Showing posts with label Chamber. Show all posts
Showing posts with label Chamber. Show all posts

9/21/2018

Birdsong At Morning Spins Elegant Tapestries of Sound, Words, and Music on New Album "Signs and Wonders"


“Beautiful acoustic textures… a deep, compelling listening experience.” – Guitar Player

Lowell. MA - From the quietly ambitious 4-CD box set debut, “Annals of My Glass House” (2011), through the expansive territory of “A Slight Departure” (2015), to the masterful new album, “Signs and Wonders” (2018), Birdsong At Morning has garnered rave reviews and airplay around the world.

Led by songer/songwriter Alan Williams, along with compatriots Darleen Wilson (guitar) and Greg Porter (bass), and a host of new and old collaborators, Birdsong At Morning spins elegant tapestries of sound, words, and music.

Produced by leader Alan Williams, the band's new album contains 10 original compositions by Alan, and an inventive (and timely) interpretation of Supertramp's “The Logical Song.” Joining the core trio of Alan, Darleen and Greg, are drummer Ben Wittman (Sting, Paula Cole, Laurie Anderson) and guitarist Thomas Juliano (Seven Mary Three, Aimee Mann), along with a 20-piece string orchestra. Basics were recorded with David Minehan at Woolly Mammoth Sound, and the strings were recorded at WGBH, engineered by Antonio Oliart. The album was mastered by Grammy award winner Adam Ayan at Gateway Mastering, and the Blu-Ray was authored by Neil Wilkes of Opus Productions, the same folks behind the King Crimson, Yes, and XTC reissues.

Says Alan, “Just as the album art is a bold, full-color shift from our previous sepia-toned artwork, so the music inside represents a wider sonic spectrum, and musical pace. The general theme is that there is often hidden and overlooked beauty to be found in unexpected places. There are references to the natural environment in many of the songs, and some of these are contrasted with a more urban experience, or interior mindset. To quote the title song, 'take a look around.'”

“Signs and Wonders” is available for streaming and download on September 28, 2018, but will also be issued in a 2-disc CD/Blu-ray package, with 44.1/16 stereo mixes on the CD, and 96/24 vocal and instrumental mixes in stereo, LPCM 5.1 surround sound, and DTS-HD 5.1 surround sound, along with a 16-page lyric book.

Additionally, there are videos to accompany every song on the album. These videos are available on the Blu-ray, and will be posted on YouTube throughout the year.

Watch Birdsong At Morning's video for the lead track from the album, “Waterfall”:



Photo by Jude Porter - L-R: Darleen Wilson, Alan Williams, Greg Porter

Formed in 2008, Birdsong At Morning began as an exercise in resurrecting long-dormant musical energies. Williams and Porter had gone to the New England Conservatory of Music, then played together in several groups, notably the star-crossed folk-rock ensemble, Knots and Crosses. Porter was a founding member of Talking To Animals, before playing for Aimee Mann and Patty Griffin, among others. Wilson established herself as a groundbreaking recording engineer in Boston, working with a broad spectrum of artists from punk (Salem 66), to pop (New Kids On The Block), before becoming the pre-eminent producer of New England singer/songwriters – Bill Morrissey, Patty Larkin, Catie Curtis, Chris Smither.

During the long period between the demise of Knots and Crosses – a demise precipitated by their calamitous signing with Island Records – and the formation of Birdsong At Morning, Williams embarked on parallel careers in music production and academia. He served as musical director for Dar Williams and engineered a number of records for Patty Larkin, while earning a PhD in Ethnomusicology from Brown University. He is currently Chair of the Department of Music at the University of Massachusetts Lowell, where he also serves as the Richard and Nancy Donahue Endowed Professor of the Arts, and has published a number of scholarly chapters and journal articles, all while maintaining a presence as a creative, performing musician. In his spare time, he is also a certified yoga instructor.

