King Crimson’s “In the Wake of Poseidon” CD/Blu-Ray & “Lizard” CD/Blu-Ray/Vinyl

• The complete recording sessions of In The Wake of Poseidon on 1 CD/1Blu-ray
• Blu-ray features completely new mixes of the album* in Dolby Atmos, 5.1 DTS-HD MA Surround & Hi-Res Stereo by Steven Wilson, (except Devil’s Triangle*)
• New Elemental Mixes of four of the tracks in Hi-Res Stereo by David Singleton plus two additional versions of Cadence and Cascade
• Complete recording sessions of the album in Hi-Res Stereo
• The Original Stereo Master of the album (30th Anniversary edition)
• Presented in a replica mini-vinyl style packaging with booklet including photos and sleevenotes from King Crimson biographer Sid Smith
• CD contains the complete album in 2025 mix form with Devil’s Triangle sourced from the alt mixes as featured originally on the (long unavailable) Sailors’ Tales boxed set + the new Elemental Mixes.

Robert Fripp: Guitar and Mellotron & Devices
Greg Lake: Vocals / Michael Giles: Drums
Peter Giles: Bass / Peter Sinfield: Words
Keith Tippett: Piano / Mel Collins: Saxes & Flute
and Gordon Haskell: Vocal (Cadence & Cascade)

Steven Wilson returns to produce a 2025 Dolby Atmos Mix of King Crimson’s second album plus single B-side Groon, a new 5.1 Surround Mix and a new stereo album mix, while David Singleton contributes Elemental Mixes of four of the album’s key tracks.

The Blu-ray contains all of this material on a single disc with the 5.1 Surround Material presented in DTS-HD-MA and the stereo tracks in Hi-Res Stereo. Joining the new mixes are the complete stereo recording sessions from the entire album, as produced by Alex R Mundy and the disc is completed with a Hi-Res Stereo presentation of the 30th anniversary edition of the original album mix.

The CD features Steven Wilson’s 2025 Stereo Mixes, the Elemental Mixes and the alternate version of Devil’s Triangle originally assembled for the, now unavailable, Sailors’ Tales boxed set.

This is the most complete edition of “In the Wake of Poseidon” ever assembled.

When “In The Wake of Poseidon” was first issued in 1970, Melody Maker ran the unforgettable headline: “If Wagner were alive he’d work with King Crimson”. Stranger still, this was just two months after King Crimson had issued a single “Cat Food” & appeared on Britain’s Top of the Pops miming – as all bands did in those days on the TV show – to a pre-recorded playback of the song.

Strangest of all was, how could a single and an album have even been recorded, when the band had split up in December 1969 following their debut US tour and release of their acclaimed “In The Court of the Crimson King” mere weeks before that? The answer, not for the first or last time in the band’s lengthy career, was Robert Fripp’s determination to keep the band going – whatever it took. In the case of “Poseidon” this involved hiring leaving KC members Michael Giles & Greg Lake and former Giles, Giles & Fripp member Peter Giles as guest musician & bringing in players who would all feature on future KC albums: Keith Tippett, Mel Collins and Gordon Haskell. The result was an album that claimed the band’s highest ever UK chart position (No. 4) and consolidated its position as one of the most original and experimental groups to emerge from the Underground Scene.

For an album that shouldn’t have been recorded by a band that didn’t exist, “In The Wake of Poseidon” continues to intrigue and delight King Crimson fans.

Track List:           

Disc 1 - CD  
2025 mixes and Additional Material - Produced and Mixed by Steven Wilson
1. Peace - A Beginning
2. Pictures of a City
3. Cadence and Cascade
4. In the Wake of Poseidon
5. Peace - A Theme
6. Catfood
7. The Devil's Triangle ^
        i) Merday Morn
        ii) Hand of Sceiron
        iii) Garden of Worm
8. Peace - An End
9. Groon
10. Peace An End (Alternate version)

^ The Devil’s Triangle is taken from the additional material on CD1 of the Sailors' Tales boxed set      

2025 Elemental Mix - Produced and Mixed by David Singleton          

11. Pictures of a City
12. In the Wake of Poseidon
13. Cadence and Cascade
14. Catfood

Disc 2 - Blu-Ray
I 2025 Dolby Atmos, DTS HD-MA 5.1 Surround, 24/96 Stereo
1. Peace - A Beginning
2. Pictures of a City *
3. Cadence and Cascade *
4. In the Wake of Poseidon *
5. Peace - A Theme
6. Catfood *
7. The Devil's Triangle **
        i) Merday Morn
        ii) Hand of Sceiron
        iii) Garden of Worm
8. Peace - An End
9. Groon

