12/01/2018

Definitive Editions of All Three Legendary "Phenomena" Rock Concept Albums - OUT NOW!


Featuring Glenn Hughes, Brian May, John Wetton, Mel Galley, Don Airey, Cozy Powell & Others! 

London - Phenomena is a rock music concept conceived by record producer Tom Galley and brother, Whitesnake guitarist Mel Galley and directed by Wilfried Rimensberger. Contributors were leading rock musicians such as Brian May, John Wetton, Glenn Hughes, Don Airey, Mel Galley, Neil Murray and Cozy Powell amongst others.

Phenomena's production of rock songs based on a story line running through a whole album, attached to artworks and other multi-media aspects was credited for the “return of the concept album” in the 1980s. Phenomena released three albums in the 1980s and early 1990s, and had a number one hit single in South America with “Did It All For Love,” while the album charted across Europe, in Japan and Brazil.

The creator of Phenomena, Tom Galley, said of the re-releases: “I'm happy to see the release of these original recordings. And being in touch with the involved artists, I know they are looking forward to see this happening too. Together with previously never seen material the 3 albums are well presented.”

The promo video, produced by Wilfried Rimensberger, for the #1 hit single  “Did It All For Love” is on YouTube:



PHENOMENA 1
“Phenomena” is an all-star million selling album from 1985, created by Tom Galley, and features:

Glenn Hughes
Cozy Powell
Mel Galley
Neil Murray
Don Airey
Ric Sanders
John Thomas
Ted McKenna

This DEFINITIVE EDITION has received a 2018 remaster and the booklet features new liner notes, including new comments from Tom Galley, who has provided the newly written track by track descriptions.


PHENOMENA 2
“Phenomena II – Dream Runner” is from 1987, created by Tom Galley, and features the HIT SINGLE “DID IT ALL FOR LOVE” which was a #1 across South America, along with artists:

John Wetton
Glenn Hughes
Mel Galley
Neil Murray
Ray Gillen
Max Bacon
Richard Bailey
Michael Sturgis
Scott Gorham
Toshihiro Niimi
John Thomas
Kyoji Yamamoto
Leif Johansen

The booklet features new liner notes, including new comments from Tom Galley, along with alternative artwork and rare pictures. Album Cover by Tim Davies (Tim Elcoch).


PHENOMENA 3
“Phenomena III – Innervision” from 1993 completes the all-star Phenomena trilogy, as created by Tom Galley, and features:

Brian May
Scott Gorham
Michael Sturgis
Keith Murrell
Leif Johansen

The booklet features new liner notes, including new comments from Tom Galley, who has supplied the originally intended front cover artwork, which appears for the FIRST TIME EVER!

To purchase:
Amazon CD: http://geni.us/Phenomena1
iTunes: http://geni.us/Phenomena1dig

Amazon CD: http://geni.us/Phenomena2
iTunes: http://geni.us/Phenomena2dig

Amazon CD: http://geni.us/Phenomena3
iTunes: http://geni.us/Phenomena3dig

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Definitive Editions of All Three Legendary "Phenomena" Rock Concept Albums - OUT NOW!


Featuring Glenn Hughes, Brian May, John Wetton, Mel Galley, Don Airey, Cozy Powell & Others! 

London - Phenomena is a rock music concept conceived by record producer Tom Galley and brother, Whitesnake guitarist Mel Galley and directed by Wilfried Rimensberger. Contributors were leading rock musicians such as Brian May, John Wetton, Glenn Hughes, Don Airey, Mel Galley, Neil Murray and Cozy Powell amongst others.

Phenomena's production of rock songs based on a story line running through a whole album, attached to artworks and other multi-media aspects was credited for the “return of the concept album” in the 1980s. Phenomena released three albums in the 1980s and early 1990s, and had a number one hit single in South America with “Did It All For Love,” while the album charted across Europe, in Japan and Brazil.

The creator of Phenomena, Tom Galley, said of the re-releases: “I'm happy to see the release of these original recordings. And being in touch with the involved artists, I know they are looking forward to see this happening too. Together with previously never seen material the 3 albums are well presented.”

The promo video, produced by Wilfried Rimensberger, for the #1 hit single  “Did It All For Love” is on YouTube:



PHENOMENA 1
“Phenomena” is an all-star million selling album from 1985, created by Tom Galley, and features:

Glenn Hughes
Cozy Powell
Mel Galley
Neil Murray
Don Airey
Ric Sanders
John Thomas
Ted McKenna

This DEFINITIVE EDITION has received a 2018 remaster and the booklet features new liner notes, including new comments from Tom Galley, who has provided the newly written track by track descriptions.