The depth of experience present in every aspect of the band's work helps to explain the professional quality that exists in this totally DIY project. The group releases its own records, designs its packaging, and does much of the engineering and musical production work. Of course, like many indie-minded endeavors, Birdsong At Morning is assisted by extraordinarily talented friends – long-time collaborative partner Ben Wittman (Paula Cole, Laurie Anderson, The Story) plays drums, Greg’s Talking to Animals compatriot Thomas Juliano frequently contributes guitar, and the band’s last two albums were recorded with David Minehan (The Neighborhoods, Paul Westerberg, Aerosmith) at his studio Woolly Mammoth Sound, and mastered by Grammy award winning engineer, Adam Ayan.

Here's what the press has said about Birdsong at Morning:

“Sweeping strings, gorgeous sonics, and soulful singing, Birdsong at Morning is the greatest act you’ve never heard of.” – Electronic Musician

“Art music both unpretentious and ravishing” – The Boston Herald

“Birdsong at Morning's creative intents find full fruition, making 'A Slight Departure' a fascinating point of embarkation. Lovely indeed.” – No Depression

“A sprawling collection of poignant beauty delivered through Williams' keenly poetic eye. Simple and direct, carrying with it the breadth and depth of the kind of observation only an acute student of the world around him can deliver.” – BMI MusicWorld

“A remarkable convergence of lush, patient music and intriguing poeticism performed with conviction and grace.” – Songwriter's Monthly

In closing Alan has this to impart, “I think our listeners pick up and respond to the attention to detail that is put into the songwriting, arrangements, and recording. Nothing is assembled like a factory; everything is meticulously crafted, even when captured as complete performance elements. We think repeated listenings should reward with new perspectives, new discoveries. This mirrors the concept of small wonders revealing themselves on closer inspection that can be found in many of the song lyrics. And woven throughout is a sensitivity to the political conditions of the moment, and an underlying call to value the humanity in each and every one of us.”

To purchase  Birdsong At Morning's “Signs and Wonders”:
http://www.birdsongatmorning.com/store/
https://store.cdbaby.com/Artist/BirdsongAtMorning

For UK/EUROPE:
https://burningshed.com/birdsong-at-morning_signs-and-wonders_cd_blu-ray?filter_name=birdsong%20at%20morning&filter_sub_category=true

For more information:
http://www.birdsongatmorning.com
https://www.facebook.com/Birdsong-At-Morning-344540888309/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Birdsong At Morning Spins Elegant Tapestries of Sound, Words, and Music on New Album "Signs and Wonders"


“Beautiful acoustic textures… a deep, compelling listening experience.” – Guitar Player

Lowell. MA - From the quietly ambitious 4-CD box set debut, “Annals of My Glass House” (2011), through the expansive territory of “A Slight Departure” (2015), to the masterful new album, “Signs and Wonders” (2018), Birdsong At Morning has garnered rave reviews and airplay around the world.

Led by songer/songwriter Alan Williams, along with compatriots Darleen Wilson (guitar) and Greg Porter (bass), and a host of new and old collaborators, Birdsong At Morning spins elegant tapestries of sound, words, and music.

Produced by leader Alan Williams, the band's new album contains 10 original compositions by Alan, and an inventive (and timely) interpretation of Supertramp's “The Logical Song.” Joining the core trio of Alan, Darleen and Greg, are drummer Ben Wittman (Sting, Paula Cole, Laurie Anderson) and guitarist Thomas Juliano (Seven Mary Three, Aimee Mann), along with a 20-piece string orchestra. Basics were recorded with David Minehan at Woolly Mammoth Sound, and the strings were recorded at WGBH, engineered by Antonio Oliart. The album was mastered by Grammy award winner Adam Ayan at Gateway Mastering, and the Blu-Ray was authored by Neil Wilkes of Opus Productions, the same folks behind the King Crimson, Yes, and XTC reissues.

Says Alan, “Just as the album art is a bold, full-color shift from our previous sepia-toned artwork, so the music inside represents a wider sonic spectrum, and musical pace. The general theme is that there is often hidden and overlooked beauty to be found in unexpected places. There are references to the natural environment in many of the songs, and some of these are contrasted with a more urban experience, or interior mindset. To quote the title song, 'take a look around.'”

