Former Jethro Tull Keyboardist Dee Palmer's “The Orchestral Sgt Pepper” and Other Titles Reissued

London, UK – Gonzo Multimedia has reissued Dee Palmer's “The Orchestral Sgt Pepper”! From 1968 until 1980 she was arranger and, subsequently, keyboardist with the globally prestigious, seminal English rock group, Jethro Tull. On leaving the group she produced an acclaimed series of albums of symphonic versions of prog-rock music of the 70's – Tull, Genesis, Pink Floyd, Yes, Queen etc. – performing them, live, in Europe and the Americas throughout the 90's.

In June 1967 The Beatles released “Sgt. Pepper's Lonely Hearts Club Band”, their eighth studio album. The critic Kenneth Tynan described it as "a decisive moment in the history of Western civilization". Richard Poirier wrote: “Listening to the Sgt. Pepper album one thinks not simply of the history of popular music but the history of this century.” Time magazine declared it “a historic departure in the progress of music – any music.” Newsweek's Jack Kroll called it a “masterpiece”, comparing the lyrics with literary works by Edith Sitwell, Harold Pinter and T. S. Eliot, particularly “A Day in the Life”, which he compared to Eliot's The Waste Land. The New York Times Book Review characterized it as a harbinger of a “golden Renaissance of Song” and the New Statesman 's Wilfrid Mellers praised its elevation of pop music to the level of fine art.

In 1994, Dee Palmer orchestrated this classic album for EMI at the famous Abbey Road studios with the Royal Academy Of Music Symphony Orchestra, donating the lion's share of the royalties for the benefit of impecunious music students at the Royal Academy, having once been one herself.

To purchase:
http://www.gonzomultimedia.co.uk/product_details/15811

Currently working on a variety of projects including Dee's autobiography and a long awaited album of original songs, she has recently completed the choral arrangements of songs from three of her series of symphonic rock albums, with a future “Prog-Rock Prom” performance in mind.
For more information: http://missdeepalmer.com/

Other Dee Palmer titles to be reissued by Gonzo Multimedia:

Dee Palmer and The London Symphony Orchestra “Objects of Fantasy (The Music of Pink Floyd)” (release date May 25, 2016)
Personnel includes Steve Hackett, Mitch Dalton (guitar); Charlie Morgan (drums); Andy Pask (bass guitar); David Bristow, Dee Palmer (keyboards); Stan Saltzman (soprano saxophone); Phil Todd (tenor saxophone); Stephanie De Sykes, Clare Torry, Miriam Stockley, Tony Burrows, Carl Wayne, Ian Hunt (voice).

Dee Palmer and The London Symphony Orchestra “Passing Open Windows - A Symphonic Tribute to Queen”
Recorded in England on August 14-23, 1996. Personnel: Dee Palmer (conductor, keyboards); The Royal Philharmonic Orchestra; Neil Lancaster, Tim Whitnall, Carl Wayne, Mick Mullins (vocals); John Paricelli (guitar); Stan Sultzman (soprano saxophone); John Barclay (trumpet); Derek James (trombone); Dee Palmer, Andy Vinter (keyboards); Alan Walley, Tim Harries (bass); Matthew Rich (percussion)

Dee Palmer and The London Symphony Orchestra “Symphonic Music of Yes”
Personnel includes: Dee Palmer (conductor, arranger, synthesizer, piano, vocoder, Hammond organ); Jon Anderson, The London Community Gospel Choir (vocals); Steve Howe (guitar, background vocals, mandolin, dobro); Tim Harries (bass); Bill Bruford (drums); Gary Masters (programming); The London Philharmonic, The English Chamber Orchestra. Producers: Alan Parsons, Steve Howe, Dee Palmer.

Dee Palmer and The London Symphony Orchestra “We Know What We Like - The Music of Genesis”
Personnel includes: Dee Palmer, The London Philharmonic Orchestra; Steve Hackett (guitar); Ian Anderson (flute).

All four titles will also be released in a box set titled “A Vintage Case of Dee Palmer”.

For more information: http://www.gonzomultimedia.co.uk/product_details/15944/Dee_Palmer-A_Vintage_Case_of_Dee_Palmer.html

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Former Jethro Tull Keyboardist Dee Palmer's “The Orchestral Sgt Pepper” and Other Titles Reissued

London, UK – Gonzo Multimedia has reissued Dee Palmer's “The Orchestral Sgt Pepper”! From 1968 until 1980 she was arranger and, subsequently, keyboardist with the globally prestigious, seminal English rock group, Jethro Tull. On leaving the group she produced an acclaimed series of albums of symphonic versions of prog-rock music of the 70's – Tull, Genesis, Pink Floyd, Yes, Queen etc. – performing them, live, in Europe and the Americas throughout the 90's.

In June 1967 The Beatles released “Sgt. Pepper's Lonely Hearts Club Band”, their eighth studio album. The critic Kenneth Tynan described it as "a decisive moment in the history of Western civilization". Richard Poirier wrote: “Listening to the Sgt. Pepper album one thinks not simply of the history of popular music but the history of this century.” Time magazine declared it “a historic departure in the progress of music – any music.” Newsweek's Jack Kroll called it a “masterpiece”, comparing the lyrics with literary works by Edith Sitwell, Harold Pinter and T. S. Eliot, particularly “A Day in the Life”, which he compared to Eliot's The Waste Land. The New York Times Book Review characterized it as a harbinger of a “golden Renaissance of Song” and the New Statesman 's Wilfrid Mellers praised its elevation of pop music to the level of fine art.

In 1994, Dee Palmer orchestrated this classic album for EMI at the famous Abbey Road studios with the Royal Academy Of Music Symphony Orchestra, donating the lion's share of the royalties for the benefit of impecunious music students at the Royal Academy, having once been one herself.

To purchase:
http://www.gonzomultimedia.co.uk/product_details/15811

Currently working on a variety of projects including Dee's autobiography and a long awaited album of original songs, she has recently completed the choral arrangements of songs from three of her series of symphonic rock albums, with a future “Prog-Rock Prom” performance in mind.
For more information: http://missdeepalmer.com/

Other Dee Palmer titles to be reissued by Gonzo Multimedia:

Dee Palmer and The London Symphony Orchestra “Objects of Fantasy (The Music of Pink Floyd)” (release date May 25, 2016)
Personnel includes Steve Hackett, Mitch Dalton (guitar); Charlie Morgan (drums); Andy Pask (bass guitar); David Bristow, Dee Palmer (keyboards); Stan Saltzman (soprano saxophone); Phil Todd (tenor saxophone); Stephanie De Sykes, Clare Torry, Miriam Stockley, Tony Burrows, Carl Wayne, Ian Hunt (voice).

Dee Palmer and The London Symphony Orchestra “Passing Open Windows - A Symphonic Tribute to Queen”
Recorded in England on August 14-23, 1996. Personnel: Dee Palmer (conductor, keyboards); The Royal Philharmonic Orchestra; Neil Lancaster, Tim Whitnall, Carl Wayne, Mick Mullins (vocals); John Paricelli (guitar); Stan Sultzman (soprano saxophone); John Barclay (trumpet); Derek James (trombone); Dee Palmer, Andy Vinter (keyboards); Alan Walley, Tim Harries (bass); Matthew Rich (percussion)

Dee Palmer and The London Symphony Orchestra “Symphonic Music of Yes”
Personnel includes: Dee Palmer (conductor, arranger, synthesizer, piano, vocoder, Hammond organ); Jon Anderson, The London Community Gospel Choir (vocals); Steve Howe (guitar, background vocals, mandolin, dobro); Tim Harries (bass); Bill Bruford (drums); Gary Masters (programming); The London Philharmonic, The English Chamber Orchestra. Producers: Alan Parsons, Steve Howe, Dee Palmer.

Dee Palmer and The London Symphony Orchestra “We Know What We Like - The Music of Genesis”
Personnel includes: Dee Palmer, The London Philharmonic Orchestra; Steve Hackett (guitar); Ian Anderson (flute).

All four titles will also be released in a box set titled “A Vintage Case of Dee Palmer”.

For more information: http://www.gonzomultimedia.co.uk/product_details/15944/Dee_Palmer-A_Vintage_Case_of_Dee_Palmer.html

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Keyboard Legend Rick Wakeman To Release “Starship Trooper” Compilation Feat. Steve Hillage, Nik Turner, Steve Howe, William Shatner and Others!

Los Angeles – On April 15th Purple Pyramid records will be releasing an out of this world collection of extraordinary performances by legendary YES keyboardist Rick Wakeman! For more than four decades Rick Wakeman has established himself as a visionary showman without peer, the creator of some of the most extravagant performances, breathtaking soloing and imaginative passages ever preserved on record, or executed on stage.

