Drummer Dave Schoepke To Release Second Solo Drum Album "Tessellated Resonance" Aug 5, 2020

“Dave is a wonderful musician, extremely diligent and caring. He is musical, sympathetic to others around him and he listens!!!” -Martin Barre

Drummer Dave Schoepke, best known for his work with Jethro Tull legend Martin Barre, as well as The Willy Porter Band, will be releasing his second solo drum album “Tessellated Resonance” on August 5, 2020. The album comes on the heels of his critically acclaimed debut album from last year “Drums On Low.”

Dave Schoepke discusses “Tessellated Resonance”:

The prep for this album was driven by the quest to find my rhythmic connection to the environment, devoid of the trappings of my modern-day musical influences.

The story behind this album is not how I was able to connect those dots but rather how at this time the answer I was searching for ultimately eluded me. Instead, I found a greater sense of how I want my music to evolve, but right now that content isn’t informed by what I hoped it would be. I discovered new ways to approach my instrument and have a better concept of how to shape my music going forward than when I started this process. So, what didn’t I find?

I logged over thirty hours of field recordings of nature, traffic and other sounds from the environment in an attempt to capture content both natural and manmade, but not directly musical per se. In that regard, are there connections we are missing when we create music today? Are the modes of approach so inhibiting that we miss things that are more innate or are these just my perceptions and am I overthinking it?

Through this adventure I searched for sounds that spoke to me rhythmically and what I hoped would inspire new directions and concepts of approach. I was inspired by much of what I had recorded, and it brought forth higher degrees of introspection I had not tapped into the way that I envisioned I would.

The next element of sounds I was striving for came from recording my six-month-old son’s first syllabic attempts and rhythmic strikes with his hands and feet. I was curious to see if he would land upon any rhythmic patterns or cycles that might be settled in his DNA. While I wasn’t able to mine that content directly for this album, I still feel there is a way to get there and that the limitations are on my end…can I find a way to make a connection that can be reflected in a logical, musical way? That question still remains.

My attempts to record rhythmic connections to the environment became much more challenging than expected. I noticed that whenever I tried to get a recording of nature unimpeded without human intrusions, I was unsuccessful every time. I found it very difficult to get away from humans or human-made sounds, even with recording in a rural area. Unfortunately, I had finished recording the album when the Covid 19 Pandemic started, but I was able to stand outside and listen to nature with no humans or traffic sounds interfering. However, it was early March and still very cold in the upper Midwest, which in turn kept nature pretty quiet so I still couldn’t get any decent field recordings! The realization that it took a pandemic to bring down the din of humanity was pretty alarming to me. Even with my failed attempts, I still feel that through my research and exploration, I was inspired in other ways; I found some new ideas rhythmically, melodically, and thematically. All of which are a progression from where I was with “Drums On Low.”

I recorded over forty pieces of music on a diverse array of percussive setups ranging from a full range of just Roto Toms, to an expanded 1970’s Ludwig Vistalite kit, and traditional wood four and five-piece configurations. I also created some extreme kit setups made entirely of frame drums and micro percussion. However, the most unique variation was a bass drum with six snare drum ensemble. For this album, I spent a considerable amount of time shaping the melodic structure of the pieces and also searching for different combinations. Different tuning combinations set the pieces apart from one another while maintaining some unity.

All of the songs were recorded live with a modest recording setup with minimal mic’ing. For the recording, only seven channels were used, and no overdubbing or editing is done on the album. Songs like ‘Earth Calls,’ ‘Shorn,’ and ‘Voices Welcome’ show the diversity and drama that Roto Toms can project when interesting intervals are discovered. The six-snare drum array on the song ‘Currents,’ deploys a preponderance of snare content but maintaining a strong melodically driven concept. Other pieces like ‘Loomfixer’ and ‘Beyond The Slanting Surfaces,’ utilize traditional drum set pieces but focus on a centered melodic theme. ‘Nemophilist’ deploys a subtle melody subservient to the gorgeous interplay of birds from deep in the woods and devoid of human intrusion. (Finally!)

In the end, the release of ‘Tessellated Resonance’ marks the continuation of the ongoing dream to create solo drum music. I feel like through continued introspection, research and study, I will be able to follow the path that I am firmly set upon to connect to the world around me.

Dave Schoepke



Bio

Dave Schoepke is an accomplished drummer from the Greater Milwaukee area. He has been the drummer for The Willy Porter Band since 2002 with three acclaimed albums with Willy. In addition to recording and touring he has numerous television and radio appearances.

Dave has had the pleasure of working with the Legendary Jethro Tull guitarist Martin Barre. Dave toured with Martin’s band in 2017 and briefly in 2018. He appears on his “Live At The Factory Underground” album released in 2019.

His project, “Drums On Low,” has received acclaimed reviews from Modern Drummer, Recording Magazine, and numerous global on-line music critics. The 400th issue of Recording Magazine includes a multi-page feature of Dave’s process of writing and recording “Drums On Low.”

Dave is currently a full-time member and songwriter of the Milwaukee based Soul-Blues group Tweed. The band’s original take on the genre has made a strong impact internationally with numerous tours in Europe and consistent tour dates in the U.S. with strong radio airplay in the US and Europe.

Dave also heads up the improvisational recording project, Blank Radio, and is the chief engineer and curator of hundreds of sessions with musicians that help emphasize the energy to create free flowing music in real time. Additionally, he is an extremely busy session musician with over 50 albums to his credit. These albums cut across all genres of music. He has also done dozens of instructional CD’s for the Hal Leonard Corporation.

Dave has done dozens of clinics and educational based symposiums with legendary artists Ed Thigpen, Paul Wertico, Dom Famularo, Greg Bissonette, Ernie Adams, and Carmine Appice. He maintains a busy schedule of teaching, touring, clinics, and sessions, and is always striving to evolve in every facet of his music making.

Here’s what the press has said about Dave Schoepke’s debut album “Drums On Low”:

“This percussive music possesses and honesty and immediacy that emphasize the full resonant tones of the drums. Each piece explores its own set of ideas and themes, developing and building a sound world while providing both continuity and diversity.” - Martin Patmos, Modern Drummer March 2020

“‘Drums On Low’ is a drums-only affair that runs a spectrum from hypnotic tribalism to musique concrete and the avant-garde, with nods to modern jazz, rock, and orchestral moments in between. Many of the tracks have a distinct melodic voice highlighting the harmonic richness and depth of each drum” - Paul Vnuk, Recording Magazine Jan 2020

“Often as mysterious as a contemporary classical record that looks to push the boundaries, there have been some solo bass and solo sax records that intrigue and infuriate, sometimes both at the same time but this just drums along with an amazing amount of variety coming from a solo drum set. For the real purist.” - The Midwest Record July 2019

“Dave Schoepke continues to bring in international praise for his recent solo release ‘Drums On Low.’ I recommend this album for initiates to drum / percussion sounds or anyone looking to discover this through a particular and calm album. It is quite pleasant and relaxing to listen to.” -Music In Belgium May 2020

What’s next…

In support of “Tessellated Resonance,” Dave will be performing ongoing Facebook Live and YouTube shows showcasing the new and old music and when the pandemic eases up US Midwest and East Coast tours are planned as well as Europe. In November Dave will be releasing downloadable bonus tracks and bundles with the album through the German label Djummi Records http://www.djummi-records.de/

To purchase: www.daveschoepke.com



For more information:
www.daveschoepke.com
https://www.facebook.com/daveschoepkemusic/
https://www.youtube.com/channel/UCvVkqTMVgF6NG2mzxtGNanw
https://www.instagram.com/drumsonlow/
https://twitter.com/daveschoepke?lang=en

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Drummer Dave Schoepke To Release Second Solo Drum Album "Tessellated Resonance" Aug 5, 2020

“Dave is a wonderful musician, extremely diligent and caring. He is musical, sympathetic to others around him and he listens!!!” -Martin Barre

Drummer Dave Schoepke, best known for his work with Jethro Tull legend Martin Barre, as well as The Willy Porter Band, will be releasing his second solo drum album “Tessellated Resonance” on August 5, 2020. The album comes on the heels of his critically acclaimed debut album from last year “Drums On Low.”

