Showing posts with label The Who. Show all posts
Showing posts with label The Who. Show all posts

1/01/2020

Classic Rock Review: The Who-WHO

Release Date: December 6, 2019
Label:  Polydor
It has been said that before death, one’s life flashes before them. With threads from their 55-year history as the loudest and most influential band on the face of the earth woven into the music, The Who’s latest
release, WHO feels like such a flash. It is a journey through the past, a reminder of their power and influence, and a defiant “Love, Reign O’er Me” cry from the front of the stage. No, The Who will not go gentle into that good night.

Pete Townsend has never been accused of holding back. Whether as the deaf, dumb and blind, Tommy or the alienated mod Jimmy, Pete bares the soul of the characters he’s created who are misunderstood and marginalized by society. Pete invented not giving a fuck conveying to disaffected youth, that not only is it okay to be true to yourself, but you will also suffer if you don’t. The energy and aggression The Who as a band, bring to Pete’s songs, amplify both the sound and the fury producing enduring and inspirational anthems.  

After hearing the first lyric on WHO, “I don’t care, I know you’re gonna hate this song.” I pumped my fist with excitement and defiance. It’s not exactly “I hope I die before I get old,” but 54-years later, the attitude is the same. Who fanatics will agree that Pete’s lyrics can contain not-so-subtle digs at Roger, and I can’t help think that this is one of them? …
"that’s fair, we never really got along.” The union of Pete and Roger has survived a half-century, and while oil and water don’t quite mix, they look pretty cool when you shake them up. 

While the surface of these songs is polished, the underlying structure is diverse and complex. Supported by accomplished musicians such as Benmont Tench (Tom Petty), Pino Palladino (The Who), and Joey Waronker (Beck, REM), and at times a full-blown orchestra, the arrangements are multifaceted, and the richness is palpable. It is apparent that perfectionist and original studio gear-head Pete Townshend fussed and fine-tuned until he got it right.

Many of these tracks bring to the present, echoes of the past. “All This Music Must Fade” unearths “The Music Must Change.” “I Don’t’ Wanna Get Wise” resurrects “My Generation.” “Detour” is a nod to the original band name and conjures the foot-stomping freestyling “Join Together.” “Rocking in Rage” is a soul-bearing confession reminiscent of the driving introspection of “The Real Me.”

These are all strong tracks, yet the real gems on WHO are not those which give us a taste of what was, but those that give us a taste of what might be. “Beads on One String” and “Street Song” are this reviewer’s personal favorites.

Not all these tracks hit the famed red, white & blue mod target, however. The Simon Townsend (Pete’s brother) penned “I’ll be Back” is more of a love song that seems out of place and better suited for yacht rock than classic rock. “She Rocked My World” has a sleepy Latin jazz vibe making it feel tired and misplaced. Simon’s other song on WHO, “Break the News” is far more upbeat and a catchy Mumford & Sons-type romp.

Worth noting is the deluxe version, which contains three bonus tracks, two of which are forgettable. The third, however, “Got Nothing to Prove” is a previously unreleased early-60’s gem. Re-orchestrated, it exemplifies the ambition of the band at a young age and nothing short of groovy, baby, groovy.

All in all, this is one impressive offering. The Who have tapped into the well of ingenuity to create the most surprising album of the year. Now in their mid-70’s, Pete and Roger have produced a collection as big and bold as any fan could hope for. After all, old age should burn and rage at close of the day, or as Roger sings in the closing track “Rocking in Rage,” “defying the clock in one last rampage.”

Let’s hope this isn’t The Who’s life flashing before their eyes, but an example of what groundbreaking (and guitar breaking) bands are capable of in the twilight of their careers. This Who fanatic is thrilled they didn’t die before they got old as this is where some of their best work has been born.

