Concert Review: Lonestar At The Colonial Theater

 

 

Lonestar In Concert At The Colonial With Whiskey City
April 1, 2022
Pittsfield, MA. 

https://www.lonestarnow.com/music.html

 
After two years, it was nice to return to the Colonial Theater in Pittsfield, Massachusetts. It always feels like home there to me. That beautiful theater has hosted some great performances over the years; I have witnessed many.

Lonestar came for a visit, and it was not an April fools' joke.

Before we got to see those famous country artists, we were treated to an excellent local opening act. Whiskey City. Randy Cormier (Guitar / Lead Vocals), Beth Maturevich (Lead Vocal), Dale Zavatter (Bass), Abe Guthrie (Keyboards / Vocals), a new addition to the band, Darrin Todd (Lead Guitar / Vocals), and Frank Algerio (Drums) fill out their great sounds. They encompass a polished and exciting musical formula that includes some of their original tracks and covers.

The musicianship and some of the bands harmonizing throughout the evening were outstanding.

This band was the perfect opener for Lonestar, and there could not have been a better choice. Their originality for a local band is miles ahead of other acts in the area, and they have plenty of their material that stands up well. I have to say that I heard songs that could easily be a hit and something you would listen to on the radio. I am proud to say that Whiskey City is a product of the Berkshires.

Their performance was exemplary, and I got those good-feeling goosebumps a few times during their songs. Randy and Beth are quite a pair of powerful vocalists and animated performers, and I appreciated every moment they shared with us. Only two of the songs out of ten were covers; the rest were original material.

Set List:
01. Greatest Show on Dirt
02. Concrete Rodeo
03. Wasting Time
04. Hate Myself For Loving You (cover)
05. It's The Women
06. Who in The World
07. You're The Reason This Drinks In My Hand
08. Hell of a Lotta Friday Night Ago
09. When Will I Be Loved (cover)
10. Love You Like Crazy

After a great reception and opening show, the audience got a break to stretch their legs and get something to drink. I believe the venue was real close to being sold out. It was the first time they had drinks and food set up on both ends of the main floor to accommodate the audience (at least when I attended).

Now it was time for the legendary opening band to arrive. Lonestar is Dean Sams (keyboards, acoustic guitar, background vocals), Michael Britt (lead guitarist, background vocals), Keech Rainwater (drums), and Drew Womack (lead vocals, guitar).

Lonestar is one of the most successful country crossover bands of all time. They have sold 10 million records with 10 number 1 singles. For fans of the band's catalog, they will be doing a top ten redo of their hits in the studio with plans to release the album in the fall.

Lonestar is excellent live. They are seasoned musicians that can present their well-known catalog of hits with precision and accuracy. You could feel the excitement and anticipation before, during, and after every song. They never took a break; many songs segued into the next.

I took a moment to go to YouTube to watch the original track and video of "Amazed." To date, it has over 56.5+ Million views. I am "amazed" but not surprised. And that is the one song that I thought would be the encore; however, what we got was very good.

I have to be honest; country is not at the top of my list for my concert attendance, but this once again showed me what a great show I may have missed. I am glad I was there to see all the outstanding musicianship and lead vocals, and harmonies that were so outstanding. Gradually my interest in country-rock crossover has grabbed my attention. It takes an impressive group of musicians to change my mind about something, and it was easy to believe in Lone Star right from the start.

Some of my favorite songs were "I'm Already There," a real tear-jerker about a veteran away from their family. Any time there is a song about our heroes of the military, it touches my soul in ways I cannot explain. I am a vet, and my father was also in WWII, so I am sure that has a lot to do with my reactions.'

"Walking In Memphis" and "Amazed" were some of the highlights of the evening, to be sure. The encore was a lot of fun and presented impressively. A montage of songs from past hits and a tribute to the passed on artists like Tom Petty, Dusty Hill (ZZ Top), and several others got a few minutes to spotlight the audience was standing and singing along.

I am re-energized now about live events at The Colonial and hope that more acts like Lonestar will be visiting us in Pittsfield, MA, soon.

A shout goes out to all the staff there for providing excellent seating for my coverage and all the selfless volunteers who assists us with any questions or help with finding our seats.