Dave Schoepke discusses “Tessellated Resonance”:

The prep for this album was driven by the quest to find my rhythmic connection to the environment, devoid of the trappings of my modern-day musical influences.

The story behind this album is not how I was able to connect those dots but rather how at this time the answer I was searching for ultimately eluded me. Instead, I found a greater sense of how I want my music to evolve, but right now that content isn’t informed by what I hoped it would be. I discovered new ways to approach my instrument and have a better concept of how to shape my music going forward than when I started this process. So, what didn’t I find?

I logged over thirty hours of field recordings of nature, traffic and other sounds from the environment in an attempt to capture content both natural and manmade, but not directly musical per se. In that regard, are there connections we are missing when we create music today? Are the modes of approach so inhibiting that we miss things that are more innate or are these just my perceptions and am I overthinking it?

Through this adventure I searched for sounds that spoke to me rhythmically and what I hoped would inspire new directions and concepts of approach. I was inspired by much of what I had recorded, and it brought forth higher degrees of introspection I had not tapped into the way that I envisioned I would.

The next element of sounds I was striving for came from recording my six-month-old son’s first syllabic attempts and rhythmic strikes with his hands and feet. I was curious to see if he would land upon any rhythmic patterns or cycles that might be settled in his DNA. While I wasn’t able to mine that content directly for this album, I still feel there is a way to get there and that the limitations are on my end…can I find a way to make a connection that can be reflected in a logical, musical way? That question still remains.

My attempts to record rhythmic connections to the environment became much more challenging than expected. I noticed that whenever I tried to get a recording of nature unimpeded without human intrusions, I was unsuccessful every time. I found it very difficult to get away from humans or human-made sounds, even with recording in a rural area. Unfortunately, I had finished recording the album when the Covid 19 Pandemic started, but I was able to stand outside and listen to nature with no humans or traffic sounds interfering. However, it was early March and still very cold in the upper Midwest, which in turn kept nature pretty quiet so I still couldn’t get any decent field recordings! The realization that it took a pandemic to bring down the din of humanity was pretty alarming to me. Even with my failed attempts, I still feel that through my research and exploration, I was inspired in other ways; I found some new ideas rhythmically, melodically, and thematically. All of which are a progression from where I was with “Drums On Low.”

I recorded over forty pieces of music on a diverse array of percussive setups ranging from a full range of just Roto Toms, to an expanded 1970’s Ludwig Vistalite kit, and traditional wood four and five-piece configurations. I also created some extreme kit setups made entirely of frame drums and micro percussion. However, the most unique variation was a bass drum with six snare drum ensemble. For this album, I spent a considerable amount of time shaping the melodic structure of the pieces and also searching for different combinations. Different tuning combinations set the pieces apart from one another while maintaining some unity.

All of the songs were recorded live with a modest recording setup with minimal mic’ing. For the recording, only seven channels were used, and no overdubbing or editing is done on the album. Songs like ‘Earth Calls,’ ‘Shorn,’ and ‘Voices Welcome’ show the diversity and drama that Roto Toms can project when interesting intervals are discovered. The six-snare drum array on the song ‘Currents,’ deploys a preponderance of snare content but maintaining a strong melodically driven concept. Other pieces like ‘Loomfixer’ and ‘Beyond The Slanting Surfaces,’ utilize traditional drum set pieces but focus on a centered melodic theme. ‘Nemophilist’ deploys a subtle melody subservient to the gorgeous interplay of birds from deep in the woods and devoid of human intrusion. (Finally!)

In the end, the release of ‘Tessellated Resonance’ marks the continuation of the ongoing dream to create solo drum music. I feel like through continued introspection, research and study, I will be able to follow the path that I am firmly set upon to connect to the world around me.

Dave Schoepke



Bio

Dave Schoepke is an accomplished drummer from the Greater Milwaukee area. He has been the drummer for The Willy Porter Band since 2002 with three acclaimed albums with Willy. In addition to recording and touring he has numerous television and radio appearances.

Dave has had the pleasure of working with the Legendary Jethro Tull guitarist Martin Barre. Dave toured with Martin’s band in 2017 and briefly in 2018. He appears on his “Live At The Factory Underground” album released in 2019.

His project, “Drums On Low,” has received acclaimed reviews from Modern Drummer, Recording Magazine, and numerous global on-line music critics. The 400th issue of Recording Magazine includes a multi-page feature of Dave’s process of writing and recording “Drums On Low.”

Dave is currently a full-time member and songwriter of the Milwaukee based Soul-Blues group Tweed. The band’s original take on the genre has made a strong impact internationally with numerous tours in Europe and consistent tour dates in the U.S. with strong radio airplay in the US and Europe.

Dave also heads up the improvisational recording project, Blank Radio, and is the chief engineer and curator of hundreds of sessions with musicians that help emphasize the energy to create free flowing music in real time. Additionally, he is an extremely busy session musician with over 50 albums to his credit. These albums cut across all genres of music. He has also done dozens of instructional CD’s for the Hal Leonard Corporation.

Dave has done dozens of clinics and educational based symposiums with legendary artists Ed Thigpen, Paul Wertico, Dom Famularo, Greg Bissonette, Ernie Adams, and Carmine Appice. He maintains a busy schedule of teaching, touring, clinics, and sessions, and is always striving to evolve in every facet of his music making.

Here’s what the press has said about Dave Schoepke’s debut album “Drums On Low”:

“This percussive music possesses and honesty and immediacy that emphasize the full resonant tones of the drums. Each piece explores its own set of ideas and themes, developing and building a sound world while providing both continuity and diversity.” - Martin Patmos, Modern Drummer March 2020

“‘Drums On Low’ is a drums-only affair that runs a spectrum from hypnotic tribalism to musique concrete and the avant-garde, with nods to modern jazz, rock, and orchestral moments in between. Many of the tracks have a distinct melodic voice highlighting the harmonic richness and depth of each drum” - Paul Vnuk, Recording Magazine Jan 2020

“Often as mysterious as a contemporary classical record that looks to push the boundaries, there have been some solo bass and solo sax records that intrigue and infuriate, sometimes both at the same time but this just drums along with an amazing amount of variety coming from a solo drum set. For the real purist.” - The Midwest Record July 2019

“Dave Schoepke continues to bring in international praise for his recent solo release ‘Drums On Low.’ I recommend this album for initiates to drum / percussion sounds or anyone looking to discover this through a particular and calm album. It is quite pleasant and relaxing to listen to.” -Music In Belgium May 2020

What’s next…

In support of “Tessellated Resonance,” Dave will be performing ongoing Facebook Live and YouTube shows showcasing the new and old music and when the pandemic eases up US Midwest and East Coast tours are planned as well as Europe. In November Dave will be releasing downloadable bonus tracks and bundles with the album through the German label Djummi Records http://www.djummi-records.de/

To purchase: www.daveschoepke.com



For more information:
www.daveschoepke.com
https://www.facebook.com/daveschoepkemusic/
https://www.youtube.com/channel/UCvVkqTMVgF6NG2mzxtGNanw
https://www.instagram.com/drumsonlow/
https://twitter.com/daveschoepke?lang=en

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Legendary Alice Cooper Group Drummer Neal Smith To Release New Album of Retro Pop Songs "POP 85/95"

Legendary Alice Cooper Group drummer Neal Smith will be releasing a new album on June 1st, 2020. Neal's new Retro Pop album is titled “POP 85/95” signifying the music style and time period in which Neal wrote these songs between 1985 and 1995.The songs and album concept are totally sexy and politically incorrect. Neal's “POP 85/95” songs represent all aspects of relationships, falling in and out of love in a simpler bygone era before Coronavirus, politically correctness and the new world disorder.

