Showing posts with label Rock Reviews. Show all posts
Showing posts with label Rock Reviews. Show all posts

11/09/2019

Rock-Blues-Psychedelic: Jimi Hendrix-Songs For Groovy Children (The Filmore East Concerts)

Release Date: November. 22, 2019
Labels: Experience Hendrix L.L.C., Legacy Recordings
Website

Come one, come all. Groovy children unite! Today we are talking about the king of guitar himself, Mr. Jimi Hendrix. His record company recently created a tribute box set called Songs For Groovy Children, which includes his classics and unreleased live performances across five CDs. The best part about live albums is that the artist can’t hide behind the vocal effects. There are no retakes, no breaks, and no time to think things over. It’s just the artist, the audience, and 10 feet in between.

Disc one is comprised of songs that we’ve heard before. “Lover Man” has an iconic riff that makes you wonder how someone’s fingers can move that fast. The smooth transitions in this song between sections and the sound quality of the electric guitar are crazy good. He pulls out all the stops with the tremolos, pickups, and loads of vibrato.“Bleeding Heart” takes us down south with soulful vocals and the bluesy bass line. It's the kind of song that you expect to hear in a dimly lit cajun-themed bar. “Izabella” has a lot of flavor to it. You don’t even have to like rock music to appreciate the raw talent of Hendrix’s playing.

Disc two has the bulk of new/remixed songs. “Changes” comes up on four of five of the CDs. Each version has a unique sound to it, almost like how a filter changes the tone of a photo. We also see different variations of “Stop,” “Power Of Soul,” “Machine Gun,” and a few others. “Auld Lang Syne” starts with a clip from the original song. The crowd goes wild as Hendrix starts to play his version of the song on guitar. The concert took place on New Years' Eve/Day, so it is fitting to include this one in the mix.

There is a Woodstock element to disc three. The songs were recorded in the ’70s, so it makes sense that they would have the authentic groove. “Changes” has a moment near the end where Hendrix preaches to the audience, and they go crazy with whistles and chants. He had a significant impact on people of all ages and continues to change young lives today. For the '70s, the live tracks sound like they were recorded in a professional studio. Yes, the Equalization is slightly off, but it's difficult to get it right with thousands of screaming fans in the recording.

Disc four has more of that cross over that we saw from the previous discs. I for one am a Hendrix fan and will never get tired of listening to his songs. It's a shame that he passed away at such a young age. It would have been incredible to see how far he could have come if he had lived another 50+ years. Hendrix took songs to new heights. "Machine Gun" has an interesting mix of colors in it. There isn't a great way to describe it. You would have to listen to it to understand it.“Steal Away” is more mellow in sound. It’s an easy-listening song that would be perfect for a busker to perform. Its simplicity is perfect for people who want to learn how to play a Hendrix song.

Disc five flows better as a set. "We Gotta Live Together" involves the crowd. They are instructed to clap their hands with the beat of the song. I love that Hendrix's team left in clips of his interactions with the audience. That is how you know that he was a true performer. A lot of acts nowadays don’t have the flair and style that Hendrix had. Hendrix puts a cool spin on his cover of "Wild Thing" by The Troggs. It feels less boy band and a more mature rock. "Purple Haze" is the last song you'll hear on the set. It is thought that Hendrix is referencing psychedelics in his lyrics, which wouldn't be a shock. It ends the CD with lyrics that give you something to think about. I guess that's why they call it "The Jimi Hendrix Experience."

Hendrix is beloved all around the world because you don’t need to speak English to understand the language of music. The dynamic range that comes from his guitar is insane. Though Hendrix wasn’t much of a singer, it is impressive that he managed to sing while he shredded. Most of Hendrix’s fans have their favorite songs and it was a smart move for his record label to release the best takes of his live songs. The 5-disc set (43 songs) retails for $60, and the vinyl set retails for $120. Each album has collector’s photos of Hendrix performing. It has been about 50 years since Hendrix passed away. His music is celebrated globally, and clearly, there is still a market for his songs. Jimi Hendrix is a household name. You can buy tour tickets to see other guitarists play his songs, and many people do. Which is a testimony that Hendrix is still changing lives from the grave.

