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10/05/2026

Hard Rock/Metal Artist Atom Stone Returns with Powerful New Single “Isn’t Love”

Atom Stone - Bad Decisions [Rock Version] Cover

Hard rock/metal artist Atom Stone releases “Bad Decisions,” the fourth single and title track from his highly anticipated upcoming album. This latest release captures the raw energy and emotional depth that have become hallmarks of Stone’s sound, blending gritty rock sensibilities with honest, unapologetic storytelling.

“Bad Decisions” offers a powerful glimpse into the heart of the forthcoming album, exploring themes of self-reflection, consequence, and the choices that shape who we become. With its driving intensity and relatable narrative, the track stands as both a bold statement and an invitation into the world Stone has crafted for this new chapter.

As anticipation continues to build, “Bad Decisions” sets the tone for what promises to be a compelling and deeply personal release. Stay tuned for more updates as Atom Stone prepares to unveil the full album.

“Bad Decisions” is taken from Atom Stone’s upcoming album of the same name, to be released later this year. “Isn’t Love” and a country version of “Bad Decisions” are also available.

Lead Vocals – Atom Stone
Background Vocals – Atom Stone & Nick Sturms
Lead & Rhythm Guitar, Bass, Keyboard & Piano and Drums – Nick Sturms
Synthesizer – Jeff Sturms

Music & Lyrics Written By – Nick Sturms, John King
Produced By – Nick Sturms
Engineered By – Dave Albro
Mastered By – Toby Mountain

Publishing Atom Stone: DUFFY AJAX MUSIC – BMI
Publishing Nick Sturms: Reinvent Entertainment – Sesac

Release Date: September 21, 2026
Label: Melodic Revolution Records

Atom Stone Photo

Atom Stone (Voyager, Metallic Green) hails from Detroit, a vocalist who started his musical journey as a woodwind player at the tender age of seven. He began playing the clarinet and saxophone, quickly advancing to Bass and Alto Clarinet within a few years. Beyond being a talented vocalist, Atom has worked hard at becoming a skilled guitarist.

To purchase or stream:
Bandcamp: https://atomstone.bandcamp.com/track/bad-decisions-rock-version
Spotify: https://open.spotify.com/album/0nAWTuuZoeUnjzI3D03JDC?si=toJP8Vp-TOizqpkMzgLglQ
Amazon: https://www.amazon.com/dp/B0HKL8FGW2

For more information:
Facebook: https://www.facebook.com/atomstonemusic
Instagram: https://www.instagram.com/atomstonemusic/
Website: https://atomstone.net
Bandcamp: https://atomstone.bandcamp.com/
Spotify: https://open.spotify.com/artist/3yjOPctBb1qwuzMa7KR2vS

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

10/01/2026

Singer-Songwriter & Multi-Instrumentalist J.Edmond to Release New Album “Dear Therapist, What’s Eating J.Edmond?” feat. Fernando Perdomo October 23, 2026

J.Edmond - Dear Therapist, What's Eating J.Edmond Cover

Dear Therapist, What’s Eating J.Edmond? is a new 11-track power-pop/rock album from J.Edmond that explores mental health, relationships, identity, personal struggles, and the process of trying to understand yourself.

The album features performances and production from an accomplished group of musicians, including Fernando Perdomo, A. Michael Collins, Paul Chastain, Danny Henry, Tommy Hayes, and voice samples of his late friend Brandon “Slim” Polin. Executive Produced by Grammy award-winner Greg Richling, former 20 year member of The Wallflowers and current producer of music documentaries such as Immediate Family and Give Me a Word: The Collective Soul Story + others.

J.Edmond performs vocals and guitar throughout the album. Fernando Perdomo contributes guitar, lead guitar, bass, drums and mellotron, with additional performances from the album’s guest musicians including Paul Chastain of Velvet Crush/Matthew Sweet fame.

Dear Therapist, What’s Eating J.Edmond? releases October 23, 2026. The album will be available digitally and on CD and vinyl. A music video for the song “Dreams” will be released alongside the album.

Many of the songs on the album deal with mental health, relationships, identity, fear, and the feeling of trying to understand why you think and feel the way you do. During the making of the album, J.Edmond was dealing with major changes in his life, including discovering that he is autistic. Says J.Edmond, “The songs came from a pretty wide range of experiences, but they all felt connected once I started putting the album together. I wanted the record to sound like me — honest and personal, but still energetic and fun to listen to.”

The album represents an important new chapter for J.Edmond as an independent artist, following a difficult period involving health challenges, personal changes, and ultimately choosing to self-release the music rather than continue pursuing a traditional record-label arrangement.

In closing, J.Edmond has this to say: “It’s okay not to have yourself completely figured out.”

“I’ve spent a lot of time thinking that I needed to have everything under control or that I needed to fit into somebody else’s idea of who I was supposed to be. I’m learning that being honest about who you are — including the messy parts — is a much healthier way to live.”

“If somebody hears this album and recognizes a piece of themselves in it, then I’ve done what I wanted to do. You don’t have to have all the answers before you’re allowed to make something meaningful.”

Track listing:
1. What Are You Afraid Of?
2. Dear Therapist
3. Dreams
4. Talk (I Suppose I Need to Take a Break)
5. Living the Dream
6. Listen in Now
7. Some Way
8. Search Lights
9. See There
10. Tie Back Beginnings
11. Never a Chance

Fernando Perdomo and J.Edmond Photo

Personnel:
J.Edmond — vocals, guitar
Fernando Perdomo — guitar, lead guitar, bass, drums, mellotron
A. Michael Collins — drums, backing vocals, bass
Paul Chastain — bass, vocals, backing vocals
Danny Henry — keys
Tommy Hayes — saxophone
Brandon “Slim” Polin — samples

Self-released through Jebb’s Music Label.

Pre-order the digital album and CD: https://jedmond.bandcamp.com/album/dear-therapist-whats-eating-j-edmond
Pre-save on streaming: https://hypeddit.com/obdsec
Pre-order the vinyl (Elastic Stage): https://elasticstage.com/jedmondpresents/releases/dear-therapist-whats-eating-jedmond-album?m_nILCj0H5V2kxlPkCPla7JA
$20 CDs can be ordered via PayPal and Venmo by contacting jedmondmusic56@gmail.com
Order merch: https://jedmondpresents.com/shop

For more information:
Jebb’s Music on Bandcamp: https://jebbsmusic.bandcamp.com
Artist Website: https://jedmondpresents.com/home
Join the mailing list for updates and exclusives: https://jedmondpresents.com/home
(Consider joining the mailing list for updates and exclusives)

J.Edmond on social media:
Instagram: @jedmondpresents
Facebook: @jedmondpresents
TikTok: @jedmondpresents
Threads: @jedmondpresents
Bluesky: @jedmondpresents

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/25/2026

THE FALL ANNOUNCE DEFINITIVE FINAL STUDIO ALBUM ‘POST SCRIPT’ ARRIVING THIS AUTUMN ON COG SINISTER RECORDS

The Fall - Post Script Cover

SALFORD, UK— Cog Sinister Records is proud to announce the upcoming release of Post Script, the official and final studio album by The Fall. Scheduled for release in autumn, this monumental nine-track collection delivers a definitive final statement from one of the most uncompromising, legendary, and influential cult bands in British music history.

