Metal Review: Exlibris - Shadowrise

Release Date: April 17, 2020

Label: 2020 Exlibris Recordings

Website 

Crank up your radio or stereo and let er’ rip with Shadowrise! The band Exlibris unleashes its latest, six-track album with a blend of rage and power, combined with a melodic body of work; all of which accelerates the band through a momentous round of music.

Coming high off their critically acclaimed album Aftereal, the band leaves no stone unturned in letting rip all efforts fly on their fourth studio album. With the intense vocals of Riku Turunen mixed into the instrumental stylings of keyboardist - Piotr Sikora, bassist – Piotr Torbicz, and drummer Grzegorz “Gregor” Olejnik; a rebirth of heavy metal, or “Hi-octane metal,” or “speed metal”, has also been referenced...is born. One would assume, four albums in, a band starts to either sound repetitive or lose its fundamental uniqueness of sound. Exlibris keeps it polished and the volume past 11 as the album unfolds.

Right out of the gate, “Rule #1” transforms from an intense set up as a trick of a possible light hunter’s battle-themed tune, to then quickly evolving into an intense battle royale. Its powerful guitar-shredding clashing with the main theme of the lyrics to produce a dramatic introductory track proves to energize the listener and excite them for what is to come. As the song continues, it plateaus and slightly builds to heighten the dramatic effect of enticing the listener, only to leave them wanting more with the singer repeating a partial chorus.

“Hell or High Water” intensifies the continuation of the record. It is the fighter anthem, with the strong intensity of the guitar, this song is all about building up and getting stronger with each note that passes on. It connects well also to the beginning of “All I Never Know.” “All I Never Know” starts with great force and then lends itself to mellow out for a good half of a minute in the middle. This is only to follow it through with another short burst of energy, keeping the listener on their toes, and unwinds by mellowing out with the keyboards.

Another instance of a song flowing right into another is that of the title track “Shadowrise.” The song blends the keyboard fadeout in the very beginning and then bursts right into power and might “looking for a sanctuary.” This might imply that everything that lies within the shadows might be in danger or that the shadows may be the danger themselves. Whatever the case may be, it is a clever appeal to combine a lyrical image with the speed and sound of the song at hand.

“Megiddo” comes in with a bang. Rightfully so, aside from Riku’s vocals, this song is 85 percent dedicated to the work and craft of Grzegorz “Gregor” Olejnik. Without him, much of this record, and this song would fail to carry itself as the drum beats are what it is built upon. The speed, the rhythm, and the control of the song carry out only because of Grzegorz.

The final track “Interstellar” is intriguing. Much of the track is spoken word of a speech formerly given by President John F. Kennedy in 1962. Anyone born after the early 1990s or, even some just before then, might not even know of this infamous speech proclaiming the great desire of traveling to the moon and through space. It is a great tease in history. Never close your mind to where music could lead you even in secrecy.

Key Tracks: “Hell Or High Water,” “Shadowrise”

Gregg Keniston- MuzikMan.net Staff
April 23, 2020

Track Listing:
01. Rule #1
02. Hell Or High Water
03. All I Never Knew
04. Shadowrise
05. Megadido
06. Interstellar

Celtic-Acoustic-New Age Review: 2002- Celtic Fairy Dream

Release Date: April 24, 2020

Label: Real Music

Website

When you go to the 2002 website the new release Celtic Fairy Dream is introduced as a relaxing, soothing, nurturing music for peaceful rest and sleep. Celtic Fairy Dream is a collection of timeless songs from ancient lands. Harps, flutes, piano, and subtle orchestration accompany delightful lyrics in Gaelic, Welsh and English. That puts it all into proper perspective for any potential listeners.

There is much more to this family’s music, however, Pamela, Randy, and Sarah Copus are the contributors to this lush soundscape. As the saying goes, beauty is in the eyes of the beholder. In this case, what you hold within your mind’s eye may be different for all us, but what you hear is musical perfection with vocals that sound like they are coming straight from heaven.

The one thing that remains consistent throughout is Sarah’s incredible vocal talent. She is growing into the music with each release and mother and father have let her walk the path as they provide all the gorgeous layers of sounds for her silky sweet vocals to gloss over the top. She shines like a bright star on the verge of bursting into a supernova. I am hoping I have the opportunity to witness that event as time goes on, as each passing year will lend the experience and maturity to her vocal expertise and approach.

Sarah’s angelic vocals are the focal point of this album but she has the best support possible with her veteran musician parents. It is a beautiful thing, this amazing family and all their talents coming together as one musical energy. I am sure that there will be the third generation of musicians and vocalists someday but I am sure mom and dad are in no rush for that!