* Instrumental versions also included
** The Devil’s Triangle in the Atmos and 5.1 surround tracklisting includes a newly upmixed version by Steven Wilson.  The stereo version uses the original mix taken from the 30^th Anniversary edition masters

Produced and Mixed by Steven Wilson
II 2025 Elemental Mix
1. Pictures of a City
2. In the Wake of Poseidon
3. Cadence and Cascade
4. Catfood

Produced and Mixed by David Singleton
5. Cadence and Cascade^^  (feat. Gordon Haskell, Greg Lake, Adrian Belew, Jakko Jakszyk)
6. Cadence and Cascade**  (feat. Boz Burrell)

^^ Edited/assembled by David Singleton
** Edited and mixed by Alex 'Stormy'  Mundy

III Original Masters - 30th Anniversary Master and Additional Material (24/96 Stereo)
1. Peace - A Beginning
2. Pictures of a City
3. Cadence and Cascade
4. In the Wake of Poseidon
5. Peace - A Theme
6. Catfood
7. The Devil's Triangle including: ***
        i) Merday Morn
        ii) Hand of Sceiron
        iii) Garden of Worm
8. Peace - An End
9. Catfood (Single Version)
10. Groon (Single B Side)

Produced & Mixed by Robert Fripp & Peter Sinfield except *** which presents the version from the Sailors Tales boxed set with the three parts consisting of an original running mix from the sessions, and modern mixes of the two remaining parts from existing elements by David Singleton and  Steven Wilson respectively.

IV Complete Recording Sessions (24/48 Stereo)
Feb 3rd 1970        
1. Groon      Soundcheck
2. Groon      Takes 1-6
3. Groon      Takes 7-15
4. Catfood    Take 4 Bass & Drums with Guide Guitar
5. Catfood    Take 4 Overdubbed Master  

Feb 16th 1970        
1. Pictures of a City         Takes 1-4
2. Pictures of a City         Takes 5-6
3. Pictures of a City         Take 7
4. Pictures of a City         Takes 8-10  

Feb 25th 1970        
1. Cadence & Cascade Takes 1-6
2. Cadence & Cascade Take 7
3. Peace - A Beginning  Clip
4. Peace - A Beginning  Takes 1-4
5. Peace - A Theme         Takes 1-7
6. Peace - An End   Section Takes 1 & 2, Take 3 overdubs  

March 4th 1970  
1. In the Wake of Poseidon        Takes 1 & 2 Bass, Drums & Mellotron
2. In the Wake of Poseidon        Takes 4 & 5 Bass, Drums & Mellotron
3. In the Wake of Poseidon        Overdubbed Master 1
4. In the Wake of Poseidon        Overdubbed Master 2        

March 24th 1970    
1. The Devil's Triangle Part II Overdubs
2. The Devil's Triangle Part III Overdubs

Sessions material mixed by Alex R. Mundy except March 24th 1970 material, mixed by David Singleton.  Mastered by Alex R. Mundy

• The complete recording sessions of Lizard on 1 CD/1Blu-ray
• Blu-ray features all new mixes of the album in Dolby Atmos, 5.1 DTS-HD MA 24/96 Surround & 24/96 Hi-Res Stereo by Steven Wilson
• All new Elemental Mixes of the whole album in 24/192 Hi-Res Stereo by David Singleton
• Blu-ray also features the 30th anniversary remaster in 24/96
• Plus the complete recording sessions from September 1970 in 24/48
• Presented in a replica mini-vinyl style packaging with booklet including photos and sleevenotes from King Crimson biographer Sid Smith
• CD includes the 2025 Steven Wilson album mixes and a selection of Elemental Mixes

Robert Fripp: Guitar, Mellotron, Electric Keyboards & Devices
Mel Collins: Flute & Saxes
Gordon Haskell: Bass Guitar & Vocals
Andy McCulloch: Drums
Peter Sinfield Words & Pictures
With: Robin Miller, Mark Charig, Nick Evans, Keith Tippet and Jon Anderson

When Steven Wilson first mixed Lizard in stereo and 5.1 with Robert Fripp in 2009, he commented: “For me Lizard has always been an album that was too big for stereo to contain. I’ve always felt that if presented in the right way, I could make a case for this being the most experimental rock record ever made. It’s extraordinary what they’re doing on this album. In terms of fusing free-jazz with progressive rock for me there’s almost no parallel.”