Tom Endyke - MuzikMan.net Staff
December 31, 2019

REVIEWS PROVIDED BY:
Rate the Tracks

Tracks:

01. All This Music Must Fade
02. Ball and Chain
03. I Don’t Wanna Get Wise
04. Detour
05. Beads on One String
06. Hero Ground Zero
07. Street Song
08. I’ll Be Back
09. Break the News
10. Rockin’ in Rage
11. She Rocked My World
Deluxe Edition Bonus Tracks
12. This Gun Will Misfire
13. Got Nothing to Prove
14. Danny and My Ponies

 

1/03/2018

"The Who and I" by Tony Klinger Box Set, Book and Memorabilia Now Available For Pre-Order


Pre-order Limited Edition Box Set Signed & Numbered by Tony Klinger at https://www.pledgemusic.com/projects/the-who-and-i

London - Tony Klinger, renowned producer of The Who's “The Kids Are Alright” film, has started a PledgeMusic campaign for “The Who and I” Box Set, Book and Memorabilia. The Box Set contains Tony's new book “The Who and I,” an audio book / CD, reproduced memorabilia, and a reproduction of “The Kids Are Alright” press kit and photos!

“Angry management, crazy people, women jumping naked out of giant cakes, fireworks going off in your hand, trips to the Pleasure Chest, run ins with Steve McQueen, afternoon teas with Ringo Starr, drunken sessions with Rick Danko of The Band, hotels demanding money up front before we checked in, travelling, constantly travelling, all the while trying to juggle schedules, money and egos, that's what I remember from my time with the Who when I was making a film, 'The Kids Are Alright' with, for and about them.

“The packaging of 'The Who and I' project accurately and faithfully represents the flavour of our project and the time we originally created the film, 'The Kids Are Alright,' and that forms the central themes of this project.

“I want to tell this story because there are so many of us, you and me included, who love rock music and film, who should know what really goes on, and this book tells it like it is. 'The Who' are the icons of both the sight and sound of My Generation. They sounded and looked angry and it wasn't an act. 'The Who' were among those who invented Mod England, which forced the world look up and pay attention. Their energy demanded your focus, whether it was Townshend's duck walk borrowed with love from Chuck Berry, his skinny whirling arms bashing out the chords, or Roger Daltrey swinging his microphone, more a weapon as he marched to the beat punched out by the bass played with metronomic intensity by the Ox, John Entwistle or the only drummer I ever saw who could lead a melody line, the maniacal Keith Moon.

“And then when you got past the image there was the music, that brilliant, original and fantastic music. How could such sounds spring out of such chaos? The answer is that it's the chaos that creates those sounds, that environment which enables a different view, a special sideways on look at our world that is so dynamic, true and genuine that we all have to take notice.

“'The Who,' maybe more than any other group epitomise that special rock lifestyle of danger mixed with brilliance to create a bubble of such power that we all want to see and listen and share.

“'The Who and I' was originally known as 'Twilight of the Gods.' So I am qualified by dint of knowledge about the group. More especially I know the men who make up the band and the originals who no longer get to go on stage because they're playing bass and drums with the celestial choir.

“Like most of you I am a fan, I remained a fan despite sometimes wanting to wring their collective necks! It’s well known and I documented the fact that we didn’t always agree with each other, in fact it would be more accurate to report that we hardly ever did so.” - Tony Klinger

To pre-order Tony Klinger's “The Who and I”  Box Set, Book and Memorabilia: https://www.pledgemusic.com/projects/the-who-and-i

Also available “The Kids Are Alright” Film Screening and a one off original Tour Jacket!

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

"The Who and I" by Tony Klinger Box Set, Book and Memorabilia Now Available For Pre-Order


Pre-order Limited Edition Box Set Signed & Numbered by Tony Klinger at https://www.pledgemusic.com/projects/the-who-and-i

London - Tony Klinger, renowned producer of The Who's “The Kids Are Alright” film, has started a PledgeMusic campaign for “The Who and I” Box Set, Book and Memorabilia. The Box Set contains Tony's new book “The Who and I,” an audio book / CD, reproduced memorabilia, and a reproduction of “The Kids Are Alright” press kit and photos!

“Angry management, crazy people, women jumping naked out of giant cakes, fireworks going off in your hand, trips to the Pleasure Chest, run ins with Steve McQueen, afternoon teas with Ringo Starr, drunken sessions with Rick Danko of The Band, hotels demanding money up front before we checked in, travelling, constantly travelling, all the while trying to juggle schedules, money and egos, that's what I remember from my time with the Who when I was making a film, 'The Kids Are Alright' with, for and about them.