“Signs and Wonders” is available for streaming and download on September 28, 2018, but will also be issued in a 2-disc CD/Blu-ray package, with 44.1/16 stereo mixes on the CD, and 96/24 vocal and instrumental mixes in stereo, LPCM 5.1 surround sound, and DTS-HD 5.1 surround sound, along with a 16-page lyric book.

Additionally, there are videos to accompany every song on the album. These videos are available on the Blu-ray, and will be posted on YouTube throughout the year.

Watch Birdsong At Morning's video for the lead track from the album, “Waterfall”:



Photo by Jude Porter - L-R: Darleen Wilson, Alan Williams, Greg Porter

Formed in 2008, Birdsong At Morning began as an exercise in resurrecting long-dormant musical energies. Williams and Porter had gone to the New England Conservatory of Music, then played together in several groups, notably the star-crossed folk-rock ensemble, Knots and Crosses. Porter was a founding member of Talking To Animals, before playing for Aimee Mann and Patty Griffin, among others. Wilson established herself as a groundbreaking recording engineer in Boston, working with a broad spectrum of artists from punk (Salem 66), to pop (New Kids On The Block), before becoming the pre-eminent producer of New England singer/songwriters – Bill Morrissey, Patty Larkin, Catie Curtis, Chris Smither.

During the long period between the demise of Knots and Crosses – a demise precipitated by their calamitous signing with Island Records – and the formation of Birdsong At Morning, Williams embarked on parallel careers in music production and academia. He served as musical director for Dar Williams and engineered a number of records for Patty Larkin, while earning a PhD in Ethnomusicology from Brown University. He is currently Chair of the Department of Music at the University of Massachusetts Lowell, where he also serves as the Richard and Nancy Donahue Endowed Professor of the Arts, and has published a number of scholarly chapters and journal articles, all while maintaining a presence as a creative, performing musician. In his spare time, he is also a certified yoga instructor.

The depth of experience present in every aspect of the band's work helps to explain the professional quality that exists in this totally DIY project. The group releases its own records, designs its packaging, and does much of the engineering and musical production work. Of course, like many indie-minded endeavors, Birdsong At Morning is assisted by extraordinarily talented friends – long-time collaborative partner Ben Wittman (Paula Cole, Laurie Anderson, The Story) plays drums, Greg’s Talking to Animals compatriot Thomas Juliano frequently contributes guitar, and the band’s last two albums were recorded with David Minehan (The Neighborhoods, Paul Westerberg, Aerosmith) at his studio Woolly Mammoth Sound, and mastered by Grammy award winning engineer, Adam Ayan.

Here's what the press has said about Birdsong at Morning:

“Sweeping strings, gorgeous sonics, and soulful singing, Birdsong at Morning is the greatest act you’ve never heard of.” – Electronic Musician

“Art music both unpretentious and ravishing” – The Boston Herald

“Birdsong at Morning's creative intents find full fruition, making 'A Slight Departure' a fascinating point of embarkation. Lovely indeed.” – No Depression

“A sprawling collection of poignant beauty delivered through Williams' keenly poetic eye. Simple and direct, carrying with it the breadth and depth of the kind of observation only an acute student of the world around him can deliver.” – BMI MusicWorld

“A remarkable convergence of lush, patient music and intriguing poeticism performed with conviction and grace.” – Songwriter's Monthly

In closing Alan has this to impart, “I think our listeners pick up and respond to the attention to detail that is put into the songwriting, arrangements, and recording. Nothing is assembled like a factory; everything is meticulously crafted, even when captured as complete performance elements. We think repeated listenings should reward with new perspectives, new discoveries. This mirrors the concept of small wonders revealing themselves on closer inspection that can be found in many of the song lyrics. And woven throughout is a sensitivity to the political conditions of the moment, and an underlying call to value the humanity in each and every one of us.”

