Featured Track: The Song Gardeners - Sabbe Satta Sukhi Hontu (May all beings be well)

The Song Gardener's return to Rate The Tracks with another single titled "Sabbe Satta Sukhi Hontu," translated it means "may all beings be well."

After hearing the words and music you cannot help feeling empowered with all the positive spiritual energy this fantastic trio puts out into the universe.

Once again Corrie Dunn (vocals, piano, guitar), singer/songwriter Mary Gospe (vocals, guitar, flute), and Chris Day (bass), make their mark in the world of new age music with a classic mantra.

May all of you beings be well and listen to the music to help the healing along the way. Give it a listen now, the good vibes will relax you and and put a positive spin on your day!

Keith "MuzikMan" Hannaleck 

http://www.TheSongGardeners.com

https://www.facebook.com/thesonggardeners

Featured Track: The Song Gardners-Love Flows

The Song Gardeners is a musical trio from the San Francisco Bay Area featuring singer/songwriter Corrie Dunn (vocals, piano, guitar), singer/songwriter Mary Gospe (vocals, guitar, flute), and Chris Day (bass).

This song is titled "Love Flows." As the love flows, so does the gorgeous vocal harmonies as I am certain you will agree when you listen to the stream provided.

This is new age themed music with a clear and concise message of positiveness, spirituality and above all, love.  Listen now and get ready to be transported to another dimension of total relaxation with "Love Flows."

Keith"MuzikMan" Hannaleck


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http://www.TheSongGardeners.com

https://www.facebook.com/thesonggardeners

Blues Review: Shirley King-Blues For A King

Release Date: June 19, 2020

Label: Cleopatra Records, Inc.

Website 

Powerhouse? Check. Musical family lineage? Check. Try as you might, to find a smoother summer sizzler than Blues For A King, you won’t have much luck. Shirley King, the daughter of famous blues legend B.B. King, arranges a collection of 11 feel-good tracks of classic covers and original pieces. Not much is known of Ms. King personally. She was born in 1949 and unfortunately, most of her adult life remains spotty, other than the fact that she was an exotic dancer since 1969. In 1990 she switched over to the blues and has done her father’s legacy well.

Looking at the artwork for this record, it is simple and colorful. Much like the genre it embodies, the album is bold and captivating utilizing color and animation. Blues finds a way to show the same concepts keeping the lyric structure symbol and coloring the singer’s tone beautifully with the emotion of often strife and trouble.

With two albums under her belt, Blues For A King soars into the stratosphere with songs holding mainly a strong, upbeat tone. Select songs such as “Can’t Find My Way Home,” “Gallows Pole,” and “Hoodoo Man Blues” do carry a more serious, darker sound but, not so much so that it completely changes the mood of the entire record for the listener.

“All My Lovin’” and “Feelin’ Alright” starts the album off as  “good morning world, how are you today?” and “sultry meets self-confidence” songs respectively. How can you not turn the volume up when the singer exudes so much love of life. “I Did You Wrong” is far from wrong at all. It acknowledges the pain the singer caused her significant other, feeling nothing but remorse for her part in a failed relationship. She then wants to reach out somehow to attempt to repair the damage in front of her.

We turn the volume back up to 11 when “That’s Alright Mama” comes blaring on. It’s an ode to what comes through every child vs parent situation, regardless of age, in terms of big decision making. One party might be uncomfortable with a decision like moving on or out, while the other party objects to any notion of the idea. “Can’t Find My Way Home” is calling upon those who live with their heads in the clouds or who might feel superior to other people or a group of persons. In this case, the singer is struggling to focus on the journey back to her home to spend more time searching for something greater than her home, not acknowledging a sense of superiority; rather comfort in simply being a wanderer for the time being.

“Johnny Porter” resembles a lot of a similar story-teller song “The Night the Lights Went Out In Georgia.” It speaks of a child who is making careless, destructive decisions on the streets. Meanwhile, his mother is worried sick about his well-being. The song is a coming-of-age combined with testing waters theme like no other.

This “Feeling Good” rendition is smokey, intense, and powerful where it often is light, bright and airy. Though, it still manages to keep a positive tone with the obvious lyrics and guitar accompaniment. “Give It All Up” is the honeymoon phase of life. Ready to throw caution to the wind and feel some constant goodness in her life, Shirley King is laying it all down for the one she loves. Then, we arrive at “Gallows Pole.” Another darker song on the record shows how human life can turn into a value for some people, with not a care in the world to rethink their action.

“Hoodoo Man Blues” is a struggle to find out why everything seems to be going topsy turvy in the singer’s world at the moment. She calls out for the Lord but, it seems the message isn’t getting through. Rounding out Blues For A King, a wonderful cover of “At Last,” makes the album shine and feels as though there is peace among the blues.

Key tracks include: “That’s Alright Mama,” “At Last,” and “Gallows Pole.”