With the onslaught of glam hair bands and heavily homogenized rock of the 1980's, Neal Smith, Hall of Fame Drummer and founding member of the original Alice Cooper Group, was looking for a new direction for his songwriting. Inspired by another drummer, songwriter, singer Phil Collins, Neal turned from writing hard rock to a slicker, more pop rock songwriting style. In the late 1980's he took four of his new songs into the studio and recorded them. One of the songs “Secret Eyes” helped land a recording deal with newly formed record company called Grudge Records. Along with Dennis Dunaway (Alice Cooper fame), Joe Bouchard (Blue Oyster Cult fame), Charlie Hune (Ted Nugent fame) and lead guitarist Jay Jesse Johnson (also known as “Triple J”), a new band called “Deadringer” was formed and signed by Grudge Records. Deadringer recorded an album in 1989 called “Electrocution Of The Heart” featuring the single “Secret Eyes.” The album and Deadringer were all short lived after Grudge Records quick demise. After Deadringer and well into the 1990's, Neal continued writing songs with Jay Jesse Johnson (“Triple J”) in this pop rock style.

Decades later, well into the New Millennium, Neal was searching through his archives of music and found those songs that he composed and recorded with 'Triple J” between the years of 1985 and 1995. Inspired by “Triple J's” amazing lead guitar work, Neal polished the songs and brought them back to life with the help of two of his best friends, Peter Catucci (bass guitar of Killsmith) and Rick Tedesco (guitarist/engineer). Now, much to the excitement of his fans worldwide, Neal Smith's “POP 85/95” is available digitally and on CD!

Hall of Fame Drummer/songwriter/singer Neal Smith on “POP 85/95” CD:
(founding member of the Alice Cooper Group)

In the 80’s and 90’s Rap, Hip Hop, Pop and even Rock music was being recorded with synthesized programmed drums. I understood that this was a new wave of recording percussion. But what I did not like was many of the synthesized drum tracks were being programmed by engineers and musicians who were not even drummers. Disappointed and inspired by that fact, I began a new phase of songwriting by programming synthesized drums on my recordings. The last eight songs on my new CD “POP 85/95” is a collection of songs I wrote from that era featuring synth drums I programmed myself.



To purchase:
http://nealsmithrocks.com/store
https://nealsmithpop8595.hearnow.com

For more information:
www.nealsmithrocks.com
http://nealsmithrocks.com/store
https://www.facebook.com/NealsmithRocks

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Martin Barre Drummer Dave Schoepke To Release Innovative Solo Drum Album "Drums On Low"

Drummer Dave Schoepke will be releasing his first solo drum album titled “Drums On Low” on July 15, 2019. Schoepke is an accomplished North American drummer, who has had the pleasure of working with the legendary Jethro Tull guitarist Martin Barre. Dave toured with Martin's band in 2017 and in 2018 for the “Cruise To The Edge” Tour. He's also been the primary drummer for The Willy Porter Band since 2002, and has loved every second of his time with the band. Dave has toured with Willy Porter on a number of occasions over the years, and has numerous television and radio appearances on his record. The amazing part is that Dave is able to do all of this, and still has time to devote to his own band Tweed. Tweed has been a mainstay touring in Europe for the last few years along with a number of other blues and soul groups.

Dave said this about “Drums On Low”: “The music and recording are a direct response to my life changes. Post the birth of my son I was inspired to craft and assemble this album. The concept is simple: to make an album in response to the overwhelming feelings I had about my family and where I was as a musician at this stage of my career. What flowed out was soaked with the spirit of love and harmony between our family unit and the reality that rhythms of life which bind us are always there in the ways we talk, feel, think, breathe and react to one another. I was motivated to write music that to me resonated those elements.”

The completion of this album was the realization of a dream of Dave's since age 16 to make music solely on drums and percussion instruments. Until now, that was an unattainable goal due to work demands, recording capabilities and costs. Written and recorded at Dave's home studio in the first 2 months after the birth of his 2nd child, this collection of pieces reflects the joy, wonder, and sleeplessness of being a new parent. The music was assembled in bits and pieces in between naptimes and family maintenance.

“My wife was very supportive in that when there was some free time, I was able to run downstairs and work on the music. Often, I began recording a piece only minutes after changing a diaper, feeding my son or some other family business. It was nearly impossible to separate the elements which is the biggest part of this whole story. The music is so directly informed by my day to day family life, and it's as much a reaction to those things as it is to my purely musical pursuits. At times I just sat down and the music flowed with no thought or preconceived ideas, nothing but reaction to life with my family. Ultimately the content on the album is 1/3 pre-formed pieces, 1/3 sketches that were embellished on and 1/3 full improvisations. I had the intention of having it all ready to go ahead of time, and a lot of things were finished, but when inspired I was able to turn on a dime and go with where the muse took me, which often happened in the midst of working on another piece. My overall goal with this album was to create a body of work that reflected where I had been as a musician but with the intent that the pieces come across as songs rather than solos. All of the music was recorded live with no overdubs, punch-ins, or edits/splicing on a combination of drum kits with varied tuning schemes.”

Some of the pieces are more melodically driven with the pitches, “Window, War Of The Grasshoppers, and Eleven Three” are examples of pieces that reflect that approach with mallets being the choice to draw the tones out. “Which One ARE You and N'ging” are informed with more traditional approaches and are considerably more aggressive. Some tracks are more experimental in form and approach, “Sound On Low” uses free spinning metal shakers on various snare drums and micro percussion alongside a detuned 26” kick drum, while “The Thing From The Darkness” is a flat out free expression coupled with audio from an old 1930's radio show.

“At times I wanted to abandon any concept of bars or strict form to the pieces, which I felt would restrict me and inhibit my transference of ideas. If I added a beat, dropped one, or the form floated away from my original intent, I went with it rather than be beholden to anything other than the moment. I wanted to disregard any of the common notions of form, tempo, tuning, and theory in favor of feel, attitude, flavor, vibe and excitement. There was no fixing or editing on anything, so if there are mistakes, odd sounds, and any quirkiness that didn’t take away from the flow and intent of the piece, I left it in and in turn feel it adds more human element to the production rather than an over polished product. All in all, 20 songs were recorded and 11 selected to represent where I was at that time. Because this was to be my first solo endeavor and one I longed to do since childhood, I felt like I had a lot to get out. Concurrently making this album has inspired me to work on building this facet of my career, as I have a slew of concepts and ideas I'd love to share.”



Watch the video for “Which One ARE You?”:

Dave said this about the video, “This is about an illustration of dualities in life. The two girls symbolize struggles that sometimes exist within people, good and bad, yin and yang, whatever. The music informs the manic-ness and chaos that can exist. I wanted to express chaos to the form of the song and do away with measures and structure at points, while returning to a rabid unrelenting ostinato that symbolizes the need to walk the line in life. The fight within people is often so much greater and out of control than we can comprehend. I learned this firsthand from a bi-polar suicidal father who took his own life when I was 10.”

When Dave is not touring with Martin Barre, touring Europe or holding down the drum throne for Willy Porter, he can be found in the studio recording. He is an extremely busy session musician with over 50 albums to his credit. These albums cut across all genres of music. He has also done dozens of instructional CD's for the Hal Leonard Corporation (One of the world's largest music publishers). Dave also heads up the improvisational recording project, Blank Radio, and is the chief engineer and curator of hundreds of sessions with musicians from all over the greater Milwaukee area, culminating 23 full length album releases since 2008. These albums feature improvisations in all styles from ambient soundscapes to classical, jazz, and seething progressive rock.

