5/19/2017

"Phaedrus" Digital Magazine & Subscription Service Issues Rare & Unreleased PROG Music!


Carlos Plaza, leader and main composer of Kotebel, is now Chief Editor of a new quarterly digital magazine and subscription service called “Phaedrus.” The new magazine/service provides awareness among the progressive community and specializes in this genre and, among other content, provides a couple of features that are truly unique! Exclusive PROG music at an affordable price!

Phaedrus Music

“Phaedrus” offers original music that is not available for sale anywhere. In every issue, previously unreleased music is published and subscribers can download it in MP3 of WAV lossless. Says music artist and editor Carlos Plaza Vegas, “In this initial 'Phaedrus' phase, I'm the composer of all these pieces but as soon as 'Phaedrus' gains enough critical mass, I will be purchasing rights for original music from artists that I like. Thus, belonging to the Phaedrus Community will give you access to music that, at least for several years, will not be (legally) accessible by any other means. When the published pieces reach more than 45 minutes, a 'Phaedrus' album is manufactured and released. This album is sent to subscribers at no additional cost (not even shipping).” The digital magazine & subscription service is about to release its first album, “Triptych.”

Classics Choice

In this section, selected progressive rock master works are subject to analysis. It is important to highlight that we are not talking about reviews. The objective of these analyses is to submerge the listener into the details of the work. To allow the listener to discover hidden details, to better understand how the piece has been built, the relationship with the lyrics, the integration with the conceptual framework, etc. For the past 20 years or so, Progressive Rock has found a place among scholars. More and more musicologists are choosing progressive rock pieces as basis for research, doctoral and master's thesis. Many universities now include progressive rock as a course that forms part of music graduate and undergraduate programs. These research papers are aimed at musicians and musicologists and include a lot of technical information that requires a solid music training. These works, as interesting as they are, cannot be fully understood by the average progressive music fan. Carlos explains, “So, what I do as part of these analyses, is to strip from those documents the parts that require profound music knowledge. I select fragments, 'decaffeinate' others, create a lot of new material, and build a detailed analysis that can be followed by any progressive music fan.”

Phaedrus has already published analyses of: “Close to the Edge” (2 articles), “Tarkus,” “Starless,” “Supper’s Ready” (2 articles) and “A Passion Play” (part 1). Next publications are: “A Passion Play” (part 2), “The Lamb Lies Down on Broadway,” “Relayer,”and “Karn Evil 9.”

These analyses renew the listening enjoyment of beloved progressive rock classics but the most important benefit is this: These analyses help to develop listening skills that will enhance your enjoyment of music for the rest of your life!

Other “Phaedrus” sections include:

Kotebel Corner: with exclusive material for Kotebel fans including rare recordings, videos and music analyses.
Articles on a wide range of subjects related to art in general and music in particular.
Album recommendations.

The first album available “Triptych”:



Watch the promotional video: https://vimeo.com/216530750

“Triptych,” Phaedrus Music's first album, offers a wide variety of styles, from symphonic progressive rock to chamber music. It features Carlos Plaza's facet as a multi-instrumentalist, accompanied by a host of very special guests, including some very known to Kotebel fans.

The album is named after a three-piece suite whose first movement, “Dawn”, is the original piece from which the Adagio from Kotebel's “Concerto for Piano and Electric Ensemble” was based. The album also marks the beginning of a long-term project: to put music to all 22 major Tarot arcana. “Triptych” includes “The Fool”, “The Magician” and “The High Priestess”. The rest will gradually be presented in future Phaedrus Music albums.

Carlos Plaza explains, “ 'Triptych' is an album that will appeal to a wide audience of progressive fans. From hard symphonic pieces like 'Ignition' to classical chamber music like 'The High Priestess', or even Zeuhl ('Magmatron' – my tribute to Magma), it covers a wide palette of textures and styles.

“Although the only way to get this album is by subscribing, subscription is so low that there is really very little difference compared to a standard purchase. The most economic subscription is the Semester Option, that costs 16.98 euros per semester (2.83 euros/month). Since you can cancel the subscription at anytime, you can subscribe, request the album, and for only 5 euros more (assuming the average cost of an album is 12 euros shipping included) you will have 6 months to enjoy all of Phaedrus' private contents and cancel the subscription if you are not interested. The album of course, is yours to keep. So, almost for the price of an ordinary album, you will have a collector's item.”

