1/21/2020

Rock - Metal Review: Blind Ego-Preaching To The Choir

Release Date: February 14, 2020
Label: Gentle Art of Music
This record is a blast of power and energy. From start to finish, Blind Ego’s efforts into their fourth studio album Preaching To The Choir is a force to be reckoned with. The uplifting lyrics blend seamlessly with the sounds of the guitars and drum in each track like a different chapter of a storybook. Most of the album reflects a very upbeat and positive tone which, to me, is hard to expect from a Rock, or Metal album typically. “Burning Alive,” the lead single, sounds not only the most radio-friendly but; somewhat like a Pop record because of how light it plays.

“Massive” is the ultimate starters song. You would expect to hear this song at the lead out of the announcement of the two Super Bowl LIV teams. It has so much fight and exhilaration throughout it. Not only that but, it sends the listener to a place where they feel like they are marching to their victory, to claim what is rightfully theirs.

As though one is stepping into a video game, the title track, “Preaching to the Choir” starts like walking onto a warp pad. The song quickly becomes a thrill, a rush of blood to the head, because you’ve been headbanging along with the guitar and drum patterns throughout. Then comes about, “ Burning Alive.” Leaving the past behind and watching it go up in flames, the band prepares and sets off to make a new out of the fire and ash of what they intend to leave behind; even if they catch a little singe on their way out.

“Line In The Sand” turns the album a little darker. The band is engulfed in a struggle of some kind. They don’t see a way out per se but, they establish then and there, that the things that turned them to the darkness of sorts, will not keep them from moving forward. The music keeps propelling the band, the album, and their career forward.

“Dark Paradise” keeps with the same darker underlying spirit. It acknowledges that standing alone might be the best way to move forward. The realization that sometimes you have to walk out the toughest battles alone, lays a theme for indeed, a dark paradise – a vast land now covered in blank darkness, that seemingly fits eternity. If there’s one theme that runs through this album, it’s consistency. “In Exhile” reflects that the singer has been running constantly and now has gotten to the point where those around him cannot see him, do not hear him, and do not care to look. He has grown comfortable this way, just muscling through whatever he must to get through day today.

“Heading For the Stars” become a bit lighter, in having a companion beside one another as they venture onto brighter things ahead. However, they find themselves embattled in a sea of negativity and disaster to get through. On the bright side, the singer notes, “the future is alive.” So, there must be something worth the chase after all. “Broken Land” lends itself to the same ideals of “jump into the flame” to get to where you want to be. It speaks of change, and what is to come of it on the other side. But, this broken land is wasted on them anymore because there has been so much trauma in its path.

The final track “The Pulse,” is all about anticipation. The singer reclaims what he’s been searching for in terms of peace and a purpose (or pulse). Beginning the track is just over two minutes of a lead-in of thrill and sound. But, what will come of this man’s future in taking down the one-man-army that stands in his way? In many ways, that one man is simply trying to find a way back to a sense of normalcy and to build upon that.

Gregg Keniston- Muzikman.net Staff
January 18, 2020



Tracks:
1. Massive
2. Preaching To The Choir
3. Burning Alive
4. Line In The Sand
5. Dark Paradise
6. In Exile
7. Heading For The Stars
8. Broken Land
9. The Pulse
 

1/20/2020

Is Prog Rock Really Progressive? A New Book Discussing the Progress in Progressive Rock Music


Is Prog Rock really progressive anymore? How do the current Prog bands feel about the genre and its legacy? Do they feel that there is progress in the music they perform? Different Prog artists/bands are being interviewed and answer 5 questions about the current status of the Progressive Rock and its culture. This exploratory research focuses on exploring the present and the future of a music genre that survived through the years due to its innovative nature.

While most of the previous Prog books focus on historical facts of the genre, this journalistic effort is a self-criticism of the genre through the looking glass of modern and active Prog musicians. The book starts with an introduction to Prog Rock by VIAJERO INMÓVIL Records (Argentina) and the rest of the material is divided into chapters that include the musicians’ answers to the following discussion themes:

1. What is progress in Progressive Rock?
2. Is Progressive Rock really progressive?
3. Accepting other music genres as progressive music
4. Next step for the progress of Progressive Rock
5. Technology and Progressive Rock

The participating Prog artists/bands that are being interviewed: Aisles, Anubis, Ant-Bee, EchoTest, Evership, Karakorum, Kotebel, Life After Mars, Light Freedom Revival, Lars Eric Mattson, Liquid Orbit, Magenta, Mouth, Process of Illumination, RTFACT, Robert Berry, Seven Impale, Soul Enema, Sproingg, Terra Collective, Time King, Wobbler, Yang.

The book was written by Vasileios Yfantis who has also authored other thematic books on Punk, Metal and music technology. Next plans for Vasileios Yfantis include the release of a Prog musical album in 2020 and a new book on melodic rock scheduled for release during the early 2021.

