10/06/2018

Rock-Prog-Pop Vinyl Review: ELO (Electric Light Orchestra)-The UK Singles Volume One 1972-1978

Release Date: September 21, 2018
Label: Sony

Electric Light Orchestra, better known as ELO for brevity purposes, has a large body of work dating back to the 70s. The first album I ever bought was Eldorado. I remember how different that album sounded the first time I heard it. At that time, I enjoyed it but not as much as I do now. With the passing of time, great music reaches a different level as heard through the ears of a more mature listener (like everything it is a matter of time). 

Over the last few years, I have immersed myself in purchasing and listening to all kinds of vinyl, actually a lot of it is what I used to own and subsequently got rid of in my foolish youth.

So along comes The UK Singles Volume One 1972-1978 offering an opportunity to reminisce and hear all those big hits and tracks that were previously only available in the UK. 

For this listener, it was a complete joy to hear all this music and watch it spin around on my turntable. That whole experience of having the vinyl to hold in your hand with the artwork for each individual 45, is what it is all about. The sound is incredible, vinyl has CDs beat by a long shot. The sound of vinyl is more natural and warmer - take away the digitizing, downloading and iTunes and what do you have? Not only something physical but music as it was meant to be heard. This was remastered from the analog source tapes. That fact should get audiophiles salivating.

Jeff Lynn has been and always will be the main cog in the wheel that keeps ELO rolling along. In fact, they are going on tour for the first time in 30 years as Jeff Lynn’s ELO. The music stands on its own. Well put together packages like The U.K. Singles Volume One: 1972-1978 do not come around on a regular basis so it immediately becomes a treasure trove of delights for any vinyl junkie or ELO fan. Check off both boxes for me in regards to those two points. 

The Beatles influence in the ELO cannon has always been obvious and their leader has always acknowledged that influence. For my ears, that works just fine as I love the Fab Four without question and I can spot their influence in anything I hear. Make no mistake about it, this band proved unequivocally that you could rock and add orchestra related instruments to the mix and it all would sound killer if done well. It goes without saying that Jeff and his band really had that formula down straight away. It has taken some years to really appreciate this music more as I mentioned earlier but you cannot deny the string of radio-friendly hits that were blaring out of the radio back in the 70s. I was there and heard it all which makes getting this set that much sweeter and more memorable. 

Some of the highlights in a box set jammed with them were “538 Overture b/w First Movement (Jumping Biz) * (1972 – U.K. No. 9),” which reminded me fondly of the great instrumental from the 60s titled “Classical Gas.” There are some riffs in that track that sounded unmistakable as far as my ears were concerned. This is not unusual at all it just made me smile inside to feel that recognition so quickly.

“Showdown b/w In Old England Town (Instrumental) (1973 – U.K. No. 12)” was so good to hear again on vinyl and “Old England Town (Instrumental)” was an odd bird but certainly quite original and a step away from the ELO norm. It is one track I will not forget.

“Can't Get It Out Of My Head b/w Illusions In G Major (1974)” features a great rocker on the B side “Illusions In G Major,” so don’t be fooled by the track titles that may imply you are going hear something complex and progressive, you may hear a flat-out rocker like this one.
 
Of course, there is the all-time classic “Evil Woman,” no doubt one of their most recognized hit singles. To sweeten the pie, it is backed with “10538 Overture (live) (1974 – U.K. No. 10),” which is excellent.

On to the surprises I found in the set…All along I was thinking it was standard black vinyl. “Livin Thing” and “Mr. Blue Sky,” turn out to be that beautiful translucent blue vinyl. That was the icing on the cake for this collector/music freak. 

When all is said and done The UK Singles Volume One 1972-1978 is a must-have for any ELO fan or music fan for that matter. So, snag it up and put under the tree this year for the music lover you know, that is if you can stand waiting that long to crack the seal and give it an ear yourself!

