5/05/2019

Contemporary Instrumental Review: Ed Blumenthal-The Late Train Home

Release Date: June 3, 2019
Label: Independent

Ed Blumenthal is a Chiropractor by trade. His was no different than many married folks trying to make a life for his family. His work became demanding and his children needed his time as well. Little time was left for him to play the piano. In fact, it took him nine years to return to the ivory keys. As if by some magical instance or the hand of God, Ed learned how to play the piano without being able to read music. He is self-taught and took videos of his hands creating the basis of some tunes. Further down the road, his wife took the tapes and converted them over to DVD, and he was able to relive his videos playing.  As fate would have it, a cello player named Eugene Friesen, thought the music needed accompaniment. To make a long story short, Ed ended up in Will Ackerman’s Imaginary Road Studio to record The Late Train Home. That is the music you will hear on this recording.

In a literal sense, the album is late in coming but it finally made it home. Ed and his music are The Late Train Home. The cover of the album is a view from the train with a beautiful sunset and the crescent moon right above it. We can all be passengers on that train and while we are all traveling down those tracks of life on our journey, we can sit back, breath deep, knowing and trusting that everything is going to be ok. We are here for a reason and to meet our destiny. Ed’s most certainly met his and part of the path he took led to ten tracks on this instrumental piano recording. Some folks may not agree but I look at this as contemporary instrumental music, particularly with piano, as a sub-genre of new age. It is easy enough for relaxation and meditation, so it qualifies as far as I am concerned.

Ed’s piano is like waves and ripples of sound that glide over your body, touching every sense you have, bringing to life awareness of your being and spirituality. In my world, any good music has that capability regardless of the genre. The rolling piano and rhythms are what mesmerize me and carry me away from where I am and where I need to be at that moment in time. Take for instance the title track, it is a captivating and poignant track that has character, purpose, and it tells the story of an artist reaching his destination. Music does speak to us in many different forms. For my ears, I get what the tracks and the title of the album mean by first understanding where the artist is coming from and where they are going. Then I look at the images presented and it all falls into place. That is for me from my vantage point and hopefully in sync with what the artist is trying to convey.

You must look beyond yourself and inside the music to find the answers you seek. When looking through the eyes and soul of another, or in this case the music which equates to those two elements, we see a reflection of ourselves in some shape or form that makes perfect sense. That is what The Late Train Home did for me but the train home was on schedule and arrived at the destination right on time.

Keith “MuzikMan” Hannaleck
May 5, 2019

Founder of:

Review Provided By New Age Music Reviews

Tracks: 
01. Who Knows
02. The Roads Imagined
03. We Walk On
04. The Hands We Hold
05. Along The Way
06. The Late Train Home
07. Always Waiting
08. Until Then
09. The Sea Sings
10. For Us

5/04/2019

Light Freedom Revival Releases Taylor Swift Prog Cover Featuring Billy Sherwood, Dylan Howe and Oliver Wakeman


Vancouver, Canada - Light Freedom Revival continues its musical journey by envisioning the unique single “Wildest Dreams”, a cover of the song with the same name by Taylor Swift.

Canadian singer John Vehadija is teaming up with Billy Sherwood, Oliver Wakeman and Dylan Howe to create an impressive take on modern pop by extending ideas using familiar prog sounds.

“I wanted an arrangement that would merge the Yes Universe with the Taylor Swift Universe, in the spirit of how Yes arranged America, but with the fun style of Taylor.” John explained, “I imagined this little LFR project like a chemical experiment and for this reason you will find as bonus tracks my versions of America and You Belong With Me combining to form a new melodic substance.”

The result is a seven minutes of fun prog experimentation which Vehadija hopes the audiences will enjoy.

The main single also debuts the guitar talents of the Argentinian guitar player Lino Gonzalez, from Cieloaberto who developed a style at times reminiscent of Steve Howe.

The single is released on CD and can be found at lightfreedomrevival.com as well as digitally on iTunes and Amazon.

Light Freedom Revival promises in the future a 4CD Jon Anderson Tribute Box set as well as a new album of original material.



You purchase Wildest Dreams on CD here:
https://www.lightfreedomrevival.com/product-page/wildest-dreams-single
https://geo.itunes.apple.com/us/album/wildest-dreams/1462009438?i=1462009441&mt=1&app=music
https://www.amazon.com/Wildest-Dreams-Light-Freedom-Revival/dp/B07QWNH7G4

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Light Freedom Revival Releases Taylor Swift Prog Cover Featuring Billy Sherwood, Dylan Howe and Oliver Wakeman


Vancouver, Canada - Light Freedom Revival continues its musical journey by envisioning the unique single “Wildest Dreams”, a cover of the song with the same name by Taylor Swift.

Canadian singer John Vehadija is teaming up with Billy Sherwood, Oliver Wakeman and Dylan Howe to create an impressive take on modern pop by extending ideas using familiar prog sounds.

“I wanted an arrangement that would merge the Yes Universe with the Taylor Swift Universe, in the spirit of how Yes arranged America, but with the fun style of Taylor.” John explained, “I imagined this little LFR project like a chemical experiment and for this reason you will find as bonus tracks my versions of America and You Belong With Me combining to form a new melodic substance.”

The result is a seven minutes of fun prog experimentation which Vehadija hopes the audiences will enjoy.

The main single also debuts the guitar talents of the Argentinian guitar player Lino Gonzalez, from Cieloaberto who developed a style at times reminiscent of Steve Howe.

