10/15/2019

Concert Review: Eric Gales Live At The Stationery Factory In Dalton, Massachusetts

Eric Gales In Concert At The Stationery Factory In Dalton, Mass.
With The BTUs
October 13, 2019


Dalton, Massachusetts got to witness one of the best guitar players on the planet cut loose last night. Eric Gales (AKA Raw Dawg), was on stage at the Stationery Factory, one of the newer venues in the Berkshires that I have become very grateful for. Now we have another old mill repurposed for many different uses. The building holds more than just a stage, it actually has five stages. They have performances in the Gallery, the North Room, Honor Roll Studios and at the Shire. The concert was on the main stage this evening. It also includes several businesses including a restaurant and distillery where they make Vodka and provide the concert with a nice jug of pristine water for its patrons. Which is free by the way.

The night opened with local band the BTUs to warm up the crowd. They provided an excellent set of blues-rock. You could tell they were a seasoned band that had their chops down straight away. They feature two slick guitar players that can sing up a storm and an animated keyboard player that can sing as well. To round off their band there is a decidedly younger member behind the drum kit that is always smiling. The keyboard player provided the bass with the bottom tier of his keyboard and the actual keyboard sounds with the top tier. That is quite the trick I must say!

After a short break and breakdown of the first act, we all got ready for Eric Gales. I remember getting Eric’s very first release back in the early ’90s. From that point, I did not pursue his output, a big mistake on my behalf. He now has 18 albums out! The latest release is titled Bookends. Seeing him lived showed what I was missing all these years! 

Eric is a new man. With the help of his dedicated wife LaDonna he battled his demons and kicked a long-standing drug addiction. He is very upfront about his life and feelings and man does it ever come pouring out of him through his music! He has a killer rhythm section, a bass player and two percussionists, one being LaDonna, who has a beautiful voice by the way. It is a family united, as their lovely daughter attends the merch table as well.

The venue and stage are very personal and up close, there is not a bad seat in the house, with comfortable chairs provided of course. The capacity is 500 although there was not that many in attendance. Regardless of how many folks attended there was enough of us to make some noise in response to Eric’s amazing performance. The crowd was well behaved, appreciative, and respectful of each other. I had to mention that because it's not always that way. 

Eric is a very animated and energetic performer and he plays a guitar left-handed with upside-down strings, just like that other great six-string bender named Hendrix. I have heard people say he is like a cross between Hendrix and Stevie Ray, which I could not argue. He is making a lot of headway to superstardom with his album Bookends debuting at #1 on the Billboard charts when it was released on Mascot Records (one of my favorite labels). And with Joe Bonamassa (another great blues guitarist) backing him and playing the album on his Sirius radio channel, he is finally getting some well-deserved attention.

Any good music, rock, in particular, is blues-based. Eric takes a little bit of everything - blues, rock, jazz, funk, and that creates his sound. He has a definitive harder edge to his faster moving songs and an excellent voice to match. I thought of the great Albert Collins more than once while listening to him. That is a great compliment, as Albert was the master of the telecaster.

Eric played many of the tracks off his new release including “Southpaw Serenade,” “How Do I Get You” and the matter of fact “It Just Beez That Way,” which everyone on stage was wearing on their T-Shirts, and available at the merch table. Eric got the crowd chanting that phrase as well. He owns that stage and the audience loved him.

The other thing I appreciated besides the great music was the interaction of the band members with Eric and how they watched all his cues. In particular, was the husband and wife exchanges, you can tell they really love each other and are enjoying every second of their time together on stage.

If you take a look at where Eric has performed this year it is a list of Blues Festivals all over the world. That does not surprise me in the least. He is one of the top guitar players of the genre in the world today and it was a pleasure to see him perform live and meet with him after the show.

Eric Gales is a premier act that is a must-see if you either love the blues or can appreciate a great guitar player. If that is the case, then you need to get your tickets and catch a show.

Keith “MuzikMan” Hannaleck
October 14, 2019

Founder of:

Review Provided By MuzikMan.net

Rodney Matthews and Jeff Scheetz with Oliver Wakeman To Release "Trinity" Feat. Rick Wakeman


Gonzo Multimedia is releasing the highly anticipated debut studio album from Rodney Matthews and Jeff Scheetz with Oliver Wakeman titled “Trinity” and is now available for pre-order.

World renowned British fantasy artist and drummer Rodney Matthews and American rock guitarist and Director of Education at TrueFire Jeff Scheetz, along with British award-winning composer and former Yes keyboardist Oliver Wakeman are to release a prog rock album inspired by Matthews’ fantastical images.