Aptly titled “Starship Trooper”, this amazing collection contains 2 previously unreleased tracks including a powerful rendition of Tool's “Sober” plus several more brilliant cover songs of The Who, Pink Floyd, and The Doors including 5 never before heard versions! The compilation also includes performances by Gong’s Steve Hillage, Yes's Billy Sherwood, Steve Howe and Tony Kaye, William Shatner, Colin Moulding, Jerry Goodman, Nik Turner, Carmine Appice and more!

“Over the last few years I have performed on many tracks as a 'guest' but never before has anybody put some of the best of those I played on into a compilation. It's always challenging to be involved in tracks of other people's music and other people's arrangements as it often makes you think and play differently and certainly on many of these tracks I play in quite an unexpected way, but there again, much of my life has been pretty unexpected anyway!” - Rick Wakeman

The liner notes were written by modern rock scholar Dave Thompson, who says of Rick Wakeman, “This most personable of superstars has made inroads into the worlds of journalism, broadcasting and acting - professions which his eye for spectacle, story telling and stylishness might well have made inevitable all along. But he also happens to be among the most gifted, visionary and brilliant performers his chosen instruments have seen.”

Track List:
1. Sober
2. Are We To Believe
3. Random Acts (Revisited)
4. Dynamics Of Delirium
5. Love Reign O'er Me
6. Crime Of The Century
7. The Great Gig In The Sky
8. I'm Not in Love
9. Starship Trooper
10. Check Point Karma
11. Change
12. Nobody Home
13. Light My Fire

Rick Wakeman's official website: http://www.rwcc.com/

Buy the CD: http://flyt.it/RickWakemanCD
Download the digital version: http://flyt.it/RickWakemanDig

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Keyboard Legend Rick Wakeman To Release “Starship Trooper” Compilation Feat. Steve Hillage, Nik Turner, Steve Howe, William Shatner and Others!

Los Angeles – On April 15th Purple Pyramid records will be releasing an out of this world collection of extraordinary performances by legendary YES keyboardist Rick Wakeman! For more than four decades Rick Wakeman has established himself as a visionary showman without peer, the creator of some of the most extravagant performances, breathtaking soloing and imaginative passages ever preserved on record, or executed on stage.

Aptly titled “Starship Trooper”, this amazing collection contains 2 previously unreleased tracks including a powerful rendition of Tool's “Sober” plus several more brilliant cover songs of The Who, Pink Floyd, and The Doors including 5 never before heard versions! The compilation also includes performances by Gong’s Steve Hillage, Yes's Billy Sherwood, Steve Howe and Tony Kaye, William Shatner, Colin Moulding, Jerry Goodman, Nik Turner, Carmine Appice and more!

“Over the last few years I have performed on many tracks as a 'guest' but never before has anybody put some of the best of those I played on into a compilation. It's always challenging to be involved in tracks of other people's music and other people's arrangements as it often makes you think and play differently and certainly on many of these tracks I play in quite an unexpected way, but there again, much of my life has been pretty unexpected anyway!” - Rick Wakeman

The liner notes were written by modern rock scholar Dave Thompson, who says of Rick Wakeman, “This most personable of superstars has made inroads into the worlds of journalism, broadcasting and acting - professions which his eye for spectacle, story telling and stylishness might well have made inevitable all along. But he also happens to be among the most gifted, visionary and brilliant performers his chosen instruments have seen.”

Track List:
1. Sober
2. Are We To Believe
3. Random Acts (Revisited)
4. Dynamics Of Delirium
5. Love Reign O'er Me
6. Crime Of The Century
7. The Great Gig In The Sky
8. I'm Not in Love
9. Starship Trooper
10. Check Point Karma
11. Change
12. Nobody Home
13. Light My Fire

Rick Wakeman's official website: http://www.rwcc.com/

Buy the CD: http://flyt.it/RickWakemanCD
Download the digital version: http://flyt.it/RickWakemanDig

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Keyboard Legend Patrick Moraz To Release Limited Edition 19-CD Box Collection Of Solo Catalogue

Los Angeles, CA - As the holiday season approaches, keyboard legend Patrick Moraz is proud to announce the release of his special BOX COLLECTION of 19 CDs! The special box collection also contains a uniquely different CARD that Patrick has specially conceived, designed and autographed.

Titles Included in the Box Collection:
Change of Space
Coexistence
Esp - Etudes, Sonatas, Preludes (AVAILABLE IN BOX COLLECTION ONLY)
Future Memories I and II
Future Memories II (AVAILABLE IN BOX COLLECTION ONLY)
Future Memories Live on TV
Human Interface
“i“ (a.k.a. “The Story of i”)  
Live at Abbey Road (AVAILABLE IN BOX COLLECTION ONLY)
Mainhorse
Music for Piano and Drums - Live in Maryland - 2 Audio CDs
Out in the Sun
Patrick Moraz III
Patrick Moraz in Princeton (AVAILABLE IN BOX COLLECTION ONLY)
Pianissimoraz
Resonance (AVAILABLE IN BOX COLLECTION ONLY)
Time Code (AVAILABLE IN BOX COLLECTION ONLY)
Windows of Time

The CDs can also be purchased as single units directly from his websites and Facebook.

Swiss born Patrick Moraz is best known as an official member and keyboardist for the progressive rock bands “Yes” from 1974 to the end of 1976 and “The Moody Blues” from 1978 to 1991. He was classically trained at the Conservatory of Lausanne, but having a keen interest in jazz and world rhythms he decided early on to pursue composing and playing in these genres of music as well. This led to Patrick and his own trio and quartet, opening for major jazz artists and famous rock bands throughout Europe in the mid-sixties. He then formed the group “Mainhorse” with Jean Ristori in 1968 and released a self-titled album on Polydor. After a long tour of Japan and the Far-East as musical director of a Brazilian Ballet Company, he moved to England in the early Seventies to form “Refugee” with Lee Jackson and Brian Davison, both previously of  “The Nice”. They produced one album titled “Refugee” which to date is still revered as one of Prog-Rock’s monumental works known for Moraz’s highly inspired compositions and keyboard virtuosity.

Moraz rose to prominence in 1974 as a new member and keyboardist of “Yes”. He co-composed along withYes’s” band members and played on the album “Relayer”, which led to what was to be “Yes’s” most successful ever world tour, playing to crowds which numbered from 25,000 to 120,00 at JFK stadium during the bi-centennial year of 1976.  In 1975-1976 these particular members of “Yes” decided to compose, record and release their own solo albums. In the interim Moraz had moved to Brazil and composed the music for his own “i” (a.k.a. “The Story of i”) solo album, which incorporated 16 Brazilian percussionists, making it an important staple of “world music”. “i” was Moraz’s first solo album and in 1976 it was voted the #1 Album of the Year by “Keyboard Magazine”. After his departure from “Yes”Patrick recorded his second album “Out In The Sun” on the “famous” Charisma Record Label, and moved officially to Brazil.

In the last part of 1977 and the first part of 1978, Patrick devoted his time exclusively for composing and recording for the production of his 3rd solo album, simply titled “Patrick Moraz”; on this recording, he enlisted the services of the percussionists of Rio-de-Janeiro and Djalma Correa, whom several years later Patrick referred to Peter Gabriel for his album “SO”.

Moving back to Europe via an appearance at the famous “Montreux Jazz Festival” in Switzerland, and upon their request, Patrick began playing with ”The Moody Blues” on their “Octave” tour in 1978, replacing their former keyboardist Mike Pinder, and two world tours ending in 1979 were extremely successful!

In 1980, having played and recorded on the new album “Long Distance Voyager” he was asked to become a member of the band. Subsequently, in 1981, “Long Distance Voyager” reached #1 on the US charts (and a first for the “Moodies”!) and proved to be one of their highest grossing albums to date. He continued touring and recording with “The MoodyBlues” until 1991 and played on the four subsequent albums : “The Present”, “The Other Side of Life”, “Sur la Mer” and partially on “Keys of the Kingdom”. Moraz is also credited as composer and co-writer of the song “The Spirit”, which appeared on the 1986 album “The Other Side of Life”.

During recording and touring breaks with the “Moodies”, Patrick had continued to compose, play and record his solo albums “Future Memories 1” “Future Memories II”, (both “Live on TV”),  “Human Interface”, and “Timecode”. He also collaborated, (in 1979), with the renowned Romanian pan-pipe flutist, Simeon Stanciu, (a.k.a. Syrinx), for their album “Coexistence”.  From 1983 to 1985, Patrick Moraz and Bill Bruford, former member and drummer for Yes, decided to form a duet and tour under the name “Moraz-Bruford”. They recorded two albums, “Music For Piano and Drums” and “Flags” and managed to do three very successful worldwide Tours.