“The packaging of 'The Who and I' project accurately and faithfully represents the flavour of our project and the time we originally created the film, 'The Kids Are Alright,' and that forms the central themes of this project.

“I want to tell this story because there are so many of us, you and me included, who love rock music and film, who should know what really goes on, and this book tells it like it is. 'The Who' are the icons of both the sight and sound of My Generation. They sounded and looked angry and it wasn't an act. 'The Who' were among those who invented Mod England, which forced the world look up and pay attention. Their energy demanded your focus, whether it was Townshend's duck walk borrowed with love from Chuck Berry, his skinny whirling arms bashing out the chords, or Roger Daltrey swinging his microphone, more a weapon as he marched to the beat punched out by the bass played with metronomic intensity by the Ox, John Entwistle or the only drummer I ever saw who could lead a melody line, the maniacal Keith Moon.

“And then when you got past the image there was the music, that brilliant, original and fantastic music. How could such sounds spring out of such chaos? The answer is that it's the chaos that creates those sounds, that environment which enables a different view, a special sideways on look at our world that is so dynamic, true and genuine that we all have to take notice.

“'The Who,' maybe more than any other group epitomise that special rock lifestyle of danger mixed with brilliance to create a bubble of such power that we all want to see and listen and share.

“'The Who and I' was originally known as 'Twilight of the Gods.' So I am qualified by dint of knowledge about the group. More especially I know the men who make up the band and the originals who no longer get to go on stage because they're playing bass and drums with the celestial choir.

“Like most of you I am a fan, I remained a fan despite sometimes wanting to wring their collective necks! It’s well known and I documented the fact that we didn’t always agree with each other, in fact it would be more accurate to report that we hardly ever did so.” - Tony Klinger

To pre-order Tony Klinger's “The Who and I”  Box Set, Book and Memorabilia: https://www.pledgemusic.com/projects/the-who-and-i

Also available “The Kids Are Alright” Film Screening and a one off original Tour Jacket!

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

12/16/2015

Prog-rock shows 2016 at The Ridgefield Playhouse

Don't miss these Prog-Rock shows at 
The Ridgefield Playhouse in Connecticut! 


Saturday, January 9, 2016 at 8pm
JUST ANNOUNCED BY DAVID BOWIE HIMSELF! David Bowie bandmates, producer/bass player Tony Visconti, legendary and drummer Woody Woodmansey and Glenn Gregory, founding member and the frontman of Heaven 17, among other music luminaries, perform David Bowie’s seminal The Man Who Sold the World album plus a new set of other classic Bowie songs from 1969-73, with very special guests. 


Fri. January 15, 2016 – 8:00pm
The 2nd version of Selling England by the Pound performed by Genesis in 1974 with completely re-imagined staging and visuals by Peter Gabriel. This performance is wildly known amongst early Genesis fans!


Fri. January 22, 2016 – 8:00pm
A Daniel C. Levine Production
In 1969, Peter Townshend and ‘The Who’ released the double album of “Tommy”, a rock opera. In 1993, this iconic album became a hit Broadway show, and subsequently won 5 TONY Awards. Considered the greatest rock opera ever written, “The Who’s Tommy” includes legendary hits such as “The Acid Queen”, “Pinball Wizard”, “See Me, Feel Me”, and “Smash The Mirror”. Ridgefield Playhouse is THRILLED to present a concert of “The Who’s Tommy”.


Sat. February 6, 2016 – 8:00pm
America’s #1 Pink Floyd show, has forged a 25 year reputation of excellence, extending the legacy of Pink Floyd, while creating another legacy all their own. They are back for another show at The Playhouse that is sure to sellout- performing all of Pink Floyd’s hits!


Wednesday, February 10, 2016 at 8pm
A special acoustic performance by the multi-platinum selling Seattle rock band best known for hit songs ‘Far Behind,’ ‘You,’ ‘It’s Alright’ and ‘Cover Me’ among many others!



Call Box Office at 203-438-5795 for tickets!