Keith “MuzikMan” Hannaleck
October 5, 2018

Founder of:

Review Provided By MuzikMan Reviews & News


Tracks:

Electric Light Orchestra

The U.K. Singles Volume One: 1972-1978

Disc 1: 10538 Overture b/w First Movement (Jumping Biz)* (1972 – U.K. No. 9)
Disc 2: Roll Over Beethoven** b/w Queen Of The Hours (1973 – U.K. No. 6)
Disc 3: Showdown b/w In Old England Town (Instrumental) (1973 – U.K. No. 12)
Disc 4: Ma-Ma-Ma Belle b/w Oh No Not Susan (1974 – U.K. No. 22)
Disc 5: Can't Get It Out Of My Head b/w Illusions In G Major (1974)
Disc 6: Evil Woman b/w 10538 Overture (live) (1974 – U.K. No. 10)
Disc 7: Nightrider b/w Daybreaker (live)(1976)
Disc 8: Strange Magic b/w Showdown (live) (1976 – U.K. No. 38)
Disc 9: Livin' Thing b/w Fire On High (1976 – U.K. No. 4)
Disc 10: Rockaria! b/w Poker (1976 – U.K. No. 9)
Disc 11: Telephone Line b/w Poor Boy (The Greenwood) / King Of The Universe
(1977 – U.K. No. 8)
Disc 12: Turn To Stone b/w Mister Kingdom (1977 – U.K. No. 18)
Disc 13: Mr. Blue Sky b/w One Summer Dream (1978 – U.K. No. 6)
Disc 14: Wild West Hero b/w Eldorado (1978 – U.K. No. 6)
Disc 15: Sweet Talkin' Woman b/w Bluebird Is Dead (1978 – U.K. No. 6)
Disc 16: The ELO EP: Can't Get It Out Of My Head / Strange Magic b/w Ma-Ma-Ma Belle / Evil Woman (1978 – U.K. No. 34)


Rock-Prog-Pop Vinyl Review: ELO (Electric Light Orchestra)-The UK Singles Volume One 1972-1978

Release Date: September 21, 2018
Label: Sony

Electric Light Orchestra, better known as ELO for brevity purposes, has a large body of work dating back to the 70s. The first album I ever bought was Eldorado. I remember how different that album sounded the first time I heard it. At that time, I enjoyed it but not as much as I do now. With the passing of time, great music reaches a different level as heard through the ears of a more mature listener (like everything it is a matter of time). 

Over the last few years, I have immersed myself in purchasing and listening to all kinds of vinyl, actually a lot of it is what I used to own and subsequently got rid of in my foolish youth.

So along comes The UK Singles Volume One 1972-1978 offering an opportunity to reminisce and hear all those big hits and tracks that were previously only available in the UK. 

For this listener, it was a complete joy to hear all this music and watch it spin around on my turntable. That whole experience of having the vinyl to hold in your hand with the artwork for each individual 45, is what it is all about. The sound is incredible, vinyl has CDs beat by a long shot. The sound of vinyl is more natural and warmer - take away the digitizing, downloading and iTunes and what do you have? Not only something physical but music as it was meant to be heard. This was remastered from the analog source tapes. That fact should get audiophiles salivating.

Jeff Lynn has been and always will be the main cog in the wheel that keeps ELO rolling along. In fact, they are going on tour for the first time in 30 years as Jeff Lynn’s ELO. The music stands on its own. Well put together packages like The U.K. Singles Volume One: 1972-1978 do not come around on a regular basis so it immediately becomes a treasure trove of delights for any vinyl junkie or ELO fan. Check off both boxes for me in regards to those two points. 

The Beatles influence in the ELO cannon has always been obvious and their leader has always acknowledged that influence. For my ears, that works just fine as I love the Fab Four without question and I can spot their influence in anything I hear. Make no mistake about it, this band proved unequivocally that you could rock and add orchestra related instruments to the mix and it all would sound killer if done well. It goes without saying that Jeff and his band really had that formula down straight away. It has taken some years to really appreciate this music more as I mentioned earlier but you cannot deny the string of radio-friendly hits that were blaring out of the radio back in the 70s. I was there and heard it all which makes getting this set that much sweeter and more memorable. 