You can get the album, and listen to excerpts of all the pieces, visiting: www.phaedrus.es/triptych

For more information visit: https://www.phaedrus.es/welcome-to-the-world-of-phaedrus/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

"Phaedrus" Digital Magazine & Subscription Service Issues Rare & Unreleased PROG Music!


Carlos Plaza, leader and main composer of Kotebel, is now Chief Editor of a new quarterly digital magazine and subscription service called “Phaedrus.” The new magazine/service provides awareness among the progressive community and specializes in this genre and, among other content, provides a couple of features that are truly unique! Exclusive PROG music at an affordable price!

Phaedrus Music

“Phaedrus” offers original music that is not available for sale anywhere. In every issue, previously unreleased music is published and subscribers can download it in MP3 of WAV lossless. Says music artist and editor Carlos Plaza Vegas, “In this initial 'Phaedrus' phase, I'm the composer of all these pieces but as soon as 'Phaedrus' gains enough critical mass, I will be purchasing rights for original music from artists that I like. Thus, belonging to the Phaedrus Community will give you access to music that, at least for several years, will not be (legally) accessible by any other means. When the published pieces reach more than 45 minutes, a 'Phaedrus' album is manufactured and released. This album is sent to subscribers at no additional cost (not even shipping).” The digital magazine & subscription service is about to release its first album, “Triptych.”

Classics Choice

In this section, selected progressive rock master works are subject to analysis. It is important to highlight that we are not talking about reviews. The objective of these analyses is to submerge the listener into the details of the work. To allow the listener to discover hidden details, to better understand how the piece has been built, the relationship with the lyrics, the integration with the conceptual framework, etc. For the past 20 years or so, Progressive Rock has found a place among scholars. More and more musicologists are choosing progressive rock pieces as basis for research, doctoral and master's thesis. Many universities now include progressive rock as a course that forms part of music graduate and undergraduate programs. These research papers are aimed at musicians and musicologists and include a lot of technical information that requires a solid music training. These works, as interesting as they are, cannot be fully understood by the average progressive music fan. Carlos explains, “So, what I do as part of these analyses, is to strip from those documents the parts that require profound music knowledge. I select fragments, 'decaffeinate' others, create a lot of new material, and build a detailed analysis that can be followed by any progressive music fan.”

Phaedrus has already published analyses of: “Close to the Edge” (2 articles), “Tarkus,” “Starless,” “Supper’s Ready” (2 articles) and “A Passion Play” (part 1). Next publications are: “A Passion Play” (part 2), “The Lamb Lies Down on Broadway,” “Relayer,”and “Karn Evil 9.”

These analyses renew the listening enjoyment of beloved progressive rock classics but the most important benefit is this: These analyses help to develop listening skills that will enhance your enjoyment of music for the rest of your life!

Other “Phaedrus” sections include:

Kotebel Corner: with exclusive material for Kotebel fans including rare recordings, videos and music analyses.
Articles on a wide range of subjects related to art in general and music in particular.
Album recommendations.

The first album available “Triptych”:



Watch the promotional video: https://vimeo.com/216530750

“Triptych,” Phaedrus Music's first album, offers a wide variety of styles, from symphonic progressive rock to chamber music. It features Carlos Plaza's facet as a multi-instrumentalist, accompanied by a host of very special guests, including some very known to Kotebel fans.

The album is named after a three-piece suite whose first movement, “Dawn”, is the original piece from which the Adagio from Kotebel's “Concerto for Piano and Electric Ensemble” was based. The album also marks the beginning of a long-term project: to put music to all 22 major Tarot arcana. “Triptych” includes “The Fool”, “The Magician” and “The High Priestess”. The rest will gradually be presented in future Phaedrus Music albums.

Carlos Plaza explains, “ 'Triptych' is an album that will appeal to a wide audience of progressive fans. From hard symphonic pieces like 'Ignition' to classical chamber music like 'The High Priestess', or even Zeuhl ('Magmatron' – my tribute to Magma), it covers a wide palette of textures and styles.

