then members of the vocal group Prana added their voices to a couple of tracks. They gave one piece, “Maria, (She's so) Ave” a decidedly Liverpudlian sound. Finally Maria Todaro was brought in to conduct the choir for “O Fortuna.” Maria is not only an internationally renowned opera singer, stage director, and conductor, but also the general director of The International Festival of the Voice. For this recording, with her deep understanding of the voice as an expressive instrument, she evoked an impassioned performance from the choir.

On YouTube there are twelve 30 second sample videos, one for each of the twelve pieces from “Amp L'étude. “The videos feature the characters from the front cover of the album: https://www.youtube.com/playlist?list=PL2Wu-VN7bmX2249K3hIJy8HgFZTfJC208

In closing Tone had this to impart, “Music has no boundaries. If you play it with all of your heart it doesn’t matter what style it is, the feeling will come through.”

To purchase Tone Masseve's “Amp L'étude”: 
https://www.amazon.com/dp/B07FT6C4S5?ref=cp_d_n_u
store.cdbaby.com/cd/tonemasseve

For more information:
Website: www.tonemasseve.com
FB: https://www.facebook.com/Tone-Masseve-291339831409659/
Twitter: https://twitter.com/TMasseve
Instagram: https://www.instagram.com/tonemasseve/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Drum Legend and Rock & Roll Hall of Fame Inductee Bill Bruford's Definitive Boxed Set "Bruford 1977-1980: Seems Like A Lifetime Ago" Nominated For Progressive Music Awards "Reissue of the Year"!

Drum legend and Rock & Roll Hall of Fame inductee Bill Bruford's recently released definitive boxed set “Bruford 1977-1980: Seems Like A Lifetime Ago” has been nominated for “Reissue of the Year” by Progressive Music Awards. Containing the collected works of the band on one extraordinary 6cd/2dvd-a box set, “Seems Like A Lifetime Ago” is a magnificent testament to one of the UK's most inventive and important Progressive Fusion bands.

Voting has begun and will remain open until August 24, 2018. Cast your vote here!
https://www.loudersound.com/features/vote-now-in-the-2018-progressive-music-awards/7

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drum Legend and Rock & Roll Hall of Fame Inductee Bill Bruford's Definitive Boxed Set "Bruford 1977-1980: Seems Like A Lifetime Ago" Nominated For Progressive Music Awards "Reissue of the Year"!

Drum legend and Rock & Roll Hall of Fame inductee Bill Bruford's recently released definitive boxed set “Bruford 1977-1980: Seems Like A Lifetime Ago” has been nominated for “Reissue of the Year” by Progressive Music Awards. Containing the collected works of the band on one extraordinary 6cd/2dvd-a box set, “Seems Like A Lifetime Ago” is a magnificent testament to one of the UK's most inventive and important Progressive Fusion bands.

Voting has begun and will remain open until August 24, 2018. Cast your vote here!
https://www.loudersound.com/features/vote-now-in-the-2018-progressive-music-awards/7

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drum Legend Terry Bozzio's "Reality Tour" 2018 North America

Los Angeles, CA – Drum legend Terry Bozzio is known for his work with Frank Zappa, Jeff Beck, Korn, UK, Missing Persons, Mick Jagger, Robbie Robertson, Alan Holdsworth, Tony Levin, Steve Vai, Quincy Jones, Ken Scott, Metropole Orkest - as well as Film score composers Basil Poledouris, Mark Isham & Patrick O'Hearn. He is a Grammy Winner, RockWalk Honoree, Modern Drummer Magazine's Hall of Fame Award, & is in Rolling Stone's Top 5 Drummers of All Time! (See more at www.terrybozzio.com)

Unless you have seen Terry, you have no idea what you are in for. Bozzio is an enigmatic, evocative, and engaging musician whose instrument just happens to be the drums. Terry Bozzio is able to accompany himself with bass note patterns and, at the same time, melodically solo with highly developed coordination skills to express a “complete musical statement” on the drum set alone. Drawing from jazz, classical, & ethnic percussion styles from around the world, Terry Bozzio is “a storyteller,” able to weave a hypnotic spell over audiences and enthrall them with an eclectic experience filled with emotion, contrast, variety, intimacy, excitement, & passion.

His is a unique, intense, dynamic, spiritualistic, melodic, orchestral, atmospheric, and musical performance on the largest tuned drum & percussion set in the world. Please note that this is not a bombastic 2 hour drum solo. This is MUSIC on drums. There is space, classical forms & structures, ambient electronic loops, and atmospheric percussion effects, as well as some exciting & fiery drumming that brings audiences to their feet!

He has spent the last 30 years performing Solo Drum Music for Sold Out Audiences all Around the World, from India to Japan, from Europe to North America.

Terry Bozzio tour dates:
Aug 17, 2018 US-AZ-Phoenix, venue TBA
Aug 20, 2018 US-CO-Denver, Soiled Dove
Aug 23, 2018 US-TX-Austin, One World Theatre
Aug 25, 2018 US-TX-McKinney, The Guitar Sanctuary
Aug 27, 2018 US-TN-Nashville, City Winery
Aug 29, 2018 US-KY-Newport, The Southgate House Revival -- Sanctuary
Aug 31, 2018 US-PA-Pittsburgh, Oaks Theatre
Sept 2, 2018 US-DC-Washington, City Winery
Sept 4, 2018 US-PA-Sellersville, ST94
Sept 5, 2018 US-NY-New York City, City Winery
Sept 6, 2018 US-MA-Northampton, Iron Horse Music Hall
Sept 7, 2018 US-MA-Boston, City Winery
Sept 8, 2018 US-MA-Fall River, Narrows Center for the Arts
Sept 10, 2018 CA-QC-Quebec, "Salle Jean Paul Tardif"
Sept 11, 2018 CA-QC-Montreal, Club Soda
Sept 12, 2018 CA-ON-Ottawa, Algonquin Commons Theatre
Sept 14, 2018 CA-ON-Toronto, The Royal
Sept 15, 2018 CA-ON-London, Aeolian Hall
Sept 16, 2018 US-MI-Detroit, The Token Lounge
Sept 18, 2018 US-IL-Chicago, Reggies
Sept 19, 2018 US-WI-Milwaukee, Shank Hall
Sept 21, 2018 US-MN-Minneapolis, The Dakota
Sept 23, 2018 CA-MB-Winnipeg, West End Cultural Centre
Sept 25, 2018 CA-SK-Saskatoon, Broadway Theatre
Sept 27, 2018 CA-AB-Edmonton, Festival Place
Sept 28, 2018 CA-AB-Airdrie, Bert Church Theatre
Oct 1, 2018 CA-BC-Vancouver, Rickshaw Theatre
Oct 2, 2018 US-WA-Seattle, Triple Door
Oct 4, 2018 US-OR-Eugene, WOW Hall
Oct 7, 2018 US-CA-Sacramento,. Harlow´s

Terry's Latest Releases include: (Available at www.terrybozzio.com)

1) Simple Moments (Bozzio's Compositions)

2) Terry Bozzio's “Reality” (Terry recorded real drums alone in studio with sections, solos, breaks & structures made up on the spot, then recorded & overdubbed all the rest of the music by himself.)

3) “No Work-No Food” (Terry composed & recorded music to 22 poems in spoken word of his poet friend Todd Griese (Gandy Dancer Press)

4) “Composer Series” (59 Musical Compositions with a Bozzio’s Painting for Each, in a Vinyl Sized Book including 4 CDs, Blue Ray & Solo Drum Performance DVD) All available from terrybozzio.com

5) “History of Terry Bozzio” DVD (A 3 Hour Live Performance of Terry playing tunes he has played from some favorite bands of the past. With an All Star Japanese Band Terry revisits the Best of Zappa, Beck, UK, Missing Persons, Bozzio Levin Stevens, Nine Short Films w/Billy Sheehan, his Composer Series & a Solo Drum Performance! (set to be released March 2018)

-In addition Bozzio has been creating Art Works since 1975.