Lily Clark – Berklee College of Music Intern
November 9, 2019

 
Reviews Provided By:










Tracks:
12/31/1969 1st Set:
DISC ONE:
01. Power Of Soul               
02. Lover Man               
03. Hear My Train A Comin’       
04. Changes                
05. Izabella                
06. Machine Gun               
07. Stop                           
08. Ezy Ryder               
09. Bleeding Heart            
10. Earth Blues               
11. Burning Desire           

12/31/1969 2nd Set:
DISC TWO:
01. Auld Lang Syne%           
02. Who Knows%               
03. Fire                   
04. Ezy Ryder*               
05. Machine Gun%               
06. Stone Free               
07. Changes*               
08. Message To Love*           
09. Stop*                   
10. Foxey Lady                

1/1/1970 1st Set:
DISC THREE:
01. Who Knows               
02. Machine Gun               
03. Changes+               
04. Power Of Soul%                   
05. Stepping Stone%            
06. Foxey Lady+                
07. Stop%                   
08. Earth Blues+               
09. Burning Desire%               

1/1/1970 2nd Set:
DISC FOUR:
01. Stone Free%               
02. Power Of Soul#           
03. Changes#               
04. Message To Love#           
05. Machine Gun%               
06. Lover Man*               
07. Steal Away*               
08. Earth Blues%               

DISC FIVE:01. Voodoo Child (Slight Return)%       
02. We Gotta Live Together#       
03. Wild Thing%               
04. Hey Joe*                                          
05. Purple Haze*               

*previously unreleased
+ first time on CD/LP/streaming (previously only available as part of concert film)
#longer, unedited versions of previously released material, and newly remixed
% back in print on CD/LP for the first time in a decade, and newly remixed
 

10/24/2019

Rock/Prog Rock-American Tears-White Flags

Release Date: June 21, 2019
Label: Escape Music Ltd
The renaissance of 70’s power keyboard legends, American Tears is in full force with their second release in as many years, White Flags.  Not only are they influenced by keyboard-driven progressive rock of the album-oriented 70’s such as Emerson, Lake & Palmer, Genesis, and Deep Purple, they helped define the genre. Founder Mark Mangold’s boundless musical energy and skill spawn critically acclaimed, yet commercially unsuccessful releases Branded Bad and Tear Gas in the mid-’70s.  American Tears would morph into Touch in the early ’80s yet remain clouded in anonymity.  Mangold moved on to collaborate with artists such as Michael Bolton, write hits for Cher and Benny Mardones, and release his solo records.
The band’s current incarnation unearths an ambiance from a time in rock history when keyboard solos reigned supreme. Tom Scholz’s masterful Hammond organ solo on Boston’s Smokin comes to mind.  Mangold’s keyboard riffs are rife with passion and energy. The moment you feel him about to wind down and wrap up, he reinvents the song and takes it to another level.  In this regard, American Tears defies formulaic structure. To the delight of the listener, these songs keep going and going. After all, if you’re enjoying the ride, why would you want it to end? 
In a recent interview on The Final on Vinyl Podcast (or play below), Mangold quotes Pete Townsend when The Who was accused of sounding self-indulgent and pretentious “Thank you very much,” said Pete, clearly proud of being labeled as such. Mangold is justifiably proud, as well.   
Listening to his vocals on White Flags, one is reminded of the soul and range of The Cult’s Ian Astbury.  Each song on White Flags is consistently upbeat with a broad array of tempos and melodies.  Two of the more soulful tracks which accentuate his vocal range come in the form of “Give me More” and the album’s closer “White Flags.” 
To Mark Mangold, White Flagsis about surrender and sacrifice.  Giving up the battles and giving all of oneself is a sure path to freedom. The lyrics, vocals, and driving power keyboards echo that refrain.  Those who remember American Tears from the ’70s will enjoy this next chapter in their evolution while an emerging fan base is sure to keep growing. 
Tom Endyke - MuzikMan.net Staff
October 19, 2019

Key Tracks Include: “Hell or High Water,” “Fire Down Below,” “Turn U On”, “Turn the Page”

REVIEWS PROVIDED BY:
Rate the Tracks

Tracks:

