Burnt Belief, Multifaceted Instrumental Band Feat. Porcupine Tree Member, To Release Third Installment of Trilogy: “Emergent”

Boston, MA - Inspired by the unspoken and hidden truths behind our daily reality, “Emergent” is the third in a trilogy of collaborative works by bassist Colin Edwin (Porcupine Tree/Metallic Taste of Blood/O.R.k etc) and experimental US guitarist Jon Durant, under the working name Burnt Belief.

“Emergent” builds on the duo's previous work whilst still exploring the fundamental aspects that define Burnt Belief's sonic world, namely hypnotic rhythmic elements seamlessly blended with lush guitar led soundscapes and deep ambient atmospherics. “Emergent” also showcases the intense and unpredictable, yet satisfying guitar playing from Durant, who manages to tame elemental, skittish and frequently unsettling tones, by subtly wrapping them in layers of magnetic aura. Drumming throughout is Vinny Sabatino, who brings an inventive, muscular and precise beat to complement Colin Edwin's expansive and expressive fretless and upright basses.

Says Jon Durant, “One of the things that makes Burnt Belief unique in the world of instrumental progressive rock/fusion oriented musics is that we are not at all focused on displays of chops, but rather focus on trying to tell stories through the music. The title, 'Emergent', is a reference to the theory that consciousness is an emergent property of a functioning neurosystem. Colin and I both share a fascination with how the mind works and the ways that hidden processes and background information can subtly influence more obvious conscious thoughts without our being aware of it. Similarly, throughout the album, there are very subtle background elements that have in some way directly informed the bigger picture of the compositions.”

Colin Edwin adds, “With instrumental music, any meaning is obviously less explicit than when lyrics are present, but as we neared completion of the album, it became apparent to me that the majority of pieces on 'Emergent' have elements of unresolved tension or darker moments somewhere below the surface. Something I have noticed more and more is that there are many seemingly straightforward things which, on closer inspection, turn out to be really quite complex and insoluble, and I have started thinking of the album as bringing out the feeling of suddenly seeing more than you expected and having an expanded view coming into focus. This expanded view isn't necessarily optimistic however, so for me the image of an aggressive looking insect appearing inside a pretty looking flower on the cover is perfect.”

“Emergent” amply rewards repeated listens, unveiling it's layered coalescence of antithetical components gradually, such as the discordant conversational flexes between upright bass and electronic percussion during “Until the Stars Go Out”, or the measured rhythmic resolution during “Confidence of Ignorance”. The nine and half minute title track, which unfolds gradually and explores an unhurried yet palpable tension, is a thought provoking meditation on the unstoppable changes around us all, “Emergent” is a genre defying journey for intrepid listeners keen to explore new musical territories.

Packaged in a cardboard sleeve pack with a four page booklet.

Tracklisting:
1. The Bubble Bursts (6.02)
2. More Snow (6.10)
3. The Confidence of Ignorance (5.06)
4. Emergent (9.32)
5. Until the Stars Go Out (6.26)
6. Language of Movement (7.01)
7. Turning Torso (10.11)
8. Ghosts Aquatic (6.21)

Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's records, Alchemy has released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.

Colin Edwin is best known as founder member and bassist of the internationally successful , long time progressive rock favourites Porcupine Tree. Outside of Porcupine Tree, as well as solo work and various guest spots, Colin's unique and creative bass playing have lead him to collaborate frequently with like minded and inventive musicians, including (former Henry Cow) multi - instrumentalist and reed player Geoff Leigh (as Ex-Wise Heads), fellow bassist Lorenzo Feliciati in the critically acclaimed duo Twinscapes, and most recently Endless Tapes with drummer Alessandro Pedretti. Colin is also a member of the intense and genre defying band Metallic Taste of Blood, with two albums to date on Rarenoise Records, as well as playing and recording with metal pioneers Obake. In 2015 he formed the band O.R.k. alongside King Crimson drummer Pat Mastelotto, vocalist LEF and guitarist Carmelo Pipitone from Italy’s cult “anti-folk” band Marta Sui Tubi. 2016 has so far seen Euro and South American dates with O.R.k. and also the release of Colin's adventurous collaboration (as Astarta/Edwin) with top Ukrainian female vocal duo Astarta, drawing heavily but expanding on their earthy Slavic folk roots.

Vinny Sabatino is a first call drummer from Boston, best known for his funky grooves. He's recorded and performed extensively with Jon Durant, as well as with a wide range of artists including current Santana lead vocalist Ray Greene, multiple Grammy winning producer Jeff Bhasker, film composer Michael Whalen and folk artist Porter Smith. His band, Nightshift, is the most in demand band in Boston, and features vocalist (and winner of The Voice) Jermaine Paul, Bassist Barron Browne (Jean Luc Ponty, Steve Smith, Billy Cobham).

In closing Jon has this to impart, “Most importantly, I'd like listeners to actively listen with an open mind. Good speakers or headphones are a particular plus, as there's a lot going on that's worth paying attention to. Our music can take you on a very compelling journey if you're willing to let it.”

