Greatly anticipated new studio solo album from Rosalie Cunningham, formerly of acclaimed band Purson.
London - Esoteric Antenna are delighted to announce a new studio album with Rosalie Cunningham. Since her celebrated band Purson played its final gig in late 2016, singer, songwriter and multi instrumentalist Rosalie has been working on a new solo album, to showcase her talents as the visionary solo artist she always was.
As Rosalie says, “Being able to take time over arrangements without time pressures means that everything feels right, without being contrived.”
The album features a full range of musical styles showing off to the full Rosalies incredible vocal range and playing ability and is sure to delight both old fans of Purson and hopefully many new fans.
The self-titled album will be available both on Digipack single CD and 180 gram vinyl format on July 26th. In support of the release, Rosalie and her band will be touring the UK in July 2019 with further dates to come.
TRACK LISTING Ride on My Bike Fuck Love House of the Glass Red Dethroning of the Party Queen Nobody Hears Riddles and Games Butterflies A Yarn from the Wheel
Greatly anticipated new studio solo album from Rosalie Cunningham, formerly of acclaimed band Purson.
London - Esoteric Antenna are delighted to announce a new studio album with Rosalie Cunningham. Since her celebrated band Purson played its final gig in late 2016, singer, songwriter and multi instrumentalist Rosalie has been working on a new solo album, to showcase her talents as the visionary solo artist she always was.
As Rosalie says, “Being able to take time over arrangements without time pressures means that everything feels right, without being contrived.”
The album features a full range of musical styles showing off to the full Rosalies incredible vocal range and playing ability and is sure to delight both old fans of Purson and hopefully many new fans.
The self-titled album will be available both on Digipack single CD and 180 gram vinyl format on July 26th. In support of the release, Rosalie and her band will be touring the UK in July 2019 with further dates to come.
TRACK LISTING
Ride on My Bike
Fuck Love
House of the Glass Red
Dethroning of the Party Queen
Nobody Hears
Riddles and Games
Butterflies
A Yarn from the Wheel
Portland, OR - Following his acclaimed CD “Parting Is,” Jon Durant returns with a new solo album “Alternate Landscapes.” While both records are solo guitar, that’s also where the similarity ends.
Alternate Landscapes expands the idea of solo guitar to include MIDI guitar triggering old school synthesizer sequences and breathy wind instruments alongside Jon’s signature cloud guitar textures. The result is a strikingly original blend of highly unusual sounds and textures with the additional context of vintage synthesis all translated through the guitar. In addition, each of the four expansive tracks take the listener on an extended sonic journey through a multitude of aural landscapes.
Durant commented: “For my entire musical career, I’ve steadfastly refused to wear my influences on my sleeve. If I ever do something that sounds too much like someone else, I have always discarded it. This time I allowed myself to let, for example, my Tangerine Dream influence come to the fore, and decided to make a statement that offered homage without being too derivative.”
Continuing, Durant spoke of the very different nature of how he approached his guitar playing on “Alternate Landscapes” relative to his previous work: “I’ve always had a great love of melody, and on all my earlier work whether solo or with Burnt Belief my lead guitar was a centerpiece of what I did. The cloud guitar textures, for which I have gained a certain reputation, were usually placed in a context underneath a more obvious lead guitar melody. On Alternative Landscapes, however, I have almost eliminated the lead guitar voice in favor of letting the cloud guitar textures become the dominant theme.”
“Two of the songs, “Aragon” and “Ciel du Cheval” are solo guitar pieces, performed live in the studio with no overdubs. All the percussive elements on “Aragon are a loop played on guitar, over which I played my fretless guitar. “Ciel du Cheval” is solo cloud guitar piece all played on guitar with an E-Bow. Listeners might be reminded of the landmark work of Fripp & Eno in it’s scope and approach, though not necessarily in the sounds that emerge.”
The other two tracks involve the use of guitar synthesizer, and also include sounds of voices and trains recorded on an iPhone and played back through the pickups of a guitar and processed through Durant’s complex effects rig to render those sounds completely indistinguishable from where they began.
Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. His 2018 release “Parting Is” was nominated for “Best Ambient Album” in the Zone Music Reporter awards. In 2019, several highly regarded recordings feature Jon’s work as a session player, including Stephan Thelen’s landmark “Fractal Guitar” on which Durant can be heard alongside David Torn and Marcus Reuter and many other innovative guitarists.
As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's six solo albums and three Burnt Belief records (with Colin Edwin of Porcupine Tree), Alchemy has also released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.
Portland, OR - Following his acclaimed CD “Parting Is,” Jon Durant returns with a new solo album “Alternate Landscapes.” While both records are solo guitar, that’s also where the similarity ends.
Alternate Landscapes expands the idea of solo guitar to include MIDI guitar triggering old school synthesizer sequences and breathy wind instruments alongside Jon’s signature cloud guitar textures. The result is a strikingly original blend of highly unusual sounds and textures with the additional context of vintage synthesis all translated through the guitar. In addition, each of the four expansive tracks take the listener on an extended sonic journey through a multitude of aural landscapes.
Durant commented: “For my entire musical career, I’ve steadfastly refused to wear my influences on my sleeve. If I ever do something that sounds too much like someone else, I have always discarded it. This time I allowed myself to let, for example, my Tangerine Dream influence come to the fore, and decided to make a statement that offered homage without being too derivative.”
Continuing, Durant spoke of the very different nature of how he approached his guitar playing on “Alternate Landscapes” relative to his previous work: “I’ve always had a great love of melody, and on all my earlier work whether solo or with Burnt Belief my lead guitar was a centerpiece of what I did. The cloud guitar textures, for which I have gained a certain reputation, were usually placed in a context underneath a more obvious lead guitar melody. On Alternative Landscapes, however, I have almost eliminated the lead guitar voice in favor of letting the cloud guitar textures become the dominant theme.”