01. Turn U On
02. Wake up City
03. Hell or High Water
04. Waltz of the Angels
05. Fire Down Below
06. Give Me More
07. Love is Love
08. Turn the Page (Blue Dog)
09. Pitch Black
10. Keep on Movin’
11. White Flags



Rock/Prog Rock-American Tears-White Flags

Release Date: June 21, 2019
Label: Escape Music Ltd
Website
 
The renaissance of 70’s power keyboard legends, American Tears is in full force with their second release in as many years, White Flags.  Not only are they influenced by keyboard-driven progressive rock of the album-oriented 70’s such as Emerson, Lake & Palmer, Genesis, and Deep Purple, they helped define the genre. Founder Mark Mangold’s boundless musical energy and skill spawn critically acclaimed, yet commercially unsuccessful releases Branded Bad and Tear Gas in the mid-’70s.  American Tears would morph into Touch in the early ’80s yet remain clouded in anonymity.  Mangold moved on to collaborate with artists such as Michael Bolton, write hits for Cher and Benny Mardones, and release his solo records.
The band’s current incarnation unearths an ambiance from a time in rock history when keyboard solos reigned supreme. Tom Scholz’s masterful Hammond organ solo on Boston’s Smokin comes to mind.  Mangold’s keyboard riffs are rife with passion and energy. The moment you feel him about to wind down and wrap up, he reinvents the song and takes it to another level.  In this regard, American Tears defies formulaic structure. To the delight of the listener, these songs keep going and going. After all, if you’re enjoying the ride, why would you want it to end? 
In a recent interview on The Final on Vinyl Podcast (or play below), Mangold quotes Pete Townsend when The Who was accused of sounding self-indulgent and pretentious “Thank you very much,” said Pete, clearly proud of being labeled as such. Mangold is justifiably proud, as well.   
Listening to his vocals on White Flags, one is reminded of the soul and range of The Cult’s Ian Astbury.  Each song on White Flags is consistently upbeat with a broad array of tempos and melodies.  Two of the more soulful tracks which accentuate his vocal range come in the form of “Give me More” and the album’s closer “White Flags.” 
To Mark Mangold, White Flags is about surrender and sacrifice.  Giving up the battles and giving all of oneself is a sure path to freedom. The lyrics, vocals, and driving power keyboards echo that refrain.  Those who remember American Tears from the ’70s will enjoy this next chapter in their evolution while an emerging fan base is sure to keep growing. 
Tom Endyke - MuzikMan.net Staff
October 19, 2019

Key Tracks Include: “Hell or High Water,” “Fire Down Below,” “Turn U On”, “Turn the Page”

REVIEWS PROVIDED BY:
Rate the Tracks

Tracks:

01. Turn U On
02. Wake up City
03. Hell or High Water
04. Waltz of the Angels
05. Fire Down Below
06. Give Me More
07. Love is Love
08. Turn the Page (Blue Dog)
09. Pitch Black
10. Keep on Movin’
11. White Flags



10/23/2019

Rock Review: Flying Colors-Third Degree

Release Date: October 4, 2019
Label: Mascot Label Group / Music Theories Recordings

We are sitting at crossroads here. At times Third Degree sounds like an underground Grunge band and then it gives off a Kings of Leon-type vibe. With the length of this record, it’s only fair that the album sends its sound in several different directions. Flying Colors sets themselves apart from the typical Rock group in the manner that it possesses facets of all sorts of tones and emotion, where similar bands have one or two tones or moods to them. The same can be said of the Pop genre as well but, that is a story of a different day. 

Flying Colors gives off a positive vibe of soothing rock tones. If in this case, you judge a piece of work by its cover, then you judged correctly. Though each track is not your typical 2 to 4-minute ear-worm, it feels more sophisticated. 

The longevity acts as a storyboard of sorts, except, there is no clear-cut resolution in this tale. It is just pure relaxation and enjoyment for anyone looking to be entranced by “Cadence” or journey through “Guardian.” So long as the listener comprehends that they are in for a musical ride of their life, nothing but happiness will arise. 

The band knows how to capture its audience and bring new listeners on board. They do not start their album with any particular extreme one way or another in terms of notation and lyric (or lack thereof in some songs). They simply let the emotion and music guide them through the minutes of each track. 