Colin adds, “I always believe that people will find their own relationship with any piece of art, music, book or film and it's usually more powerful and meaningful that way, so any messages usually work best when they are to be uncovered and discovered rather than being upfront. If we have successfully created an all encompassing 'sound world' that takes people somewhere else when they hear it, I consider it a success. After all, doesn't music exist to express what words can't?”

To purchase Burnt Belief's “Emergent”:
https://www.amazon.com/Emergent-Burnt-Belief/dp/B01IPNT04A

Video for “Dissemble” (from Etymology):

Video for “Semazen” (from Burnt Belief):

Burnt Belief Facebook Page:
https://www.facebook.com/BurntBelief/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Burnt Belief, Multifaceted Instrumental Band Feat. Porcupine Tree Member, To Release Third Installment of Trilogy: “Emergent”

Boston, MA - Inspired by the unspoken and hidden truths behind our daily reality, “Emergent” is the third in a trilogy of collaborative works by bassist Colin Edwin (Porcupine Tree/Metallic Taste of Blood/O.R.k etc) and experimental US guitarist Jon Durant, under the working name Burnt Belief.

“Emergent” builds on the duo's previous work whilst still exploring the fundamental aspects that define Burnt Belief's sonic world, namely hypnotic rhythmic elements seamlessly blended with lush guitar led soundscapes and deep ambient atmospherics. “Emergent” also showcases the intense and unpredictable, yet satisfying guitar playing from Durant, who manages to tame elemental, skittish and frequently unsettling tones, by subtly wrapping them in layers of magnetic aura. Drumming throughout is Vinny Sabatino, who brings an inventive, muscular and precise beat to complement Colin Edwin's expansive and expressive fretless and upright basses.

Says Jon Durant, “One of the things that makes Burnt Belief unique in the world of instrumental progressive rock/fusion oriented musics is that we are not at all focused on displays of chops, but rather focus on trying to tell stories through the music. The title, 'Emergent', is a reference to the theory that consciousness is an emergent property of a functioning neurosystem. Colin and I both share a fascination with how the mind works and the ways that hidden processes and background information can subtly influence more obvious conscious thoughts without our being aware of it. Similarly, throughout the album, there are very subtle background elements that have in some way directly informed the bigger picture of the compositions.”

Colin Edwin adds, “With instrumental music, any meaning is obviously less explicit than when lyrics are present, but as we neared completion of the album, it became apparent to me that the majority of pieces on 'Emergent' have elements of unresolved tension or darker moments somewhere below the surface. Something I have noticed more and more is that there are many seemingly straightforward things which, on closer inspection, turn out to be really quite complex and insoluble, and I have started thinking of the album as bringing out the feeling of suddenly seeing more than you expected and having an expanded view coming into focus. This expanded view isn't necessarily optimistic however, so for me the image of an aggressive looking insect appearing inside a pretty looking flower on the cover is perfect.”

“Emergent” amply rewards repeated listens, unveiling it's layered coalescence of antithetical components gradually, such as the discordant conversational flexes between upright bass and electronic percussion during “Until the Stars Go Out”, or the measured rhythmic resolution during “Confidence of Ignorance”. The nine and half minute title track, which unfolds gradually and explores an unhurried yet palpable tension, is a thought provoking meditation on the unstoppable changes around us all, “Emergent” is a genre defying journey for intrepid listeners keen to explore new musical territories.

Packaged in a cardboard sleeve pack with a four page booklet.

Tracklisting:
1. The Bubble Bursts (6.02)
2. More Snow (6.10)
3. The Confidence of Ignorance (5.06)
4. Emergent (9.32)
5. Until the Stars Go Out (6.26)
6. Language of Movement (7.01)
7. Turning Torso (10.11)
8. Ghosts Aquatic (6.21)

Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's records, Alchemy has released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.

Colin Edwin is best known as founder member and bassist of the internationally successful , long time progressive rock favourites Porcupine Tree. Outside of Porcupine Tree, as well as solo work and various guest spots, Colin's unique and creative bass playing have lead him to collaborate frequently with like minded and inventive musicians, including (former Henry Cow) multi - instrumentalist and reed player Geoff Leigh (as Ex-Wise Heads), fellow bassist Lorenzo Feliciati in the critically acclaimed duo Twinscapes, and most recently Endless Tapes with drummer Alessandro Pedretti. Colin is also a member of the intense and genre defying band Metallic Taste of Blood, with two albums to date on Rarenoise Records, as well as playing and recording with metal pioneers Obake. In 2015 he formed the band O.R.k. alongside King Crimson drummer Pat Mastelotto, vocalist LEF and guitarist Carmelo Pipitone from Italy’s cult “anti-folk” band Marta Sui Tubi. 2016 has so far seen Euro and South American dates with O.R.k. and also the release of Colin's adventurous collaboration (as Astarta/Edwin) with top Ukrainian female vocal duo Astarta, drawing heavily but expanding on their earthy Slavic folk roots.

Vinny Sabatino is a first call drummer from Boston, best known for his funky grooves. He's recorded and performed extensively with Jon Durant, as well as with a wide range of artists including current Santana lead vocalist Ray Greene, multiple Grammy winning producer Jeff Bhasker, film composer Michael Whalen and folk artist Porter Smith. His band, Nightshift, is the most in demand band in Boston, and features vocalist (and winner of The Voice) Jermaine Paul, Bassist Barron Browne (Jean Luc Ponty, Steve Smith, Billy Cobham).