He explains, “I first got interested in Art & Sketching at the encouragement of renowned artist Don Van Vliet (aka: Captain Beefheart) who I played with on my first Zappa/Mothers of Invention tour in 1975. He was very encouraging. 2013, I released my first project called Rhythm & Sketch in collaboration with the art group Scene Four. It's been successful & inspired me to do more. (available at www.terrybozzioart.com & www.terrybozzio.com)

“In 2017, I did my first Gallery Show at Channel Islands Studios. I displayed 30 works from 1975 to the present day (Art available at: www.terrybozzio.com). I have used my Art Works as Stage Sets for my tours for years now, & will have New Works on this tour.

“I want to expand the potential of musical drumming. The drum set is a unique American invention that deserves more than it’s usual role of merely timekeeping.”

For more information: www.terrybozzio.com
Terry Bozzio Biography: http://terrybozzio.com/biography/
Terry’s Official Drum Tech for this tour: Shawn Shaulis

Videos: https://www.youtube.com/watch?v=CroX237dzfY#t=36

MAXIMUM Booking
Phone:  0049-(0)-8324-933-851
Fax:  0049-(0)-8324-933-829
E-Mail:  info@MAXIMUMBooking.com
www.MAXIMUMBooking.com ;

Press inquiries: Glass Onion PR, Billy James, PH: 828-350-8158, glassonyonpr@gmail.com

Drum Legend Terry Bozzio's "Reality Tour" 2018 North America

Los Angeles, CA – Drum legend Terry Bozzio is known for his work with Frank Zappa, Jeff Beck, Korn, UK, Missing Persons, Mick Jagger, Robbie Robertson, Alan Holdsworth, Tony Levin, Steve Vai, Quincy Jones, Ken Scott, Metropole Orkest - as well as Film score composers Basil Poledouris, Mark Isham & Patrick O'Hearn. He is a Grammy Winner, RockWalk Honoree, Modern Drummer Magazine's Hall of Fame Award, & is in Rolling Stone's Top 5 Drummers of All Time! (See more at www.terrybozzio.com)

Unless you have seen Terry, you have no idea what you are in for. Bozzio is an enigmatic, evocative, and engaging musician whose instrument just happens to be the drums. Terry Bozzio is able to accompany himself with bass note patterns and, at the same time, melodically solo with highly developed coordination skills to express a “complete musical statement” on the drum set alone. Drawing from jazz, classical, & ethnic percussion styles from around the world, Terry Bozzio is “a storyteller,” able to weave a hypnotic spell over audiences and enthrall them with an eclectic experience filled with emotion, contrast, variety, intimacy, excitement, & passion.

His is a unique, intense, dynamic, spiritualistic, melodic, orchestral, atmospheric, and musical performance on the largest tuned drum & percussion set in the world. Please note that this is not a bombastic 2 hour drum solo. This is MUSIC on drums. There is space, classical forms & structures, ambient electronic loops, and atmospheric percussion effects, as well as some exciting & fiery drumming that brings audiences to their feet!

He has spent the last 30 years performing Solo Drum Music for Sold Out Audiences all Around the World, from India to Japan, from Europe to North America.

Terry Bozzio tour dates:
Aug 17, 2018 US-AZ-Phoenix, venue TBA
Aug 20, 2018 US-CO-Denver, Soiled Dove
Aug 23, 2018 US-TX-Austin, One World Theatre
Aug 25, 2018 US-TX-McKinney, The Guitar Sanctuary
Aug 27, 2018 US-TN-Nashville, City Winery
Aug 29, 2018 US-KY-Newport, The Southgate House Revival -- Sanctuary
Aug 31, 2018 US-PA-Pittsburgh, Oaks Theatre
Sept 2, 2018 US-DC-Washington, City Winery
Sept 4, 2018 US-PA-Sellersville, ST94
Sept 5, 2018 US-NY-New York City, City Winery
Sept 6, 2018 US-MA-Northampton, Iron Horse Music Hall
Sept 7, 2018 US-MA-Boston, City Winery
Sept 8, 2018 US-MA-Fall River, Narrows Center for the Arts
Sept 10, 2018 CA-QC-Quebec, "Salle Jean Paul Tardif"
Sept 11, 2018 CA-QC-Montreal, Club Soda
Sept 12, 2018 CA-ON-Ottawa, Algonquin Commons Theatre
Sept 14, 2018 CA-ON-Toronto, The Royal
Sept 15, 2018 CA-ON-London, Aeolian Hall
Sept 16, 2018 US-MI-Detroit, The Token Lounge
Sept 18, 2018 US-IL-Chicago, Reggies
Sept 19, 2018 US-WI-Milwaukee, Shank Hall
Sept 21, 2018 US-MN-Minneapolis, The Dakota
Sept 23, 2018 CA-MB-Winnipeg, West End Cultural Centre
Sept 25, 2018 CA-SK-Saskatoon, Broadway Theatre
Sept 27, 2018 CA-AB-Edmonton, Festival Place
Sept 28, 2018 CA-AB-Airdrie, Bert Church Theatre
Oct 1, 2018 CA-BC-Vancouver, Rickshaw Theatre
Oct 2, 2018 US-WA-Seattle, Triple Door
Oct 4, 2018 US-OR-Eugene, WOW Hall
Oct 7, 2018 US-CA-Sacramento,. Harlow´s

Terry's Latest Releases include: (Available at www.terrybozzio.com)

1) Simple Moments (Bozzio's Compositions)

2) Terry Bozzio's “Reality” (Terry recorded real drums alone in studio with sections, solos, breaks & structures made up on the spot, then recorded & overdubbed all the rest of the music by himself.)

3) “No Work-No Food” (Terry composed & recorded music to 22 poems in spoken word of his poet friend Todd Griese (Gandy Dancer Press)

4) “Composer Series” (59 Musical Compositions with a Bozzio’s Painting for Each, in a Vinyl Sized Book including 4 CDs, Blue Ray & Solo Drum Performance DVD) All available from terrybozzio.com

5) “History of Terry Bozzio” DVD (A 3 Hour Live Performance of Terry playing tunes he has played from some favorite bands of the past. With an All Star Japanese Band Terry revisits the Best of Zappa, Beck, UK, Missing Persons, Bozzio Levin Stevens, Nine Short Films w/Billy Sheehan, his Composer Series & a Solo Drum Performance! (set to be released March 2018)

-In addition Bozzio has been creating Art Works since 1975.

He explains, “I first got interested in Art & Sketching at the encouragement of renowned artist Don Van Vliet (aka: Captain Beefheart) who I played with on my first Zappa/Mothers of Invention tour in 1975. He was very encouraging. 2013, I released my first project called Rhythm & Sketch in collaboration with the art group Scene Four. It's been successful & inspired me to do more. (available at www.terrybozzioart.com & www.terrybozzio.com)

“In 2017, I did my first Gallery Show at Channel Islands Studios. I displayed 30 works from 1975 to the present day (Art available at: www.terrybozzio.com). I have used my Art Works as Stage Sets for my tours for years now, & will have New Works on this tour.

“I want to expand the potential of musical drumming. The drum set is a unique American invention that deserves more than it’s usual role of merely timekeeping.”

For more information: www.terrybozzio.com
Terry Bozzio Biography: http://terrybozzio.com/biography/
Terry’s Official Drum Tech for this tour: Shawn Shaulis

Videos: https://www.youtube.com/watch?v=CroX237dzfY#t=36

MAXIMUM Booking
Phone:  0049-(0)-8324-933-851
Fax:  0049-(0)-8324-933-829
E-Mail:  info@MAXIMUMBooking.com
www.MAXIMUMBooking.com ;

Press inquiries: Glass Onion PR, Billy James, PH: 828-350-8158, glassonyonpr@gmail.com

Buddy Rich The Lost Tapes Now Available on CD and Vinyl LP!

Studio City, CA - Lightyear Entertainment and Lobitos Creek Ranch, in association with Scabeba Entertainment and the Buddy Rich Estate, have released the live album The Lost Tapes featuring Buddy Rich and his Big Band, recorded in 1985 at the King Street Studios in San Francisco on CD and vinyl LP. The album is part of the Buddy Rich Centennial Celebration. Buddy was born on September 30, 1917.

The album is the soundtrack from the concert film The Lost Tapes, which has been available from Lightyear on DVD since 2003 and 2005, respectively.