Now, in 2025, Steven has returned to that album and the new mixes merely serve to confirm that analysis.

The 2009 mixes – released at the same time as the much better known Red and In The Court of the Crimson King, did much to focus fan attention on an album which was sometimes overlooked in the Crimson catalogue; Red, Court, Larks’ Tongues in Aspic, Discipline – the various KC incarnations all seemed to have definitive albums which represented certain periods in the band’s ever-changing development but Lizard - a single album group with an expanded line-up which was never played live, a healthy infusion of jazz players and influences, a radical departure from the two previous Crim album releases and more musical ambition than many band’s entire careers - seemed almost forgotten.

But if any album was going to benefit from the more detailed audio that Hi-Resolution and 5.1 Surround created, it was Lizard, and fans old and new eagerly embraced it. By 2016, the latest touring incarnation of the band began to play pieces from the music on stage for the first time with original members from the original recording - Robert Fripp and Mel Collins visibly enjoying playing Cirkus and parts of Lizard. By 2018 Almost all of Lizard was being played as a complete suite, frequently to the sort of reception normally reserved for the likes of Epitaph or the best known of the Crimson songs.

Now, in 2025, Lizard appears in its most complete form yet. Steven Wilson’s new stereo and 5.1 mixes reveal fresh details in the original recordings, the Atmos mix is one of his most ambitious yet working with a recording that always has more to give to en expanded soundstage. If Steven’s mixes detail the best that can possibly be had from the album as presented, then David Singleton’s Elemental mixes probe the nuances of the original recordings and sessions, bringing (previously) background performances to the fore, adding alternate takes of individual performances and exploring different angles for mixing each piece. Working separately and with different remits, the producers bring fresh perspectives to this most intriguing of recordings.

Complementing all of this material, the Blu-ray disc also features Alex R. Mundy’s mixes of every single session from the original 1970 recording sessions along with the original 30^th anniversary stereo master.

A CD is also included featuring Steven Wilson’s 2025 stereo mixes of the album and a selection of the Elemental mixes – including the title track.

Track List:           

Disc 1 - CD  
2025 mixes - Produced and Mixed by Steven Wilson
1. Cirkus
2. Indoor Games
3. Happy Family
4. Lady of the Dancing Water
5. Lizard

2025 Elemental Mix - Produced and Mixed by David Singleton
6. Cirkus
7. Indoor Games
8. Lizard - Prince Rupert Awakes
9. Bolero – The Peacock’s Tale
10. Dawn Song
11. Last Skirmish
12. Prince Rupert’s Lament
13. Big Top Pass II

Disc 2 - Blu-Ray  
I 2025 Dolby Atmos, DTS HD-MA 5.1 Surround  
1. Cirkus
2. Indoor Games
3. Happy Family
4. Lady of the Dancing Water
5. Lizard

24/96 Stereo and Instrumental includes above 5 tracks PLUS
6. Lady of the Dancing Water (alt take)  

Produced and Mixed by Steven Wilson

II 2025 Elemental Mix (24/192 Stereo)
1. Cirkus
2. Indoor Games
3. Happy Family
4. Lady of the Dancing Water
5. Lizard

Produced and Mixed by David Singleton

III Original Masters - 30th Anniversary Master (24/96 Stereo)
1. Cirkus
2. Indoor Games
3. Happy Family
4. Lady of the Dancing Water
5. Lizard

Produced & Mixed by Robert Fripp & Peter Sinfield

IV Complete Sessions (24/48 Stereo)

Sept 8th 1970
1. Cirkus      Backing Track
2. Cirkus      Overdubs 1 3. Cirkus       Overdubs 2
4. Cirkus      Overdubs 3
5. Cirkus      Early Vocal/Rough Mix

Sept 9th 1970         
1. Lady of the Dancing Water     Flute Pass 1 2. Lady of the Dancing Water      Flute Pass 2
3. Lady of the Dancing Water     Flute Pass 3
4. Lady of the Dancing Water     Piano & Mellotron Pass 1
5. Lady of the Dancing Water     Piano & Mellotron Pass 2
6. Lady of the Dancing Water     Guitar Overdub
7. Lady of the Dancing Water     Vocal & Trombone Overdub