Currently Dave makes his home in Milwaukee and is a private lesson instructor at Cascio Interstate Music. He has done dozens of clinics and been billed with legendary drummers Ed Thigpen, Paul Wertico, Dom Famularo, Greg Bissonette, Ernie Adams, and Carmine Appice. He maintains a busy schedule of teaching, touring, clinics, and sessions, and is always striving to evolve in every facet of his music making. Dave proudly endorses Ludwig Drums and Paiste Cymbals and was named 2009 Wisconsin Area Music Industry (WAMI) drummer of the year. In support of the release of “Drums On Low,” Dave is booking shows for August/September 2019

In closing, Dave has this message to impart to his listeners, “Joy and exploration. To make music with joy in the heart devoid of the constraints and trappings of the business and analytical side of the music industry.”

To purchase: https://itunes.apple.com/us/artist/1466733343

For more information:
Website: www.daveschoepke.com
Facebook: https://www.facebook.com/daveschoepkemusic
Twitter: www.twitter.com/daveschoepke
YouTube: https://www.youtube.com/user/vontum

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Martin Barre Drummer Dave Schoepke To Release Innovative Solo Drum Album "Drums On Low"

Drummer Dave Schoepke will be releasing his first solo drum album titled “Drums On Low” on July 15, 2019. Schoepke is an accomplished North American drummer, who has had the pleasure of working with the legendary Jethro Tull guitarist Martin Barre. Dave toured with Martin's band in 2017 and in 2018 for the “Cruise To The Edge” Tour. He's also been the primary drummer for The Willy Porter Band since 2002, and has loved every second of his time with the band. Dave has toured with Willy Porter on a number of occasions over the years, and has numerous television and radio appearances on his record. The amazing part is that Dave is able to do all of this, and still has time to devote to his own band Tweed. Tweed has been a mainstay touring in Europe for the last few years along with a number of other blues and soul groups.

Dave said this about “Drums On Low”: “The music and recording are a direct response to my life changes. Post the birth of my son I was inspired to craft and assemble this album. The concept is simple: to make an album in response to the overwhelming feelings I had about my family and where I was as a musician at this stage of my career. What flowed out was soaked with the spirit of love and harmony between our family unit and the reality that rhythms of life which bind us are always there in the ways we talk, feel, think, breathe and react to one another. I was motivated to write music that to me resonated those elements.”

The completion of this album was the realization of a dream of Dave's since age 16 to make music solely on drums and percussion instruments. Until now, that was an unattainable goal due to work demands, recording capabilities and costs. Written and recorded at Dave's home studio in the first 2 months after the birth of his 2nd child, this collection of pieces reflects the joy, wonder, and sleeplessness of being a new parent. The music was assembled in bits and pieces in between naptimes and family maintenance.

“My wife was very supportive in that when there was some free time, I was able to run downstairs and work on the music. Often, I began recording a piece only minutes after changing a diaper, feeding my son or some other family business. It was nearly impossible to separate the elements which is the biggest part of this whole story. The music is so directly informed by my day to day family life, and it's as much a reaction to those things as it is to my purely musical pursuits. At times I just sat down and the music flowed with no thought or preconceived ideas, nothing but reaction to life with my family. Ultimately the content on the album is 1/3 pre-formed pieces, 1/3 sketches that were embellished on and 1/3 full improvisations. I had the intention of having it all ready to go ahead of time, and a lot of things were finished, but when inspired I was able to turn on a dime and go with where the muse took me, which often happened in the midst of working on another piece. My overall goal with this album was to create a body of work that reflected where I had been as a musician but with the intent that the pieces come across as songs rather than solos. All of the music was recorded live with no overdubs, punch-ins, or edits/splicing on a combination of drum kits with varied tuning schemes.”

Some of the pieces are more melodically driven with the pitches, “Window, War Of The Grasshoppers, and Eleven Three” are examples of pieces that reflect that approach with mallets being the choice to draw the tones out. “Which One ARE You and N'ging” are informed with more traditional approaches and are considerably more aggressive. Some tracks are more experimental in form and approach, “Sound On Low” uses free spinning metal shakers on various snare drums and micro percussion alongside a detuned 26” kick drum, while “The Thing From The Darkness” is a flat out free expression coupled with audio from an old 1930's radio show.

“At times I wanted to abandon any concept of bars or strict form to the pieces, which I felt would restrict me and inhibit my transference of ideas. If I added a beat, dropped one, or the form floated away from my original intent, I went with it rather than be beholden to anything other than the moment. I wanted to disregard any of the common notions of form, tempo, tuning, and theory in favor of feel, attitude, flavor, vibe and excitement. There was no fixing or editing on anything, so if there are mistakes, odd sounds, and any quirkiness that didn’t take away from the flow and intent of the piece, I left it in and in turn feel it adds more human element to the production rather than an over polished product. All in all, 20 songs were recorded and 11 selected to represent where I was at that time. Because this was to be my first solo endeavor and one I longed to do since childhood, I felt like I had a lot to get out. Concurrently making this album has inspired me to work on building this facet of my career, as I have a slew of concepts and ideas I'd love to share.”



Watch the video for “Which One ARE You?”:

Dave said this about the video, “This is about an illustration of dualities in life. The two girls symbolize struggles that sometimes exist within people, good and bad, yin and yang, whatever. The music informs the manic-ness and chaos that can exist. I wanted to express chaos to the form of the song and do away with measures and structure at points, while returning to a rabid unrelenting ostinato that symbolizes the need to walk the line in life. The fight within people is often so much greater and out of control than we can comprehend. I learned this firsthand from a bi-polar suicidal father who took his own life when I was 10.”

When Dave is not touring with Martin Barre, touring Europe or holding down the drum throne for Willy Porter, he can be found in the studio recording. He is an extremely busy session musician with over 50 albums to his credit. These albums cut across all genres of music. He has also done dozens of instructional CD's for the Hal Leonard Corporation (One of the world's largest music publishers). Dave also heads up the improvisational recording project, Blank Radio, and is the chief engineer and curator of hundreds of sessions with musicians from all over the greater Milwaukee area, culminating 23 full length album releases since 2008. These albums feature improvisations in all styles from ambient soundscapes to classical, jazz, and seething progressive rock.

Currently Dave makes his home in Milwaukee and is a private lesson instructor at Cascio Interstate Music. He has done dozens of clinics and been billed with legendary drummers Ed Thigpen, Paul Wertico, Dom Famularo, Greg Bissonette, Ernie Adams, and Carmine Appice. He maintains a busy schedule of teaching, touring, clinics, and sessions, and is always striving to evolve in every facet of his music making. Dave proudly endorses Ludwig Drums and Paiste Cymbals and was named 2009 Wisconsin Area Music Industry (WAMI) drummer of the year. In support of the release of “Drums On Low,” Dave is booking shows for August/September 2019

In closing, Dave has this message to impart to his listeners, “Joy and exploration. To make music with joy in the heart devoid of the constraints and trappings of the business and analytical side of the music industry.”