Gary Reber, subsequently the founder of Widescreen Review was the Producer of the concert. One Pass Video was the Production company. Scott Ross of One Pass was the Director. A complete jazz club was built in the soundstage for the production to a live audience. The recording was originally made in SQ Tate Matrix Quad Surround Sound.

The soundtrack has been re-mastered for CD by Chad Hailey and Jeff Pinn at Broken Arrow Sound, Redwood City, CA. The vinyl LP has been mastered and replicated by PALLAS GmbH/Furnace MFG in Germany on 180 Gram audiophile vinyl.

The Lost Tapes was released on February 2, 2018 through Caroline Distribution, the independent distribution arm of Universal Music Group, on the Lightyear/Lobitos Creek label. The UK street date for The Lost Tapes CD is 16 March and the vinyl is 20 April. The title The Lost Tapes refers to the fact that these recordings were lost for a decade, presumed damaged in a fire, and then digitally restored.

“These recordings are some of the best quality recordings ever made of the legendary drummer and his band,” said Arnie Holland, CEO of Lightyear. “And we are grateful to Executive Producer Steve Michelson and the inimitable Cathy Rich for 14 years of working together with us to make sure that Buddy's legacy is complete and widely available.”

Cathy Rich, CEO of Scabeba Entertainment and Buddy’s daughter, is guest vocalist with the Buddy Rich Band featuring drummer Greg Potter. The 16-piece Big Band will continue to tour all year.

Buddy Rich, whom Gene Krupa defined as “the greatest drummer to ever draw breath,” was honored with a President's Special Merit award GRAMMY along with three Grammy Nominations. He was inducted into the Downbeat Magazine, Modern Drummer and Playboy Halls of Fame. Buddy received the Jazz Unlimited Immortals of Jazz Award and awards for his philanthropic efforts. He was named “Greatest Drummer of All Time” by Modern Drummer magazine.

In honor of Buddy's Centennial, a flag was flown over the U.S. Capitol on Buddy's birthday, September 30, when the commemoration of his Centennial will also be read into the official Congressional record where it will be a permanent part of the United States archive for all time.

A PledgeMusic campaign has been started for the release where a fan can not only buy CDs and vinyl, but also special merch items and could even purchase an opportunity to sit in with the band in concert. https://www.pledgemusic.com/projects/buddyrich?utm_medium=email&utm_source=pledgemusic

The Lost Tapes Trailer: https://vimeo.com/230659281

Audio Mexicali Rose from The Lost Tapes: http://bit.ly/buddyrichmexrose ;

New YouTube Channel created for the 100th Birthday Celebration: Buddy Rich 100th Anniversary Channel

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Lightyear Entertainment, a distributor of independent films and music, was founded in 1987. www.lightyear.com

Scholar and Drum Legend Bill Bruford Authors New Book, "Uncharted: Creativity and the Expert Drummer"

Pre-order in hardback, softback or e-book

Scholar and Rock & Roll Hall of Fame inductee Bill Bruford, best known for his work with Yes, King Crimson, Genesis and his prolific solo career, has authored a new book, to be Published by the University of Michigan Press on January 28th.  Pre-orders are now being taken.

What’s it about?

The book is an exploration of the creativity involved in the way drummers make things work, make things matter, and make sense of both. It draws on interviews with nine top drummers and Bruford’s own experience to improve understanding in collaborative popular music performance. What do expert drummers do? Why do they do it? Is there anything creative about it? If so, how might that creativity inform their practice and that of others in related artistic spheres? Applying ideas from cultural psychology to findings from original research into the creative behaviors of a specific subset of popular music instrumentalists, Bruford demonstrates the ways in which expert drummers experience creativity in performance and offers fresh insights into in-the-moment interactional processes in music.

Why buy?

“If you’re an instrumentalist” recommends Bill, “give it to the nearest drummer, so he or she knows what drummers are for. If you’re a drummer give it to the other people in your band, so they know what drummers are for. And get a copy for yourself, so you know what drummers are for!”

Early praise for ‘Uncharted’

 “… an intelligent, thought-provoking treatise on the notion of creativity in Western popular music. Over the course of a number of interviews and case studies involving expert drummers, Bill Bruford examines how such practitioners approach and understand creativity. In the process, he crafts a relational processual model for understanding creativity and the creative process for real-time interactive performing arts (theatre, dance, music). The result is a fascinating and rewarding read that will surely affect players and listeners alike as they think about the concept of finding ‘creative meaning in making it work and making it matter.’”
—Rob Bowman, Grammy Award Winning Professor of Music

“After forty years of creating professional music, pretty much all of it to his taste (passing rare), Bill Bruford has laid down the torches — and tried to capture their flame in words. Begin by running your eyes down the list of Bill’s collaborators. The expert performers and teachers will attract any reader with more than a passing affection for music. Simply put, it is a lights-out masterpiece of useful insight and passionate, reflective wisdom.”
—Neil Peart, drummer Rush

“The contributions of the wide-ranging active percussionists Bruford surveyed will make this an important primary document for future researchers examining the role of drummers in group improvisation, the recording process, and more.”
—Kevin Holm-Hudson, University of Kentucky

“The book lives up to its expectations. Drawing on his own insider’s knowledge and extensive interviews with an impressive roster of expert drummers about the nature of creativity and what it means to them, Bruford has produced a brilliant ethnography of professional drummers and drumming culture in the rock era.”
—Mark Spicer, Hunter College and the CUNY Graduate Center

“It is no surprise to find Dr. Bruford so eloquently putting into language that which springs from such a non-linguistic source. Bill’s scholarly insights matched with a career’s-worth of personal experience shed an authoritative light on the creative role of the drummer. In today’s world of computer-generated rhythmic music, how wonderful to tap into this most organic and visceral element in music’s heritage, and deepen our appreciation of this immense creativity, past and present.”
—Tim Garland, saxophonist, composer

“The author cites relevant scholarly work, his roster of drum experts is beyond question (including himself), but most importantly, the insights he synthesizes from his source material are both original and valuable.”
—Shaugn O’Donnell, The City College, CUNY

How to order  

Bill Bruford's “Uncharted: Creativity and the Expert Drummer”:

University of Michigan Press: https://www.press.umich.edu/9562155/uncharted ;

Amazon US: https://www.amazon.com/Uncharted-Creativity-Expert-Drummer-Tracking/dp/0472053787 ;

Amazon UK: https://www.amazon.co.uk/Uncharted-Creativity-Expert-Drummer-Tracking/dp/0472073788 ;

Eurospan UK: https://www.eurospanbookstore.com/uncharted.html

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Scholar and Drum Legend Bill Bruford Authors New Book, "Uncharted: Creativity and the Expert Drummer"

Pre-order in hardback, softback or e-book

Scholar and Rock & Roll Hall of Fame inductee Bill Bruford, best known for his work with Yes, King Crimson, Genesis and his prolific solo career, has authored a new book, to be Published by the University of Michigan Press on January 28th.  Pre-orders are now being taken.

What’s it about?

The book is an exploration of the creativity involved in the way drummers make things work, make things matter, and make sense of both. It draws on interviews with nine top drummers and Bruford’s own experience to improve understanding in collaborative popular music performance. What do expert drummers do? Why do they do it? Is there anything creative about it? If so, how might that creativity inform their practice and that of others in related artistic spheres? Applying ideas from cultural psychology to findings from original research into the creative behaviors of a specific subset of popular music instrumentalists, Bruford demonstrates the ways in which expert drummers experience creativity in performance and offers fresh insights into in-the-moment interactional processes in music.

Why buy?

“If you’re an instrumentalist” recommends Bill, “give it to the nearest drummer, so he or she knows what drummers are for. If you’re a drummer give it to the other people in your band, so they know what drummers are for. And get a copy for yourself, so you know what drummers are for!”