Sept 13th 1970
1. Prince Rupert Awakes Backing Track with Guitar & Vocal Overdubs
2. Prince Rupert Awakes Piano & Mellotron Overdubs
3. Dawn Song Cor Anglais Pass 1
4. Dawn Song Cor Anglais Pass 2
5. Dawn Song Vocal Take 1 6. Dawn Song Vocal Take 2
7. Dawn Song Vocal Take 3

Sept 14th 1970
1. Last Skirmish, including Prince Rupert's Lament Backing Track
2. Prince Rupert's Lament Backing Track - Segment
3. Last Skirmish, including Prince Rupert's Lament Overdubs 1
4. Last Skirmish     Overdubs 2
5. Prince Rupert's Lament Solo 1
6. Prince Rupert's Lament Solo 2
7. Prince Rupert's Lament Solo 3
8. Prince Rupert's Lament Solo 4

Sept 20th 1970
1. Bolero      Backing Track with Piano
2. Bolero      Overdubs
3. Big Top    Bass, Drums, Mellotron
4. Big Top    Overdubs 1
5. Big Top    Overdubs 2
6. Big Top    Piano Overdub

Sept 29th/30th 1970
1. Indoor Games     Backing Track - Segment
2. Indoor Games     Backing Track
3. Indoor Games     Vocals & Overdubs
4. Happy Family     Bass, Drums & Guide Piano
5. Happy Family     Guitar, Flute & Sax Overdubs
6. Happy Family     Vocals & Overdubs

Mixed & Mastered by Alex R. Mundy

• All new 2025 Elemental Mix of King Crimson’s classic 1970 album by David Singleton
• Cut by Jason Mitchell at Loud Mastering
• Presented on 200gram Super-Heavyweight Vinyl, manufactured at Vinyl Factory, London

Robert Fripp: Guitar, Mellotron, Electric Keyboards & Devices
Mel Collins: Flute & Saxes
Godon Haskell: Bass Guitar & Vocals
Andy McCulloch: Drums
Peter Sinfield Words & Pictures
With: Robin Miller, Mark Charig, Nick Evans, Keith Tippet and Jon Anderson

DGM & Panegyric proudly present…

One of the highlights of the King Crimson 50^th anniversary CD/Blu-ray editions to date has been King Crimson producer David Singleton’s series of Elemental Mixes as he utilises the full spectrum of available studio sessions for each album to produce very different takes on the familiar songs and pieces.

This is especially true of Lizard where the ambition of the material, the much-expanded line-up of musicians - the background of many of them in the jazz rather than the rock world - and the number of takes recorded, resulted in a large amount of material to be considered for this album.

There was enough material for David to be able to mix and produce alternate takes for every piece from the original album.

As well as giving great insight into the recordings, the nature of Elemental Mixes allows for different takes from individual musicians to be included – sometimes alongside one another - in a way that would never be considered in the formulation of the original album.

David comments that “When I was working on the Elemental mixes, I jokingly described them as ‘Lizard for those who don’t like Lizard’. They were a complete revelation. Lizard is the one album which, in its initial incarnation, never quite convinced me. And yet these Elemental mixes, with their opportunity to look ‘under the hood’ of the album, revealed something fresh, wonderful and astonishing. So, if you are a King Crimson fan, who like me, has never quite taken Lizard to your heart, then these are essential listening. And hopefully equally fascinating to those who already love the album”.

Presented as a single 200gram LP and including the complete album in Elemental Mixes form, running in the same sequence as the original album, this release showcases Lizard in a very different manner to how it’s previously been heard.

Lizard’s reputation has grown, deservedly so, in recent years as old and new audiences alike rediscovered the album, initially when it was first remixed for new Stereo and 5.1 Surround Sound editions in 2009 by Steven Wilson and then as much of it was performed live for the first time in concerts by the most recent King Crimson line-up between 2016 and 2018.