Gregg Keniston- MuzikMan.net Staff
June 11, 2020

Tracks:
01. All My Lovin’
02. Feelin’ Alright?
03. I Did You Wrong
04. That’s Alright Mama
05. Can’t Find My Way Home
06. Johnny Porter
07. Feeling Good
08. Give It All Up
09. Gallows Pole
10. Hoodoo Man Blues
11. At Last 

Neo Prog Review: Airbag- A Day At The Beach

Release Date: June 19 2020

Label: Karisma

Website: www.airbagsound.com
  

The Norwegian band, Airbag, was formed by high school friends away back in 1994 but the release of their first EP heralds the fresh start as a “proper” band. They released a second EP which was freely downloadable from their website, as indeed, was the first release.

In 2009, the band was signed to the Norwegian label, Karisma, and the first album, Identity, was issued. This included more fleshed out versions of tracks on the two EPs, which were subsequently deleted. Three more albums followed, All Rights Removed (2011), The Greatest Show On Earth (2013), and Disconnected (2016) before the new album under review, A Day At The Beach (2020).

Initially a 5 piece band on the debut, there was a change in the drum seat for album 2, the same line-up for album 3, before a drop to a 4 piece outfit for album 4 and a further drop to a trio, comprising Asle Tostrup (lead vocals/keyboards/programming), Bjorn Riis (guitars/keyboards /backing vocals) and Henrik Fossum (drums) on this new release. Asle and Bjorn are original members with Henrik joining as the drummer from album 2, so a very settled core to the band. Guesting on A Day At The Beach, is bassist Kristian Karl Hultgren from fellow Norwegian band, Wobbler.

A Day At The Beach is a 6 track album with a combined running time of just under 49 minutes (48:50), with the opening track “Machines and Men” clocking in as the longest track at 10:48 minutes and “A Day At The Beach Part 1”, track 2, the shortest at 3:55 minutes.

The opening track, “Machines and Men” (10:48) is unmistakably Airbag, that is, if you are conversant with earlier releases by the band. As with a few Airbag introductions, there is a quiet section before any sound becomes detectable, and that first sound appears to be provided by the guest musician, Kristian Karl Hultgren’s bass. This repetitive riff is soon joined by the guitar of Bjorn Riis and the characteristic vocal of Asle Tostrup, before a more 80’s style electronica passage settles in with the band in full flow; bass, guitar, and drums perfectly in synch behind the vocals. Around 5:30 minutes, the sound falls away leaving a bass and guitar passage before the vocals return and the driving sound restarts with Bjorn’s guitar coming through loud and clear at around 7:15 minutes. The vocals arrive again nearer 8:00 minutes and an excellent instrumental section leading to the sound simply fading towards the track finale will have kept the listener’s attention. This track flows through light, airy passages and heavier, darker areas and is a superb opening track to the album.

“Sunsets” (8:16) is track 4 and starts with a little drum rhythm before the band kick into play. A slow passage that builds, then drops to leave bass and drums, and that expressive voice from Asle. A verse later and the chorus kicks in at a higher level before returning to the atmospheric music that Airbag is renowned for. Just after the 3:00 minute mark, the towering guitar provided by Bjorn takes over and drives the track along. Over the 4:00 minute mark and there is another “doff of the hat” to some 80’s electronica, before Bjorn “ups the ante” even further. Asle’s characteristic vocal takes over again before leaving the way open for the guitar of Bjorn to sweep the track on from around 6 minutes, until 7:45 minutes when it is atmospheric to the finale.

This album, A Day At The Beach, is a stunning release from the band. They have perfected, in my opinion, a “less is more” attitude with the quiet passages being as powerful for the listener, as an all-out blast from the guitar. They paint superb aural landscapes on each album and A Day At The Beach is no exception. I will happily admit to being a huge fan of Airbag, but the band has always produced “the goods” with each successive album. My advice is simple, go out and buy this album and you will not be disappointed, and it might tempt you into purchasing their back catalog.

Jim “The Ancient One” Lawson - Prog Rock Music Talk Staff
June 4, 2020

Tracks:
1. Machines And Men (10:48)
2, A Day At The Beach Pt 1 (3:55)
3, Into The Unknown (10:28)
4, Sunsets (8:16)
5, A Day At The Beach Pt 2 (5:33)
6, Megalomaniac (9:50)

Jazz Review: Rhy Dongju-Lions’den II: Arium

Release Date: May 15, 2020

Label: 2020 Dongju Lee

Website

Rhy Dongju is a youth progressive jazz and classical musician who grew up in the Republic of Korea. As a multi-disciplined, growing young man, Dongju exited the military in 2017 and then began to watch his music career blossom. Having released five albums so far, his latest Lions’den II: Arium, is his newest venture, creating an explosion of big-band flavors fused with jazz stylings.

“Ricasso” begins the album like the introduction of a theatrical performance as the curtain draws up, the number is exciting the listener for the start of the show. The tone almost makes the track sound as though it came from a spy movie. It’s a wonderful track to start with as there are no sudden or extreme changes, rather it is a simple, soothing piece.