Eight years after the passing of iconic frontman Mark E. Smith, Post Script completes a staggering recording career that spanned five decades. The album is built from archival vocal recordings of Smith tracking from 2001 to 2014, with meticulous musical backing completed posthumously by long-time collaborators and former manager/producers Ed Blaney and Simon Archer.

The album’s lead single, "30 Degrees"—co-written by Smith, Archer, and Blaney in Salford—is out now across all major platforms, giving fans a first taste of the record’s raw, driving energy.

“I have spent the afternoon listening to the final mixes,” says former Fall manager and long term accomplice Ed Blaney. “Without any doubt, I can say it’s an absolutely brilliant album. A Fall fan's dream and some... nine absolute bangers.”

Bristling with Smith’s trademark caustic wit, hypnotic repetition, and jagged post-punk energy, Post Script moves seamlessly from fractured garage-rock grooves to eerie spoken-word pieces and ramshackle anthems. It stands as a vital, authorised coda to a group that famously never compromised, never repeated themselves, and never cared what anyone else thought.

Post Script will be available in three distinct physical formats: standard CD, standard black vinyl, and a highly collectable, limited-edition white vinyl LP. Pre-orders are open now via the official band store and all good music outlets.

'Post Script' Official Track Listing:
1. 30 Degrees
2. So Long
3. Colonels Retreat
4. Caveat
5. Final Position
6. Retro Song
7. Irish Northern Man
8. Dehydrated
9. The Book
Release date: 9th October 2026

The Fall Photo

About The Fall:
Formed in Manchester in 1976, The Fall was the central vehicle for singer and songwriter Mark E. Smith. Over a 40-year run, the band released 31 studio albums, establishing a reputation as the ultimate outsider geniuses of post-punk.

Official website: https://thefall.xyz/

To pre-order: https://the-fall-band.myshopify.com/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/24/2026

ProgStock 2026, International Progressive Rock Festival, at the Williams Center, Rutherford, NJ, October 8-10, 2026, Feat. Eddie Jobson (presenting U.K. Revisited), Spock’s Beard, Nektar, Crack The Sky, Paul Bielatowicz’s Nosferatu LIVE, Armando Gallo, Paul Whitehead and Many Others!

ProgStock 2026 Lineup Card

The American Northeast’s Only International Progressive Rock Festival, takes the stage October 8-10, 2026, at the Williams Center in Rutherford, NJ, with a separately ticketed after party at Bolero Snort Brewery in Carlstadt, NJ on Sunday, October 11, 2026.

Experience ProgStock, The American Northeast’s Only International Progressive Rock Festival, celebrating its 10th incredible year at the Williams Center in Rutherford, New Jersey. From October 8th through October 10th, your favorite progressive rock artists, up close and truly personal. Stunning performances and unique collaborations…far beyond a typical festival or meet-and-greet, ProgStock is a deep, rich, and fully immersive musical community with a convention atmosphere.

This year, you’ll experience these incredible headliners:
• Eddie Jobson, presenting U.K. Revisited, an all-star band featuring Marc Bonilla, Alex Machacek, and Marco Minnemann
• Spock’s Beard (Alan Morse, Ryo Okumoto, Ted Leonard, Dave Meros, and Nick Potters)
• Nektar, featuring original founding bassist, Derek “Mo” Moore
There will also be special performances by:
• Crack The Sky
• Paul Bielatowicz’s Nosferatu Live, featuring special guest Dave Bainbridge of Iona, Lifesigns, and Colin Blunstone Band
• IZZ
• Sonus Umbra
• The Devil’s Staircase
• Andy Graziano (of Jon Anderson and the Band Geeks)
• Phideaux Xavier & Valerie Gracious
• Resistor
• serengazer, featuring Michael Sadler of SAGA and his son, Seren
• Chris Jobson
• Randy McStine, guitarist for Steven Wilson and Porcupine Tree
• Gabriel Agudo
• Estronaut, the first all-female Progressive Rock supergroup featuring Durga McBroom, Jane Getter, Julie Slick, Rachel Flowers, and Camille Gainer Jones

If you can’t make it there in person, all of the mainstage shows will be livestreamed on StageIt (StageIt.com/ProgStock).

In addition to his mainstage performance, Eddie Jobson will present two storyteller sessions with synthesizer pioneer, Larry Fast (Synergy). Famed rock-n-roll journalist and photographer, Armando Gallo, will fascinate you with incredible stories and showcase his renowned work. EMEAPP, a collector and preserver of historically significant rock-n-roll gear, will demonstrate some amazing music technology. Paul Whitehead (famed album cover artist), Lynette Shelley of the Red Masque, Michael Bennett of ProgDay, and Victoria Flowers will share their fine art, and world-renowned pumpkin sculptors, Deane Arnold (Food Network’s Outrageous Pumpkins) and Sarah Blostein (Food Network’s Halloween Wars All-Star Champion) will dazzle you with their art.

PLUS…Spontaneous performances by Robeone and other visiting musicians, new album listening parties, and many more once-in-a-lifetime experiences await you in the Plaza every day at ProgStock.

Sunday, October 11, caps off the party with a separately ticketed event at Bolero Snort Brewery in Carlstadt, NJ, featuring the progressive rock supergroup Jane Getter Premonition (Jane Getter, Adam Holzman, Paul Frazier, Rocky Bryant, and Alex Skolnick), with an opening set by Robeone (Robert Schindler) and followed by Last Call Live, a pro-am showcase of progressive musicality, featuring ProgStock attendees and some members of our mainstage lineup.

Passes to ProgStock are going fast and are still on sale now at ProgStock.Simpletix.com. Don’t miss seeing these rare performance artists, October 8th through 10th at the Williams Center in Rutherford, NJ.!

Quotes:
“It was just incredible, in every way! wow…Wow…WOW! What a thrill to be there and see those incredible bands. I almost do not have sufficient words to describe how fantastic the entire experience was.” — RH - 5-Year Patron of ProgStock

“I have been working in this field of music for over fifty years as a recording artist, producer and advancing the technologies necessary to this style of music. ProgStock Festival has given me the opportunity to interact with my fan base and for me to work with and encourage the next generations of artists.” – Larry Fast, Synergy Electronic Music, Inc.

For more information, contact Ann Rinaldi, co-producer, ProgStock Festival, marketing@progstock.com, +1 252-402-5395 (cell/WhatsApp)

Official website: https://www.progstock.com
Direct Ticket Link: ProgStock.simpletix.com/
Spotify Playlist: https://open.spotify.com/playlist/5HzkjNnIvNGYKPwxHXPhXq
ProgStock Store: https://progstock-store.square.site/
ProgStock 2026 on Facebook: https://www.facebook.com/events/25189996243949815
Livestreaming Ticket Link: Stageit.com/ProgStock

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/23/2026

THE CELEBRATION CONTINUES: FOLLOWING OVERWHELMING RESPONSE, THE MOODY BLUES’ JOHN LODGE TRIBUTE SHOWS EXTENDED INTO WINTER 2026

A Tribute to The Moody Blues' John Lodge Promo

NEW YORK, NY — Following an incredible outpouring of love and support for the initial John Lodge Celebration shows in July 2026 - described by audiences as “emotional and unforgettable” - six additional winter tour dates have been officially announced. The highly anticipated extension will kick off at Rams Head On Stage in Annapolis, MD, on November 29, 2026, and culminate at the Royal Oak Music Theatre in Royal Oak, MI, on December 6, 2026.  All dates are below.