Keith “MuzikMan” Hannaleck
April 2, 2022

Setlist:
01. What About Now Intro
02. You Walked In
03. Tequila Talkin'
04. Runnin' Away
05. Smile/Tell Her
06. Coming Home
07. Mountains
08. Everything's Changed
09. Whatever Comes First
10. Fancy Like/Intros
11. Hope You Dance
12. Shes Got It All
13. Front Porch
14. Mr.Mom
15. Already There Intro
16. Already There
17. Walking In Memphis
18. Home Cryin' To Me
19. No News/Get Back
20. Amazed Intro
21. Amazed
22. Rock Medley 22

Concert Review: The Ten Tenors in Concert at The Colonial Theater

The Ten Tenors in Concert at The Colonial Theater

March 10, 2017

Pittsfield, Mass.

http://thetentenors.com

The Ten Tenors warmed up a chilled capacity crowd at The Colonial Theater in Pittsfield Massachusetts on a typical blustery winter night in the Berkshires. The crossover classical group is celebrating their 20^th year with the Power of Ten Tour. The tremendously successful act has accounted for six Platinum and Gold records and performed alongside countless music legends including Andrea Bocelli, André Rieu, John Travolta, Nicole Kidman, Geoffrey Rush, Keith Urban, Rod Stewart, Alanis Morissette, Sarah Brightman, Willie Nelson, Katherine Jenkins and Christina Aguilera. It comes as no surprise to me that they have the utmost respect of music industry people all over the world. 

Their set was comprised of two acts of diversity and musical excellence. The very first thing that struck me just before they opened the night was the stage lighting. The lights came shining down on the performers like rays from the heavens. The interesting thing was that it felt like musical heaven while taking in this special evening.

I was impressed with this group of men prior to attending the concert. I watched their cover of the Queen classic “Bohemian Rhapsody” on YouTube (which has over 1.2 million views and counting) and was blown away by their exceptional talent. My first thought after that was how incredible it must be to see them perform on stage! I was even more impressed once the show kicked off with another Queen staple, “We Are The Champions.”

What I was not prepared for was their implausible diversification and electric stage presence. These Australian performers know how to present any kind of music.  Their abilities to do so points to the different ranges that each vocalist commands and how they are positioned on the stage. They do have a good sense of humor as well and the choreography was spot on and always right in sync.

I think the highlights of the night for my ears were the “Jersey Boys Medley” and the encore of “Bohemian Rhapsody” and Bowie’s “Heroes,” which closed out the show and gave me chills several times. I am a huge Bowie fan and always have been so this was the icing on the cake for my night.

I must tip my hat not only to the all-around performance of the ten men but the three others that provided the instrumentation, Ben Kiehne (piano), David Orr (guitar) and Trent Bryson-Dean (drums) were essential to their presentation as well. Without them it would just be voices, which would also sound wonderful. The musicians made a difference and so did the piped in orchestrations they had. Each number came together flawlessly once again proving that the most amazing instrument is the human voice. None of the extras included were necessary, they were just bonuses added to ten incredible vocalists with varying arrays of resonance.

The Ten Tenors are a guaranteed fun night for any music lover. The fact that they cover a wide expanse of genres give them a worldly appeal - from the crowd that appreciates opera to the all-encompassing lovers of pop and rock music. It all comes together for an amazing night of entertainment.

Selfie posted on Facebook of the audience at The Colonial, were you there?

Set List:
 

ACT 1:

WE ARE THE CHAMPIONS

JUST THE WAY YOU ARE

MARECHIARE

TORNA A SURIENTO

LA DANZA 

NOTHING COMPARES TO YOU

HALLELUJAH 

LAND DOWN UNDER

WALTZING MATILDA

STILL CALL

JERSEY BOYS MEDLEY

ACT 2:

CANCION DEL MARIACHI

ARANJUEZ CON TUAMORE

AMIGOS PARA SIEMPRE

DIVA MEDLEY

THINKING OUT LOUD

UNCHAINED MELODY

THE BOXER

ANYTHING FOR LOVE

Encore:

BOHEMIAN RHAPSODY

BOHO NESSUN DORMA

HEROES

Review Provided By: Keith “MuzikMan” Hannaleck

March 12, 2017

Founder of: 

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Concert Review: Ace Frehley and SIMO

Ace Frehley Goes Space Truckin’ At The Colonial Theater

Opening Act SIMO Impresses Capacity Crowd

September 27, 2016

Pittsfield, MA.