Early praise for ‘Uncharted’

 “… an intelligent, thought-provoking treatise on the notion of creativity in Western popular music. Over the course of a number of interviews and case studies involving expert drummers, Bill Bruford examines how such practitioners approach and understand creativity. In the process, he crafts a relational processual model for understanding creativity and the creative process for real-time interactive performing arts (theatre, dance, music). The result is a fascinating and rewarding read that will surely affect players and listeners alike as they think about the concept of finding ‘creative meaning in making it work and making it matter.’”
—Rob Bowman, Grammy Award Winning Professor of Music

“After forty years of creating professional music, pretty much all of it to his taste (passing rare), Bill Bruford has laid down the torches — and tried to capture their flame in words. Begin by running your eyes down the list of Bill’s collaborators. The expert performers and teachers will attract any reader with more than a passing affection for music. Simply put, it is a lights-out masterpiece of useful insight and passionate, reflective wisdom.”
—Neil Peart, drummer Rush

“The contributions of the wide-ranging active percussionists Bruford surveyed will make this an important primary document for future researchers examining the role of drummers in group improvisation, the recording process, and more.”
—Kevin Holm-Hudson, University of Kentucky

“The book lives up to its expectations. Drawing on his own insider’s knowledge and extensive interviews with an impressive roster of expert drummers about the nature of creativity and what it means to them, Bruford has produced a brilliant ethnography of professional drummers and drumming culture in the rock era.”
—Mark Spicer, Hunter College and the CUNY Graduate Center

“It is no surprise to find Dr. Bruford so eloquently putting into language that which springs from such a non-linguistic source. Bill’s scholarly insights matched with a career’s-worth of personal experience shed an authoritative light on the creative role of the drummer. In today’s world of computer-generated rhythmic music, how wonderful to tap into this most organic and visceral element in music’s heritage, and deepen our appreciation of this immense creativity, past and present.”
—Tim Garland, saxophonist, composer

“The author cites relevant scholarly work, his roster of drum experts is beyond question (including himself), but most importantly, the insights he synthesizes from his source material are both original and valuable.”
—Shaugn O’Donnell, The City College, CUNY

How to order  

Bill Bruford's “Uncharted: Creativity and the Expert Drummer”:

University of Michigan Press: https://www.press.umich.edu/9562155/uncharted ;

Amazon US: https://www.amazon.com/Uncharted-Creativity-Expert-Drummer-Tracking/dp/0472053787 ;

Amazon UK: https://www.amazon.co.uk/Uncharted-Creativity-Expert-Drummer-Tracking/dp/0472073788 ;

Eurospan UK: https://www.eurospanbookstore.com/uncharted.html

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drummer Bob Holz To Release Third Album Feat. Bass Legends Stanley Clarke and Ralphe Armstrong!

“Bob Holz's CDs keep getting better n' better!...this one is just great!” - Randy Brecker

     
Jazz-fusion composer and drummer Bob Holz will be releasing his third album “VISIONS: Coast to Coast Connection,” featuring  bass legend Stanley Clarke on February 23, 2018! “This collaboration with the jazz star and Return to Forever bassist/composer, Stanley Clarke involved the recording of new compositions I wrote taken from my roots in jazz, classical, blues and rock music,” says Holz. Joining Holz and Clarke is former Mahavishnu Orchestra bassist Ralphe Armstrong who currently plays in Holz's touring band, Bob Holz and A Vision Forward featuring Jamie Glaser and Ralphe Armstrong. “My compositions have plenty of room for interplay between both bass players,” adds Holz. Bob Holz is presently managed by Roy Holland Productions and is signed to MVD Entertainment Group.

“I'm really honored to record with Stanley Clarke as his music has been a strong influence on me,” added Holz. Clarke has written the music for over 70 major motion pictures in addition to his successful solo career and long tenure as a member of Return To Forever with Chick Corea, Al Di Meola and Lenny White.

“I enjoyed playing this music very much. Good players along with good compositions is always a winning combination!” - Stanley Clarke

The recording took place in Los Angeles with famed sound engineer, Dennis Moody recording, mixing and mastering the performances. “Dennis mixed my last album and really knows how to create a world class record,” continued Holz. Moody also helped out with mixing Holz's band live last May at Catalina Bar and Grill Jazz Club in Hollywood, California. Stanley Clarke also attended that concert which led to the upcoming recording session for Holz's next album. Additionally, Executive Producer Rob Stathis once again contributed his production skills to the making of the record. Rob Stathis has been involved with producing Holz's past collaborations with guitarist/composer the late Larry Coryell. “The loss of Larry Coryell last February was really rough. Bob and I want to continue in the tradition which Larry excelled in,” says Stathis.

“Many years I have been friends with Stanley Clarke, we talked about recording together!! Bob Holz made it happen on this recording!” - Ralphe Armstrong

Since the February 2017 release of Holz's second album, “Visions and Friends,” Holz's touring band, Bob Holz and A Vision Forward featuring Jamie Glaser and Ralphe Armstrong has played numerous live concerts from New York to California. The band features guitar guru Jamie Glaser (Chick Corea, Jean Luc Ponty, Bryan Adams) and bass virtuoso Ralphe Armstrong (Mahavishnu Orchestra, Herbie Hancock). Los Angeles based keyboardist Billy Steinway has been an integral contributor to Holz's efforts playing both live shows and recording sessions. Steinway also joined Holz, Clarke and Armstrong on the recordings for the new album.

To purchase Bob Holz “VISIONS: Coast to Coast connection” CD: 
https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=bob+holz+visions+coast+to+coast+connection
https://itunes.apple.com/us/album/visions-and-friends/id1177697242

For more information: http://www.bobholzband.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drummer Bob Holz To Release Third Album Feat. Bass Legends Stanley Clarke and Ralphe Armstrong!

“Bob Holz's CDs keep getting better n' better!...this one is just great!” - Randy Brecker

     
Jazz-fusion composer and drummer Bob Holz will be releasing his third album “VISIONS: Coast to Coast Connection,” featuring  bass legend Stanley Clarke on February 23, 2018! “This collaboration with the jazz star and Return to Forever bassist/composer, Stanley Clarke involved the recording of new compositions I wrote taken from my roots in jazz, classical, blues and rock music,” says Holz. Joining Holz and Clarke is former Mahavishnu Orchestra bassist Ralphe Armstrong who currently plays in Holz's touring band, Bob Holz and A Vision Forward featuring Jamie Glaser and Ralphe Armstrong. “My compositions have plenty of room for interplay between both bass players,” adds Holz. Bob Holz is presently managed by Roy Holland Productions and is signed to MVD Entertainment Group.

“I'm really honored to record with Stanley Clarke as his music has been a strong influence on me,” added Holz. Clarke has written the music for over 70 major motion pictures in addition to his successful solo career and long tenure as a member of Return To Forever with Chick Corea, Al Di Meola and Lenny White.

“I enjoyed playing this music very much. Good players along with good compositions is always a winning combination!” - Stanley Clarke

The recording took place in Los Angeles with famed sound engineer, Dennis Moody recording, mixing and mastering the performances. “Dennis mixed my last album and really knows how to create a world class record,” continued Holz. Moody also helped out with mixing Holz's band live last May at Catalina Bar and Grill Jazz Club in Hollywood, California. Stanley Clarke also attended that concert which led to the upcoming recording session for Holz's next album. Additionally, Executive Producer Rob Stathis once again contributed his production skills to the making of the record. Rob Stathis has been involved with producing Holz's past collaborations with guitarist/composer the late Larry Coryell. “The loss of Larry Coryell last February was really rough. Bob and I want to continue in the tradition which Larry excelled in,” says Stathis.

“Many years I have been friends with Stanley Clarke, we talked about recording together!! Bob Holz made it happen on this recording!” - Ralphe Armstrong

Since the February 2017 release of Holz's second album, “Visions and Friends,” Holz's touring band, Bob Holz and A Vision Forward featuring Jamie Glaser and Ralphe Armstrong has played numerous live concerts from New York to California. The band features guitar guru Jamie Glaser (Chick Corea, Jean Luc Ponty, Bryan Adams) and bass virtuoso Ralphe Armstrong (Mahavishnu Orchestra, Herbie Hancock). Los Angeles based keyboardist Billy Steinway has been an integral contributor to Holz's efforts playing both live shows and recording sessions. Steinway also joined Holz, Clarke and Armstrong on the recordings for the new album.

