Showing posts with label Progressive Reviews. Show all posts
Showing posts with label Progressive Reviews. Show all posts

1/06/2021

Instrumental Progressive Ambient Review: Green Isac Orchestra-b a r (140 gram vinyl LP)

Release Date: September 15, 2020

Label:Spotted Peccary

Website

 

My only regret after hearing the most recent Green Isac Orchestra’s release b a r, is that I did not discover them years ago! This is some of the most creative and color progressive instrumental ambient music I have heard in some time. I had the pleasure of hearing it for the first time on 140 gram vinyl.

Morten Lund and Andreas Eriksen were together know as Green Isac for 25 years as a duo only, until the Green Isac collaboration expanded to a five member ensemble and rechristened themselves Green Isac Orchestra in 2015. bar is their second release as a quintet.

There is never a dull moment on b a r, in fact, this is full of brilliantly executed compositions. The operative words here is “creative” and “expansive.”

“Volcanic” starts things off and the title is very descriptive of what you will hear to get your heart pumping and your imagination kicked into high gear. It comes in just shy of a healthy 8 minutes of instrumental bliss starting off with ambient texture and building into a volcanic eruption of sounds. The track ebbs and flows between power and softer moments provided by the cello then it switches back to that colorful blasts of passion and sound. I do not think there could have been a better track on the album to get things started. When you look and see six tracks your first impression may be that is not many however you can take my word for it, it more than fills both side of the 140 gram vinyl.

“Le Grand Sportif” is 7+ minutes and it begins with a spacey intro into nice keyboard work allowing for a minimalist approach to introduce the cello. The track engages you and is in a continual evolving cycle that can be fascinating. Some good percussive sounds push it to another level as it moves closer to the end before closing out.

“With Hat” is shorter journey at 3:25 with orchestral sounds of the cello leading the way then a heavy drone like sound comes in sounding like a powerful but suggestive hammer then the gentler part of song is ushered in with an emphasis on the synths. The track has some very strong progressive movements that would please any instrumental music listener.

Side B opens with “Don Progini” (note the last name) letting us all know if we already didn’t that this is definitely progressive music! There are some interesting changes going on in this track and so many sounds converging into a blossoming full sound taking advantage of all the tools at their disposal, the band makes sure you are still paying attention. The keyboards reminded me of Tubular Bells.

“Aarwaaken” comes in over 6 minutes and starts with a spacey/spooky synth with a world edge provided by the percussive elements then it morphs for a very short period over to classical path. Mind melting synths arrive to give it that sci-fi feel as well to keep things interesting. The only way to describe this masterful composition is to call it acoustic-progressive-ambient with a classical underpinning.

“Without Hat” closes the curtain on this aural journey starting with a guitar, which was different in comparison to all the other tracks. Various synths are the building blocks of the track and it provides excitement and leads the listener to a colorful ending to close out the album.

Why stay the same is the mantra for b a r and that works very well for this excellent recording. They never do the same thing twice and that is what makes b a r  so enjoyable and something you will want to hear more than once.

Keith “MuzikMan” Hannaleck-TFOV Founder

January 3, 2021

Track List:

Side A:
1. Volcanic
2. Le Grand Sportif
3. With Hat

Side B:
4. Don Progini
5. Aarwaaken
6. Without Hat




11/10/2016

Rock/Progressive Reviews: Brian Johnstone-Consent Under Coercion

Release Date: May 12, 2016
Label: Independent

Brian Johnstone has a body of work behind him but this release is a solo effort. Consent Under Construction is 10 tracks with tracks 6-10 consisting of two part opuses.
Johnstone has created his own path with this recording. This is a true solo effort with no frills and some good progressive rock.
I love the album’s title. It’s always a good thing to have Consent Under Coercion. One listen is enough to convince you to turn it up and listen closely.