To purchase  Birdsong At Morning's “Signs and Wonders”:
http://www.birdsongatmorning.com/store/
https://store.cdbaby.com/Artist/BirdsongAtMorning

For UK/EUROPE:
https://burningshed.com/birdsong-at-morning_signs-and-wonders_cd_blu-ray?filter_name=birdsong%20at%20morning&filter_sub_category=true

For more information:
http://www.birdsongatmorning.com
https://www.facebook.com/Birdsong-At-Morning-344540888309/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

5/29/2015

British String Quartet Salutes The Legendary Manchester Scene With A New Album Of Chamber Rock Interpretations!


Los Angeles, CA - They are one of the most sought after chamber quartets in the UK, even earning the praise of Pulp frontman Jarvis Cocker, and now The Manchester String Quartet are proud to announce an exciting new tribute to their namesake, the city they call home, and a place that has birthed some of the most renowned musical acts in British rock history! From Oasis to New Order, The Smiths to The Buzzcocks, The Stone Roses to Elbow, Manchester England saw an explosion of groundbreaking musical acts starting in the mid 1970s that continues to this day, making it a true mecca of the artistic world. With their new album Classic Manchester, this group of 4 extremely talented classical musicians celebrate the city and its most memorable musical offerings, dramatically reinventing such classics as “Love Will Tear Us Apart,” “Wonderwall,” “This Charming Man,” “Blue Monday” and others. The album is available now on CD and digital download courtesy of a joint venture between UK outfit Glucose Recordings and Cleopatra Records.

Formed in 2002 by John Purton, Tim Crooks, Natalie Purton and Sarah Smyth, The Manchester String Quartet have quickly become one of the most sought after group of young classical musicians performing in the UK today. They are full-time professional musicians who perform with such renowned orchestras as the Royal Liverpool Philharmonic and The HallĂ©. They’ve even earned the praise of some of their rock counterparts such as Jarvis Cocker who declared, “The Manchester String Quartet are the real deal: not only are they fantastic players but, in John Purton, they have an incredibly talented composer and arranger. They’re mega!” So whether you’re a fan of classical music or not, you’re sure to hear and appreciate the extraordinary depth of talent possessed by this fine group.

To order the CD at Amazon, visit: http://www.amazon.com/Classic-Manchester-String-Quartet/dp/B00VH6S62K
To order the digital version on iTunes, visit: https://itunes.apple.com/us/album/classic-manchester/id990792992

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

2/17/2015

New York City Based Serbian-Japanese Instrumental Duo Yagull Greatly Expands Their Post Rock Chamber Soundtrack Concept On Second Album 'Kai', Featuring Extraordinary Multicultural Line-up Of Guests


“These super chill yet richly evocative instrumentals achieve a transporting, cinematic quality.” - Time Out New York, USA

“Instrumental music doesn't get much classier.” 
- Raymond Benson, Progression, USA 

“Pure, moving, cinematic, and unearthly beautiful!” - RootsTime, Belgium

New York, NY - Yagull's official debut for MoonJune Records, 'Kai', finds the band expanding its post-rock chamber soundtrack concept to great effect. The result is a simmering sonic bouillabaisse, chocked full of choice ingredients which delectably merge to blur the lines drawn by traditional genres - delightfully teasing the palette, while appealing to an expansive range of music aficionados! The group delivers twelve songs on this joyous outing: eight brand new compositions; two tunes from Films, reworked and revisited; plus, two tastefully-revised classic rock covers. The tracks showcase Yagull's considerably potent stylistic capacity, making for a savory, finely-polished sophomore release. This new effort finds Yagull now launching itself from a duo framework - with Sasha Markovic being joined by the extraordinary pianist, Kana Kamitsubo - this most special of occasions is perfectly accentuated by a host of guest contributors; featuring fellow MoonJune international recording maestros, Beledo (guitar, lute), Dewa Budjana (guitar) and Marko Djordjevic (drums), and many other great musicians. With 'Kai', Sasha, Kana & company have embarked on a majestic journey that will appeal to a broad range of listeners... and carry them along for the ride!