Product details
Paperback: 119 pages
Publisher: CreateSpace Independent Publishing Platform (January 11, 2020)
Language: English
ISBN-10: 1548614416
ISBN-13: 978-1548614416

Book Distribution
Paperback version: https://www.amazon.com/Prog-Rock-Really-Progressive/dp/1548614416/
E-book version:
https://www.amazon.com/gp/product/B083RK8N59

About the author
Vasileios Yfantis has been working in the music industry for more than 20 years as a freelance music journalist. Moreover, he holds 2 Master Degrees in Information Technology and he is a Phd candidate in University of West Attica in Greece. Vasileios has presented conference papers in both Europe and Africa. The main areas of his research interests feature: Musicology, Marketing, Information Communications Technology, Digital Entertainment Industry.

Bibliography
1. V. Yfantis, “The Commercial Exploitation Of Color As A Consumer Stimulus” (Greek Edition), Createspace, 2013.
2. V. Yfantis, “The Lost Lyrics” (Greek Edition), Createspace, 2013.
3. V. Yfantis, “Punk Goes Science: The Academic Punk Bibliography”,CreateSpace, 2014.
4. V. Yfantis, “City Streets Of Europe”, Lulu, 2017.
5. V. Yfantis, “Metal Goes Science”, Createspace 2017.
6. V. Yfantis, “Disadvantaged Populations And Technology In Music”, Createspace 2017.
7. V. Yfantis, “Hip Hop Goes Science: Volume I”, Createspace 2019.

For more information about Yfantis books, check out here: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

For more information about Yfantis music, check out here: https://billyyfantis.bandcamp.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Is Prog Rock Really Progressive? A New Book Discussing the Progress in Progressive Rock Music


Is Prog Rock really progressive anymore? How do the current Prog bands feel about the genre and its legacy? Do they feel that there is progress in the music they perform? Different Prog artists/bands are being interviewed and answer 5 questions about the current status of the Progressive Rock and its culture. This exploratory research focuses on exploring the present and the future of a music genre that survived through the years due to its innovative nature.

While most of the previous Prog books focus on historical facts of the genre, this journalistic effort is a self-criticism of the genre through the looking glass of modern and active Prog musicians. The book starts with an introduction to Prog Rock by VIAJERO INMÓVIL Records (Argentina) and the rest of the material is divided into chapters that include the musicians’ answers to the following discussion themes:

1. What is progress in Progressive Rock?
2. Is Progressive Rock really progressive?
3. Accepting other music genres as progressive music
4. Next step for the progress of Progressive Rock
5. Technology and Progressive Rock

The participating Prog artists/bands that are being interviewed: Aisles, Anubis, Ant-Bee, EchoTest, Evership, Karakorum, Kotebel, Life After Mars, Light Freedom Revival, Lars Eric Mattson, Liquid Orbit, Magenta, Mouth, Process of Illumination, RTFACT, Robert Berry, Seven Impale, Soul Enema, Sproingg, Terra Collective, Time King, Wobbler, Yang.

The book was written by Vasileios Yfantis who has also authored other thematic books on Punk, Metal and music technology. Next plans for Vasileios Yfantis include the release of a Prog musical album in 2020 and a new book on melodic rock scheduled for release during the early 2021.

Product details
Paperback: 119 pages
Publisher: CreateSpace Independent Publishing Platform (January 11, 2020)
Language: English
ISBN-10: 1548614416
ISBN-13: 978-1548614416

Book Distribution
Paperback version: https://www.amazon.com/Prog-Rock-Really-Progressive/dp/1548614416/
E-book version:
https://www.amazon.com/gp/product/B083RK8N59

About the author
Vasileios Yfantis has been working in the music industry for more than 20 years as a freelance music journalist. Moreover, he holds 2 Master Degrees in Information Technology and he is a Phd candidate in University of West Attica in Greece. Vasileios has presented conference papers in both Europe and Africa. The main areas of his research interests feature: Musicology, Marketing, Information Communications Technology, Digital Entertainment Industry.

Bibliography
1. V. Yfantis, “The Commercial Exploitation Of Color As A Consumer Stimulus” (Greek Edition), Createspace, 2013.
2. V. Yfantis, “The Lost Lyrics” (Greek Edition), Createspace, 2013.
3. V. Yfantis, “Punk Goes Science: The Academic Punk Bibliography”,CreateSpace, 2014.
4. V. Yfantis, “City Streets Of Europe”, Lulu, 2017.
5. V. Yfantis, “Metal Goes Science”, Createspace 2017.
6. V. Yfantis, “Disadvantaged Populations And Technology In Music”, Createspace 2017.
7. V. Yfantis, “Hip Hop Goes Science: Volume I”, Createspace 2019.

For more information about Yfantis books, check out here: https://www.amazon.com/Vasileios-Yfantis/e/B00JNNL306

For more information about Yfantis music, check out here: https://billyyfantis.bandcamp.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

1/18/2020

Hard Rock/Prog Review: Magnum-The Serpent Rings

Release Date: January 17, 2020
Label:  Steamhammer

UK-based rock veterans, Magnum, are back with their 20th studio album, The Serpent Rings. Founders and driving forces, Tony Clarkin (guitars) and Bob Catley (vocals), have forged a unique melodic hard rock sound and have worked hard to evolve that sound. They’ve released studio albums every two to three years since 1979, each album borrowing from and building on the prior. Keyboardist Rick Benton joined the band in 2017, and together with a new bass player, Dennis Ward joining Lee Morris on drums, the rhythm section and the group as a whole seems invigorated. 