To purchase Bob Holz “VISIONS: Coast to Coast connection” CD: 
https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=bob+holz+visions+coast+to+coast+connection
https://itunes.apple.com/us/album/visions-and-friends/id1177697242

For more information: http://www.bobholzband.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drum Legend Simon Phillips To Release "Protocol 4" October 27, 2017!

Drum legend & producer extraordinaire Simon Phillips will be releasing “Protocol 4” on October 27th on Phantom Recordings, distributed by AMPED™. Simon Phillips is by far one of the world's most renowned and respected drummers, whose style not only reflects his technical gift but also his distinct musical sensibility. Whether it is Rock, Fusion, Jazz or World, Simon applies the same precision and intensity to his drumming, which is never lacking in emotion and feel.

Simon has upped the ante with his newest instrumental recording “Protocol 4.” Building on his past Protocol projects, Simon has again enlisted the highly talented bassist Ernest Tibbs along with Protocol newcomers, the superb veteran guitar shredder Greg Howe and keyboard virtuoso Dennis Hamm. All compositions were written by Simon while on tour.

“The first time I've really been able to concentrate on writing material on the road. Lots of creativity on airplanes and in hotel and backstage dressing rooms,” says Phillips. Perhaps the vibe and energy of touring accounts for the slightly more “metallic edge” to this new album. But, as is always the case, Simon's music defies specific labels as he fuses elements of rock, jazz, funk, classical and even world music into the mix. A case in point being the track “Celtic Run” combining a Celtic rhythmic motif with blazing guitar and synthesizer leads all held together with Phillips signature ultra-tight drumming and Tibbs ever solid bass work. “Passage to Agra” is a rhythmic musical excursion to an exotic foreign land. The tracks “Pentangle” and “Solitaire” both contain some super funky grooves underlying jaw dropping metallic jazz/rock soloing. Greg Howe's guitar work shines throughout the recording, perhaps no more so than the plaintive and anthem-like track “Phantom Voyage.” Dennis Hamm's keyboard work is stunning on each and every track, whether he's soloing or adding lush orchestration. The album concludes with the monster high energy fusion track “Azorez.”

In addition to awesome musicianship, Simon's impeccable production and recording technique shine once more on this album. “Protocol 4” is certain to please longstanding Simon Phillips aficionados and is certain to also bring new Protocol fans into the fold.



Bios

Simon Phillips (Drums) - To date Simon Phillips has toured and recorded with many bands and artists, including: Mick Jagger, The Who, Jeff Beck, Jack Bruce, Peter Gabriel, Joe Satriani, Tears for Fears, Judas Priest, Roxy Music, Michael Schenker, Nik Kershaw, Al DiMeola, 801, Pete Townshend, Robert Palmer, Mike Oldfield, Stanley Clarke, The Pretenders, Whitesnake and Dave Gilmore... to name but a few. Expanding his career from drumming to composing, Simon recorded his first solo album “Protocol” in 1988, followed by a live album, “Force Majeure,” in 1992. During that year he joined Toto on their Kingdom Of Desire tour of the World, the start of a 21 year collaboration. He recorded his third solo album, “Symbiosis,” in 1995 and “Another Lifetime” in 1997. “Out of the Blue,” a live album, followed in 1998 and in 1999 he released “Vantage Point,” which is a pure, straight ahead jazz album in collaboration with pianist Jeff Babko. Yet another expansion to Simon's musical career is producing and engineering, which he first started back in England with British composer Mike Oldfield, working on three albums with him. Aside from his solo projects, Simon also co-produced several albums by Toto. In 2009 he formed PSP with Philippe Saisse and Pino Palladino. A live CD and an EP was produced and tours of Europe and Japan in 2011 & 2012.  In 2010 he joined Michael Schenker for a short tour of Japan and performed with Trilok Gurtu and the NDR Big Band for an amazing project resulting in the “21 Spices” CD. That year Simon was approached by Japanese virtuoso pianist Hiromi to form “The Trio Project” together with bass legend Anthony Jackson. The trio has recorded four CDs: “Voice,” “Move,” “Alive” and “Spark” and has been touring throughout the World the past 6 years. 25 years after his first solo recording, Simon released “Protocol II” featuring Andy Timmons (Guitar), Steve Weingart (Keys) and Ernest Tibbs (Bass). The band, under the name of “Protocol II,” toured in Europe, the US and Japan. At the beginning of 2014 “Protocol III” was recorded and tours of Europe, Japan and the US followed. And now much to the excitement of Simon Phillips fans worldwide, the new CD, “Protocol 4,” will be released on October 27th!

Ernest Tibbs (Bass) – Ernest has worked with Natalie Cole, Dionne Warwick, Gladys Knight (musical Madam Lilly), James Ingram, Melba Moore, Eloise Laws, and Debra Laws. Ernest has also toured and/or performed with Allan Holdsworth, Simon Phillips, Dean Brown, Harvey Mason, Scott Henderson, Andy Summers, Jeff Richman, Thom Rotella, David Benoit, David Garfield, Phil Upchurch, Dan Segal, Tom Scott, Eric Marienthal, Brian Auger, Ronnie Laws, Jeff Lorber, Gregg Karukas, Kevin Toney, Pat Kelley, Lee Ritenour, John Pisano, Brian Bromberg, Brandon Fields, Norman Brown, Russian Pop Star Alsou, as well as symphony orchestras in San Francisco, Atlanta, and Los Angeles.

Greg Howe (Guitar) - Greg has collaborated with artists such as Dennis Chambers, Victor Wooten, Richie Kotzen, Jason Becker, Billy Sheehan, Stu Hamm, Simon Phillips, Marco Minneman, John Wetton, Dave Weckl, Bernie Worrell, Gregg Rolie, Eddie Jobson, and many others. He's also made a name for himself as a stellar sideman and session musician with artists like Michael Jackson, Justin Timberlake, Christina Aguilera, Rihanna, Enrique Iglesias, and many more. Greg Howe endorses: DV Mark Amps, Kiesel Guitars, D'Addario Strings, Seymour Duncan Pickups, and Carl Martin Pedals.

Dennis Hamm (Keyboards) - Currently he can be seen on tour around the world performing with Thundercat (Stephen Bruner), Flying Lotus (Captain Murphy), Larry Carlton, Jonathan Butler, and Virgil Donati. Recent past tours and performances include Allan Holdsworth, Chris Cornell, Kenny “Babyface” Edmonds, Ryan Leslie, John Densmore (The Doors), Bilal, and Judith Hill (Michael Jackson). Other artists he has performed or recorded with are Kenny Loggins, Pete Escovedo, Will Kennedy & Jimmy Haslip (The Yellowjackets), Walter Smith III, Jojo Mayer, Ronald Bruner Jr., Cliff Almond, Frank Gambale, Hadrien Feraud, Jimmy Johnson, Janek Gwizdala, Bob Reynolds, Marcus Belgrave, Tony Macalpine, Mike Miller, Thomas Pridgen, Sheila E, Justo Almario, Tony Royster Jr., Melvin Davis, Jimmy Branly, Brian Bromberg, Renee Olstead, Carlitos del Puerto, Sandro Albert, Buck Owens' “Buckaroos”, Monty Byrom, The Smokin' Armadillos, and his own original projects including funk/jazz group Mother Funk Conspiracy featuring L.A. saxophonist Zane Musa.