“Two of the songs, “Aragon” and “Ciel du Cheval” are solo guitar pieces, performed live in the studio with no overdubs. All the percussive elements on “Aragon are a loop played on guitar, over which I played my fretless guitar. “Ciel du Cheval” is solo cloud guitar piece all played on guitar with an E-Bow. Listeners might be reminded of the landmark work of Fripp & Eno in it’s scope and approach, though not necessarily in the sounds that emerge.”
The other two tracks involve the use of guitar synthesizer, and also include sounds of voices and trains recorded on an iPhone and played back through the pickups of a guitar and processed through Durant’s complex effects rig to render those sounds completely indistinguishable from where they began.
Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. His 2018 release “Parting Is” was nominated for “Best Ambient Album” in the Zone Music Reporter awards. In 2019, several highly regarded recordings feature Jon’s work as a session player, including Stephan Thelen’s landmark “Fractal Guitar” on which Durant can be heard alongside David Torn and Marcus Reuter and many other innovative guitarists.
As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's six solo albums and three Burnt Belief records (with Colin Edwin of Porcupine Tree), Alchemy has also released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.
Portland, OR - Following his acclaimed CD “Parting Is,” Jon Durant returns with a new solo album “Alternate Landscapes.” While both records are solo guitar, that’s also where the similarity ends.
Alternate Landscapes expands the idea of solo guitar to include MIDI guitar triggering old school synthesizer sequences and breathy wind instruments alongside Jon’s signature cloud guitar textures. The result is a strikingly original blend of highly unusual sounds and textures with the additional context of vintage synthesis all translated through the guitar. In addition, each of the four expansive tracks take the listener on an extended sonic journey through a multitude of aural landscapes.
Durant commented: “For my entire musical career, I’ve steadfastly refused to wear my influences on my sleeve. If I ever do something that sounds too much like someone else, I have always discarded it. This time I allowed myself to let, for example, my Tangerine Dream influence come to the fore, and decided to make a statement that offered homage without being too derivative.”
Continuing, Durant spoke of the very different nature of how he approached his guitar playing on “Alternate Landscapes” relative to his previous work: “I’ve always had a great love of melody, and on all my earlier work whether solo or with Burnt Belief my lead guitar was a centerpiece of what I did. The cloud guitar textures, for which I have gained a certain reputation, were usually placed in a context underneath a more obvious lead guitar melody. On Alternative Landscapes, however, I have almost eliminated the lead guitar voice in favor of letting the cloud guitar textures become the dominant theme.”
“Two of the songs, “Aragon” and “Ciel du Cheval” are solo guitar pieces, performed live in the studio with no overdubs. All the percussive elements on “Aragon are a loop played on guitar, over which I played my fretless guitar. “Ciel du Cheval” is solo cloud guitar piece all played on guitar with an E-Bow. Listeners might be reminded of the landmark work of Fripp & Eno in it’s scope and approach, though not necessarily in the sounds that emerge.”
The other two tracks involve the use of guitar synthesizer, and also include sounds of voices and trains recorded on an iPhone and played back through the pickups of a guitar and processed through Durant’s complex effects rig to render those sounds completely indistinguishable from where they began.
Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. His 2018 release “Parting Is” was nominated for “Best Ambient Album” in the Zone Music Reporter awards. In 2019, several highly regarded recordings feature Jon’s work as a session player, including Stephan Thelen’s landmark “Fractal Guitar” on which Durant can be heard alongside David Torn and Marcus Reuter and many other innovative guitarists.
As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's six solo albums and three Burnt Belief records (with Colin Edwin of Porcupine Tree), Alchemy has also released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.
Singer, Songwriter & Multi-instrumentalist Eliot Lewis is a key member of the the Daryl Hall & John Oates band and one of the original featured musicians on MTV's “Live From Daryl's House”
Eliot Lewis is a singer songwriter and multi-instrumentalist as well as being a key member of the the Daryl Hall & John Oates band. Eliot is also one of the original featured musicians on MTV's “Live From Daryl's House.” His contributions stand out on some of the best moments from the show including performances with Billy Gibbons (ZZ Top), Joe Walsh, Todd Rundgren,Train, Grace Potter, Ben Folds, Booker T, Jewel, Rob Thomas, Keb Mo, Jason Mraz, Darius Rucker, Gavin DeGraw and many, many others. Earlier in his career Eliot spent several years as a key member of the The Average White Band. Eliot toured, wrote and also produced several songs for the Scottish soul band.
“Eliot is a musician who can do it all, great singer, songwriter and guitarist. He rocks and he's got soul. No one does it quite like him” - Daryl Hall
In 2016 Eliot signed an exclusive recording partnership with The SoNo Recording Group. His first release, entitled “Adventure,” is a collection of eleven new recordings; ten originals written, performed, and produced by Eliot and one cover of the Bad Company classic, “Ready For Love.”
Says Eliot, “My goal with this record is to try to present a record that comes from the place that first inspired me, the kind of classic stripped down rock & soul before all the slick production with auto tuning became so common place”
“Adventure” was released on CD, digital download, and streaming on October 28th world-wide vis SRG Records / The ILS Group / Universal Music Group.
Having mastered four instruments over the course of his career; guitar, keyboard, bass and drums, Eliot Lewis blazed his own trail as a solo artist sharing his distinctive brand of rock & soul through solo releases and hundreds of solo tour dates all over the world. Eliot's songs come from the inside out. “I think the main inspiration for any of my records is to convey these little slices of life, most of my songs are written about my own experiences and situations”.
There are many who shaped Eliot's music and writing. “As a guitar player, definitely Jeff Beck who I've been listening to all my life, as well as Billy Gibbons who I had the great fortune of working with recently, and Peter Frampton who I actually jammed with when I was 14 yrs old. I had the amazing experience of meeting and seeing many influential artists when I was a kid mainly at Madison Square Garden in New York City. A place I just played with Hall & Oates which was a lifetime dream. One of the first writers to inspire me to write songs was Rick Nielsen of Cheap Trick, another favorite band of mine that I just worked with on Live From Daryl's House.”