The sound is rich and textured with hard rock, art-rock, and prog-rock undertones. Think of Traffic meeting Queen, meeting Metallica. Magnum steers the listener in and out of these atmospheres flawlessly, creating a dramatic and cinematic sonic experience. While the landscape is rich, the driving force is the guitar work of Tony Clarkin. Fear no more the demise of the almighty guitar solo. You’ll find one on almost every track. Clarkin appears to pause to take a breath before launching into his solos. This provides a dramatic calm before the storm, and once it hits, it sounds like an army crashing through the forest on their way to storming the castle. 

Of equal importance is the attention to lyrical depth. If you listen as much to the lyrics as you do to the music, you’ll be pleasantly surprised by the wisdom conveyed in these songs. The galloping opening track “Where Are You Eden?” is no exception. “A picture hangs. It’s always been there to celebrate the news. Though people talk, they don’t understand. It only serves to confuse.” 

“Not Forgiven,” chosen as the first single and lyric video, is a powerful and captivating rock song. It is somewhat formulaic, however, and there are better, more envelope-pushing tracks on the album.  
“Madman or Messiah” breaks that envelope open with inspired guitar flourishes and haunting atmospheric keyboards. Other standouts include “You Can’t Run Faster Than Bullets,” and “The Serpent Rings.” 

These are carefully crafted songs that don’t merely shout a mantra but tell stories, leaving the listener to use their imagination and relate those stories to their own lives. On The Serpent Rings, Magnum continues its consistent and impressive run of high-quality, distinctive hard rock. 

Tom Endyke - MuzikMan.net Staff
January 16, 2019

REVIEWS PROVIDED BY:
Rate the Tracks

Tracks:
01. Where Are You Eden
02. You Can’t Run Faster Than Bullets
03. Madman Or Messiah
04. The Archway Of Tears
05. Not Forgiven
06. The Serpent Rings
07. House of Kings
08. The Great Unknown
09. Man
10. The Last One On Earth
11. Crimson On The White Sand

 

Hard Rock/Prog Review: Magnum-The Serpent Rings

Release Date: January 17, 2020
Label:  Steamhammer

UK-based rock veterans, Magnum, are back with their 20th studio album, The Serpent Rings. Founders and driving forces, Tony Clarkin (guitars) and Bob Catley (vocals), have forged a unique melodic hard rock sound and have worked hard to evolve that sound. They’ve released studio albums every two to three years since 1979, each album borrowing from and building on the prior. Keyboardist Rick Benton joined the band in 2017, and together with a new bass player, Dennis Ward joining Lee Morris on drums, the rhythm section and the group as a whole seems invigorated. 

The sound is rich and textured with hard rock, art-rock, and prog-rock undertones. Think of Traffic meeting Queen, meeting Metallica. Magnum steers the listener in and out of these atmospheres flawlessly, creating a dramatic and cinematic sonic experience. While the landscape is rich, the driving force is the guitar work of Tony Clarkin. Fear no more the demise of the almighty guitar solo. You’ll find one on almost every track. Clarkin appears to pause to take a breath before launching into his solos. This provides a dramatic calm before the storm, and once it hits, it sounds like an army crashing through the forest on their way to storming the castle. 

Of equal importance is the attention to lyrical depth. If you listen as much to the lyrics as you do to the music, you’ll be pleasantly surprised by the wisdom conveyed in these songs. The galloping opening track “Where Are You Eden?” is no exception. “A picture hangs. It’s always been there to celebrate the news. Though people talk, they don’t understand. It only serves to confuse.” 

“Not Forgiven,” chosen as the first single and lyric video, is a powerful and captivating rock song. It is somewhat formulaic, however, and there are better, more envelope-pushing tracks on the album.  
“Madman or Messiah” breaks that envelope open with inspired guitar flourishes and haunting atmospheric keyboards. Other standouts include “You Can’t Run Faster Than Bullets,” and “The Serpent Rings.” 

These are carefully crafted songs that don’t merely shout a mantra but tell stories, leaving the listener to use their imagination and relate those stories to their own lives. On The Serpent Rings, Magnum continues its consistent and impressive run of high-quality, distinctive hard rock. 

Tom Endyke - MuzikMan.net Staff
January 16, 2019

REVIEWS PROVIDED BY:
Rate the Tracks

Tracks:
01. Where Are You Eden
02. You Can’t Run Faster Than Bullets
03. Madman Or Messiah
04. The Archway Of Tears
05. Not Forgiven
06. The Serpent Rings
07. House of Kings
08. The Great Unknown
09. Man
10. The Last One On Earth
11. Crimson On The White Sand