An exclusive box set of Tangerine Dream's “Live at Coventry Cathedral 1975” filmed and directed by Tony Palmer.
London - In December 1974 Tangerine Dream were invited to play in the grand setting of Rheims Cathedral, a move certainly seen at the time as groundbreaking. They were then invited to perform in the cathedrals of York, Liverpool and Coventry. The tour attracted unprecedented coverage in the media, especially at Coventry Cathedral, an iconic building rising like a phoenix on the ruins of the old cathedral bombed to bits by the Germans in 1940 (Tangerine Dream is, after all, a German band) as a celebration of peace and reconciliation, as well as a lasting showcase for great contemporary art.
The nave is dominated by a gigantic tapestry by Graham Sutherland, the main door dwarfed by a sculpture of St Michael & The Devil by Jacob Epstein, and the consecration in 1962 heard the first performance of Britten’s incomparable War Requiem. To their lasting credit, Tangerine Dream contributed to this celebration.
This DVD features the live recording soundtrack (unlike the previous issue), and also contains footage of Tangerine Dream from the legendary music programme, All You Need is Love. It will be welcomed by the massive Tangerine Dream fan base, and also seen for what it is – a meeting of cultures and for a brief moment in time, a time where the past met both the present and the future.
This deluxe box set brings together both the film DVD and memorabilia together for the first time, along with a signed and numbered certificate by Tony Palmer the Director.
An exclusive box set of Tangerine Dream's “Live at Coventry Cathedral 1975” filmed and directed by Tony Palmer.
London - In December 1974 Tangerine Dream were invited to play in the grand setting of Rheims Cathedral, a move certainly seen at the time as groundbreaking. They were then invited to perform in the cathedrals of York, Liverpool and Coventry. The tour attracted unprecedented coverage in the media, especially at Coventry Cathedral, an iconic building rising like a phoenix on the ruins of the old cathedral bombed to bits by the Germans in 1940 (Tangerine Dream is, after all, a German band) as a celebration of peace and reconciliation, as well as a lasting showcase for great contemporary art.
The nave is dominated by a gigantic tapestry by Graham Sutherland, the main door dwarfed by a sculpture of St Michael & The Devil by Jacob Epstein, and the consecration in 1962 heard the first performance of Britten’s incomparable War Requiem. To their lasting credit, Tangerine Dream contributed to this celebration.
This DVD features the live recording soundtrack (unlike the previous issue), and also contains footage of Tangerine Dream from the legendary music programme, All You Need is Love. It will be welcomed by the massive Tangerine Dream fan base, and also seen for what it is – a meeting of cultures and for a brief moment in time, a time where the past met both the present and the future.
This deluxe box set brings together both the film DVD and memorabilia together for the first time, along with a signed and numbered certificate by Tony Palmer the Director.
Steve Hackett just released At The Edge of Light on the Inside Out (Sony) label. I was sent the CD/DVD but decided to purchase the LP for additional listening pleasure. I am glad that I did. The album is a two-LP 180-Gram set with a CD included. This is something you get from most of the Inside Out vinyl so you get the best of both worlds and it's worth the price tag. Hackett is a legendary figure in progressive rock and has a lot of music out there to dive into. With his Genesis days (while brilliant) long behind him, he is always moving forward and creating interesting music for longtime fans and new disciples to consume. I personally have not gone too far into his catalog, although I feel it is time for that to change. I think Mr. Hackett is extremely underrated because his music has never been mainstream or commercial in any way. That is just fine with his audience in the prog sphere. At The Edge of Light is two platters, 3 sides of music, and the fourth side has the etching of the lighting on the cover with the man standing there looking at it with the inscription “Turn and Face Whatever You Fear Most.” Keep that in mind as you listen to the music and read the lyrics found on the inner sleeves of the album jacket (yes food for thought). Side one opens in grand style with epic sweeping music and some fine vocals offered by Hackett. I have always looked at him as a guitar hero but the man is equally adept with the vox humana. This is a very eclectic group of songs ranging from prog rock, flat out rocking segments, blues, and world. It has it all and very well done I may add. Side two starts off with “Underground Railroad.” Hackett’s tribute the trials and tribulations of slaves. It starts off bluesy then leads into a spiritual/gospel type sound and feeling then transforms into an all-out rocker. The changing tides of the music in a sense must have fit the all-encompassing emotions a slave had reaching freedom at last through those dangerous passages. “Shadow and Flame,” is one of the more colorful tracks with world music infused into rock featuring the Duduk, which creates a drone, and the very recognizable Sitar. Side three opens with “Hungry Years.” The track features some great harmonies and catchy runs that sound radio ready, however, that leads to some strong stinging leads from Hackett and some sturdy bass lines to keep that train rolling down the line. After all of that, it fades out then you move on to the next two tracks, which are significant instrumentals musically and thematically. “Descent” has the resounding and rhythmic beats of marching soldiers off to war or making the “Descent” into that literal hell. Then all of that driving force folds into the “Conflict,” which is earmarked with a whirling dervish of sounds and more masterful lead guitar by the maestro Hackett. Then the fitting curtain closer “Peace,” after the “Conflict.” So, you see there is a definite theme here that Hackett is presenting. I think what he is saying through music and words is what we are seeing worldwide. The wars, confusion, and atrocities of man that continue to this day are thought of while reading the lyrics and listening to the music push those words to the forefront of your mind. And perhaps for those tortured souls among us, who are raging their own wars with internal emotions that nobody knows but them. But yet we all stand At The Edge of Light, a few steps away from that dark chasm that surrounds us. The true nature of man is at the center of the light and that thought gives us all hope as we listen to the musical prophets of the world. Steve Hackett has created a beautiful album that is diverse musically and lyrically. I do not think fans could have hoped for a better album. This work speaks highly of a man with superlative talents and a message to deliver. Keith “MuzikMan” Hannaleck-Prog Rock Music Talk February 3, 2019
The didgeridoo is a wind instrument developed by Indigenous
Australians of northern Australia. It is an ancient instrument still in use
today. The drone sound that it makes is mesmerizing and used very effectively
in meditation and for various musical projects not intended for that specific
use.