Along with recording a select set of episodes for “Live From Daryl's House,” Eliot is currently working on his next album slated for release the first half of 2019, along with a tour. “An Evening with Multi Instrumentalist Eliot Lewis” consists of very unique performances where he plays all instruments on stage!
In closing Eliot has this to impart, “Life is an Adventure, I want to share mine with you on tour soon because, we're in it together.”
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Manticore Records is proud to announce the new album by Alternative music legend John Greaves, now a Manticore Records Artist
British bass guitarist and composer John Greaves, best known as a member of Henry Cow and his collaborative albums with Peter Blegvad is releasing a new album titled “Life Size” on Manticore Records on November 30, 2018. John was also a member of National Health and Soft Heap, and has recorded several solo albums, including “Accident” (1982), “Parrot Fashions” (1984), “The Caretaker” (2001) and “Greaves Verlaine” (2008).
Says Manticore Records president Max Marchini, “When Greg Lake wanted me to be the artistic director of the renaissance of Manticore he was very precise: 'I don’t want Manticore to be nostalgic but respectful and helpful of any great talent, old or new. We don't want to be a progressive only label but open to any kind of music for progressive it is not a genre but an intention'.
“It's a great honor to be able to continue his quality control and tradition of perfectionism and creativity. And I am lucky enough to have trusting friends who help me and to share with projects: Regina Lake, Alberto Callegari at the amazing Elfo Recording Studios and Manticore artist Annie Barbazza. Our aim is to live up to Greg Lake's vision and production skills with new albums that can match his demanding standards.
“I have been lucky enough to work with one of the most respected and talented British composers, Welsh-born John Greaves who is a true living legend in alternative music.”
John Greaves led the European avant-garde as a founder member of Henry Cow with Fred Frith and Lindsay Cooper, then his bass was the driving force in bands like National Health and Love Of Life Orchestra. He played with Brian Eno, Robert Wyatt, Mike Oldfield, Michael Nyman, Penguin Café Orchestra, Carla Bley and Michael Mantler just to mention a few.
In recent years he has produced albums for the French classical label Harmonia Mundi for Radio France of composition upon words of Paul Verlaine and for Dark Companion a precious critically acclaimed live album called “Piacenza”. He appears on the new Sony relate of Gabrie Fauré songs “Ici-bas”. His songwriting partnership with Slapp Happy's Peter Blegvad gave birth to gems like “Bad Alchemy”, “How Beautiful You Are “ and “The Song”.
On his new album “Life Size”he shares the vocals with a remarkable cast. Three fabulous, uniquely different female voices: Valérie Gabail, Annie Barbazza, Himiko Paganotti and Greaves himself sing a collection of songs in French, English and Italian, moving from pure pop thru Debussy-esque Apollinaire to sensual spoken-word; there's even a song by Robert Wyatt, an old friend from way back when. The line-up of musicians is equally stellar: Olivier Mellano and Jakko Jakksyk (from King Crimson) on guitars, Vincent Courtois on cello, Zeena Parkins on harp, Matthieu Rabaté on drums.
“Life Size” features new compositions and the revisiting of old ones into a new, breathtaking contemporary and classical style, featuring some of the most acclaimed international musicians. Treat yourself to a very special musical journey.
Says Max, “'Life Size' is an album of stunning beauty and inner grace and sure will be a classic for the future, and intended to be the logical sequel to the critically acclaimed 'Songs', which, by the way, has been remastered at our Elfo Studios to state of the art sound quality and re-issued by Dark Companion Records.”
‘Life Size” was recorded and mastered to exemplary sound standards in audiophile premium colored vinyl and golden high-end CDs. This first pressing will be of 1,000 CD and 500 vinyl only.
Tracklist 01. Air de la Lune 02. The Same Thing 03. In Te 04. God Song 05. Kew Rhône is Real 06. Earthly Powers 07. Still Life 08. La Lune Blanche 09. Sweetheart Goodbye 10. Hôtels 11. How Beautiful You Are 12. Lie Still, Sleep Becalmed
Personnel: John Greaves: voice, bass guitar piano, sequences, string arrangements Annie Barbazza: voice (3,6,7,11) piano (11), acoustic guitar (3) Valérie Gabail: voice (1, 10) Himiko Paganotti: voice (8) Vincent Courtois: cello Matthieu Rabaté: drums Olivier Mellano: guitar (1,2,6,8) Sophia Domancich: treated piano (8) Zeena Parkins: harp (10) Jakko Jakszyk: electric guitar (4) Lino Capra Vaccina: piano, gongs, vibes, cymbals, percussion (12) Camillo Mozzoni: oboe Max Marchini: sub aquatic electric guitar (3) Jordi Tagliaferri: vibes (2,10), congas (7) Irene Barbieri: violins (1,7) Diego Romani: violas (1,7) The Warm Morning Brothers: bkg. vocals (3)
Manticore Records is proud to announce the new album by Alternative music legend John Greaves, now a Manticore Records Artist
British bass guitarist and composer John Greaves, best known as a member of Henry Cow and his collaborative albums with Peter Blegvad is releasing a new album titled “Life Size” on Manticore Records on November 30, 2018. John was also a member of National Health and Soft Heap, and has recorded several solo albums, including “Accident” (1982), “Parrot Fashions” (1984), “The Caretaker” (2001) and “Greaves Verlaine” (2008).
Says Manticore Records president Max Marchini, “When Greg Lake wanted me to be the artistic director of the renaissance of Manticore he was very precise: 'I don’t want Manticore to be nostalgic but respectful and helpful of any great talent, old or new. We don't want to be a progressive only label but open to any kind of music for progressive it is not a genre but an intention'.