The premiere July performances in Clearwater, Florida, and Esher, UK, captured a rare magic. By seamlessly weaving archival vocals and visual footage of John directly into the live set, it was as if John were performing in perfect harmony with his band. Earning both rave critical reviews and ecstatic fan acclaim for the amazing performances, this breathtaking technical feat created an incredibly powerful, spiritual atmosphere where audiences felt as though John were right there in the room with them.

John always said that he hoped people would leave his shows with joy in their hearts, and this is exactly how these shows left audiences - earning repeated standing ovations. As one attendee noted, “the love in the room was everywhere,” while another declared the concert “a masterstroke, very emotional & unforgettable.”

These upcoming winter events will once again bring audiences together to celebrate John Lodge, his legendary solo work, and the timeless music of The Moody Blues in what promises to be another deeply uplifting and joyful event.

Tickets for the new dates will go on sale this week. Exclusive Meet and Greet VIP packages with Jon, Alan and the band will also be available.

https://www.johnlodge.com/pages/tour-dates

THE JOHN LODGE CELEBRATION – WINTER 2026 TOUR DATES:
• Nov 29 – Rams Head On Stage – Annapolis, MD
• Nov 30 – Bearsville Theater – Woodstock, NY
• Dec 01 – The Vogel – Red Bank, NJ
• Dec 03 – Infinity Hall – Hartford, CT
• Dec 04 – Keswick Theatre – Glenside, PA
• Dec 06 – Royal Oak Music Theatre – Royal Oak, MI

When The Moody Blues stopped touring in 2018, John made it his absolute passion to keep their music alive - a body of work he described as "the soundtrack of his life". Aided by his great friend and Music Director, Alan Hewitt (keyboards for The Moody Blues), alongside his 10,000 Light Years Band, John embarked on a series of tours to bring this iconic music to life. John's shows were always met with widespread praise from audiences and critics alike, featuring stunning lighting and video production that framed a catalog lovingly recreated and deeply true to the original recordings.

Throughout his solo career, John also used his stage to honor his bandmates, creating mesmerizing tributes to Ray Thomas ("Legend of a Mind"), Mike Pinder ("The Sunset"), and fulfilling a deeply personal wish by having drummer Graeme Edge record and film his poem "Late Lament" so, as John said, he could forever be on stage beside him.

During this period of creative rebirth, personal and professional worlds beautifully collided when John’s daughter Emily, met Jon Davison of the band YES. Not only did Emily and Jon fall in love and marry, but Jon and John became close friends, and Jon joined the ‘merry band of brothers’ on stage.

During the joyful tours that followed, and the long travel days, John and Jon continued to talk and make plans… everything and anything seemed possible as the miles rolled by, and one of the conversations was how much John wanted Jon and Alan to continue the band into the future.

Following John's sad passing last year, at first there was silence, and then Jon, Alan and Emily slowly began to talk about fulfilling that wish. Could they continue John’s mission to ‘Keep the Music Alive’? The seedling of hope grew as ideas flew between them. Long-time collaborator and videographer Andy Clark was brought in to begin the visual production. Jon picked up the bass guitar and began to master John's parts, while Alan started to make magic Moody Blues music again.

Their efforts exceeded all expectations. Hailed by critics as "a brilliant technical accomplishment" with "amazing sound, lighting, and live performances," the show features a curated setlist that explodes with massive hits and deep-cut fan favorites. Audiences can expect to hear timeless classics including "Nights in White Satin," "Isn’t Life Strange," "Legend of a Mind," "Ride My See-Saw," "Tuesday Afternoon," “Gemini Dream,” and "I’m Just a Singer (in a Rock and Roll Band)" plus so much more.

Exclusive VIP packages will be available, offering fans a unique Meet and Greet opportunity with John's 10,000 Light Years Band - featuring Jon Davison and Alan Hewitt, alongside Billy Ashbaugh on drums (from The Moody Blues touring band), Duffy King on guitars, and Jason Charboneau on cello.

Designed to touch hearts and spread happiness, these unique winter shows will feature select USA tour dates, with potential for further extensions depending on fan response.

Read the full premiere review from Tampa Bay Music News here.
https://www.facebook.com/tampabaymusicnews/posts/1324068583042690

ABOUT JOHN LODGE:
John Lodge is bass guitarist, vocalist, and songwriter for the iconic Rock & Roll Hall Of Fame 2018 inductees, The Moody Blues. Songwriter of such mega Moody Blues hits from “Ride My See-Saw,” to “I’m Just A Singer (In A Rock and Roll Band),” “Isn’t Life Strange” and many more. 

Lodge performed and recorded with The Moody Blues for more than five decades, selling in excess of 70 million albums, as well as releasing his solo albums ‘Natural Avenue’, ’10,000 Light Years Ago’, ‘B Yond’, ‘Days of Future Passed – My Sojourn’, and the EP ‘Love Conquers All’.  Lodge was voted one of the “10 most influential bass players on the planet,” and was the recipient of many awards, including ASCAP (American Society of Composers and Publishers), an Ivor Novello Award, a Lifetime Achievement Award from Prog Magazine, to name just a few.

The John Lodge Celebration is a project following in John’s wishes, and lovingly brought to life featuring Jon Davison (of the band YES), providing bass and vocals alongside John’s own vocal tracks, and long-term collaborator Alan Hewitt, an acclaimed composer and producer, and the longtime keyboardist for The Moody Blues touring band. This tribute was created to honor his memory, preserve his remarkable musical legacy, and carry his timeless music forward to fans old and new.

QUOTES FOR THE MEDIA:

"To be able to work with my darling Jon and the incredibly talented Alan on these shows for my father has been the thing that has made the sun shine again. It was so deeply moving to see everyone’s hard work come together in July, and to witness the love and joy flowing effortlessly both from the audience to the stage, and from the stage back to the audience. We are profoundly grateful for the overwhelming support from the fans, our agent, and the promoters who are making these additional winter shows possible. Their belief in this project allows us not just to heal, but to truly follow in my father’s wishes to keep the music alive. As my father always said, 'Thank You for Keeping the Faith.'"
— Emily Davison, September 2026

"I had a unique perspective of John in that I was lucky enough to become his son-in-law and close friend. I learned so much from my time with John, which included many exciting stage experiences performing beside his magnificent and magnetic personality. Along with the incredible Alan Hewitt and the 10,000 Light Years band, I’m thrilled to have the blessed opportunity to be standing by John’s side again."
— Jon Davison, February 2026

"John had a huge heart and was loved by so many. I will miss him and will miss being on stage playing those great songs with him, but this is the next best thing. I know he’ll be with us in spirit and smiling, knowing that we kept the promise we made before he left to fly with the angels."
— Alan Hewitt, February 2026

A Tribute to The Moody Blues' John Lodge Photo by Jo Robbens

Photo credit - Jo Robbens

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/22/2026

Progressive Rock Band Pulsifier To Release New Single “Glass Cage” October 16, 2026

Pulsifier - Glass Cage Cover

Southern Maine-based progressive rock band Pulsifier are set to release their upcoming single “Glass Cage” on October 16, 2026!