All ten tracks offer the listener a real music experience coming from three spiritual beings wishing to pass it on to humanity. They have been doing this for so long, I could not imagine another result than absolute bliss perfected in the studio.

Besides all of the excellent vocal tracks, there is an instrumental titled “Genevieve's Waltz” that puts the spotlight on the excellence of their musicianship. I am so glad that they did this track so listeners can realize the immense talent that these folks have, then to have a daughter with a voice like an angel, it completes the partnership.

Celtic Fairy Dream takes their music to yet another level that so many people will most certainly appreciate. I would love to hear this album on vinyl someday, it would be amazing, not that it isn’t already. I am a firm believer that LPs give music a different dimension. This recording is well suited to be spinning on a turntable.

Keith “MuzikMan” Hannaleck
April 10, 2020

 

Track List: 
01. Castle of Dromore 5:00
02. The Green Fields of Autumn (Coinleach Glas an Fhomhair) 5:43
03. Dream(Suantrai) 5:07
04. South Wind 5:06
05. David of the White Rock (Dafydd y Garreg Wen) 4:41
06. Close Your Eyes (Dun do Shuil) 6:12
07. She Moved Through the Fair 5:59
08. Genevieve's Waltz 5:16
09. Little Bird (Einini) 5:41
10. Across the Waves (Trasna na d'Tonnta) 5:15

Folk Rock Review: M. Ward - Migration Stories

Release Date: April 10, 2020

Label: Anti-Records

Web Site

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On Migration Stories, M. Ward rides the elusive suffusion, which intertwines the conscious and unconscious mind. Someone tried to label it long ago as ‘Mellow Gold,’ but like all labels, it is superficial and, like an abstract of an abstract, fails to capture any depth.  The sonic essence of this record feels like the springtime sun smacking your face after a long, cold winter. It warms you to the point of epiphany and a realization that better times are ahead of us.  

M. Ward’s 10th studio album starts slow and then grows gradually like a flower garden surrounding the listener in a bed of color. Migration Stories’ wavelength is similar to Ray Lamontagne’s super mellow vibe in Oroboros, Beck’s wistful mellowness in Sea Change, and the sun-drenched exaltation of the Beach Boys. Weave all this together with a thread of Nat King Cole, and you have a sonic experience unlike any other.  

Some of the more memorable moments include “Heaven’s Nail and Hammer,” where M. discovers heaven through the holes in the sky.  “Independent Man” rides a slow fuzzy groove in and out of reality toward an uneven proclamation of unrequited obsession. “Real Silence” build on itself orchestrally to produce one of the finest tracks while the infectious “Torch” repeats the line “heartbeats in rhythm to its own, ba, ba, bahhhh” is likely to create an earworm in your brain for days.  Lyrically, whether traveling through the “Unreal City” or “Along the Santa Fe Trail,” they paint a picture throughout of souls lost or in transition. 

There’s a lesson to be learned as we sit on the sand and listen to the tide gently caress the shoreline, and that is, the slower you go, the more you’ll know. Turning down the volume on our lives and moving at a more careful and deliberate pace allows us to take in more of the world around us.  This, in turn, fills us with wonder and hope for a brighter future. When an E chord is introduced after three minutes of a C, G & A progression, that E chord hits your ears like a clapper hitting a church bell.  

So, take a lesson from Migration Stories and let it take you from one place to another.  During these uneasy times, sometimes it’s best to let go and like swallows heading south, ride the wind and surrender yourself to nature, trusting that eventually, we will all arrive at a better place. 

- Tom Endyke | Guitar & Pen  

Alt-Rock Review: Morrissey - I am Not a Dog on a Chain

Release Date: March 20, 2020

Label: BMG

Website

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Moz is back with his 13th studio album, I am not a Dog on a Chain. Typical of the tortured man, proudly standing his modest piece of ground, the title perfectly matches the sentiment within. Brutal honesty and spilling of one's guts to the point where the listener, for fear of crying, can't help but laugh. 

Other than the atmospheric, eight-minute petulant grouch-fest, "The Secret of Music," there isn't much to draw my interest beyond the tried and true intro/verse/chorus/verse/solo/chorus pop-punk progression. Beginning with The Smiths whose sound defined 1980's British Indie Rock, this formula has served Morrisey well, and the musicianship on this album is solid. Yet, it serves primarily as a foundation for the grouchy vegetarian's sulky bitch-fest, ripe with warning shots of impending doom and hell-to-pay for anyone attempting daring to approach his fragile ego.  