“It's a great honor to be able to continue his quality control and tradition of perfectionism and creativity. And I am lucky enough to have trusting friends who help me and to share with projects: Regina Lake, Alberto Callegari at the amazing Elfo Recording Studios and Manticore artist Annie Barbazza. Our aim is to live up to Greg Lake's vision and production skills with new albums that can match his demanding standards.
“I have been lucky enough to work with one of the most respected and talented British composers, Welsh-born John Greaves who is a true living legend in alternative music.”
John Greaves led the European avant-garde as a founder member of Henry Cow with Fred Frith and Lindsay Cooper, then his bass was the driving force in bands like National Health and Love Of Life Orchestra. He played with Brian Eno, Robert Wyatt, Mike Oldfield, Michael Nyman, Penguin Café Orchestra, Carla Bley and Michael Mantler just to mention a few.
In recent years he has produced albums for the French classical label Harmonia Mundi for Radio France of composition upon words of Paul Verlaine and for Dark Companion a precious critically acclaimed live album called “Piacenza”. He appears on the new Sony relate of Gabrie Fauré songs “Ici-bas”. His songwriting partnership with Slapp Happy's Peter Blegvad gave birth to gems like “Bad Alchemy”, “How Beautiful You Are “ and “The Song”.
On his new album “Life Size”he shares the vocals with a remarkable cast. Three fabulous, uniquely different female voices: Valérie Gabail, Annie Barbazza, Himiko Paganotti and Greaves himself sing a collection of songs in French, English and Italian, moving from pure pop thru Debussy-esque Apollinaire to sensual spoken-word; there's even a song by Robert Wyatt, an old friend from way back when. The line-up of musicians is equally stellar: Olivier Mellano and Jakko Jakksyk (from King Crimson) on guitars, Vincent Courtois on cello, Zeena Parkins on harp, Matthieu Rabaté on drums.
“Life Size” features new compositions and the revisiting of old ones into a new, breathtaking contemporary and classical style, featuring some of the most acclaimed international musicians. Treat yourself to a very special musical journey.
Says Max, “'Life Size' is an album of stunning beauty and inner grace and sure will be a classic for the future, and intended to be the logical sequel to the critically acclaimed 'Songs', which, by the way, has been remastered at our Elfo Studios to state of the art sound quality and re-issued by Dark Companion Records.”
‘Life Size” was recorded and mastered to exemplary sound standards in audiophile premium colored vinyl and golden high-end CDs. This first pressing will be of 1,000 CD and 500 vinyl only.
Tracklist 01. Air de la Lune 02. The Same Thing 03. In Te 04. God Song 05. Kew Rhône is Real 06. Earthly Powers 07. Still Life 08. La Lune Blanche 09. Sweetheart Goodbye 10. Hôtels 11. How Beautiful You Are 12. Lie Still, Sleep Becalmed
Personnel: John Greaves: voice, bass guitar piano, sequences, string arrangements Annie Barbazza: voice (3,6,7,11) piano (11), acoustic guitar (3) Valérie Gabail: voice (1, 10) Himiko Paganotti: voice (8) Vincent Courtois: cello Matthieu Rabaté: drums Olivier Mellano: guitar (1,2,6,8) Sophia Domancich: treated piano (8) Zeena Parkins: harp (10) Jakko Jakszyk: electric guitar (4) Lino Capra Vaccina: piano, gongs, vibes, cymbals, percussion (12) Camillo Mozzoni: oboe Max Marchini: sub aquatic electric guitar (3) Jordi Tagliaferri: vibes (2,10), congas (7) Irene Barbieri: violins (1,7) Diego Romani: violas (1,7) The Warm Morning Brothers: bkg. vocals (3)
Manticore Records is proud to announce the new album by Alternative music legend John Greaves, now a Manticore Records Artist
British bass guitarist and composer John Greaves, best known as a member of Henry Cow and his collaborative albums with Peter Blegvad is releasing a new album titled “Life Size” on Manticore Records on November 30, 2018. John was also a member of National Health and Soft Heap, and has recorded several solo albums, including “Accident” (1982), “Parrot Fashions” (1984), “The Caretaker” (2001) and “Greaves Verlaine” (2008).
Says Manticore Records president Max Marchini, “When Greg Lake wanted me to be the artistic director of the renaissance of Manticore he was very precise: 'I don’t want Manticore to be nostalgic but respectful and helpful of any great talent, old or new. We don't want to be a progressive only label but open to any kind of music for progressive it is not a genre but an intention'.
“It's a great honor to be able to continue his quality control and tradition of perfectionism and creativity. And I am lucky enough to have trusting friends who help me and to share with projects: Regina Lake, Alberto Callegari at the amazing Elfo Recording Studios and Manticore artist Annie Barbazza. Our aim is to live up to Greg Lake's vision and production skills with new albums that can match his demanding standards.
“I have been lucky enough to work with one of the most respected and talented British composers, Welsh-born John Greaves who is a true living legend in alternative music.”
John Greaves led the European avant-garde as a founder member of Henry Cow with Fred Frith and Lindsay Cooper, then his bass was the driving force in bands like National Health and Love Of Life Orchestra. He played with Brian Eno, Robert Wyatt, Mike Oldfield, Michael Nyman, Penguin Café Orchestra, Carla Bley and Michael Mantler just to mention a few.
In recent years he has produced albums for the French classical label Harmonia Mundi for Radio France of composition upon words of Paul Verlaine and for Dark Companion a precious critically acclaimed live album called “Piacenza”. He appears on the new Sony relate of Gabrie Fauré songs “Ici-bas”. His songwriting partnership with Slapp Happy's Peter Blegvad gave birth to gems like “Bad Alchemy”, “How Beautiful You Are “ and “The Song”.