“Although the only way to get this album is by subscribing, subscription is so low that there is really very little difference compared to a standard purchase. The most economic subscription is the Semester Option, that costs 16.98 euros per semester (2.83 euros/month). Since you can cancel the subscription at anytime, you can subscribe, request the album, and for only 5 euros more (assuming the average cost of an album is 12 euros shipping included) you will have 6 months to enjoy all of Phaedrus' private contents and cancel the subscription if you are not interested. The album of course, is yours to keep. So, almost for the price of an ordinary album, you will have a collector's item.”

You can get the album, and listen to excerpts of all the pieces, visiting: www.phaedrus.es/triptych

For more information visit: https://www.phaedrus.es/welcome-to-the-world-of-phaedrus/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

5/17/2017

Featured Rock Stream: Roadcase Royale-Not Giving Up


Roadcase Royale is back with another red hot release titled "Not Giving Up." Nancy Wilson and friends team up for a real rocker full power and soul.

Nancy's larger the life six-string is given full compliment by Liv Warfield (vocals), Dan Rothchild (bass), Chris Joyner (keyboards), Ben Smith (drums) and Ryan Waters (guitar). 

I have to say that I love this music! It sounds so alive, fresh and original. For these ears, it does not get any better than that.

I hope to hear the entire album very soon from Roadcase Royale. Rock on Nancy! You keep the music alive every time you play.

Keith "MuzikMan" Hannaleck




Led by former Prince collaborator Liv Warfield, and Nancy Wilson co-founder of Heart, ROADCASE ROYALE has a rich background in rock and R&B. 
...READ MORE...

New PledgeMusic Campaign For Roger Glover's "Butterfly Ball" 2017 Directors Cut Limited Edition Deluxe Box Set!


Feat. David Coverdale, Glenn Hughes, Jon Lord, Ian Gillan, John Lawton, Eddie Jobson, Vincent Price and others!

London – A new PledgeMusic campaign has been started for Deep Purple legend Roger Glover's “Butterfly Ball” 2017 Directors Cut Limited Edition Deluxe Box Set to be released on Gonzo Multimedia!

“The Butterfly Ball and the Grasshopper's Feast” is a concept album and subsequent live rock opera appearing in 1974 and 1975 respectively, based on the children's poem of a similar title. The work was originally conceived as a solo vehicle for Jon Lord to be produced by Roger Glover who had recently left Deep Purple. However, Lord proved too busy with Deep Purple and Glover took up the reins on his own. Using his connections, Glover recruited a large cast of noted rock musicians to perform on it, with a different vocalist for each character, including David Coverdale and Glenn Hughes.

On 16 October 1975, a one-off performance at the Royal Albert Hall took place. Again it had a star-studded cast of rock musicians, most notably Ian Gillan who was drafted in at the last minute and received a standing ovation on his entrance. He replaced an unavailable Ronnie James Dio who had commitments with Ritchie Blackmore's Rainbow (although Dio did eventually get to perform the song at the Royal Albert Hall in 1999 as the guest of Deep Purple). Gillan had not performed since leaving Deep Purple in 1973. Also notable was the appearance of Twiggy as singer and actress and Vincent Price as narrator. Apart from most of the musicians involved in the studio recording, the concert also featured Jon Lord. The live concert was filmed and released in 1976 produced and directed by Tony Klinger.

Tony Klinger is thrilled with the quality of the creation of this Limited Edition Deluxe Box Set which includes Double DVD (original film + 2017, re-edit, remaster), a Double CD (never released before), Reproduction Press Pack, 5 × 10″x 8" glossy promotional photos, A3 reproduction Film Poster. Each box will contain a number certificate signed by Tony Klinger.

Box Set Content

Double DVD (original film + 2017, re-edit, remaster)
Double CD (never released before)
Reproduction Press Pack
5 × 10″x 8" glossy promotional photos
A3 reproduction Film Poster (different to the poster which we are offering for sale)
Signed and number certificate.

There will only be 250 Boxes manufactured.

For more information: www.pledgemusic.com/projects/roger-glover-butterfly-ball

About PledgeMusic:

PledgeMusic is the leading global direct-to-fan platform dedicated to empowering artists, labels and brands to build communities, fund and pre-sell recordings, and provide unique experiences and exclusives throughout the entire music production and promotion lifecycle. PledgeMusic was named as one of The World’s Top 10 Most Innovative Companies of 2015 in Music for “Helping artists and fans get what they want”. – Fast Company.