“Ujezd Tarantella (Taste The Fear)” is one of the best tracks. Johnstone uses all his weapons to have one of his finest moments. The track is like a soundtrack to a movie (like a classic thriller such as Psycho or The Birds). It’s sensationally terrifying with mood swings and music to match. Great guitar lines and mind melting keyboards lead the way as the artist sings, feels and lives the part. You can hear the sincerity in his voice as the music echoes his sentiments. This is musical theater at its very best.

“The Course of Empire: Children of the Stars” kicks off the suite of tracks that tells a story. It is like opening a book and you start reading and can’t’ put it down. It is an upbeat and powerful way to start the second half of the album. As the door swings open you gladly walk through trusting the music will take you down the right road. The story continues as the placement of guitars and keyboards are just right ushering in the empire and its offspring.

Brian Johnstone is quite a talent. Perhaps it’s time to consider making this a book or screenplay with this album as the soundtrack with a full-blown orchestra as an add on? Then it would be Wakeman like! Of course, it’s nice to dream and ponder the possibilities, isn’t it? In any case this music can stand on its own as a singular project that showcases one clever artist and his abilities to create a storyline with some great music to entertain you as it all develops.

4/5 Stars

Key Tracks: Ujezd Tarantella (Taste The Fear), The Course of Empire: Children of the Stars

Tracks:
01.Ujezd Tarantella (Taste The Fear)
02.Caraly
03.Crammed In   
04.Lumang
05.Precious Dreamer 05:12
06.The Course of Empire: 1 Children of the Stars
07.The Course of Empire: 2 First Renaissance
08.The Course of Empire: 3 The Greater Good
09.The Course of Empire: 4 Scourge of Humanity
10.The Course of Empire: 5 The Greatest Tragedy 



Keith “MuzikMan” Hannaleck
November 10, 2016
Founder of:

Review Provided By Prog Rock Music Talk

Rock/Progressive Reviews: Brian Johnstone-Consent Under Coercion

Release Date: May 12, 2016
Label: Independent

Brian Johnstone has a body of work behind him but this release is a solo effort. Consent Under Construction is 10 tracks with tracks 6-10 consisting of two part opuses.
Johnstone has created his own path with this recording. This is a true solo effort with no frills and some good progressive rock.
I love the album’s title. It’s always a good thing to have Consent Under Coercion. One listen is enough to convince you to turn it up and listen closely.

“Ujezd Tarantella (Taste The Fear)” is one of the best tracks. Johnstone uses all his weapons to have one of his finest moments. The track is like a soundtrack to a movie (like a classic thriller such as Psycho or The Birds). It’s sensationally terrifying with mood swings and music to match. Great guitar lines and mind melting keyboards lead the way as the artist sings, feels and lives the part. You can hear the sincerity in his voice as the music echoes his sentiments. This is musical theater at its very best.

“The Course of Empire: Children of the Stars” kicks off the suite of tracks that tells a story. It is like opening a book and you start reading and can’t’ put it down. It is an upbeat and powerful way to start the second half of the album. As the door swings open you gladly walk through trusting the music will take you down the right road. The story continues as the placement of guitars and keyboards are just right ushering in the empire and its offspring.

Brian Johnstone is quite a talent. Perhaps it’s time to consider making this a book or screenplay with this album as the soundtrack with a full-blown orchestra as an add on? Then it would be Wakeman like! Of course, it’s nice to dream and ponder the possibilities, isn’t it? In any case this music can stand on its own as a singular project that showcases one clever artist and his abilities to create a storyline with some great music to entertain you as it all develops.