As track two begins, and you glance over at this particular album artwork, you see a driver’s side car mirror. It's black and white, city street depiction is perfect for this album as it makes you feel like your right in the heart of a city That appears to be the theme of the record, along with a little throwback glance at the 1950’s scenery, painted in the listener’s mind. “Pp,” with a build-up of what might sound like a crescendo of tension, quickly dissipates back into a steady stream of uptempo, staccato strumming. What makes this track so appealing is that there are four different stages within the song; one which circled back to the crescendoing tension again to end out the song.

“Elvis Remember,” simply put, is pure fun. The song bursts with a cheery fanfare that becomes a toe-tapping two-minute tune. It’s appealing to the ear for as quick of a number as it is. Then, we fall into “Revenue” is the first track to have a bit of a somber note to it. The drumbeats offer up a variance of flavor to just having the guitar play through the entirety of the track. “Venue” starts as a dream sequence. It's light, piano keys offer beauty to the piece soon incorporating in the drums and as the guitar sets up to play, allowing it free reign. During the two to three-minute mark, the climax of the song has probably the most interesting exciting release of music throughout the whole album.

When “Syren” comes on it offers a cooler, mellow tone, and though it may be a little more melancholy than that of “Revenue;” it is still sleek with intervals of hill and valley moments particularly at the three-thirty to the four-minute mark. “Aroes Intro” is full-on spooky. It is a minute of elusiveness and piano pleasure. Getting into the main tune of “Aroes” is exciting and simplistic at the same time. There is a fair and even balance between the guitar and piano arrangements within “Aroes” which complement the track to have it be the standout track of the entire album.

Full of downbeats and dark tone “Rachmaninoff Rhapsody, Pt.1” is short but, a severe throw off course of what the listener has become accustomed to hearing through Lions’den II: Arium. As it’s follower, “Rachmaninoff Rhapsody, Pt. 2” comes to play, it offers a variance to its counterpart. While it sounds very dramatic, it gives off a vibe of a very high-speed chase or action-packed scene that might result in a grand finale. Coming to a close, “Arium” is the closing credit everyone can gather and stand and applaud to as victor has won or the hero is now enjoying a moment alone or with their love interest, after having accomplished whatever had needed to be done. It has a smooth and warm tone sure to leave you satisfied and just enough to want to know what the future might have in store for this rising, accomplished artist.

Key tracks include: “Venue,” “Arium,” “Ricasso,” and “Elvis Remember.”

Gregg Keniston- MuzikMan.net Staff
May 30, 2020

Track Listing:
01. Ricasso
02. Pp
03. Elvis Remember
04. Revenue
05. Venue
06. Syren
07. Aroes Intro
08. Aroes
09. Rachmaninoff Rhapsody, Pt. 1
10. Rachmaninoff Rhapsody, Pt. 2
11. Arium

Adult Contemporary/New Age Review: Richard Shulman-Life Seasons

Release Date: July 1, 2020

Label: Richheart Music

Website

Richard Shulman has recorded 28 albums and collaborated on dozens more. The soon to be released Life Seasons is the next proper album.

I like the thought of the seasons theoretically and how it fits each individual's age and current life situation. For instance, the winter of your life would likely be your seventies or eighties dependent on your health.

I would consider Life Seasons as a new age album thematically but musically it is adult contemporary with different elements sprinkled in. Richard’s beautiful piano playing takes center stage and he creates each track like the colorful pictures on the album cover.

“Summer Solstice” is performed by Richard’s trio. The lazy season is given the proper treatment with some cool jazz-inflected laid-back sounds. In the same frame of reference “Bohemian Summer” is a nice jazz number to kick off your shoes and soak in. As the notes are created your mind is set at ease, imagine just floating on a soft billowing cloud.

As we move into the changing seasons “Pre-Autumn” segues into “Sweet Autumn.” The tides of the music change with the season as the paces slow down and speed up in different parts of the composition, intimating the real-life changes you can see when nature does its magic. As autumn ends then we go “Spinning Into Winter” with a nice vocal performance from Wendy Jones, to follow is a solo piano performance from Richard titled “Winter Solstice.” His solo playing is very elegant and appropriate for the distinctiveness of the winter season and all its beauty as it covers the mountains and trees.

“Winter Solstice Dream” continues our seasonal walk through one of mother nature’s most celebrated seasons. It is the most prolific track that includes a spoken word performance from Wendy. The dialogue is significant and reflects much more than the actual season. It goes beyond relating to us as humans and how we translate mother nature’s work. The track runs for 9:52 with a backdrop of Richard’s tinkling ivories leading down the path of realizations as the spoken word continues telling a fascinating story. It is an exceptional track and presented beautifully.

The cycle continues with “Hope for Spring” and the beginning of the thaw with “Early Spring.” Richard’s piano is alive and thriving with exuberance and a consistent rhythm.

Now that I have heard all of the piano instrumentations, I have the belief that the foundation of this music was derived from classical and morphed into a new age, contemporary, and jazz leanings type of listening. All of it made for a perfectly enjoyable listen from beginning to end.