PHENOMENA 2
“Phenomena II – Dream Runner” is from 1987, created by Tom Galley, and features the HIT SINGLE “DID IT ALL FOR LOVE” which was a #1 across South America, along with artists:

John Wetton
Glenn Hughes
Mel Galley
Neil Murray
Ray Gillen
Max Bacon
Richard Bailey
Michael Sturgis
Scott Gorham
Toshihiro Niimi
John Thomas
Kyoji Yamamoto
Leif Johansen

The booklet features new liner notes, including new comments from Tom Galley, along with alternative artwork and rare pictures. Album Cover by Tim Davies (Tim Elcoch).


PHENOMENA 3
“Phenomena III – Innervision” from 1993 completes the all-star Phenomena trilogy, as created by Tom Galley, and features:

Brian May
Scott Gorham
Michael Sturgis
Keith Murrell
Leif Johansen

The booklet features new liner notes, including new comments from Tom Galley, who has supplied the originally intended front cover artwork, which appears for the FIRST TIME EVER!

To purchase:
Amazon CD: http://geni.us/Phenomena1
iTunes: http://geni.us/Phenomena1dig

Amazon CD: http://geni.us/Phenomena2
iTunes: http://geni.us/Phenomena2dig

Amazon CD: http://geni.us/Phenomena3
iTunes: http://geni.us/Phenomena3dig

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

11/27/2018

King Crimson 2019 Tour - Celebrating 50 Years


As part of a series of events and releases for their 50th anniversary, King Crimson's 2019 tour will include special concerts across three continents, including both festivals and headline shows.

Since the band's return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, previously home to Pink Floyd, the audience has been reinvented, as much as the band itself:

“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” Robert Fripp

With its fiftieth anniversary, it seems that the wider world is finally ready to embrace King Crimson. A process that began with Kanye West's sampling of “21st Century Schizoid Man” for his 2010 hit “Power”, now sees their song “Starless” as the soundtrack to the opening scenes of Nicholas Cage's new 2018 film “Mandy”.



The band's packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album “In The Court of the Crimson King”, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.

King Crimson will be playing three shows at the Albert Hall in London in June 2019!
18 June - http://axs.com/uk/events/365703/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
19 June - http://axs.com/uk/events/365704/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
20 June - http://axs.com/uk/events/365705/an-evening-with-king-crimson-tickets?skin=aegpresentsuk

“MELTDOWN” – A BluRay filmed at the band’s five sell-out shows in Mexico City in 2017, was released in October 2018.

“COSMIKC F*KC” – an in-depth documentary of King Crimson will appear in 2019.

“Jimi Hendrix saw them at the Marquee in 1969 and declared them to be the best band in the world. In many ways, almost half a century later, they still are.” - ERIC THIESSEN, All About Jazz.

“Fripp and his band offered an impeccable performance in two stages. No melodies, no flapping, only musicians at the top of their art.” - IAN BUSSIÈRES La Presse, Quebec

“The band finally reaps all that it has sown in its many transformations...the king is not dead, far from it, and they still rejoice.” - REJEAN BEAUCAGE, Voir.ca

“Crimson has never sounded more complete, or more joyous, on stage than it does now.” - JORDAN ZIVITZ, Montreal Gazette

“The uniqueness of seeing each of these seasoned musicians working is near indescribable and has to be experienced live to fully embrace their vision - think of eight master painters working in their own style, but on a common canvas, and you begin to get the idea of things.” - WE HEART MUSIC, Minneapolis

“On our final evening at the festival, we were witness to the concert that inevitably proved to be its highlight...The blend of mood, melody, ambiance and atmosphere dazzled the audience, which responded with frequent standing ovations.” - LEE ZIMMERMAN, Goldmine Magazine



For more information: www.dgmlive.com
paintings by Francesca Sundsten
photographs by Dean Stocking and David Singleton

ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, “Exposure” was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine's 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.

TONY LEVIN has been a member of King Crimson since 1981.  Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.

JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 - 2004. His solo album, “The Bruised Romantic Glee Club” (2006) was his first recorded collaboration with Fripp, followed by “A Scarcity of Miracles” in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull's Ian Anderson's UK Top 20 album, “Homo Erraticus.”
.
MEL COLLINS was previously a member of King Crimson 1970 - 1972 appearing on “In The Wake Of Poseidon” (1970), “Lizard” (1970), “Islands” (1971), “Earthbound” (1972) as well as a guest appearance on “Red” (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd's Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.

GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.

PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.

JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin's return to the band.

BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on “Birth Of A Giant” and “The Repercussions Of Angelic Behaviour” (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

King Crimson 2019 Tour - Celebrating 50 Years


As part of a series of events and releases for their 50th anniversary, King Crimson's 2019 tour will include special concerts across three continents, including both festivals and headline shows.

Since the band's return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, previously home to Pink Floyd, the audience has been reinvented, as much as the band itself:

“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” Robert Fripp

With its fiftieth anniversary, it seems that the wider world is finally ready to embrace King Crimson. A process that began with Kanye West's sampling of “21st Century Schizoid Man” for his 2010 hit “Power”, now sees their song “Starless” as the soundtrack to the opening scenes of Nicholas Cage's new 2018 film “Mandy”.



The band's packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album “In The Court of the Crimson King”, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.

King Crimson will be playing three shows at the Albert Hall in London in June 2019!
18 June - http://axs.com/uk/events/365703/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
19 June - http://axs.com/uk/events/365704/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
20 June - http://axs.com/uk/events/365705/an-evening-with-king-crimson-tickets?skin=aegpresentsuk

“MELTDOWN” – A BluRay filmed at the band’s five sell-out shows in Mexico City in 2017, was released in October 2018.

“COSMIKC F*KC” – an in-depth documentary of King Crimson will appear in 2019.

“Jimi Hendrix saw them at the Marquee in 1969 and declared them to be the best band in the world. In many ways, almost half a century later, they still are.” - ERIC THIESSEN, All About Jazz.

“Fripp and his band offered an impeccable performance in two stages. No melodies, no flapping, only musicians at the top of their art.” - IAN BUSSIÈRES La Presse, Quebec

“The band finally reaps all that it has sown in its many transformations...the king is not dead, far from it, and they still rejoice.” - REJEAN BEAUCAGE, Voir.ca

“Crimson has never sounded more complete, or more joyous, on stage than it does now.” - JORDAN ZIVITZ, Montreal Gazette

“The uniqueness of seeing each of these seasoned musicians working is near indescribable and has to be experienced live to fully embrace their vision - think of eight master painters working in their own style, but on a common canvas, and you begin to get the idea of things.” - WE HEART MUSIC, Minneapolis

“On our final evening at the festival, we were witness to the concert that inevitably proved to be its highlight...The blend of mood, melody, ambiance and atmosphere dazzled the audience, which responded with frequent standing ovations.” - LEE ZIMMERMAN, Goldmine Magazine



For more information: www.dgmlive.com
paintings by Francesca Sundsten
photographs by Dean Stocking and David Singleton

ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, “Exposure” was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine's 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.

TONY LEVIN has been a member of King Crimson since 1981.  Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.

JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 - 2004. His solo album, “The Bruised Romantic Glee Club” (2006) was his first recorded collaboration with Fripp, followed by “A Scarcity of Miracles” in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull's Ian Anderson's UK Top 20 album, “Homo Erraticus.”
.
MEL COLLINS was previously a member of King Crimson 1970 - 1972 appearing on “In The Wake Of Poseidon” (1970), “Lizard” (1970), “Islands” (1971), “Earthbound” (1972) as well as a guest appearance on “Red” (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd's Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.

GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.

PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.

JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin's return to the band.

BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on “Birth Of A Giant” and “The Repercussions Of Angelic Behaviour” (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

11/25/2018

Rock-Blues Review: Big Brother & The Holding Company-Sex, Dope & Cheap Thrills

Release Date: November 30, 2018
Label: Columbia/Legacy

Brother & The Holding Company with iconic lead singer Janis Joplin, had a sophomore album titled Cheap Thrills that would catapult them to stardom and introduced the world to Joplin. Sex, Dope & Cheap Thrills is a risqué title for an album and it was 1968 so as one can imagine, that title was nixed by the label for fear of public retribution which would equal poor sales. This was a typical reaction from label brass at the time. I think the album would have found just as much popularity regardless of any title it had. This double CD set restores the band’s original intent for that blockbuster release.

Within this set, there is an essential new collection of 30 rare performances including 29 studio outtakes and 25 previously unreleased tracks from the mythic 1968 sessions that generated Big Brother & The Holding Company's Cheap Thrills. This also debuts a previously unreleased live performance of a smokin’ hot “Ball and Chain," recorded live at Winterland Ballroom on April 12, 1968.

