2/17/2023

Be-Bop Deluxe “Sunburst Finish” New Vinyl Reissue Released April 28, 2023

• NEW VINYL EDITION OF THE STEPHEN W TAYLER REMIX OF THE CLASSIC 1976 ALBUM BY BE-BOP DELUXE, CUT AT ABBEY ROAD STUDIOS.

• WITH RESTORED ORIGINAL ARTWORK OF THE 1976 LP RELEASE.

Recorded in the Autumn of 1975 at Abbey Road studios (with some sessions also taking place at AIR studios in London), “Sunburst Finish” was the third album by Be-Bop Deluxe and the first to feature the line-up of Bill Nelson (vocals, guitars, keyboards), Charlie Tumahai (bass, vocals), Andy Clark (keyboards) and Simon Fox (drums). It was also the first Be Bop album to be co-produced by Nelson and John Leckie. An album of immense musical inventiveness and creativity, “Sunburst Finish” was one of the finest albums of its era, a perfect cohesion of ten classic songs written by Bill Nelson (featuring his highly imaginative guitar playing) and a stylized and striking artwork package.

Featuring such classic material as “Heavenly Homes”, “Crying to the Sky”, “Sleep that Burns”, “Life in the Air Age”, “Crystal Gazing” and “Blazing Apostles”, the album also spawned the hit single “Ships in the Night” and launched Be-Bop Deluxe as one of the major breakthrough acts of 1976.

This new vinyl edition features the remix of the album by Stephen W Tayler and has been cut at Abbey Road Studios and restores the original LP artwork.

Track Listing:
Side One
1 Fair Exchange
2 Heavenly Homes
3 Ships in the Night
4 Crying to the Sky
5 Sleep That Burns

Side Two
1 Beauty Secrets
2 Life in the Air Age
3 Like an Old Blues
4 Crystal Gazing
5 Blazing Apostles

To pre-order: https://www.cherryred.co.uk/product/be-bop-deluxe-sunburst-finish-vinyl-edition/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

2/14/2023

Classic Rock Legends Blues Image Featuring Mike Pinera Rides Again with New “Next Voyage” and Tour!

Blues Image rides again with a new album “Next Voyage” forthcoming and tour. The album features original guitarist and vocalist Mike Pinera, and includes the greatest songs from his history with Blues Image and Iron Butterfly, revisited with orchestra and horn section.

Produced by Michael Franklin, who produced Jon Anderson “1000 Hands part One” and Robby Steinhardt “Not in Kansas Anymore.” In Franklin’s tradition of special guests, the album features Pat Travers, Jonathan Cain from Journey, Charlie DeChant, and others. Also, Michael and Tim Franklin have toured as members of Blues Image for 30 years.

Blues Image is an American Blues Rock band formed in Tampa, Florida in 1966 by singer-guitarist Mike Pinera. Blues Image became the house band at the club Thee Image, which featured bands like Cream, Grateful Dead, and Blood, Sweat & Tears. The band moved to Los Angeles and signed with Atco Records, releasing their self-titled debut album in February 1969. Their second album, “Open” (April 1970), included the hit single “Ride Captain Ride.” Written by Pinera and Skip Konte, the song has been used in many films. Pinera left the band to join Iron Butterfly in the fall of 1969.

Watch the promotional video: https://www.youtube.com/watch?v=ScX8brFuG68&lc=UgxMCaCcafmaf7v5a9Z4AaABAg

Current Blues Image line-up
Mike Pinera - Guitar and vocals
Tim Franklin - Bass and vocals
Eddie Metz Jr.,– Drums,
Michael Franklin - Keyboards & Vocal

Special Guests
Pat Travers - Guitar
Jonathan Cain of Journey - Wurlitzer
Charlie DeChant - Saxophone
Tommy Calton - Guitar
Steady Joseph – Percussion
Randie Paul soloist on Love is the Answer
Suzie Park soloist on Something to Say
Naomi Bradshaw soloist on Pay My Dues

Horns
Brian Snapp - Tenor and Bari Sax
Charlie DeChant - Tenor Sax Solo on “Ina Gadda Da Vida”
Charlie Bertini-Trumpet
Brian Scanlon-Trumpet

Woodwinds
Jerrv Kalbe - Oboe. Flute & Clarinet on “Ride Captain Ride”.
Charlie DeChant- Flute solo on “Ride Captain Ride”.