Protocol European & US Tour 2017
Simon's new band will be on tour promoting “Protocol 4” starting October 26th.
October 26, 2017 Zug CH Theatrer Casino Zug
October 27, 2017 Verona IT Theatro Ristori
October 28, 2017 San Dona Di Piave IT Revolver Club
October 29, 2017 Rome IT Crossroads
October 30, 2017 Bologna IT Bravo Caffe
October 31, 2017 Bologna IT Bravo Caffe
November 2, 2017 Waidhoen AD Ybbs AT Plenkersaal
November 3, 2017 Katovice PL NOP SR
November 4, 2017 Krakow PL Club TBA
November 6, 2017 Vienna AT Porgy & Bess
November 8, 2017 Buhl DE Jazztival
November 9, 2017 Ravensburg DE Trans4Jazz
November 10, 2017 Reichenburg DE Bergkeller
November 11, 2017 Munster DE Jovel
November 13, 2017 Hobro DK Bil Forretningen
November 14, 2017 Kolding DK Godset
November 15, 2017 Copenhagen DK Amager Bio
November 16, 2017 Oslo NO Cosmopolite
November 17, 2017 Larvik NO Bolgen Kulturhus
November 18, 2017 Gothenburg SE Nefertiti
November 19, 2017 Stockholm SE Fasching
November 20, 2017 London UK Ronnie Scott's
November 21, 2017 London UK Ronnie Scott's
November 23, 2017 Hasbergen DE Masterclass
November 24, 2017 Hasbergen DE Gaste Garage
November 25, 2017 Hasbergen DE Gaste Garage
November 26, 2017 Zoetermeer NL De Boerderij
November 27, 2017 Hengelo NL Metropol
November 28, 2017 Verviers BE Spirit Of 66
November 29, 2017 Aschaffenburg DE Colos-Saal
November 30, 2017 Tallinn EE Russian Cultural Cnt
December 1, 2017 Rorschach CH Jazzclub Rorschach
December 2, 2017 Lichtenstein LI Little Big Beat Studios
December 4, 2017 New York City NY Iridium
December 5, 2017 New York City NY Iridium
December 6, 2017 New Hope PA Havana
December 8, 2017 Chicago IL Reggie's
December 9, 2017 Chicago IL Reggie's
December 10, 2017 Detroit MI Jazz Café @ Music Hall
December 12, 2017 Hollywood CA Catalina's Bar & Grill
December 13, 2017 Hollywood CA Catalina's Bar & Grill
December 14, 2017 Santa Cruz CA Kuumbwa Jazz Center
December 18, 2017 Oakland CA Yoshi's

Note: the live ensemble features: Otmaro Ruiz on Keyboards:
Otmaro Ruiz (Keyboards) - Considered one of the most important jazz pianists in the current scene, venezuelan Otmaro Ruiz is known for his versatility and virtuosity. He has worked with music artists: John McLaughlin, Tito Puente, Arturo Sandoval, John Patitucci, Paquito D'Rivera, Jing Chi, Nana Caymmi, Dori Caymmi, Akira Jimbo, Frank Gambale, Peter Erskine, Dave Weckl, Art Davis Quintet, Charlie Haden Liberation Music Orchestra, Alain Caron, Gino Vannelli, Tolu, Frank Morgan, Robben Ford, Vinnie Colaiuta and Jon Anderson. Otmaro Ruiz enjoys a US support deal from KAWAI Pianos and proudly endorses products from the following companies: LP (Latin Percussion), ART, RADIAL ENGINEERING, MACKIE, ZOOM, PRIMACOUSTIC, US MUSIC CORP (QuikLok, Washburn Guitars), SCARBEE and ILIO/SPECTRASONIC.

To purchase Simon Phillips “Protocol 4”: https://www.amazon.com/Protocol-4-Simon-Phillips/dp/B076F4LD3G

For more information: http://www.simon-phillips.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drum Legend Simon Phillips To Release "Protocol 4" October 27, 2017!

Drum legend & producer extraordinaire Simon Phillips will be releasing “Protocol 4” on October 27th on Phantom Recordings, distributed by AMPED™. Simon Phillips is by far one of the world's most renowned and respected drummers, whose style not only reflects his technical gift but also his distinct musical sensibility. Whether it is Rock, Fusion, Jazz or World, Simon applies the same precision and intensity to his drumming, which is never lacking in emotion and feel.

Simon has upped the ante with his newest instrumental recording “Protocol 4.” Building on his past Protocol projects, Simon has again enlisted the highly talented bassist Ernest Tibbs along with Protocol newcomers, the superb veteran guitar shredder Greg Howe and keyboard virtuoso Dennis Hamm. All compositions were written by Simon while on tour.

“The first time I've really been able to concentrate on writing material on the road. Lots of creativity on airplanes and in hotel and backstage dressing rooms,” says Phillips. Perhaps the vibe and energy of touring accounts for the slightly more “metallic edge” to this new album. But, as is always the case, Simon's music defies specific labels as he fuses elements of rock, jazz, funk, classical and even world music into the mix. A case in point being the track “Celtic Run” combining a Celtic rhythmic motif with blazing guitar and synthesizer leads all held together with Phillips signature ultra-tight drumming and Tibbs ever solid bass work. “Passage to Agra” is a rhythmic musical excursion to an exotic foreign land. The tracks “Pentangle” and “Solitaire” both contain some super funky grooves underlying jaw dropping metallic jazz/rock soloing. Greg Howe's guitar work shines throughout the recording, perhaps no more so than the plaintive and anthem-like track “Phantom Voyage.” Dennis Hamm's keyboard work is stunning on each and every track, whether he's soloing or adding lush orchestration. The album concludes with the monster high energy fusion track “Azorez.”

In addition to awesome musicianship, Simon's impeccable production and recording technique shine once more on this album. “Protocol 4” is certain to please longstanding Simon Phillips aficionados and is certain to also bring new Protocol fans into the fold.



Bios

Simon Phillips (Drums) - To date Simon Phillips has toured and recorded with many bands and artists, including: Mick Jagger, The Who, Jeff Beck, Jack Bruce, Peter Gabriel, Joe Satriani, Tears for Fears, Judas Priest, Roxy Music, Michael Schenker, Nik Kershaw, Al DiMeola, 801, Pete Townshend, Robert Palmer, Mike Oldfield, Stanley Clarke, The Pretenders, Whitesnake and Dave Gilmore... to name but a few. Expanding his career from drumming to composing, Simon recorded his first solo album “Protocol” in 1988, followed by a live album, “Force Majeure,” in 1992. During that year he joined Toto on their Kingdom Of Desire tour of the World, the start of a 21 year collaboration. He recorded his third solo album, “Symbiosis,” in 1995 and “Another Lifetime” in 1997. “Out of the Blue,” a live album, followed in 1998 and in 1999 he released “Vantage Point,” which is a pure, straight ahead jazz album in collaboration with pianist Jeff Babko. Yet another expansion to Simon's musical career is producing and engineering, which he first started back in England with British composer Mike Oldfield, working on three albums with him. Aside from his solo projects, Simon also co-produced several albums by Toto. In 2009 he formed PSP with Philippe Saisse and Pino Palladino. A live CD and an EP was produced and tours of Europe and Japan in 2011 & 2012.  In 2010 he joined Michael Schenker for a short tour of Japan and performed with Trilok Gurtu and the NDR Big Band for an amazing project resulting in the “21 Spices” CD. That year Simon was approached by Japanese virtuoso pianist Hiromi to form “The Trio Project” together with bass legend Anthony Jackson. The trio has recorded four CDs: “Voice,” “Move,” “Alive” and “Spark” and has been touring throughout the World the past 6 years. 25 years after his first solo recording, Simon released “Protocol II” featuring Andy Timmons (Guitar), Steve Weingart (Keys) and Ernest Tibbs (Bass). The band, under the name of “Protocol II,” toured in Europe, the US and Japan. At the beginning of 2014 “Protocol III” was recorded and tours of Europe, Japan and the US followed. And now much to the excitement of Simon Phillips fans worldwide, the new CD, “Protocol 4,” will be released on October 27th!

Ernest Tibbs (Bass) – Ernest has worked with Natalie Cole, Dionne Warwick, Gladys Knight (musical Madam Lilly), James Ingram, Melba Moore, Eloise Laws, and Debra Laws. Ernest has also toured and/or performed with Allan Holdsworth, Simon Phillips, Dean Brown, Harvey Mason, Scott Henderson, Andy Summers, Jeff Richman, Thom Rotella, David Benoit, David Garfield, Phil Upchurch, Dan Segal, Tom Scott, Eric Marienthal, Brian Auger, Ronnie Laws, Jeff Lorber, Gregg Karukas, Kevin Toney, Pat Kelley, Lee Ritenour, John Pisano, Brian Bromberg, Brandon Fields, Norman Brown, Russian Pop Star Alsou, as well as symphony orchestras in San Francisco, Atlanta, and Los Angeles.