Track List:

Side A
1. Cirkus (Including: Entry Of The Chameleons)
2. Indoor Games
3. Happy Family
4. Lady Of The Dancing Water

Side B
Lizard
        Prince Rupert Awakes
        Bolero - The Peacock's Tale
        Dawn Song
        Last Skirmish
        Prince Rupert's Lament
        Big Top

To pre-order:

In The Wake of Poseidon CD/Blu-Ray: https://burningshed.com/kingcrimson/king-crimson_in-the-wake-of-poseidon_cd_blu-ray

Lizard CD/Blu-Ray: https://burningshed.com/kingcrimson/king-crimson_lizard_cd_blu-ray

Lizard Vinyl: https://burningshed.com/kingcrimson/king-crimson_lizard%E2%80%932025-elemental_vinyl

Lizard CD/Blu-Ray & Vinyl Bundle: https://burningshed.com/kingcrimson/king-crimson_lizard_cd_blu-ray-vinyl-bundle

In The Wake of Poseidon CD/Blu-Ray / Lizard CD/Blu-Ray & Vinyl Bundle: https://burningshed.com/kingcrimson/king-crimson_in-the-wake-of-poseidon_lizard_bundle

For further information, please contact: info@panegyric.net

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Deep Energy Orchestra Unveils Expansive New Album The Science of Sound on 7D Media Feat. Members of Snarky Puppy, Kansas, King Crimson, The 4th Dimension, Shakti & Others!

Deep Energy Orchestra will release its third studio album, The Science of Sound, on October 24, 2025, through 7D Media. Conceived and led by composer, producer, and bassist Jason Everett (aka Mister E), the album represents a culmination of global collaboration, complex composition, and genre-defying instrumentation.

Following the ensemble’s critically acclaimed albums Playing With Fire (2018) and The Return (2020), this new release builds on the orchestra’s distinctive fusion of Indian classical rhythms, progressive rock, jazz, funk, and orchestral textures.

The Science of Sound brings together an exceptional roster of internationally recognized artists, including:
Joe Deninzon, electric violinist of the band Kansas
Gary Husband, legendary jazz fusion keyboardist and drummer (John McLaughlin, Allan Holdsworth)
Trey Gunn, Warr guitarist and longtime member of King Crimson
Adam Holzman, former keyboardist for Miles Davis and collaborator with Steven Wilson
V. Selvaganesh, renowned Indian percussionist (Shakti, Masters of Percussion)

Additional contributors include Mark Lettieri (Snarky Puppy), U. Rajesh, Mahesh Vinayakram, Radhika Iyer, John Wubbenhorst, Eric “Doc” Smith, and a full string section featuring violin, viola, and cello.

A Cohesive Musical Narrative

The album features eight compositions, six of which were written by Everett, with additional works contributed by John Wubbenhorst (“The Dancers”) and U. Rajesh with Ganesh Kumar (“Fireflies”). Each piece reflects Everett’s commitment to exploring rhythmically advanced and melodically rich material while remaining grounded in ensemble interplay.

Tracks like “Morning Over Madrid” and “Solar Playground” balance compositional precision with space for improvisation. “Captain Quirk” highlights Deninzon and Holzman in tight counterpoint, while “The Secrets of Subtraction” explores tension and release through intricate call-and-response melody. The closing track, “Stargazing,” offers a meditative resolution that underscores the album’s emotional breadth.

Production and Vision

The album was produced and arranged by Jason Everett, with engineering, mixing, and mastering by Don Gunn (Soundgarden, Peter Frampton). The sound is immersive and detailed, capturing the dynamic range and nuance of each performer while presenting a unified, expansive sonic experience.

“The Science of Sound is about exploring how music can communicate across genres, cultures, and traditions,” says Everett. “It’s a collaborative work that honors the strengths of every artist involved, while serving a larger musical vision.”

Says Joe Deninzon (Kansas), “Deep Energy Orchestra embodies the influences of Mahavishnu Orchestra, Shakti, and a wide array of jazz/rock fusion and Middle Eastern influences. Music that has influenced me immensely and always gives me a dopamine rush when I play it. It’s an honor to be a part of this beautiful project with such world class musicians!”