In 1991 having been with “The Moody Blues” for thirteen years, Moraz embarked on a solo career. To date he has composed and played acoustic piano on three solo CD’s, “Windows of Time”, (Quote from Keyboard Magazine : “If Beethoven had gigged with Yes, he might have wound up sounding like this“) as well as “Resonance” and “ESP”, all of which have been critically acclaimed and extremely well received.

In 1995, exactly 20 years ago, Patrick Moraz performed throughout the USA on his C.H.A.T. tour (Coming Home America Tour). The tour was unique in that it was one of the first, if not the very first to be booked entirely over the Internet! Moraz played solo on acoustic Grand Pianos to audiences that numbered as small as two people to hundreds of people, taking place in eclectic venues which ranged from single homes, to large estates, corporate headquarters, churches, theaters, concert halls and museums. One of the concerts was filmed and recorded for a DVD and CD in Princeton N.J. and is titled “P.M. in Princeton”. The C.H.A.T. tour proved to be a huge success and an experience that Moraz says he will always hold very dear to his heart.
In 2009 he released “Change of Space”, and in 2011 Moraz released the electronic keyboard CD “MorazLive/Abbey Road”  which features Patrick playing live electronic keyboards as well as a live acoustic piano improvisation. There  was also a piano-compilation CD titled “Pianissimoraz”, featuring a new and unreleased piece : The “one-&-only take” of the instant composition “Pure Love”.

In 2014, Patrick was invited to take part and perform 2 solo electronic concerts as well as an all-acoustic solo piano concert on the now famous “Cruise to the Edge“ (CTTE).

Most recently Patrick Moraz and drummer Greg Alban released their first album titled “MAP” in June 2015!

The album features amazing bass player John Avila, former member of “Oingo Bongo”, as well as other great players such as Lenny Castro on percussion, who has worked with such artists as The Rolling Stones, Elton John, Eric Clapton and many others, renowned and awesome bass player, Matt Malley, founder and former member of  The Counting Crows, who expertly plays Indian Slide Guitar, Swiss virtuoso bass player, Patrick Perrier, and heavyweight multi-instrumentalist on tenor saxophone, Dave VanSuch.

To purchase Patrick Moraz's 19 CD Box Set (titles are also available individually):
https://patrickmoraz.neucart.com/
https://patrickmoraz.neucart.com/all-19-cds-box-set

To purchase Patrick Moraz & Greg Alban “MAP”: 
http://cdbaby.com/cd/themap1
www.themap.website

Patrick Moraz:
www.patrickmoraz.com
www.patrickmoraz.net
https://www.facebook.com/patrickmorazofficial

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Keyboard Legend Patrick Moraz To Release Limited Edition 19-CD Box Collection Of Solo Catalogue

Los Angeles, CA - As the holiday season approaches, keyboard legend Patrick Moraz is proud to announce the release of his special BOX COLLECTION of 19 CDs! The special box collection also contains a uniquely different CARD that Patrick has specially conceived, designed and autographed.

Titles Included in the Box Collection:
Change of Space
Coexistence
Esp - Etudes, Sonatas, Preludes (AVAILABLE IN BOX COLLECTION ONLY)
Future Memories I and II
Future Memories II (AVAILABLE IN BOX COLLECTION ONLY)
Future Memories Live on TV
Human Interface
“i“ (a.k.a. “The Story of i”)  
Live at Abbey Road (AVAILABLE IN BOX COLLECTION ONLY)
Mainhorse
Music for Piano and Drums - Live in Maryland - 2 Audio CDs
Out in the Sun
Patrick Moraz III
Patrick Moraz in Princeton (AVAILABLE IN BOX COLLECTION ONLY)
Pianissimoraz
Resonance (AVAILABLE IN BOX COLLECTION ONLY)
Time Code (AVAILABLE IN BOX COLLECTION ONLY)
Windows of Time

The CDs can also be purchased as single units directly from his websites and Facebook.

Swiss born Patrick Moraz is best known as an official member and keyboardist for the progressive rock bands “Yes” from 1974 to the end of 1976 and “The Moody Blues” from 1978 to 1991. He was classically trained at the Conservatory of Lausanne, but having a keen interest in jazz and world rhythms he decided early on to pursue composing and playing in these genres of music as well. This led to Patrick and his own trio and quartet, opening for major jazz artists and famous rock bands throughout Europe in the mid-sixties. He then formed the group “Mainhorse” with Jean Ristori in 1968 and released a self-titled album on Polydor. After a long tour of Japan and the Far-East as musical director of a Brazilian Ballet Company, he moved to England in the early Seventies to form “Refugee” with Lee Jackson and Brian Davison, both previously of  “The Nice”. They produced one album titled “Refugee” which to date is still revered as one of Prog-Rock’s monumental works known for Moraz’s highly inspired compositions and keyboard virtuosity.

Moraz rose to prominence in 1974 as a new member and keyboardist of “Yes”. He co-composed along withYes’s” band members and played on the album “Relayer”, which led to what was to be “Yes’s” most successful ever world tour, playing to crowds which numbered from 25,000 to 120,00 at JFK stadium during the bi-centennial year of 1976.  In 1975-1976 these particular members of “Yes” decided to compose, record and release their own solo albums. In the interim Moraz had moved to Brazil and composed the music for his own “i” (a.k.a. “The Story of i”) solo album, which incorporated 16 Brazilian percussionists, making it an important staple of “world music”. “i” was Moraz’s first solo album and in 1976 it was voted the #1 Album of the Year by “Keyboard Magazine”. After his departure from “Yes”Patrick recorded his second album “Out In The Sun” on the “famous” Charisma Record Label, and moved officially to Brazil.

In the last part of 1977 and the first part of 1978, Patrick devoted his time exclusively for composing and recording for the production of his 3rd solo album, simply titled “Patrick Moraz”; on this recording, he enlisted the services of the percussionists of Rio-de-Janeiro and Djalma Correa, whom several years later Patrick referred to Peter Gabriel for his album “SO”.

Moving back to Europe via an appearance at the famous “Montreux Jazz Festival” in Switzerland, and upon their request, Patrick began playing with ”The Moody Blues” on their “Octave” tour in 1978, replacing their former keyboardist Mike Pinder, and two world tours ending in 1979 were extremely successful!

In 1980, having played and recorded on the new album “Long Distance Voyager” he was asked to become a member of the band. Subsequently, in 1981, “Long Distance Voyager” reached #1 on the US charts (and a first for the “Moodies”!) and proved to be one of their highest grossing albums to date. He continued touring and recording with “The MoodyBlues” until 1991 and played on the four subsequent albums : “The Present”, “The Other Side of Life”, “Sur la Mer” and partially on “Keys of the Kingdom”. Moraz is also credited as composer and co-writer of the song “The Spirit”, which appeared on the 1986 album “The Other Side of Life”.

During recording and touring breaks with the “Moodies”, Patrick had continued to compose, play and record his solo albums “Future Memories 1” “Future Memories II”, (both “Live on TV”),  “Human Interface”, and “Timecode”. He also collaborated, (in 1979), with the renowned Romanian pan-pipe flutist, Simeon Stanciu, (a.k.a. Syrinx), for their album “Coexistence”.  From 1983 to 1985, Patrick Moraz and Bill Bruford, former member and drummer for Yes, decided to form a duet and tour under the name “Moraz-Bruford”. They recorded two albums, “Music For Piano and Drums” and “Flags” and managed to do three very successful worldwide Tours.

In 1991 having been with “The Moody Blues” for thirteen years, Moraz embarked on a solo career. To date he has composed and played acoustic piano on three solo CD’s, “Windows of Time”, (Quote from Keyboard Magazine : “If Beethoven had gigged with Yes, he might have wound up sounding like this“) as well as “Resonance” and “ESP”, all of which have been critically acclaimed and extremely well received.