In closing Jon has this to impart, “Most importantly, I'd like listeners to actively listen with an open mind. Good speakers or headphones are a particular plus, as there's a lot going on that's worth paying attention to. Our music can take you on a very compelling journey if you're willing to let it.”

Colin adds, “I always believe that people will find their own relationship with any piece of art, music, book or film and it's usually more powerful and meaningful that way, so any messages usually work best when they are to be uncovered and discovered rather than being upfront. If we have successfully created an all encompassing 'sound world' that takes people somewhere else when they hear it, I consider it a success. After all, doesn't music exist to express what words can't?”

To purchase Burnt Belief's “Emergent”:
https://www.amazon.com/Emergent-Burnt-Belief/dp/B01IPNT04A

Video for “Dissemble” (from Etymology):

Video for “Semazen” (from Burnt Belief):

Burnt Belief Facebook Page:
https://www.facebook.com/BurntBelief/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Burnt Belief, Multifaceted Instrumental Band Feat. Porcupine Tree Member, To Release Third Installment of Trilogy: “Emergent”

Boston, MA - Inspired by the unspoken and hidden truths behind our daily reality, “Emergent” is the third in a trilogy of collaborative works by bassist Colin Edwin (Porcupine Tree/Metallic Taste of Blood/O.R.k etc) and experimental US guitarist Jon Durant, under the working name Burnt Belief.

“Emergent” builds on the duo's previous work whilst still exploring the fundamental aspects that define Burnt Belief's sonic world, namely hypnotic rhythmic elements seamlessly blended with lush guitar led soundscapes and deep ambient atmospherics. “Emergent” also showcases the intense and unpredictable, yet satisfying guitar playing from Durant, who manages to tame elemental, skittish and frequently unsettling tones, by subtly wrapping them in layers of magnetic aura. Drumming throughout is Vinny Sabatino, who brings an inventive, muscular and precise beat to complement Colin Edwin's expansive and expressive fretless and upright basses.

Says Jon Durant, “One of the things that makes Burnt Belief unique in the world of instrumental progressive rock/fusion oriented musics is that we are not at all focused on displays of chops, but rather focus on trying to tell stories through the music. The title, 'Emergent', is a reference to the theory that consciousness is an emergent property of a functioning neurosystem. Colin and I both share a fascination with how the mind works and the ways that hidden processes and background information can subtly influence more obvious conscious thoughts without our being aware of it. Similarly, throughout the album, there are very subtle background elements that have in some way directly informed the bigger picture of the compositions.”

Colin Edwin adds, “With instrumental music, any meaning is obviously less explicit than when lyrics are present, but as we neared completion of the album, it became apparent to me that the majority of pieces on 'Emergent' have elements of unresolved tension or darker moments somewhere below the surface. Something I have noticed more and more is that there are many seemingly straightforward things which, on closer inspection, turn out to be really quite complex and insoluble, and I have started thinking of the album as bringing out the feeling of suddenly seeing more than you expected and having an expanded view coming into focus. This expanded view isn't necessarily optimistic however, so for me the image of an aggressive looking insect appearing inside a pretty looking flower on the cover is perfect.”

“Emergent” amply rewards repeated listens, unveiling it's layered coalescence of antithetical components gradually, such as the discordant conversational flexes between upright bass and electronic percussion during “Until the Stars Go Out”, or the measured rhythmic resolution during “Confidence of Ignorance”. The nine and half minute title track, which unfolds gradually and explores an unhurried yet palpable tension, is a thought provoking meditation on the unstoppable changes around us all, “Emergent” is a genre defying journey for intrepid listeners keen to explore new musical territories.

Packaged in a cardboard sleeve pack with a four page booklet.

Tracklisting:
1. The Bubble Bursts (6.02)
2. More Snow (6.10)
3. The Confidence of Ignorance (5.06)
4. Emergent (9.32)
5. Until the Stars Go Out (6.26)
6. Language of Movement (7.01)
7. Turning Torso (10.11)
8. Ghosts Aquatic (6.21)

Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's records, Alchemy has released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.

Colin Edwin is best known as founder member and bassist of the internationally successful , long time progressive rock favourites Porcupine Tree. Outside of Porcupine Tree, as well as solo work and various guest spots, Colin's unique and creative bass playing have lead him to collaborate frequently with like minded and inventive musicians, including (former Henry Cow) multi - instrumentalist and reed player Geoff Leigh (as Ex-Wise Heads), fellow bassist Lorenzo Feliciati in the critically acclaimed duo Twinscapes, and most recently Endless Tapes with drummer Alessandro Pedretti. Colin is also a member of the intense and genre defying band Metallic Taste of Blood, with two albums to date on Rarenoise Records, as well as playing and recording with metal pioneers Obake. In 2015 he formed the band O.R.k. alongside King Crimson drummer Pat Mastelotto, vocalist LEF and guitarist Carmelo Pipitone from Italy’s cult “anti-folk” band Marta Sui Tubi. 2016 has so far seen Euro and South American dates with O.R.k. and also the release of Colin's adventurous collaboration (as Astarta/Edwin) with top Ukrainian female vocal duo Astarta, drawing heavily but expanding on their earthy Slavic folk roots.