Life Seasons is quite the journey, offering each listener a taste of every season through the eyes and hands of many talented artists through the piano and other assorted instruments. Everything that went into this recording is just as dissimilar as all the seasons. That is the one element that I found the most interesting and relatable. Of course, every listener will find something different and that is what makes it so unique and special to those that choose to listen.

The personal for this diverse musical collection includes:

The Trio:
Richard Shulman - piano, all compositions and arrangements,
Zack Page - bass on all except #8,10, 13.
Rick Dilling - drums on all except #8,10,13

Vocal Quartet:
Wendy Jones - soprano #4,7,9,10,13 and flute on #7
Paula Hanke - alto #1,4,9,13.
Sherman Hoover - tenor #4,9,13.
Bob Bencze - bass/baritone #4,9,13.
Ron Clearfield - cello #1,7

Keith “MuzikMan” Hannaleck
June 5, 2020

Track List:
01. Life Seasons - 5:00 - vocal feat. Paula Hanke
02. Summer Solstice - 4:40 - trio
03. Summer Night - 4:02 - trio
04. Bohemian Summer - 4:13 vocal quartet
05. Pre-Autumn - 5:13 - trio
06. Sweet Autumn - 4:33 trio
07. Spinning into Winter - 3:30 vocal feat. Wendy Jones
08. Winter Solstice - 3:39 - solo piano
09. Velvet Shoes - 3:22 - vocal quartet
10. Winter Solstice Dream - 9:52 - spoken word feat. Wendy Jones
11. Hope for Spring - 5:20 - trio
12. Early Spring - 5:36 - trio
13. The Fairy of Mystery Blue - 3:14 vocal quartet


Review Provided By New Age Music Reviews

New Age Instrumental Review: Bernward Koch-Becoming

Release Date: May 15, 2020

Label: Myndstream

Website

Bernward Koch is a German multi-instrumentalist and Becoming is his fourteenth proper recording.

On Bernward’s website, he says "Music gives wings to a brighter life“ That statement is so true especially with what the year 2020 has brought the world. With all the pain and suffering on this planet, we are desperately in need of more artists like Bernward to keep making music that heals.

I also found something else noteworthy on his website that touched my soul. The US organization "Massachusetts Fallen Soldiers" uses his music to heal suicide-prone soldiers who have come back from crisis areas in different places in the world and often suffer from post-traumatic stress disorder (PTSD). I am from Massachusetts; I am a vet, and my father served in WWII so this means so much to me. Thank you Bernward.

This music is graceful, filled with beauty, and ultimately a wonderful tool for relaxing, meditation, contemplation, or simply listening enjoyment. That is without a doubt the entire reason this man makes his music. I am sure every time he records it is a process but a labor of love at the same time. He gives away sheet music on his website for two of his albums! I find that so generous of him to do that. Aspiring piano players can learn and play his music. So, the fact he gives us such beauty and peace through his music is one thing, then to give his actual sheet music away, well that is just amazing. May all of that good karma come back to you tenfold sir!

Listening to this music really helped me today. I had to walk away from the news that has been coming across our TVs and step back and take a breather. We all need it, especially now. I personally need to know that there are still loving and giving people out there and Bernward is surely one of them.

“Sparkling Eyes” was one of my favorites and I added it to my NAMR Spotify Playlist. It reminded me of my wife when I first met her and she still has that sparkle to this day. It is a gift to listen to this music and go through so many feelings, memories, and at times, sadness is coaxed out of me but I still feel good when the music finishes. This is music that puts me in a place that is not of this earth, we call it heaven. Maybe there is some truth that we choose our parents and start in heaven and return once we leave our bodies. It is possible, anything is if you believe.

Becoming is a very significant word. It can mean any number of things dependent on who you are and what frame of mind you are in when you are listening to this music. For me, it is about being me with no mask or wall to protect me, just me taking all of the sounds, textures, and colors in, then processing it all. What I get in the end is something very special, spiritual if you will, whatever one can call it, it is a blessing that I receive with a lot of gratitude. Every second of my life I am Becoming who I am, evolving, learning, growing, and sharing my experience, strength, and hope with everyone I know and meet.

I hope each and every listener can find a road to take within this music that allows healing. You just never know where Becoming is going to take you but that is exactly what makes it so intriguing. Every listener will find their way through this music, whether it is intentional or not, I am guaranteeing that these tracks are going to affect in you in a prolific manner, but you must let it happen, just listen and Benward, he will take you there.

Keith “MuzikMan” Hannaleck
May 30, 2020 

Track List: 
01. A Magical Dream
02. Lavender Fields
03. Moments of Love
04. Sparkling Eyes
05. Alone on the Way
06. Becoming
07. Mysterious Afterglow
08. The Bright Spring
09. The Harvest  
10. A Swan Dream
11. Floating Leaves
12. September Impressions
13. Long Long Time Ago


Review Provided By New Age Music Reviews

New Age Vocal Review: Prem Vidu-Encounter – Medicine Songs from Ma

Release Date:  June 4, 2020

Label: Independent

Website

Prim Vidu and his newest offering Encounter – Medicine Songs from Ma was a pleasant surprise for my new age tastes. Normally the vocals I hear on releases are some background embellishments. This however is all vocals with the traditional instrumentation you would come to expect from a new age release.