Strings
Chamber de Solar
Cello Section leader Paul Fleury
Violin Section leader Olga Kopakova

Choir
Randie Paul
Suzie Park
Naomi Bradshaw
Shopia Hudson
Heather Rice
Michelle Amato
Nana Franklin

Recorded and Mixed at Solar Studios Orlando, Florida
Matt Brown – Recorded, Mixed and Mastered
Horn Arrangements Brian Snapp and Michael Franklin
Orchestrations and Arrangements Michael Franklin
Produced by Michael Franklin
Orhontuul Banzragch - Illustrator
Tom Lupo | Space Coast Pictures – Graphics

Special Thanks- Kurzweil Music, Spectrasonics, IK Media,| Oriolo Guitars ,
TM & Copyright Franklin Music Group Solar Studios LLC. All Rights Reserved

Released on SolarMusic.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158(US) glassonyonpr@gmail.com

2/13/2023

Warr Guitarist Jason Blake To Release New Instrumental Progressive Rock Album “Subsequent Ruins” Featuring Marco Minnemann

Jason Blake has been establishing himself over the past few years as “one of the most distinguished technicians on the Warr.” The Warr guitar is a unique twelve-string instrument incorporating the range of a guitar and bass that is played by tapping the strings, a technique known as touchstyle.

Primarily known for his work with the progressive metal instrumental band, Aziola Cry (Sensory Records), Jason Blake has begun to build an impressive resume as a solo artist. For this work, Blake has pushed the boundaries of the instrument while incorporating elements of progressive rock, ambient, and classical. Having released a varied series of instrumental albums under his name, Blake returns with his most ambitious album yet.

“Subsequent Ruins” is the title of Jason Blake’s upcoming instrumental progressive rock album featuring the Warr guitar as the sole melodic instrument along with Marco Minnemann on drums. The songs work as a modern retelling of Rattenfänger von Hameln (The Pied Piper), whereas screens play the title role. The six song album was mixed in Chicago at Gravel Road Recording by Amery Schmeisser and mastered by Andy VanDette (Rush, Porcupine Tree). Hajo Mueller (Steven Wilson, Mariusz Duda) completed the thought provoking artwork for the release.

Says Jason, “As I began writing music for this album, I kept thinking about how phones and other screens have become so addictive and controlling of young minds today. This led me to the idea of creating a soundtrack for a modern retelling of Rattenfänger von Hameln (The Pied Piper). I saw screens as the lead character in the story as they symbolically lead children blindly off of a cliff. I also worked with frequent collaborator, Hajo Mueller to create an elaborate CD package that acts as a lost artbook of one of these children. Once I had the idea for the album in place, I began writing music that I felt worked to tell this story. I typically begin with song titles to help guide the direction that I want to take. I knew that I wanted some longer songs as the center pieces for the album along with some shorter solo Warr guitar pieces that worked almost as interludes. Going into the writing process, I wanted to create music that on the record would sound big with the use of overdubs, but also could be performed solo for quieter settings. Once the music was written, I knew that I wanted a drummer that could take the music to the next level and so I reached out to Marco Minnemann who supplied the perfect accompaniment. The music was then recorded on and off over the summer of 2022.”

In support of his new release, Jason plans to release at least one video for this album that is almost complete. He is currently working on bringing this material out live in the louder settings and will continue to perform solo shows that will include some of this material. He is also very excited to be a part of the 7D Media family and look forward to working with them on this release.

In closing Jason has this to say, “I hope that people join me on this solo progressive rock journey that I am about to begin. While I feel like the music has some similarities to my band, Aziola Cry, it is different in that this is all Warr guitar. I think that as a result, it takes a unique approach to the music. Speaking of Aziola Cry, I have just completed writing the next album for that band and hope to have new music by the end of the year.”

Here's what the press has said about Jason Blake:

He once again confirms why he is one of the most distinguished technicians on the Warr.” - Betreutes Proggen

As much an album as a soundscape for a personal apocalypse the album reads like a soundtrack to a futuristic dystopian film.” - Ghost of Cult Magazine

The Compromise Rationale” deploys seven expansive new songs totaling more than forty-two minutes of engaging, unpredictable, instrumental exploration of an incredibly diverse sounding instrument delivered with impeccable precision.” - The ProgSpace

At once cinematic, haunting and image-provoking, this is truly musical food for emotional thought.” - Prog On

An aural feast of different sounds.” - Sea of Tranquility

Blake is so fluent on the Warr guitar, he can make it sound like a bass or keyboards. It was hard to believe these sounds only came from one person.” - Music Street Journal