Vinny Sabatino is a first call drummer from Boston, best known for his funky grooves. He's recorded and performed extensively with Jon Durant, as well as with a wide range of artists including current Santana lead vocalist Ray Greene, multiple Grammy winning producer Jeff Bhasker, film composer Michael Whalen and folk artist Porter Smith. His band, Nightshift, is the most in demand band in Boston, and features vocalist (and winner of The Voice) Jermaine Paul, Bassist Barron Browne (Jean Luc Ponty, Steve Smith, Billy Cobham).

In closing Jon has this to impart, “Most importantly, I'd like listeners to actively listen with an open mind. Good speakers or headphones are a particular plus, as there's a lot going on that's worth paying attention to. Our music can take you on a very compelling journey if you're willing to let it.”

Colin adds, “I always believe that people will find their own relationship with any piece of art, music, book or film and it's usually more powerful and meaningful that way, so any messages usually work best when they are to be uncovered and discovered rather than being upfront. If we have successfully created an all encompassing 'sound world' that takes people somewhere else when they hear it, I consider it a success. After all, doesn't music exist to express what words can't?”

To purchase Burnt Belief's “Emergent”:
https://www.amazon.com/Emergent-Burnt-Belief/dp/B01IPNT04A

Video for “Dissemble” (from Etymology):

Video for “Semazen” (from Burnt Belief):

Burnt Belief Facebook Page:
https://www.facebook.com/BurntBelief/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Instrumental Rock Project The Soft Shades Release Brand New Album ‘Keeper Of The Groove’

Album set for release on 22^nd April 2016

‘Keeper of the Groove’ is the second post rock album to be released under the prog rock instrumental project The Soft Shades. The musical project was put together by Dimitry Gubsky in 2011. 

Following on from the success of the 4 track EP released in November, The Soft Shades are now ready to release the full instrumental album and the end of April.

Founder Dimitry, has been passionate about music his whole life, he started learning how to play the accordion when he was just 7 years old. He has gone onto play and tour in lots of different successful bands in Europe as well as being involved in lots of different musical projects in his home country of Ukraine.  In 2012 he played at Euroblast in Cologne with his previous band ‘Joncofy’. After being in lots of different bands,  Dimitry wanted to create a new style of prog & metal instrumental music where he was involved in every aspect of the project from creating the music, writing the scores to producing and recording it all together for the album. It is very much his project that he had wanted to create for a really long time but wasn’t able to in his bands previously.

Each track on the album is highly original and a reflection of a different experience and emotion. At times the music is very cinematic with an intense feeling that you are waiting in anticipation for what is next to come.

Dimitry has spoken about the different influences behind the album;

“Everyday mood is what influenced the album, the track titles on the album show in some way what exactly inspired me for each song and all personal to experiences in my life.”

Highlight tracks include ‘First September Weekend, Sky Flares and November Storms. Another popular album track is ‘When This Day Comes’. This song was created to reflect the feeling you might feel on a Monday morning and thinking about going back to work after a perfect weekend off. It is a melancholic song that Dimitry has portrayed beautifully to reflex this mood.

The whole album is an exploration into the immersive world of rock, metal and instrumental music. The atmosphere over the 11 tracks perfectly encapsulates Dimitry ’s idea of exploring moods and experiences he has had in his life. The tracks are so powerful in portraying a message and captivating the listener that there is absolutely no need for words. The tracks vary from big rock guitar riffs and drums to an industrial eerie sound on tracks like ‘November Storms’ and ‘The Fall’. This combination of tracks on the album using familiar musical elements in different ways proves to make a very powerful and enticing listen.

Listen to a selection of the album tracks here- 

Album track listing:

1 Mountain Dreaming  4:22

2 Keeper of the Groove  5:23

3 Ghosts on the Lake  4:18

4 Spring Castles  4:23

5 Sunshine on the Riverside  2:22

6 First September Weekend  2:58

7 The Fall  2:46

8 Skyflares  3:37

9 When This Day Comes  3:57

10 November Storms  4:08

11 Hectic Nightshades  3:15

TOTAL          41:30

Links:

Facebook - https://www.facebook.com/thesoftshades/

Bandcamp - http://thesoftshades.bandcamp.com/

Instrumental New Age/Ambient Review: Tom Eaton-Abendromen

Release Date: February 8, 2016

Label: Riverwide Records

Website

Abendromen is Tom Eaton’s latest release. The title comes from the Dutch. It is actually two words combined, "Abend" is evening and "Dromen" is dreams. Tom is a very busy producer collaborating constantly with Will Ackerman in his Imaginary Road Studios to help New Age artists find their sound. Somehow he found the time in December 2015 and January 2016 to get this recording completed.

This is an album about dreaming and the different forms it can take on a daily basis. Some sweep you away from reality and some become reality. Listen to the music and create your dreams.

Tom composed, mixed, mastered, engineered and produced the recording using textural electric guitars, fretted and fretless basses, synthesizers and piano miniatures. All the piano, keyboards, guitars, basses and percussion where played by the artist making this a true “solo” work.