Somewhere within this ridiculous self-indulgence lies the sublime. Worthy moments beckon the disaffected and marginalized and shine a light forward. On the title track, Moz bellows, "open up your nervous mouth and feel the words come streaming out… For otherwise, you'll never know who you are or all that you can do. If you want to" On "Knockabout World," Morrisey belts in his lush, dramatic tone, "Congratulations, you're still okay. I'd kiss your lips off any day." There is no shortage of sage advice from the aging prima donna either, "Time will mold you and craft you. But soon, when you're looking away. It will slide up and shaft you." 

As we've come to know about Morrisey, things can turn dark in a hurry. On "Jim Jim Falls," he encourages a poor indecisive soul to commit suicide. "If you're going to jump, then jump. If you're going to run home and cry, then don't waste my time. If you're going to kill yourself, then to save face, get on with it." There is no shortage of paranoia either, "Time will come, but it hasn't yet. "Someone's out to get me."  

All in all, Morrisey continues to play the victim on this slightly different spin of the same-old, same-old. He has failed to find any new ground, and instead of taking his profound lyrical instincts to blaze a new path forward, he insists on standing his ground, shouting like a disgruntled diva into the void while the world collapses around him.

- Tom Endyke | Guitar & Pen

Progressive Metal Review: Epic Tantrum-Abandoned In The Strangers Room

Release Date: January 20, 2020

Label: ET Productions

Website

One look at the cover of Abandoned In The Strangers Room from prog-metal band Epic Tantrum and you are thinking prog. It is something similar to what you would have seen on a Pink Floyd album. The choice for a band name? One word, brilliant! I love it and the artwork is eye-catching and it makes you wonder what is underneath that mask. Is it a person, alien, or creature from some dark corner or from hell itself? If you remove the red cloth what exactly will you see, something that is going to have an Epic Tantrum? It leaves it to your imagination, which in effect, is perfect for the listener with a sense of humor and an off-center thought process. It is indeed a strange cover and a creepy title for the album. There again lies the mystery and your perception of the entire package, figure it out for yourself.

Let me tell you something about this band, this is my first taste of their music, and they rock with a definitive progressive twist. I would be willing to bet at least one of these band members listened to Zappa. Lines like “I’m gonna take your skull and make you look pretty,” are not for the faint of heart. The band members are all part of the “Tantrum” family that includes Peter (guitar, vocals), Paul (guitar, vocals, keys), Greg (bass, vocals) and Z (drums). When you are endorsed by a legendary figure in prog-metal like Mike Portnoy that is very telling. Mike said of “The perfect blend of prog and metal.” And that statement could not be truer.

With a total on 19 tracks and 2 CDs, you get a ton of great music. CD1 is the studio cuts then CD2 presents all the cuts live to show you that indeed they are for real. Epic Tantrum is explosive, quirky and melodic all at the same time. And this is exactly what makes them “progressive.” According to the band’s website, the first part of the album, Abandoned, features studio recordings of previously unreleased material. The second part, In The Strangers Room, features live versions of songs from Abandoned as well as material that appeared on previously released demos. That fact there is quite impressive knowing that some of the music is just demos? They are high-quality demos that is for sure. Again, this just shows how talented this band of men are, with limitless potential ahead of them.

They are juggernauts with a vocalist perfectly suited to the music. I have to be honest though, the first time I heard the vocals I did not care for it at all (I think most people that enjoy prog-metal will love this after the first listen). Then a second try, a different day, and now I cannot figure out why I did not like it to begin with. So, there you go, with music it depends if all the sensory doors are open to the sounds and you are not sidetracked with another train of thought with the inability to really “hear” the music. And did I ever hear it all this time? You can count on it. Their ability to play at a slower pace and make some beautiful sounds that are pleasing then immediately bust right out of that at any second and peel off some vicious guitar licks backed by a powerful rhythm section is quite impressive. To see them live must be a real treat.

The guitar work is fabulous and what drives this well-oiled machine. Every track is packed with the firepower to get your blood pumping but you can also pause, and should, to hear the incredible musicianship at hand. In the end, what you get to enjoy is one of the more exciting up and coming bands in progressive metal that are going to raise some eyebrows from this point forward.