The band describes their new song: “Our latest release Glass Cage channels the inner shadow voice—drawing on Carl Jung’s concept of the shadow self—to confront the parts of us we keep locked away. Written from that raw, unfiltered perspective of the shadow, the track builds to a powerful chant designed to be screamed along with, turning private struggle into a collective release.”

Listeners can expect the complex riffs and provocative lyrics that Pulsifier is known for—yet, as every fan knows, each song carries its own distinct identity, something fresh and unexpected. ‘Glass Cage’ is no exception. It will haunt you. The band hopes listeners dig deeper into the meaning behind the words for themselves.

Release Date: October 16th
Written by Pulsifier (Melissa Allen and Chris Skehan)
Produced by David Dominguez

Personnel:
Vocalist: MeA Allen
Guitarist: Chris Skehan
Drummer: Jay Grant
Bassist: Chris Pomerleau

Pulsifier Photo

About Pulsifier:

Pulsifier is a progressive rock band from southern Maine founded in 2023 by guitarist Christopher Skehan and lyricist/lead singer MeA, and drummer Jay Allen Grant. Adding to the low-end, Christopher Pomerleau one of the newest members of the band. Pulsifier’s music is a raw and passionate style of progressive rock with a little edge at times, and a lean towards complexity; an eclectic mix of poetry and riffs, exploring the bounds of reality. The name "Pulsifier" is emblematic of the band recognizing that as musicians, they are a channel through which vibrations flow, transforming into something new to share.

After listening to Pulsifier's music, you will know them intimately through songs that bleed with emotion and hold nothing back. The provocative and introspective lyrics and unique sound reflect the bands diverse array of influences. Pulsifier aims to connect with fans on a deep level, in an immersible experience for audiences with performances that are both intensely visual as well as audial. Reach out and let them hear from you or come say hi at a show. This group loves to meet and vibe with others looking to connect through music! Check back for upcoming shows and tour dates!

“Glass Cage” will be available here:
Spotify: https://open.spotify.com/artist/3smnFikIFqTrfIpm4v6Pni?si=Aj2-ewdvRjezavnvej9cGw
YouTube: https://www.youtube.com/@Pulsifier
Apple Music: https://music.apple.com/us/artist/pulsifier/1724520715

For more information:
Website: https://pulsifierband.com/
EPK: https://www.massivemediams.com/pulsifier
Instagram: https://www.instagram.com/pulsifier/
Facebook: http://www.facebook.com/pulsifierband/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

9/21/2026

DEREK SHARP AND THE CHAMPAGNE JAM FEATURING FORMER GUESS WHO VOCALIST DEREK SHARP RELEASE CROSSING THE RUBICON, THE FOLLOW-UP TO THE CRITICALLY ACCLAIMED PLEIN D'AMOUR

Derek Sharp and the Champagne Jam - Crossing The Rubicon Cover

Stockton, NJ - From 2008 through 2024, Derek Sharp served as the Lead Vocalist, and guitarist of legendary rock band The Guess Who, performing nearly 1,000 shows across North America. Known for his powerhouse vocals, multi-instrumental talent, and commanding stage presence, Derek captivated audiences’ night after night, building a reputation as one of rock’s most versatile and electrifying performers.

Now, with his new project Derek Sharp & The Champagne Jam, he’s leading a bold Power Pop revival, fusing irresistible hooks, rich harmonies, and emotional depth with a fresh, modern edge. Drawing inspiration from icons like ELO, Queen, The Raspberries, and channeling the sonic energy of Oasis and Coldplay, Derek proves that timeless songwriting doesn’t fade, it evolves.

His solo debut, Plein D’Amour — originally released as The Guess Who’s final album has already crossed 2 million streams, with strong physical sales and international resonance. His follow-up, Crossing The Rubicon, is already generating buzz among fans and critics alike. Crossing The Rubicon picks up right where Plein D'Amour left off. Rich with infectious melodies, soaring harmonies, psychedelic textures, and intricate arrangements, the album further establishes Sharp's unique vision and songwriting prowess.

As Derek explains, “I love records that reveal more every time you listen to them. There might be a melody that grabs you immediately, but underneath it are harmonies, sounds and little musical moments you don’t discover until the fifth or tenth listen. That’s the kind of record I wanted Crossing The Rubicon to be -something immediate enough to sing along with, but deep enough that you want to keep coming back.”

Derek Sharp Photo

Derek’s career is a tapestry of collaboration, production, and performance. He’s worked with acclaimed artists including Triumph, Gowan, Sass Jordan and many more. With his new chapter unfolding, Derek Sharp stands not just as a performer, but as a force at the intersection of rock legacy and sonic reinvention.

Available now on all major digital platforms, Crossing The Rubicon features standout tracks including "Redline," "Umbrella," and "Wasting My Time," showcasing Sharp's gift for crafting memorable songs that balance classic influences with contemporary appeal.

Watch "Umbrella" here:
https://youtu.be/Agk9n7OTubA?si=hTCdC7iJK26N9aj1

Derek Sharp and the Champagne Jam - Crossing The Rubicon Vinyl

Order Crossing The Rubicon on CD and Signed LPs
https://www.dekoentertainment.com/derek-sharp

Track Listing
1. Redline
2. Flyin'
3. Lonely Eyes
4. Umbrella
5. Breathe
6. Someday
7. Wasting My Time
8. Holy Ground
9. Best That I Can
10. Plein D'Amour Reprise

About Deko Entertainment
Deko Entertainment is a leading music and media company dedicated to delivering exceptional releases across rock, metal, progressive, pop, and specialty markets. Through innovative packaging, artist partnerships, and fan-focused experiences, Deko continues to bring legendary recordings and exciting new music to audiences around the world.

For more information:
https://www.dekoentertainment.com
Deko Entertainment–Art Has Value

Deko Entertainment Logo

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/20/2026

Witchwood Records To Release Strawbs ‘Grave New World Live’ On Limited Edition Coloured Vinyl October 23, 2026

Strawbs 50 Years On - Grave New World Live Vinyl

• One time only limited pressing
• The only live performance of 'Grave New World' in its entirety
• A live realisation of Cousins' vision for how his proudest work was to be experienced
• Produced and mixed by Larry Fast (Peter Gabriel, Bonnie Tyler, Kate Bush, Foreigner)
• Mastered at Abbey Road Studios by Geoff Pesche (Gorillaz, Coldplay, New Order, Dire Straits)
• 180g translucent red vinyl, gatefold outer sleeve, printed inner sleeve with deluxe trifold booklet

In marking the death of David Cousins on 13 July 2025, Witchwood Records is absolutely delighted to announce the release of the first recording from Strawbs 50th Anniversary – ‘Grave New World Live’.  This will be released as a limited pressing, just 1,000 for the world, gatefold LP with booklet – presented libretto-style, as was the original studio album. This is the first of a series of recordings to be released from Strawbs 50th. This release captures the only ever concert rendition of this landmark record.

Grave New World, released on 4 February 1972, reached number 11 in the UK Albums chart, selling almost 100,000 copies in the UK alone. It was one of the albums of which David Cousins was most proud. He continued to perform songs such as New World and Benedictus throughout his career.