Some of the highlights in a box set jammed with them were “538 Overture b/w First Movement (Jumping Biz) * (1972 – U.K. No. 9),” which reminded me fondly of the great instrumental from the 60s titled “Classical Gas.” There are some riffs in that track that sounded unmistakable as far as my ears were concerned. This is not unusual at all it just made me smile inside to feel that recognition so quickly.

“Showdown b/w In Old England Town (Instrumental) (1973 – U.K. No. 12)” was so good to hear again on vinyl and “Old England Town (Instrumental)” was an odd bird but certainly quite original and a step away from the ELO norm. It is one track I will not forget.

“Can't Get It Out Of My Head b/w Illusions In G Major (1974)” features a great rocker on the B side “Illusions In G Major,” so don’t be fooled by the track titles that may imply you are going hear something complex and progressive, you may hear a flat-out rocker like this one.
 
Of course, there is the all-time classic “Evil Woman,” no doubt one of their most recognized hit singles. To sweeten the pie, it is backed with “10538 Overture (live) (1974 – U.K. No. 10),” which is excellent.

On to the surprises I found in the set…All along I was thinking it was standard black vinyl. “Livin Thing” and “Mr. Blue Sky,” turn out to be that beautiful translucent blue vinyl. That was the icing on the cake for this collector/music freak. 

When all is said and done The UK Singles Volume One 1972-1978 is a must-have for any ELO fan or music fan for that matter. So, snag it up and put under the tree this year for the music lover you know, that is if you can stand waiting that long to crack the seal and give it an ear yourself!

Keith “MuzikMan” Hannaleck
October 5, 2018

Founder of:

Review Provided By MuzikMan Reviews & News


Tracks:

Electric Light Orchestra

The U.K. Singles Volume One: 1972-1978

Disc 1: 10538 Overture b/w First Movement (Jumping Biz)* (1972 – U.K. No. 9)
Disc 2: Roll Over Beethoven** b/w Queen Of The Hours (1973 – U.K. No. 6)
Disc 3: Showdown b/w In Old England Town (Instrumental) (1973 – U.K. No. 12)
Disc 4: Ma-Ma-Ma Belle b/w Oh No Not Susan (1974 – U.K. No. 22)
Disc 5: Can't Get It Out Of My Head b/w Illusions In G Major (1974)
Disc 6: Evil Woman b/w 10538 Overture (live) (1974 – U.K. No. 10)
Disc 7: Nightrider b/w Daybreaker (live)(1976)
Disc 8: Strange Magic b/w Showdown (live) (1976 – U.K. No. 38)
Disc 9: Livin' Thing b/w Fire On High (1976 – U.K. No. 4)
Disc 10: Rockaria! b/w Poker (1976 – U.K. No. 9)
Disc 11: Telephone Line b/w Poor Boy (The Greenwood) / King Of The Universe
(1977 – U.K. No. 8)
Disc 12: Turn To Stone b/w Mister Kingdom (1977 – U.K. No. 18)
Disc 13: Mr. Blue Sky b/w One Summer Dream (1978 – U.K. No. 6)
Disc 14: Wild West Hero b/w Eldorado (1978 – U.K. No. 6)
Disc 15: Sweet Talkin' Woman b/w Bluebird Is Dead (1978 – U.K. No. 6)
Disc 16: The ELO EP: Can't Get It Out Of My Head / Strange Magic b/w Ma-Ma-Ma Belle / Evil Woman (1978 – U.K. No. 34)


10/05/2018

New Age Instrumental-World Review: Peter Sterling- Magic Kingdom

Release Date: October 1, 2018
Label: Harp Magic Music

It has been two years since I covered Peter Sterling’s superb Sacred Visions. I am more than ready to go on another magical musical journey, on to the Magic Kingdom. Or as I like to refer to it as “Peter Magic.”

