12/01/2021

Manticore Records Relaunching Under the Auspices of Regina Lake, Widow of Legendary Greg Lake

A personal statement from Regina

It was always Greg's wish to reinstate the Manticore Records Label.

Greg's idea, in his own words, was to give new, talented musicians the chance to be heard, when other doors might have been closed to them for being different.
Greg was once one such young Musician.
He had put everything in place for Manticore Records to start up again, but as we know, it wasn’t possible for Greg to be there to realise his vision.

Just a few days before Greg died, he asked me if I would like to carry on with Manticore Records, after he had gone?
Greg had already put everything into my name, ready for me to take his place.
He said it was entirely up to me.
If I wasn’t tempted to take it on, I could just let it go.
I told him, as I am sentimental about Manticore, having been there in the early days, I would give it my best, with a lot of help from my friends and advisers, including Greg’s long term manager Stewart Young, and Martin Darvill, co-manager since 2008..

On reflection I would like this label to be devoted to Greg Lake Music and Songs to keep his legacy alive for us all in years to come.

Regina Lake

The first project will be a definitive collection of Greg Lake’s solo catalogue. Also, watch a rare video of Greg singing “I believe in Father Christmas” live premiering soon here: https://youtu.be/zP33z3lGHyo.

For more information:
https://www.manticorerecords.com/
https://www.facebook.com/ManticoreRecordsOfficial

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Photo of Greg Lake by Alfred Ligammari

11/30/2021

'Disturbing the Peace: 415 Records and the Rise of New Wave,' The Story Behind the Groundbreaking Indie Label 415 Records - New Book By Bill Kopp!

362 pages, paperback; featuring nearly 300 images in color and b&w

Asheville, NC - A new book, Disturbing the Peace tells the story of groundbreaking indie label 415 Records. The label founded by Howie Klein influenced other labels to follow, and it released era-defining singles, EPs and albums.

In the late ‘70s and early to mid 1980s, San Francisco was a creative incubator, bringing forth all manner of new music acts. Ground zero for the scene was the Mabuhay Gardens, home to huge barrels of popcorn, once-a-week spaghetti nights, colorful emcee Dirk Dirksen, and punk/new wave bands from all over the Bay Area. Concert booker and renegade radio deejay Howie Klein joined with Aquarius Records owner Chris Knab to launch a record label in support of that scene.

Measured in strictly commercial terms, 415 Records was at best a modest success. But then, for Klein and his founding partner Chris Knab (owner of the city’s Aquarius Records shop), financial gain was never the primary goal. Ask him about his objectives, and he’ll tell you: “F-U-N,” he’ll say. “It was all about fun.”

But 415 Records would have a lasting impact, one that extended far beyond the minor chart action that a few of the label’s artists achieved. Klein and his cohorts established new ways of doing business in the music industry, and were at the forefront of a resurgence of independent labels.

Disturbing the Peace: 415 Records and the Rise of New Wave is Bill Kopp's chronicle of the groundbreaking independent record label founded by Howie Klein & Chris Knab, featuring the stories of Romeo Void (“Never Say Never,” “A Girl in Trouble”), Red Rockers (“China,” “Shades of 45”), Translator (“Everywhere That I’m Not”), Wire Train (“Chamber of Hellos,” “Skills of Summer”), Roky Erickson (“If You Have Ghosts,” “I Walked with a Zombie”), The Nuns, Pearl Harbor and Explosions and nearly two dozen other bands.

Featuring a foreword from Joel Selvin (Hollywood Eden) and based on Bill Kopp’s nearly 100 interviews with the artists, industry execs, producers, friends, rivals, onlookers, journalists and hangers-on, Disturbing the Peace also features hundreds of photos and memorabilia from the archives of those who were there.

Advance praise for Disturbing the Peace:

In the late 1970s, indie labels popped up all over America, forming an underground network that altered the course of musical history. Each one had a vision, characters and a story of DIY ingenuity, but those were overlooked as their bands took the spotlight. Trouser Press worked a lot with Howie Klein and San Francisco's pioneering 415 label, but I really didn't know much about the company. Thanks to Bill Kopp's definitive 'Disturbing the Peace,' now I do.” - Ira Robbins, co-founder of Trouser Press magazine

The direct line leading from San Francisco’s psychedelic hippie-band era of the ’60s to the city’s punk and new wave movement of the late ’70s-’80s has never been drawn this clearly - or with this much sheer elation - before. Although they might seem to have little in common musically, philosophically or stylistically, 415 Records bands like Romeo Void, The Nuns, Translator and SVT (whose bassist, Jack Casady, had been in the earlier era’s Jefferson Airplane and Hot Tuna) followed the same guiding DIY principles, rebelliously eschewing a craving for mainstream success in favor of fomenting a true cultural revolution. 'Disturbing the Peace' is more than just another profile of a local rock scene or record label - it’s the story of a seismic shift, and the passions of the people who created it.” - Jeff Tamarkin, author of Got a Revolution! - The Turbulent Flight of Jefferson Airplane

By sweeping together the minutiae of one particular music scene - San Francisco in the late 70s and early 80s, when 415 Records began and flourished - Bill Kopp manages to remind us of the way punk and alternative music blossomed into cultural forces influencing the 90s and beyond. Yes, it really happened: dozens and dozens of bands, club hoppers, radio hounds and record store geeks built and maintained a scene without the internet. This devourable, fanatically researched document is indispensable for those who were there and will gall into jealousy those who weren’t.” - Karen Schoemer, author of Great Pretenders: My Strange Love Affair with 50s Pop Music

From the author’s afterword:

415 Records was special. Not only did it capture the zeitgeist of the music scene in one of the world’s most creatively vibrant cities, but its launch, development and subsequent success served as an example (and sometimes object lesson) of the potential indie-to-major path charted by other labels to follow in its wake. And along the way, some great music got made.