Gregg Keniston - MuzikMan.net Staff
October 18, 2019

REVIEWS PROVIDED BY:
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Tracks:
1. The Loss Inside
2. More
3. Cadence
4. Guardian
5. Last Train Home
6. Geronimo
7. You Are Not Alone
8. Love Letter
9. Crawl

Rock Review: Jesse Colin Young-Dreamers

Release Date: February 15, 2019
Label: BMG


Before we take a deep dive into this record, I would just like to state that the album artwork on this one is great. It has a very traditional art style to it, and the winged heart instantly makes me think of the Bon Jovi logo. Young also has a nice looking website where you can not only buy his albums, but you can also pick up a pound of 100% Kona coffee. Rock music and Kona coffee? I’d say it’s the perfect equation for a morning on island time.

Now let’s talk about music. Dreamers is the kind of album that is good for listening to dockside, with a cold drink in hand. The songs range from folk-rock to blues-rock, to a 60’s rock. This album is definitely for people who like an older style of rock ‘n’ roll. “One More Time” gets the closest to that classic rock sound. From first listen, it has a similar beginning to Bon Jovi’s “Livin’ On A Prayer,” and so it comes full circle.

“Look Over Yonder” has more of a blues root to it. He has incorporated horns and keys into the song, which give it that classic blues sound. It reminds me of the Sonny Boy Williamson II song “Help Me.” Young’s rock vocals give an edgier sound to the otherwise soulful blues rooted song. We also hear this blues-tude in the song “Cruising At Sunset.” The undeniable walking blues bass line kicks in right after the intro. If I had to guess, I would say that “For Orlando” is a tribute to the horrific shooting that occurred at the PULSE nightclub in 2016. With lyrics like “How do we face disaster? Bitterness, what comes after” and “We need to love each other, every sister/brother,” it seems that Young is sending the message that we cannot let another tragedy, like the one that occurred in Orlando, happen ever again.

There are only a few things that I would have changed about the album. In the mixing process, the vocals could have been made clearer and brought forward as the main focus. I think the lyrics are a little difficult to understand, but to be fair, I don’t typically listen to this type of rock music for the lyrics. Some of the songs are kind of slow for being a rock song, and an increased tempo would have given the songs a better groove, in my opinion. A lot of the songs are four to five minutes long, which is pretty long for a standard song in the modern world of production. Lastly, I think the rock songs were stronger than the blues songs on the album, and I would have loved for Young to end with these instead.

There is a good variety of genres and topics covered on the album. If you like rock music, this album is probably going to be up your ally. Or if you are going out for a day on the lake, I would pick up Dreamers, and maybe a pound of coffee, for an enjoyable escape.

Lily Clark – Berklee College of Music Intern
October 13, 2019

Tracks: 
01. Cast A Stone
02. Shape Shifters
03. Walk The Talk
04. For Orlando
05. Take Me To The River
06. They Were Dreamers
07. Cruising At Sunset
08. Lyme Life
09. Here Comes The Night
10. For My Sisters
11. While Texas Is Drowning
12. One More Time
13. On And On
14. Look Over Yonder


Reviews Provided By:

10/18/2019

Art Rock/Post PunkReview: The Pull of Autumn-Afterglow

Release Date: July 25, 2019
Label: RBM Records

Less than a year removed from their debut release, The Pull of Autumn is back with Afterglow, a rich infusion of varied post-punk influences that take the listener to new places, feeling all-the-while like they’ve been there before. The Pull of Autumn is a Boston-based collective of members from Throwing Muses, Hood, Seasurfer, Orange Cake Mix, Hood, and Nick and the Bad Seeds. 

Arrangements are lush, and textures are as varied as the band’s contributors. Traces of influence from these artists’ former groups are unashamedly in the forefront. The fusion of talent evokes a vibe from decades ago when the punk rock attitude embraced by skilled musicians gave birth to post-punk and neo-psychedelia and modern new age. 

Reminiscent of Richard Butler of the Psychedelic Furs, Mark Campbell of the Nails, and David Bowie during his Berlin trilogy, Luke ‘Skyscraper’ James’ vocals are brazened if not melodramatic. On tracks such as “Trouble Time,” “Not Coming Down,” and “Hey America” there feels like an impedance mismatch between James’ vocals and the driving sonic currents flowing below. 