On his new album “Life Size”he shares the vocals with a remarkable cast. Three fabulous, uniquely different female voices: Valérie Gabail, Annie Barbazza, Himiko Paganotti and Greaves himself sing a collection of songs in French, English and Italian, moving from pure pop thru Debussy-esque Apollinaire to sensual spoken-word; there's even a song by Robert Wyatt, an old friend from way back when. The line-up of musicians is equally stellar: Olivier Mellano and Jakko Jakksyk (from King Crimson) on guitars, Vincent Courtois on cello, Zeena Parkins on harp, Matthieu Rabaté on drums.
“Life Size” features new compositions and the revisiting of old ones into a new, breathtaking contemporary and classical style, featuring some of the most acclaimed international musicians. Treat yourself to a very special musical journey.
Says Max, “'Life Size' is an album of stunning beauty and inner grace and sure will be a classic for the future, and intended to be the logical sequel to the critically acclaimed 'Songs', which, by the way, has been remastered at our Elfo Studios to state of the art sound quality and re-issued by Dark Companion Records.”
‘Life Size” was recorded and mastered to exemplary sound standards in audiophile premium colored vinyl and golden high-end CDs. This first pressing will be of 1,000 CD and 500 vinyl only.
Tracklist
01. Air de la Lune
02. The Same Thing
03. In Te
04. God Song
05. Kew Rhône is Real
06. Earthly Powers
07. Still Life
08. La Lune Blanche
09. Sweetheart Goodbye
10. Hôtels
11. How Beautiful You Are
12. Lie Still, Sleep Becalmed
Personnel:
John Greaves: voice, bass guitar piano, sequences, string arrangements
Annie Barbazza: voice (3,6,7,11) piano (11), acoustic guitar (3)
Valérie Gabail: voice (1, 10)
Himiko Paganotti: voice (8)
Vincent Courtois: cello
Matthieu Rabaté: drums
Olivier Mellano: guitar (1,2,6,8)
Sophia Domancich: treated piano (8)
Zeena Parkins: harp (10)
Jakko Jakszyk: electric guitar (4)
Lino Capra Vaccina: piano, gongs, vibes, cymbals, percussion (12)
Camillo Mozzoni: oboe
Max Marchini: sub aquatic electric guitar (3)
Jordi Tagliaferri: vibes (2,10), congas (7)
Irene Barbieri: violins (1,7)
Diego Romani: violas (1,7)
The Warm Morning Brothers: bkg. vocals (3)
Songs about spiritual epiphanies, longing, friendship and loss
Much to the excitement of Prog fans worldwide, keyboardist Tim Morse will be releasing his 3rd album “Tim Morse III” featuring songs about spiritual epiphanies, longing, friendship and loss. The original idea for Tim's third album was that it would be a completely solo project where he would play all the instruments and sing all the vocals. However, even at the demo stage he missed the input of others, and decided to bring in some of his favorite musicians for cameo appearances (mostly drummers and guitarists).
Says Tim, “I'm not really a multi-instrumentalist - I'm a pianist and guitarist. By extension I play other keyboards, bass and a little bit of percussion. Anyone can play drums as good as I can! You can hear me play everything on one song 'The Marquis' and I play most of the instruments on 'My Ally' and 'Talisman' as well.
“It was very important to me to get to the 'emotional core' of the songs on this recording and so I looked for ways to eliminate some of the fiddling about - don't get me wrong, this is still a progressive rock album - but I wanted to make sure the message was clear. My work with The Mangoes and the music of some of my favorite recording artists like Field Music and Kevin Gilbert influenced this approach. Also, I knew from the start that there would be a vinyl release and so that was an exciting aspect of the project. It's been a dream of mine since I was thirteen to release a vinyl album of my original music and it's finally coming true! I'm very proud of the songwriting on 'III,' I definitely feel that it features some of my best work.”
When the writing was finished Tim decided that it was essential to record on as much vintage gear as possible - Hammond organ, Fender Rhodes electric piano, Mini-Moog, and Mellotron samples. He spent a day at the Oakland Vintage Synthesizer Museum tracking songs with all kinds of analog synthesizer goodness (including the mighty Moog Taurus Bass pedals).
Says Tim, “On this recording I wanted to find the right balance between structure and improvisation. Of course, all of my solos were improvised (most of them are first takes done on the original demos), but even parts that might seem structured were done one pass on the fly. I believe that adds a vital feel to the music. I also kept a lot of scratch tracks where some precision may be sacrificed because the feel of the music was right.”
Most of the recording was done in Tim's home studio (and others contributed parts from their project studios). However, he did track drums at Andrew Glasmacher's Studio 12 West in Utah over a few days. Also, all of the lead vocals were recorded at Paradise Studios with Craig Long. Craig is a mini-local legend in northern California, having worked with multi-platinum acts like Cake, Tesla, Bobby Brown, Tony, Toni, Tone! and many others. Tim wanted his expertise for the vocal sessions and Craig also made important contributions to the mix and did the final mastering of “Tim Morse III.”
Watch the video for “The Mary Celeste”:
Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim's first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and recognized as an original voice, in the tradition of Yes and Genesis, yet recorded and performed with a modern edge.
His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was embraced for its pop sensibility and quirky humor.
Tim Morse is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin's Press and was featured on the Howard Stern show. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.
“Tim Morse III” will be released on CD and digital download on October 22, 2018 by Cymbalick Music. There will be a limited edition vinyl LP release of the album in January 2019. Plans for live performances in support of the new album release are in the works.
In closing Tim has this message for listeners: “I'm always grateful when anyone takes the time to listen to my music, whether they loved it or were critical of it. In this modern age of endless distractions it is a lovely thing when someone will truly listen to music.”