                            

 

If you are Kiss fan you were at the Colonial Theater in Pittsfield Massachusetts on Tuesday night. To put it more succinctly, everyone there came to see Ace Frehley. He was the main talent in Kiss and everyone knows it, with the exception of some of his former band mates of course. This is my opinion and that of many others but as with anything else I am sure there are many people that would disagree.

Warm up bands can be a hit or miss proposition and in this case it was a shot that hit dead center for these ears and apparently the capacity audience. 

The band that came on to warm things up for Ace was SIMO, named after the lead guitar player and vocalist J.D. Simo.  This is a classic power trio that included the bass player Elad Shapiro and drummer Adam Abrashoff.  

Abrashoff had a minimal drum kit and what he accomplished with it was amazing. That is real talent when you take something small and make it sound so big. Shapiro is no slouch on the bass either, his fingers are a flash and he is the perfect companion to Abrashoff’s talents J.D. is a very innovative guitar player taking the nod from the blues and the psychedelic era of the 60s ala Hendrix. His voice is tremendously powerful as well.  I also heard plenty of Allman Brothers influence in their music. I could see they use vintage equipment as well to get their sound, obviously a very smart move on their behalf.

At the break I went out to meet J.D. and he confirmed the aforementioned
influences. The band hails from Nashville and they put on a great show. I also picked up their new release Let Love Show The Way on 180-gram vinyl, complete with a poster and download not to mention the retro artwork that acts as time machine (reflecting their influences).  It was priced right as well at $20.00.  I don’t think Ace could have asked for a better warm up band.

After the break the man of the hour arrived. This was going to be a great show; I could feel it in the air. Well, Ace did not disappoint.

I felt like that over energetic 17-year-old again going to see Kiss in the 70s at Springfield Civic Center. It was great to have those memories come rushing back. All you can do is smile inside when that happens. Ace has a great band to support his act and they made their way through 18 songs to rock the audience from start to finish.

Some of the highlights of the evening included the Thin Lizzy cover “Emerald,” “Parasite,” “Rock Soldiers” and an amazing version of the Kiss classic “Cold Gin,” which I thought was the best performance all night. The encore was superb as well capping off the night with “Detroit Rock City” and “Deuce.” 

I grew out of Kiss many years ago but occasionally listen to the first album and Ace’s solo work. People change, get older and some tastes do change however…once a rocker always a rocker. Seeing Ace live and hearing those songs again was a great experience and reminded of why I liked the music in the first place.

Ace is an accomplished guitar man and all of those skills were on display. Even the smoking guitar was present, which I was hoping to see again. If you want a rockin’ good time the ace in the hole, no pun intended, is catching this show live. 

There is something to be said about how this man has been underrated over the years and not given his due by critics and music industry folks alike. Ace Frehley gets my stamp of approval with no hesitation.

Keith “MuzikMan” Hannaleck

September 29, 2016

Set List:

01. Rip It Out
02. Toys
03. Emerald
04. Parasite
05. Love Gun
06. Snow Blind
07. Sister
08. Rocket Ride
09. Bring It On Home
10. Rock Soldiers
11. Bass Solo
12. Strange Ways
13. N.Y Groove
14. 2 Young 2 Die
15. Shock Me
16. Cold Gin
Encore:
17. Detroit Rock City
18. Deuce

Concert Review: Kansas at The Colonial Theater

Kansas In Concert At The Colonial Theater

UCP Life Without Limits Benefit

Pittsfield, Massachusetts

March 26, 2016

http://www.kansasband.com/

Phil Ehart (drums), Richard Williams (guitar), Ronnie Platt (vocals, keyboards), Billy Greer (bass, vocals), David Manion (keyboards, vocals) and David Ragsdale (violin, guitar, vocals) are Kansas.  

The show benefited United Cerebral Palsy of Berkshire County. The “Life Without Limits” concert replaces UCP’s annual fundraising telethon, which ended last year after more than five decades.

Ms. Brittany Dorwin (pictured here) whom I have known since she was a baby was crowned the Massachusetts Jr. Miss Amazing 2016. She will move on to the Nationals in Chicago very soon. If you are interested in sponsoring her trip to Chicago on June 30^TH make your donation here http://www.missamazing2016.com/sponsor-a-queen. 