The most compelling parts of Afterglow are the more layered and atmospheric songs where James is not bellowing theatrically to the heavens. These are the tracks with their synth fuzz undertones and layered guitar and piano, which feel like Autumn itself. “Distance,” “They Went Up,” and “Wallow” are lo-fi works of art. “Crack the Red” sounds something from Neutral Milk Hotel while “Sitting by the Window” sounds like a lost track from Love’s “Forever Changes.” 

For me, dropping the needle on any ten seconds of Joy Division’s Unknown Pleasures stirs memories from a slice of time when the future felt frightening, yet full of possibilities. Similarly, The Pull of Autumn’s Afterglow emanates eerily into the present, bringing forth reverberations from a bygone age when fearless experimentation combined with post-punk narcissism evoked a haunting trepidation of the future. Through its highs and lows, darkness and light, and twists and turns, the end result of this listening journey is nothing short of exhilaration. 

Tom Endyke-MuzikMan.net Staff
October 16, 2019

Reviews Provided By:
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Tracks:
01. Injure the Swallow
02. Trouble Time
03. Distance
04. They Went Up …
05. Haunted by the Rain
06. Coming Down
07. The Stars or The Jungle
08. Crack the Red
09. Sitting by the Window
10. Sacred Ground
11. Equinox
12. Colder House
13. Stained Glass Windows
14. Hey America!
15. Wallow 


10/11/2019

Rock Review: Evi Vine-Black // Light // White // Dark

Release Date: February 22, 2019
Label: Independent
Website


Evi Vine is one of those bands that, if you’ve never heard of her and her crew, or aren’t really into the Indie music scene, then listening to them finally makes you feel like you’ve missed out on a whole new universe of music. The album is full throttle, underground rock 'n' roll. That being said, it sends your ears down a mystical journey. It is a great record for someone who is looking to explore their creative talents. I believe in listening to certain records to set a mood to drum up one’s talents or capabilities.

It is only fitting that this album found its way to me in October. With its haunting vocals and dark undertones, Black // Light // White // Dark epitomizes the essence of the Fall setting and spirit of Halloween to follow. What is lacking in minimal vocals and lyrics as a traditional album might have, the band makes up for in taking the listener, transforming them into a character or adventurer as they venture through each track of the short album.

You never know how you may come across something new but, if you are open and willing to take in new sights and sounds, this album will point you in that direction. For any Rock enthusiast, Evi Vine is that band that adds both light and heavy set of tones to their music collection. The overall sound of Evi’s vocals and essence provides that light and bright feeling while the band behind her nails the heavier Rock beats to compare to her competitors like Flyleaf and Evanescence. The album becomes a remarkable masterpiece as it the listener grabs hold of Evi Vine.


Gregg Keniston- MuzikMan.net Staff
September 30, 2019

 
Reviews Provided By:


Tracks:
1. I Am the Waves
2. Afterlight
3. Sabbath
4. My Only Son
5. We Are Made of Stars
6. Sad Song, No. 9

 

10/08/2019

Folk - Rock Review: Yogi Lang-A Way Out Of Here

Release Date: Nov. 8, 2019
Label: Gentle Art Of Music
Website: www.yogilang.com


It’s a lazy Sunday morning, and Yogi Lang’s newest songs play in the background, as the chores are getting done. This album is something crossed between easy listening music and kickass motivational rock. It’s just a little something to get your head bobbing in the early hours of the day. Lang does a great job of taking the listener on a journey since each track brings something new and exciting to the table. So, wherever you are, turn the volume up, and get ready for A Way Out Of Here.

The first track “Move On” is almost theatrical, at a whopping nine minutes long. From the soft intro to the various music breaks, to the artist “locking the door” at the end, Lang puts on nothing less than a spectacular show. It’s fitting since each song provides a different experience than the previous one.