I had no idea what I was in for with this album, I just trusted that Prem was a new age artist looking for an opinion on his music. Well he asked the right person and everything does happen for a reason. This is Prem’s first release and everything was composed and performed by him and his team. Besides singing he plays a multitude of instruments. It is quite impressive as this album is his first and an independent release. This is about belief in your life, love, gratitude and the pureness of one enlightened soul.

Some of the instruments used are nylon guitar, shakers, kit acoustic guitars, electric guitars, mandolin, piano, synths, fretless bass, flugelhorn and trumpet. And that is the short list!

To create an album with all vocals and to have that new age color, depth, and meaning, you need all the right instruments. Based on what I heard, things were done properly and Prem and his fine team of musicians pulled out all the stops and present one beautiful recording.

The one and most important instrument is Prem’s vocals. I found an immediate attraction to his warmth and flowing vocalizations. The lyrics are from the heart and soul of a man that has found his true path through the music and spirituality. Prem says “"There is no shorter umbilical to your soul than singing!" How that rings so true for me and I am sure countless others that will enjoy Encounter – Medicine Songs from Ma.

At this particular moment in time I feeling some back pain and, in the music, and words of Encounter – Medicine Songs from Ma I found comfort and healing sounds. Although I must admit some of the lyrics are not understood because they are not in English, however that did not matter. Prem’s voice is so inviting and smooth that you just go with all the flow. The instrumentation is certainly quite excellent, which helps to get you at your comfort zone.

There is plenty of variety musically which keeps your interest besides the digging down deep lyrics presented on this amazing group of tracks. Anyone that can appreciate our humanity, spirituality, a variety of instruments, and incredible vocals, well, that about says it all doesn’t it. This is thoughtful words set to a magnificent array of instrumentation! You need to hear Encounter – Medicine Songs from Ma.

Keith “MuzikMan” Hannaleck
May 27, 2020

Track List:
1. Holy Divine Mother
2. May I Have The Strength
3. Cancel The Show
4. Oh Your Glory
5. Mighty Presence
6. Floating
7. Your Love Heals Me
8. Everything That Is Here
 

Review Provided By New Age Music Reviews

Prog Rock Review: Notion Blue-The Son, The Liar and The Victor

Release Date: May 12^, 2020

Label: Digital Self Released

Website

This was an unexpected album for review, The Son, The Liar and The Victor, as I had not heard of the band, Notion Blue before. A little bit of research gave me some info about the 3-piece rock band from Connecticut.

Unfortunately, the unifying force behind the formation of Notion Blue was a tragedy. Brothers, Gabe (drums/vocals), and Luke (vocals/guitar/bass) Chase had often joined Max (vocals/synthesizer/keyboards) and Johny (bass) Barbi for gigs since high school days. Although this happened a lot of the time, they never actually considered forming a band. Everything changed in 2018 when Johny died unexpectedly and in dealing with this loss, the three remaining friends decided to form an official band to produce a concept album about the life and times of Johny Barbi. Over the following 12 months, they worked hard, writing and recording demos and wrestling with rough ideas.

The resulting album, The Son, The Liar and The Victor, is a prog concept album greatly influenced by concept albums from The Neal Morse Band, Dream Theater and Steven Wilson to depict Johny Barbi’s life.

The album is a 10-track release with a total running time of just over 42 minutes. The longest track on offer is track 5, “Keeping Apart” which clocks in at 5:41 minutes, and the shortest is the opening track, “Memories” at under 2 minutes.

Opening the album is “Memories” (1:31) a short introduction to the album with excellent piano, strings joining in around 35 seconds, and a plaintive vocal appearing after 60 seconds. A really good piece of music to set the listener up for the rest of the album.

The fourth track, “The Liar” (5:40) has a stunning keyboard/guitar intro before dropping away to the vocals and then returning to the opening passage. The tempo builds up to another stunning keyboard/guitar interplay which drives the track on until dropping away with the return of the vocals and the opening theme. An interesting guitar riff takes the track towards the finale and a gentle fading away.

The last featured track is track 6, “Doubt Is Not A Destination” (5:36) which commences with a gentle acoustic guitar and vocal, taking the track onwards for the first 1:30 minutes, before the band starts to flow with an excellent section and a great guitar backed passage. By 3 minutes the music has returned to the gentleness of the opening section before building up as the track enters the final quarter with some excellent harmonized vocals and strings again reappearing. The gentle acoustic guitar from the start escorts the track out.

This was a huge undertaking by the three remaining friends and musicians, and they have produced an excellent prog-rock album. If I have one niggle, I do tend to find that in trying to convey areas and happenings in the life of Johny, the flow of the lyrics sometimes doesn’t quite work, but with such excellent music, it is only a niggle. The band provides sensitive lyrics, great vocals, both on lead and on the harmonies, superb bass, guitar, and keyboards going from the delicate to the soaring and the gentle to the driving.