Keith “MuzikMan” Hannaleck

March 23, 2020

Review Provided By Prog Rock Music Talk

Tracks

CD 1:
01. Don't Bother...
02. Unfold
03. Accessory
04. Fables Of Fortune
05. Outside The Wire
06. Into the Clutch
07. Letting Go
08. False Idols
09. A Howling
10. Abandoned

CD 2:
11. Baillee's Gone Again (Live)
12. Franklin Park Blues (Live)
13. Letting Go (Live)
14. Now I Know (Live)
15. Accessory (Live)
16. Fables of Fortune (Live)
17. The Artist (Live)
18. Don't Bother... (Live)   
19. Drown (Live) 

Jazz Review: Val Gardena-Across The Divide

Release Date: March 20, 2020

Label: Val Gardena Music

Website

Val Gardena’s Across The Divide is just what the doctor ordered for these crazy times in which we are living. Out of control viruses, stock markets crashing, businesses closing, people in quarantine, there is so much stress and uncertainty that we all need something to take the edge off.
There is nothing like some good jazz to relax you and set your mind at ease.

The main people involved in this recording are Christopher James (composer) John Patitucci (bass), Gene Lake and Nate Smith (drums), Taylor Eigsti (piano) and the exquisite trumpet from Chris Botti on “Back in Time” and “Two of One.” (I have listed all the credits below)

This is a very satisfying recording from beginning to end and it starts with the gorgeous and picturesque title track. All the tracks are smooth and flowing except for “Why Not” which serves as their funky upbeat track with colorful keys and stinging guitar lines. To be honest, I could take an entire album of that even though I love the peace all the other tracks brought me. I still like to jump and jive just as much. That was good to hear that this talented group could flip a switch and take such a wide turn in the road to change direction. To me, that is pure talent and command, and greatly respected and appreciated by this listener.

I have a deep enduring reverence and love for jazz and I need to hear more. I drift off into other genres but can be easily pulled back after listening to superb outings such as Across The Divide. It all went by much too quick for me. I loved the way the curtain closed with “The Voice I Hear The Face I See,” which seamlessly allows you to flow right back to the opening track and hear it all again.

Music like this is timeless and I never tire of it or feel complacency, it is quite the opposite. I am captivated with the quality musicianship and production. It is like looking into a pond of crystal-clear water and watching all the fish or perhaps seeing your reflection in the placid coolness.

Jazz is movement, spirit and precision all wrapped into one amazing package and Across The Divide is an exceptional example of musical perfection that can be rare with all the technologies available to make it sound that way. This is the real deal with the latest in production methods I am sure, but you need the best of the best to make music like this, and with that I have no doubt.

All songs written by Christopher James
(1,4,5,7,9) written by Christopher James and Andy Snitzer

Drums - Graham Hawthorne (1,2,3,4,7,9); Nate Smith (6.8); Gene Lake (5)
Percussion - Graham Hawthorne
Bass - John Patitucci (5,6,8); Zev Katz (1,3,4,7,9); Tim Lefebvre (2)
Guitar - Bernd Schoenhart, Adam Rodgers (5)
Piano -  Mike Ricchiuti, Taylor Eigsti (6,8)
Keyboards / Synthesis - Andy Snitzer
Wurlitzer, B3 - Brian Charette (5)
Trumpet - Chris Botti (6,8); Tatum Greenblatt (1,4); Kent Smith (7)
Saxophone - Andy Snitzer (1,5)
Vocals - Andy Snitzer (4)
Vocals - Jo Lawry (1,2,4,9)

Keith “MuzikMan” Hannaleck
March 21, 2020

Review Provided By MuzikMan.net

Tracks: 
1. Across The Divide
2. Take Me With You 2
3. What I Meant To Say
4. Do You Know The Way
5. Why Not
6. Two of One
7. Nazare
8. Back In Time
9. The Voice I Hear The Face I See

 

Alt-Rock Review: Deap Lips - Deap Lips

Release Date: March 13, 2020

Label: Cooking Vinyl Limited

Website

In their latest attempt to throw their arms around the world, The Flaming Lips have teamed up with the bluesy LA duo, Deap Valley, to create a curiously satisfying collaboration. Flaming Lips vocalist Wayne Coyne and multi-instrumentalist Stephen Drozd join Deap Vally guitar/vocalist Lindsey Troy and drummer/vocalist Julie Edwards in this psycho-blues-robot-alien-pop rock experiment. 