In 1995, exactly 20 years ago, Patrick Moraz performed throughout the USA on his C.H.A.T. tour (Coming Home America Tour). The tour was unique in that it was one of the first, if not the very first to be booked entirely over the Internet! Moraz played solo on acoustic Grand Pianos to audiences that numbered as small as two people to hundreds of people, taking place in eclectic venues which ranged from single homes, to large estates, corporate headquarters, churches, theaters, concert halls and museums. One of the concerts was filmed and recorded for a DVD and CD in Princeton N.J. and is titled “P.M. in Princeton”. The C.H.A.T. tour proved to be a huge success and an experience that Moraz says he will always hold very dear to his heart.
In 2009 he released “Change of Space”, and in 2011 Moraz released the electronic keyboard CD “MorazLive/Abbey Road”  which features Patrick playing live electronic keyboards as well as a live acoustic piano improvisation. There  was also a piano-compilation CD titled “Pianissimoraz”, featuring a new and unreleased piece : The “one-&-only take” of the instant composition “Pure Love”.

In 2014, Patrick was invited to take part and perform 2 solo electronic concerts as well as an all-acoustic solo piano concert on the now famous “Cruise to the Edge“ (CTTE).

Most recently Patrick Moraz and drummer Greg Alban released their first album titled “MAP” in June 2015!

The album features amazing bass player John Avila, former member of “Oingo Bongo”, as well as other great players such as Lenny Castro on percussion, who has worked with such artists as The Rolling Stones, Elton John, Eric Clapton and many others, renowned and awesome bass player, Matt Malley, founder and former member of  The Counting Crows, who expertly plays Indian Slide Guitar, Swiss virtuoso bass player, Patrick Perrier, and heavyweight multi-instrumentalist on tenor saxophone, Dave VanSuch.

To purchase Patrick Moraz's 19 CD Box Set (titles are also available individually):
https://patrickmoraz.neucart.com/
https://patrickmoraz.neucart.com/all-19-cds-box-set

To purchase Patrick Moraz & Greg Alban “MAP”: 
http://cdbaby.com/cd/themap1
www.themap.website

Patrick Moraz:
www.patrickmoraz.com
www.patrickmoraz.net
https://www.facebook.com/patrickmorazofficial

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Keyboard Legend Rick Wakeman Collaborates With 15-year-old Soprano Emmie Beckitt On New Single "Welcome A Star"

London, UK - “Welcome A Star” is the first single from 15-year-old soprano Emmie Beckitt, in collaboration with classically trained pianist, composer and TV presenter, Rick Wakeman. Rick first met Emmie, who has been singing classical repertoire since the age of ten, at a fundraiser for Kids 'n' Cancer – and was so impressed by her crystal clear voice and effortless range that he decided her to record a song from his oratorio The New Gospels, which tells the real story of Christmas.

The result is “Welcome A Star”, a beautifully melodic Christmas song, released by Hope Records via Nova Distribution, on Friday 4 December. “Welcome A Star” was recorded by Emmie with the English Chamber Choir and the Orion Orchestra, and features Rick on keyboards.

Currently studying for her Grade 8 exam in singing, Emmie Beckitt takes part in the Senior School Chamber Choir at St Augustines, Scarborough, North Yorkshire and is also a member of her school orchestra and jazz band, as she plays tenor saxophone, violin and piano. When aged only 13, she supported Katherine Jenkins in concert and a year later, appeared at Roy Wood's sell-out show at the Birmingham Symphony Hall, where she received a standing ovation. She recently sang “The Hymn”, composed by Sir Tim Rice and Rick Wakeman, with an orchestra and choir, at The Sage Gateshead, as part of the Tim Rice Concert Series.

A Fellow of the Royal College of Music, Professor of the London College of Music, former YES keyboard player, Watchdog presenter and renowned Grumpy Old Man, classically trained pianist Rick Wakeman began his career as a much-sought-after session musician in the late Sixties, playing on more than 2,000 records by a wide variety of artists, including Cat Stevens, David Bowie, Marc Bolan and Black Sabbath. In the early Seventies, he found fame in his own right as a member of first Strawbs and then YES. As a solo artist and with YES, he has sold more than 50,000,000 albums. He has written a number of film scores and has become a TV regular, appearing on shows like Never Mind The Buzzcocks and Countdown and of course, Grumpy Old Men and Watchdog. He still finds time to perform numerous concerts around the world every year, ranging from his extremely popular one-man show to extravaganzas that feature symphony orchestras and choirs.

Both Emmie and Rick are patrons of the Chesterfield charity Kids'n' Cancer and a percentage of the profits from the sale of Welcome A Star will be donated to that organisation.

Welcome a Star is released on Friday 4 December, and is available in CD and digital single formats:
https://itunes.apple.com/gb/album/welcome-a-star-single/id1052288010
http://www.amazon.co.uk/Welcome-Star-Emmie-Beckitt-Wakeman/dp/B01762UWC0/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1447065657&sr=1-1-mp3-albums-bar-strip-0&keywords=emmie+beckitt

Rick Wakeman's official website: http://www.rwcc.com/
www.facebook.com/RickWakemanMusic 
Twitter: @GrumpyOldRick

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Keyboard Legend Rick Wakeman Collaborates With 15-year-old Soprano Emmie Beckitt On New Single "Welcome A Star"

London, UK - “Welcome A Star” is the first single from 15-year-old soprano Emmie Beckitt, in collaboration with classically trained pianist, composer and TV presenter, Rick Wakeman. Rick first met Emmie, who has been singing classical repertoire since the age of ten, at a fundraiser for Kids 'n' Cancer – and was so impressed by her crystal clear voice and effortless range that he decided her to record a song from his oratorio The New Gospels, which tells the real story of Christmas.

The result is “Welcome A Star”, a beautifully melodic Christmas song, released by Hope Records via Nova Distribution, on Friday 4 December. “Welcome A Star” was recorded by Emmie with the English Chamber Choir and the Orion Orchestra, and features Rick on keyboards.

Currently studying for her Grade 8 exam in singing, Emmie Beckitt takes part in the Senior School Chamber Choir at St Augustines, Scarborough, North Yorkshire and is also a member of her school orchestra and jazz band, as she plays tenor saxophone, violin and piano. When aged only 13, she supported Katherine Jenkins in concert and a year later, appeared at Roy Wood's sell-out show at the Birmingham Symphony Hall, where she received a standing ovation. She recently sang “The Hymn”, composed by Sir Tim Rice and Rick Wakeman, with an orchestra and choir, at The Sage Gateshead, as part of the Tim Rice Concert Series.

A Fellow of the Royal College of Music, Professor of the London College of Music, former YES keyboard player, Watchdog presenter and renowned Grumpy Old Man, classically trained pianist Rick Wakeman began his career as a much-sought-after session musician in the late Sixties, playing on more than 2,000 records by a wide variety of artists, including Cat Stevens, David Bowie, Marc Bolan and Black Sabbath. In the early Seventies, he found fame in his own right as a member of first Strawbs and then YES. As a solo artist and with YES, he has sold more than 50,000,000 albums. He has written a number of film scores and has become a TV regular, appearing on shows like Never Mind The Buzzcocks and Countdown and of course, Grumpy Old Men and Watchdog. He still finds time to perform numerous concerts around the world every year, ranging from his extremely popular one-man show to extravaganzas that feature symphony orchestras and choirs.

Both Emmie and Rick are patrons of the Chesterfield charity Kids'n' Cancer and a percentage of the profits from the sale of Welcome A Star will be donated to that organisation.

Welcome a Star is released on Friday 4 December, and is available in CD and digital single formats:
https://itunes.apple.com/gb/album/welcome-a-star-single/id1052288010
http://www.amazon.co.uk/Welcome-Star-Emmie-Beckitt-Wakeman/dp/B01762UWC0/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1447065657&sr=1-1-mp3-albums-bar-strip-0&keywords=emmie+beckitt

Rick Wakeman's official website: http://www.rwcc.com/
www.facebook.com/RickWakemanMusic 
Twitter: @GrumpyOldRick

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Keyboard Legend Keith Emerson To Release Early 1960's Recordings on CD and Download!

London, UK - Due for release on the 6th November 2015 is the CD and download editions of long lost THE KEITH EMERSON TRIO recordings made in Keith's parents' living room when he was a teenager. These recordings come from one of only four acetates ever made!

These 7 tracks were previously been made available by Record Collection (in early 2015) as a limited edition vinyl release. This is the first time these recordings have been released on CD and download.

Of the CD and download editions, Keith Emerson said: “Well, we all have to start somewhere! I'm happy that Cherry Red is releasing my very earliest beginnings and I hope it will inspire future generations of musicians.”

Keith Emerson first found success with The Nice in the late 1960's before going on to become a founding member of Emerson, Lake & Palmer in 1970. ELP were critically and commercially successful through much of the 1970's, becoming one of the best-known progressive rock groups of the era. Emerson is widely regarded as one of the top keyboard players of the progressive rock era.