'Kai,' represents big musical and personal changes for group founder, composer, producer, and guitarist, Sasha Markovic. Yagull has officially became a duo with the addition of Sasha's most challenging collaborator up until this time, pianist extraordinaire Kana Kamitsubo. Sasha and Kana's partnership went further as they became husband and wife. Album 'Kai' and the title track are named after their son born in 2014.

Picking up where the first Yagull CD, 'Films' left off in 2012, 'Kai' expands the post rock chamber soundtrack concept exploring new structures written around acoustic guitar, bass, percussion and acoustic piano. Yagull as a duo has an increased crossover potential for attracting listeners that may not be dialed into any of the specific genres baked into this release.

Yagull delivers eight brand new compositions, two tunes from 'Films' revisited ( Dark, Sound Of M ) plus two covers for this sophomore release. The tracks range from “North” which exploits Kana's mastery of creating evocative mood and space for Sasha to play, folksy “Z-Parrow” while “Omniprism” drifts into progressive rock ambiance. Methenyesque tune “Blossom”, leaves space for special guest Dewa Budjana to shine with another beautiful, lyrical solo. The title track for their son emotes a melody that can easily go alongside “Waltz for Debby” by Bill Evans in any play list. Sasha once again wears his affection for classic rock as a badge reworking the Free song, “Wishing Well”, which was also passionately performed by the late Gary Moore, as well as Deep Purple's “Burn”. Beledo's majestic lute introduction pays a homage to Deep Purple's live version from the 'Made In Europe' record.

Regarding the cover material, Sasha recently explained to DME, “My first serious music love was Deep Purple, since I heard the 'Deepest Purple' compilation along with ‘Rainbow Rising' at age of 11. I’ve been playing 'Burn' in the similar arrangement for fun for many years now. It started as a joke when I was a teenager, and played it along with a friend of mine in a two-guitar arrangement with Zappa-like kind of vocal approach. When I presented this idea to Kana [Kamitsubo] last year, she gave the song completely new dimension with her playful piano solos. We are having a lot of fun playing it live these days. As for 'Wishing Well', I am a huge fan of Free and Bad Company and had to do the tribute to them on this album. I still consider Free the best teenage band that ever lived - since they were all between 16-18 when they started. 'Wishing Well' is one of those songs I grew up on and always liked singing for fun with my acoustic guitar. I just experimented with replacing the vocal parts with classical guitar, and at the end Wen Chang added her violin playing the main riff, so the basic album arrangement was born. Always loved Gary Moore's and Blackfoot's take on it, too. I had a chance meeting with Simon Kirke this summer, and got to play him the song, and he loved it.”

Yagull are also joined by several guest musicians, the extraordinary and diverse line up hailing from eight different countries, including fellow Moonjune international recording artists Beledo (guitar), Dewa Budjana (guitar) and Marko Djordjevic (drums), as well as the long time collaborator flutist Lori Reddy, Anthony Mullin from The Blackfires (guitar), Jackson Kincheloe from Sister Sparrow & The Dirty Birds ( harmonica ), Gabriel Nat (clarinet), Wen Chang (violin) and Yoshiki Yamada (upright bass). 'Kai' has set Yagull on a journey that will appeal to wide range of listeners. This is essential MoonJune music.

Here's what the press have raved about Yagull:

“Pure, moving, cinematic, and unearthly beautiful!” - RootsTime, Belgium

“Killer stuff the adult ears can't help but love. Hot Stuff!” - Midwest Record, USA

“Delectable acoustic collage of melody and subtle nuance. 'Kai' is a winner!” - Sea Of Tranquility, USA

“Reinvention or revelation, 'Kai' is inviting in both extremes” - Modmove, Australia

“Wonderful album! Captivating like a magical dream...” - Rocktimes, Germany

“These super chill yet richly evocative instrumentals achieve a transporting, cinematic quality.” - Time Out New York, USA

“Instrumental music doesn't get much classier.” - Raymond Benson, Progression, USA

“Fabulous! Gorgeous guitar playing.” - Gayle Austin, Curved Radio, Australia

“Tasteful intelligent music to dream away on.... Beautiful!” - Moors Magazine, Netherlands