Jason Blake - Subsequent Ruins

Obsolete Perception 3:46
Pretense of the Herd 9:54
Follow I (Emanated Hook) 4:42
False Streets of Entanglement 5:07
Follow II (The Coercible Leash) 5:05
A Bleak Outcome 10:33

Jason Blake - Warr guitar
Marco Minnemann - Drums

Recorded at Gravel Road Recording by Amercy Schmeisser and Lakeshore Studios
Mastered at Evolve Mastering by Andy VanDette
Artwork and Design by Hajo Mueller

Release date: March 17, 2023

To purchase:
https://jasonblake.bandcamp.com
https://www.jasonblakemusic.com/store
https://www.7dmedia.com
https://music.7dmedia.com

For more information:
https://www.jasonblakemusic.com
https://www.Facebook.com/jasonblakewarr
https://www.instagram.com/jasonblakemusic/
https://twitter.com/jasonblakewarr

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

2/10/2023

Roots Rock Singer-Songwriter and Guitarist Griff Peters To Release Debut Solo Album Canyons and Waves Feb 10, 2023

Nature has always been spiritually grounding for singer-songwriter and guitarist Griff Peters. A few years ago, when the San Diego, California-based roots rock artist was mired in a heart-wrenching personal struggle, he went out to the beach and sat down on a rock formation. There, Griff asked himself this question: if he was told he had a year to live, what would he do?

The answer was simple—make his solo debut, Canyons and Waves (Impropriety Records), a deep and sincere body of work crafted by a skilled and experienced artist with a worthy message of hope within darkness. That very rock formation graces the cover of the album, and from that fateful day on, Griff’s life has been powerfully transformed. Griff says “This is the long-awaited showing-up for my own life as an artist. The music paints a picture of an inner-knowing and the rekindling of hope when we feel lost. Canyons and Waves is a musical journey illuminating the Healing Path from darkness and pain back to gratitude and presence. Imagine the “Canyon” as the mysterious and intricate groove on a vinyl record. The “Wave” is the transformative sound energy coming forth… amplified, multiplied… leading lost souls homeward.”

Griff’s signature musical voice is best described as “artistic roots-rock,” an amalgamation of rural Americana, blues, folk, elements of avant-garde, prog, and album-side rock.  Besides being a sage and sensitive songwriter, and soulful vocalist, Griff is a subtly virtuosic guitarist and a tone poet. He can coax a bevy of soundscapes with just his hands, from dirty Delta-blues, to stinging and firey rock, to pastoral folk, to sensual and lyrical slide playing, to sweet country filigree, and beyond.

Griff is a musician’s musician who as a sideman guitarist has performed, recorded and toured internationally with artists such as John Mayer, Billie Myers, Bryan Beller (Joe Satriani, The Aristocrats, Dethklok), Nina Storey, and the Mike Keneally Band (Frank Zappa, Andy Partridge, Steve Vai). Griff is the founder of Hilltop Frog Recording Studios, and the indie label Impropriety Records.

Griff Peters plays gorgeous guitar” - Mike Keneally

Born into a musical family in Southern California, Griff started playing piano when he was very young. He quickly infuriated his piano teacher by neglecting beginner’s classical studies in favor of learning intricate ragtime and boogie-woogie songs by ear.

After discovering his grandfather’s old electric guitar at age 14, Griff discovered his passion and innate abilities to play Chicago electric blues and more modern blues rock. By his senior year in high school, he was sneaking out early to study music at the local college. Soon, Griff was a teen professional musician with a full schedule. He attended college classes in the morning; gave guitar lessons in the evening; and gigged in smoky bars late at night. Eventually, he graduated with honors from Berklee College of Music.

Griff would go on to have an impressive career in music, but the need to create his own solo album was always present. “I finally dispensed with all the excuses, purged my calendar and focused my mind towards creating a serious artistic statement. Immediately, musical ideas just flooded in,” Griff reveals. Canyons and Waves is the result of this all-consuming outpouring of songs. “The songwriting and recording stage was a prolific period of happy insanity. I wrote, recorded and produced all the music at my own facility, Hilltop Frog Studios in California. From the very beginning, I envisioned the Canyons and Waves album as a vinyl release. Vinyl enjoys undeniable appeal and clout, especially in modern times. The proven combination of both sonic excellence and time-tested longevity remains the artistic high-water mark of the recorded music medium. I’m very blessed to see my vision of this album fulfilled as a deluxe double-vinyl album with exceptional artwork and quality, like my favorite records from the past.”