Here’s what’s been said about Jason Everett and Deep Energy Orchestra:

“Through his performance and compositional work, Jason has built respect with major members of the Indian music community and has been hailed by influential guitarists and bassists.” – Geoffrey Larsen, Musical Director of Seattle Metropolitan Chamber Orchestra

“Everett delivers memorable melodies rendered with Eastern vocal vibrato, and engaging ensemble improvisation – all over a spectrum of ever-shifting world grooves and natural-sounding odd meters.” – Bass Guitar Magazine

“Jason’s impressive bass work will dazzle, but his playing transcends the instrument to become a pure source of expression. His compositions are equally full of wonder and atmosphere for a sonic journey. A top-notch musician!”– Kevin Johnson NoTreble Bass Magazine

“This is now my fourth time listening to Deep Energy Orchestra’s Playing with Fire. Again, I had absolutely no idea on what I was going to expect by listening to this incredible project. I wouldn’t call them a super group, because it would be too much of a cop-out. They are a family by working together as a team. And for me, Playing with Fire brings the Octet as one.” – Zachary Nathanson, Echoes and Dust

“Playing with Fire sort of hovers over and moves between two camps—progressive rock and progressive raga—of progressive jazz. Its gemstone is "Resolve/Improv/Caravan," a twenty-minute journey through outer and inner space that spans an encyclopedia of styles and sounds: Everett's bass stomps and glides behind the strings' snakecharming melody, then steps out front to continue oscillating between mellow and raging, and later recites a floating tone poem; Selvaganish at first plays but then breaks into vocalizing his tabla part; Gunn sears your ears with his closing solo; and all this comes together, drifts apart, and comes back.” - Chris M. Slawecki, All About Jazz

“Not one prone to comparators, but musically, and in the Western hemisphere, John McLaughlin’s Mahavishnu Orchestra, along with the much lauded Shakti album from 1975 must surely poke their heads around the corner.” – Bob Mulvey, The Progressive Aspect

For more information:
Website: https://www.deepenergyorchestra.com/
Bandcamp: https://deepenergyorchestra.bandcamp.com/
Facebook: https://www.facebook.com/deepenergyorchestra

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

International Prog Collective Ferkaad To Release Debut Album “A Different Kind Of Animosity” October 31st, 2025

International progressive rock collective Ferkaad will release their debut album “A Different Kind of Animosity” on October 31st, 2025. Founder Zigor Munoz has assembled a diverse, global cast of musicians from all walks of life to craft this new album of instrumental progressive rock. Legendary keyboardist Derek Sherinian (Dream Theater, Black Country Communion, Planet X) appears on the title track, which also opens the album.

Ferkaad is an ever-shifting collective led by (mostly so far active in the metal genre) bassist and composer Zigor Munoz, dedicated to pushing the boundaries of instrumental progressive music. Each album is a new chapter, with a fresh lineup of adventurous musicians joining to explore sonic storytelling without words.

The project was born from a spontaneous improv night in Singapore at the tail end of the Covid era. What started as a one-off jam session—just Zigor on bass, Aussie jazz drummer Anthony Howe, and Cuban percussionist Pablo Calzado—quickly revealed deeper creative potential. Listening back to the subpar quality phone recordings, Zigor realised there was an album waiting to emerge. Thus, Ferkaad was born: a musical laboratory for experimentation and progressive expression.

Ferkaad’s debut album, “A Different Kind of Animosity,” features Zigor Munoz and guitarist/producer Niels van der Steenhoven at its core, with a rotating cast of guest musicians from around the globe. This diverse album was recorded across Haarlem, Den Haag, Rotterdam in the Netherlands, Helsinki, Köln, and Toronto throughout 2024 and 2025, and mixed/mastered by Benni Schäfer at Horus Studios in Hannover, Germany.

Says Zigor, “‘A Different Kind of Animosity’ as a title stems from the times we’re living in. I can’t believe it’s 2025 and we’re still killing each other, and we can’t get to agree on much for long.”

The concept behind the new album is to express in music things you don’t need lyrics for. Says Zigor, “Half the album are ideas that came to mind one afternoon sitting on my couch at home and the other half hit me in studio as I was finishing the recording of the first half. So, in a way you could say the first half took a few months and the second half took all of 20 minutes to create. I am talking about the basis for the songs of course which I initially wrote on bass, not the final product.”

Ferkaad’s story is one of constant evolution. With each new album, different musicians will be invited to join in, ensuring every release is a unique blend of personalities and influences. Ferkaad’s upcoming second album, “In Marvelous Hindsight”, will see the band teaming up with Lex van der Zwaal (who’s a guest on the debut album) for a fresh take on Ferkaad’s progressive, evocative sound. Zigor and Lex plan to begin recording “In Marvelous Hindsight” in autumn this year.

The band’s ever-changing lineup guarantees that no two albums are alike, but the commitment to instrumental storytelling and progressive exploration remains at the core.