To purchase: https://itunes.apple.com/us/artist/1466733343

For more information:
Website: www.daveschoepke.com
Facebook: https://www.facebook.com/daveschoepkemusic
Twitter: www.twitter.com/daveschoepke
YouTube: https://www.youtube.com/user/vontum

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Martin Barre Drummer Dave Schoepke To Release Innovative Solo Drum Album "Drums On Low"

Drummer Dave Schoepke will be releasing his first solo drum album titled “Drums On Low” on July 15, 2019. Schoepke is an accomplished North American drummer, who has had the pleasure of working with the legendary Jethro Tull guitarist Martin Barre. Dave toured with Martin's band in 2017 and in 2018 for the “Cruise To The Edge” Tour. He's also been the primary drummer for The Willy Porter Band since 2002, and has loved every second of his time with the band. Dave has toured with Willy Porter on a number of occasions over the years, and has numerous television and radio appearances on his record. The amazing part is that Dave is able to do all of this, and still has time to devote to his own band Tweed. Tweed has been a mainstay touring in Europe for the last few years along with a number of other blues and soul groups.

Dave said this about “Drums On Low”: “The music and recording are a direct response to my life changes. Post the birth of my son I was inspired to craft and assemble this album. The concept is simple: to make an album in response to the overwhelming feelings I had about my family and where I was as a musician at this stage of my career. What flowed out was soaked with the spirit of love and harmony between our family unit and the reality that rhythms of life which bind us are always there in the ways we talk, feel, think, breathe and react to one another. I was motivated to write music that to me resonated those elements.”

The completion of this album was the realization of a dream of Dave's since age 16 to make music solely on drums and percussion instruments. Until now, that was an unattainable goal due to work demands, recording capabilities and costs. Written and recorded at Dave's home studio in the first 2 months after the birth of his 2nd child, this collection of pieces reflects the joy, wonder, and sleeplessness of being a new parent. The music was assembled in bits and pieces in between naptimes and family maintenance.

“My wife was very supportive in that when there was some free time, I was able to run downstairs and work on the music. Often, I began recording a piece only minutes after changing a diaper, feeding my son or some other family business. It was nearly impossible to separate the elements which is the biggest part of this whole story. The music is so directly informed by my day to day family life, and it's as much a reaction to those things as it is to my purely musical pursuits. At times I just sat down and the music flowed with no thought or preconceived ideas, nothing but reaction to life with my family. Ultimately the content on the album is 1/3 pre-formed pieces, 1/3 sketches that were embellished on and 1/3 full improvisations. I had the intention of having it all ready to go ahead of time, and a lot of things were finished, but when inspired I was able to turn on a dime and go with where the muse took me, which often happened in the midst of working on another piece. My overall goal with this album was to create a body of work that reflected where I had been as a musician but with the intent that the pieces come across as songs rather than solos. All of the music was recorded live with no overdubs, punch-ins, or edits/splicing on a combination of drum kits with varied tuning schemes.”

Some of the pieces are more melodically driven with the pitches, “Window, War Of The Grasshoppers, and Eleven Three” are examples of pieces that reflect that approach with mallets being the choice to draw the tones out. “Which One ARE You and N'ging” are informed with more traditional approaches and are considerably more aggressive. Some tracks are more experimental in form and approach, “Sound On Low” uses free spinning metal shakers on various snare drums and micro percussion alongside a detuned 26” kick drum, while “The Thing From The Darkness” is a flat out free expression coupled with audio from an old 1930's radio show.

“At times I wanted to abandon any concept of bars or strict form to the pieces, which I felt would restrict me and inhibit my transference of ideas. If I added a beat, dropped one, or the form floated away from my original intent, I went with it rather than be beholden to anything other than the moment. I wanted to disregard any of the common notions of form, tempo, tuning, and theory in favor of feel, attitude, flavor, vibe and excitement. There was no fixing or editing on anything, so if there are mistakes, odd sounds, and any quirkiness that didn’t take away from the flow and intent of the piece, I left it in and in turn feel it adds more human element to the production rather than an over polished product. All in all, 20 songs were recorded and 11 selected to represent where I was at that time. Because this was to be my first solo endeavor and one I longed to do since childhood, I felt like I had a lot to get out. Concurrently making this album has inspired me to work on building this facet of my career, as I have a slew of concepts and ideas I'd love to share.”



Watch the video for “Which One ARE You?”:

Dave said this about the video, “This is about an illustration of dualities in life. The two girls symbolize struggles that sometimes exist within people, good and bad, yin and yang, whatever. The music informs the manic-ness and chaos that can exist. I wanted to express chaos to the form of the song and do away with measures and structure at points, while returning to a rabid unrelenting ostinato that symbolizes the need to walk the line in life. The fight within people is often so much greater and out of control than we can comprehend. I learned this firsthand from a bi-polar suicidal father who took his own life when I was 10.”

When Dave is not touring with Martin Barre, touring Europe or holding down the drum throne for Willy Porter, he can be found in the studio recording. He is an extremely busy session musician with over 50 albums to his credit. These albums cut across all genres of music. He has also done dozens of instructional CD's for the Hal Leonard Corporation (One of the world's largest music publishers). Dave also heads up the improvisational recording project, Blank Radio, and is the chief engineer and curator of hundreds of sessions with musicians from all over the greater Milwaukee area, culminating 23 full length album releases since 2008. These albums feature improvisations in all styles from ambient soundscapes to classical, jazz, and seething progressive rock.

Currently Dave makes his home in Milwaukee and is a private lesson instructor at Cascio Interstate Music. He has done dozens of clinics and been billed with legendary drummers Ed Thigpen, Paul Wertico, Dom Famularo, Greg Bissonette, Ernie Adams, and Carmine Appice. He maintains a busy schedule of teaching, touring, clinics, and sessions, and is always striving to evolve in every facet of his music making. Dave proudly endorses Ludwig Drums and Paiste Cymbals and was named 2009 Wisconsin Area Music Industry (WAMI) drummer of the year. In support of the release of “Drums On Low,” Dave is booking shows for August/September 2019

In closing, Dave has this message to impart to his listeners, “Joy and exploration. To make music with joy in the heart devoid of the constraints and trappings of the business and analytical side of the music industry.”

To purchase: https://itunes.apple.com/us/artist/1466733343

For more information:
Website: www.daveschoepke.com
Facebook: https://www.facebook.com/daveschoepkemusic
Twitter: www.twitter.com/daveschoepke
YouTube: https://www.youtube.com/user/vontum

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Drum Legend Simon Phillips Celebrates 30th Anniversary of Protocol With 6-CD Box Set!

Features two full CDs of previously unreleased demos!

Drum legend Simon Phillips will be releasing a 6-CD box set on April 12th on Phantom Recordings. This truly deluxe set celebrates the 30th Anniversary of Protocol, the powerhouse jazz-rock vehicle for the music of legendary drummer Simon Phillips (Jeff Beck, Toto, The Who, Mike Oldfield, Hiromi). Included are all of the previous Protocol releases (I, II, III & IV), re-mastered for an even better sonic experience. Plus two full CDs of previously unreleased demos, with the embryonic tunes that would later become finished material for the Protocol II, III & IV albums. Protocol 4, included, was nominated for a Grammy in 2018 for Best Contemporary Instrumental Recording.

Phillips himself composed the liner notes of a glorious 24-page booklet with historic photos, providing deep insight into the genesis of the band, the tunes and recording processes. An absolute must-have collector's item for Simon's devotees worldwide!