Outside of music Griff enjoys exploring the deep spiritual aspects of nature, art, photography, and the Zen practice of rock balancing. Griff’s photography is intrinsically linked to the Canyons and Waves experience, with his 24-page liner notes of breathtaking images featured as a visual compendium to the music on the deluxe 45-RPM 180-gram double-vinyl available at griffpeters.com. “I wanted to compliment the auditory experience of the songs with striking visuals of peace, hope, and joy from different stages of my life,” Griff shares.

Griff will be promoting Canyons and Waves with shows and videos of the songs being performed live in the studio, onstage, and in breathtaking natural expanses. He will also be performing and releasing more new songs in the months ahead. Reflecting back on his epiphanic journey, Griff says: “Music says things that cannot be said otherwise. It reaches people’s hearts in places that cannot be reached by any other way. I’m using music this time around to transcend barriers and gently say ‘Hey - I’ve been there, too, but now I’ve found a better way.’”

Release date: February 10, 2023

To purchase: https://griffpeters.com/shop/

For more information:
Website: https://griffpeters.com
Facebook: @griffpeters https://www.facebook.com/profile.php?id=587117619
IG: https://www.instagram.com/griffpetersmusic/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

2/07/2023

The Pretty Things Announce Career Spanning Thirteen-Album Set

Seminal British Rock and Roll Band To Release Exclusive Retrospective Vinyl Collection Over Five Decades of Music

Madfish are proud to present, for the first time in one set, the complete studio album recordings of The Pretty Things.

Led by founding vocalist and guitarist Phil May & Dick Taylor, The Pretty Things, iconic first wave R&B cult heroes, created some of the most exciting and innovative records of the sixties, early seventies and beyond. Winners of the very first Mojo Hero Award, the band have been a massive success and an immeasurable influence on decades of artists as diverse as David Bowie, Aerosmith, The Ramones, Bob Dylan, The Sex Pistols, The White Stripes, Kasabian and so many more.

Housed inside a deluxe, slipcase style box; every album has been remastered especially for vinyl release with the original artwork faithfully recreated throughout. Each album within the set comes with an individual, record specific four-page insert with rare photographs, original single sleeves and words from Dick Taylor, Mike Stax and Mark St. John. Fans will also find an exclusive, high quality pull-out print of the band in their prime.

From the chaotic beginnings of the band’s self-titled debut in 1965 through the experimental, turbulent times of the rock opera masterpiece ‘S.F. Sorrow’ to their more reflective, contemplative latter day output in ‘Bare as Bone, Bright as Blood’; this deluxe, thirteen LP box set contains every studio album  the iconic band released over five decades.

Invaluable to the development of British music as we know it, The Pretty Things’ outrageous behaviour and incandescent stage performances were fundamental to their ground-breaking songwriting with the band’s extensive and eclectic musical archive now a cultural and creative touchstone for generations to come. Still recording music until the passing of frontman Phil May two years ago; this box set, limited to just 1,000 copies worldwide, follows the bands’ whole astonishing journey until those final, formidable recordings in 2020.

The Pretty Things - The Complete Studio Albums: 1965 - 2020

1. The Pretty Things (1965)
2. Get The Picture? (1965)
3. Emotions (1967)
4. S. F. Sorrow (1968)
5. Parachute (1970)
6. Freeway Madness (1972)
7. Silk Torpedo (1974)
8. Savage Eye (1976)
9. Cross Talk (1980)
10. Rage Before Beauty… (1999)
11. Balboa Island (2007)
12. The Sweet Pretty Things (Are In Bed Now, Of Course…) (2015)
13. Bare as Bone, Bright as Blood (2020)

The Pretty Things - The Complete Studio Albums: 1965 - 2020 is available to preorder now: https://theprettythings.lnk.to/completestudioalbums

Trailer: https://www.youtube.com/watch?v=Kzqk3y3HE4g

Released: 31st March, 2023

The Pretty Things were the biggest influence on us… They invented garage bands.” - Joey Ramone

The Pretty Things completely bent my head.” - Noel Gallagher

The Pretty Things made The Stones look tame.” - David Gilmour

Press quotes:

Certainly, they seem to have existed in a state of chaos from the moment they began. They were a genuinely groundbreaking band.” - The Guardian

...the very wonderful ‘Bare As Bone, Bright As Blood’ now serves as a fitting, if unintentional, epitaph to their late singer [...] these 11 covers hum with the kind of vitality that only age and experience can bestow.” - Uncut

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com