As far as I am concerned, Janis Joplin was one of the greatest blues singers that ever graced a stage or studio. I think this set will reaffirm that statement and younger fans will come aboard the Big Brother and Holding Company train after hearing this music. Joplin’s emotion-soaked vocals and painful releases of those emotions can be heard in her vocals and the accompanying music. One listen to “Turtle Blues (Take #4)” tells the story of her mastery over the blues.

What I found extremely interesting was reading the CD booklet included with this set. Some history I was unaware of was brought to light. The notes from Dave Getz and Grace Slick were certainly a great addition to this set. The picture of a very young and beautiful Slick and Joplin gets your mind reeling and wondering what was going on in that particular moment in time. If we only could look at a picture of the past and just step in to check it out real time, that would be amazing. Alas, we can dream of moments such as this and realistically get everything we possibly can from the music, words, and pictures provided.


“Oh, Sweet Mary” is an excellent track (7) on the first disc. The band and Joplin are just cranking it out with the pedal to the metal. I really appreciated her vocals when she sang and didn’t scream but I do realize that was part of how she conveyed the raw emotions of the songs to her audience. “Piece of My Heart” (Take 6) is so convincing. It sounds like Joplin is singing right from her toes directly to her heart. She always did sound that way regardless of what song she sang. “Catch Me Daddy (Take 1)” gets off to an interesting start as the sound engineer tells the band “Keep playing if you fuck up, I want to get something down.” Well, it doesn’t get any more realistic than that! 

The second disc opens with “Flower in The Sun.” The track has a clean sound and the musicianship is spot on of course. Joplin matches that fine playing with her typically emotive singing style. She was “the” blues mama of her day, there is no doubt about that fact. The track is above average and a different take on their style and output of the day. Being a slight step away from what their audience was accustomed to was likely looked at as taking chance, but now we get to hear the more experimental side of the band. “Oh, Sweet Mary” continues on with that method and it takes on a different style and approach than what you heard on disc one and one that I really appreciated. The extended guitar solo is excellent and it really shows just how tight the rhythm section was. This was one amazing band and this particular track proves just how good they were and could be if given the chance to cut loose free-form style in the studio.

Janis Joplin and Big Brother and The Holding Company were the real deal and it simply does not get any more down and dirtier than some of these cuts. This is the way blues rock was meant to sound like, filled with emotion, blood, sweat, and tears. And that is exactly why Joplin showed up at the right time for the band, she was the final piece of the puzzle that made it all happen. Hearing all this archival material is a great way for any music fan to turn back the hands of time and relive the sessions for the first time.

Note From Columbia/Legacy: Of the 30 tracks showcased on the 2-CD edition of Sex, Dope & Cheap Thrills, only five have been previously released: “Summertime (Take 2)” (on a 1993 Joplin compilation); “Roadblock (Take 1)” (on the 1999 Cheap Thrills reissue); “It’s A Deal (Take 1)” and “Easy Once You Know How (Take 1)” (both on the 1999 “Rare Pearls” disc in the Box of Pearls set); and “Magic Of Love (Take 1)” (from the Columbia/Legacy Record Store Day release, Move Over!).

Keith “MuzikMan” Hannaleck
November 24, 2018

Founder of:

Review Provided By MuzikMan Reviews & News

Tracks:

 Disc One:

1. Combination Of The Two (Take 3)
2. I Need A Man To Love (Take 4)
3. Summertime (Take 2) *
4. Piece Of My Heart (Take 6)
5. Harry (Take 10)
6. Turtle Blues (Take 4)
7. Oh, Sweet Mary
8. Ball And Chain (live, The Winterland Ballroom, April 12, 1968)
9. Roadblock (Take 1) *
10. Catch Me Daddy (Take 1)
11. It’s A Deal (Take 1) *
12. Easy Once You Know How (Take 1) *
13. How Many Times Blues Jam
14. Farewell Song (Take 7)


Disc Two:

1. Flower In The Sun (Take 3)
2. Oh Sweet Mary
3. Summertime (Take 1)
4. Piece of My Heart (Take 4)
5. Catch Me Daddy (Take 9)
6. Catch Me Daddy (Take 10)
7. I Need A Man To Love (Take 3)
8. Harry (Take 9)
9. Farewell Song (Take 4)
10. Misery’n (Takes 2 & 3)
11. Misery’n (Take 4)
12. Magic Of Love (Take 1) *
13. Turtle Blues (Take 9)
14. Turtle Blues (last verse Takes 1-3)
15. Piece Of My Heart (Take 3)
16. Farewell Song (Take 5)

All tracks previously unreleased except*