Having illustrated over 140 rock album covers Matthews knew who to call upon to play across the ten eclectic tracks composed and arranged by himself, Scheetz, Wakeman and TV/film composer and multi-instrumentalist Pete Coleman. The stellar line-up also includes none other than legendary Yes keyboardist Rick Wakeman on the title track, three bass players – Asia FJP’s John Payne, Magnum’s Tony Clarkin and in-demand jazz/blues/rock session player Steve Amadeo – and world class saxophonist Charles McNeal, plus vocals by Sarah Prothero and narration by Mark A. Williams.

The distinctive styles and diversity of contributions from these musicians lends perfectly to the largely instrumental album, encapsulating in music, images both familiar and new, from the thunderous ‘Heavy Metal Hero’ and dramatic ‘Night on the Bare Mountain’ to the majestic ‘Mirador’ and ethereal ‘Trinity’ (and everything in-between).

The album will be available on CD and double Vinyl with bonus tracks. Also, for collectors, both will be included in a lavish limited-edition boxed set, accompanied by Matthews’ illustrated guide to the artwork, two giclée prints and a set of eleven postcards.

Of the album, many years in the making, Matthews says: “I’ve waited all my life to record an album, to do so with this group of high calibre musicians was beyond my wildest dreams - and trust me, being a fantasy artist, I can dream pretty wild!”



To pre-order:
www.trinityalbum.com
www.diggersfactory.com/fr/vinyl/227027/rodney-matthews-and-jeff-scheetz-with-oliver-wakeman-trinity

For more information:
Web: www.rodneymatthewsstudios.com
Facebook: @RodneyMatthewsStudios
Twitter: @RodneyMStudios
Instagram: @rodneymstudios

Press Inquiries: 
Glass Onyon PR
PH: 1-828-350-8158 (US)
glassonyonpr@gmail.com

Rodney Matthews and Jeff Scheetz with Oliver Wakeman To Release "Trinity" Feat. Rick Wakeman


Gonzo Multimedia is releasing the highly anticipated debut studio album from Rodney Matthews and Jeff Scheetz with Oliver Wakeman titled “Trinity” and is now available for pre-order.

World renowned British fantasy artist and drummer Rodney Matthews and American rock guitarist and Director of Education at TrueFire Jeff Scheetz, along with British award-winning composer and former Yes keyboardist Oliver Wakeman are to release a prog rock album inspired by Matthews’ fantastical images.

Having illustrated over 140 rock album covers Matthews knew who to call upon to play across the ten eclectic tracks composed and arranged by himself, Scheetz, Wakeman and TV/film composer and multi-instrumentalist Pete Coleman. The stellar line-up also includes none other than legendary Yes keyboardist Rick Wakeman on the title track, three bass players – Asia FJP’s John Payne, Magnum’s Tony Clarkin and in-demand jazz/blues/rock session player Steve Amadeo – and world class saxophonist Charles McNeal, plus vocals by Sarah Prothero and narration by Mark A. Williams.

The distinctive styles and diversity of contributions from these musicians lends perfectly to the largely instrumental album, encapsulating in music, images both familiar and new, from the thunderous ‘Heavy Metal Hero’ and dramatic ‘Night on the Bare Mountain’ to the majestic ‘Mirador’ and ethereal ‘Trinity’ (and everything in-between).

The album will be available on CD and double Vinyl with bonus tracks. Also, for collectors, both will be included in a lavish limited-edition boxed set, accompanied by Matthews’ illustrated guide to the artwork, two giclée prints and a set of eleven postcards.

Of the album, many years in the making, Matthews says: “I’ve waited all my life to record an album, to do so with this group of high calibre musicians was beyond my wildest dreams - and trust me, being a fantasy artist, I can dream pretty wild!”



To pre-order:
www.trinityalbum.com
www.diggersfactory.com/fr/vinyl/227027/rodney-matthews-and-jeff-scheetz-with-oliver-wakeman-trinity

For more information:
Web: www.rodneymatthewsstudios.com
Facebook: @RodneyMatthewsStudios
Twitter: @RodneyMStudios
Instagram: @rodneymstudios

Press Inquiries: 
Glass Onyon PR
PH: 1-828-350-8158 (US)
glassonyonpr@gmail.com

10/12/2019

Country Review: Willie Nelson-Ride Me Back Home

Release Date:  June 21, 2019
Label:  Legacy Recordings
Website 
When Willie Nelson sings, people listen. Throughout his storied 60-year career, The Redheaded Stranger has become a genre unto himself. His mastery lies in the poetic, heartfelt expressions of romance, loneliness, and the exploits of an outlaw’s life on the road.