Greg Howe (Guitar) - Greg has collaborated with artists such as Dennis Chambers, Victor Wooten, Richie Kotzen, Jason Becker, Billy Sheehan, Stu Hamm, Simon Phillips, Marco Minneman, John Wetton, Dave Weckl, Bernie Worrell, Gregg Rolie, Eddie Jobson, and many others. He's also made a name for himself as a stellar sideman and session musician with artists like Michael Jackson, Justin Timberlake, Christina Aguilera, Rihanna, Enrique Iglesias, and many more. Greg Howe endorses: DV Mark Amps, Kiesel Guitars, D'Addario Strings, Seymour Duncan Pickups, and Carl Martin Pedals.

Dennis Hamm (Keyboards) - Currently he can be seen on tour around the world performing with Thundercat (Stephen Bruner), Flying Lotus (Captain Murphy), Larry Carlton, Jonathan Butler, and Virgil Donati. Recent past tours and performances include Allan Holdsworth, Chris Cornell, Kenny “Babyface” Edmonds, Ryan Leslie, John Densmore (The Doors), Bilal, and Judith Hill (Michael Jackson). Other artists he has performed or recorded with are Kenny Loggins, Pete Escovedo, Will Kennedy & Jimmy Haslip (The Yellowjackets), Walter Smith III, Jojo Mayer, Ronald Bruner Jr., Cliff Almond, Frank Gambale, Hadrien Feraud, Jimmy Johnson, Janek Gwizdala, Bob Reynolds, Marcus Belgrave, Tony Macalpine, Mike Miller, Thomas Pridgen, Sheila E, Justo Almario, Tony Royster Jr., Melvin Davis, Jimmy Branly, Brian Bromberg, Renee Olstead, Carlitos del Puerto, Sandro Albert, Buck Owens' “Buckaroos”, Monty Byrom, The Smokin' Armadillos, and his own original projects including funk/jazz group Mother Funk Conspiracy featuring L.A. saxophonist Zane Musa.

Protocol European & US Tour 2017
Simon's new band will be on tour promoting “Protocol 4” starting October 26th.
October 26, 2017 Zug CH Theatrer Casino Zug
October 27, 2017 Verona IT Theatro Ristori
October 28, 2017 San Dona Di Piave IT Revolver Club
October 29, 2017 Rome IT Crossroads
October 30, 2017 Bologna IT Bravo Caffe
October 31, 2017 Bologna IT Bravo Caffe
November 2, 2017 Waidhoen AD Ybbs AT Plenkersaal
November 3, 2017 Katovice PL NOP SR
November 4, 2017 Krakow PL Club TBA
November 6, 2017 Vienna AT Porgy & Bess
November 8, 2017 Buhl DE Jazztival
November 9, 2017 Ravensburg DE Trans4Jazz
November 10, 2017 Reichenburg DE Bergkeller
November 11, 2017 Munster DE Jovel
November 13, 2017 Hobro DK Bil Forretningen
November 14, 2017 Kolding DK Godset
November 15, 2017 Copenhagen DK Amager Bio
November 16, 2017 Oslo NO Cosmopolite
November 17, 2017 Larvik NO Bolgen Kulturhus
November 18, 2017 Gothenburg SE Nefertiti
November 19, 2017 Stockholm SE Fasching
November 20, 2017 London UK Ronnie Scott's
November 21, 2017 London UK Ronnie Scott's
November 23, 2017 Hasbergen DE Masterclass
November 24, 2017 Hasbergen DE Gaste Garage
November 25, 2017 Hasbergen DE Gaste Garage
November 26, 2017 Zoetermeer NL De Boerderij
November 27, 2017 Hengelo NL Metropol
November 28, 2017 Verviers BE Spirit Of 66
November 29, 2017 Aschaffenburg DE Colos-Saal
November 30, 2017 Tallinn EE Russian Cultural Cnt
December 1, 2017 Rorschach CH Jazzclub Rorschach
December 2, 2017 Lichtenstein LI Little Big Beat Studios
December 4, 2017 New York City NY Iridium
December 5, 2017 New York City NY Iridium
December 6, 2017 New Hope PA Havana
December 8, 2017 Chicago IL Reggie's
December 9, 2017 Chicago IL Reggie's
December 10, 2017 Detroit MI Jazz Café @ Music Hall
December 12, 2017 Hollywood CA Catalina's Bar & Grill
December 13, 2017 Hollywood CA Catalina's Bar & Grill
December 14, 2017 Santa Cruz CA Kuumbwa Jazz Center
December 18, 2017 Oakland CA Yoshi's

Note: the live ensemble features: Otmaro Ruiz on Keyboards:
Otmaro Ruiz (Keyboards) - Considered one of the most important jazz pianists in the current scene, venezuelan Otmaro Ruiz is known for his versatility and virtuosity. He has worked with music artists: John McLaughlin, Tito Puente, Arturo Sandoval, John Patitucci, Paquito D'Rivera, Jing Chi, Nana Caymmi, Dori Caymmi, Akira Jimbo, Frank Gambale, Peter Erskine, Dave Weckl, Art Davis Quintet, Charlie Haden Liberation Music Orchestra, Alain Caron, Gino Vannelli, Tolu, Frank Morgan, Robben Ford, Vinnie Colaiuta and Jon Anderson. Otmaro Ruiz enjoys a US support deal from KAWAI Pianos and proudly endorses products from the following companies: LP (Latin Percussion), ART, RADIAL ENGINEERING, MACKIE, ZOOM, PRIMACOUSTIC, US MUSIC CORP (QuikLok, Washburn Guitars), SCARBEE and ILIO/SPECTRASONIC.

To purchase Simon Phillips “Protocol 4”: https://www.amazon.com/Protocol-4-Simon-Phillips/dp/B076F4LD3G

For more information: http://www.simon-phillips.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drum Legend and Rock & Roll Hall of Fame Inductee Bill Bruford Releases Definitive Boxed Set, "Bruford 1977-1980: Seems Like A Lifetime Ago"

Pre-order the Limited Edition 8-disc Box Set, with unreleased, remixed or remastered material & a signed certificate

Drum legend and Rock & Roll Hall of Fame inductee Bill Bruford, best known for his work with YES, King Crimson, Genesis and his prolific solo career, is releasing the definitive boxed set “Bruford 1977-1980: Seems Like A Lifetime Ago.” Scheduled for release on Winterfold Records on October 28th, pre-orders are now being taken for the Limited Edition 8-disc set, which features unreleased, remixed or remastered material & a signed certificate.

WATCH THE PREVIEWS:

Bill Bruford reflects on embarking on a solo career and forming Bruford: “I wanted to play drums in a certain way and if you want to hear them played in that way you've got to write the song. You've got to control the audio environment in which your drums are going to be heard and once you're doing that you're into a solo career. Looking back, the band despatched these tricky little compositions with a smile on its face; with brio, vigour and only a handful of wrong notes. The band was over-caffeinated - short on subtlety but long on the sort of majestic stately themes with antecedents in progressive rock that set it apart from contemporaneous American outfits. We were a rock group with a jazz sensibility, rather than a jazz group with rock leanings.”

WHAT'S IN THE BOX? 
A new 8-disc limited edition set of previously unreleased, remixed, or remastered material from the Bruford band of the late 1970s, presented in a 12” box complete with 16-page colour booklet and a signed, numbered certificate of authentication. Four gatefold sleeves contain two discs each:

Disc 1 DVD: Feels Good To Me: 5.1 surround sound mix and original 1978 mix remastered
Disc 2 CD: Feels Good To Me: 2017 Jakko Jakszyk remix from original master tapes
Disc 3 DVD: One of a Kind: 5.1 surround sound mix and original 1979 mix remastered plus additional audio
Disc 4 CD: One of a Kind: 2017 Jakko Jakszyk remix from original master tapes
Disc 5 CD: Gradually Going Tornado: remastered
Disc 6 CD: The Bruford Tapes: remastered with bonus track
Disc 7 CD: Live at the Venue: previously unreleased: recorded London 1980
Disc 8 CD: The 4th Album Rehearsal Sessions: previously unreleased: eighteen sketches of new material recorded 1980

ALSO INCLUDES:
16-page 12” booklet with a Sid Smith essay, new interviews with producer, engineer, band members, eyewitnesses and others, previously unseen archive visual material, and the complete band date sheet with contemporary critical reaction. Also two black and white 10” x 8” band photos, one A3 size colour poster accompanying “Live at the Venue”, and one signed, numbered certificate of authentication. The boxed set is produced by Bill Bruford.