TRACK LISTING
1. North 05:33 (Kamitsubo/Markovic)
2. Dark 06:58 (Markovic/Kamitsubo/Thomas)
3. Heiwa 03:18 (Markovic/Kamitsubo)
4. Blossom 05:06 (Kamitsubo/Markovic)
5. Mio 05:20 (Markovic/Kamitsubo)
6. Wishing Well 04:39 (Free)
7. Burn 03:55 (Deep Purple)
8. Sound Of M 04:31 (Markovic/Kamitsubo)
9. Z-Parrow 01:50 (Markovic)
10. Kai 04:05 (Kamitsubo/Markovic)
11. Omniprism 05:50 (Markovic/Kamitsubo/Beledo)
12. Oyasumi 01:54 (Markovic/Kamitsubo)
Produced by Sasha Markovic
Executive production by Leonardo Pavkovic

To purchase Yagull's 'Kai' CD: http://www.moonjune.com/mjr_web_2013/catalog_mjr/067_YAGULL_Kai_MJR067/

For more info:
www.yagull.com
www.moonjune.com
All inquiries to: noanoamusic@moonjune.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

New York City Based Serbian-Japanese Instrumental Duo Yagull Greatly Expands Their Post Rock Chamber Soundtrack Concept On Second Album 'Kai', Featuring Extraordinary Multicultural Line-up Of Guests


“These super chill yet richly evocative instrumentals achieve a transporting, cinematic quality.” - Time Out New York, USA

“Instrumental music doesn't get much classier.” 
- Raymond Benson, Progression, USA 

“Pure, moving, cinematic, and unearthly beautiful!” - RootsTime, Belgium

New York, NY - Yagull's official debut for MoonJune Records, 'Kai', finds the band expanding its post-rock chamber soundtrack concept to great effect. The result is a simmering sonic bouillabaisse, chocked full of choice ingredients which delectably merge to blur the lines drawn by traditional genres - delightfully teasing the palette, while appealing to an expansive range of music aficionados! The group delivers twelve songs on this joyous outing: eight brand new compositions; two tunes from Films, reworked and revisited; plus, two tastefully-revised classic rock covers. The tracks showcase Yagull's considerably potent stylistic capacity, making for a savory, finely-polished sophomore release. This new effort finds Yagull now launching itself from a duo framework - with Sasha Markovic being joined by the extraordinary pianist, Kana Kamitsubo - this most special of occasions is perfectly accentuated by a host of guest contributors; featuring fellow MoonJune international recording maestros, Beledo (guitar, lute), Dewa Budjana (guitar) and Marko Djordjevic (drums), and many other great musicians. With 'Kai', Sasha, Kana & company have embarked on a majestic journey that will appeal to a broad range of listeners... and carry them along for the ride!

'Kai,' represents big musical and personal changes for group founder, composer, producer, and guitarist, Sasha Markovic. Yagull has officially became a duo with the addition of Sasha's most challenging collaborator up until this time, pianist extraordinaire Kana Kamitsubo. Sasha and Kana's partnership went further as they became husband and wife. Album 'Kai' and the title track are named after their son born in 2014.

Picking up where the first Yagull CD, 'Films' left off in 2012, 'Kai' expands the post rock chamber soundtrack concept exploring new structures written around acoustic guitar, bass, percussion and acoustic piano. Yagull as a duo has an increased crossover potential for attracting listeners that may not be dialed into any of the specific genres baked into this release.

Yagull delivers eight brand new compositions, two tunes from 'Films' revisited ( Dark, Sound Of M ) plus two covers for this sophomore release. The tracks range from “North” which exploits Kana's mastery of creating evocative mood and space for Sasha to play, folksy “Z-Parrow” while “Omniprism” drifts into progressive rock ambiance. Methenyesque tune “Blossom”, leaves space for special guest Dewa Budjana to shine with another beautiful, lyrical solo. The title track for their son emotes a melody that can easily go alongside “Waltz for Debby” by Bill Evans in any play list. Sasha once again wears his affection for classic rock as a badge reworking the Free song, “Wishing Well”, which was also passionately performed by the late Gary Moore, as well as Deep Purple's “Burn”. Beledo's majestic lute introduction pays a homage to Deep Purple's live version from the 'Made In Europe' record.