Willie’s 69th studio album Ride Me Back Home thematically does not wander far from home. Yet there are echoes of melancholy, remorse, and gravity, which force the listener to sit up and take notice. In late-stage releases from Bob Dylan (Tempest), Johnny Cash (American series), and Leonard Cohen (You Want It Darker), one hears underlying themes of the wrath of time, the futility of existence and death. These undercurrents serve as haunting reminders of what is to come and serve a warning for all to live every moment as if it were your last. In Willie Nelson’s inimitable style, Ride Me Back Home follows suit.

The title track is classic country fare serving a double-metaphor signifying a returning to his roots and a longing for a time when the world was a bigger place. “Come on Time” follows by pleading with the powers that be to give him more, and an acceptance that in the battle of Willie vs. Time, Time will ultimately prevail.

Willie’s cover of Guy Clark’s “My Favorite Picture of You” is a standout track. Heartbreaking lyrics layered on soft and subtle country chords is Willie at his finest. Reminiscent of his 1998 masterpiece, Teatro, the spacing between the lyrics and notes in this song is used to dramatic effect, proving what is left out can be as important as what is put in. “Just a moment in time that you can’t have back. You never left, but your bags were packed.”

Willie’s commonsensical wit is at the forefront of the upbeat “Seven Year Itch,” and “Hard to be Humble” while “Nobody’s Listening” and “Maybe I Should Have Been Listening” ride a rueful tone of sadness and remorse.

The sole misfire on the album is “Just the Way You Are,” a compulsory cover of the Billy Joel classic. The iconic Hammond organ sounds of the original do not port well to Willie’s country guitar jangling. When Willie sings, “I said I love you.” I couldn’t help envision him shouting this to his wife because she couldn’t hear him the first time. 

In Ride Me Back Home, Willie Nelson packages a set of covers, retreads, and new material co-written with Buddy Cannon to form a dark, yet delightful whole. As the last part of a trilogy beginning with 2017’s God’s Problem Child and 2018’s Last Man Standing, Ride Me Back Home is ironic as well. After being on the road so long, it is hard to imagine Willie ever turning back.

Key Tracks Include: “Ride Me Back Home”, “My Favorite Picture of You”, “Seven Year Itch”, “Nobody’s Listening”

Tom Endyke-MuzikMan.net Staff
October 9, 2019

Reviews Provided By:

Tracks:
01. Ride Me Back Home
02. Come on Time
03. My Favorite Picture of You
04. Seven Year Itch
05. Immigrant Eyes
06. Stay Away from Lonely Places
07. Just the Way You Are
08. One More Song to Write
09. Nobody’s Listening
10. It’s Hard to Be Humble

 

10/11/2019

Rock Review: Evi Vine-Black // Light // White // Dark

Release Date: February 22, 2019
Label: Independent
Website


Evi Vine is one of those bands that, if you’ve never heard of her and her crew, or aren’t really into the Indie music scene, then listening to them finally makes you feel like you’ve missed out on a whole new universe of music. The album is full throttle, underground rock 'n' roll. That being said, it sends your ears down a mystical journey. It is a great record for someone who is looking to explore their creative talents. I believe in listening to certain records to set a mood to drum up one’s talents or capabilities.

It is only fitting that this album found its way to me in October. With its haunting vocals and dark undertones, Black // Light // White // Dark epitomizes the essence of the Fall setting and spirit of Halloween to follow. What is lacking in minimal vocals and lyrics as a traditional album might have, the band makes up for in taking the listener, transforming them into a character or adventurer as they venture through each track of the short album.

You never know how you may come across something new but, if you are open and willing to take in new sights and sounds, this album will point you in that direction. For any Rock enthusiast, Evi Vine is that band that adds both light and heavy set of tones to their music collection. The overall sound of Evi’s vocals and essence provides that light and bright feeling while the band behind her nails the heavier Rock beats to compare to her competitors like Flyleaf and Evanescence. The album becomes a remarkable masterpiece as it the listener grabs hold of Evi Vine.


Gregg Keniston- MuzikMan.net Staff
September 30, 2019

 
Reviews Provided By:


Tracks:
1. I Am the Waves
2. Afterlight
3. Sabbath
4. My Only Son
5. We Are Made of Stars
6. Sad Song, No. 9