Release Date: 19th
June 2015
Label: Telergymusic
Hypatia is
release number 3 for the band, Telergy, the name for the creative vehicle of
composer and multi-instrumentalist, Robert McClung. I had not heard of this
band prior to The Legend Of Goody Cole arriving
on my desk for review in 2013. That release followed on from the debut by
Robert, The Exodus, in 2011. All 3
albums are concept releases, with each telling the story of an important
historical event. The new release, Hypatia,
is based on the life of Hypatia of Alexandria, who was a great mathematician,
astronomer, philosopher and teacher who met a tragic death in 415 AD.
Robert recruits musicians to help out in his recordings
and he turned his attention to progressive music in 2009 after 2 decades of
playing in a variety of genres.
On Hypatia,
Robert is responsible for guitar, bass, violin, viola, piano, mandolin, organ,
keyboards, flute, balalaika, ukulele, sitar, lap steel guitar, bodhran,
percussion and tenor/baritone vocals, along with no less than 38 guest
musicians and vocalists, including Durga McBroom-Hudson on vocals (Pink Floyd),
Blake Carpenter on vocals (Minstrel’s Ghost) and Oliver Wakeman on keyboards
(Yes).
Hypatia is
a 17 track album which lasts just over 63 minutes. Nine of the tracks are
narrative scene setters which link the main tracks and carry the concept
through the album. They tend to be very short and vary in length from just
under, to just over, a minute. The longest track on offer is track 4,
“Philosopher” with a playing time of 11:44 minutes and the shortest of the main
tracks is track 12, “Scapegoat” with a running time of just under 3 minutes.
(2:54)
The first main track is track 2, “Astronomer” (7:15) and
follows the directional narration of “Scene 1” (0:38). The initial building up
of gentle sounds, slowly increasing in intensity, is suddenly blown away by the
thundering entry of “the band” at just over a minute. Chunky guitar chords and
stunning keyboards/synths run riot and a superb lead guitar weaves a melody
over the solid background. Around the 2:30 minute mark, the lead instrument
morphs into a stunningly emotive violin with a particularly memorable theme. A
little muffled atmospherics carries the track into a very upbeat flute passage
which reintroduces a level of chunkiness whilst maintaining an almost Eastern
feel. Once again the guitar gets a chance to show off a little as the track
starts to drive along and then settle back into the chunky feel of the starting
point. This track works very well and bodes well for the album, remembering
that it is a concept album and is mainly instrumental in nature.
A second short narrated scene setter, “Scene 2” (0:37)
leads the listener into the longest track on offer, but only by seconds,
“Philosopher”.(11:44) This time the band is piano based and has a magnificent
arrangement of choral voices set against majestic strings. The slow “burn” of
the choir fades to usher in some subtle synths which are joined by drums and
bass to form a driving track with a terrific feel. The choir splits and leaves
the male and female voices at times harmonizing and at others juxtaposing for
the lead. The violin sweeps along with an excellent theme as the track
approaches the halfway point before giving the piano a chance to lead the way.
A change to a slower, almost melancholy, theme backed by some excellent strings
lulls the listener into a false sense of security before the band “up the
stakes” with a very metal section leading into a frenetic synth section which
morphs into an electric guitar theme before returning to the synth. The track
ends with a gentle orchestral fade out.
One of the best tracks on offer is track 14, “Murder”
(9:30) which aurally illustrates the brutal ending which befell Hypatia, when a
small riot caused by rivals of her ideas, climaxed with Hypatia being attacked
and killed by having pieces of her body cut off. The track conjures up the
atmosphere of the unfolding brutal killing by constantly building in intensity,
together with “shouting from the mob” in the background. The choir adds to the
mesmeric soundscape being produced and there is a distinct slant to a metal
style in the driving music. The slow section coinciding with the realization of
the actions of the mob is stunning, bookended as it is by the metal style of
the rest of the track.
Telergy has successfully produced another concept album
which works very well, considering that the “storyline” for the most part is
only being suggested by the instrumental nature of the music and the details of
the story are being formulated inside the head of the listener. The music
echoes the developing concept so well and shows that instrumental music that is
well thought out, properly produced and played with passion will indeed “speak”
to the listener.
Hypatia is
not an “immediate” album and indeed I had listened several times before it
suddenly all just worked and I found the album eye-opening (or should that be
ear-opening?). My advice would be to give the album a chance, it does require
multiple listens, but hopefully you will then appreciate just over an hour of
excellent instrumental progressive music and the concept held within.
4.5/5
Stars
Key
Tracks: Astronomer, Philosopher, Murder
Tracks:
Scene 1
Astronomer
Scene 2
Philosopher
Scene 3
Mathematician
Scene 4
Teacher
Scene 5
The Burning of the Library of Alexandria
Scene 6
Scapegoat
Scene 7
Murder
Scene 8
Martyr
Scene 9
Scene 1
Astronomer
Scene 2
Philosopher
Scene 3
Mathematician
Scene 4
Teacher
Scene 5
The Burning of the Library of Alexandria
Scene 6
Scapegoat
Scene 7
Murder
Scene 8
Martyr
Scene 9
Jim “The Ancient One” Lawson-Sr. Reviewer Prog
Rock Music Talk
October 12, 2015
Review
Provided By Prog Rock Music Talk