4/5 Stars

Key Tracks: Ujezd Tarantella (Taste The Fear), The Course of Empire: Children of the Stars

Tracks:
01.Ujezd Tarantella (Taste The Fear)
02.Caraly
03.Crammed In   
04.Lumang
05.Precious Dreamer 05:12
06.The Course of Empire: 1 Children of the Stars
07.The Course of Empire: 2 First Renaissance
08.The Course of Empire: 3 The Greater Good
09.The Course of Empire: 4 Scourge of Humanity
10.The Course of Empire: 5 The Greatest Tragedy 



Keith “MuzikMan” Hannaleck
November 10, 2016
Founder of:

Review Provided By Prog Rock Music Talk

4/14/2016

Jazz/Fusion/Progressive Review: Armonite-The Sun Is New Each Day

Release Date: 22nd June 2015
Label:  Independent
Website
Armonite is an Italian band which generated a big problem for this reviewer in that it was very difficult to properly describe their style. The band originally combined rock and classical music with an instrument line-up that boasted 2 electric violins, keyboards, bass and drums, or at least that was true of the debut release in 1999, Inuit. If we then jump forward to 2015, one of the violinists and the main composer of the music formed a “new” band with the same name. The addition of a drummer and a bass player resulted in the release of the album under consideration in this review, The Sun Is New Each Day, with a more “normal” band line-up. The music has continued to use the classical violin work from the debut release and probably is best held up alongside the jazz fusion genres.

Armonite is a 4 piece band comprising Jacopo Bigi (electric violin), Paolo Fosso (keyboards) Colin Edwin (bass) and Jasper Barendregt (drums) with Colin probably better known, I would think, for his bass playing with Porcupine Tree. There are also 2 guests appearing on the album, Anders “GoTo80” Carlsson (8-bit sounds) and Marcello Rosa (cello).

The Sun Is New Each Day is a 10 track album with a total playing time of around 34 minutes, which is not particularly lengthy and merits being referred to as an EP. All the tracks are of similar length with track 7, “Die Grauen Herren” (The Gray Man), the shortest, with a running time of 2:47 minutes and track 6, “Satellites,” the longest at 3:47 minutes.

The opening track on The Sun Is New Each Day, “Suitcase War” (3:45) jumps out of the speakers from the word “Go” and is led by the superb electric violin playing of Jacopo, ably supported by the other musicians. After the hectic start to the track, and although the track flows well, it never maintained that early promise and at best is satisfactory. At times I could hear similarities to Darryl Way with the manner in which the violin was used. There is a change of style around the 2:20 minute mark which picks up the interest again, but the track never really takes off.
“Sandstorm” (3:44) certainly has a very Eastern feel to it and you could close your eyes and imagine being in the Casbah. Although a different sounding track it still fails to grab your attention properly, despite the skills of the musicians.

“Satellites” (3:47), I found more interesting due to the myriad of changes that the track progresses through. A track that does “grab your ears” and makes you listen.

The final track on the album, The Sun Is New Each Day, “Bastian’s Happy Flight” (3:17) is a driving track that has bite to it and is my favorite track of the album. For once there is a great bit of interplay between the keyboards and the violin and it is, following what has gone before, unexpectedly good, but short.

I found that the album, The Sun Is New Each Day, was a difficult album to really get into. Individually, some of the 10 tracks do grab the interest of this reviewer, but listening to the album through, the good material gets muddied by the more average material and ultimately the feeling I was left with was disappointment. I feel that too many tracks simply lacked a memorable riff or unforgettable hook and it led to the tracks being somewhat indistinguishable from each other.

The musicians are skilled and the idea for the album was sound, but somewhere along the line “the train came off the rails” as they say. I will definitely dip into this album from time to time, but that is all.

As ever, this is a personal view on this album and I would urge you to get a listen to Armonite and you may disagree with me and feel that The Sun Is New Each Day is a worthy addition to your collection.