To purchase: “Tim Morse III” will be available on CDBaby, iTunes, Amazon, etc. *Anyone ordering CDs or LPs on timmorse.com will get a free promotional bonus disc with cover songs, demos, alternate tracks, etc. https://store.cdbaby.com/Artist/TimMorse
Songs about spiritual epiphanies, longing, friendship and loss
Much to the excitement of Prog fans worldwide, keyboardist Tim Morse will be releasing his 3rd album “Tim Morse III” featuring songs about spiritual epiphanies, longing, friendship and loss. The original idea for Tim's third album was that it would be a completely solo project where he would play all the instruments and sing all the vocals. However, even at the demo stage he missed the input of others, and decided to bring in some of his favorite musicians for cameo appearances (mostly drummers and guitarists).
Says Tim, “I'm not really a multi-instrumentalist - I'm a pianist and guitarist. By extension I play other keyboards, bass and a little bit of percussion. Anyone can play drums as good as I can! You can hear me play everything on one song 'The Marquis' and I play most of the instruments on 'My Ally' and 'Talisman' as well.
“It was very important to me to get to the 'emotional core' of the songs on this recording and so I looked for ways to eliminate some of the fiddling about - don't get me wrong, this is still a progressive rock album - but I wanted to make sure the message was clear. My work with The Mangoes and the music of some of my favorite recording artists like Field Music and Kevin Gilbert influenced this approach. Also, I knew from the start that there would be a vinyl release and so that was an exciting aspect of the project. It's been a dream of mine since I was thirteen to release a vinyl album of my original music and it's finally coming true! I'm very proud of the songwriting on 'III,' I definitely feel that it features some of my best work.”
When the writing was finished Tim decided that it was essential to record on as much vintage gear as possible - Hammond organ, Fender Rhodes electric piano, Mini-Moog, and Mellotron samples. He spent a day at the Oakland Vintage Synthesizer Museum tracking songs with all kinds of analog synthesizer goodness (including the mighty Moog Taurus Bass pedals).
Says Tim, “On this recording I wanted to find the right balance between structure and improvisation. Of course, all of my solos were improvised (most of them are first takes done on the original demos), but even parts that might seem structured were done one pass on the fly. I believe that adds a vital feel to the music. I also kept a lot of scratch tracks where some precision may be sacrificed because the feel of the music was right.”
Most of the recording was done in Tim's home studio (and others contributed parts from their project studios). However, he did track drums at Andrew Glasmacher's Studio 12 West in Utah over a few days. Also, all of the lead vocals were recorded at Paradise Studios with Craig Long. Craig is a mini-local legend in northern California, having worked with multi-platinum acts like Cake, Tesla, Bobby Brown, Tony, Toni, Tone! and many others. Tim wanted his expertise for the vocal sessions and Craig also made important contributions to the mix and did the final mastering of “Tim Morse III.”
Watch the video for “The Mary Celeste”:
Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim's first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and recognized as an original voice, in the tradition of Yes and Genesis, yet recorded and performed with a modern edge.
His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was embraced for its pop sensibility and quirky humor.
Tim Morse is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin's Press and was featured on the Howard Stern show. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.
“Tim Morse III” will be released on CD and digital download on October 22, 2018 by Cymbalick Music. There will be a limited edition vinyl LP release of the album in January 2019. Plans for live performances in support of the new album release are in the works.
In closing Tim has this message for listeners: “I'm always grateful when anyone takes the time to listen to my music, whether they loved it or were critical of it. In this modern age of endless distractions it is a lovely thing when someone will truly listen to music.”
To purchase: “Tim Morse III” will be available on CDBaby, iTunes, Amazon, etc. *Anyone ordering CDs or LPs on timmorse.com will get a free promotional bonus disc with cover songs, demos, alternate tracks, etc. https://store.cdbaby.com/Artist/TimMorse
Songs about spiritual epiphanies, longing, friendship and loss
Much to the excitement of Prog fans worldwide, keyboardist Tim Morse will be releasing his 3rd album “Tim Morse III” featuring songs about spiritual epiphanies, longing, friendship and loss. The original idea for Tim's third album was that it would be a completely solo project where he would play all the instruments and sing all the vocals. However, even at the demo stage he missed the input of others, and decided to bring in some of his favorite musicians for cameo appearances (mostly drummers and guitarists).
Says Tim, “I'm not really a multi-instrumentalist - I'm a pianist and guitarist. By extension I play other keyboards, bass and a little bit of percussion. Anyone can play drums as good as I can! You can hear me play everything on one song 'The Marquis' and I play most of the instruments on 'My Ally' and 'Talisman' as well.
“It was very important to me to get to the 'emotional core' of the songs on this recording and so I looked for ways to eliminate some of the fiddling about - don't get me wrong, this is still a progressive rock album - but I wanted to make sure the message was clear. My work with The Mangoes and the music of some of my favorite recording artists like Field Music and Kevin Gilbert influenced this approach. Also, I knew from the start that there would be a vinyl release and so that was an exciting aspect of the project. It's been a dream of mine since I was thirteen to release a vinyl album of my original music and it's finally coming true! I'm very proud of the songwriting on 'III,' I definitely feel that it features some of my best work.”
When the writing was finished Tim decided that it was essential to record on as much vintage gear as possible - Hammond organ, Fender Rhodes electric piano, Mini-Moog, and Mellotron samples. He spent a day at the Oakland Vintage Synthesizer Museum tracking songs with all kinds of analog synthesizer goodness (including the mighty Moog Taurus Bass pedals).
Says Tim, “On this recording I wanted to find the right balance between structure and improvisation. Of course, all of my solos were improvised (most of them are first takes done on the original demos), but even parts that might seem structured were done one pass on the fly. I believe that adds a vital feel to the music. I also kept a lot of scratch tracks where some precision may be sacrificed because the feel of the music was right.”
Most of the recording was done in Tim's home studio (and others contributed parts from their project studios). However, he did track drums at Andrew Glasmacher's Studio 12 West in Utah over a few days. Also, all of the lead vocals were recorded at Paradise Studios with Craig Long. Craig is a mini-local legend in northern California, having worked with multi-platinum acts like Cake, Tesla, Bobby Brown, Tony, Toni, Tone! and many others. Tim wanted his expertise for the vocal sessions and Craig also made important contributions to the mix and did the final mastering of “Tim Morse III.”