Brittany certainly fits the description of amazing. I have never looked at her as someone with a disability; she is an intelligent, funny, warm, and a loving soul. Thanks to her wonderful parents Pam and Dan and the support of her sister Samantha, she was given every opportunity for a normal and healthy upbringing. The event was very special for her and everyone that knows her. Congratulations Brit we love you!

This was the third time I have seen Kansas and all with different line ups. I would have to say after watching them last night that they are as tight as ever and sounded fantastic! There are two original members left, founder and drummer Phil Ehart and guitarist Richard Williams. Billy Greer has been with the band since 1985 and quickly became one of the foundations of their sound with his bass and strong vocals (He also has been in Seventh Key and Native Window). Ronnie Platt is the most recent addition holding down the lead vocals that I am aware of. He is voice is very strong and reminiscent of the great Steve Walsh the original voice of the band. 

Their set was very efficient with very little band to audience exchanges. Kansas is one of the true prog rock innovators and legends that are still performing today. The sound they present is mixture of rock, classical and pop and for the most part remains very complex. It is the kind of music built for improvisation and although they stay true to a planned set list they really stretch out musically much to the delight of their audiences. 

David Ragsdale is a multi-talented component offering his distinct violin sounds along with guitar and backing vocals. Phil Earhart is the rock of the band and always was. His drumming is extraordinary and he makes it look so effortless. Watching a superb progressive rock band is a real audio visual treat that you simply cannot forget.

Some of favorites of the night was the opener “Point of Know Return,” “Miracles Out of Nowhere,”  “Belexes,” which was a crazy transitioning number that required an enormous amount of talent to perform, and “Portrait (He Knew),” which was inspired by Albert Einstein.

This was a great night for many reasons and one I believe the packed house at The Colonial are going to remember for a long time. Witnessing the raucous applause, hand clapping and whistles from the audience for their encore was proof positive that they still are relevant force in music and their songs are unforgettable. To all of you people that decided your cellphones were more important than what you where there for, you missed a great show!

Keith “MuzikMan” Hannaleck-Founder Write A Music Review, Prog Rock Music Talk, New Age Music Reviews, MuzikMan Productions, Rate The Tracks, MuzikMan Reviews

March 27, 2016

Set List:

Point of Know Return

What’s On My Mind

Play The Game

The Wall

Reason To Be

Dust In The Wind

Miracles Out of Nowhere

Icarus

Opus Insert

Closet Chronicles

Hold On

Belexes

Portrait (He Knew)

Sparks of the Tempest

Encore:

Fire

Wayward Son

Concert Review: Kansas at The Colonial Theater

Kansas In Concert At The Colonial Theater

UCP Life Without Limits Benefit

Pittsfield, Massachusetts

March 26, 2016

http://www.kansasband.com/

Phil Ehart (drums), Richard Williams (guitar), Ronnie Platt (vocals, keyboards), Billy Greer (bass, vocals), David Manion (keyboards, vocals) and David Ragsdale (violin, guitar, vocals) are Kansas.  

The show benefited United Cerebral Palsy of Berkshire County. The “Life Without Limits” concert replaces UCP’s annual fundraising telethon, which ended last year after more than five decades.

Ms. Brittany Dorwin (pictured here) whom I have known since she was a baby was crowned the Massachusetts Jr. Miss Amazing 2016. She will move on to the Nationals in Chicago very soon. If you are interested in sponsoring her trip to Chicago on June 30^TH make your donation here http://www.missamazing2016.com/sponsor-a-queen. 

Brittany certainly fits the description of amazing. I have never looked at her as someone with a disability; she is an intelligent, funny, warm, and a loving soul. Thanks to her wonderful parents Pam and Dan and the support of her sister Samantha, she was given every opportunity for a normal and healthy upbringing. The event was very special for her and everyone that knows her. Congratulations Brit we love you!

This was the third time I have seen Kansas and all with different line ups. I would have to say after watching them last night that they are as tight as ever and sounded fantastic! There are two original members left, founder and drummer Phil Ehart and guitarist Richard Williams. Billy Greer has been with the band since 1985 and quickly became one of the foundations of their sound with his bass and strong vocals (He also has been in Seventh Key and Native Window). Ronnie Platt is the most recent addition holding down the lead vocals that I am aware of. He is voice is very strong and reminiscent of the great Steve Walsh the original voice of the band. 