In developing Strawbs 50th Anniversary, to be held in Lakewood, New Jersey, USA from 26 April through 28 April 2019, David decided that the programme should include the only live performance of the album. As such, he invited Wesley Stace to collaborate with him in writing a narration for this ‘theatrical performance’.

John Ford and Blue Weaver, both of whom had performed on the original album, were invited to take part. They were joined by Wesley Stace, Eric Bazilian (of the Hooters), Tony Fernandez, Brian Willoughby and Cathryn Craig. With only an afternoon’s rehearsal, the performance took place on the early evening of 27 April. As would be the case for a theatrical performance or classical concert, the audience was asked not to applaud until the end.

In addition to the numbers that David sang, and Wesley’s narration, John Ford sang Heavy Disguise and Wesley performed The Flower and the Young Man.

David’s ill health, together with COVID-19, meant that it wasn’t possible for Grave New World Live to be completed as soon as he would have wished. Work had already been started by Larry Fast, a pioneer in electronic music production, and record producer Blue Weaver, before David’s death in July 2025. In accordance with his wishes, this recording, on vinyl like the original, is now presented as the first major work from the 50th Anniversary. Unlike many “live” albums, however, the songs are heard as they were performed.

Strawbs 50 Years On - Grave New World Live Photo

Track listing:
1. Benedictus
2. Hey Little Man Thursday
3. Queen Of Dreams
4. Heavy Disguise
5. New World
6. Hey Little Man Wednesday
7. The Flower And The Young Man
8. Tomorrow
9. On Growing Older
10. Ah Me Ah My
11. Is It Today Lord
12. Journey’s End
13. Benedictus 2

Dedicated to the life and work of David Cousins.

To pre-order: https://a.co/d/095UlkWa

Witchwood official website: https://witchwoodrecords.com/

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/17/2026

Instrumental Smooth Jazz Track Feature: Michael Dulin-Dancing In Paris Track

A Captivating Jazz Collaboration!

Michael Dulin-Dancing In Paris Track
With each track Michael Dulin releases, he continues to solidify his position as a force in smooth jazz. “Dancing In Paris” is his latest addition to his ever-growing catalog.

He is joined by the stellar trio of James “PJ” Spraggins (Drums), Scotty McDavid (Horns and Strings), and Jeff Miguel (Soprano Saxophone).

The music beautifully defines the track title as the piano keys dance while steady drums and poignant bass take their place alongside the ivory keys. Once the silk-smooth saxophone is added, it becomes a complete instrumental smooth jazz masterpiece.

Dulin composed and produced the music himself, which makes the effort even more impressive. His range of talents is commendable.

This music reminds me of the deep love I have always had for jazz, and it makes me want more of the same.  

Once again, Michael Dulin delivers with “Dancing In Paris.” This track not only reaffirms his artistry but also heightens the anticipation for the full album. I can’t wait to hear how it all comes together on the final release.

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder

September 18, 2026

https://michaeldulin.net/

Michael Dulin
Renowned for his masterful artistry and emotional depth, Michael Dulin is a pianist and composer whose music bridges the worlds of contemporary instrumental and classical genres. His compositions, marked by lush harmonies, intricate phrasing, and expressive dynamics, blend the sophistication of classical tradition with the fluidity of jazz improvisation. The result is a sound that is both profound and timeless — music that resonates with audiences across the globe.

 

 

9/16/2026

RETURN TO THE RED PLANET - THE EPIC RETURN TO MARS FROM RICK WAKEMAN - LISTEN TO THE SECOND SINGLE ‘BOWIE’S VISION’ - OUT TODAY

Rick Wakeman photo by Mike Inns

Photo credit: Mike Inns

RETURN TO THE RED PLANET - THE EPIC RETURN TO MARS FROM RICK WAKEMAN - LISTEN TO THE SECOND SINGLE ‘BOWIE’S VISION’ - OUT TODAY

ALBUM RELEASE DATE: 16th OCTOBER (MADFISH MUSIC)

A new progressive rock suite inspired by both past and the latest discoveries on The Red Planet. Featuring Lee Pomeroy, Dave Colquhoun, Adam Falkner & Mollie Marriott.

"This isn't just another Rick Wakeman album. It's a bloody good one!"
Simon Heyworth - Producer of Tubular Bells

Following his acclaimed 2020 album The Red Planet, Rick Wakeman makes a triumphant and inevitable return to Mars with Return To The Red Planet, a sweeping new progressive work that fuses science, imagination and musical virtuosity into one of the most ambitious recordings of his career. Today, Wakeman has shared the album’s second single, ‘Bowie’s Vision’, a stunning tribute to David Bowie, a figure whose own fascination with the stars would become inseparable from his musical legacy. For Wakeman, the connection is also deeply personal, having worked alongside Bowie during a formative period in both of their careers and famously played piano on the timeless ‘Life On Mars?’.

Rick Wakeman – Bowie's Vision Cover

STREAM/DOWNLOAD THE NEW SINGLE ‘BOWIE’S VISION’: https://orcd.co/bowies_vision

Sharing a few lines on his inspiration behind the new single, Wakeman shared -

“I have been wanting to do a musical tribute to David ever since this world lost him and so returning to the Red Planet gave me the perfect opportunity to do just that and compose and record 'Bowie’s Vision'.  It’s a very personal piece of music and tells the story of our times together.  He gave me warmth of musicality mixed with melody and surprise and these are the ingredients that come together to make up this very special track for a very special friend.”

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Thumbnail

WATCH THE TRAILER FOR RETURN TO THE RED PLANET: https://youtu.be/zkO2P-VnBEA?si=K7TH90lTaUv6pGC1

Return To The Red Planet tracklist:
The Jezero Crater – 06:56
Bowie’s Vision – 05:45
Noctis Labyrinthus – 05:28
Noachis Terra (Land of Noah) – 06:23
Witch Hazel Hill – 04:02
St Paul’s Bay – 06:53
Martian Dust Devils – 04:53
Medusae Fossae – 04:26
The Epochs of Mars – 07:45

“Once I started looking at the new data and photographs, I realised there was an entirely new album waiting to be written. There was simply too much more to say about Mars - musically and spiritually - not to return.” – Rick Wakeman

At a time when space exploration has moved back to the forefront of human endeavour - with missions to the Moon, Mars and beyond once again capturing the world’s imagination - Return To The Red Planet feels both timely and visionary, rekindling the cosmic spirit that helped define progressive rock’s golden age.

Where its predecessor opened the story, this album explores the planet’s ancient lakes, vast canyon systems, shifting dust storms and geological epochs, drawing directly on the remarkable images and research that have transformed our understanding of Mars in recent years, Wakeman immersing himself in planetary research, data, and mission reports before a single note was written.