To purchase THE KEITH EMERSON TRIO recordings:
Amazon CD: http://geni.us/sxo
Amazon Digital: http://geni.us/3zKG
iTunes: http://geni.us/3DIY
LP edition: http://shop.recordcollectormag.com/product/VINKEITH/buy-keith-emerson-trio-rare-vinyl-lp

Keith Emerson's official website: http://www.keithemerson.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Keyboard Legend Keith Emerson To Release Early 1960's Recordings on CD and Download!

London, UK - Due for release on the 6th November 2015 is the CD and download editions of long lost THE KEITH EMERSON TRIO recordings made in Keith's parents' living room when he was a teenager. These recordings come from one of only four acetates ever made!

These 7 tracks were previously been made available by Record Collection (in early 2015) as a limited edition vinyl release. This is the first time these recordings have been released on CD and download.

Of the CD and download editions, Keith Emerson said: “Well, we all have to start somewhere! I'm happy that Cherry Red is releasing my very earliest beginnings and I hope it will inspire future generations of musicians.”

Keith Emerson first found success with The Nice in the late 1960's before going on to become a founding member of Emerson, Lake & Palmer in 1970. ELP were critically and commercially successful through much of the 1970's, becoming one of the best-known progressive rock groups of the era. Emerson is widely regarded as one of the top keyboard players of the progressive rock era.

To purchase THE KEITH EMERSON TRIO recordings:
Amazon CD: http://geni.us/sxo
Amazon Digital: http://geni.us/3zKG
iTunes: http://geni.us/3DIY
LP edition: http://shop.recordcollectormag.com/product/VINKEITH/buy-keith-emerson-trio-rare-vinyl-lp

Keith Emerson's official website: http://www.keithemerson.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Keyboard Legend Extraordinaire Patrick Moraz, Former Member of YES and the Moody Blues, To Release New Album “MAP” (Moraz Alban Project) With Outstanding Drummer Greg Alban!

Los Angeles CA- Patrick Moraz and Greg Alban proudly announce the release of their new CD “MAP”.

Says Patrick, “The concept and the meaning of “MAP” is first and foremost the 'MORAZ ALBAN PROJECT'! Some time ago, Greg Alban, a very good friend of mine and a great drummer whom I have known now for more than 30 years asked me if I would like to start composing and arranging some music that he could play the drums on, with me. He wanted to record a whole album together and eventually of course, release it.”

So Moraz began composing and arranging the music for “MAP” in his studio in Florida, the project then moved to California, where it was further developed and recorded. This new music is a collection of instrumental pieces that range in style and spirit of World-Fusion, Rock and Jazz.

Greg Alban, originally from Columbus, Ohio, attended Ohio University and moved to Los Angeles in 1974 to pursue a career in music. Greg has studied with some of the great drummers and teachers such as Richard Wilson, Joe Morello and Joe Porcaro. Patrick Moraz first heard Greg Alban play drums when he was head of his own band ICE. They were performing at the famous and since shuttered Red Onion in Marina Del Rey, CA. Impressed with the playing skills of Alban and fellow band member John Avila, Moraz asked them to perform on his album, “Timecode”. Greg Alban who has worked with such artists such as “The Miracles”, Denny Laine (Wings) and Mike Pinera (Blues Image and Iron Butterfly) explains: “Patrick and I have been very good friends for a long time and I’m still always being surprised by the depth of his knowledge, not just about music but everything! He’s a creative genius and I’m honored to be working with him.”

Swiss born Patrick Moraz, is best known as an official member and keyboardist for the progressive rock bands “Yes” from 1974 to the end of 1976 and “The Moody Blues” from 1978 to 1991. He was classically trained at the Conservatory of Lausanne, but having a keen interest in jazz and world rhythms he decided early on to pursue composing and playing in these genres of music as well. This led to Patrick and his own trio and quartet, opening for major jazz artists and famous rock bands throughout Europe in the mid-sixties. He then formed the group “Mainhorse” with Jean Ristori in 1968 and released a self-titled album on Polydor. Then, after a long tour of Japan and the Far-East as musical director of a Brazilian Ballet Company, he came back and moved to England in the early Seventies to form “Refugee” with Lee Jackson and Brian Davison, both previously of  “The Nice”. They produced one album titled “Refugee” which to date is still revered as one of Prog-Rock’s monumental works known for Moraz’s highly inspired compositions and keyboard virtuosity.

Moraz rose to prominence in 1974 as a new member and keyboardist of “Yes”. He co-composed along with Yes’s” band members and played on the album “Relayer”, which led to what was to be “Yes’s” most successful ever world tour, playing to crowds which numbered from 25,000 to 120,00 at JFK stadium during the bi-centennial year of 1976.  In 1975-1976 all the then- members of “Yes” released solo albums. In the interim Moraz had moved to Brazil and composed the music for the “I” aka “The Story of I” which incorporated 16 Brazilian percussionists, making it an important staple of “world music”. “I” was Moraz’s first solo album and in 1976 it was voted the #1 Album of the Year by “Keyboard Magazine”. After his departure from “Yes” Patrick recorded his second album “Out In The Sun” on the “famous” Charisma Record Label, and moved officially to Brazil.

In the last part of 1977 and the first part of 1978, time was devoted exclusively for composing and recording for the production of his 3rd solo Album, simply titled “Patrick Moraz”, in the company of the percussionists of Rio-de-Janeiro and Djalma Correa, who, several years later, was referred by Patrick to Peter Gabriel for his Album “SO”.

Moving back to Europe via an appearance at the famous “Montreux Jazz Festival” in Switzerland, and upon their request, Patrick began touring with ”The Moody Blues” on their “Octave” tour in 1978, replacing their former keyboardist Mike Pinder. The two world Tours, ending in 1979 proved extremely successful!

In 1980, having played and recorded on the new album “Long Distance Voyager” he was asked to become a member of the band. Subsequently, in 1981, “Long Distance Voyager” reached #1 on the US charts and proved to be one of their highest grossing albums to date. He continued touring and recording with “The Moody Blues” until 1991 and played on the four subsequent albums : “The Present”, “The Other Side of Life”, “Sur la Mer” and partially on “Keys of the Kingdom”. Moraz is also credited as composer and co-writer of the song “The Spirit”, which appeared on the 1986 album “The Other Side of Life”.

During recording and touring breaks with the “Moodies”, Patrick had continued to compose, play and record his solo albums “Future Memories 1” “Future Memories II”, (both “Live on TV”),  “Human Interface”, and “Timecode”. He also collaborated, (in 1979), with the renowned Romanian panpipe flutist, Simeon Stanciu, (a.k.a. Syrinx), for their album “Coexistence”.  From 1983 to 1985, Patrick Moraz and Bill Bruford, former member and drummer for Yes, decide to form a duet and tour under the name “Moraz-Bruford”. They recorded two albums, “Music For Piano and Drums” and “Flags” and managed to do three very successful worldwide Tours.

In 1991 having been with “The Moody Blues” for thirteen years, Moraz embarked on a solo career. To date he has composed and played acoustic piano on three solo CD’s, “Windows of Time”, “Resonance” and “ESP” all of which have been critically acclaimed and extremely well received.

In 1995, exactly 20 years ago, Patrick Moraz performed throughout the USA on his C.H.A.T. tour (Coming Home America Tour). The tour was unique in that it was one of the first, if not the very first to be booked entirely over the Internet. Moraz played solo on acoustic Grand Pianos to audiences that numbered as small as two people to hundreds of people, taking place in eclectic venues which ranged from single homes, to large estates, corporate headquarters, churches, theaters, concert halls and museums. One of the concerts was filmed and recorded for a DVD and CD in Princeton N.J. and is titled “P.M. in Princeton”. The C.H.A.T. tour proved to be a huge success and an experience that Moraz says, “He will always hold very dear to his heart”.

In 2009 he released “Change of Space”, and in 2011 Moraz released the electronic keyboard CD “Moraz Live/Abbey Road”  which features Patrick playing live electronic keyboards as well as a live acoustic piano improvisation. There  was also a piano-compilation CD titled “Pianissimoraz”, featuring a new and unreleased piece : The “one-&-only take” of the instant composition “Pure Love”.

And now much to the excitement of music fans worldwide, Patrick Moraz and Greg Alban are releasing their first album “MAP” in June 2015!

The album features amazing bass player John Avila, former member of “Oingo Bongo”, who also plays bass on “MAP”. The other great players featured on “MAP” are Lenny Castro on percussion, who has worked with such artists as “The Rolling Stones”, “Elton John”, “Eric Clapton” and many others. Renown and awesome bass player, Matt Malley, founder and former member of  “The Counting Crows”, expertly plays Indian Slide Guitar on “MAP’. Swiss virtuoso bass player Patrick Perrier and heavyweight multi-instrumentalist on tenor saxophone Dave VanSuch, both perform on “MAP” as well.