Watch the video for “The Mary Celeste”:
Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim's first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and recognized as an original voice, in the tradition of Yes and Genesis, yet recorded and performed with a modern edge.
His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was embraced for its pop sensibility and quirky humor.
Tim Morse is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin's Press and was featured on the Howard Stern show. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.
“Tim Morse III” will be released on CD and digital download on October 22, 2018 by Cymbalick Music. There will be a limited edition vinyl LP release of the album in January 2019. Plans for live performances in support of the new album release are in the works.
In closing Tim has this message for listeners: “I'm always grateful when anyone takes the time to listen to my music, whether they loved it or were critical of it. In this modern age of endless distractions it is a lovely thing when someone will truly listen to music.”
To purchase:
“Tim Morse III” will be available on CDBaby, iTunes, Amazon, etc.
*Anyone ordering CDs or LPs on timmorse.com will get a free promotional bonus disc with cover songs, demos, alternate tracks, etc. https://store.cdbaby.com/Artist/TimMorse
Los Angeles - Martin Barre, best-known as guitarist in Jethro Tull - one of the biggest selling prog bands of all time, releases his new solo album Roads Less Travelled on Cleopatra Records on October 12, 2018.
Barre has developed his own distinctive style within the framework of Jethro Tull, and his instantly recognizable and original sound form the basis of this album. Roads Less Travelled features 11 original tracks by Barre, which reflect the last 50 years of his esteemed musical career.
Reflecting on the tracks & recording of the album, Barre says “I've concentrated on improving my songwriting over the last few years and as a result, I am really pleased with this new CD. Although my playing has a lot of space in the music, I've worked a lot harder on the arrangements and lyrics. My goal is to have a CD that keeps the listener from beginning to end. 'Roads Less Travelled' reflects my belief in taking music somewhere new.”
Barre's solo on Jethro Tull's 1971 hit “Aqualung” has been repeatedly voted as one of the top guitar solos of all time. Barre has been cited as an important influence by many virtuoso players, including Joe Bonamassa, Steve Vai & Jo Satriani and can count the likes of Mark Knopfler and Geddy Lee amongst his many fans.
Track Listing: 1. Lone Wolf 2. Out of Time 3. On My Way 4. Roads Less Travelled 5. Badcore Blues 6. Seattle 7. For No Man 8. (This Is) My Driving Song 9. You Are An Angel 10. Trinity 11. And The Band Played On
While all the songs showcase his exceptional electric guitar, acoustic guitar and mandolin playing, the Martin Barre Band also shine throughout. A long-time resident of Devon, Barre's band features several local musicians: Dan Crisp (vocals), Alan Thomson (bass/fretless bass), Darby Todd (drums), Becca Langsford (vocals/backing vocals), Josiah J (Percussion/Hammond), Aaron Graham (drums), Alex Hart (vocals/backing vocals) Buster Cottam (“stand up” bass).
About Martin Barre
Barre was the guitarist for rock band Jethro Tull from 1969 – 2012. Jethro Tull have sold an estimated 60 million albums worldwide, with 11 gold and 5 platinum albums among them and were described by Rolling Stone as “one of the most commercially successful progressive rock bands.” Barre appeared on all but their debut album during his 33 year stint with Tull and is the longest-serving member after Ian Anderson.
For four decades, Barre's career focused on Jethro Tull but in the 1990s Barre began to perform as a solo artist and has since released 7 solo studio albums. On these recordings, Barre combined rock and guitar-oriented fusion in his sound.
Martin's guitar playing has earned him a high level of respect and recognition; he was voted 25th best solo ever in the USA and 20th best solo ever in the UK for his playing on “Aqualung.” His playing on the album Crest of a Knave earned him a Grammy award in 1988.
In addition to his Jethro Tull and solo work, Martin has worked live with many other artists including: Paul McCartney, Phil Collins, Gary Moore, Jo Bonamassa and Chris Thompson and has shared a stage with such legends as Hendrix, Fleetwood Mac, Pink Floyd and Led Zeppelin.
Los Angeles - Martin Barre, best-known as guitarist in Jethro Tull - one of the biggest selling prog bands of all time, releases his new solo album Roads Less Travelled on Cleopatra Records on October 12, 2018.
Barre has developed his own distinctive style within the framework of Jethro Tull, and his instantly recognizable and original sound form the basis of this album. Roads Less Travelled features 11 original tracks by Barre, which reflect the last 50 years of his esteemed musical career.
Reflecting on the tracks & recording of the album, Barre says “I've concentrated on improving my songwriting over the last few years and as a result, I am really pleased with this new CD. Although my playing has a lot of space in the music, I've worked a lot harder on the arrangements and lyrics. My goal is to have a CD that keeps the listener from beginning to end. 'Roads Less Travelled' reflects my belief in taking music somewhere new.”
Barre's solo on Jethro Tull's 1971 hit “Aqualung” has been repeatedly voted as one of the top guitar solos of all time. Barre has been cited as an important influence by many virtuoso players, including Joe Bonamassa, Steve Vai & Jo Satriani and can count the likes of Mark Knopfler and Geddy Lee amongst his many fans.
Track Listing:
1. Lone Wolf
2. Out of Time
3. On My Way
4. Roads Less Travelled
5. Badcore Blues
6. Seattle
7. For No Man
8. (This Is) My Driving Song
9. You Are An Angel
10. Trinity
11. And The Band Played On
While all the songs showcase his exceptional electric guitar, acoustic guitar and mandolin playing, the Martin Barre Band also shine throughout. A long-time resident of Devon, Barre's band features several local musicians: Dan Crisp (vocals), Alan Thomson (bass/fretless bass), Darby Todd (drums), Becca Langsford (vocals/backing vocals), Josiah J (Percussion/Hammond), Aaron Graham (drums), Alex Hart (vocals/backing vocals) Buster Cottam (“stand up” bass).