I found The Son, The Liar and The Victor to be an excellent first album and congratulate the three band members on their achievement. Grab a listen to this album, and while I cannot guarantee that everyone will be blown away by it, I feel that many prog followers will find this of sufficient interest to add it to their collection.

Jim “The Ancient One” Lawson – Prog Rock Music Talk Staff
March 16, 2020

Tracks:
01. Memories (1:31)
02. The Gathering/Overture (4.47)
03. Always Tomorrow.\ (4.27)
04. The Liar (5.40)
05. Keeping Apart (5.41)
06. Doubt Is Not A Destination (5.36)
07. I See The Light (4.03)
08. Passing (4.20)
09. Homecoming (3.13)
10. Gates of Heaven (3.11)
 

Rock Review: Eric Burdon & The Animals-When I Was Young – The MGM Recordings 1967-1968

Release Date: February 28, 2020

Label: Esoteric

Website

When I Was Young – The MGM Recordings 1967-1968 is a 5-disc set covering Eric Burdon & The Animals. Each of these discs shows a pattern. As you stream through the music, the tone and themes overall go from disc one, and five shapes themselves up to be more of a darker sound than that of the other three discs. In ascending order, discs two through four increasingly become a bit lighter with the themes surrounding them. Minus a few extra tracks and one being formatted in stereo and one for mono, the two bookend discs play out similarly. It’s well worth playing on a day of reminiscing or if you might have a grey feeling throughout your day.

Eric Burdon & The Animals came about in 1966 when the actual band The Animals abruptly parted ways, he formed a similar but newer version of the group. It took hold of a Psychedelic rock type of influence rather than that of its former R&B stylings. He possessed a particular skill few in the Rock world could bring to life and not have the message and sound overdone or duplicated.

Disc two still carries a bit of a darker undertone but, generally, The Twain Shall Meet is an album of eventfulness and storytelling. You can feel a sense of wonder and awe in songs like “All Is One,” and “Just The Thought.” The album is rightly titled because it comes off very poetically. However, it also speaks to songs of war and unfortunate sorrow in the song “Sky Pilot.” You get an action-packed album amid this packaged deal.

Everyone Of Us is a blend of items. It contains an instrumental piece, “Serenade to A Sweet Lady,” along with a spoken-word track of “The Immigrant Lad.” It also includes a short story-styled song of “New York 1963 – America 1968.” You can tell by the titles of the tracks, that a lot of historical context surrounds the entirety of this album, and while it may be for a select group of ears (as many may not find the album impactful), it does carry an impressive framework about it.

Think of disc four as the icing on the cake, or the joy and celebration of light after a series of unfortunate events. There’s a common theme of love and its lasting effects both good and bad. “River Deep, Mountain High,” is that excitement burst of how much intensity one’s love could be another while, “Ring Of Fire,” represents how much power and heat can be put into love itself and loving someone, who may or may not return the same feeling.

This album certainly has an eclectic sense of emotion and lessons to be learned. Moreover, it is a great representation of laid back, mellow vibes to give younger listeners a sense of how music can captivate both a message and create an endless earworm to soothe the mind after an eventful day or stimulate the mind to think more introspectively.

Key Tracks: “Monterey,” “A Girl Named Sandoz,” “Year of the Guru,” “Gemini,” “Ring of Fire.”

Gregg Keniston- MuzikMan.net Staff
May 8, 2020

Reviews Provided By:

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Track Listing:
 
Disc One: Winds Of Change (Re-Mastered Stereo Mix)

01.    Winds Of Change
02.    Poem By The Sea
03.    Paint It Black
04.    The Black Plague
05.    Yes, I Am Experienced
06.    San Franciscan Nights
07.    Man – Woman
08.    Hotel Hell
09.    Good Times
10.    Anything
11.    It’s All Meat
12.    When I Was Young
13.    A Girl Named Sandoz
14.    Ain’t That So
15.    Gratefully Dead
16.    Anything (Single Version)

Disc Two: The Twain Shall Meet

01.    Monterey
02.    Just The Thought
03.    Closer to The Truth
04.    No Self Pity
05.    Orange and Red Beams
06.    Sky Pilot
07.    We Love You Lil
08.    All Is One
09.    Sky Pilot (Part One) (Mono Single)
10.    Sky Pilot (Part Two) (Mono Single)
11.    Monterey (Mono Single Version)

Disc Three: Everyone Of Us

01.    White Houses
02.    Uppers and Downers
03.    Serenade to a Sweet Lady
04.    The Immigrant Lad
05.    Year of the Guru
06.    St. James Infirmary
07.    New York 1963 – America 1968
08.    White Houses (Single Version)

Disc Four: Love Is

01.    River Deep, Mountain High
02.    I’m An Animal
03.    I’m Dying, or Am I?
04.    Ring Of Fire
05.    Coloured Rain
06.    To Love Somebody
07.    As The Years Go Passing By
08.    Gemini
09.    The Madman (Running Through the Fields)
10.    River Deep, Mountain High (Single Version)