In closing, Zigor has this to impart: “Thanks for taking time out of your day to listen to what we’ve put together. Instrumental music has the magic ability to truly allow everyone to give the music their own personal meaning when they listen. No lyrics to derail you there so just enjoy and once more, thanks for listening!”

“A Different Kind of Animosity” will release on October 31st, 2025. A single from the album will be released each month leading up to the album’s release. Keep an eye on the Ferkaad social media pages for more information.

Featured Musicians:
Niels van der Steenhoven – lead & rhythm guitars
Zigor Munoz – bass
Jari Kankare – saxophone
Tim Newcombe – keyboards
Rob Stone – drums (guest)
Lex van der Zwaal – guest solo on "Esprit"
Hernán Martínez – guest solo on "Placatory Gesture"
Peter Shannon – guest solo on "Attitudinally"
Derek Sherinian – keyboards on "A Different Kind of Animosity"

Track list:
1. A Different Kind of Animosity
2. Placatory Gesture
3. Esprit
4. Verbal Jousting
5. Attitudinally

Pre-order “A Different Kind of Animosity”: https://ferkaad.bandcamp.com/album/a-different-kind-of-animosity

For more information:
Instagram: https://www.instagram.com/ferkaadalchemy/
Facebook: https://www.facebook.com/profile.php?id=61579147617643&sk=about

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

BASSIST/COMPOSER BRYAN BELLER RELEASES “CALM BEFORE THE STORM” REMIX EP

The Aristocrats’ bassist refocuses and reimagines select material from his last solo release before “Scenes From The Flood”

Bassist Bryan Beller – widely known for anchoring The Aristocrats (Beller + Guthrie Govan/gtr + Marco Minnemann/dr), Joe Satriani, Dethklok, Steve Vai and Mike Keneally – revisits and reimagines parts of his last solo album before both the birth of The Aristocrats and his seminal work Scenes From The Flood (2019), with the remix EP Calm Before The Storm.

Releasing digitally, it focuses on three compositions that represent the core journey of Beller’s 2008 release Thanks In Advance. Those songs – “Greasy Wheel”, “Cave Dweller” and “Love Terror Adrenaline/Break Through” – also all contain Aristocratic lineage of some kind, which makes for an interesting look back.

“In the very first gig with Guthrie Govan and Marco Minnemann at the NAMM show in 2011,” says Beller, “we each brought two solo compositions for a six-song set. Those songs ended up on our 2012 live album, so lots of folks heard the live trio arrangements of those pieces. Meanwhile I was a very young and inexperienced producer back in 2008, and while I was proud of the studio versions of those tunes at the time, I recently thought, ‘Man, I’d like another crack at mixing those. I think there’s more there.’ Also, 2008 is a million years ago in today’s ‘forever now’ culture, and there’s probably people out there who don’t even know this stuff exists. So why not reintroduce it with a fresh take?”

Beller once again called upon sonic sherpa Forrester Savell (Karnivool, Bear McCreary) to remix the three tunes. After mixing Scenes From The Flood and the latest Aristocrats album DUCK (2024), Savell was clearly the right choice to set the soundstage for a new experience.

With “Greasy Wheel” and “Cave Dweller” appearing on The Aristocrats’ Boing, We’ll Do It Live (2012), “Love Terror Adrenaline” contained a unique marker in Beller’s solo catalog: It’s the only work featuring then-future Aristocrats drummer Marco Minnemann.

“’Love Terror Adrenaline/Break Through’ was an intensely complex and emotionally charged 10-minute piece,” Beller explains, “about experiencing and getting beyond a panic attack caused by all sorts of inner demons. I wanted the song to reflect that struggle, and it’s a beast. I didn’t know Marco that well back then, but I’d played a couple of gigs with him for ex-Frank Zappa guitarist Mike Keneally. There was an intensity and aggression in the way Marco tackled the most difficult passages that instinctively felt right to me. So I brought both Marco and Mike onto this nightmare piece, and they really did incredible things with it.”

The EP also features performances by drummers Joe Travers (Zappa Plays Zappa, Eric Johnson) and Toss Panos (Michael Landau, Larry Carlton); guitarists Rick Musallam (Ben Taylor, Carly Simon) and Griff Peters (John Mayer, Billie Myers); and keyboardist Jeff Babko (Jimmy Kimmel Live, Steely Dan, Sheryl Crow).