The ever important opening track draws the curtain back and sets the tone for any recording. And Tom introduces his style of music perfectly by easing you into his world with “Sunday-Slow Rotations.” It is atmospheric and features ambient textures with keyboards floating on top, promoting the traditional day of rest. It is the face of magnificence and elegance found in music all packaged in one track. The elements of new age and classical are injected with some ambient chill to make for delectable treat for the senses. 

Oddly enough “Monday-Midwinter” is exactly where we are at in the northeast. Usually every year we have those nightmare days with the weather but it has been a winter only imagined by those hoping for warming temperatures and a lot less snow and ice. That dream came true. 

“Tuesday-The Compass” is one of my preferred tracks. It reminded me of some of my favorite artists over the years like Tangerine Dream (Le Parc). The dreamy floating on cloud effect is there except the pace picks up a bit more right at the start. There is lovely melody weaved into the fabric of this track. It has inspired me to start listening to some of my favorite music again that I have not heard in so long. Tangerine Dream, Jean Michel Jarre and Mike Oldfield come to mind right away. The compass showed me the way.

I think the one track I could relate to most was “Friday-Patience.” The saying T.G.I.F. comes to mind and how you need to be patient and work your way through the day looking forward to the weekend to do what you really desire. It does require patience to make it through to Friday each week, some weeks require more than others. That is how the title hit me and the music felt right as well. The pace is even and peaceful while carrying the hope of a new day right around the corner.

I knew Tom Eaton was an incredibly talented producer and now I know for certain that the music is in every molecule of his being. With Abendromen his gives proof positive that his fingers hold the key to capturing the imagination of an audience in desperate need of unwinding and appreciating a relaxing atmosphere to decompress. It worked for me. 

4/5 Stars

Key Tracks: Monday-Slow Rotations, Friday-Patience, Tuesday-The Compass

Tracks: 
01. Sunday: Slow Rotations
02. Monday: Midwinter
03. Tuesday: The Compass
04. Wednesday: In Stillness
05. Thursday: For Orion
06. Friday: Patience
07. Saturday: Long Lonely Light

Bonus Tracks:
08. Wednesday Night
09. The Eighth Day
10. Saturday Night
 

Keith “MuzikMan” Hannaleck- New Age Music Reviews Founder

February 27, 2016

Review Provided By New Age Music Reviews

Instrumental/New Age/Classical Review: Tim Neumark-Galaxy-Solo Piano, Op.6

Release Date: May 1, 2015

Label: Indie

Website

Tim Neumark’s sixth release Galaxy-Solo Piano, Op.6 came out this May. The solo piano works of this talented musician are starting to stack up and it is most impressive. This is the second album I have had the pleasure to enjoy since the 2014 recording Storm.

Most recently we featured the beautiful track “Starlight” on Rate The Tracks. This would serve as an excellent introduction to this album and a fine way to pull you into the entire project.

  

This is very straight forward solo piano music that consist of parts new age and classical while doubling as a meditation guide or relaxation tool. Everyone needs to retreat from a hard day of work and let all of the stress and worrying role off your back and melt away. I wish I could just carry this calm and assuring feeling with me everywhere I went and with everything I do. When I hear music like this it provides a course to take and then I have the hope that I can attain that state of being.

The idea here is clear, one look at the cover of the CD and you get. Neumark calls this an Opus and indeed it is. The more I listen to each track as they flow into each other like a river with a purpose; you can understand why he calls it an Opus. “Orbit” illustrates this in the most profound way as it takes the listener from baby steps into the vastness of space to take a trip around the globe. In a musical sense that is exactly what it conveys and becomes. The progressions of his playing are nearly 5 minutes. Its beauty and pureness transcends anything that gets in the way whether it be a busy mind or unhealthy thoughts, the music prevails.

“The Inner Light” is another tapestry of delicate sounds and movement…like the stars, planets and vast galaxies in the universe. Your inner light will come shining through and you will be taking the voyage with Neumark through his fingers to the piano and directly to your soul, like a musical umbilical cord it connects you and feeds you as you grow in the womb of the music. 

I always connect the stars and the endless universe with birth and life itself - stardust we are indeed. I once had an experience on a birthday the year after my mother died that solidified this belief. I woke up and heard my mom say my entire name then I fell half asleep and felt a silver umbilical cord connecting me to the universe beyond. I know this sounds a little far-fetched for some folks but this really did happen to me and I will never forget it. 

The music on Galaxy-Solo Piano, Op.6 allowed me to remember that spiritual experience that changed me forever. Thank you Tim Neumark for seeing the beauty beyond humanity and how intrinsically connected we are to the stars. Bringing it to us through your music is a beautiful thing.

5/5 Stars

Key Tracks: Starlight, Orbit, The Inner Light

Tracks:
01. Preludio
02. Starlight
03. Orbit
04. Perspective
05. Vast
06. Traveling Music
07. The Inner Light
08. Tapestry
09. Sweet Little Evening Melody
10. Night
11. Time's Arrow
12. What You Leave Behind
 

Keith “MuzikMan” Hannaleck- New Age Music Reviews Founder

December 13, 2015

Review Provided By New Age Music Reviews

Holiday Feature Track: Steven C.-Still, Still, Still

Steven C. has released a new album titled Christmas Beyond and it is just in time to get your mind, body and spirit into the right place to enjoy the upcoming Holiday season. Yes, it is right around the corner. 