To purchase: 
http://cdbaby.com/cd/themap1
www.themap.website

Official website:
www.themap.website

Patrick Moraz:
www.patrickmoraz.com
www.patrickmoraz.net
https://www.facebook.com/patrickmorazofficial

Greg Alban:
www.GregAlban.com ;
www.GregAlban.net ;
www.Facebook.com/Greg.Alban.56

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Keyboard Legend Extraordinaire Patrick Moraz, Former Member of YES and the Moody Blues, To Release New Album “MAP” (Moraz Alban Project) With Outstanding Drummer Greg Alban!

Los Angeles CA- Patrick Moraz and Greg Alban proudly announce the release of their new CD “MAP”.

Says Patrick, “The concept and the meaning of “MAP” is first and foremost the 'MORAZ ALBAN PROJECT'! Some time ago, Greg Alban, a very good friend of mine and a great drummer whom I have known now for more than 30 years asked me if I would like to start composing and arranging some music that he could play the drums on, with me. He wanted to record a whole album together and eventually of course, release it.”

So Moraz began composing and arranging the music for “MAP” in his studio in Florida, the project then moved to California, where it was further developed and recorded. This new music is a collection of instrumental pieces that range in style and spirit of World-Fusion, Rock and Jazz.

Greg Alban, originally from Columbus, Ohio, attended Ohio University and moved to Los Angeles in 1974 to pursue a career in music. Greg has studied with some of the great drummers and teachers such as Richard Wilson, Joe Morello and Joe Porcaro. Patrick Moraz first heard Greg Alban play drums when he was head of his own band ICE. They were performing at the famous and since shuttered Red Onion in Marina Del Rey, CA. Impressed with the playing skills of Alban and fellow band member John Avila, Moraz asked them to perform on his album, “Timecode”. Greg Alban who has worked with such artists such as “The Miracles”, Denny Laine (Wings) and Mike Pinera (Blues Image and Iron Butterfly) explains: “Patrick and I have been very good friends for a long time and I’m still always being surprised by the depth of his knowledge, not just about music but everything! He’s a creative genius and I’m honored to be working with him.”

Swiss born Patrick Moraz, is best known as an official member and keyboardist for the progressive rock bands “Yes” from 1974 to the end of 1976 and “The Moody Blues” from 1978 to 1991. He was classically trained at the Conservatory of Lausanne, but having a keen interest in jazz and world rhythms he decided early on to pursue composing and playing in these genres of music as well. This led to Patrick and his own trio and quartet, opening for major jazz artists and famous rock bands throughout Europe in the mid-sixties. He then formed the group “Mainhorse” with Jean Ristori in 1968 and released a self-titled album on Polydor. Then, after a long tour of Japan and the Far-East as musical director of a Brazilian Ballet Company, he came back and moved to England in the early Seventies to form “Refugee” with Lee Jackson and Brian Davison, both previously of  “The Nice”. They produced one album titled “Refugee” which to date is still revered as one of Prog-Rock’s monumental works known for Moraz’s highly inspired compositions and keyboard virtuosity.

Moraz rose to prominence in 1974 as a new member and keyboardist of “Yes”. He co-composed along with Yes’s” band members and played on the album “Relayer”, which led to what was to be “Yes’s” most successful ever world tour, playing to crowds which numbered from 25,000 to 120,00 at JFK stadium during the bi-centennial year of 1976.  In 1975-1976 all the then- members of “Yes” released solo albums. In the interim Moraz had moved to Brazil and composed the music for the “I” aka “The Story of I” which incorporated 16 Brazilian percussionists, making it an important staple of “world music”. “I” was Moraz’s first solo album and in 1976 it was voted the #1 Album of the Year by “Keyboard Magazine”. After his departure from “Yes” Patrick recorded his second album “Out In The Sun” on the “famous” Charisma Record Label, and moved officially to Brazil.

In the last part of 1977 and the first part of 1978, time was devoted exclusively for composing and recording for the production of his 3rd solo Album, simply titled “Patrick Moraz”, in the company of the percussionists of Rio-de-Janeiro and Djalma Correa, who, several years later, was referred by Patrick to Peter Gabriel for his Album “SO”.

Moving back to Europe via an appearance at the famous “Montreux Jazz Festival” in Switzerland, and upon their request, Patrick began touring with ”The Moody Blues” on their “Octave” tour in 1978, replacing their former keyboardist Mike Pinder. The two world Tours, ending in 1979 proved extremely successful!

In 1980, having played and recorded on the new album “Long Distance Voyager” he was asked to become a member of the band. Subsequently, in 1981, “Long Distance Voyager” reached #1 on the US charts and proved to be one of their highest grossing albums to date. He continued touring and recording with “The Moody Blues” until 1991 and played on the four subsequent albums : “The Present”, “The Other Side of Life”, “Sur la Mer” and partially on “Keys of the Kingdom”. Moraz is also credited as composer and co-writer of the song “The Spirit”, which appeared on the 1986 album “The Other Side of Life”.

During recording and touring breaks with the “Moodies”, Patrick had continued to compose, play and record his solo albums “Future Memories 1” “Future Memories II”, (both “Live on TV”),  “Human Interface”, and “Timecode”. He also collaborated, (in 1979), with the renowned Romanian panpipe flutist, Simeon Stanciu, (a.k.a. Syrinx), for their album “Coexistence”.  From 1983 to 1985, Patrick Moraz and Bill Bruford, former member and drummer for Yes, decide to form a duet and tour under the name “Moraz-Bruford”. They recorded two albums, “Music For Piano and Drums” and “Flags” and managed to do three very successful worldwide Tours.

In 1991 having been with “The Moody Blues” for thirteen years, Moraz embarked on a solo career. To date he has composed and played acoustic piano on three solo CD’s, “Windows of Time”, “Resonance” and “ESP” all of which have been critically acclaimed and extremely well received.

In 1995, exactly 20 years ago, Patrick Moraz performed throughout the USA on his C.H.A.T. tour (Coming Home America Tour). The tour was unique in that it was one of the first, if not the very first to be booked entirely over the Internet. Moraz played solo on acoustic Grand Pianos to audiences that numbered as small as two people to hundreds of people, taking place in eclectic venues which ranged from single homes, to large estates, corporate headquarters, churches, theaters, concert halls and museums. One of the concerts was filmed and recorded for a DVD and CD in Princeton N.J. and is titled “P.M. in Princeton”. The C.H.A.T. tour proved to be a huge success and an experience that Moraz says, “He will always hold very dear to his heart”.

In 2009 he released “Change of Space”, and in 2011 Moraz released the electronic keyboard CD “Moraz Live/Abbey Road”  which features Patrick playing live electronic keyboards as well as a live acoustic piano improvisation. There  was also a piano-compilation CD titled “Pianissimoraz”, featuring a new and unreleased piece : The “one-&-only take” of the instant composition “Pure Love”.

And now much to the excitement of music fans worldwide, Patrick Moraz and Greg Alban are releasing their first album “MAP” in June 2015!

The album features amazing bass player John Avila, former member of “Oingo Bongo”, who also plays bass on “MAP”. The other great players featured on “MAP” are Lenny Castro on percussion, who has worked with such artists as “The Rolling Stones”, “Elton John”, “Eric Clapton” and many others. Renown and awesome bass player, Matt Malley, founder and former member of  “The Counting Crows”, expertly plays Indian Slide Guitar on “MAP’. Swiss virtuoso bass player Patrick Perrier and heavyweight multi-instrumentalist on tenor saxophone Dave VanSuch, both perform on “MAP” as well.

To purchase: 
http://cdbaby.com/cd/themap1
www.themap.website

Official website:
www.themap.website

Patrick Moraz:
www.patrickmoraz.com
www.patrickmoraz.net
https://www.facebook.com/patrickmorazofficial

Greg Alban:
www.GregAlban.com ;
www.GregAlban.net ;
www.Facebook.com/Greg.Alban.56

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Keyboard Legend Rick Wakeman Presents WAKEmanFest 3-Day Event October 30-November 1, 2015!

London, UK - WAKEmanFEST is the brainchild of Rob Ayling from Gonzo Multimedia and was conceived as a three day event that would revolve around people Rick Wakeman has worked with spanning over 40 years in the music industry and his own band, The English Rock Ensemble. The festival will run Friday 30th October, Saturday 31st October and Sunday 1st November.