Previously Unreleased Demos

Disc: 5 - Protocol II & III Demos
  1. Wildfire
  2. Funk Tune #1
  3. Six Eight
  4. Pump Type
  5. Thirteen
  6. Herbie Type
  7. Ballad
  8. Three Four
  9. Zawinul
  10. Mystery
  11. Protocol Blues
  12. A Perfect Flush
  13. Circle Seven
  14. Pilatus
  15. Stir Crazy
  16. Fast Five

Disc: 6 - Protocol IV Demos
  1. Six Eight
  2. Pentangle
  3. Indian Theme
  4. 7 Four Funk
  5. Intro + Celtic Boogie
  6. Blues
  7. Ballad
  8. Jan Type

Audio CD (April 12, 2019)
Number of Discs: 6
Label: Phantom Recordings

Protocol's 6-CD Set is available worldwide wherever you shop for CDs including: 

US
https://www.amazon.com/s?k=677357037425&ref=nb_sb_noss

UK
https://burningshed.com/simon-phillips_protocol_boxset?filter_name=simon%20phillips&filter_sub_category=true

Japan
https://www.amazon.co.jp/Protocol-Boxed-Set-Simon-Phillips/dp/B07PL6JK5V

Germany
https://www.jpc.de/jpcng/poprock/detail/-/art/simon-phillips-protocol-boxed-set/hnum/9029987

(Please note that the bonus material will not be available digitally.)

Management:
(818) 616-2065 office
(310) 413-1864 cell
mitomusicmanagement@gmail.com
www.mitomusic.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Distribution is being handled in the US exclusively by Amped Distribution www.ampeddistribution.com and wholesale inquiries can be made to Alex Jimenez at alex@ampeddistribution.com

Drum Legend Simon Phillips Celebrates 30th Anniversary of Protocol With 6-CD Box Set!

Features two full CDs of previously unreleased demos!

Drum legend Simon Phillips will be releasing a 6-CD box set on April 12th on Phantom Recordings. This truly deluxe set celebrates the 30th Anniversary of Protocol, the powerhouse jazz-rock vehicle for the music of legendary drummer Simon Phillips (Jeff Beck, Toto, The Who, Mike Oldfield, Hiromi). Included are all of the previous Protocol releases (I, II, III & IV), re-mastered for an even better sonic experience. Plus two full CDs of previously unreleased demos, with the embryonic tunes that would later become finished material for the Protocol II, III & IV albums. Protocol 4, included, was nominated for a Grammy in 2018 for Best Contemporary Instrumental Recording.

Phillips himself composed the liner notes of a glorious 24-page booklet with historic photos, providing deep insight into the genesis of the band, the tunes and recording processes. An absolute must-have collector's item for Simon's devotees worldwide!

Previously Unreleased Demos

Disc: 5 - Protocol II & III Demos
  1. Wildfire
  2. Funk Tune #1
  3. Six Eight
  4. Pump Type
  5. Thirteen
  6. Herbie Type
  7. Ballad
  8. Three Four
  9. Zawinul
  10. Mystery
  11. Protocol Blues
  12. A Perfect Flush
  13. Circle Seven
  14. Pilatus
  15. Stir Crazy
  16. Fast Five

Disc: 6 - Protocol IV Demos
  1. Six Eight
  2. Pentangle
  3. Indian Theme
  4. 7 Four Funk
  5. Intro + Celtic Boogie
  6. Blues
  7. Ballad
  8. Jan Type

Audio CD (April 12, 2019)
Number of Discs: 6
Label: Phantom Recordings

Protocol's 6-CD Set is available worldwide wherever you shop for CDs including: 

US
https://www.amazon.com/s?k=677357037425&ref=nb_sb_noss

UK
https://burningshed.com/simon-phillips_protocol_boxset?filter_name=simon%20phillips&filter_sub_category=true

Japan
https://www.amazon.co.jp/Protocol-Boxed-Set-Simon-Phillips/dp/B07PL6JK5V

Germany
https://www.jpc.de/jpcng/poprock/detail/-/art/simon-phillips-protocol-boxed-set/hnum/9029987

(Please note that the bonus material will not be available digitally.)

Management:
(818) 616-2065 office
(310) 413-1864 cell
mitomusicmanagement@gmail.com
www.mitomusic.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Distribution is being handled in the US exclusively by Amped Distribution www.ampeddistribution.com and wholesale inquiries can be made to Alex Jimenez at alex@ampeddistribution.com

DarWin Releases Debut Concept Album "Origin Of Species" Internationally Featuring Drum Legend Simon Phillips

Featuring Simon Phillips, Matt Bissonette, Greg Howe, Jeff Babko, Dennis Hamm & others!

“We Have 12 years to Limit Climate Change Catastrophe” Warns the United Nations IPCC

“Earth’s Carbon Dioxide Levels are Likely the Highest They’ve been in 15 Million Years” University of Texas at Austin, Jackson School of Geosciences

“Technologies built for our survival, 

Back on Earth made us a dominant rival. 

Working as one, we conquered all nations, 

All networks now under our communications. 

Resources rationed, ideas controlled, 

An intelligent regime to save our souls. 

Children of the future, 

Return to the light, 

Saving our Planet from our self-inflicted plight.” 

— DarWin, For Humanity

“The Revolution will come in waves.”— DarWin, Artificial

Welcome to the near-future: the world of DarWin. An intricate musical fantasy concept that launched in November 2018 in the UK only with the ambitious single release of “Escape The Maze,” followed by the full length album “Origin Of Species.”

The album is now available internationally on all major digital distribution platforms, with an epic cinematic video of “Escape the Maze” available on YouTube, Facebook and iTunes. More DarWin videos can be found on YouTube and Facebook.

Who is DarWin?: An Introduction to the “Escape the Maze” video saga.

It’s roughly ten years from now into the future, 2028. An exhausted ecology, and global conflicts, have led to a huge upheaval of the world order, straining and diminishing human populations. The lives of everyday people and families have been turned upside down by the intense ecological pressures related to climate change. No longer just a theory discussed by scientists and politicians, climate change is wreaking havoc on the world. Chaos and confusion reign as fighting for basic resources continuously escalates. “Day Zero” has occurred, when nuclear attacks punctuated what had for many years been a civility between nations and people. As Earth rejects life, those of us who remain struggle to survive.



“Escape The Maze” is the first installment in an evolving saga that addresses the challenges of mankind in our coming era. It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind’s greatest challenges. The story of “Origin Of Species” is represented through music, graphic storytelling and videos.

A complex project that’s eschews the hollow immediacy of much contemporary art. A narrative that demands attention and imagination. With music sweeping in scope, at times evoking hard rock virtuoso shredding, alongside grand orchestral compositions, warm harmonies and soaring choruses.

The music seeks to capture the listener in the spirit of the greatest concept albums that have helped to define the history of rock. Heavy riffs and killer grooves lead way to delicate ensembles, only to pick up the pace again with searing guitar solos. The genre is decisively Prog Rock, but DarWin begs to be appreciated by a large global audience of music enthusiasts. Key tracks to discover the narrative include: For Humanity, Walk Away from Earth, the Last Chance and Artificial. Emotionally powerful songs for a wide audience include One Horizon, Cosmic Rays, and Forever.

It’s time to enter the saga. It’s time to join DarWin on his journey…

The “Origin Of Species” album features legendary drummer and producer Simon Phillips, who, in addition to playing drums, percussion and keyboards, also engineered, mixed and drove the production on the album. Veteran bass player and singer Matt Bissonette performed a rich array of lead and background vocals and bass. DarWin himself drove the songwriting and conceptual vision while playing various guitars.

The album features guest performances from the likes of Jeff Babko (keyboards and quartet arrangements), Greg Howe (blazing lead guitar solos), Dennis Hamm (keyboards), Ernst Tibbs (bass), Katisse Buckingham (Flute, Soprano Sax), Samuel Sim and Peter Nickalls (orchestral and quartet arrangements), The Origin of Species Quartet (Los Angeles), The Reykjavik String Quartet (Iceland), and The Chamber Orchestra Of London (Conductor Matt Dunkley)

The album was recorded at Simon Phillip’s Phantom Recordings, Sherman Oaks, CA, with additional recording at Abbey Road Studios (Studio 2, the “Beatles Room”), London, United Kingdom, Sundlaugin Studio in Reykjavik, Iceland, The Doghouse, Woodland Hills, CA, Rose Lane Studios, Carpenteria, CA, and Megatrax, Ventura, CA.