Gonzo Multimedia: http://www.gonzomultimedia.co.uk/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr.com

5/10/2017

Rock-Blues-World Review: Santana-Lotus (Hybrid SACD)

Release Date: January 6, 2017
Label: Audio Fidelity

I want to start by saying that I am big fan of Santana and most of his musical output. I have a lot of his catalog at my immediate disposal. I have also been one of those people that believe his earlier lineups were the most original and progressive. I personally enjoy the first three albums the most, which enabled me to appreciate everything that came after that in different ways. With a new set of ears and looking inward spiritually, I would consider what he was presenting. When he started getting more commercial is when many people may have lost interest. I think I have heard one album that I thought was mediocre in over 30 years, so not a bad track for my listening tastes. This is my preference and opinion of course. To each his own as they say.

Anyone familiar with Santana knows about Lotus. As notated on the Audio Fidelity site: Lotus is a 1974 live album by Santana, recorded at the Osaka Koseinenkin Hall, Osaka, Japan in 1973. It was originally released in 1974 as a triple vinyl LP in Japan only. 

A little history regarding the release as follows:

The first U.S. release was in 1991 as a 2-CD set. Lotus has been re-issued on vinyl in the Netherlands and on CD in Japan in 2006 as a 3-CD set. It was also re-issued as a 3-LP set in the U.S. in 2013, and as a 3-CD hybrid SACD with seven previously unreleased bonus tracks in 2017 (a very high priced set). So, it is safe to say this recording has gone through several iterations since its inception a and has stood the test of time as one of the greatest live albums ever recorded. 

Now we have the superb version issued by Audio Fidelity, a two-disc Hybrid SACD that brings the concert to life with a crisp robust remastered take on the legendary performance. Santana Mark II was a continuation of the Mark I sound that was a melting pot of Latin-World-Rock-Blues-Jazz Music.  It was extremely innovative and one of the progenitors to the World Music that would arrive in the future. Some of the players switched seats however their sound remained intact and this release proves out that fact repeatedly.

Santana has influenced many musicians over the years however it is the early distinctly original rock fusion he presented that paved the way too many inroads into music then and today. I got into the early Santana music after I had already absorbed Return to Forever, Al DiMeola, Jean Luc-Ponty etc. So, for my journey it was a logical transition and very enjoyable I might add. 

Santana was like Hendrix, melding several genres and effects and taking his six-string to new heights. You could only experience that in a live setting and Lotus captures some incredible moments that were never reproduced again. His sound is very distinct and you know it when you hear it.

Audio Fidelity has been one of the anchor labels for special edition CDs and LP’s for many years now. This is the second run of the Lotus Hybrid SACD, which comes as no surprise. They release great titles with unmatched packaging and sound. As always I suggest getting your copy before they disappear.

Whether you’re a musician, producer, collector or audiophile, there is something here to appreciate for everyone. Lotus is a truly iconic release honored in the most prolific way possible by Audio Fidelity.

The Lotus Santana Line Up Included:
    Carlos Santana – lead guitar, Latin percussion
    Leon Thomas – maracas, vocals, Latin percussion
    Tom Coster – Hammond organ, electric piano, Yamaha organ, Latin percussion
    Richard Kermode – Hammond organ, electric piano, Latin percussion
    Doug Rauch – bass
    Armando Peraza – congas, bongos, Latin percussion
    José "Chepito" Areas – timbales, congas, Latin percussion
    Michael Shrieve – drums

5/5 Stars

Keith “MuzikMan” Hannaleck
May 10, 2017
Founder of:

Review Provided By Write A Music Review

Tracks:

Disc One:
 

01. Going Home
02. A-1 Funk
03. Every Step of the Way
04. Black Magic Woman
05. Gypsy Queen
06. Oye Como Va
07. Yours Is the Light
08. Batuka
09. Xibaba (She-Ba-Ba)
10. Stone Flower (Introduction)
11. Waiting
12. Castillos de Arena Part 1 (Sand Castle)
13. Free Angela
14. Samba de Sausalito


Disc Two:
 

01. Mantra
02. Kyoto (Drum Solo)
03. Castillos de Arena Part 2 (Sand Castle)
04. Incident at Neshabur
05. Se a Cabo