The title Calm Before The Storm references Beller’s own personal journey at the time, an emotional whipsaw over several years. “I moved to Nashville in 2006 and started working on ‘Thanks In Advance’ right away. The album’s story chaotically worked towards a calm and peaceful vibe in the end, symbolized by the ‘Break Through’ moment after eight minutes of terrorized adrenaline. That’s where I left the narrative, sitting in a space of optimism and gratitude. Then, life went on and…well, a lot of things happened. And The Aristocrats suddenly exploded out of nowhere a couple of years later.”

“Then, in 2013 my marriage failed and I moved from Nashville back to Los Angeles, with a somewhat infamous stop at a crazypants gas station in Texas occurring along the way. I also learned some things about both myself and human nature that were not exactly aligned with my original ‘Thanks In Advance’ vibes. Working through that cognitive dissonance was the origin of Scenes From The Flood, even though it took six more years to bring it to fruition. And the very first idea for that album was ‘The Storm’, a metaphor for what had swept through my life.

“So the calm moment before everything went nuts – that’s where this EP ends. And I thought the material it took to get there deserved a fresh look.”

Track Listing:
1. Greasy Wheel
2. Cave Dweller
3. Love Terror Adrenaline/Break Through

Calm Before The Storm will initially be available exclusively on Bryan Beller’s Bandcamp page, at https://bryanbeller.bandcamp.com/music. Additionally, an extremely limited run of CDs are available at https://www.hellomerch.com/products/calm-before-the-storm-a-thanks-in-advance-remix-ep

For more information on Bryan Beller, please visit:
Website: http://bryanbeller.com
Facebook: https://www.facebook.com/bryanbellerbass
Instagram: @bryanbellerbass
YouTube: https://www.youtube.com/bryanbeller

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

WEIRD BISCUIT TEATIME STARRING DAEVID ALLEN (GONG) CELEBRATES THE 20TH ANNIVERSARY OF DJDDAY REMASTERED WITH FIVE BONUS REMIXES

RELEASED AUGUST 1, 2025

Stockton, NJ - Daevid Allen is well known as the founder of The Soft Machine in 1966 and Gong in 1969. Weird Biscuit Teatime is a studio project that he did in the early 2000s with producer/keyboardist Don Falcone of Spirits Burning, bassist Michael Clare from Daevid Allen’s University Of Errors, and drummer Trey Sabatelli who has worked with Jefferson Starship, The Tubes, and Todd Rundgren.

The band recorded two albums. DJDDAY was the first, recorded and mixed from 2000 to 2004, and then released in England in 2005. For that release, the band considered putting Daevid’s name in the band title. They didn’t and the album got buried in the mass of releases at the time. To avoid making the same mistake twice with the second album, “Elevenses,” the name of the band was changed to Daevid Allen Weird Quartet.

As Falcone explains, "This was a moment beyond Spirits Burning and Daevid, Michael, and Trey being three of many crew members in that collective. With Weird Biscuit Teatime, we had four musicians contributing to a band sound from album start to album finish. Everyone invested in a deep and lasting way. We were able to build upon our past and present, finding a way to dig into being original, mysterious, evocative. This album captures a special time from our quartet — from its inception to the growth and release of our DJDDAY. Twenty years later, now getting an improved mastering as I had always hoped. And in the spirit of the band’s play, five bonus remixes that showcase early or alternative versions of the songs. In January of 2005, Daevid wrote to Michael: 'Pure radio gnome telepatika! Just finished listening to the CD. WBT is GREAT!’"

Now 20 years later, with a new remaster by Robert Rich and five bonus remixes, DJDDAY arrives with the band name Weird Biscuit Teatime Starring Daevid Allen. A lost masterpiece by the master of psychedelic/progressive music.

Get your CD here: https://www.dekoentertainment.com/inthesquare/weird-biscuit

Track list:

1. DJ Herbal Extract
2. Fashion Victim
3. Lavender
4. Oh Dear
5. Beezlebabble Slush
6. Technicolor Tongue
7. Cathode Cathedral
8. Transhuman Future
9. This Could Be The End
Bonus Tracks
10. Technicolor Tongue (skinny mix for daevid)
11. Oh Dear (an instrumental mix)
12. Beezlebabble Slush (yush up mix)
13. Transhuman Future (altruistic mix)
14. Lavender (quiet teatime celebration mix)

For more information:
https://www.dekoentertainment.com
Deko Entertainment-Art Has Value

Press inquiries: Keith James, Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com