The album was produced by DarWin and Simon Phillips. They are continuing to work on new music together at an undisclosed location. The saga will continue...

Watch Simon Phillips discuss the making of  “Origin Of Species”:

Full tracklisting:

1 FOR HUMANITY
2 THE LAST CHANCE
3 TAKING CHANCES
4 ESCAPE THE MAZE
5 WALK AWAY FROM EARTH
6 GUMMY BEAR
7 FOREVER

Intermission

8 WAR AGAINST MY MIND
9 ARTIFICIAL
10 ONE HORIZON
11 MODERN INSANITY
12 COSMIC RAYS
13 LIFE IS A MYSTERY
14 SLOWLY MELTING
15 RISE
16 JUST ONE MORE DAY
17 PROLOGUE

The album will also feature a stunning graphic comic-style layout telling the story visually. A sample page is below:



The epically cinematic video for the “Escape The Maze” single is available here

The album is released by Origin Of Species LLC.

To purchase:
https://darwin.fanlink.to/oos

D2C Store (Pre-order the CD) - https://darwin.tmstor.es
25th February 2018 is the physical CD release date on D2C and Amazon.

For further Information:
Official website: http://www.darwin.is/
Spotify: https://open.spotify.com/artist/5dkLHW5y7w1CeHzazXdlmZ?nd=1
Youtube: https://www.youtube.com/channel/UCqCdVQrrcMrFznnzq6M-_qA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

DarWin Releases Debut Concept Album "Origin Of Species" Internationally Featuring Drum Legend Simon Phillips

Featuring Simon Phillips, Matt Bissonette, Greg Howe, Jeff Babko, Dennis Hamm & others!

“We Have 12 years to Limit Climate Change Catastrophe” Warns the United Nations IPCC

“Earth’s Carbon Dioxide Levels are Likely the Highest They’ve been in 15 Million Years” University of Texas at Austin, Jackson School of Geosciences

“Technologies built for our survival, 

Back on Earth made us a dominant rival. 

Working as one, we conquered all nations, 

All networks now under our communications. 

Resources rationed, ideas controlled, 

An intelligent regime to save our souls. 

Children of the future, 

Return to the light, 

Saving our Planet from our self-inflicted plight.” 

— DarWin, For Humanity

“The Revolution will come in waves.”— DarWin, Artificial

Welcome to the near-future: the world of DarWin. An intricate musical fantasy concept that launched in November 2018 in the UK only with the ambitious single release of “Escape The Maze,” followed by the full length album “Origin Of Species.”

The album is now available internationally on all major digital distribution platforms, with an epic cinematic video of “Escape the Maze” available on YouTube, Facebook and iTunes. More DarWin videos can be found on YouTube and Facebook.

Who is DarWin?: An Introduction to the “Escape the Maze” video saga.

It’s roughly ten years from now into the future, 2028. An exhausted ecology, and global conflicts, have led to a huge upheaval of the world order, straining and diminishing human populations. The lives of everyday people and families have been turned upside down by the intense ecological pressures related to climate change. No longer just a theory discussed by scientists and politicians, climate change is wreaking havoc on the world. Chaos and confusion reign as fighting for basic resources continuously escalates. “Day Zero” has occurred, when nuclear attacks punctuated what had for many years been a civility between nations and people. As Earth rejects life, those of us who remain struggle to survive.



“Escape The Maze” is the first installment in an evolving saga that addresses the challenges of mankind in our coming era. It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind’s greatest challenges. The story of “Origin Of Species” is represented through music, graphic storytelling and videos.

A complex project that’s eschews the hollow immediacy of much contemporary art. A narrative that demands attention and imagination. With music sweeping in scope, at times evoking hard rock virtuoso shredding, alongside grand orchestral compositions, warm harmonies and soaring choruses.

The music seeks to capture the listener in the spirit of the greatest concept albums that have helped to define the history of rock. Heavy riffs and killer grooves lead way to delicate ensembles, only to pick up the pace again with searing guitar solos. The genre is decisively Prog Rock, but DarWin begs to be appreciated by a large global audience of music enthusiasts. Key tracks to discover the narrative include: For Humanity, Walk Away from Earth, the Last Chance and Artificial. Emotionally powerful songs for a wide audience include One Horizon, Cosmic Rays, and Forever.

It’s time to enter the saga. It’s time to join DarWin on his journey…

The “Origin Of Species” album features legendary drummer and producer Simon Phillips, who, in addition to playing drums, percussion and keyboards, also engineered, mixed and drove the production on the album. Veteran bass player and singer Matt Bissonette performed a rich array of lead and background vocals and bass. DarWin himself drove the songwriting and conceptual vision while playing various guitars.

The album features guest performances from the likes of Jeff Babko (keyboards and quartet arrangements), Greg Howe (blazing lead guitar solos), Dennis Hamm (keyboards), Ernst Tibbs (bass), Katisse Buckingham (Flute, Soprano Sax), Samuel Sim and Peter Nickalls (orchestral and quartet arrangements), The Origin of Species Quartet (Los Angeles), The Reykjavik String Quartet (Iceland), and The Chamber Orchestra Of London (Conductor Matt Dunkley)

The album was recorded at Simon Phillip’s Phantom Recordings, Sherman Oaks, CA, with additional recording at Abbey Road Studios (Studio 2, the “Beatles Room”), London, United Kingdom, Sundlaugin Studio in Reykjavik, Iceland, The Doghouse, Woodland Hills, CA, Rose Lane Studios, Carpenteria, CA, and Megatrax, Ventura, CA.

The album was produced by DarWin and Simon Phillips. They are continuing to work on new music together at an undisclosed location. The saga will continue...

Watch Simon Phillips discuss the making of  “Origin Of Species”:

Full tracklisting:

1 FOR HUMANITY
2 THE LAST CHANCE
3 TAKING CHANCES
4 ESCAPE THE MAZE
5 WALK AWAY FROM EARTH
6 GUMMY BEAR
7 FOREVER

Intermission

8 WAR AGAINST MY MIND
9 ARTIFICIAL
10 ONE HORIZON
11 MODERN INSANITY
12 COSMIC RAYS
13 LIFE IS A MYSTERY
14 SLOWLY MELTING
15 RISE
16 JUST ONE MORE DAY
17 PROLOGUE

The album will also feature a stunning graphic comic-style layout telling the story visually. A sample page is below:



The epically cinematic video for the “Escape The Maze” single is available here

The album is released by Origin Of Species LLC.

To purchase:
https://darwin.fanlink.to/oos

D2C Store (Pre-order the CD) - https://darwin.tmstor.es
25th February 2018 is the physical CD release date on D2C and Amazon.

For further Information:
Official website: http://www.darwin.is/
Spotify: https://open.spotify.com/artist/5dkLHW5y7w1CeHzazXdlmZ?nd=1
Youtube: https://www.youtube.com/channel/UCqCdVQrrcMrFznnzq6M-_qA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

DarWin Releases Debut Concept Album "Origin Of Species" Internationally Featuring Drum Legend Simon Phillips

Featuring Simon Phillips, Matt Bissonette, Greg Howe, Jeff Babko, Dennis Hamm & others!

“We Have 12 years to Limit Climate Change Catastrophe” Warns the United Nations IPCC

“Earth’s Carbon Dioxide Levels are Likely the Highest They’ve been in 15 Million Years” University of Texas at Austin, Jackson School of Geosciences

“Technologies built for our survival, 

Back on Earth made us a dominant rival. 

Working as one, we conquered all nations, 

All networks now under our communications. 

Resources rationed, ideas controlled, 

An intelligent regime to save our souls. 