“Shine On Me” and “Freedom Of The Day” are great tracks for those fall road trips, and have a soft rock sound similar to The Goo Goo Dolls. “Love Is All Around” has a distinct grunge rock sound to it at the beginning, but the vocals weren’t the right fit for the track. The vocals were lacking the energy that that track could have used to take it to the next level. “I’ll Be There For You” is the last track of the album, and it wraps up the “theatrical production” quite nicely. It feels like the end credit track of a movie because of the background vocalists and full orchestral section. There are cool cosmic synth elements that make you feel like you’re in another dimension, which might allude to why the album is titled A Way Out Of Here, but then again, that’s just speculation.

Overall, A Way Out Of Here is a colorful album, combining elements of folksy country and alternative rock. Lang creates a comfortable atmosphere with his smooth vocals and carefree acoustic intros. It’s a rare thing to hear live instruments used on tracks today, but Torsten Weber does an incredible job playing the guitar and gives the tracks an authentic rock sound. It’s refreshing to see an album that incorporates so many genres and doesn’t happen to sound like the same song being played on repeat with different lyrics. In fact, you probably wouldn’t be able to recognize that it was the same artist if you were to blindly listen to two different tracks off the album. So, take a listen to the album. You might even be surprised by what an adventure it will take you on.

Key Tracks Include: “A Way Out Of Here”, “Move On”, “I’ll Be There For You”, and “The Sound Of The Ocean” 

Lily Clark – Berklee College of Music Intern
October 6, 2019


Tracks:
 

1. Move On
2. A Way Out Of Here
3. Shine On Me
4. Don’t Confuse Life With A Thought
5. Love Is All Around
6. Freedom Of The Day
7. Early Morning Light
8. The Sound Of The Ocean
9. I’ll Be There For You

 

9/28/2019

Rock Review: Suzi Quatro-No Control

Release Date: March 29th, 2019
Label: Steamhammer

Pioneer of the rock n’ roll woman, Suzi Quatro, shows she has no problem diversifying her sound to the present musical climate, almost 50 years after she first broke onto the scene. Her newest album, No Control, is energetic and defiant, boasting thoughtful, inspirational lyrics backed by sublime and rounded instrumentation. The production throughout is so full, with each instrument given space and time to shine, that listening sounds like attending a pristine live set. This release serves as a statement from the 69-year-old; I’m still here and I’ve still got it. 

Over 11 songs, Quatro jumps between hard rock, blues, and country styles. The first track, “No Soul / No Control” is the perfect entrance to the project, throwing the listener straight into the action. Powerful lyrics like “you can’t break me, cause I’m in control” flow over a heavy rock guitar rhythm, reminiscent of Queens of the Stone Age’s work on Villains. “Strings” is a masterful, melodic, and funky rock ballad made up of profound lyrics, powerful big brass trumpets, and a blissful, ascending piano.

Upon first listen, “Love isn’t fair” seems like a strange interlude. Sandwiched between two electrifying rock songs, the trumpets and jaunty calypso steel drums create an island, beach-holiday vibe. However, pay attention to its melancholic, country-style lyrics about lost love and this song will grow on you quick. It’s this contradiction which adds to the charm of the song and makes it one of the more enjoyable songs of the collection

On the track “Macho Man” Quatro’s squealing vocals pair terrifically with a thumping guitar beat and manic drumming to create another album highlight, bursting at the seams with energy. “Easy Pickings” lulls the listener gently in, starting slow with soft drum brushes and a warbling harmonica, which then blends seamlessly into a bombastic, crashing masterpiece of heavy rock on the bridge. A tantalizing piano solo near the end of this track serves as the cherry on top for this gorgeously arranged tour de force. 

Throughout the album one is hard-pressed to find anywhere Quatro and co. put a foot wrong, ducking and diving between styles and genres, on one track rocking out, on another providing a feel-good, inspirational bounce. One missed swing could be “Bass Line” however, which is a lackluster track, saved only by Quatro’s quavering bass solo towards the end.

Key Tracks Include: “No Soul / No Control”, “Strings”, “Macho Man” and “Easy Pickings.”

Nicholas Lane-MuzikMan.net Contributor

September 25, 2019

Tracks:
01. No Soul / No Control
02. Going Home
03. Strings
04. Love Isn’t Fair
05. Macho Man
06. Easy Pickings
07. Bass Line
08. Don’t Do Me Wrong
09. Heavy Duty
10. I Can Teach You to Fly
11. Going Down Blues