Since their triad of masterworks at the turn of the century, The Soft Bulletin, Yoshimi Battles the Pink Robots & At War with the Mystics, The Flaming Lips' trajectory has been crooked and confounding at best. While 2009's Embryonic gave fans hope for the band's evolution into an impassioned psycho-prog sound, 2013's The Terror steered their fans into another confounding direction. 2017's Oczy Mlody and 2019's King's Mouth attempted to blend elements of this newfound psycho-terror with the aforementioned triad of masterworks, striking chords in spots, yet missing the beat as a whole.
What has truly kept The Flaming Lips compelling and viable over the past 15 years has been their work with other bands and artists. Arguably, their best album over this period has been 2012's The Flaming Lips and Heady Fwiends.  Ambitious cover albums of Sgt. Pepper and Dark Side of the Moon assembled even more "fwiends." This current collaboration with Deap Vally follows suit by layering soulful vocals over more complex, yet lighter tracks.  "Home Thru Hell" is a standout that exemplifies this strange fusion, even adding some playful pokes. "taking all my wisdom from the Flaming Lips of youth." 
More intriguing elements of the Flaming Lips such as robotic blurps, churchbells, and descension into divine, jangling netherworlds are peppered throughout the collection. "Hope Held High" and "Love is Mind Control" are superb tracks reminiscent of some of the Flaming Lips' best psycho-pop-acoustic work. Lindsey Troy's vocals on these and other songs add an Amy Winehouse-style nofucksgiven nihilist bent to the atmosphere. 
Most satisfying is hearing Deap Vally's aggressive garage sound soften amidst The Flaming Lips psycho-prog vibe. Alternately, The Flaming Lips become sharp and soulful within Deap Vally's electrified boundaries.  
All in all, The Flaming Lips skillfully harnessing Deap Vally's raw strength makes for one of the most pleasant surprises of 2020. There's enough here to please fans of both bands and then some.  
- Tom Endyke | Guitar & Pen

Instrumental New Age Review: Sonic Yogi-Be The Love You Seek

Release Date: January 26, 2020

Label: Sonic Yogi Productions
Website

The Sonic Yogi is Jonathan Adams. After recovering from extreme anxiety Jonathan realized the healing powers of music like never before. I think if you find yourself caught up in a cycle like what he experienced you are searching for solutions, and he was fortunate he found what he needed to get back on the right path to recovery.

His answer to the calling he received was Be The Love You Seek. This is a collection of eleven tracks that combine music with elements of music and sound therapy, a very effective combination I must say. He plays several instruments including Classical Guitar, Tibetan (Himalayan) Singing Bowls, Gong, Percussion and Native American Flute.

All of that creates an aural soundscape that will invite you to fall right into the music, relax, and focus on your inner being, from where your spirit comes from. That essence of our humanity and strength can be sidetracked or even dormant when faced with a debilitating illness, mental or physical. The timing of this is perfect with the Corona virus spreading worldwide and our economies in virtual collapse. The panic behind all this madness needs to be calmed and music from Be The Love You Seek can be that organic pacifier we all need to hear right now.

My favorite track is “Dharmalodic.” I added it to my New Age Music Reviews Spotify Playlist. That is the one track I want everyone to hear first because it combines rudiments of the old and new so seamlessly, it is a true work of art. In these turbulent times when we are uncertain and our very souls are shaken by events, we need that assuring and calming voice. That voice is music my friends, it speaks to us as the ultimate healer that does not require a prescription, just your ears, and undivided attention.

I can promise you this, if you listen to Sonic Yogi’s music your cares will melt away and you feel relieved and re-energized, prompting a more positive view of your surroundings and the world at large. It works beautifully and you can trust the music to transport you to another frame of mind or another plane of existence if you will.

This was a day when I really needed Be The Love You Seek.  Perhaps many of you can find a different way of feeling. In the end, existing in this environment that constantly exposes us to the many forms of communication that can serve as interruptions to our days, music is the always the answer to regain our focus. Trust me when I say, you need this music. Sonic Yogi has arisen from the ashes like the phoenix of music, spreading his wings and inviting you to go for the ride. Ready for takeoff?

Keith “MuzikMan” Hannaleck
March 14, 2020

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Review Provided By New Age Music Reviews

Tracks:
01. Montana Skies
02. December Sun
03. Dharmalodic
04. Ajna Meditation (Monaural Beat Mix)
05. Om Shanti Mantra (Prayer for Peace) [feat. Octavia Nasr]
06. Yoga is Union (Introspection)
07. Finding Theta
08. Awakening in the Dream (Note to Self)
09. Third Eye Flute (Interlude)
10. Gong Bath Zen
11. Guided Chakra Meditation

Progressive Rock Review: JJ Chardeau - In Terra Cognita?

Release Date: November 15, 2019

Label: L RECORDS, Muffin Records Productions USA

Website

A chanting overture, “Evolution,” leads into a battle-like track with “Dream In Moscow.” In Terra DCognita? (The Music of the Rock Opera Magic Musical Man) is a musical phenomenon. Not only is it an impactful recitation of wonderful instrumentation, but, the listener is gifted with a culture shock of all different languages and origins.