The event will be held at the legendary Boston Gliderdrome in Lincolnshire. The venue started life as a roller skating rink, but began to attract musical acts in the 1950's. The venue's golden age came after it was rebuilt in 1964 following a fire. The rink remained but the Starlight Rooms opened and the biggest names in pop headed to the east of England, which includes Yes, The Kinks, Small Faces, Elton John, T.Rex and Jimi Hendrix to name a few.

Says Rick, “I wanted to create a festival I would want to go to myself. We have chosen as the venue for this 3 day event, The Boston Gliderdrome in Lincolnshire because of its amazing history. I remember playing there many times over the years, especially with YES. We are also hoping to organising various hotel deals for people to book into as well. It all starts on the Friday with a full day Saturday and a very special charity day on the Sunday which finishes around 5pm so everybody can head off home”.

As of June 1st, WAKEmanFEST is lining up like this...

Friday October 30th
Registration from 2:00pm
Video room open showing RW and related DVDs.
5:30pm – 6:00pm - Q&A with Cadbury Sisters
6:30pm – 7:00pm - Q&A with The 3 (or possibly 4) Wakeman’s.

Evening performance:
7:30 – 8:15pm - The Cadbury Sisters.
9:00 – 11:00pm - Wakeman Cubed.

Saturday October 31st
Video room running all day
VIP room open all day
2:00pm – 3:00pm - Q&A with cast of Sir Henry of Rawlinson's End.
4.30pm – 5:00pm - Q&A with Rick & The English Rock Ensemble
5.30pm – 6.00pm - Q&A with The Electric Strawbs.

Evening performance:
6:30pm – 7:30pm - Sir Henry of Rawlinson's End.(Rick Wakeman guesting)
8:00pm – 9:00pm - Strawbs (with Rick Wakeman guesting at end)
10:00pm – 11:30pm - English Rock Ensemble

Sunday November 1st
11:30am – Reception before buffet lunch
Midday – 2:00pm - lunch and table magic
During lunch - Three games people for people to play with all proceeds to the Grand Order of Water Rats plus an auction.

Entertainment:
2:00pm – 2:30pm - The Philharmonic Skiffle Orchestra
2:35pm – 3:00pm - Magician !
3:05pm – 3:45pm - Kevin Orkian
4:00pm – 5:00pm - Rick Wakeman & The English Rock Ensemble - Chrissie Hammond also making a guest appearance.

Says Rick, “The Cadbury Sisters supported me on my last tour and were absolutely amazing. Everybody simply loved them.

“The Electric Strawbs of course will be very special as I will be joining them for 2 pieces. The Hangman and the Papist and also Where is this Dream of our Youth...and I will be using an original Hammond L100 similar to the one I used on the original recording at the Queen Elizabeth Hall.

“Sir Henry of Rawlinson's End is that wonderful piece written by the late Viv Stanshall who I worked with. Mike Livesley does an amazing version which I join in with every year at the Bloomsbury Theatre. His entire 11 piece band (plus me) will be performing it.

“The London Philharmonic Skiffle Orchestra are heavily connected to the Water Rats who will benefit from the Sunday which will be a great day of entertainment. High Energy Music & Comedy

“Kevin Orkian is a music and comedy genius and also a Water Rat, hence his appearance which is not to be missed!

“All in all, it is going to be a really fun weekend and also the launch of the new book company HaGaTaS and there will be readings going on in adjoining rooms as well, so something happening all the time. We plan this to be an annual event and really hope people will enjoy themselves...expect an early visit from father Xmas as well!”

For more information: www.wakemanfest.com

Gonzo Multimedia: http://www.gonzomultimedia.co.uk/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Keyboard Legend Rick Wakeman Presents WAKEmanFest 3-Day Event October 30-November 1, 2015!

London, UK - WAKEmanFEST is the brainchild of Rob Ayling from Gonzo Multimedia and was conceived as a three day event that would revolve around people Rick Wakeman has worked with spanning over 40 years in the music industry and his own band, The English Rock Ensemble. The festival will run Friday 30th October, Saturday 31st October and Sunday 1st November.

The event will be held at the legendary Boston Gliderdrome in Lincolnshire. The venue started life as a roller skating rink, but began to attract musical acts in the 1950's. The venue's golden age came after it was rebuilt in 1964 following a fire. The rink remained but the Starlight Rooms opened and the biggest names in pop headed to the east of England, which includes Yes, The Kinks, Small Faces, Elton John, T.Rex and Jimi Hendrix to name a few.

Says Rick, “I wanted to create a festival I would want to go to myself. We have chosen as the venue for this 3 day event, The Boston Gliderdrome in Lincolnshire because of its amazing history. I remember playing there many times over the years, especially with YES. We are also hoping to organising various hotel deals for people to book into as well. It all starts on the Friday with a full day Saturday and a very special charity day on the Sunday which finishes around 5pm so everybody can head off home”.

As of June 1st, WAKEmanFEST is lining up like this...

Friday October 30th
Registration from 2:00pm
Video room open showing RW and related DVDs.
5:30pm – 6:00pm - Q&A with Cadbury Sisters
6:30pm – 7:00pm - Q&A with The 3 (or possibly 4) Wakeman’s.

Evening performance:
7:30 – 8:15pm - The Cadbury Sisters.
9:00 – 11:00pm - Wakeman Cubed.

Saturday October 31st
Video room running all day
VIP room open all day
2:00pm – 3:00pm - Q&A with cast of Sir Henry of Rawlinson's End.
4.30pm – 5:00pm - Q&A with Rick & The English Rock Ensemble
5.30pm – 6.00pm - Q&A with The Electric Strawbs.

Evening performance:
6:30pm – 7:30pm - Sir Henry of Rawlinson's End.(Rick Wakeman guesting)
8:00pm – 9:00pm - Strawbs (with Rick Wakeman guesting at end)
10:00pm – 11:30pm - English Rock Ensemble

Sunday November 1st
11:30am – Reception before buffet lunch
Midday – 2:00pm - lunch and table magic
During lunch - Three games people for people to play with all proceeds to the Grand Order of Water Rats plus an auction.

Entertainment:
2:00pm – 2:30pm - The Philharmonic Skiffle Orchestra
2:35pm – 3:00pm - Magician !
3:05pm – 3:45pm - Kevin Orkian
4:00pm – 5:00pm - Rick Wakeman & The English Rock Ensemble - Chrissie Hammond also making a guest appearance.

Says Rick, “The Cadbury Sisters supported me on my last tour and were absolutely amazing. Everybody simply loved them.

“The Electric Strawbs of course will be very special as I will be joining them for 2 pieces. The Hangman and the Papist and also Where is this Dream of our Youth...and I will be using an original Hammond L100 similar to the one I used on the original recording at the Queen Elizabeth Hall.

“Sir Henry of Rawlinson's End is that wonderful piece written by the late Viv Stanshall who I worked with. Mike Livesley does an amazing version which I join in with every year at the Bloomsbury Theatre. His entire 11 piece band (plus me) will be performing it.

“The London Philharmonic Skiffle Orchestra are heavily connected to the Water Rats who will benefit from the Sunday which will be a great day of entertainment. High Energy Music & Comedy

“Kevin Orkian is a music and comedy genius and also a Water Rat, hence his appearance which is not to be missed!

“All in all, it is going to be a really fun weekend and also the launch of the new book company HaGaTaS and there will be readings going on in adjoining rooms as well, so something happening all the time. We plan this to be an annual event and really hope people will enjoy themselves...expect an early visit from father Xmas as well!”

For more information: www.wakemanfest.com

Gonzo Multimedia: http://www.gonzomultimedia.co.uk/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Swedish Composer and Keyboard Virtuoso Pär Lindh Releases New Classical Christmas Album 'Three Christmas Concertos'

¨Classical Rock Keyboard Legend Pär Lindh goes all the way and releases his first Concerto in Classical style!¨

Sweden - Possibly one of the most talented composer and keyboardist to emerge from Sweden, Pär Lindh will be releasing a new classical CD titled 'Three Christmas Concertos'. For those in the progressive rock community Pär Lindh is considered a keyboard wizard – so much so that he was chosen to play keys for the reunion of the legendary Nice (a prestigious position only held by keyboard visionary Keith Emerson). With the release of several highly acclaimed albums, Pär Lindh has garnered worldwide acclaim. And now, for the first time, he has released a purely classical Christmas album!