Disc Five: Winds Of Change (Re-Mastered Mono Mix)

01.    Winds of Change
02.    Poem By the Sea
03.    Paint It Black
04.    The Black Plague
05.    Yes, I Am Experienced
06.    San Franciscan Nights
07.    Man – Woman
08.    Hotel Hell
09.    Good Times
10.    Anything
11.    It’s All Meat
 

Jazz Review: Pasquale Grasso - Solo Masterpieces

Release Date: March 6, 2020

Label: Sony Music Entertainment

Website

At a crossroads where coffee shop meets professionalism, you are bound to run into Pasquale Grasso’s Solo Masterpieces. This album is the definition of tranquility and peace of mind. This artist goes to show that you don’t always need words to describe how you are feeling or to set a mood right.

The 30-year-old  Italian guitarist unveils an album that is a sure delight to any ear. He practiced under the direction of Agostino Di Giorgio then Barry Harris respectively. Pasquale and his brother quickly became a fixture within Harris’s workshops, soon after, in 2008 he studied at the Conservatory of Bologna under Professor Walter Zanetti. Then, in 2012, Grasso moved to New York City, where he cultivated his talent for Jazz. Rising to a certain level of stardom over the past five years, Pasquale Grasso developed a sound all his own. Pat Metheny, a jazz-guitar icon and NEA Jazz Master stated of Grasso, “This guy is doing something so amazingly musical and so difficult.”

The entirely instrumental album is made up of a collection of Standard-type pieces, each given their own, personal spin. Do you want to find something that brings you comfort? Here it is. Grasso finds ways to bring life to classic, contemporary works that highlight a timeline of musical genius. The simplicity of the album is its greatest asset. As the album progresses, the listener can see hear the intricate details of bringing every song to melodic, dream-sequenced works.

Tracks like “Over the Rainbow,” “Tea for Two,” and “Body and Soul” find a different groove. They stand apart from the rest of the album with an uptick in the tempo. Where the majority of the album streamlines a very mellow, soft undertone; these songs make the album pop with staccato and crescendo flare-ups that will appeal like a new sound to the listener. The opening track, “All the Things You Are” provides the listener with a sample of the ebb and flow of radio-friendly, pop-themed songs through the body of more classically-styled songs.

Grasso is a prime example of how you are never too young to push beyond expectations of your own and those around you. Jumping on a passion and cultivating his talent, Pasquale is a young heart with an old soul. He keeps the old sound of music blending through modern contemporary airwaves. The album represents how a mark in time can last throughout the ages and not everything fades off into the horizon. Rather, some tradition is emboldened with new meaning.

Key Tracks include: “’Round Midnight,” “Epistrophy,” “Body and Soul,” and “Over the Rainbow.”

Gregg Keniston- MuzikMan.net Staff
April 30, 2020

Track Listing:
01. All the Things You Are
02. Over the Rainbow
03. Just One of Those Things
04. ‘Round Midnight
05. Hallucinations
06. Sophisticated Lady
07. Tea for Two
08. Bouncing With Bud
09. These Foolish Things
10. Epistrophy
11. Parker’s Mood
12. Body and Soul

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Crossover Prog Review: Long Earth-Once Around The Sun

Release Date: March 16, 2020

Label: Grand Tour Music

Website

Once Around The Sun is the title of the second release by Long Earth, and is the follow-up to the debut, The Source, in 2017. At first glance, a person might think that this is a new young band to the prog scene, but that would only be partially correct. Long Earth is a new band, but these guys have been around the scene for a good number of years. (I’m not sure I should say exactly how long.) The band comprises 5 members, Gordon Mackie (bass), Ken Weir (drums), Mike Baxter (keyboards), Renaldo McKim (guitar) with Martin Haggerty (vocals since 2018) replacing Neil Mackie (vocal and guitar on the debut) and have known each other from different bands over the years. Three were in Abel Ganz, two were in Identity Crisis and Mike, Ken, Gordon, Renaldo and Hew Montgomery (Abel Ganz/Grand Tour, as well as being the motivating factor of Long Earth, and co-producing both releases) all played at the same Glasgow festival in the ’80s, albeit with different bands.

To sum up, Long Earth is a new band, but there is a wealth of musical experience in the band. The debut, The Source, was eagerly awaited by the crowds of prog followers that knew of Long Earth and had seen them live, and it was very well received upon release. The follow-up, Once Around The Sun has consolidated Long Earth as being a leading light in the modern prog community.

Once Around The Sun, is a 6 track album clocking in at just under 67 minutes (66:55), with track 3, “Man In The Mirror,” the shortest track at 4:16 minutes and the final and title track, the longest with a running time of 33:06 minutes. This track is also split into 4 parts, Spring, Summer, Autumn, and Winter.