JJ Chardeau is certainly a man of uniqueness. As seen throughout this album, Chardeau does not limit himself to one particular styling or sound. Instead, he will push boundaries to see great success in his work and artistic expressions. For over 30 years, he’s been making Progressive Rock all his own and bending every rule he can.

“Dream In Moscow” is a beautifully written out build-up of battle or struggle. It begins as an illuminating piece, soothing the listener’s ear with a piano intro, as the orchestra and Chicago’s Danny Seraphine, along with Jethro Tull’s Martin Barre lending their voices to this piece amongst others throughout the album. “Black Taj Mahal” is a good contour for the prior track as the chimes, flute, and what sounds to be a triangle echo out a mental escape to a serene picturesque land.

“Farewell Lhassa” is another ode to a foreign area, China. One that offers up a more haunting vibe of chimes and an occasional gong and guitar riff. Voices arise of an alert message that conflict has now arisen and materials (missiles) have been stolen, almost as though someone has been compromised. This is followed up by another strictly instrumental piece.

Filled with the xylophone, keyboard, and drums to keep the rhythm in place, “DMZ” bridges the album together keeping a steady relaxed tone throughout the track. Leading into “Frisson Nippon,” is a thrilling, excitement lead-up of chimes and whistle-into-chant. It feels as though the song is taking the listener sailing through steady waters or hiking up to conquer some challenges on land or sea. “Les larmes du pacifique” starts as a tropical island getaway, going into a tragic song of tears and struggle.

“Nunavut,” is a hushed and fluted piece that has a god-like messenger speaking throughout. It sounds as though, a mission is being explained or what might be next to come on the listener’s journey, wherever the figure may be thinking of. Then we approach “The Last Rockaway.” It is different and fun from the rest of the record where it feels more like a classic rock n’ roll song. It asks of the individual’s humble beginnings as he is the sole person left of his own.

“Pablo Tequila” is a fun international song that throws even the most anti-dancer into a hip-shaking good time. It is a simple feel-good song that poses as a rarity for the record. Following that up, “Machu Picchu” is a strictly instrumental styled piece that has a very simplistic sound to it. A piano at the beginning and end, a flute, and some percussion give life to this song as it sends the listener through another conflict-to-resolution type of scenario; ending with a serene resolution.

Heading into what sounds like a Middle-Eastern piece, the majority of “Cabale Kabyle” is an easy, melodic tune that appeals well to the average listener. Towards the end there seems to be a bit of struggle or issue of sorts but, within a minute the struggle resigns to more of the strings ending the tune with peace. Next, “Walls of Lament” (the single off the record), gives a feel to me like a spy movie. It reminds me of where the spy or hero is trying to get past the laser-covered room to reclaim his stolen artifact. But, by the middle of the song, it becomes something back into a foreign land to adventure through thickets of fog as the listener wanders.

“Tchad” is probably the most complicated of the tracks to understand to a person whose only language is English. It sounds as though the vocalist is proclaiming the area their own. The fact that they will not go down without a fight shows their strength and resilience to protect what is theirs. This, combined with the finale of “The End” leads to a very powerful finale. The brightness and intensity show how to end a story properly.

Key tracks include: “Dream In Moscow,” “Les larmes du pacifique,” and “Pablo Taquila.”  

Gregg Keniston- MuzikMan.net Staff
March 8, 2020

Track Listing:
01. Evolution (Magical Musical Man Ouverture)
02. Dream In Moscow
03. Black Taj Mahal
04. Farewell Lhassa
05. DMZ
06. Frisson Nippon
07. Les larmes du pacifique
08. Nunavut
09. The Last Rockaway
10. Pablo Tequila
11. Machu Picchu
12. Cabale Kabyle
13. Wall of Laments
14. Tchad
15. The End? (Magical Musical Man Finale)
 

Progressive Rock Review: JJ Chardeau - In Terra Cognita?

Release Date: November 15, 2019

Label: L RECORDS, Muffin Records Productions USA

Website

A chanting overture, “Evolution,” leads into a battle-like track with “Dream In Moscow.” In Terra DCognita? (The Music of the Rock Opera Magic Musical Man) is a musical phenomenon. Not only is it an impactful recitation of wonderful instrumentation, but, the listener is gifted with a culture shock of all different languages and origins.

JJ Chardeau is certainly a man of uniqueness. As seen throughout this album, Chardeau does not limit himself to one particular styling or sound. Instead, he will push boundaries to see great success in his work and artistic expressions. For over 30 years, he’s been making Progressive Rock all his own and bending every rule he can.