Containing the collected works of Bruford on one extraordinary 6cd/2dvd-a box set, “Seems Like A Lifetime Ago” is a magnificent testament to one of the UK's most inventive and important Progressive Fusion bands.

Featuring 2017 remastered versions of the albums “Feels Good To Me” (1978), “One Of A Kind” (1979), “The Bruford Tapes” (1979), and “Gradually Going Tornado” (1980), the set additionally includes the previously unreleased “Live At The Venue” (from 1980) and the highly sought after “4th Album Rehearsal Sessions” (also from 1980).



“Bruford 1977-1980: Seems Like A Lifetime Ago” showcases the prodigious talents of Bill Bruford, Dave Stewart, the late Allan Holdsworth (who the album is dedicated to), Jeff Berlin and The 'Unknown' John Clark.

Says Dave Stewart, “The great thing about Bill is that he's not just a drummer. He doesn't just think about what he's playing...he's thinking about the whole picture; thinking about soundscapes; what the guitar is doing; the arrangement; the keyboard sounds and so on. He's got this composer/arranger mentality which was there from the beginning and he evolved through the life of the band. He's a deep-thinking musician and it was great working with him for that very reason.”

Jeff Berlin adds, “I learned a lot from Bill. Bill was the person who opened more doors for me not only with regards to reputation...he opened up doors to me about sound, presentation, interplay, the elements of a performance, the elements of group interaction. I think it was one of the happiest and musically productive periods I ever had in my career. I was working with fine human beings and with fine musicians.”

“Feels Good To Me” and “One Of A Kind” are available on both remastered CD and DVD-a, the latter featuring 2017 5.1 mixes by Jakko Jakszyk. Says King Crimson's Jakszyk on remixing “Feels Good To Me” and “One Of A Kind” into surround sound, “I use the original mixes as a guide and Bill handed over the whole 5.1 remix to me. It becomes an immersive experience. I'm not talking about flying instruments around 360 degrees. While that's possible it's also ridiculous...it's all about sculpting the sound into three dimensions. The new versions of these albums sound much bigger, fatter and warmer and whilst I'm keen to take credit for that the reality is that this is Dave Stewart, Jeff Berlin, Bill Bruford and Allan Holdsworth, and it's not just about their playing abilities; it's that they've got their sound together and what you need to do is replicate that and not mess about with it.”

To pre-order Bill Bruford's “Bruford 1977-1980: Seems Like A Lifetime Ago” Boxed Set:
Burning Shed: https://burningshed.com/bruford_feels-like-a-lifetime-ago_boxset
PledgeMusic: www.pledgemusic.com/bruford

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Drum Legend and Rock & Roll Hall of Fame Inductee Bill Bruford Releases Definitive Boxed Set, "Bruford 1977-1980: Seems Like A Lifetime Ago"

Pre-order the Limited Edition 8-disc Box Set, with unreleased, remixed or remastered material & a signed certificate

Drum legend and Rock & Roll Hall of Fame inductee Bill Bruford, best known for his work with YES, King Crimson, Genesis and his prolific solo career, is releasing the definitive boxed set “Bruford 1977-1980: Seems Like A Lifetime Ago.” Scheduled for release on Winterfold Records on October 28th, pre-orders are now being taken for the Limited Edition 8-disc set, which features unreleased, remixed or remastered material & a signed certificate.

WATCH THE PREVIEWS:

Bill Bruford reflects on embarking on a solo career and forming Bruford: “I wanted to play drums in a certain way and if you want to hear them played in that way you've got to write the song. You've got to control the audio environment in which your drums are going to be heard and once you're doing that you're into a solo career. Looking back, the band despatched these tricky little compositions with a smile on its face; with brio, vigour and only a handful of wrong notes. The band was over-caffeinated - short on subtlety but long on the sort of majestic stately themes with antecedents in progressive rock that set it apart from contemporaneous American outfits. We were a rock group with a jazz sensibility, rather than a jazz group with rock leanings.”

WHAT'S IN THE BOX? 
A new 8-disc limited edition set of previously unreleased, remixed, or remastered material from the Bruford band of the late 1970s, presented in a 12” box complete with 16-page colour booklet and a signed, numbered certificate of authentication. Four gatefold sleeves contain two discs each:

Disc 1 DVD: Feels Good To Me: 5.1 surround sound mix and original 1978 mix remastered
Disc 2 CD: Feels Good To Me: 2017 Jakko Jakszyk remix from original master tapes
Disc 3 DVD: One of a Kind: 5.1 surround sound mix and original 1979 mix remastered plus additional audio
Disc 4 CD: One of a Kind: 2017 Jakko Jakszyk remix from original master tapes
Disc 5 CD: Gradually Going Tornado: remastered
Disc 6 CD: The Bruford Tapes: remastered with bonus track
Disc 7 CD: Live at the Venue: previously unreleased: recorded London 1980
Disc 8 CD: The 4th Album Rehearsal Sessions: previously unreleased: eighteen sketches of new material recorded 1980

ALSO INCLUDES:
16-page 12” booklet with a Sid Smith essay, new interviews with producer, engineer, band members, eyewitnesses and others, previously unseen archive visual material, and the complete band date sheet with contemporary critical reaction. Also two black and white 10” x 8” band photos, one A3 size colour poster accompanying “Live at the Venue”, and one signed, numbered certificate of authentication. The boxed set is produced by Bill Bruford.

Containing the collected works of Bruford on one extraordinary 6cd/2dvd-a box set, “Seems Like A Lifetime Ago” is a magnificent testament to one of the UK's most inventive and important Progressive Fusion bands.

Featuring 2017 remastered versions of the albums “Feels Good To Me” (1978), “One Of A Kind” (1979), “The Bruford Tapes” (1979), and “Gradually Going Tornado” (1980), the set additionally includes the previously unreleased “Live At The Venue” (from 1980) and the highly sought after “4th Album Rehearsal Sessions” (also from 1980).



“Bruford 1977-1980: Seems Like A Lifetime Ago” showcases the prodigious talents of Bill Bruford, Dave Stewart, the late Allan Holdsworth (who the album is dedicated to), Jeff Berlin and The 'Unknown' John Clark.

Says Dave Stewart, “The great thing about Bill is that he's not just a drummer. He doesn't just think about what he's playing...he's thinking about the whole picture; thinking about soundscapes; what the guitar is doing; the arrangement; the keyboard sounds and so on. He's got this composer/arranger mentality which was there from the beginning and he evolved through the life of the band. He's a deep-thinking musician and it was great working with him for that very reason.”

Jeff Berlin adds, “I learned a lot from Bill. Bill was the person who opened more doors for me not only with regards to reputation...he opened up doors to me about sound, presentation, interplay, the elements of a performance, the elements of group interaction. I think it was one of the happiest and musically productive periods I ever had in my career. I was working with fine human beings and with fine musicians.”

“Feels Good To Me” and “One Of A Kind” are available on both remastered CD and DVD-a, the latter featuring 2017 5.1 mixes by Jakko Jakszyk. Says King Crimson's Jakszyk on remixing “Feels Good To Me” and “One Of A Kind” into surround sound, “I use the original mixes as a guide and Bill handed over the whole 5.1 remix to me. It becomes an immersive experience. I'm not talking about flying instruments around 360 degrees. While that's possible it's also ridiculous...it's all about sculpting the sound into three dimensions. The new versions of these albums sound much bigger, fatter and warmer and whilst I'm keen to take credit for that the reality is that this is Dave Stewart, Jeff Berlin, Bill Bruford and Allan Holdsworth, and it's not just about their playing abilities; it's that they've got their sound together and what you need to do is replicate that and not mess about with it.”

To pre-order Bill Bruford's “Bruford 1977-1980: Seems Like A Lifetime Ago” Boxed Set:
Burning Shed: https://burningshed.com/bruford_feels-like-a-lifetime-ago_boxset
PledgeMusic: www.pledgemusic.com/bruford

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com