Their set was very efficient with very little band to audience exchanges. Kansas is one of the true prog rock innovators and legends that are still performing today. The sound they present is mixture of rock, classical and pop and for the most part remains very complex. It is the kind of music built for improvisation and although they stay true to a planned set list they really stretch out musically much to the delight of their audiences. 

David Ragsdale is a multi-talented component offering his distinct violin sounds along with guitar and backing vocals. Phil Earhart is the rock of the band and always was. His drumming is extraordinary and he makes it look so effortless. Watching a superb progressive rock band is a real audio visual treat that you simply cannot forget.

Some of favorites of the night was the opener “Point of Know Return,” “Miracles Out of Nowhere,”  “Belexes,” which was a crazy transitioning number that required an enormous amount of talent to perform, and “Portrait (He Knew),” which was inspired by Albert Einstein.

This was a great night for many reasons and one I believe the packed house at The Colonial are going to remember for a long time. Witnessing the raucous applause, hand clapping and whistles from the audience for their encore was proof positive that they still are relevant force in music and their songs are unforgettable. To all of you people that decided your cellphones were more important than what you where there for, you missed a great show!

Keith “MuzikMan” Hannaleck-Founder Write A Music Review, Prog Rock Music Talk, New Age Music Reviews, MuzikMan Productions, Rate The Tracks, MuzikMan Reviews

March 27, 2016

Set List:

Point of Know Return

What’s On My Mind

Play The Game

The Wall

Reason To Be

Dust In The Wind

Miracles Out of Nowhere

Icarus

Opus Insert

Closet Chronicles

Hold On

Belexes

Portrait (He Knew)

Sparks of the Tempest

Encore:

Fire

Wayward Son

Richard Marx In Concert At The Colonial Theater

Richard Marx In Concert At The Colonial Theater

February 19^th 2016

Pittsfield, Mass.

 http://richardmarx.com

Richard Marx came to town Friday night at the Colonial Theater on a not so typical February night in the Berkshires. It has been the strangest winter that I can remember, one weekend its 14 below zero then the next it is pushing 60 degrees. 

The atmosphere at the Colonial was one of anticipation before singer/songwriter Richard Marx hit the stage.

This artist holds a special meaning to me and my wife as his music was making its way to the top of the charts when we met. For me it was a bit of a history lesson as well. Marx has not only had a record number of hits on the charts in a short period of time, he has collaborated with several artists and wrote songs specifically for others that have charted. His debut recording yielded four Top Five singles and he has sold over 30 million albums worldwide.

This night was a man, his voice and guitar, and for a few songs he sat behind the piano. The talent this individual commands was enough and no backup was necessary. His voice is spot on, just as I remember it in the late eighties. He is a true showman, interacting with the audience, telling stories, throwing out quips to engage the audience with laughter, and inviting shout outs. Another thing that I found refreshing was how Marx discarded the house rules of no pictures and videos, encouraging folks to pull out their cell phones, which everyone did simultaneously lighting up the venue.

I was impressed with not only Richard Marx the vocalist but his ability to play the six string acoustic. If you are the only performing artist on stage you had better be able to fill in the space on your vocals and he did that admirably the entire evening. A plugged in acoustic has a great sound and I really appreciate what he had to offer.

He let the audience know that he wanted to give them what they came to hear, namely all the hits. Not only was that ground covered he cut loose with a few others lesser known tracks like the hysterical country number “How Can I Miss You (When You Won’t Go Away).” Marx told us of his love country music and his partnership with country star Keith Urban and the song he wrote for him then he went directly into the song “Long Hot Summer.” I recognized it instantly. He also played the song he wrote with Luther Vandross “Dance With My Father,” which was very touching particularly if you have lost a parent.

With “Angelia” he decided to go the unplugged route which was different. I recognized the huge difference in a venue between being amplified then suddenly not. I doubt people as far back in the balcony seats could hear him. Nevertheless it was an interesting change. Marx just emanates confidence and pleasure when he performs and that translates into the music directly to his audience.

Some of my favorites were the night kicking off with “Endless Summer Nights” and the way he closed out the night with “Right Here Waiting” behind the ivory keys. Check out the original video provided here with over 7.5 million views!

Richard Marx is a prolific artist with a long legacy of great music and collaborations. I don’t see him slowing down anytime soon and would highly recommend spending an evening with him if you get the chance.