“Dream In Moscow” is a beautifully written out build-up of battle or struggle. It begins as an illuminating piece, soothing the listener’s ear with a piano intro, as the orchestra and Chicago’s Danny Seraphine, along with Jethro Tull’s Martin Barre lending their voices to this piece amongst others throughout the album. “Black Taj Mahal” is a good contour for the prior track as the chimes, flute, and what sounds to be a triangle echo out a mental escape to a serene picturesque land.

“Farewell Lhassa” is another ode to a foreign area, China. One that offers up a more haunting vibe of chimes and an occasional gong and guitar riff. Voices arise of an alert message that conflict has now arisen and materials (missiles) have been stolen, almost as though someone has been compromised. This is followed up by another strictly instrumental piece.

Filled with the xylophone, keyboard, and drums to keep the rhythm in place, “DMZ” bridges the album together keeping a steady relaxed tone throughout the track. Leading into “Frisson Nippon,” is a thrilling, excitement lead-up of chimes and whistle-into-chant. It feels as though the song is taking the listener sailing through steady waters or hiking up to conquer some challenges on land or sea. “Les larmes du pacifique” starts as a tropical island getaway, going into a tragic song of tears and struggle.

“Nunavut,” is a hushed and fluted piece that has a god-like messenger speaking throughout. It sounds as though, a mission is being explained or what might be next to come on the listener’s journey, wherever the figure may be thinking of. Then we approach “The Last Rockaway.” It is different and fun from the rest of the record where it feels more like a classic rock n’ roll song. It asks of the individual’s humble beginnings as he is the sole person left of his own.

“Pablo Tequila” is a fun international song that throws even the most anti-dancer into a hip-shaking good time. It is a simple feel-good song that poses as a rarity for the record. Following that up, “Machu Picchu” is a strictly instrumental styled piece that has a very simplistic sound to it. A piano at the beginning and end, a flute, and some percussion give life to this song as it sends the listener through another conflict-to-resolution type of scenario; ending with a serene resolution.

Heading into what sounds like a Middle-Eastern piece, the majority of “Cabale Kabyle” is an easy, melodic tune that appeals well to the average listener. Towards the end there seems to be a bit of struggle or issue of sorts but, within a minute the struggle resigns to more of the strings ending the tune with peace. Next, “Walls of Lament” (the single off the record), gives a feel to me like a spy movie. It reminds me of where the spy or hero is trying to get past the laser-covered room to reclaim his stolen artifact. But, by the middle of the song, it becomes something back into a foreign land to adventure through thickets of fog as the listener wanders.

“Tchad” is probably the most complicated of the tracks to understand to a person whose only language is English. It sounds as though the vocalist is proclaiming the area their own. The fact that they will not go down without a fight shows their strength and resilience to protect what is theirs. This, combined with the finale of “The End” leads to a very powerful finale. The brightness and intensity show how to end a story properly.

Key tracks include: “Dream In Moscow,” “Les larmes du pacifique,” and “Pablo Taquila.”  

Gregg Keniston- MuzikMan.net Staff
March 8, 2020

Reviews Provided By:

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Track Listing:
01. Evolution (Magical Musical Man Ouverture)
02. Dream In Moscow
03. Black Taj Mahal
04. Farewell Lhassa
05. DMZ
06. Frisson Nippon
07. Les larmes du pacifique
08. Nunavut
09. The Last Rockaway
10. Pablo Tequila
11. Machu Picchu
12. Cabale Kabyle
13. Wall of Laments
14. Tchad
15. The End? (Magical Musical Man Finale)

Soul Review: Sam Cooke-The Complete Keen Years (1957 – 1960)

Release Date: January 24, 2020
Label: ABKCO

Website

The silky-smooth voice of Sam Cooke will never be forgotten. His life was way too short but did he ever leave behind an amazing musical legacy.
Part of that legendary performer's catalog was his time at the Keen label. The Complete Keen Years (1957 – 1960) is a 5 CD set that covers all of that pivotal time in his career.

Sam was the king of soul and would have held that title much longer if it wasn’t for premature death. There is a documentary on his life on Netflix and the suspicious circumstances behind the ending of his time here on earth. But that is another story entirely.

The focus here is the music and it all is very exceptional. I personally never sat down and listened to this much Sam Cooke music with exception of a best-of set on vinyl. This set solidified my belief that he was one the greatest vocalist to ever hit the stage or record. If you cannot find several gems on this box set, I would suggest moving on to something else. If you appreciate great soul music with a mixture of pop elements you will love this from beginning to end.