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Mockups

RETURN TO THE RED PLANET WILL BE RELEASED EVERYWHERE ON THE FOLLOWING FORMATS:

- Crystal Clear Gatefold Vinyl LP
- Classic Black Gatefold Vinyl LP
- Digipack CD With 20-page booklet
- CD/Blu-ray edition - includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The 'Return To The Red Planet' Documentary + 20-page printed booklet
- Digital

PRE-ORDER RETURN TO THE RED PLANET

Rick Wakeman & The English Rock Ensemble - Return To The Red Planet Popup Mockups

RETURN TO THE RED PLANET WILL ALSO BE RELEASED ON THE FOLLOWING FORMATS, EXCLUSIVELY THROUGH THE OFFICIAL RICK WAKEMAN STORE:

- CD/Blu-ray edition - Includes CD of the studio album + Blu-ray disc featuring Dolby Atmos, 5.1 Surround Sound & Hi-Res Stereo Mixes and The Making Of The 'Return To The Red Planet' Documentary + 20-page printed booklet. Features an immersive 3D pop-up of Wakeman’s spacecraft landed on Mars

- Gatefold 2LP edition - pressed on Transparent Orange Vinyl and features an immersive 3D pop-up Of Wakeman’s spacecraft landed on Mars

PRE-ORDER VIA RICK WAKEMAN’S OFFICIAL STORE

Recorded between August 2025 and January 2026, the project also marks a welcome return to full band recording, with all musicians working together at Decoy Studios - a creative approach Wakeman considers essential to capturing the spontaneity and energy of progressive rock at its best.

The album is performed by Wakeman’s English Rock Ensemble, featuring bassist Lee Pomeroy, guitarist Dave Colquhoun, drummer Adam Falkner and vocalist Mollie Marriott, daughter of legendary Steve Marriott. The album was mastered by renowned engineer Simon Heyworth.

Among the album’s centrepieces is Bowie’s Vision, a deeply personal homage to Wakeman’s friend David Bowie, whose fascination with Mars helped shape popular culture’s image of the planet. The connection is more than thematic: Wakeman performed the iconic piano on Bowie’s Life on Mars?, making this tribute both musical and autobiographical - a reflection on a shared history, a lasting friendship and one of rock’s most celebrated recordings.

The music was initially composed as keyboard “templates” at Nursery Studios, before being expanded collaboratively by the band at Decoy Studios and engineered by Toby Wood. Final overdubs and mixing with producer/engineer Erik Jordan bring the vision into sharp focus - from sweeping symphonic passages to intricate rhythmic sequences and haunting choral textures.

Praise for The Red Planet (2020):
“An astonishing return to form…Wakeman at his most imaginative” – Prog Magazine
“A richly detailed symphonic rock journey” – Classic Rock  

Wakeman needs little introduction. A central figure during his many years with Yes, he is also one of the most successful solo artists in progressive rock history, with a catalogue of over one hundred albums and global sales in the tens of millions. His career as a session musician includes landmark recordings with David Bowie, Elton John, Cat Stevens and many more, establishing him as one of the most distinctive keyboard voices of his generation.

Rick Wakeman Mars Return Mission Logo

RETURN TO THE RED PLANET WILL BE RELEASED ON MADFISH ON 16th OCTOBER, PRE-ORDER HERE: https://rickwakemanmadfish.lnk.to/Return_To_The_Red_Planet

For more information:
https://www.rickwakemansmusicemporium.com/
www.rwcc.com
www.instagram.com/rickwakemanmusic
https://www.facebook.com/RickWakemanMusic
https://twitter.com/GrumpyOldRick
For more high-res images please see: https://www.madfishmusic.com/media/rickwakeman/

Madfish Logo

www.madfishmusic.com

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Signal Meridian Reimagines Strawbs Classic on Second Single “The Last Resort” on Blue Élan Records feat. Musicians and Singers from Grace Potter, David Bowie, Moody Blues, The Killers

Signal Meridian - "The Last Resort" Cover

Reinterpreting Overlooked Song Catalogs

Listen to “The Last Resort”/Pre-order Signals in Autumn: https://signalmeridian.lnk.to/thelastresort

Watch the lyric video: https://youtu.be/yAlrTG5-QkA

Today, September 16, 2026, Signal Meridian releases their second single “The Last Resort” from their upcoming album Signals in Autumn on Blue Élan Records. “The Last Resort” reimagines the Strawbs track of the same name from their 1978 release Deadlines.

Says Blue Élan Records co-founder Kirk Pasich, “‘The Last Resort’ is one of my favorite Strawbs songs. We wanted to update it. I asked Bernie Barlow and Vanessa Bryan to handle the lead vocals and Adam Giminez to do the double-guitar solo.  I think we captured the spirit of the original with a bit more edge.”

Signal Meridian sounds like a forgotten progressive-rock group of the ‘70s. It’s not. It’s happening right now. It’s a collective of top-flight session musicians and vocalists enlisted by Kirk Pasich to reimagine and reinvent the song catalogs of underappreciated artists from the progressive rock genre and beyond.

Signals in Autumn, the first of a planned four initial chapters (all featuring different groups), is inspired by the music of Strawbs, a U.K. band that has reinvented itself four times, and produced such alumni and collaborators as Yes’ Rick Wakeman, Fairport Convention’s Sandy Denny, and Blue Weaver, a keyboardist who went on to play with the Bee Gees and Average White Band. Formed in 1963 by Dave Cousins and Tony Hooper as the bluegrass duo Strawberry Hill Boys, the band transformed into British folk-rockers among contemporaries such as Fairport Convention, Steeleye Span, Fotheringay, Pentangle and Richard and Linda Thompson. A progressive art-rock phase ensued with keyboardist Wakeman before Strawbs launched into a more hard-rocking, commercially successful phase in 1972 with the addition of singer/songwriter/guitarist Dave Lambert to the writing team of Cousins and Chas Cronk.

“From bluegrass to folk to prog to rock, Strawbs kept reinventing themselves,” said Pasich. “I wanted to reintroduce great songwriters in a contemporary way, with world-class players and singers. Also, to remind people that prog is not just in 7/4 time with 43-minute-long tracks and technical proficiency.”

While at UCLA in the mid-1970s, Pasich became a fan of not only Strawbs, but progressive acts like Kansas, Triumvirat, and Camel, and has long wanted to redeem the often critically ignored, maligned genre. The 10 Strawbs tracks on Signals in Autumn come from six studio albums released in six years. All those albums, including stints on the A&M, Oyster, and Arista labels, are represented on Signals in Autumn, none of them cracking the Top 100 on the U.S. charts -- Bursting at the Seams (1973), All Our Own Work (1973), Hero and Heroine (1974), Nomadness (1975), Burning for You (1977), and Deadlines (1978).

With Pasich at the helm, the idea was not a tribute or covers album, but a chance to “reveal new versions just as rich and rewarding as pop recordings that revisit early songs, with fresh ears and artistic freedom.”

Signal Meridian Photo Credit Taylor Irving

Kirk tapped keyboardist Sasha Smith as co-producer “to help shape every aspect of the recording process.” Smith is an L.A.-based musician who has worked with a wide range of artists, including Cat Power, Ariana Grande, Ann Wilson, Sia, and the Wallflowers, and released a solo instrumental album, New Leaves, on Blue Élan. They were joined by a veritable all-star team, including guitarists Val McCallum (Jackson Browne, Lucinda Williams, Sheryl Crow and his own Jackshit combo with Elvis Costello drummer Pete Thomas) and Nashville-to-LA native Adam Gimenez (Paris Jackson, 3OH!3, Savannah Pope).  The group is rounded out by bassist Kurtis Keber and female drummer Jordan West, who double as Grace Potter’s rhythm section, along with longtime Billy Idol keyboardist Paul Trudeau (whose own solo album, Lost Diamond Boy, was released on Blue Élan last year). The four lead vocalists include Blue Élan’s Bernie Barlow (eight years with the Moody Blues, plus Sarah McLachlan and Melissa Etheridge), Vanessa Bryan (Lady Gaga, Gwen Stefani, The Killers, Idina Menzel), Holly Palmer (David Bowie, Gnarls Barkley, Dr. Dre, Allee Willis), and Jordan West (who also has a solo album on Blue Élan on tap).