3.5/5 Stars

Key Tracks: Sandstorm, Satellites, Bastian’s Happy Flight

Tracks:
01.  Suitcase War
02.  Connect Four
03.  “G” as In Gears
04.  Sandstorm
05.  Slippery Slope
06.  Satellites
07.  Die Grauen Herren
08.  Le Temps qui fait ta Rose
09.  Insert Coin
10.  Bastian’s Happy Flight



Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk
April 14, 2016
Review Provided By Prog Rock Music Talk
 


Jazz/Fusion/Progressive Review: Armonite-The Sun Is New Each Day

Release Date: 22nd June 2015
Label:  Independent
Website
Armonite is an Italian band which generated a big problem for this reviewer in that it was very difficult to properly describe their style. The band originally combined rock and classical music with an instrument line-up that boasted 2 electric violins, keyboards, bass and drums, or at least that was true of the debut release in 1999, Inuit. If we then jump forward to 2015, one of the violinists and the main composer of the music formed a “new” band with the same name. The addition of a drummer and a bass player resulted in the release of the album under consideration in this review, The Sun Is New Each Day, with a more “normal” band line-up. The music has continued to use the classical violin work from the debut release and probably is best held up alongside the jazz fusion genres.

Armonite is a 4 piece band comprising Jacopo Bigi (electric violin), Paolo Fosso (keyboards) Colin Edwin (bass) and Jasper Barendregt (drums) with Colin probably better known, I would think, for his bass playing with Porcupine Tree. There are also 2 guests appearing on the album, Anders “GoTo80” Carlsson (8-bit sounds) and Marcello Rosa (cello).

The Sun Is New Each Day is a 10 track album with a total playing time of around 34 minutes, which is not particularly lengthy and merits being referred to as an EP. All the tracks are of similar length with track 7, “Die Grauen Herren” (The Gray Man), the shortest, with a running time of 2:47 minutes and track 6, “Satellites,” the longest at 3:47 minutes.

The opening track on The Sun Is New Each Day, “Suitcase War” (3:45) jumps out of the speakers from the word “Go” and is led by the superb electric violin playing of Jacopo, ably supported by the other musicians. After the hectic start to the track, and although the track flows well, it never maintained that early promise and at best is satisfactory. At times I could hear similarities to Darryl Way with the manner in which the violin was used. There is a change of style around the 2:20 minute mark which picks up the interest again, but the track never really takes off.

“Sandstorm” (3:44) certainly has a very Eastern feel to it and you could close your eyes and imagine being in the Casbah. Although a different sounding track it still fails to grab your attention properly, despite the skills of the musicians.

“Satellites” (3:47), I found more interesting due to the myriad of changes that the track progresses through. A track that does “grab your ears” and makes you listen.

The final track on the album, The Sun Is New Each Day, “Bastian’s Happy Flight” (3:17) is a driving track that has bite to it and is my favorite track of the album. For once there is a great bit of interplay between the keyboards and the violin and it is, following what has gone before, unexpectedly good, but short.

I found that the album, The Sun Is New Each Day, was a difficult album to really get into. Individually, some of the 10 tracks do grab the interest of this reviewer, but listening to the album through, the good material gets muddied by the more average material and ultimately the feeling I was left with was disappointment. I feel that too many tracks simply lacked a memorable riff or unforgettable hook and it led to the tracks being somewhat indistinguishable from each other.

The musicians are skilled and the idea for the album was sound, but somewhere along the line “the train came off the rails” as they say. I will definitely dip into this album from time to time, but that is all.

As ever, this is a personal view on this album and I would urge you to get a listen to Armonite and you may disagree with me and feel that The Sun Is New Each Day is a worthy addition to your collection.

3.5/5 Stars

Key Tracks: Sandstorm, Satellites, Bastian’s Happy Flight

Tracks:
01.  Suitcase War
02.  Connect Four
03.  “G” as In Gears
04.  Sandstorm
05.  Slippery Slope
06.  Satellites
07.  Die Grauen Herren
08.  Le Temps qui fait ta Rose
09.  Insert Coin
10.  Bastian’s Happy Flight



Jim “The Ancient One” Lawson-Sr. Reviewer Prog Rock Music Talk
April 14, 2016
Review Provided By Prog Rock Music Talk