Says Pär, “I have every Christmas since my youth been listening to the 'Arcangelo Corelli' concerto (as well as Greg Lake's 'I Believe In Father Christmas') so it became a natural idea once I had my own Christmas piece. When I rewrote my concerto 2011 and extended it from the three movements I composed 1979-1981 to four movements. I found then that the third movement had a distinct Christmas carracter. And since my idea is to write four concertos to form a modern version of the four seasons suite by Vivaldi. This Christmas concerto would then have the nickname 'The Winter'. So in the future there will be the spring, summer and autumn.”

This is the first release by Pär's new record label based in Sweden called NORDVERK CLASSICAL MASTERWORKS. Next release is due for early 2015. You will find on this album a new work, which has been predicted to become a future classic, as well as two well-known classical Christmas concertos played in such a way as to give listeners who are familiar with this music a possibility to hear it performed in a new light. 'Three Christmas Concertos' includes the first ever recording of Pär's concerto 'Then Svenska Julkonserten', which was recorded winter 2013/2014. 

The premiere which took place in Sweden on December 4, 2011 was a huge success. Says Pär, “The work recieved thunderous applause after each movement and on one occasion even during a movement. I realised then that this work had the quality to go directly to the hearts of an audience. In November 2013, we recorded the three concertos. Kennet Boman oboe, Anders Lagerqvist kapellmeister and the orchestra has beautifully captured the mood of my work. Manfredini, having written several Christmas concertos, we choose this lovely work to be the sweet balacing piece in C-major between two concertos both in minor keys and of greater length. It has also been a pleasure to record this version of 'Corellis' famous concerto.”

Three Christmas Concertos including a new concerto by Pär Lindh

1. Pär Lindh Concerto grosso in a-minor for oboe, violin, celesta, tubular bells and string orchestra

2. Francesco Manfredini (1680-1748) Concerto grosso per il Santissimo Natale in C-major

3. Arcangelo Corelli (1653-1713) Concerto Grosso i g-minor Fatto per la notte di Natale

Musicians: 

Pär Lindh celesta & harpsichord

Kennet Bohman oboe

Anders Lagerkvist violin (known from Pär Lindh project album Time Mirror)

Kern Westerberg 2nd violin

Torbjörn Helander viola

Natalia Goldman cello

Per Björkling bass

Urban Grip tubular bells

Produced by Pär Lindh

Artistic director Pär Lindh

Kapellmeister Anders Lagerqvist

Recorded by Crimsonic Label Studios

Engineered by Pär Lindh

Mixed at Recordia by Fredrik Larnemo & Pär Lindh

Cover Artwork by Davide Guidoni (www.davideguidoni.com)

Special thanks to Mr David Hoyland

NORDVERK/Crimsonic Label 2014

Here's what the press have been raving about Pär Lindh:

¨Pär Lindh is the Mozart of our time!¨

“A brilliant renaissance for Swedish classical music!¨

“Pär Lindh is the Scandinavian king of the keyboards!”

¨The music was filled with pure magic, beautiful harmony and of such beauty that Pär Lindh should be called the greatest composer of Sweden. He surpasses the world-famous composer Arvo Pärt by far!¨ 

¨Lindh's tonal language goes directly to the heart. Like the music of the great Jean Sibelius!¨ 

¨This unique piece is really a musical gem. Nothing like it has ever been written in Sweden before!¨

¨A storming success! After the last movement the applause just would not stop and the orchestra had to play the last movement allegro moderato once again as an encore!¨

¨A Swedish masterpiece without equal!¨

¨The Vivaldi of Sweden!¨

In closing, Pär has this to impart, “Well the message is that since we unfortunately live in a very dark and seemingly hopeless reality today I just wanted to give people a very positive and beautiful message of hope and goodwill and to help us all meet our tomorrows in a cool, progressive and positive way.”

To purchase Pär Lindh's 'Three Christmas Concertos': http://www.parlindh.com/Content.aspx/Shop

For information & booking:
www.parlindh.com ;
www.parlindhproject.com ;
info@crimsonic.com

Press Inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Swedish Composer and Keyboard Virtuoso Pär Lindh Releases New Classical Christmas Album 'Three Christmas Concertos'

¨Classical Rock Keyboard Legend Pär Lindh goes all the way and releases his first Concerto in Classical style!¨

Sweden - Possibly one of the most talented composer and keyboardist to emerge from Sweden, Pär Lindh will be releasing a new classical CD titled 'Three Christmas Concertos'. For those in the progressive rock community Pär Lindh is considered a keyboard wizard – so much so that he was chosen to play keys for the reunion of the legendary Nice (a prestigious position only held by keyboard visionary Keith Emerson). With the release of several highly acclaimed albums, Pär Lindh has garnered worldwide acclaim. And now, for the first time, he has released a purely classical Christmas album!

Says Pär, “I have every Christmas since my youth been listening to the 'Arcangelo Corelli' concerto (as well as Greg Lake's 'I Believe In Father Christmas') so it became a natural idea once I had my own Christmas piece. When I rewrote my concerto 2011 and extended it from the three movements I composed 1979-1981 to four movements. I found then that the third movement had a distinct Christmas carracter. And since my idea is to write four concertos to form a modern version of the four seasons suite by Vivaldi. This Christmas concerto would then have the nickname 'The Winter'. So in the future there will be the spring, summer and autumn.”

This is the first release by Pär's new record label based in Sweden called NORDVERK CLASSICAL MASTERWORKS. Next release is due for early 2015. You will find on this album a new work, which has been predicted to become a future classic, as well as two well-known classical Christmas concertos played in such a way as to give listeners who are familiar with this music a possibility to hear it performed in a new light. 'Three Christmas Concertos' includes the first ever recording of Pär's concerto 'Then Svenska Julkonserten', which was recorded winter 2013/2014. 

The premiere which took place in Sweden on December 4, 2011 was a huge success. Says Pär, “The work recieved thunderous applause after each movement and on one occasion even during a movement. I realised then that this work had the quality to go directly to the hearts of an audience. In November 2013, we recorded the three concertos. Kennet Boman oboe, Anders Lagerqvist kapellmeister and the orchestra has beautifully captured the mood of my work. Manfredini, having written several Christmas concertos, we choose this lovely work to be the sweet balacing piece in C-major between two concertos both in minor keys and of greater length. It has also been a pleasure to record this version of 'Corellis' famous concerto.”

Three Christmas Concertos including a new concerto by Pär Lindh

1. Pär Lindh Concerto grosso in a-minor for oboe, violin, celesta, tubular bells and string orchestra

2. Francesco Manfredini (1680-1748) Concerto grosso per il Santissimo Natale in C-major

3. Arcangelo Corelli (1653-1713) Concerto Grosso i g-minor Fatto per la notte di Natale

Musicians: 

Pär Lindh celesta & harpsichord

Kennet Bohman oboe

Anders Lagerkvist violin (known from Pär Lindh project album Time Mirror)

Kern Westerberg 2nd violin

Torbjörn Helander viola

Natalia Goldman cello

Per Björkling bass

Urban Grip tubular bells

Produced by Pär Lindh

Artistic director Pär Lindh

Kapellmeister Anders Lagerqvist

Recorded by Crimsonic Label Studios

Engineered by Pär Lindh

Mixed at Recordia by Fredrik Larnemo & Pär Lindh

Cover Artwork by Davide Guidoni (www.davideguidoni.com)

Special thanks to Mr David Hoyland

NORDVERK/Crimsonic Label 2014

Here's what the press have been raving about Pär Lindh:

¨Pär Lindh is the Mozart of our time!¨

“A brilliant renaissance for Swedish classical music!¨

“Pär Lindh is the Scandinavian king of the keyboards!”

¨The music was filled with pure magic, beautiful harmony and of such beauty that Pär Lindh should be called the greatest composer of Sweden. He surpasses the world-famous composer Arvo Pärt by far!¨ 

¨Lindh's tonal language goes directly to the heart. Like the music of the great Jean Sibelius!¨ 

¨This unique piece is really a musical gem. Nothing like it has ever been written in Sweden before!¨

¨A storming success! After the last movement the applause just would not stop and the orchestra had to play the last movement allegro moderato once again as an encore!¨

¨A Swedish masterpiece without equal!¨

¨The Vivaldi of Sweden!¨

In closing, Pär has this to impart, “Well the message is that since we unfortunately live in a very dark and seemingly hopeless reality today I just wanted to give people a very positive and beautiful message of hope and goodwill and to help us all meet our tomorrows in a cool, progressive and positive way.”

To purchase Pär Lindh's 'Three Christmas Concertos': http://www.parlindh.com/Content.aspx/Shop

For information & booking:
www.parlindh.com ;
www.parlindhproject.com ;
info@crimsonic.com

Press Inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com