About Martin Barre
Barre was the guitarist for rock band Jethro Tull from 1969 – 2012. Jethro Tull have sold an estimated 60 million albums worldwide, with 11 gold and 5 platinum albums among them and were described by Rolling Stone as “one of the most commercially successful progressive rock bands.” Barre appeared on all but their debut album during his 33 year stint with Tull and is the longest-serving member after Ian Anderson.
For four decades, Barre's career focused on Jethro Tull but in the 1990s Barre began to perform as a solo artist and has since released 7 solo studio albums. On these recordings, Barre combined rock and guitar-oriented fusion in his sound.
Martin's guitar playing has earned him a high level of respect and recognition; he was voted 25th best solo ever in the USA and 20th best solo ever in the UK for his playing on “Aqualung.” His playing on the album Crest of a Knave earned him a Grammy award in 1988.
In addition to his Jethro Tull and solo work, Martin has worked live with many other artists including: Paul McCartney, Phil Collins, Gary Moore, Jo Bonamassa and Chris Thompson and has shared a stage with such legends as Hendrix, Fleetwood Mac, Pink Floyd and Led Zeppelin.
“Playing with Tone was one of the most illuminating musical experiences of my career. Yes, he's that good.” - Graham Parker
NYC - The singing sustain of multiple razor edged electric guitars, the monster rock backbeat of Jethro Tull drummer Doane Perry and The Moonlight Sonata? Yes, This mash-up is the concept behind Tone Masseve's album “Amp L'étude.” Classical pieces? Yes, but these are not the dry, conventional versions we've all heard before. The album vividly brings these compositions to life with a new and powerful sound.
Tone said, “In my childhood I was exposed to many different musical styles and genres. Although I am really a blues player, I also love the music of Bach, Beethoven, Tchaikovsky, Schubert, Chopin and Debussy. I wanted to play their classical pieces with a rock sound and attitude.” He used the feedback, bends, shakes, falls and dives of his guitar heroes; Jeff Beck, Jimi Hendrix, early Eric Clapton, Robert Fripp, Brian May, Joe Satriani and George Harrison to do just that.
Tone's dynamic playing combined with Doane's great rock feel, give this music of the masters an entirely new presentation. Some of the sound and production techniques of this record are drawn from famous rock tracks such as; “Whiter Shade of Pale,” “The Hill of the Skull,” “God Save the Queen,” “Wind on Water,” “She's so Heavy” & “Girl,” and, “1983… (A Merman I Should Turn to Be).”
Every now and then a brilliant and fully developed artist arrives on the scene. Such is the case of Tone Masseve's enigmatic emergence out of the shadows. His sonic identity, unique voice and concept and his blending of seemingly disparate styles simply amazed and surprised me. Tone's inspired and highly original take on some of the most hallowed and iconic classical music ever composed is eloquently orchestrated, passionately and precisely executed and a wholly satisfying aural experience! I believe any of the great composers represented would be honored and thrilled to hear their music so creatively reimagined and lovingly brought to life within such a modern and innovative context.
One of the most powerful elements in his music is the thick, sonorous and clear voice which he elicits from his “Guitorchestra”. Speaking as one who participated in this exciting project, I found the rich harmonic blend and counterpoint combined with the strength and subtlety of his parts, compelling and utterly inspiring to play off of ... and was astonished to think so much of this was coming through the head, hands and heart of a single musician. And I never even met him. I don't know how he did it but that is one of the delightful musical riddles which does not need solving.
Joyful, biting, menacing, muscular, melancholy and euphoric are apt descriptions which are summoned to mind when I listen to his music. All of those elements provided a powerful catalyst for my own contributions. I am honored to have worked with this gifted artist and to have been a part of such an original musical adventure … and I would like to think the mysterious and hugely talented Tone Masseve will not remain unknown for much longer.
Doane Perry
Tone started playing the guitar at age 6 and performing live at age 15. By the time he was 18 he was doing session work in NYC. Legendary Graham Parker saw him playing with a band called Robazz Bowtime, and asked him to play a few gigs. Graham said, “I didn't play with Tone for a great deal of time, but it was one of the most illuminating musical experiences of my career. Yes, he's that good.”
The recording started in 1995 and took more than 20 years to complete. The guitar parts alone took more than two years to record. In 1997, while still working on Amp L'étude, tragically, Tone got pneumonia and died.
In 2016 a wonderful and talented group of musicians came together to finish his long lost album. The first was Doane Perry who added his hard hitting rock drumming to six tracks. Doane was the drummer for the legendary, Grammy winning rock band, Jethro Tull, for twenty-seven years. He also played with Lou Reed, Todd Rundgren and many, many others.
Next was Garry Kvistad who is a Grammy award winning master percussionist. He is a member of the four man percussion group Nexus. The New York Times called Nexus “the high priests of the percussion world.” Steve Reich said, “They are probably the most acclaimed percussion group on earth.” Garry added orchestral percussion; tympani, large gong, orchestral bass drum, glockenspiel, orchestral chimes, and symphonic crash cymbals to two of the pieces
Then members of the vocal group Prana added their voices to a couple of tracks. They gave one piece, “Maria, (She's so) Ave” a decidedly Liverpudlian sound. Finally Maria Todaro was brought in to conduct the choir for “O Fortuna.” Maria is not only an internationally renowned opera singer, stage director, and conductor, but also the general director of The International Festival of the Voice. For this recording, with her deep understanding of the voice as an expressive instrument, she evoked an impassioned performance from the choir.
In closing Tone had this to impart, “Music has no boundaries. If you play it with all of your heart it doesn’t matter what style it is, the feeling will come through.”