When summer disappears there is always a touch of sadness however the beauty of the fall leaves and the oncoming Winter hold traditions of family and friends that warm the heart.

 "Still, Still, Still" is the focus track and it is filled with plenty of Christmas and beyond...The eloquence and beauty of the ivory keys are in all their glory on this gorgeous melody. A merging of classical, new age and holiday is the recipe for success.

Steven C. ushers in the Holidays with grace and beauty on  "Still, Still, Still." Sit back, take a load off and take in the comforting sounds of this talented artist.

Keith "MuzikMan" Hannaleck 



More About Steven C.

https://stevencmusic.com

Multi-platinum recording artist, Steven C is honored to bring forth

his long awaited release of Christmas Beyond (2014). This is a one of
a kind collection of timeless old world Christmas music, by pianist Steven C. Recorded in the majestic Cathedral of St. Paul, MN this album captures the beauty of the deep Cathedral's acoustics through Steven's Bosendorfer Grand. The sound is truly rich, lush and from "Beyond." With touchingly elegant solo piano selections by Steven C, to fully orchestrated songs, arranged by nationally renowned Adi Yeshaya, and with members of the MN Orchestra, Christmas Beyond is a moving experience that is deeply transformative. 

This collection also features music that takes us beyond Christmas and evokes the timeless magic that embraces the essence of winter, feeling the reverence of life in our lives beyond the Christmas message and season. As the
highlight of his career; a personal catharsis of enlightened moments
and as the most beautifully acclaimed work to date, Christmas Beyond
will be carried with him forever.

New Age Stream: Lynn Yew Evers-Without Words

Lynn Yew Evers does it all "Without Words" on our latest featured stream. In a world of upheaval and political statements that permeates our media there are artists that speak on a different wave length with just their music. The music is strong, peaceful and moving, thus words are never necessary. Lynn is one of those artist that lets her music do the talking.

The title track leads the way with beautiful textures and melody as Lynn uses the ivory keys to deliver her own slice of heaven to our ears. There is a touch of sadness in the track but there inside lies the beauty and purity of it all.

This is one example of what you can enjoy with the music of Lynn Yew Evers so enjoy the stream!

Keith "MuzikMan" Hannaleck



More About Lynn Yew Evers:
http://www.lynnyewevers.com

Grammy® winner Will Ackerman, who produced Lynn's latest album "Dawn of Peace" says: "Lynn Yew Evers has the heart of a romantic and the hands of an artist. The combination is very powerful. Her music is like a walk through the most beautiful garden you've ever imagined; her compositions imbued with profound emotion and grace. A pianist who has played for the king and queen of her native Malaysia, “Dawn of Peace” is the larger world's introduction to a brilliant new talent."

Lynn Yew Evers is a multitalented concert pianist, whose passion and determination lead her to relocate from Malaysia to the United States in 2009 to further pursue her well-accomplished career as a professional musician. Lynn was born and raised in a vast historical city in Malaysia called Ipoh. As one of the largest cities in Malaysia, Ipoh is known for it’s year round tropical climate and magnificent limestone caves and temples that surround the metropolis. While growing up amidst the beauty of a tropical oasis, Lynn developed a deep connection to nature, which also nurtured her inspiration and intention behind her music.

“The Music of Nature is what one hears or feels when one is fully immersed in their natural surroundings and awed by the experience. It is much more than sound – singing birds and croaking frogs, but also rustling leaves, flowing water, and breathing winds. The intention behind my music is to gently guide the listener into the tranquility of nature, to experience their surroundings as I do - full of melody and harmony” she expresses. Lynn's U.S. debut solo piano album “Falling Leaves,” is a beautiful reflection of her classical roots with melodious improvisation to tell the story of her first experiences in America… her first autumn, her first snowy winter, and her first year away from home.

Lynn’s musical talent playfully surfaced on a toy piano at the age of 4. Gifted with a perfect ear and intuitive understanding of music, she began performing at age 6 and composing and improvising by age 9. Lynn had undeniably found her calling early in life, and began her musical career as early as 15 years old as a piano coach for children. Inspired by classical greats such as Beethoven, Chopin and Rachmaninoff, she went on to obtain a degree from the Trinity College of Music in London. She returned to Malaysia determined to further explore and develop her life long passion for music and immediately began to shine as a performer, arranger and composer in her native land.

From 1985-2009, Lynn organized and performed in a multitude of concerts in Malaysia and the U.S. as a solo pianist and accompanist for renowned choirs and ensembles. She arranged, composed and produced the music for a multitude of venues featuring brass bands, ensembles, and chamber orchestras. Lynn also appeared as an international judge for piano competitions on HDTV and played the keyboard in a rock band. Her countless high-level appearances, lead to a well-deserved invitation to the palace to play for the king and queen of Malaysia, as well as the Prime Minister and other Malaysian dignitaries.