Sam’s rise to fame was meteoric after leaving his first band the Soul Stirrers. He was also a clever businessman that would have gone places in the areas of labels and recording upcoming artists, I imagine very similar to what Berry Gordy did with Motown.

It is comforting to know we still have all of his music to appreciate and The Complete Keen Years (1957 – 1960) will be a revelation to those that may have not discovered this incredible collection of early soul music. This is a solid package with a nice booklet filled with interesting info. So, if you want to hear a collection by one of the true innovators and well-known artists of soul music, then you must hear this set whether you are a longtime fan or just a beginner.

Who else could have covered the music of Billie Holiday so eloquently as Sam? Tribute to The Lady was originally released on Keen in 1959. It is an exceptional collection Lady Day’s work and included in this set. If you happen to like Holiday’s work you will appreciate Sam’s interpretations. That is but one example of what you will enjoy on this box set.

I decided to listen to one CD every day to take it all in and observe all the styles and approaches Sam took with each recording. It gave me a view of the man and his music I have never had the opportunity to enjoy before. I have no doubt I will be seeking more of Sam’s music in the future and will be looking for more collections like The Complete Keen Years (1957 – 1960).

Keith “MuzikMan” Hannaleck
March 5, 2020

Review Provided By MuzikReviews.net

 
Tracks:

Disc 1 - Sam Cooke - originally released on Keen in 1958
1) You Send Me
2) The Lonesome Road
3) Tammy
4) Ol’ Man River
5) Moonlight In Vermont
6) Canadian Sunset
7) Summertime, Pt. 2
8) Around the World
9) Ain’t Misbehavin’
10) The Bells of St. Mary’s
11) So Long
12) Danny Boy
12) That Lucky Old Sun

Disc 2 - Encore - originally released on Keen in 1958
1) Oh, Look at Me Now
2) Someday
3) Along the Navajo Trail
4) Running Wild
5) Ac-cent-tchu-ate the Positive
6) Mary, Mary Lou
7) When I Fall in Love
8) I Cover the Waterfront
9) My Foolish Heart
10) Today I Sing the Blues
11) The Gypsy
12) It’s the Talk of the Town

Disc 3 - Tribute to The Lady - originally released on Keen in 1959
1) God Bless the Child
2) She’s Funny That Way
3) I’ve Gotta Right to Sing the Blues
4) Good Morning Heartache
5) Tain’t Nobody’s Bizness (If I Do)
6) Comes Love
7) Lover Girl (Man)
8) Let’s Call the Whole Thing Off
9) Lover Come Back to Me
10) Solitude
11) They Can’t Take That Away from Me
12) Crazy She Calls Me
 
Disc 4 - Hit Kit - originally released on Keen in 1959; 9 bonus tracks
1) Only Sixteen
2) All of My Life
3) Everybody Loves to Cha Cha Cha
4) Blue Moon
5) Win Your Love For Me
6) Lonely Island
7) You Send Me
8) Love You Most of All
9) (I Love You) For Sentimental Reasons
10) Little Things You Do
11) Let’s Go Steady Again
12) You Were Made For Me
13) Lonely Island (Single Version) [Bonus Track]
14) Win Your Love For Me (Stereo) [Bonus Track]
15) Almost In Your Arms (Theme from Houseboat) (Stereo) [Bonus Track]
16) Everybody Loves to Cha Cha Cha (Stereo) [Bonus Track]
17) Little Things You Do (Stereo) [Bonus Track]
18) Only Sixteen (Stereo) [Bonus Track]
19) Let’s Go Steady Again (Stereo) [Bonus Track]
20) With You (Stereo) [Bonus Track]
21) Ee-I-Ee-I-Oh a/k/a Ee-Yi-Ee-Yi-Oh (Stereo) [Bonus Track]

Disc 5 - The Wonderful World Of Sam Cooke - originally released on Keen in 1960; 6 bonus tracks
1) (What A) Wonderful World
2) Desire Me
3) Summertime, Pt. 1
4) Almost in Your Arms (from “Houseboat”)
5) That’s Heaven to Me
6) No One (Can Ever Take Your Place)
7) With You
8) Blue Moon
9) Stealing Kisses
10) You Were Made for Me
11) There I’ve Said It Again
12) I Thank God
13) Steal Away (Album Version) [Bonus Track]
14) Deep River [Bonus Track]
15) One Hour Ahead of the Posse [Bonus Track]
16) Ee-I-Ee-I-Oh a/k/a Ee-Yi-Ee-Yi-Oh [Bonus Track]
17) So Glamorous [Bonus Track]
18) Steal Away (Single Version) [Bonus Track]