Children of the future, 

Return to the light, 

Saving our Planet from our self-inflicted plight.” 

— DarWin, For Humanity

“The Revolution will come in waves.”— DarWin, Artificial

Welcome to the near-future: the world of DarWin. An intricate musical fantasy concept that launched in November 2018 in the UK only with the ambitious single release of “Escape The Maze,” followed by the full length album “Origin Of Species.”

The album is now available internationally on all major digital distribution platforms, with an epic cinematic video of “Escape the Maze” available on YouTube, Facebook and iTunes. More DarWin videos can be found on YouTube and Facebook.

Who is DarWin?: An Introduction to the “Escape the Maze” video saga.

It’s roughly ten years from now into the future, 2028. An exhausted ecology, and global conflicts, have led to a huge upheaval of the world order, straining and diminishing human populations. The lives of everyday people and families have been turned upside down by the intense ecological pressures related to climate change. No longer just a theory discussed by scientists and politicians, climate change is wreaking havoc on the world. Chaos and confusion reign as fighting for basic resources continuously escalates. “Day Zero” has occurred, when nuclear attacks punctuated what had for many years been a civility between nations and people. As Earth rejects life, those of us who remain struggle to survive.



“Escape The Maze” is the first installment in an evolving saga that addresses the challenges of mankind in our coming era. It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind’s greatest challenges. The story of “Origin Of Species” is represented through music, graphic storytelling and videos.

A complex project that’s eschews the hollow immediacy of much contemporary art. A narrative that demands attention and imagination. With music sweeping in scope, at times evoking hard rock virtuoso shredding, alongside grand orchestral compositions, warm harmonies and soaring choruses.

The music seeks to capture the listener in the spirit of the greatest concept albums that have helped to define the history of rock. Heavy riffs and killer grooves lead way to delicate ensembles, only to pick up the pace again with searing guitar solos. The genre is decisively Prog Rock, but DarWin begs to be appreciated by a large global audience of music enthusiasts. Key tracks to discover the narrative include: For Humanity, Walk Away from Earth, the Last Chance and Artificial. Emotionally powerful songs for a wide audience include One Horizon, Cosmic Rays, and Forever.

It’s time to enter the saga. It’s time to join DarWin on his journey…

The “Origin Of Species” album features legendary drummer and producer Simon Phillips, who, in addition to playing drums, percussion and keyboards, also engineered, mixed and drove the production on the album. Veteran bass player and singer Matt Bissonette performed a rich array of lead and background vocals and bass. DarWin himself drove the songwriting and conceptual vision while playing various guitars.

The album features guest performances from the likes of Jeff Babko (keyboards and quartet arrangements), Greg Howe (blazing lead guitar solos), Dennis Hamm (keyboards), Ernst Tibbs (bass), Katisse Buckingham (Flute, Soprano Sax), Samuel Sim and Peter Nickalls (orchestral and quartet arrangements), The Origin of Species Quartet (Los Angeles), The Reykjavik String Quartet (Iceland), and The Chamber Orchestra Of London (Conductor Matt Dunkley)

The album was recorded at Simon Phillip’s Phantom Recordings, Sherman Oaks, CA, with additional recording at Abbey Road Studios (Studio 2, the “Beatles Room”), London, United Kingdom, Sundlaugin Studio in Reykjavik, Iceland, The Doghouse, Woodland Hills, CA, Rose Lane Studios, Carpenteria, CA, and Megatrax, Ventura, CA.

The album was produced by DarWin and Simon Phillips. They are continuing to work on new music together at an undisclosed location. The saga will continue...

Watch Simon Phillips discuss the making of  “Origin Of Species”:

Full tracklisting:

1 FOR HUMANITY
2 THE LAST CHANCE
3 TAKING CHANCES
4 ESCAPE THE MAZE
5 WALK AWAY FROM EARTH
6 GUMMY BEAR
7 FOREVER

Intermission

8 WAR AGAINST MY MIND
9 ARTIFICIAL
10 ONE HORIZON
11 MODERN INSANITY
12 COSMIC RAYS
13 LIFE IS A MYSTERY
14 SLOWLY MELTING
15 RISE
16 JUST ONE MORE DAY
17 PROLOGUE

The album will also feature a stunning graphic comic-style layout telling the story visually. A sample page is below:



The epically cinematic video for the “Escape The Maze” single is available here

The album is released by Origin Of Species LLC.

To purchase:
https://darwin.fanlink.to/oos

D2C Store (Pre-order the CD) - https://darwin.tmstor.es
25th February 2018 is the physical CD release date on D2C and Amazon.

For further Information:
Official website: http://www.darwin.is/
Spotify: https://open.spotify.com/artist/5dkLHW5y7w1CeHzazXdlmZ?nd=1
Youtube: https://www.youtube.com/channel/UCqCdVQrrcMrFznnzq6M-_qA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Alice Cooper Drum Legend Neal Smith Celebrates 10 Years of KillSmith With New Compilation "KillSmith Halloween"!

This year marks the 10th anniversary of legendary Alice Cooper drummer & RnR Hall of Fame Inductee Neal Smith's first “KillSmith” solo CD. To celebrate, Neal has created a new 12 song compilation CD called “Neal Smith-KillSmith Halloween,” the best of KillSmith. It has 11 previously released KillSmith songs and features one brand new song called “Strychnine.”

2018 not only marks the golden 50th anniversary of the original Alice Cooper Group, but it also marks the 10th anniversary of my “KillSmith” solo project. Since my last solo album “KillSmith & The Greenfire Empire,” I have been wanting to put together a compilation CD of my scariest and best “KillSmith” songs. I have chosen 11 of my songs plus a brand new bonus track called "Strychnine,” it's a killer! Get your downloads or CD's today! Happy Halloween to all of my sick things around the world! Play my “KillSmith Halloween” loud and let it scare the “HELL” out of you! - Neal Smith



Neal Smith is best known worldwide for his innovative drumming and outrageous stage antics with the original Alice Cooper Group. His solid drumming is the hallmark sound behind such classic 1970's Alice Cooper hits as “School's Out,” “I'm Eighteen,” “Billion Dollar Babies” and “No More Mr. Nice Guy.” Neal is also a prolific songwriter, who helped pen many of the groups best known songs. Alice Cooper was the first band to introduce theatrics to the rock and roll stage, the group has sold over 25 million records worldwide. Neal has six gold and five platinum records to his credit and has performed before millions on extensive grand world tours from the late 1970's to the present. Smith's trademark drum style can be heard on additional albums, including the Billion Dollar Babies Band “Battle Axe,” The Plasmatics “Beyond The Valley Of 1984,” Buck Dharma “Flat Out,” Deadringer “Electrocution Of The Heart,” Bouchard, Dunaway and Smith “Back From Hell” and “BDS Live In Paris,” Cinematik “Cinematik” and “One Full Moon Away.” And Neal's most recent critically acclaimed solo project KillSmith. Neal's KillSmith CD's “Sexual Savior,” “KillSmith Two” and  “KillSmith & The Greenfire Empire,” garnered praise from fans and critics worldwide.

“KillSmith Halloween” Track List

EVIL VOODOO MOON
DEATH BY THE NUMBERS
HOW DO YOU BLEED
CEMETERY OF THE DAMNED
SQUEEZE LIKE A PYTHON
THE KILLSMITH OVERTURE
THRILL THRILL THRILL SHOOT TO KILL
DIE FOR THE NIGHT
PANDEMONIUM
STRYCHNINE
DYNASTY OF DARKNESS
MONSTERS IN THE ATTIC

KillSmith Downloads, CD's & CD/Books Available NOW!
www.nealsmithrocks.com
http://nealsmithrocks.com/store
https://www.facebook.com/NealsmithRocks

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com