“My music is a personal invitation to experience life through imaginative and inspiring stories told by melodies in harmony with nature, “ says Lynn. Amongst Lynn’s many accomplishments, her collaboration with Grammy winner Will Ackerman at his legendary Imaginary Roads Studio in Vermont stands at the top of her list. Her second solo piano album "Dawn of Peace," is a captivating production which truly captures the excellent ability of Ackerman and his team to effortlessly synthesize with the vision of the artist. “Dawn of Peace” brings to light the fluidity of Lynn’s music while expressing her intuitive sense of translating the peaceful melodies expressed in nature.

“When you have someone like Lynn Evers you’ve got this brilliant pianist from a technical standpoint and also this person who is filled with heart. Her music is incredibly expressive. So that’s the ultimate joy – to get someone who is so versatile as a pianist that you can offer suggestions and she is able to manifest that change gracefully in her own work. Believe me, when I hear heart in music, when I hear the pathos, when I hear the joy, when I hear the sadness, that’s what transports me. And Lynn Evers brings that in spades.” – Will Ackerman

Focus Track: AeTopus-Burst

AeTopus otherwise known as Bryan Tewell Hughes, has released a new album titled When. The focus track here is "Burst."

Burst is defined as: To break suddenly and violently apart, spilling the contents, typically as a result of an impact or internal pressure.

i.e. "We inflated dozens of balloons and only one burst"...Well in this case the balloon happens to be the music and it is just bursting with color and energy, albeit all in a positive uplifting sense.

"Burst" is like a cloth weaved by hand with an intricate design featuring many colors. It is atmospheric and ambient to start then percussion comes in and makes it more interesting and textured. 

This is music you cannot put in a little box and tuck away in the corner, it combines Electronic, New Age and World that keeps your interest from start to finish. It is like listening to ancient tribal beats infused with electronic technologies...the combination is divine not to mention addicting!

Keith "MuzikMan" Hannaleck

More About  AeTopus:

http://www.12ton.com/html/aetopus.html

Composer Bryan Tewell Hughes has been recording as AeTopus since 2002. A visual artist as well as a musician, he supports the notion that a piece of music need not provide a literal interpretation of an idea; that expression and approximation are important tools that allow the listener to have a unique reaction. Hughes currently works out of his Bellingham, Washington studio.

New Age Instrumental/Classical Review: Angelo Râpan-Songs of Leaving

Release Date: August 2105

Label: Indie

Website

Angelo Râpan has created a beautifully composed album titled Songs of Leaving. My introduction to this finely crafted recording was the track “Remember” which was featured on our Rate The Tracks site.

I was moved by this music, it hit me square in the heart. I thought about the title of the album then the tone and atmosphere of every track. If you listen carefully, the pace of each song can relate to something or someone leaving. Whether it be walking at a brisk pace or slowly turning back with a tear in one’s eye, or just cruising down a highway with a view of the coast …There is a song for each mood and place in time.

Angelo transfers his heart and soul through his incredibly talented fingers then creates music with the piano that is simply amazing. For the most part it is just the piano however you will hear a few different instruments peppered here and there such as the violin which can be an excellent companion of the piano. You will hear new age instrumental and classical influences coming through at every turn, and it is a wonderful mixture of sound and textures.

Once again I find myself at a loss to single out any one track that stands out above the rest as the entire album is superb from start to finish. The reason I say this is because each track seamlessly flows into the next. What this artist accomplishes within 8 tracks is like a moving musical storybook. Even though each one is different it ties into the next like a patchwork quilt with many colors and distinct purpose.

If you are in the mood for some soothing instrumental music to take the edge off and have the ability to really take stock of your inner most feelings and thoughts, Songs of Leaving will be the light at the end of the tunnel. Perhaps what it all means is that you can leave whatever it is that is preoccupying you behind and totally immerse yourself in this music. Whatever meaning you find in this music will certainly take you in a positive direction. It is worth several listens and I would be willing to bet will become one of your favorite instrumental albums to relax to this year.

5/5 Stars

Key Tracks: ALL

Keith “MuzikMan” Hannaleck-New Age Music Reviews Founder

September 26, 2015

Review Provided By New Age Music Reviews

Focus Track: Joanne Lazzaro-Path of the Departed Souls

Joanne Lazzaro has released an album titled Under The Stars. The focus track to hear is "Path of the Departed Souls."

Joanne is an accomplished flute player and the new recording encompasses 12 tracks. This is the first one I have heard and it was recommended by the artist. It was a fine choice.

"Path of the Departed Souls" is a beautiful and haunting piece. It makes you feel like you are really walking down a long path somewhere in the mountains above the clouds where spirits wander and memories of life abound. Let the flute be your Shaman and go deep inside yourself to find answers to questions you may have.

I loved the track and felt it was soothing with a certain mystical flair that captured my attention and imagination. Give it a good listen and let it transport you to another place.

Keith "MuzikMan" Hannaleck


More About Joanne:

http://www.kokopelli.la/

Bios can be long and look impressive, but I’m assuming you’re here because you’d like to know something about me...