Regarding the cover material, Sasha recently explained to DME, “My first serious music love was Deep Purple, since I heard the 'Deepest Purple' compilation along with ‘Rainbow Rising' at age of 11. I’ve been playing 'Burn' in the similar arrangement for fun for many years now. It started as a joke when I was a teenager, and played it along with a friend of mine in a two-guitar arrangement with Zappa-like kind of vocal approach. When I presented this idea to Kana [Kamitsubo] last year, she gave the song completely new dimension with her playful piano solos. We are having a lot of fun playing it live these days. As for 'Wishing Well', I am a huge fan of Free and Bad Company and had to do the tribute to them on this album. I still consider Free the best teenage band that ever lived - since they were all between 16-18 when they started. 'Wishing Well' is one of those songs I grew up on and always liked singing for fun with my acoustic guitar. I just experimented with replacing the vocal parts with classical guitar, and at the end Wen Chang added her violin playing the main riff, so the basic album arrangement was born. Always loved Gary Moore's and Blackfoot's take on it, too. I had a chance meeting with Simon Kirke this summer, and got to play him the song, and he loved it.”

Yagull are also joined by several guest musicians, the extraordinary and diverse line up hailing from eight different countries, including fellow Moonjune international recording artists Beledo (guitar), Dewa Budjana (guitar) and Marko Djordjevic (drums), as well as the long time collaborator flutist Lori Reddy, Anthony Mullin from The Blackfires (guitar), Jackson Kincheloe from Sister Sparrow & The Dirty Birds ( harmonica ), Gabriel Nat (clarinet), Wen Chang (violin) and Yoshiki Yamada (upright bass). 'Kai' has set Yagull on a journey that will appeal to wide range of listeners. This is essential MoonJune music.

Here's what the press have raved about Yagull:

“Pure, moving, cinematic, and unearthly beautiful!” - RootsTime, Belgium

“Killer stuff the adult ears can't help but love. Hot Stuff!” - Midwest Record, USA

“Delectable acoustic collage of melody and subtle nuance. 'Kai' is a winner!” - Sea Of Tranquility, USA

“Reinvention or revelation, 'Kai' is inviting in both extremes” - Modmove, Australia

“Wonderful album! Captivating like a magical dream...” - Rocktimes, Germany

“These super chill yet richly evocative instrumentals achieve a transporting, cinematic quality.” - Time Out New York, USA

“Instrumental music doesn't get much classier.” - Raymond Benson, Progression, USA

“Fabulous! Gorgeous guitar playing.” - Gayle Austin, Curved Radio, Australia

“Tasteful intelligent music to dream away on.... Beautiful!” - Moors Magazine, Netherlands

TRACK LISTING
1. North 05:33 (Kamitsubo/Markovic)
2. Dark 06:58 (Markovic/Kamitsubo/Thomas)
3. Heiwa 03:18 (Markovic/Kamitsubo)
4. Blossom 05:06 (Kamitsubo/Markovic)
5. Mio 05:20 (Markovic/Kamitsubo)
6. Wishing Well 04:39 (Free)
7. Burn 03:55 (Deep Purple)
8. Sound Of M 04:31 (Markovic/Kamitsubo)
9. Z-Parrow 01:50 (Markovic)
10. Kai 04:05 (Kamitsubo/Markovic)
11. Omniprism 05:50 (Markovic/Kamitsubo/Beledo)
12. Oyasumi 01:54 (Markovic/Kamitsubo)
Produced by Sasha Markovic
Executive production by Leonardo Pavkovic

To purchase Yagull's 'Kai' CD: http://www.moonjune.com/mjr_web_2013/catalog_mjr/067_YAGULL_Kai_MJR067/

For more info:
www.yagull.com
www.moonjune.com
All inquiries to: noanoamusic@moonjune.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com