Paradiso
& Rasamayi are a couple that have combined their talents on several new age
albums. Agape Evolution: The Movement is
their most recent release.
The
goal of this dynamic and talented couple is to create healing frequencies to
cleanse the soul. That is a tall order indeed however the power of music cannot
be underestimated. This is a fifteen track two-disc limited edition digipak tri-fold
work of art. What you have the opportunity to embrace are some amazing sounds
on Agape Evolution: The Movement.
The
use of the didgeridoos, keyboards, singing bowls and voice work is a beautiful,
colorful and earthy combination. It will delight new age and world music fans
and those seeking a path to meditation.
The
drone of the digeridoos is a steady focal point for those pursuing meditation
while listening. Outside of that realm, if you are seeking quite relaxation
time to clear your mind, this music can get you there.
Everything
that is blended into that one foundation instrument just adds to the layers and
textures that are created over the two discs. Within each track you will hear
an amazing blend of instrumentals and voice. I found it all very relaxing and
healing. That is the goal of Paradiso & Rasamayi, to show listeners there
is an outlet for healing, a positive exercise of sounds, vibrations, tones and
frequencies (all keyboards are tuned to 432hz) to realign the chakras. The end result
is you become a better you, and an example for others to follow.
Agape Evolution: The Movement is a
must have companion for meditation and relaxation that should not be missed.
There is enough music and vibrations here to last for a good hour or if you
want less you can play one disc. Either way you are making the right choice and
receiving the full benefit of the art presented on this set.
Experimental beyond expectations, HOIA is an infusion of musical interests by Prateek Rajagopal. Popularly known for being a virtuoso guitarist, budding film composer and writer/producer for death metal legions “GUTSLIT” & Indian/Amercian prog metal supergroup “The Minerva Conduct,” his interest in genres and art forms beyond metal gave rise to HOIA, inspired by Avant-garde, progressive rock, experimental and industrial music.
After releasing two EPs with HOIA, Prateek is all set to release his debut album titled “Scavenger.” The record has a more sophisticated songwriting approach compared to his previous releases, albeit still very 'prog,' and also features Prateek as a vocalist for the first time. The instruments used on the album are unlike his other projects, using samples of rotating fans and vehicle sounds, analog synthesizers and digital manipulation along with organic instruments like guitars (acoustic, electric), piano and strings.
Says Prateek, “The album deals with human-sentimentality concepts like nostalgia, demise, anxiety and the need to 'scavenge' to survive, bubbled in fictitious concepts as individual stories. It isn't a concept album, but there's a loose relation across the individual stories.”
Although he is the primary songwriter, Prateek approached Colin Edwin of "Porcupine Tree" & Wojtek Deregowski (a reputed session musician from Poland) to perform bass and drums respectively.
“In a world full of guitarists, I am lucky enough to somehow work with a steady flow of really interesting and unique players, so I am very happy to be involved with Prateek Rajagopal's new HOIA album, a solid collection of inspiring tracks across an ever-evolving deep sonic landscape. Lots of unexpected elements which fuse together really well, with a some great twists for the adventurous listener, top stuff.” - Colin Edwin
“Even though I know all the tunes from the new HOIA album really well, I like to come back and listen to them again. It’s just a very good music in which you may always find something new that surprises and catches your attention. Fresh sounds, a lot of space and emotions at the same time. I’m really happy that I could contribute to the music by recording drum parts. Prateek gave me a lot of freedom in expressing my own style of playing so I improvised much hoping to give the music even more feelings and interesting ideas.” - Wojtek Deregowski
HOIA's “Scavenger” has been in the works for over 2 years and clocks in at 33 minutes. The track-list is as follows:
1. Write Across 2. Escape Orb 3. Electric Wizard 4. Part II 5. Scavenger
“An all-out prog fest, going from intricate chilling melodies to odd-time riffs and shattering drum-work.'' - Rolling Stone (India)
In support of the release Prateek has plans to tour and the members are also willing to perform, but his multiple commitments in Mumbai and other projects are holding it back. A music/visualization video (by illustrator/director Aniruddh “Thebigfatminimalist” Mehta) for “Write Across,” a drum play-through of “Electric Wizard,” and an album stream video are all ready.
In closing Prateek has this to say, “The album deals with simple human emotions. However, writing them as stories felt natural and subtle, and thinking about characters/plots made the process very enjoyable. I hope that people understand the metaphors and Easter eggs too, since everyone goes through similar human emotions. So if people relate with the stories, they might feel better and less lonely, and in turn feel hopeful about life and this world.”