I started taking flute lessons in public school, when I was 10 years old. No one else in my family was a musician, although I heard rumors that there was a famous gypsy violinist on my maternal grandfather's side.

My high-school band director, Lee Harrington, was incredibly influential and supportive of me, both as a musician and a person - he's  the main reason I continued on to play the flute for the rest of my life.

While I took to classical flute very quickly, I soon became interested in world flutes, too. People would constantly bring me any wooden, bamboo or ceramic flute that they had found while traveling, and hand it to me - "Look - I found a flute for you!". I was also very interested in Native American art and culture, and taught myself beadwork and leather-tooling. I had never seen (or heard) a Native American flute until I spotted one hanging on a wall in a gift shop in Boulder, Colorado, in the early 1990s, while on a road trip across the USA. As soon as a played a few notes on it, I was completely hooked. Soon after, I heard (and bought) Carlos Nakai's album "Canyon Trilogy", which inspired me to become a much better NAF player. At that point, I developed a real appreciation for "simple" world flutes and the skill it takes to play each one really well.

Read The Rest of Joanne's Bio Here http://www.kokopelli.la/bio-faqs.html

Instrumental Rock Review: Neal Schon-Vortex

Genre: Instrumental Rock

Release Date: June 23, 2015

Label: Music Theories

Website

Neal Schon’s music career speaks for itself.  He was a member of Santana, fronted by the famous Carlos Santana, while still in his teens and went on to be a part of hard rock groups Bad English and Hardline, before finding mega success and fame with Journey during the 1980s.  Despite all of that, he still has time to work on solo projects and his latest solo release is a testament to his skill as a musician.

Vortex is a two-disc instrumental album featuring eighteen songs.  Featuring Jan Hammer (keyboards), Steve Smith (drums), and Igor Len (keyboards, piano). Vortex is a stunning, and passionate ride influenced by a variety of sounds such as rock, pop, jazz, and world music.  

Starting off relatively strong, “Miles Beyond” is an all-around rocking song.  It has great atmospheric opening with the drums providing a sweltering tribal sound.  There is a sweet change in the sound about halfway through the song when things get noticeably heavier.  I like the song, and the guitar sounds amazing, but it could have been a tad shorter.  Following it up is “Awakening,” which is a very intriguing song with its mellow opening.  It is dazzling and wondrous rock song with soft, mystical quality running through it.

“Cuban Fly Zone” is the type of song where the electric energy is practically contagious, and the guitar work is flawless, which is the real staple of this release.  The sizzling “El Matador” sets itself apart with its Spanish flair, making it one of the more memorable and distinctive songs on the double album.  The piano driven “Eternal Love” is a complete change of pace, focusing on being subtle and emotional for a hauntingly beautiful result.

The next few songs take a more laidback approach to their sound.  “In a Cloud” is a light, upbeat track that is dreamlike in quality and the music of “Irish Cream” is as smooth as its name says. “Lady M (Our Love Remains)” is lovely, serene tune dedicated to his wife.  “Airliner NS910” is a great rocking tune that is lively, with a funky jam quality to it.  The guitar completely tears things up.

“Tortured Souls” begin the second album and is a low-key tune that I find to be very relaxing. This could easily be the soundtrack to a picturesque dream. My slight criticism of it is that, with its run-time clocking in at over ten minutes, I think the song does go on for a bit too long.  “Schon & Hammer Now” is a stellar rock song.  The guitar sizzles and delights.  The changes in the music happen at the right time to keep the song engaging and prevents the song from becoming dull.  

“NS Vortex” starts with a spacey opening, before a more manic rock sound takes over.  For some reason, I am reminded of a light show when listening to this.  The drums really heats things up near the end and steal the show. “Unspoken Faith” is short and serene. “Twilight – Spellbound” is another song with all the right touches.  The tonal shifts keeps the song exciting and unpredictable, and the guitar really cuts loose during the second part of the song.  

“Mom” is a short and pleasant acoustic song. “Talk to Me” is a very eclectic song with a variety of sounds but it manages to work. There are some nice twists and turns in the music and things really step up in the last few minutes for an intense and breathtaking piece of work.  The somber “White Light” is a fitting and beautiful ending.

Neal Schon’s Vortex is nothing short of excellent and an instrumental tour de force.  The album is showing a master working at the top of his game.  Hardly a wrong move taken, save for a song or two that could have been shortened, Vortex is sure to please his fans.  There should be a place for this album in every rock fans collection.    

4.5/5 Stars

Key Tracks: El Matador, Irish Cream, Airliner NS910, Schon & Hammer Now, Twilight – Spellbound, Talk to Me

Tracks-Disc One:  
1. Miles Beyond
2. Awakening
3. Cuban Fly Zone
4. El Matador
5. Eternal Love
6. In a Cloud
7. Irish Cream
8. Lady M (Our Love Remains)
9. Airliner NS910 
 
Disc 2 
1. Tortured Souls
2. Schon & Hammer Now
3. NS Vortex
4. Unspoken Faith
5. Twilight - Spellbound
6. Triumph of Love
7. Mom
8. Talk To Me
9. White Light
 

Brian McKinnon - Write A Music Review Sr. Staff

August 22, 2015

Review Provided By Write A Music Review