Magic Kingdom is the following musicians:  Peter playing keyboards, harp, recorder, Freenote chime, Peruvian wooden flute, and percussion. Richard Hardy is on Irish Pennywhistle and Soprano Sax and Anthony Mazzella on Guitar. The album was recorded in Sedona from 2017-2018.

I have concluded after several years of listening to various incarnations and fusions of new age music that the combination of world and new age is the most interesting and colorful listen I could hope for. It is always different and just about any instrument can serve as the lead if the mix is right. Peter’s main instrument is the heavenly harp. It is so precise and delicate, and it easily mixes with the other music and sounds provided on Magic Kingdom

Peter defines the term indie musician and the do it yourself attitude that is so strong amongst the folks that make up that culture and work ethic. It takes tremendous dedication, commitment and talent to produce a recording such as Magic Kingdom.

The blend of instruments is simply sublime and the few tracks where you hear some vocals it is impressive as well. The vocals are an instrument as far as I am concerned and it is quite evident when listening to the tracks that provide that. The closer and title track “Magic Kingdom” and “Tomorrow’s Child” are two fine examples of world-instrumental new age with just enough vocal styles to make it a meditative piece that you want to hear more than once. “Over the Bridge” features a sweet child’s voice, contributing to the purity and innocence of this listening experience.

“Everlasting Love” starts off with Peter’s harp inviting the rest of the instruments into the mix then a jazzy tone comes alive with some soprano sax. I love that combination absolutely, it always works for me. I do love jazz so that makes the transition that much more delightful for my ears. 

So, in the end, what I got to enjoy was another musical stew brought to a simmer by many talented artists. Make sure you listen to Magic Kingdom and let it bring you joy and good vibrations, it is there waiting for you now.

Keith “MuzikMan” Hannaleck
October 5, 2018

Founder of:

Review Provided By New Age Music Reviews

10/04/2018

Instrumental Jazz Review: Pablo Embon-Nobody’s Land

Release Date: October 17th, 2018
Label: Independent

Now here is an artist I was anticipating a great new release from, Pablo Embon.  I had the very distinct pleasure of reviewing The World Within (2016) and The Funky Side of The Road (2017). And now the latest release Nobody’s Land is ready for all you jazz aficionados to consume. This keeps the string of fresh releases coming and my ears are paying attention.

I love jazz, and I do not listen to it enough. Somewhere along the line, I drifted apart from it. The music Pablo delivers reminds me of how wonderful this music is. It also makes me think of many of my favorites such as Al DiMeola, Jean-Luc Ponty and Caldera (with some of the keyboards), and many more. The influences of many different artists are present in Pablo’s music. Once you hear it you will pick up on it. If you are like me, you will love it. He cites Return To Forever as an influence. As you all know that was a group of superstars and each one had their own particular style and sound. That is a good thing in my estimation. 

Nobody’s Land tends to draw from those influences and the mix of sounds you will hear on the album is a tribute to the many talents of the artists. One the best examples of all the influences tied into one song are “Rubberneck.”  It is a combo of traditional and modern jazz. The guitar is smooth and fluid like traditional jazz should be then the shifting tempo introduces some piano, which adds another layer of texture to consider. It gives it some juice and jumps if you will. There is background jazz, the kind that blends into your surroundings, then there is thinking man’s jazz, which is more cerebral.  In that sense I mean, you are recognizing all the changes and the tremendous effort that must have gone into recording all this music, then putting it all together. That is an immense task to accomplish. If you don’t really appreciate the artistry that you are hearing then you really are not “listening.”

Pablo wrote and produced all of his music and he also performed it all with several different configurations of guitars and keyboards (listed below for you gear freaks). He is the ultimate D.I.Y. indie musician. I always thought of him as a guitar player, it looks that way on this cover. Do not let one picture persuade you in one direction. On Nobody’s Land, he is equally impressive on the various types of keyboards. At times you get that smoke-filled lounge feeling and others the get-up and dance nightclub feeling with his music, and others the kick back and just soak it all in mood hits you…all of it soothes the soul. This artist gets it all covered for my discerning tastes.