I dedicate this night and review to my lifelong partner and best friend, my wife.

Keith “MuzikMan” Hannaleck
February, 22, 2016

Concert Review: The Weight

The Weight Turn On The Colonial Theater

Pittsfield Massachusetts

December 3, 2015

http://www.theweightband.com

With old man winter quickly approaching, the Colonial Theater in Pittsfield, Massachusetts was warmed up by the sounds of The Weight. Featuring former members of The Band, Levon Helm Band and Rick Danko Group, the legendary sounds of that fondly remembered band called “The Band” come shining through with this all-star cast of players. Their namesake is after one of their more famous tracks and they represent this classic music most appropriately.

I will give the abbreviated rundown of the lineup provided right from the band’s website.

Jim Weider is a former member of the legendary group, The Band. From 1985 to 2000, Jim replaced Robbie Robertson as their lead guitarist. 

Randy Ciarlante was a member of the second incarnation of The Band. Up until Levon's passing, he double-drummed in Levon Helm's Midnight Ramble Band.

Brian Mitchell is a current member of Levon Helm's Midnight Ramble Band and is well-known within the circles of the music industry and beyond for his solo career and his high-profile collaborations.

Byron Isaacs is a current member of Levon Helm's Midnight Ramble Band, The Dirt Farmer Band and Ollabelle.

Marty Grebb played with The Rick Danko Band, The Garth Hudson Band, wrote songs with Richard Manuel, and also wrote for and recorded with Eric Clapton, Leon Russell, Etta James, Marty also wrote songs, and played for The Band appearing on the Jericho CD.

Now you have to admit that each member of The Weight has an impressive resume. They would prove throughout the night their fine musical pedigree would be consistent. I would classify their music as eclectic at the very least, an enticing mixture of rock, blues, Americana, roots, honky tonk and ragtime. That is a literal musical stew to be sure. There are also hints of a New Orleans spicy flavor to their sound as well particularly when Brain Mitchell picked up the accordion (otherwise known as the organ from hell).

This is one talent laden band. Every member can sing and plays like the polished professionals I anticipated seeing. A highlight of the night was the multitude of instruments Marty Greeb played which included keyboards, guitar and saxophones. They are all very talented however it was not hard to recognize how many different things this man did.

The night started at 8pm sharp, as all shows do at the Colonial and there was no warm up band. As we found out very quickly we did not any other lineup to warm our souls. Some songs just speak for themselves and their history carries a heavy responsibility in presenting them as originally intended. I assure you this was accomplished…just like laying down a royal flush on the card table.

Some of the songs that really spoke to the audience in attendance were “Across The Great Divide” and Springsteen’s “Atlantic City.” You knew instantly it was Springsteen’s song even though this music is quite different from the catalog of “The Boss.” “Cripple Creek” got some hoots and hollers of course as did “The Weight,” as both are signature tunes. For these ears the highlight of the entire evening was “Life’s A Carnival.” Everything about that song featured this band at their best and it bleeds and sweats The Band. They also mentioned former members of The Band during the course of the night paying respect to their legacy and importance to the music they were playing.

It does not get much better than this. Sometimes you have to go see a cover band to enjoy music you loved because the band has long since dissolved or members have passed away. You need not worry, every one of these members is connected with The Band and now they bring this original and unique blend of music to the stage. I am grateful for the opportunity to have witnessed it and would not hesitate to do it again. If you are looking for a great evening of music that will spice up your life and put a smile in your soul make sure you check out The Weight.

Keith “MuzikMan” Hannaleck-Founder of Write A Music Review, Prog Rock Music Talk, MuzikMan.net, MuzikMan Reviews, New Age Music Reviews, Rate The Tracks

Set List:

1.     We Can Talk

2.     Stage Fright

3.     Across The Great Divide

4.     Atlantic City

5.     King Harvest

6.     Master Piece

7.     Look Out Cleveland

8.     Tears of Rage

9.     Cripple Creek

10.  Ophelia

11.  Caledonia Mission

12.  Down in the Flood

13.  Life’s A Carnival

14.  Makes No Difference

15.  Walcott Medicine

16.  The Weight

17.  Shape I’m In

18.  Chest Fever

Encore:

19. Remedy

20. Rock & Roll Shoes