Signals in Autumn offers the perfect showcase for those powerful female voices, with Bryan belting out “Heartbreaker,” the first focus track, featuring some jagged guitar riffs from McCallum and Gimenez, a track from ‘77’s Burning for You, while Bryan’s and Barlow’s pipes make “The Last Resort,” the second single, one of the album’s highlights. The eclectic styles represented, from Bryan’s slow-burning ballad “Carry Me Home,” Palmer’s take on “Don’t Try to Change Me,” and the Stonesy-Chuck Berry R&B number, “Little Sleepy,” given a raucous treatment by Barlow, to the epic three-part art-rock set piece, “Autumn,” with lead vocals by Jordan West, show how eclectic the band’s primary songwriters – Dave Cousins, Chas Cronk, and Dave Lambert – really were.

The album was recorded in five days at Dave’s Room Recording Studio, engineered and mixed by Steve Olmon, and mastered by Stephen Marsh of Marsh Mastering.  Signals in Autumn is the first of a four-part series that will reimagine overlooked songs of the past, not necessarily just in the progressive genre, either.

“Progressive rock provides the starting point because it contains a remarkable body of songwriting that I believe deserves continued exploration,” Pasich pointed out. “But the philosophy itself isn’t limited to progressive rock. Great songs exist everywhere. What will connect future Signal Meridian projects won’t be style or instrumentation. It will be craftmanship, emotional honesty and the belief that exceptional songwriting continues revealing new possibilities over time.”

Pasich is planning for an eventual Signal Meridian tour and looking to brand the semi-permanent collective in the mode of the rotating cast of characters in the Alan Parsons Project.

“The core musicians will largely stay the same from album to album, though we may use an occasional guest vocalist,” he noted. “But this stuff isn’t easy to play live.”

Signals in Autumn will release on October 23, 2026.

Track Listing:
1. Cut Like a Diamond
2. Carry Me Home
3. Little Sleepy
4. Don't Try to Change Me
5. Lay Down
6. Heartbreaker
7. I Don't Want to Talk About It
8. The Last Resort
9. Autumn [Suite]
10. Who Knows Where the Time Goes

CD Bonus Tracks:
11. Cut Like a Diamond (Radio Edit)
12. Heartbreaker (Radio Edit)
13. Autumn Heroine's Theme
14. Autumn Deep Summer's Sleep
15. Autumn The Winter Long

Listen to “The Last Resort”/Pre-order Signals in Autumn: https://signalmeridian.lnk.to/thelastresort

Watch the lyric video: https://youtu.be/yAlrTG5-QkA

For more information: https://blueelan.com/

Signal Meridian online:
Facebook: https://www.facebook.com/signal.meridian
Instagram: https://www.instagram.com/signal.meridian/
YouTube: https://www.youtube.com/@Signal.Meridian

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/14/2026

Guitar Virtuoso Harvey Valdes to Release New Improvisational Pedal Steel Album Lumora September 18

Harvey Valdes - Lumora Cover

Guitar virtuoso Harvey Valdes is set to release his new album Lumora on September 18, 2026 on 7D Media. Lumora is an intimate solo pedal steel guitar recording that explores atmosphere, melody, and improvisation through the unique voice of the instrument. Stripped of accompaniment, the album invites listeners into a spacious sonic landscape where tone, resonance, and silence become as important as the notes themselves.

Although the pedal steel is often associated with country music, this recording presents the instrument in a different light. Drawing from ambient music, classical influences, and contemporary improvisation, the album reflects my ongoing search for a personal musical language on the pedal steel. Rather than relying on the instrument's traditional vocabulary, Valdes explores it as an expressive, orchestral voice capable of remarkable nuance, color, and emotional depth.

Every piece was created as a complete improvisation, without predetermined structures or written compositions. Valdes approached each performance with openness, allowing melody, harmony, texture, and form to emerge naturally in the moment. The result is music that often unfolds with the coherence and emotional arc of carefully composed works while retaining the immediacy and spontaneity of improvisation. Rather than emphasizing virtuosity, the focus is on creating mood, space, and emotional connection, inviting listeners to slow down and discover the subtle details that emerge over time.

The album was recorded over the course of a single day, capturing a moment when exploration gave way to acceptance. Says Valdes, “After living with the challenges and endless possibilities of the pedal steel, I felt a need to let go of analysis and simply play. The recording became less about making an album and more about embracing the instrument as it is, allowing each improvisation to unfold naturally. In many ways, this project documents a personal turning point - one that opened the door to a more authentic musical voice.”

The title Lumora suggests light, warmth, and quiet illumination - qualities that reflect the emotional character of the music. Rather than telling a specific story, the album creates a space that is reflective, expansive, and open to personal interpretation.

Harvey Valdes Photo

As a guitarist and multi-instrumentalist, Valdes’ career has taken him through a wide range of musical settings—from Broadway orchestras to world music, the music of Bach, and collaborative projects. This project is a deeply personal artistic statement, placing the pedal steel guitar at the center while exploring the instrument's expressive possibilities as a solo voice.

Says Valdes, “My hope is that Lumora invites listeners into this musical language - not as something to be explained, but as a space to inhabit, where simplicity, texture, and spontaneity reveal their own quiet beauty.”

Track list:
1. Mistral
2. Fray
3. Liena
4. Hallow
5. Slen
6. Gleam
7. Drisk
8. Exael

Personnel:
Harvey Valdes - Pedal Steel
Produced, mix, artwork, compositions: Harvey Valdes
Mastered: Chuck Johnson

To pre-order: https://harveyvaldes.bandcamp.com/album/lumora

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

9/11/2026

Held By Trees Release New Single ‘Belong’ from ‘The Call of Home’ featuring Marc James, Frontman of Rock Trio Verra Cruz

Held By Trees - 'Belong' Thumbnail

New lyric video ‘Belong’ premieres today on the official Held By Trees YouTube channel: https://www.youtube.com/watch?v=4pkQf8ab-0k

Held By Trees release a second single ‘Belong’ today, 11 September 2026, ahead of new album ‘The Call of Home’ on 2 October 2026.  On this classic, heart-string-pulling, mid-tempo, 80s influenced love song, Held By Trees once again welcome a guest vocalist, this time in the form of Marc James, frontman of rock trio Verra Cruz.

Taking its cues from Tom Petty, Bruce Springsteen and more recent Americana such as The War on Drugs, ‘Belong’ describes the yearning for a loved one to return home, and the welcome when they do.