The opening track, “We Own Tomorrow” (8:06), starts by generating a little hook and a superb bass riff by Gordon, then into a soaring keyboard passage. New vocalist since 2018, Martin Haggerty, has a powerful voice and the overall effect is of excellent prog music which the listener becomes very quickly comfortable with. Recurring little hooks and Martin’s voice takes the song on with the return of that superb bass riff from Gordon around 5:15 minutes and a chance for Renaldo to show his superb guitar skills from 5:50 minutes and to then escort the track to the end of it’s running time. A wonderful start to a stunning album and the listener is eager to hear more.

The epic finale to the album, the 33:06 minute “Once Around The Sun” is split into four parts, spring, summer, autumn, and winter. The four seasons cover a year, hence the album title, as it is the time taken for the Earth to orbit the sun. The storyline mirrors the seasons as it tells the tale of a romance encompassing the hope and joy of the fledgling relationship in spring, the building of the relationship in summer, the start of doubts in autumn, and finally the ending of the relationship in winter. The lyrics convey the journey excellently and the very expressive vocals supplied by Martin, together with the sympathetic music, carry the story line majestically.

Musically, the suite goes through phases with spring being represented by an acoustic start and a very simple melody. Summer has excellent keyboard passages underpinning the vocal as the story unwinds. As summer draws to an end, the music becomes very atmospheric and melancholic as it weaves to an ending. Autumn begins with an orchestral feel before again echoing the melancholic section 2, which fits the lyrical content beautifully. The final section, winter, commences with a superb melodic opening with some excellent strings adding to the atmosphere. There is a repeated series of verses, guitar passages and keyboards plus string sections prior to Martin taking the storyline to its inevitable conclusion. Renaldo has a beautiful repeating guitar passage just before Martin brings the ending with the lyrics, “Once around the sun, but no further on. Once around the sun and our race is run.”

A stunning ending to a superb album where all the musicians have excelled. Mike with majestic keyboards, Gordon with those excellent bass runs, Ken keeping everything firmly anchored on drums, Renaldo with some exquisite guitar work and finally, Martin providing the evocative, emotive vocals.

All in all, this is a stunning follow-up to the debut, showing how the band has evolved into an excellent unit. Don’t delay, just go and get a copy of Once Around The Sun and sample what is a masterpiece of modern prog with huge leanings to the “old style,” played by musicians who have dreamed the dream and have now delivered the dream. The dream has a name, and the name is Once Around The Sun.

Jim “The Ancient One” Lawson – Prog Rock Music Talk Staff
April 28, 2020

Tracks: 
1. We Own Tomorrow. (8:07)
2. My Suit Of Armour. (5:03)
3. A Guy From Down The Road. (12:00)
4. What About Love?  (4:23)
5. The Man In The Mirror. (4:16)
6. Once Around the Sun. (33.06)

New Age Instrumental Review: Peter Sterling-Sanctuary of Light

Release Date: April 1, 2020

Label: Harp Magic

Website

I have had the pleasure of covering two of Peter Sterling’s releases so far. The 2016 release Sacred Visions and in 2018 Magic Kingdom. Both were filled with beautiful sounds led by his diverse harp playing. Now we have the latest to enjoy titled Sanctuary of Light which is ready to enchant us all that can appreciate new age instrumental music.

For my personal tastes, this music works. I value all music in such a way that there is built-in respect and admiration I have before listening to any artisan’s creation. With that in mind, it opens the mental aperture some more and casts aside any preconceived ideas one may have about what they will be hearing.

Right now, more than ever, we all need healing on some level. The world is in turmoil and distress and the only way to realign mother earth and its inhabitants is to take a collective breath and let the music lead the way. This is why music has been and always will be our savior. That is in effect, a community of unsung heroes as far as I am concerned.  

Peter is saying to us all “Let the light be your sanctuary, you can find it in my music.” While there is always darkness and shades of grey in our world, we can always find the light whether it's through the music, a kind face, or a gentle smile of assurance from a loved one. Yes, this is what this music brings to the forefront of my mind and how it relates to my spirit, consciousness, and attitude at any given moment.

As Peter intimates on the inner sleeve of the CD jacket “This music is dedicated and inspired by the divine light that lives in us all.” I find this to be so true right now. Every day, I am seeing how people are coming together, sacrificing their time, energy, and knowledge to fight the worldwide pandemic we are facing. It so predominant right now in all our lives that I cannot help but talk about it and how this all connects together. I am linked to music consciously and unconsciously. This gorgeous and heavenly sound Peter coaxes from his harp, gives me more awareness of my surroundings and how easily I can become grounded and centered with some help provided by his music.

So rather than mention any particular track on the recording, I prefer to put my attention on the entire project as a whole. I am looking at the big picture right now for all of humanity and the fact that music can inspire me in such a way that my inner spirit and true self is revealed.

Thank you, Peter Sterling, for your artistic genius and contribution to all of mankind with the soothing spiritual sounds provided on Sanctuary of Light.

Keith “MuzikMan” Hannaleck

April 3, 2020

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Track List: 
1. The Light Within
2. Divine Reflection
3. Light In Your Eyes
4. This Path I Walk
5. Forever More
6. Pool of Love
7. Seventh Heaven
8. Shores of Eternity