More info about Disturbing the Peace: http://415book.com/
Ordering information from HoZac Books: https://hozacrecords.com/product/disturbing-the-peace/
More from author Bill Kopp: http://blog.musoscribe.com/

Bill Kopp:
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues – more than 30 to date – and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, will be published in December 2021 by HoZac Books.

Disturbing the Peace will be published in December 2021 by HoZac Books. Bill Kopp is available for interviews, and PDF copies of the book are available for review. For inquiries, please contact info@415book.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

LESLIE WEST’s Bluesy Version Of “SILENT NIGHT” Is Released On 7” Vinyl!

Los Angeles, CA - Talk about the perfect stocking stuffer for guitar lovers! Check out this fantastic 7” vinyl from the celebrated guitarist and founding member of classic rock giants Mountain, Leslie West, who passed away just a few days before Christmas 2020. The vinyl’s A-side is a deeply moving instrumental version of the beloved holiday hymn “Silent Night,” originally released in 2015 on the Blues Christmas compilation, that opens with a gorgeous and moving acoustic guitar arpeggiation before West comes in with a massive electric slide guitar like a six-string slingin’ Santa coming down the chimney. The track is the perfect distillation of West’s unique combination of tough and tender playing, and a beautiful way to make this holiday season a little extra bright.

Stream/download “Silent Night”: https://orcd.co/leslie_west_silent_night

The B-side is no lump of coal either, it’s a killer cover of The Doors’ “Roadhouse Blues” with organist Brian Auger and blues master Rod Piazza! This 7” is available as a limited-edition BLUE vinyl release, so don’t delay and pick one up for the blues rock lover in your life today!

Order the 7”: https://cleorecs.com/store/shop/leslie-west-silent-night-limited-edition-7-colored-vinyl/


Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
Instagram @cleopatrarecords
https://www.instagram.com/cleopatrarecords/
Twitter @cleopatrarecord
https://twitter.com/cleopatrarecord
Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
Dailymotion @Cleopatrarecords
https://www.dailymotion.com/CleopatraRecords
Vimeo @cleopatrarecords
https://vimeo.com/cleopatrarecords
Spotify @cleopatra_recs
https://open.spotify.com/user/cleopatra_recs
Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

Featured Track: Samer Fanek-Endlessly Lost

Samer Fanek got my full attention with a new track release titled "Endlessly Lost." 

Like a lot of music, there is a story behind it. It is about Samer and the feelings he went through for some time. The music is not typical of what he creates; however, it reflects a darker period of life for the artist.

I thought the track was some of the best work I have heard from Samer. The elements of piano, guitar, and his experiment with brass are exciting, dramatic, and beautiful all at the same time.

The merging of one's feelings, their soul, into a composition makes for something unforgettable. And I, for one, would love to hear more of this direction when he releases a full-length album!

Keith "MuzikMan" Hannaleck




https://samerfanek.com

Samer Fanek (Arabic: سامر الفانك, born December 11, 1986) is an award-winning pianist, keyboardist, composer and producer of piano instrumental music. He has a longtime dream to create instrumental songs that have an enduring emotional impact on people, hoping that his songs will travel from his small home studio to the world stage, where he aspires to perform them alongside talented musicians and orchestras for everyone to experience...READ MORE..

11/29/2021

King Crimson Legend David Cross and Composer Andrew Keeling To Release Second Album “October is Marigold”

David Cross is best known as a member of King Crimson on the “Larks’ Tongues in Aspic” and “Starless and Bible Black” albums. He also leads the David Cross Band and has been a guest artist, recording and performing live with a number of international groups including Stick Men.

Andrew Keeling is a composer and musician whose contemporary classical works have been internationally acclaimed. Besides working with David Cross he has also orchestrated the music of Robert Fripp (The Wine of Silence), arranged for Tim Bowness (Abandoned Dancehall Dreams) as well as playing with alt-rock band, The Gong Farmers. Keeling has also written a series of Musical Guides exploring the music of such bands as King Crimson.

“October is Marigold” is the second album from David Cross (electric violin) and Andrew Keeling (flute) and it is the third to appear on Noisy Records’ ‘Electric Chamber Music’ label. Perhaps more strikingly than its predecessors, this recording epitomises the aims of that label to present music designed for an intimate setting which makes use of musical and electronic techniques used in rock. Cross and Keeling’s “English Sun” was released in 2009 (followed by a handful of gigs) and the duo recorded much of “October is Marigold” in the same year. These tracks lay dormant until 2020 when work recommenced on the new album.

Whereas “English Sun” encapsulates the vibrance of summer, “October is Marigold” portrays darker, melancholic autumnal atmospheres. The music is again mostly improvised, the exceptions being a previously written organ part for the title track and two guitar loops. Although the performances are spontaneous there is a clearer sense of architecture here, with the “Marigold” cello/piano theme arching in four incarnations across the album. Nature continues to be an inspiration, with field recordings of birds finding a natural place alongside pizzicato violin and fluttering flute. Cross demonstrates the full potential of the electric violin with, for example, a haunting, muted trumpet-like sound on the title track and the earthy, evocative use of cello pitched violin. Keeling’s flute seems to embody the human response to the realities of nature, breathing, tumbling and bending with the wind. Throughout, there is an uninhibited flow across musical reference points – hints of folk, blues and romance are exposed as the duo travel through this stark autumnal landscape.  

photo by Chiemi Cross

Watch the promotional trailer for “October is Marigold”: https://youtu.be/ymdq6iJVYRw

To purchase or for more information: www.david-cross.com

Facebook: David Cross, https://www.facebook.com/david.cross.33821
Facebook pages: David Cross Music, David Cross Band

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com