This may be Nobody’s Land but this is Pablo Embon’s world of music. With each album released he takes it to the next level. I look forward to what he comes up with next year! 

Keith “MuzikMan” Hannaleck
October 4, 2018

Note: The newly remastered version of Nobody's Land is now available exclusively on Pablo's website follow this link: https://www.pablo-embon.com/music-download/nobody-s-land-buy/

Founder of:

Review Provided By MuzikMan Reviews & News

Tracks:
01. Dragonfly
02. Absent Minded
03. The Days We’ve Lived
04. Wistful Smiles
05. Tell Your Story
06. Same Old, Same Old
07. End of Summer
08. Nobody’s Land
09. Unveiled
10. Rubberneck
11. Washed Out
12. Estela
13. Bonus Track: Morning T (Remix)



Pianos:
Ravenscroft 275 Acoustic Piano
TruePianos
Rhodes Electric Piano
Wurlitzer Electric Piano
Yamaha CP70 Electric Piano
Roland V-Piano
Synth Rack: Various

Guitars:
Ovation Acoustic Guitar Standard Elite 2778AX
Yamaha NTX900FM Nylon Guitar
Ibanez PM 120 NT Electric Guitar
12th String Acoustic Washburn WD10SCE12



10/03/2018

Contemporary Classical Instrumental Review: Dulce Joya-Reality of Dreams

Release Date: September 8, 2017
Label: CD Produktion und Vertrieb

Dulce Joya is an accomplished pianist from Cuba. She started her studies of the instrument at age 6. It looks like the early start and all the hard work has paid off for this artist in many ways.

She released Reality of Dreams a year ago. This is my first opportunity to hear Dulce’s music. I must say that I am very impressed with the talent I heard on all 12 tracks of this recording.  I find great joy in discovering artists I have not heard before.

If you stop and think about the title for a moment it becomes clear what the artist is conveying to you. Your dreams do become reality, and the reality of those dreams are communicated through the music you will hear on this recording.

I have heard countless piano instrumental albums and it takes a lot at this point for me to become interested and stay focused. I am not saying that I do not enjoy most of what I hear, it just has to be excellent to make me feel like I just had a great musical experience.   

This is definitely contemporary classical that could easily cross over to new age as well. The new age genre has become very interesting over the years and many of the sub-genres have found a way into the ever-broadening classification as well. This is one album that anyone that appreciates new age would love, I have no doubt.

So, after listening to Dulce’s music I felt very positive and refreshed. Her music is crisp, pinpoint and mesmerizing. Every track is intriguing and full of emotion. This is music that could easily be a soundtrack for a film. It is a quality listen from start to finish.

Perhaps one of the better examples of a story set to moving instrumental music is “Shadows of my Soul.” It builds and builds as the track gets deeper into movements that are pulsating with life and anticipation. It runs over six minutes and what Dulce accomplishes in that timeframe is a brilliant exhibition of musical transitions within one song.

“Call of the King” was another one of my favorites. The title is perfect. The ivory keys and Dulce’s talented fingers introduce a grand marching of the king’s entrance. It was a very picturesque track. 

Those are a few tracks that really hit home with me, I really loved the entire album though. Every composition is beautiful and something I would enjoy hearing any time of day or night. 

As I listened to each track my interest grew and I was fascinated with all the progressions that Dulce went through in every track. Even without any accompaniment, I was completely engaged with her music. That says it all for me and the music presented on Reality of Dreams

Keith “MuzikMan” Hannaleck
October 2, 2018

Founder of:

Review Provided By New Age Music Reviews

Tracks:
01. Romantic Power
02. Call of the King
03. Lights and Shadows
04. Sad Moments
05. Magical Ride
06. Pride of Love
07. Shadows of my Soul
08. Stormchild
09. Winter Dreams
10. Bleeding Heart
11. Fallen Angel
12. Goodbye