Held By Trees’ founder and songwriter, David Joseph says of the song… “This could be my favourite song on the new album. Julian Kindred nailed the mix first time, on my birthday as well which was the perfect gift! I am over the moon with Marc’s vocal on it, he’s really made it his own. We debuted the song live back in the spring and I adore playing it with the band. It’s just one of those deeply satisfying songs to write, record and perform.”

‘The Call of Home’ is the follow-up to the critically acclaimed ‘Hinterland’ and finds the band exploring very different territory, with the album featuring nine tracks with vocals bookended with two more familiar instrumental takes, including for the first time on vinyl, Lay Your Troubles Down with Martin Smith. The album will be released by Tweed Jacket Music / Low Port Music on vinyl, CD and digital formats – but will be initially absent from streaming platforms as each track is released as singles. The striking original artwork, so important to Held By Trees, has been originated by @BlankEmbrace.

‘The Call of Home’ sees a broadening of personnel, with new musical collaborators with backgrounds as diverse as Radiohead and Primal Scream, to Wet Wet Wet and Delirious [Clive Deamer, Simone Marie, Graeme Duffin, and Martin Smith/Stu Garrard respectively]. With David Joseph once again are the core band of Robbie McIntosh, Laurence Pendrous, and Andy Panayi with their shared history with Mark Hollis and Talk Talk, among many others. Still at his side are James Grant and Grant Howard, continuing a friendship and musical partnership spanning over two decades now in various forms. David’s key musical mentors Martin Smith, Jason Upton and Eric Bibb take the vocal mic alongside Simone Marie and Marc James and, in a departure, David even sings a few himself.

David Joseph said, “I’ve made an album of songs with some of our friends singing. It’s a love letter to the music of the 80s and 90s, when I was a youngster falling in love with music through my parent’s records and cassettes, and what I heard on the radio and on Top of the Pops. It’s on the theme of coming home; to reunion, redemption and the warming of the heart through sounds and stories.

This album is a labour of love on many levels, a branching out of what this project is and can be. Over nine songs, bookended with two instrumentals, I hope all who listen find their way home to an embrace that this music can offer the soul.”

Held By Trees is a journey in itself and ‘The Call of Home’ offers new sonic vistas to explore, whilst retaining the heart and hearth of what makes this band special.

Held By Trees - Belong Cover

David Joseph Photo

Held By Trees LIVE

London – Chats Palace, Hackney
13th November 2026
Tickets: https://www.ticketsource.com/rondotheatre/held-by-trees/e-zpbqxm

Bath – Rondo Theatre
23rd January 2027
Tickets: https://www.ticketsource.com/rondotheatre/held-by-trees/e-zpbqxm

Chelmsford – Chelmsford Social Club
19th February 2027
Tickets: https://wegottickets.com/f/22318

Worcester – Huntingdon Hall
2nd April 2027
Tickets: www.worcestertheatres.co.uk

For more information: www.heldbytrees.co.uk

New lyric video ‘Belong’ premieres today on the official Held By Trees YouTube channel: https://www.youtube.com/watch?v=4pkQf8ab-0k

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com (North America, Europe)

9/04/2026

Instrumental Acoustic World Review & Interview: Perpetual Motion-Go With The Flow

                                        Perpetual Motion-Go With The Flow

 

Release Date: September 4, 2026

An Eclectic, Vibrant Journey Through Instrumental World Fusion

Dance of Two Souls from 2019 was the last recording from Perpetual Motion that I had the pleasure of covering. Go With The Flow is the most recent release from Josie Quick (violin) and Tom Carleno (acoustic guitar), the instrumental world-fusion duo that makes this musical motion machine run.

“Water, Light, and Love” kicks off the colorful festivities. The cover art says it all, and the music's “flow” is key. The light plucking of Josie’s violin starts things off, then Tom’s six-string comes into play with rhythm and nicely placed notes. The interplay between the two instruments is a beautiful exchange, with additional orchestration adding texture and atmosphere to complete the composition.

“Go With The Flow” kicks off with a definitive Latin jazz feel. The world-instrumental fusion they are so adept at comes into full focus for the listener. Light percussive elements add rhythm as the violin takes flight. The strumming acoustic guitar serves as the perfect partner, enhancing the violin’s lovely transitory path.

“Rum Point” is light and airy, with the guitar picking and colorful violin strings filling the air. The instrument sounds happy, and the guitar lays down the path to that feeling nicely. A steady backbeat (from tapping the guitar) adds some rhythm to follow. Simple, organic percussion lets the guitar and violin stand out.

“Norwegian Wood (This Bird Has Flown)” is a Beatles classic (in fact, what song isn’t at this point?). You must be brave to cover a Beatles song, and this duo has the talent to represent their music well. It is undoubtedly hitting the mark. The rhythmic flourishes of the acoustic guitar and the precise violin playing create the imagery I expected, with a little extra excitement in some improvisations. Excellent!

“It’s Amazing” has a definitive Latin inflection with both instruments. In fact, it felt like being transported to Europe rather quickly. This is a dance for the duo, a personal introspection on discovering each other. The guitar strumming and lead playing are superlative as the violin stretches out with colorful bursts and transitions.

“Josie’s Blues” takes things in a different direction, changing the flow of the previous tracks. The blues comes at you in a much slower tempo with both instruments. At times, it sounds like the violin is talking to you as the lead guitar notes are woven carefully. A reflective piece with some good finger plucking from the violin, which creates such a different sound. A good example of how a violin can step out and be a lead instrument (After all, look at what Jean-Luc Ponty did). This runs nearly seven minutes, and Josie is impressive, with excellent passages that highlight the violin’s range.

“Broken Elbow Cha-Cha” changes the flow entirely once again with a mellow jazz-like flair. The guitar pulls out some Latin-influenced notes as the violin answers with its own special style. It's like a gypsy dance by fire, and the interplay between the two instruments is the fuel that keeps the flame burning.

“From The Beginning” is a classic Emerson, Lake, and Palmer track. I could hear Greg Lake’s voice in my consciousness. This is another cover you would need to nail down, including all the details to represent it properly; again, they succeed. I had never heard it like this before and really enjoyed it. Breathing new life into a legendary tune is a challenge.  Towards the end, the violin uses some very cool wah-wah effect to give it the proggy edge.

“The Tide” of music has a continuity and flow that is simply magical, leading up to this track. This one is cinematic, and I could feel the grandeur and awe of the ocean's waves, but in a laid-back, appreciative way. Here, the classical influences come through beautifully. A lovely melody, soothing to the soul.

“Chimichangaranga” brings back that European gypsy vibe with both instruments intermingling to evoke a sense of adventure and anticipation. The pace picks up into a dance, morphing into more complexities as you move along. That Latin influence is one of their strongest foundations, particularly with the guitar. It is the perfect ending to their musical story.

“Bluebird Day” is a light, airy track with rhythmic acoustic guitar strumming and a flowing violin that seems to dance across the notes. It's world jazz at its very best. It is the perfect ending to their musical story.

Go With The Flow is as eclectic, entertaining, and vibrant as instrumental music can be. The seamless interplay between acoustic guitar and violin remains inventive and invigorating from start to finish. Across ten diverse tracks, the album takes listeners on a journey full of unexpected twists that keep your attention. It’s a standout example of world fusion instrumental music at its finest.

Keith “MuzikMan” Hannaleck-MuzikMan.net Founder

September 4, 2026