The single is released on CD and can be found at lightfreedomrevival.com as well as digitally on iTunes and Amazon.

Light Freedom Revival promises in the future a 4CD Jon Anderson Tribute Box set as well as a new album of original material.



You purchase Wildest Dreams on CD here:
https://www.lightfreedomrevival.com/product-page/wildest-dreams-single
https://geo.itunes.apple.com/us/album/wildest-dreams/1462009438?i=1462009441&mt=1&app=music
https://www.amazon.com/Wildest-Dreams-Light-Freedom-Revival/dp/B07QWNH7G4

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Featured Track: Andrea Arpetti-Quite A Show

Andrea Arpetti is a musician, vocalist and music teacher. Straight away he sounds like one of those diverse multi tasking indie artists, and he most definitely is.

His new track is "Quite A Show." It is a combination of dance/electronica, complete with the thumping beats, which drives the track, and some acoustic guitar to give it another layer, and a nice touch I may add.

Andrea has a very clear vocal style that sounds like it could wrap itself around just about any track in a large cross section of genres. Not everyone is blessed with that kind of talent and capability. With his education and knowledge of music and all the talents at his disposal, I can envision a long and successful career with the right backing in place.

Keith "MuzikMan" Hannaleck

 

Website: https://www.arpettiandrea.com

 More About Andrea:
Andrea Arpetti is a Luxembourg Singer and Songwriter. After graduating from the Brussels Conservatory with a Master Degree of Music, he returned to Luxembourg and started writing lyrics and composing music and working as a music teacher...MORE...

5/03/2019

Keyboard Legend Rick Wakeman's Emporium Now Open!


Signed special items available from official online store!

Rick Wakeman is pleased to announce a new partnership with Music Glue as the new home of his online store, The Rick Wakeman Emporium! Featuring Signed Special Items, Signed CDs, DVDs and LPs, Signed Memorabilia & Artwork, CDs, DVDs and LPs, T-Shirts, Mugs and Tote Bags!

Visit Rick Wakeman's Emporium: https://www.musicglue.com/rick-wakeman-emporium


Born in Perivale, Middlesex, England, Rick Wakeman's interest in music manifested itself very early, and from the age of seven on he studied classical piano. At the age of 14, he joined a local band, Atlantic Blues, the same year he left school to enroll in the Royal College of Music. He had his eye on a career as a concert pianist, but Wakeman was dismissed from the college after it became clear that he preferred playing in clubs to studying technique.

By his late teens, he was an established session man, playing on records by such diverse acts as Black Sabbath, Brotherhood of Man, and Edison Lighthouse. At the end of the '60s, his name also began appearing on the credits of albums by such artists as Al Stewart and David Bowie, and one set of sessions with a folk-rock band called the Strawbs led to his joining the group in 1970. After two albums with the Strawbs, Wakeman joined Yes, a post-psychedelic hard rock band that had attracted considerable attention with their first three albums. Wakeman played a key role in the final shape of the group's fourth record, Fragile, creating a fierce, swirling sound on an array of electric and acoustic pianos, synthesizers, and Mellotrons. Fragile was a hit, driven by the chart success of the single "Roundabout," and Wakeman was suddenly elevated to star status.

Yes' next album, Close to the Edge, expanded his audience and his appeal, for his instruments were heard almost continually on the record. During the making of Close to the Edge in 1972, Wakeman also recorded his first solo album, an instrumental work entitled The Six Wives of Henry VIII, which consisted of his musical interpretations of the lives and personalities of the said six royal spouses. Released early in 1973 on A&M Records, it performed respectably on the charts. Public reception of Yes' 1974 album, Tales From Topographic Oceans, was mixed, and the critics were merciless in their attacks upon the record. Wakeman exited the group before the album's supporting tour. His new solo album, Journey to the Centre of the Earth, adapted from the writings of Jules Verne and featuring a rock band, narrator (David Hemmings), and full orchestral and choral accompaniment, was released to tremendous public response in both America and England, where it topped the charts. In 1975, his next album, The Myths and Legends of King Arthur and the Knights of the Round Table, was given a grand-scale premiere at Wembley's Empire Pool, although it also cost Wakeman a fortune to stage the event on ice. During this same period, Wakeman began working on film scores with the music for Ken Russell's Lisztomania, which was a modest hit.

In 1977, Wakeman returned to Yes, with which he has continued recording and touring. His solo career continued on A&M into the end of the '70s, with Criminal Record and Rhapsodies, which were modestly successful. Wakeman's biggest media splash during this period, however, came through his alleged role in getting the Sex Pistols dropped by A&M Records soon after being signed. None of this bothered his fans, which rapidly expanded to encompass those he picked up through his work with lyricist Tim Rice on a musical adaptation of George Orwell's 1984, and his burgeoning film work, which included the music to movies about the 1976 Winter Olympics and the 1982 soccer World Cup competition. Additionally, he became a regular on Britain's Channel 4. Wakeman's audience and reputation survived the 1980s better than almost any progressive rock star of his era, as he continued releasing albums on his own label. He also remained associated with Yes into the '90s.

In January 2016, Trevor Rabin announced he plans to perform with Wakeman and Jon Anderson as Anderson, Rabin and Wakeman (ARW), later in the year. Anderson revealed the three wrote "some unique songs together". Also in January, following requests from fans, Wakeman recorded piano versions of "Life on Mars?", "Space Oddity", and "Always Together" as a tribute to David Bowie following his death with proceeds from the songs donated to Macmillan Cancer Support.

Rick Wakeman's official website: https://www.rwcc.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com